REVIEW: Amalthea Duo@Dome Studio The Amalthea Duo are Klio Blonz on Flute and Siobhan Swider on Harp and between them they have an impressive pedigree of repertoire and performance experience.
REVIEW: Spiegeltent: Laura Moody Her music shouldn’t work, but how it does. Contradictory, clashing, cacophonies are all tied together with huge leaps of artistic faith, bridging gaps with harmonic reaches and plunging into the abyss with the rhythmic, percussive use of her Cello. She’s utterly nuts, and yet centred with a fearful
REVIEW: Spiegeltent: Meow Meow Meow Meow is a collapsing Diva, an ego in freefall who pulls out the talent when the spot lights shine. She also happens to be a true cabaret performers deftly and effortlessly blending all the skills usually devolved out to a night on their own. She’s singer, comedian, hostess, clown, chanteuse, sh
REVIEW: Pink Fringe: The Sissy’s Progress This was a Via Dolorosa with trombones. Part triumphant movement, part clown, dangerous and painted and unpredictable lurching forward into the unknown and part monstrously perfect, demanding affirming reclaiming of the streets.
REVIEW: Brighton Fringe: Windmill Collective Open Houses More than 1,000 artists exhibit their work in venues citywide and in the surrounding area, providing art lovers with an engaging and inspiring experience and offering the opportunity to buy work and chat directly with the creators. The Windmill Collective is just one of the finest and queerest ones
REVIEW: Wahaca: Mexican Street Market Wahaca is a very welcome addition to the growing city food scene from the Americans and their modern, original and well balanced take on Mexican cuisine, coupled with their superb location and serious commitment to charming, welcoming and knowledgeable staff mean this is a place to get familiar with
REVIEW: The Father: Theatre Royal Recommend for those who like their theatre with some substance and enjoy a tour de force of acting.