PREVIEW: Daggers MacKenzie She’s wanted dead or alive and she juggles knives. The one woman, knife juggling rock opera Daggers MacKenzie comes to Brighton Fringe.
REVIEW: Spiegeltent: Meow Meow Meow Meow is a collapsing Diva, an ego in freefall who pulls out the talent when the spot lights shine. She also happens to be a true cabaret performers deftly and effortlessly blending all the skills usually devolved out to a night on their own. She’s singer, comedian, hostess, clown, chanteuse, sh
REVIEW: Pink Fringe: The Sissy’s Progress This was a Via Dolorosa with trombones. Part triumphant movement, part clown, dangerous and painted and unpredictable lurching forward into the unknown and part monstrously perfect, demanding affirming reclaiming of the streets.
PREVIEW: Brighton Fringe: Transgendered Shakespeare A new play in which a father and transgender child workout how to both communicate and relate is to each other to receive its public premier at the Brighton Fringe 2016.
PREVIEW: Brighton Fringe: High As Sugar World premier of new musical inspired by trans icon and Warhol superstar, Holly Woodlawn debuts at Brighton Fringe in June.
REVIEW: The Father: Theatre Royal Recommend for those who like their theatre with some substance and enjoy a tour de force of acting.
Trans? Lady? Queen? With America passing new laws to prevent gender-panic in cottages, and supermodel Andreja Pejic turning heads all over the global media – not to mention our very own and very marvellous Rebecca Root and Paris Lees – you could be forgiven for thinking that trans is the new queer. You might also think