Fringe REVIEW: Candide @Brighton College – Montague Studio
The Brighton College Drama Department premiered its very first Fringe production this week, which not only exceeded my expectations but smashed them to smithereens.
Spencer Charles Smith
Fringe REVIEW: The Sparks Factory @Sweet Werks 1
I WAS lucky enough to catch the final night of The Spark Factory – a festival of bold and risky new work taking place within the Brighton Fringe and curated by Spun Glass Theatre. The week-long festival included a range of artistic disciplines, from puppetry to spoken word to musical cabaret, and co
Fringe REVIEW: Gingzilla: Glamonster Vs. the World
I could tell Gingzilla oozed charisma from the moment she greeted her queuing audience outside The Hat (in The Warren) with sweet and salty popcorn.
FEATURE: Why we need a ‘Queer’ Theatre (now, more than ever)
Still buzzing from a jam-packed Brighton Fringe programme and clad in his retro lavender style – a look I’ve come to associate with the man behind the Marly – I sat down with Tarik Elmoutawakil to discuss the challenges and rewards that come with programming queer performance.
BRIGHTON FRINGE REVIEW: Pelican @The Warren Studio 3
Pelican is one of the best sketch-comedies I’ve seen at the Fringe in years. Created and performed by ex-Footlights Jordan, Sam and Guy, the trio has charisma, likability and wit all rolled into one.
BRIGHTON FRINGE REVIEW: Bourgeois & Maurice: How to Save the World Without Really Trying @Spiegeltent
By far, one of the best shows I’ve seen in this year’s Fringe is Bourgeois & Maurice: How to Save the World Without Really Trying.
BRIGHTON FRINGE REVIEW: Gypsy Queen @The Marlborough Theatre
Hope Theatre Company’s latest production of Gypsy Queen isn’t a bad play; it’s everything you would expect to see in a gay play: repressed sexuality, conflicting masculinity, gay male stereotypes, jokes about tops/bottoms, a homophobic climax and full-frontal nudity. Even the show’s poster is obviou