A definitive ranking of every Britney Spears album

The release of That's Showbiz Baby! by JADE has reignited my love for those rare pop albums that are both experimental and totally non-skip and if you haven’t listened to TSB! yet, you’re genuinely missing out.

It’s a full on experience, especially with the music videos and visualisers accompanying every track.

It instantly made me think of Britney Spears, whose discography is stacked with near-perfect pop gems and iconic music videos that never miss.

As a lifelong Britney fan (ask my mum or my dad or my brother), I figured it’s time we needed a definitive ranking of her albums here at Scene HQ. Admittedly, my fave album changes depending on my mood and the moon but let’s dive in head first and see where we land!

9.Britney Jean

Landing at number nine on the list-and I think most of the the Britney Army would agree-Britney Jean is widely considered the weakest link in Britney’s otherwise stellar discography. That said, I’m an optimistic olive and there are still a few bangers tucked in here!

Created during the height of her conservatorship, Britney had minimal creative control over the project so it's understandable why this album doesn't compare to her other albums. With tracks featuring up to nine songwriters and six producers woah, the album feels way overproduced.

I remember Britney repeatedly call it her “most personal album” in interviews but the lyrics were all so generic and the production was so robotic. I remember just thinking whattttt but she was obviously just told to keep saying that.

Even Britney herself reflects on this in her 2023 The Woman in Me memoir, writing: “I wasn’t making a lot of music that I was proud of, probably because I wasn’t into it. I was so demoralized.” She does, however, give a nod to one standout: “I made one good song with will.i.am.”. The iconic Work Bitch....

I vividly remember hearing this song for the first time while I was on holiday in Sorrento back in 2013 and honestly I thought it was shockingly bad BUT thankfully it grew on me in a big way and I can't believe I thought that now, and now it’s genuinely one of my all time favourite Britney tracks (and videos!).

I’ve also got a soft spot for Alien and Perfume, and brace yourself for an unpopular opinion-I actually really enjoy Tik Tik Boom, Body Ache, and Til It’s Gone. Total guilty pleasures.

8...Baby One More Time

The album that launched the one and only Miss Britney Spears into the pop stratosphere. Its influence on the genre is absolutely undeniable. I had it on cassette, from a shop called MVC omg lol throwback! To this day, it stands as Britney’s best selling album after selling over 25 million copies worldwide and has been deemed one of the most influential pop records of all time. 

With this release, Britney transformed from a fresh-faced Mickey Mouse Club alum into a global icon. And let’s not forget the music video for the title track with that schoolgirl outfit becoming one of her most instantly iconic looks.

(You Drive Me) Crazy is one of the most thrilling pop songs ever, the moment those unmistakable cowbells kick in, you know you’re in for a ride.

Oh and the music video is a total time capsule, I'm stilllllll not over it featuring none other than Sabrina the Teenage Witch herself aka Melissa Joan Hart alongside Adrian Grenier (Andy's boyfriend in The Devil Wear's Prada). Their cameo tied in perfectly with the movie Drive Me Crazy, making the whole release feel like a cross-promotional fever dream in the best way possible.

Sometimes is Britney at her most tender and dreamy and cutsey-a soft, shimmering ballad that offered a sweet contrast to the boldness of Baby and captured the innocence and vulnerability of young love, wrapped in a breezy melody and beach side visuals.

Oh and fun fact: the Sometimes video became one of the most requested videos on MTV’s Total Request Live during its peak!

I've always thought that Born To Make You Happy felt like a hidden gem in Britney's discography, I know when most people think of Britney they think Toxic or Baby but I've always adored this song! It’s emotionally raw in a way that’s rare for teen pop and Britney’s delivery makes it feel genuinely heartfelt.

I didn't realise that it was only released exclusively in Europe and became Britney’s second number one single in the UK-still a hidden gem though IMPO.

7.Oops...! I Did It Again

I keep thinking this album deserves a higher spot on my list seeing as it features some of Britney’s biggest hits like Oops, Stronger and Lucky. Even deeper cuts like Don’t Go Knockin’ on My Door, What U See (Is What U Get), Dear Diary, Can’t Make You Love Me and well the whole album, serve up peak Y2K pop vibes. But wow, ranking Britney’s albums is way tougher than I expected so don't judge me Britney army, I'm one of you!

Released in 2000, Oops!... was Britney’s triumphant return, doubling down on her pop dominance with sparkling production and infectious hooks.

Everyone remembers the official music video for the unforgettable and iconic red catsuit and playful Titanic reference after becoming another instant pop cultural moment and further cementing Britney as the reigning princess of pop.

Omg the Lucky music video was filmed at the historic Palace Theatre in LA and told the story of a glamorous starlet who seemingly has it all but feels empty inside. With its dreamy melody and poignant lyrics, it offered a surprisingly introspective moment in her discography, especially for a teen pop icon at the height of her fame.

It’s always been one of my favourite Britney tracks-not just for its catchy chorus but for how it hinted at the pressures of fame long before the world truly understood what she was going through. It hits differently now after we know everything and it feels more honest than ever.

I remember watching the Stronger premiere on MTV and my mum was on the landline to her best friend at the time and even though I was mesmerised by Britney's chair choreography I could hear my mum saying to her friend "Ooh Britney's gone a bit raunchy" LOL.

Stronger was Britney’s bold declaration of independence and it marked a turning point. Britney wasn’t just a teen pop princess anymore, she was stepping into her power. The lyrics “I’m stronger than yesterday” hit hard then even though I was only like 11 or 12 years old ha and hits even harder now.

Don't Let Me Be the Last to Know is a gem and one of Britney’s most tender ballads, a dreamy slice of early 2000s pop that showcased her softer, more vulnerable side.

The music video, filmed on a beach in Miami and directed by Herb Ritts perfectly captured the song’s longing and intimacy. Looking back, it’s a reminder of Britney’s versatility and emotional depth, often overshadowed by her dance-pop hits.

6.Femme Fatale

Released in 2011, Femme Fatale was Britney’s full embrace of the EDM-pop wave, delivering a sleek, high-octane collection of dancefloor anthems that felt tailor made for the recession pop era!

With pulsing beats, robotic vocals, and glittering production, it was Britney at her most futuristic yet still unmistakably herself. The album’s visuals, especially the music video for Till the World Ends captured that apocalyptic party vibe perfectly with Britney leading a subterranean rave as the world above collapses.

I remember it was massive news at the time that the Ancient Mayans calendar predicted the world would end in 2012 but after hearing this nihilistic bop, I guess mother nature decided to hold on for a few more decades luckily for us all yay.

Hold It Against Me is one of the most euphoric moments in Britney’s discography too, in fact I'd say the whole Femme Fatale album is one of the most euphoric moments in Britney's career. It might not be her most personal album, but it’s pure escapism-glamorous, chaotic and endlessly replayable.

Sabi’s verse on the album track (Drop Dead) Beautiful is seriously powering me through my Brighton half marathon training right now. The line “Got me kind of hot, but I ain’t sweatin’ you. Steamin’ like a pot full of vegetables” has always cracked me up and still does, in the best way not a bad way! (Oh, if you fancy sponsoring me HERE, I appreciate it hehehehe thank YOU)!

Revisiting Femme Fatale now, there's an unmistakable bittersweetness woven through its glossy production. Released during what fans often call the “Robotney era”, a period marked by Britney’s visible exhaustion and emotional detachment-it’s hard not to feel the weight of what she was enduring behind the scenes.

Her performances and interviews from that time carried a distant, almost mechanical energy, a reflection of the intense constraints of her conservatorship.

Who wouldn’t shut down under that kind of pressure though?! The album may be packed with dancefloor bangers, but beneath the surface, it echoes a deeper story of resilience and restraint.

Also, the Femme Fatale Tour was actually my first time ever seeing Britney live, and both me and my bestie could feel it, but Britney's free now!

I Wanna Go is a synth-pop anthem that radiates pure summer energy. With its infectious whistle hook and punchy chorus, it became an instant fan favourite-an ode to breaking free and letting loose, also, did Britney invent whistle pop?!

In the music video Brit gives the finger to the paparazzi and dances with robots (omg Britney predicted AI) and was directed by Chris Marrs Piliero, it perfectly captured the cheeky spirit of the song.

I’ve always felt Criminal deserved way more attention.

It’s sultry and cinematic and shows a more introspective side of Britney that we didn’t get enough of during that era. The music video was filmed in London and I remember at the time it caused controversy for its depiction of gun violence but I just loved the Bonnie and Clyde storyline.

5.Britney

Released in 2001, Britney was the moment Britney really shed the teen pop image and stepped boldly into adulthood. The album was edgier, sexier, and more experimental than anything she’d done before-blending pop, R&B, and even rock influences.

Tracks like I’m a Slave 4 U and Overprotected signaled a shift: Britney wasn’t just growing up, she was taking creative control and challenging expectations.

I’m a Slave 4 U was written and produced by Pharrel Williams and Chad Hugo duo aka The Neptunes and when Britney dropped slave in 2001, it was like watching a pop metamorphosis in real time. Gone was the bubblegum innocence-this was sultry, hypnotic, and unapologetically grown.

The track’s steamy rhythm and breathy vocals marked a bold shift in Britney’s sound and image and I remember some people being outraged but most people loved it. The music video was provocative but also a declaration: she was no longer playing it safe.

Britney performed the song at the 2001 MTV Video Music Awards with a live python draped over her shoulders, a moment that instantly became one of the most talked-about performances in VMA history and again another instantly iconic pop culture moment.

Similarly, Boys was Britney at her most flirtatious and effortlessly cool. Boys features on the Austin Powers in Goldmember soundtrack and oozes early-2000s. With its laid-back Neptunes production and cheeky lyrics, it was a playful departure from her usual high-energy pop.

The music video, set at a lavish mansion party, featured Britney turning heads and taking charge, with cameos from Pharrell and Austin Powers himself. It was stylish, sultry, and totally of its time IMPO!

Overprotected was Britney’s pop manifesto-an anthem for anyone who’s ever felt boxed in or misunderstood. With its punchy production and defiant lyrics, it captured the tension between growing up and being constantly scrutinised.

Even at the time I thought Overprotected felt like one of Britney’s most honest tracks, it's such a bop but beneath the pop sheen is a real cry for independence that still hits hard today.

The Britney album also features the poignant ballad I’m Not a Girl, Not Yet a Woman, a track that feels even more autobiographical in hindsight.

In her memoir, Britney reflects on being treated like a child well into adulthood, a theme that echoes through the song’s emotional core.

Stripped of flashy production, this ballad showcased Britney’s vulnerability and emotional depth at a time when she was transitioning from teen idol to young adult under intense public scrutiny. It’s a song that resonated with anyone navigating the awkward space between adolescence and adulthood, I think I was 13 so I felt like I related! The song was featured prominently in Britney’s debut film Crossroads and earned her a nomination for Best Female Pop Vocal Performance at the 2003 Grammy Awards.

Some of the most underrated brilliance on the Britney album lies in tracks like Anticipating, Bombastic Love, What It’s Like to Be Me (co-written with Justin Timberlake argh) and Cinderella. Cinderella is a rebellious fairytale twist and Bombastic Love is pure early-2000s pop perfection.

Together, they form the heart of the album and prove Britney was experimenting, evolving, and owning her sound. I just need to mention Cinderella again though. What. A. Song. It still sounds strikingly fresh in 2025.

4.Circus

Circus was was released on the 2nd December 2008 to coincide with Britney's 27th birthday, and her first album to be released under the conservatorship. This was widely seen as her comeback album at the time and came off the back of a tumultuous few years in the public eye.

Little did we know that this was the beginning of Britney being under her fathers’ draconian control. It’s one of her most emotionally layered albums and I’ve always admired how Britney managed to channel strength and fragility into such a cohesive, glittering package.

The title track was the second single to be released although I always thought it would've made sense for it to be the first, but anyway with its theatrical production and commanding lyrics, Circus perfectly captured the duality of her life-living under the spotlight while reclaiming her narrative. The music video featured Britney as the ringleader complete with fire breathers, acrobats and fierce choreography obvs.

There's something about the opening lyrics "There's only two types of people in the world, the ones that entertain, and the ones that observe" that I loved because it's so true.

Prior to creating this album, Britney's father told her “I’m Britney Spears now” which was so messed up and understandably puts a dark cloud over this album, but it's still such a good album argh. Honestly it's conflicting being a Britney fan. It really is a testament to Britney’s natural charisma and understanding of pop music though, that she was still able to release a great pop record that eclipsed her earlier work.

Womanizer was the first single from Circus and it's just an epic song that still slaps to this day! The music video features Britney slipping into multiple disguises to expose a cheating man and was a playful yet fierce visual feast.

If U Seek Amy was Britney at her most provocative with a double entendre hidden in plain sight, the track caused controversy while delivering one of the catchiest hooks of the era. It was a clever wink to the media frenzy surrounding her wrapped in glossy pop production and delivered with a smirk.

The music video leaned into the satire, showing Britney as a picture-perfect housewife by day and a scandalous party girl by night highlighting the contrast between public perception and private reality. It was bold, campy, and totally unforgettable. If U Seek Amy is one of those tracks that gets better the more you understand the joke.

On the Circus album though, there were so many hidden gems that could've been singles like Shattered Glass, Unusual You, Out from Under, Blur, and Kill the Lights.

These tracks showcase Britney’s emotional depth, vulnerability and sharp commentary on fame in ways that feel raw and real. They’re moody, introspective, and sonically rich-proof that beneath the glitter and spectacle, Britney was always telling a much more personal story.

Now get ready for the holy trinity....

3.In The Zone

It was 2003. I was 15 years old. With this release, Britney fully stepped out of her teen idol shadow and claimed her throne as a bona fide pop legend. She’s spoken openly about the creative freedom she experienced during its making, describing it as a truly liberating chapter in her career.

In The Zone has always felt like Britney’s most daring and mature work. It’s confident without being overproduced and its intimacy makes it feel like she’s letting us in on something personal.

Me Against The Music was the first single from In The Zone and when it dropped, it felt like a seismic pop moment-Britney teaming up with Madonna was more than a collaboration, it was a passing of the torch. The track was a high-energy, club-ready anthem that pulsed with defiance. It was a bold blend of dance-pop and urban edge and the chemistry between the two icons was electric.

The music video was just as iconic: set in a shadowy, surreal nightclub, Britney and Madonna played a seductive game of cat-and-mouse through mirrored hallways and smoky rooms.

The tension, the choreography, the styling-it was pure pop theater and unapologetically cool. The Madonna feature didn’t overshadow Britney, it amplified her! MATM instantly transports me back to secondary school but again, this could be released in 2025, it's aged like a fine wine!

Omg and then came Toxic which was a cultural reset. With its razor-sharp strings, seductive vocals, and genre-blending production courtesy of Bloodshy & Avant. It was dangerous, addictive, and utterly unforgettable pop music with a venomous bite.

The music video elevated the song to legendary status. Britney transformed into a secret agent, a red-haired seductress, and a diamond-covered siren, all while executing slick choreography and high-stakes heists. It was glossy and cinematic.

Everytime stands as one of Britney’s most vulnerable and haunting ballads. Written in the wake of personal heartbreak. Britney's whispery vocals feel like a quiet confession, making it one of the most intimate moments in Britney's entire discography.

The music video deepens the emotional weight, portraying Britney as a troubled celebrity overwhelmed by fame and heartbreak. Scenes of paparazzi chaos, hospital corridors, and surreal underwater imagery create a powerful narrative that blur the line between fantasy and reality.

Everytime hits differently after reading her 2023 memoir though, it's just so sad and brings chills with every listen.

Some of my favourite songs on In The Zone are Showdown, Early Mornin’, Breathe On Me, Touch of My Hand and Shadow. These songs blend sensuality, vulnerability and moody production proving Britney was pushing boundaries and exploring new dimensions of her artistry and I still listen to them religiously!

2.Glory

Can you believe Glory turns 10 next year? A whole decade without a new Britney album is wild! If Glory ends up being Britney’s final album, she truly closed it with brilliance.

Released in 2016, Glory felt like a breath of fresh air-a confident, sleek return to form that reminded the world of Britney’s enduring artistry. The album blended sultry R&B vibes, shimmering electro-pop and unexpected vocal moments that showcased her range and maturity which is exactly partly why it’s in my holy trinity of Britney albums hehehehe.

Britney shared that during this phase of her conservatorship, she found solace in the creative process and that Glory became her escape, a way to hold onto her sanity amidst the chaos. That emotional depth is woven into the album’s DNA.

A big part of that magic came from fresh collaborators like Julia Michaels, whose pop instincts are razor-sharp, and Mischke Butler, known for his work with the Spice Girls. Together, they helped Britney tap into her own artistic voice rather than drown it out. The lead single Make Me marked a sultry and sophisticated return to music.

The track traded the bombastic energy of her earlier hits for a more restrained, atmospheric vibe, blending airy vocals with moody production.

Do You Wanna Come Over? is pure pop adrenaline with its cheeky guitar strums and fizzy sound effects, Better beams with summer warmth, and Just Luv Me channels the moody brilliance of Blackout. Even the bonus tracks deliver-If I’m Dancing is delightfully weird in the best way. Britney said that Invitation and Just Luv Me was inspired by Selena Gomez's Revival album which I can totally hear!

I’m still completely obsessed with Man On the Moon-another gem, and of course the criminally underrated Slumber Party featuring Tinashe. The music video was pure velvet fantasy set in a lavish mansion filled with masked guests, candlelit corridors and steamy choreography.

Britney glided through the scenes like a queen of mystery and allure and locked eyes with model and actor Sam Asghari sparking a real-life romance although recently Britney posted on Instagram, reflecting, “I remember in shock my secret to survival was denial and a lot of tears… it’s weird me and Sam were married but it almost felt like a fake distraction to help me deal with it…”. :(

Back to Glory though, every track on this album had single-worthy potential. Britney said Change Your Mind (No Seas Cortes) is one of her personal favourites-same here!

I love Clumsy, Liar, Invitation, and Coupure Électrique too though-each track revealing a different facet of Britney’s artistry. Clumsy is chaotic fun with explosive energy and she says oops while Liar delivers fierce attitude and lyrical bite.

Invitation is hypnotic and ethereal and the perfect album intro and Coupure Électrique sung entirely in French is hauntingly beautiful and daringly experimental. I honestly love the whole album from start to finish though, like I do with JADE's debut album which basically inspired this article.

What blows my mind is that Glory came out while Britney was still trapped in her conservatorship. Yet somehow, her artistic imprint is unmistakable throughout the album.

It’s a powerful reminder of her resilience, proof that even under intense control, her creativity couldn’t be suppressed. Glory stands as one of her most overlooked masterpieces, radiating strength, vulnerability, and unmistakable Britney magic.

1.Blackout

“It’s Britney, bitch.” With that now-iconic declaration on Gimme More, the opening track of Blackout, Britney didn’t just kick off an album-she ignited (another) pop cultural moment.

Helmed by producers Bloodshy & Avant and Danja, Blackout pulses with jagged EDM rhythms, warped eurodance synths and a dark, club-ready energy. The album captures the chaos of her personal life and the relentless media circus surrounding her, distilling it into a futuristic pop cocktail that still feels ahead of its time.

Ask any die-hard Britney fan, and they’ll tell you: Blackout is her magnum opus. What makes it even more extraordinary is the context-2007 was a year of intense personal struggle and public scrutiny for Britney. Yet from that storm, she delivered a sleek, fearless, and genre-shifting masterpiece. It’s a testament to her resilience, her artistry, and her unmatched ability to turn pain into pop gold.

By this point, Britney’s life had become a spectacle. She was the engine driving tabloid culture, with paparazzi relentlessly tracking her every move. The intrusion was so intense, she couldn’t spend more than an hour in the studio without being swarmed the moment she stepped outside. It was fame at its most suffocating.

And yet, against all odds, she managed to create the most brilliant work of her career during this time.

Blackout was one of the easiest and most satisfying albums I ever made. It came together really fast.

Blackout is truly a no-skip masterpiece. When it first dropped, critics were harsh but I reckon their reviews clouded by the media’s relentless campaign to tear Britney down. But the loyal Britney army saw the brilliance from day one and over time the world caught up. Retrospective reviews have finally given the album the recognition it always deserved and it's become a cult classic.

Fun fact: Radar was originally slated to be the fourth single from Blackout, but that release was scrapped. Instead, it resurfaced as the final single from Circus in 2009, so it appeared on two separate Britney albums. So random and the official video always gives me Royal Ascot vibes ha.

I'd argue that the world hasn’t seen a pop album quite as gritty, fearless and influential since Blackout. And that concludes my definitive ranking of every Britney Spears album although WAIT! DON'T GO ANYWHERE! I've just remembered a few more bonus albums....

B in the Mix: The Remixes

B in the Mix: The Remixes is Britney's first remix album and I know remix albums can be a bit annoying sometimes but this one was honestly so under rated. It brought me closer to the world of dance music.

Released in 2005, B in the Mix was a bold celebration of Britney’s dance-pop legacy, reimagining her biggest hits through the lens of club culture. Featuring remixes by top DJs like Peter Rauhofer and Junkie XL, the album transformed familiar tracks into pulsing, high-energy anthems fit for the dance floor.

The Touch of My Hand - (Bill Hamel Club Mix), Early Mornin' (Jason Nevins remix) and the Everytime (Valentin Remix) are elite but my favourite track is And Then We Kiss (Junkie XL Remix) which is just ethereal, it's honestly not just one of my favourite Britney songs ever but one of my favourite pop songs ever.

Fun fact: Britney picked every remix for this compilation so she obviously has taste.

B in the Mix: The Remixes - Vol. 2

I didn't actually enjoy this remix album as much as the first one for some reason?! Released in 2011, B in the Mix: The Remixes - Vol. 2 featured remixes from the Blackout, Circus and Femme Fatale eras.

The album included remixes by top producers like Kaskade and Benny Benassi, and is still worth checking out!

The Singles Collection

I couldn’t leave out this compilation-it’s so much more than a greatest hits album. It’s the soundtrack to growing up in the 2000s, packed with iconic pop moments that defined an era.

Plus, it introduced a brand-new track, 3, which dropped in 2009 as the lead single from The Singles Collection adding yet another unforgettable hit to Britney’s legacy.

Produced by Max Martin, the song dives into provocative territory with lyrics that flirt with the idea of threesomes.👀

I remember at the time the song’s tongue-in-cheek nature stirred conversation....and I loved it!

Greatest Hits: My Prerogative

After five years of chart domination, Britney curated her legacy with a collection that celebrated her meteoric rise and pop reinvention. From the innocence of …Baby One More Time to the edgy allure of Toxic, the Greatest Hits: My Prerogative album traced Britney's evolution from teen idol to fearless icon.

The album featured two new songs, including the title track-a cover of Bobby Brown’s My Prerogative. Looking back now, the song takes on a whole new meaning in light of Britney’s freedom.

Even though it’s basically a cover, the lyrics feel deeply personal, almost like she was using them to speak her truth. It’s easy to imagine how strongly they resonated with her during that time.

The music video adds another layer of symbolism: it opens with Britney dramatically driving a Porsche into a pool and ends with her marrying Kevin Federline in a black wedding gown, a choice that now feels strikingly ironic given how their story unfolded.

Kevin himself features prominently throughout, cementing the video as a snapshot of a pivotal moment in Britney’s life.

Britney’s Greatest Hits: My Prerogative album introduced a second fiery anthem, Do Somethin', released in 2005. The song showcased Britney at her boldest and most unapologetic, blending a punchy, rock-tinged beat with cheeky, defiant lyrics. It was a rallying cry to shake off monotony and embrace life with fearless energy. With its gritty vibe and unpolished charm, Do Somethin' perfectly embodied the rebellious pulse of mid-2000s pop.

The music video, directed by Britney herself under the pseudonym Mona Lisa, was a whirlwind of pink fur, flying cars, and fierce choreography.

It was playful, chaotic, and full of personality-proof that Britney can command both the mic and the camera. 

The Original Doll

Even though it never saw an official release, The Original Doll stands as one of the most captivating and mysterious moments in Britney's career-a rare glimpse of an artist pushing back against the machine in pursuit of creative freedom.

In late 2004, Britney stunned fans and industry insiders by unexpectedly arriving at KIIS-FM in Los Angeles to premiere Mona Lisa (I KNOW), a raw and emotionally charged track that signaled a shift toward a darker, more introspective sound.

The unreleased project was rumoured to delve into themes of fame, identity, and defiance, offering a stark contrast to the polished pop image she had long been known for.

During the broadcast, Britney said the album was halfway finished and that she hoped to release it "probably before summertime" of 2005. She described Mona Lisa as a cautionary tale and dedicated it to all the "legends and icons.".

TOD was slated to be Britney’s fifth studio album in 2005, but it was mysteriously shelved before release. Britney's announcement came without approval from her label, turning the project into a symbol of defiance and one of the boldest acts of rebellion in her career. Its mystery only adds to its power, making it a cult obsession for fans who saw it as her boldest artistic move.

Hopefully one day Britney will release it-if she wants to that is, if she doesn't then, well, that's her prerogative.

All of Britney's (released) albums are of course on all streaming platforms. Share your thoughts in the comments section below and start or join the convo!🗣️👇🏻

Not a member yet? Sign up for a free membership HERE to join the discussion-a free membership gives you full access to the comment section and more and it's quick, easy and free.