PREVIEW: An evening of Flamenco with Ălvaro Guarnido Enjoy the purest and most traditional Flamenco dance with Ălvaro Guarnido accompanied by live guitar and flamenco singer at Bar Broadway in Brighton tomorrow night, November 26.
PREVIEW: Festive fun and more at Brighton Dome this December Following a stand out performance at Brighton Festival 2014 and fresh from a sell-out tour across Australia, the Dome welcomes back Pirates of the Carabina as they perform a special Christmas run of their acclaimed show, Flown, a thrilling mix of theatre, acrobatics, aerial feats and stunts âall set
PREVIEW: Weâll meet in MOSCOW âWeâll meet in MOSCOWâ is a new piece of performance work created through an artistic collaboration between writer Natalie McGrath (Oxygen, Coasting), choreographer Jane Mason (Life Forces, Singer), designer Sophia Clist (Oxygen, The World at Your Feet), director Nicola Rosewarne (The Enchanted Pala
FEATURE: Keep on Trockin Les Ballets Trockadero de Monte Carlo are back in Brighton this month, so GScene went to London to preview their latest show and take a look behind the scenes at this iconic ballet company.
REVIEW: Les Ballets Trockadero de Monte Carlo As part of their 2015 world tour which heads to Brighton in November, Les Ballets Trockadero de Monte Carlo, New Yorkâs internationally renowned, comedy ballet, took the town by storm with a sparkling, hilarious and fabulously entertaining programme at Londonâs Peacock Theatre.
PREVIEW: The Trocks are coming! Get set for an uproarious and exhilarating night out this November. New Yorkâs internationally renowned, all-male, professional comedy ballet company, Les Ballets Trockadero de Monte Carlo, returns to Brighton Dome with its brilliantly playful take on some of balletâs best loved works.
REVIEW: BalletBoyz â theTALENT Itâs now 14 years since Michal Nunn and William Trevitt first brought us BalletBoyz, and their all male dance company is still going strong, delivering on its manifesto to promote menâs dance and make modern ballet and contemporary dance more accessible to a wider audience. But this doesnât necessar