PREVIEW: An evening of Flamenco with Álvaro Guarnido Enjoy the purest and most traditional Flamenco dance with Álvaro Guarnido accompanied by live guitar and flamenco singer at Bar Broadway in Brighton tomorrow night, November 26.
PREVIEW: Festive fun and more at Brighton Dome this December Following a stand out performance at Brighton Festival 2014 and fresh from a sell-out tour across Australia, the Dome welcomes back Pirates of the Carabina as they perform a special Christmas run of their acclaimed show, Flown, a thrilling mix of theatre, acrobatics, aerial feats and stunts –all set
PREVIEW: We’ll meet in MOSCOW ‘We’ll meet in MOSCOW’ is a new piece of performance work created through an artistic collaboration between writer Natalie McGrath (Oxygen, Coasting), choreographer Jane Mason (Life Forces, Singer), designer Sophia Clist (Oxygen, The World at Your Feet), director Nicola Rosewarne (The Enchanted Pala
FEATURE: Keep on Trockin Les Ballets Trockadero de Monte Carlo are back in Brighton this month, so GScene went to London to preview their latest show and take a look behind the scenes at this iconic ballet company.
REVIEW: Les Ballets Trockadero de Monte Carlo As part of their 2015 world tour which heads to Brighton in November, Les Ballets Trockadero de Monte Carlo, New York’s internationally renowned, comedy ballet, took the town by storm with a sparkling, hilarious and fabulously entertaining programme at London’s Peacock Theatre.
PREVIEW: The Trocks are coming! Get set for an uproarious and exhilarating night out this November. New York’s internationally renowned, all-male, professional comedy ballet company, Les Ballets Trockadero de Monte Carlo, returns to Brighton Dome with its brilliantly playful take on some of ballet’s best loved works.
REVIEW: BalletBoyz – theTALENT It’s now 14 years since Michal Nunn and William Trevitt first brought us BalletBoyz, and their all male dance company is still going strong, delivering on its manifesto to promote men’s dance and make modern ballet and contemporary dance more accessible to a wider audience. But this doesn’t necessar