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Kat Pope

GLENN MILLER WITH STRINGS ATTACHED!

GLENN MILLER WITH STRINGS ATTACHED!

On Sunday some of Glenn Miller‘s rarer arrangements will be heard in Eastbourne when Ray McVay, Musical Director of the original BBC Come Dancing series, brings the world’s greatest big band to the Congress Theatre. Keeping the show fresh, this year the Glenn Miller Orchestra will be joined by a str

GROOVE ON DOWN THE ROAD: ZooNation at Southbank Centre: Review

GROOVE ON DOWN THE ROAD: ZooNation at Southbank Centre: Review

Will we ever tire of Dorothy and her motley crew’s journey along the Yellow Brick Road to Oz? I doubt it as it’s a story that’s perfect for reinvention and investment with new meanings and messages, and Kate Prince has done just that with Groove on Down the Road. Prince is artistic director of the [

THE THEBAN SEASON: The Scoop, London: Review

THE THEBAN SEASON: The Scoop, London: Review

Free theatre in London? What, absolutely free? And running throughout the rest of the summer? Yep, that’s exactly what you get down at The Scoop, right next to Tower Bridge and City Hall, the one catch being that, boy, aren’t those paving slabs hard on the arse! Now in its 11th season, More London t

HOME: The Shed, National Theatre: Review

HOME: The Shed, National Theatre: Review

In Nadia Fall‘s new production at the National Theatre’s pop-up space, The Shed, she weaves together a narrative from 48 hours of interviews conducted with young people living in a large interim homeless shelter in East London. Listening to these voices could have made for a grim, dispiriting evenin

KAT CALLS

Well, I’m now nearly two months behind with my ‘weekly’ column which shows you either a) how busy I’ve been or b) how deep my suntan is. The answer is a) FYI – I’m no sun-lover and my legs still look like under-cooked Cornish pasties. In fact the only reason I’m sitting here writing this […]

THE PRIDE: Trafalgar Studios, London: Review

Four stars After the clipped 1950’s tones of the first scene of Alexi Kaye Campbell‘s 2008 Olivier award-winning debut, it’s a bit of a shock when the lights go up again to find Mathew Horne standing there in full Nazi regalia. But The Pride is a shocking play all round. During it’s two and a […]

PRISCILLA, QUEEN OF THE DESERT: The Congress Theatre, Eastbourne: Review

PRISCILLA, QUEEN OF THE DESERT: The Congress Theatre, Eastbourne: Review

Five stars: There’s a strong heartbeat underlying Priscilla, Queen of the Desert. Yes, the 500 costumes used in each performance are never less than stunning (now iconic even), and the mix of gay anthems and pop classics is a sure-fire winner, but it’s the characters who shine most vividly in Simon

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