# Scene Magazine > Scene Magazine shares LGBTQ+ news, culture and politics from Brighton & beyond, amplifying voices and celebrating queer community Public Ghost content for AI and LLM tooling. This file includes a bounded export of public pages first, then recent public posts. Append `.md` to any post or page URL to get the content in Markdown (for example, `/example-post.md`). ## Pages ### About Scene URL: https://www.scenemag.co.uk/about/ Last updated: 2025-05-28T15:47:37.000Z Scene has always been more than a magazine. It started life in 1993 as a small four-page insert called *The Queer Guide*. Just two years later, it became *Gscene*, reflecting the evolving identity of our community and city. Today, we continue that legacy as *Scene*—a fresh name for a publication rooted in history, purpose, and pride. ## ****Brighton’s LGBTQ+ Voice since 1993** ### **A History of Impact** From the very beginning, Scene has championed LGBTQ+ life in Brighton & Hove. In the 1990s, we fought for improved HIV services and supported Project Zorro, a community-led review that helped transform how HIV prevention was funded in the city. This helped to ignite Brighton’s LGBTQ+ voluntary sector, which had been overlooked for far too long. Over the years, we’ve played a central role in major campaigns. In 2002, we supported the Anti Victimisation Initiative, which brought together local authorities and community groups to tackle hate crime, racism, and domestic abuse. In 2006, we helped secure the city’s first dedicated LGBT Police Liaison Officer, a milestone that helped rebuild trust with Sussex Police. ### **Pride with Purpose** We believe Pride should be a force for good. Scene has been a consistent supporter of Brighton Pride’s journey into a major fundraising event for frontline LGBTQ+ services. In 2009, we helped launch the campaign to build Brighton’s AIDS Memorial, TAY, working alongside councillors and activists to bring it to life. That same campaign laid the groundwork for the Rainbow Fund, which Scene helped to establish. Managed independently by the Sussex Community Foundation, the fund has since distributed more than £75,000 to grassroots LGBTQ+ groups across Brighton and Hove. ### **Our Mission** Scene is dedicated to telling the stories that matter. Through powerful journalism, community connection, and cultural celebration, we amplify LGBTQ+ voices and share them with honesty and heart. Whether we’re covering local news or lifting up queer artists, we remain committed to being a trusted voice at the centre of LGBTQ+ life. ### Privacy Policy URL: https://www.scenemag.co.uk/privacy-policy/ Last updated: 2025-08-31T21:47:15.000Z _No content available._ ### Terms and Conditions URL: https://www.scenemag.co.uk/terms-and-conditions/ Last updated: 2026-01-28T13:23:48.000Z Scene Magazine Media CIC (www.scenemag.co.uk, the ‘Website’, us, or we) is operated from the United from the registered office at The Ledward Centre, 14a Jubilee Street, BRIGHTON BN1 1GE By using and/or submitting an order through www.scenemag.co.uk you signify your understanding of the following Terms and Conditions and of the Scene Magazine Media CIC [Privacy Policy](https://www.magazine.co.uk/privacy-notice?ref=scenemag.co.uk). If you do not agree to these Terms and Conditions or to the [Privacy Policy](https://www.magazine.co.uk/privacy-notice?ref=scenemag.co.uk), please discontinue using www.scenemag.co.uk immediately. **1a. Subscribing to Scene Magazine through www.scenemag.co.uk** By creating a subscription to Scene Magazine through [www.scenemag.co.uk](https://www.scenemag.co.uk/) you are making an offer to subscribe to the magazine. Confirmation of receipt of your order will be done by or payment partners Stripe by email within 24 hours of purchase, but is not confirmation that your offer to subscribe or buy has been accepted by the Publisher. If you do not receive confirmation from either Stripe or from Scene Magazine directly please contact us through our [Contact us form](https://www.magazine.co.uk/contact?ref=scenemag.co.uk). On the website **1b. Your contract with the Publisher** No contractual obligations will arise until your offer to subscribe to you by Stripe or Scene Magazine. **1c. Your order with magazine.co.uk** By submitting an order through magazine.co.uk you are making an offer to order or buy the selected products. Confirmation of receipt of your order will be done by magazine.co.uk via email, within 24 hours of purchase. No contractual obligations will arise until your offer is confirmed to you by magazine.co.uk. If you do not receive confirmation of your order, please contact us through our [Contact us form](https://www.magazine.co.uk/contact?ref=scenemag.co.uk). 1. **Use of your data by Stripe and Scene Magazine Media CIC** Any data Scene Magazine Media CIC or Stripe may collect about you while using the Website shall be dealt with in accordance with our [Privacy Policy](https://www.magazine.co.uk/privacy-notice?ref=scenemag.co.uk). For Subscriptions Stripe will securely collect your name, delivery address, billing address, email address and payment card details, Scene Magazine Media CIC will use the data you provide when submitting your order through the Website to process and set up your subscription, and for delivery. 2. **Prices** The pricerices quoted on the Website includes delivery charges). If there has been a mistake in the price offered on the Website, magazine.co.uk or the Publisher may contact you to confirm whether or not you wish to subscribe or buy at the correct price. When you receive confirmation of acceptance of your order from the Publisher, you should check that the price quoted is the price you were expecting to pay. 3. **Credit Card andDebit Card payments** If you select to pay by credit card, debit card, payment will be taken securely through the Stripe payment portal. Any credit or debit card information you provide is encrypted using the latest Secure Socket Layer (SSL) technology ensuring your credit or debit card details are safe and secure. The Website also meets the requirements of the Payment Card Industry Data Security Standard (PCI) which was created to ensure organisations that process card payments prevent fraud. 4. **Delivery of Scene Magazine** After your subscription order has been accepted and set up Scene Magazine Media CIC will arrange for delivery of your magazine, directly from the printer and will usually arrive in the first five days of every calendar month Any delivery problems or questions should be directed to Scene Magazine using the contact form on the website www.scenemag.co.uk 5. **External links** The Website may contain links to other websites operated by third parties (‘Linked sites’). Scene Magazine Media CIC does not endorse any Linked site and is not responsible for the content of any Linked site or any link contained in a Linked site, or any changes or updates to such sites. Nothing contained in this Website is intended to be advice on any particular matter. 6. **Endorsements** Reference to, or inclusion on this Website of, any third party’s, product or service does not constitute endorsement by Scene Magazine Media CIC of such third party or the quality or content of its product. 7. **Intellectual property** All content included on the Website (including all text, graphics, logos, and images) is the exclusive property of Scene Magazine Media CIC or its licensors and is protected by applicable legislation. Any commercial use, including the reproduction, modification, distribution, transmission, republication, display or performance, of any content on the Website is strictly prohibited without the consent of Scene Magazine Media CIC 8. **Notification of changes to Terms and Conditions** From time to time, these Terms and Conditions may be changed to keep them up-to-date with either new or current products or services, or appropriate legislation. Any access or use of magazine.co.uk subsequent to such an update will signify your assent to be bound by such changes. 9. **English law** The laws of England and Wales shall govern your use of this Website and your relations with Scene Magazine Media CIC. 10. **International users and usage** www.scenemag.co.uk is controlled, operated and administered by Scene Magazine Media CIC from its offices within the United Kingdom. If you access [www.scenemag.co.uk](https://www.scenemag.co.uk/) from a location outside the United Kingdom, you are responsible for compliance with any appropriate local laws that may apply. Terms and Conditions last updated: 3rd December 2021 ### Contact URL: https://www.scenemag.co.uk/contact/ Last updated: 2026-06-24T22:50:07.000Z Scene Magazine is the LGBTQ+ lifestyle and community magazine, proudly based in Brighton & Hove. We always welcome feedback, suggestions and ideas for stories. Whatever you want to tell us or discuss, please get in touch. ![Leslie Clarke](https://cdn.prod.website-files.com/680f9fd4a9fa91630e73d0d5/680fb4e6814716bdae009fd9_B1_08749.webp) Leslie Clarke Publisher & podcast host [ leslie@scenemag.co.uk ](mailto:leslie@scenemag.co.uk) ![Graham Robson](https://cdn.prod.website-files.com/680f9fd4a9fa91630e73d0d5/68adaea3949e9460e4b42516_graham.png) Graham Robson Online editor [ graham@scenemag.co.uk ](mailto:graham@scenemag.co.uk) ![Chris Jepson](https://cdn.prod.website-files.com/680f9fd4a9fa91630e73d0d5/6977a65030b5e58926608259_OIP.webp) Chris Jepson Print editor [ chris@scenemag.co.uk ](mailto:chris@scenemag.co.uk) Name Email Message Attachment (optional) Prefer emailing us? Just click the button! [Email us ](mailto:team@scenemag.co.uk) ### Advertise with Scene - where the LGBTQ+ community connects, clicks, and cares. URL: https://www.scenemag.co.uk/advertise/ Last updated: 2026-01-27T16:20:17.000Z ![](https://www.scenemag.co.uk/content/images/2025/11/eleni-afiontzi-gLU8GZpHtRA-unsplash-1.jpg) # Ready to connect with our audience? Scene is Brighton & Hove’s leading LGBTQ+ media platform — trusted by over **684,684 readers this year alone**. From culture to politics, community to nightlife, Scene tells the stories that matter, and our audiences actively seek us out. Alongside our high-performing digital platform, **Scene is now back in print**, returning to its roots with a premium, collectible magazine distributed across key UK cities including **Brighton, London, Manchester, Liverpool, Edinburgh and Belfast**. When you advertise with Scene, you’re not just buying visibility. You’re aligning your brand with one of the UK’s most trusted LGBTQ+ voices, reaching engaged audiences online and in real-world community spaces. ## Print & Digital: One Connected Audience Scene operates a joined-up print and digital editorial strategy. Our digital platform delivers timely journalism and community reporting year-round, while our seasonal print edition offers long-form features, interviews, investigations and culture coverage in a high-quality, tangible format. The print magazine is distributed through LGBTQ+ venues and community spaces, as well as via direct postal delivery, extending the life of each issue and placing your brand directly into the hands of readers in trusted environments. Advertising with Scene allows brands to appear alongside independent, not-for-profit journalism in a context that values credibility, inclusion and community impact. ## Why Brands choose Scene Scene reaches people who care about their communities, their politics, their culture and the brands they support. Our readers are socially aware, values-led and actively engaged with LGBTQ+ life across the UK. Brands choose Scene because we offer more than impressions. We offer trust, longevity and relevance — whether your campaign lives online, in print, or across both. - Display advertising across high-traffic editorial content - SEO-optimised advertorials and sponsored features - Print advertising in a premium, collectible magazine - Sponsored social posts with strong organic reach - Event partnerships and community-focused coverage - Interviews, video coverage and bespoke editorial collaborations ****Let’s create something meaningful together.** Our advertising packages are flexible and tailored to your goals — whether you’re promoting an event, launching a campaign, or building long-term brand trust within LGBTQ+ communities. Send us an [email](mailto:team@scenemag.co.uk) to request or media kit or book a call with our team. [Talk to our team ](https://calendly.com/leslie-pridecommunityfoundation/scene-magazine-ads?ref=scenemag.co.uk) ### Cookie Policy URL: https://www.scenemag.co.uk/cookie-policy/ Last updated: 2025-08-31T21:27:26.000Z _No content available._ ### Scene Spots URL: https://www.scenemag.co.uk/scene-spots/ Last updated: 2026-04-24T19:36:16.000Z **Scene Spots** are the places where you can find Scene Magazine out in the real world. From LGBTQ+ bars and pubs to cafés, community hubs and cultural spaces, Scene Spots are venues that either offer *Scene* for customers to read on site or sell copies directly. They help keep independent LGBTQ+ journalism visible, accessible and rooted in local communities. Alongside magazine locations, Scene Spots also highlights [**Pride City Angels**](https://www.pridecommunityfoundation.org/pride-city-angels?ref=scenemag.co.uk) members – venues and organisations that have made a commitment to creating safer, more inclusive spaces for LGBTQ+ people. --- Do you run a venue and want to stock Scene for your customers? Get in touch with our team. [Email us ](mailto:team@scenemag.co.uk) ### Political by Design URL: https://www.scenemag.co.uk/political-by-design/ Last updated: 2026-04-22T08:49:50.000Z 🎙 Political by Design // with [Leslie Clarke](https://www.scenemag.co.uk/author/leslie/) From campaign slogans to leadership styles, this podcast explores how design, messaging, and strategy shape political success. Join Leslie as he speaks with experts across branding, politics, and media to unpack the strategies behind the most effective (and not-so-effective) campaigns. Political by Design is available on [Apple Podcasts](https://podcasts.apple.com/gb/podcast/political-by-design/id1809196956?ref=scenemag.co.uk), [Spotify](https://open.spotify.com/show/0cOO0OriRHelX1D0QUQIj8?ref=scenemag.co.uk) and [YouTube](https://www.youtube.com/@PoliticalbyDesign?ref=scenemag.co.uk). Political by Design is a Scene Magazine production. ### Still Here URL: https://www.scenemag.co.uk/still-here/ Last updated: 2026-05-14T17:25:39.000Z *Still Here* is a podcast from Scene Magazine about queer life, resilience and presence — past, present and unfolding. Each episode takes a closer look at the people, stories and forces shaping LGBTQ+ communities today, from culture and politics to memory, protest and everyday survival. Some conversations are rooted in history, others in the news cycle, but all start from the same truth: queer lives are not a trend, a phase or a footnote. Measured, reflective and community-centred, *Still Here* creates space for context over commentary, and depth over noise. It’s a podcast about what it means to remain, to persist, adapt and be visible. Still Here is available on [Apple Podcasts](https://podcasts.apple.com/us/podcast/still-here/id1876182433?ref=scenemag.co.uk), [Spotify](https://open.spotify.com/show/4YB6P5Sm34nDsC6dxf8a83?ref=scenemag.co.uk) and [YouTube](https://www.youtube.com/@scenemagazineuk?ref=scenemag.co.uk). Still Here is a Scene Magazine production. ### Welcome aboard 🩷 URL: https://www.scenemag.co.uk/welcome-aboard/ Last updated: 2026-01-29T19:48:21.000Z ## Thank you for joining the Scene community. 🩷 As a Marsha member, you will receive a free copy of each magazine we publish. When it's time to order, we'll send you a unique discount code that you can use in our online shop to get your copy. [Back to homepage](https://scene-magazine.ghost.io/?ref=scenemag.co.uk) ### Print Issues & Bonus Content URL: https://www.scenemag.co.uk/print-issues-bonus-content/ Last updated: 2026-06-24T22:52:13.000Z You can purchase the latest issue and back issues in our [online shop](https://shop.scenemag.co.uk/?ref=scenemag.co.uk), or [become a Scene+ member](https://www.scenemag.co.uk/#/portal) to receive the latest issue free of charge, access bonus online content and support independent LGBTQ+ journalism. ![Scene Magazine Pride Edition 2026 cover](https://www.scenemag.co.uk/content/images/2026/05/Magazine-Cover-Presentation---Ghost-4.png) Latest issue Summer 2026 Pride Edition 2026 Our biggest issue yet. 52 pages of journalism, history, politics and culture. Jonathan Blake on solidarity, the history of Dyke Pride, Trans Pride's journey, Siân Berry MP on LGBTQ+ rights, and reporting from San Francisco and Hungary. 52 pages [ Browse archive ](https://www.scenemag.co.uk/tag/summer-2026-issue/) [ Buy a copy ](https://shop.scenemag.co.uk/?ref=scenemag.co.uk) ![Scene Magazine Spring Edition 2026 cover](https://www.scenemag.co.uk/content/images/2026/05/Magazine-Cover-Presentation---Ghost-2.png) Spring 2026 Spring 2026 LGBTQ+ History Month Edition Scene's print relaunch edition. Sue Sanders on 20+ years of UK LGBT+ History Month, Fighting With Pride's Craig Jones on the Armed Forces Gay Ban, veterans' reparations, trans data erasure and queer wellness. Cover: Wildblood & Queenie. Back issue [ Browse archive ](https://www.scenemag.co.uk/tag/spring-2026-issue/) [ Buy a copy ](https://shop.scenemag.co.uk/?ref=scenemag.co.uk) ### The Vault URL: https://www.scenemag.co.uk/the-vault/ Last updated: 2026-05-20T19:42:50.000Z The Vault is where Marsha Tier members can grab their goodies. Come on in! 👀 _This post is for paying subscribers only._ ### Scene+ URL: https://www.scenemag.co.uk/scene-plus/ Last updated: 2026-06-24T22:55:35.000Z **Scene+** offers a variety of exclusive content, including free delivery of new print issues as soon as they are published, access to member events, and other benefits. If you haven't [signed up](https://www.scenemag.co.uk/#/portal/signup) yet, now is the time. [ Print magazine archive Every print edition online, including exclusive features and bonus content not published on the main site. Read now ](https://www.scenemag.co.uk/print-issues-bonus-content/) [ The Vault Members-only discount codes for your complimentary print magazine, exclusive to Marsha subscribers. Claim yours ](https://www.scenemag.co.uk/the-vault/) 💡 Scene Magazine is part of the not-for-profit organisation Pride Community Foundation CIC, and ****Scene+** members actively help us keep our LGBTQ+ journalism independent and continue our work to keep queer communities informed. ## Posts ### Brighton LGBTQ+ venue R-Bar to close after 21 years as owners warn of nightlife crisis URL: https://www.scenemag.co.uk/brighton-lgbtq-venue-r-bar-to-close-after-21-years-as-owners-warn-of-nightlife-crisis/ Last updated: 2026-08-11T12:30:54.000Z One of Brighton's best-known LGBTQ+ venues, **R-Bar**, has announced it will close permanently next month after 21 years, with owners blaming soaring costs and warning that the city's queer nightlife is facing an increasingly uncertain future. R-Bar revealed the news in a statement shared on social media, describing the decision as one made with "enormous sadness" and saying the venue is no longer financially sustainable despite efforts to adapt to challenging trading conditions. The closure comes just days after nearby LGBTQ+ venue **Charles Street Tap** announced it would also shut its doors in September, prompting renewed concern over the loss of dedicated queer spaces in Brighton. "For 21 years, R-Bar has been at the heart of Brighton's LGBTQ+ community," the venue said. "We've been incredibly proud to provide a safe, inclusive and welcoming space where hundreds of thousands of people have celebrated, found friendship, fallen in love, made memories, and been able to express themselves freely." Explaining the decision, R-Bar said the hospitality sector had been pushed to "breaking point" in recent years, with the cost of business rates, rent, energy, stock and other operating expenses rising dramatically. At the same time, owners said the ongoing cost-of-living crisis has left many people with less disposable income to spend on nights out. "Despite doing everything we possibly could to adapt, those combined pressures mean that R-Bar is unfortunately no longer financially sustainable," the statement said. The venue said it was "absolutely devastated" to become the latest LGBTQ+ business to disappear from Brighton's nightlife scene. "We are absolutely devastated to be losing another LGBTQ+ venue in Brighton at a time when safe queer spaces are more important than ever," the statement said. R-Bar said it hopes the closure will serve as a "wake-up call" about the pressures facing both LGBTQ+ venues and the wider nighttime economy. "The nightlife industry has been under immense pressure for years, and we hope the government will recognise how important these venues are to our communities, and provide transformative financial change to ensure their survival," the owners said. The venue also called on **Brighton & Hove City Council** to "take meaningful action to protect, promote and invest in the city's nightlife and LGBTQ+ venues", adding that it plans to publish an open letter setting out its proposals and recommendations in the coming weeks. Owners urged people to continue supporting the city's remaining LGBTQ+ venues, including **Legends, The Queen's Arms, Affinity Bar, The Zone, Bar Broadway, Marine Tavern, Bulldog** and **The Actors**. [Brighton’s Charles Street Tap to close after 25 yearsOne of Brighton’s best-known LGBTQ+ venues is set to close its doors after 25 years, with management announcing that Charles Street Tap will cease trading when its lease comes to an end in September. In an emotional statement shared with customers, General Manager Chris Marshall confirmed that the![](https://www.scenemag.co.uk/content/images/icon/S-Logo-84a636c5-3372-4c88-ac53-981b287fa013.png)Scene MagazineGraham Robson![](https://www.scenemag.co.uk/content/images/thumbnail/767334835_1524714909670245_2621555429652886277_n-1-3df6217f-6649-437c-b74a-8cc015b3f35a.jpg)](https://www.scenemag.co.uk/brightons-charles-street-tap-to-close-after-25-years/) "If there's one thing we'd ask, it's this: please support your local LGBTQ+ venues going forwards," the statement said. "They are here for our community 52 weeks a year, but they can only survive if we continue to use them." Despite the closure, the team stressed that Brighton's LGBTQ+ nightlife scene would continue through sister venue **Revenge**, one of the UK's most famous gay clubs, which is due to celebrate its 35th anniversary later this year. "The good news is that this isn't goodbye to our community," the statement said. "Our big sister, Revenge, will continue to fly the flag for Brighton's LGBTQ+ nightlife." R-Bar will remain open until its final trading day on Sunday 20 September. Owners said they are planning a series of farewell events in the coming weeks to give the venue "the send-off it deserves" and celebrate what it has meant to the community over the past two decades. The venue also paid tribute to the bartenders, managers, security staff, drag performers, DJs and entertainers who helped shape R-Bar over the years, as well as the loyal customers who became part of its "extended queer family". "Thank you for every drink, every dance, every laugh, and every memory," the statement concluded. The loss of R-Bar and Charles Street Tap within the space of a week has fuelled concerns about the future of Brighton's LGBTQ+ nightlife, with campaigners and venue operators increasingly warning that rising costs are threatening community spaces that have long been central to the city's queer culture. ### Nottingham campaign signs up 100 businesses to back trans inclusion URL: https://www.scenemag.co.uk/nottingham-campaign-signs-up-100-businesses-to-back-trans-inclusion/ Last updated: 2026-08-11T10:26:44.000Z More than 100 cafés, pubs, shops and other businesses across **Nottinghamshire** have joined a campaign aimed at showing they remain inclusive of TNBI people following the ECHR Code being published and the UK Supreme Court's ruling. The initiative, called [**Your Spaces Too**,](https://www.pastel-project.co.uk/campaigns/campaigns/ys2-%28your-spaces-too%29?ref=scenemag.co.uk) was created by the[ **Pastel Project**,](https://www.pastel-project.co.uk/?ref=scenemag.co.uk) a Nottingham-based, trans-led grassroots advocacy organisation that campaigns for the rights and inclusion of trans and non-binary people. According to the organisation, the campaign was launched to provide businesses with guidance following the court judgment and to give venues an opportunity to publicly demonstrate their support for the trans community. **The Pastel Project** said many businesses had concerns about how the code and judgment would affect practical arrangements in venues and workplaces. ![](https://www.scenemag.co.uk/content/images/2026/08/XQkIUbzB0s7ZJpf8gDmkYDL5FQ0-1.jpeg) Pastel Project director **Sam Harvey** said the campaign offers recommendations and guidance to businesses, while participating venues display stickers signalling their commitment to inclusion. Major Nottingham venues and organisations taking part include **Broadway Cinema**, **BrewDog**, **Pitcher and Piano**, **NTU** student bars and dozens of independent businesses. The campaign forms part of the Pastel Project’s wider work to make Nottingham a “Trans Sanctuary City”. The group says it is focused on improving trans healthcare, education, community support and safety, while working with local partners to create a more inclusive environment for transgender and non-binary residents. The campaign highlights a visible show of support for trans and non-binary people at a time of significant worry about access, inclusion and equality, demonstrating how local communities and businesses are responding following the Supreme Court ruling ![](https://www.scenemag.co.uk/content/images/2026/08/images--1-.jpg) Nottingham's approach demonstrates how councils, businesses and community organisations can work together to provide visible reassurance and practical support for trans and non-binary people at a time of uncertainty. The city's backing for initiatives such as the Pastel Project's wider ambition of creating a Trans Sanctuary City has helped foster a strong public commitment to inclusion. ![](https://www.scenemag.co.uk/content/images/2026/08/images.jpg) ***Scene's Comment:*** Residents in Brighton & Hove and communities across England may wish to ask their local councils what lessons can be learned from Nottingham's example. If more than 100 businesses can publicly commit to trans inclusion and work alongside a trans-led organisation, campaigners may question why similar schemes have not yet been adopted more widely, including in Brighton & Hove, a city with a longstanding reputation for supporting LGBTQ+ communities. ### Rainbow church doors vandalised again in suspected anti-LGBTQ+ attack URL: https://www.scenemag.co.uk/rainbow-church-doors-vandalised-again-in-suspected-anti-lgbtq-attack/ Last updated: 2026-08-11T09:00:00.000Z A **California** church has vowed to continue promoting inclusion after a rainbow-coloured display outside its building was vandalised for the second time in a matter of weeks. The installation, which features brightly painted doors bearing the message **“God’s Doors Are Open To All”**, was knocked down and damaged outside the **Big Red Church** in **Fresno’s Tower District** during the early hours of Sunday morning. Rev **Simon Biasell**, pastor of the **United Church of Christ** congregation, said he was alerted to the vandalism shortly after 6am by a member of staff who discovered the display had been smashed and overturned. The damage was visible as worshippers arrived for Sunday services, but the local community quickly rallied around the church. While the congregation was inside, neighbours helped restore the installation and put the doors back in place before the service had ended. “By the time everybody exited church, our neighbours had reinstalled the doors and put it back up, which is one of the wonderful things about this neighbourhood,” Biasell said. The church said the latest incident follows a similar act of vandalism earlier this summer, when the rainbow doors were also targeted. Big Red Church has been part of the Tower District for 76 years and has described itself as an open and affirming congregation for more than three decades. The church says it welcomes people of all backgrounds, regardless of faith, sexual orientation, gender identity, race, age or ability. ![](https://www.scenemag.co.uk/content/images/2026/08/285988417_2662399710570392_5508153483953496480_n-2.jpg) The Big Red Church of Fresno Facebook Biasell said members of the congregation have faced hostility in the past, including homophobic messages sent through voicemail and social media. “Our church members unfortunately have gotten used to that kind of hate language, that treatment,” he said. “So while this wasn’t anything new, it’s still painful to experience that kind of treatment.” In a statement, the church described the vandalism as upsetting but said it would not weaken its commitment to inclusion and support for people who experience discrimination, isolation or exclusion. The rainbow doors were originally created as a Pride-themed community project, with children, teenagers and adults helping to paint and assemble the display. Photos shared by the church show the installation as a colourful symbol of its message that everyone is welcome. Despite the repeated attacks, church leaders said the response from local residents had demonstrated the strength of community support and reinforced the congregation’s determination to remain an inclusive space for LGBTQ+ people and other marginalised groups. Alongside its worship services, the church hosts addiction recovery groups, supports affordable childcare programmes and works with local organisations on community improvement projects across Fresno. ### Ofcom launches investigations into anti-LGBTQ+ hate speech on GB News following thousands of complaints URL: https://www.scenemag.co.uk/ofcom-launches-investigations-into-anti-lgbtq-hate-speech-on-gb-news-following-thousands-of-complaints/ Last updated: 2026-08-10T15:02:00.000Z Broadcast regulator Ofcom has launched investigations into anti-LGBTQ+ attacks on **GB News** following complaints by **Good Law Project** and 15,000 members of the public. The Good Law Project complaint relates to a broadcast of **Alex Armstrong Tonight** on 5 July 2026\. Over 12,000 members of the public wrote their own complaints about this incident and a further 3,000 complaints were submitted about a similar incident on **Saturday Five**, broadcast on 20 June 2026, following a campaign by Drag Race star **Bimini** and influencer **Liam Rondi**. On Alex Armstrong Tonight, the host **Alex Armstrong** was joined by **Caroline Farrow** (UK and Ireland campaigns director at **CitizenGO**) and **Matthew Hulbert** (a former **Liberal Democrat** councillor). They discussed a segment called “Is Pride suitable for families”. The discussion revolved around dangerous tropes fabricating links between LGBTQ+ people, paedophilia and bestiality. Now, Ofcom has announced it is opening a standards investigation into the incident, following a detailed Good Law Project complaint that argued that “the statements are blatantly homophobic” and were made “with the effect of promoting hate towards the LGBTQ+ community”. These are the second and third investigations into anti-LGBTQ+ attacks on GB News in two years. In February 2025, a GB News presenter suggested that the LGBTQ+ community included paedophiles and after Ofcom received 70,000 complaints it found GB News to have breached the broadcasting code. But Ofcom took no further action against the broadcaster because, in the face of significant public pressure, GB News made a grovelling on-air apology. Good Law Project lawyer Matt Gill said: “The hateful trope about LGBTQ+ people broadcast by GB News puts the community at risk. “When GB News tried to make a link between LGBTQ+ people and paedophilia before, Ofcom found the broadcast was highly offensive and yet did nothing about it. The regulator must impose meaningful sanctions to stop this rogue channel repeating these vicious lies again and again.” ### Free strength training classes for trans and non binary folk in Hastings URL: https://www.scenemag.co.uk/free-strength-training-classes-for-trans-and-non-binary-folk-in-hastings/ Last updated: 2026-08-10T15:04:58.000Z A new fitness initiative is hoping to help trans and non-binary people feel more comfortable accessing exercise by offering free strength training classes in an inclusive and supportive environment. **Trans Pride Hastings** has teamed up with **Strong & Nice Lifting Club** and **Sport England** to offer a series of gender-affirming strength training sessions designed specifically for trans and non-binary people who may feel excluded or uncomfortable in traditional gym settings. The six-week programme, which launches on **Saturday, 15 August** at **12pm**, takes place in a private gym featuring individual changing spaces and no mirrors in the main workout area, helping to create an environment where participants can focus on fitness without the pressures that can sometimes accompany mainstream gym culture. Organisers say the classes are open to people of all fitness levels and abilities, with no previous gym experience required. Led by instructor **Elijah (he/him)**, each session includes a gentle warm-up, an introduction to the fundamentals of strength training, a short exercise circuit and a stretching-based cool down. The initiative aims to remove some of the barriers that can prevent trans and non-binary people from engaging in physical activity, particularly concerns around changing rooms, body image and feeling safe in fitness spaces. Participants sign up for a block of six sessions, with classes limited to between 10 and 12 people to ensure a welcoming and supportive atmosphere. The organisers describe the project as an opportunity for trans and non-binary people to build confidence, improve physical wellbeing and connect with others in the community while exploring strength training at their own pace. Those interested in taking part can find out more by contacting **transpridehastings@gmail.com** and more info [HERE](https://transpridehastings.uk/strong-nice?ref=scenemag.co.uk) Organisers summed up the ethos of the programme with a simple message: **"Let's feel Strong & Nice together."** ### Mayor of Greater Manchester, Bev Craig, refuses to endorse 'guidance' restricting trans access to public facilities URL: https://www.scenemag.co.uk/mayor-of-greater-manchester-bev-craig-refuses-to-endorse-guidance-restricting-trans-access-to-public-facilities/ Last updated: 2026-08-10T10:36:12.000Z The **Mayor of Greater Manchester** has declined to say whether she will support the implementation of controversial new guidance affecting trans people's access to public facilities. **Bev Craig**, who succeeded **Andy Burnham** as Greater Manchester Mayor last month, was twice asked whether she would back **Equality and Human Rights Commission** (EHRC) 'guidance' recommending that trans people use either gender-neutral facilities or those corresponding to their sex assigned at birth. According to reports, she stopped short of giving a direct commitment. The guidance came into force last week following legal and political debate around the interpretation of the Equality Act. Critics have argued that the recommendations could make life more difficult for trans and non-binary people, while supporters say they provide clarity on the operation of single-sex spaces. When asked whether she would oversee the full implementation of the' guidance', Craig told **Times Radio** that she was still assessing what it would mean for transport services under her control. She suggested that many existing services were already compliant and downplayed the practical impact, saying the issue may affect only a small number of public facilities. [Good Law Project backs legal challenge to government and EHRC over “transphobic” trans guidanceGood Law Project is supporting a legal challenge against the Government and the Equality and Human Rights Commission (EHRC) over new guidance on single-sex services that campaigners say will have a damaging impact on trans people. The challenge comes as the EHRC’s updated code of practice comes into![](https://www.scenemag.co.uk/content/images/icon/S-Logo-e326b8a9-2013-40de-bed3-ff054b1e3754.png)Scene MagazineGraham Robson![](https://www.scenemag.co.uk/content/images/thumbnail/pexels-intitupac-13028578-1-1cb30ff1-897a-4b58-b1dd-1be088ac87fa.jpg)](https://www.scenemag.co.uk/good-law-project-backs-legal-challenge-to-government-and-ehrc-over-transphobic-trans-guidance/) Asked again whether she intended to introduce the measures, Craig replied that her focus was on understanding what, if anything, would need to change from current arrangements. She also stressed that she would not be policing who uses public toilets, remarking that she would not be "checking people's bits on the way into the toilet". While Craig said public services would remain legally compliant, she declined to say whether she would encourage Greater Manchester's ten local councils to adopt the EHRC recommendations. Instead, she suggested local authorities should be given time to consider the practical implications of the guidance and decide how best to respond. Craig has previously spoken out in support of LGBTQ+ rights. During her mayoral campaign, she said she had spent her career fighting for LGBTQ+ equality and insisted it was possible to support both women's services and trans communities without "throwing our trans communities under the bus". Last week, **Good Law Project** announced it is supporting a legal challenge against the Government and the EHRC with **Jess O'Thomson**, Good Law Project's trans rights lead, saying legal action was necessary because of what they described as a significant rollback of trans rights. "It’s difficult to believe just how far backwards our government has gone on trans human rights," they said. "This Labour government pushed through its transphobic guidance in the face of opposition from many MPs, including nearly a hundred of its own backbenchers. "It's not just immensely harmful. We think it's unlawful, and completely against human rights. So this challenge is absolutely essential." ### Brighton & Hove LGBT Switchboard celebrates 50 years of supporting LGBTQ+ communities URL: https://www.scenemag.co.uk/brighton-hove-lgbt-switchboard-celebrates-50-years-of-supporting-lgbtq-communities/ Last updated: 2026-08-10T10:06:45.000Z More than 150 people gathered at **Brighton i360** as **Brighton & Hove LGBT Switchboard** kicked off its 50th anniversary celebrations with a special community event honouring five decades of support for LGBTQ+ people. Among those joining the celebrations was **Amanda Collier** from BBC hit series *The Traitors*, who presented the charity's inaugural 50th Anniversary Community Awards and was described by Switchboard as one of its newest and most enthusiastic supporters. ![](https://www.scenemag.co.uk/content/images/2026/08/766748179_1513913320780025_8291611961052823184_n-1.jpg) ****Amanda Collier.** Photography by Skye Kilgannon The event brought together former volunteers, current staff, trustees, service users, partners, funders and supporters to celebrate the organisation's remarkable journey from a pioneering LGBTQ+ telephone helpline to one of Sussex's leading LGBTQ+ charities. Founded in 1975 as the **Lavender Line**, Switchboard began at a time when LGBTQ+ people often struggled to access information, support and community. The first call was received on 25 April 1975, with volunteers providing a lifeline for people seeking advice about local LGBTQ+ groups, venues and services. Fifty years later, the charity's work has expanded dramatically. Today, Switchboard supports thousands of LGBTQ+ people through services including its BOLD programme for older LGBTQ+ people experiencing bereavement, loneliness and dementia, social prescribing for trans, non-binary and intersex communities, specialist domestic abuse support, Rainbow Neighbours befriending services and gambling harms recovery support. ![](https://www.scenemag.co.uk/content/images/2026/08/767300986_1513913684113322_237002141199013071_n.jpg) ****Alf Le Flohic.** Photography by Skye Kilgannon Guests at the anniversary event heard reflections from people who have shaped the charity's history, including Chief Executive **Rob Sainsbury**, former chair **Brian Warren**, former volunteer **Jenny**, and LGBTQ+ community historian **Alf Le Flohic**, who shared memories from Switchboard's earliest years and the evolution of Brighton's LGBTQ+ community. The evening also featured a performance from Brighton cabaret favourite **Ophelia Payne**, exclusive anniversary merchandise designed by trans artist and activist **Fox Fisher**, a fundraising raffle and food provided by community organisation **Lunch Positive**. ![](https://www.scenemag.co.uk/content/images/2026/08/765872410_1513917847446239_1612586285666166411_n-1.jpg) Fox Fisher, right. Photography by Skye Kilgannon A highlight of the celebrations was the presentation of the inaugural **Brighton & Hove LGBT Switchboard 50th Anniversary Community Awards**, recognising individuals and organisations making a difference to LGBTQ+ lives across Sussex. Award winners included **Richard Johnson**, who received the Volunteer Award for decades of service, and **Tanya Levene**, who was recognised as an Unsung Hero for her long-standing support of Switchboard's domestic abuse services. **The Breakfast Club** received the Community Partner Award for creating a welcoming space for older LGBTQ+ people, while **Jodie Cruttenden** and the team at **Cove Reformer Pilates Studio** were honoured for their allyship and commitment to inclusion. ![](https://www.scenemag.co.uk/content/images/2026/08/764987130_1513917804112910_3712835948568938323_n.jpg) Photography by Skye Kilgannon Reflecting on the event afterwards, Switchboard said it had been "wonderful" to see generations of volunteers, staff, supporters and service users come together to celebrate "five decades of standing alongside LGBTQ+ people across Brighton & Hove, Sussex and beyond." The charity stressed that the anniversary celebrations are only just beginning, with further events planned throughout the year, including a major gala later in 2026. As Brighton & Hove LGBT Switchboard enters its sixth decade, the anniversary serves as both a celebration of the progress made by LGBTQ+ communities and a reminder of the continuing importance of dedicated community support services. From a volunteer-run telephone line in the 1970s to a modern organisation delivering life-changing support across Sussex, Switchboard remains at the heart of LGBTQ+ life in Brighton and beyond. ### Singer hits back after former MP urges people to boycott Doncaster Pride URL: https://www.scenemag.co.uk/singer-hits-back-after-former-mp-urges-people-to-boycott-doncaster-pride/ Last updated: 2026-08-10T12:45:06.000Z A Doncaster singer has launched a fierce criticism of former Conservative MP **Nick Fletcher** after he urged people to boycott **Doncaster Pride**, prompting a fresh backlash over his views on LGBTQ+ issues. Fletcher, the former MP for Don Valley, sparked controversy ahead of this year's Doncaster Pride celebrations when he published a Facebook post titled "Say No to Pride", arguing that Pride events were associated with issues including trans inclusion, drag performers and LGBTQ+ education. He urged supporters to avoid attending Pride events, claiming people should "choose wisely" and reject the movement. Among those speaking out was **Anastasia Walker**, frontwoman of Doncaster band **Fever Dream Kills**, who used her appearance at Doncaster Pride to deliver a pointed response to the former politician. In a video recorded on stage at the festival, Walker criticised Fletcher and defended the city's LGBTQ+ community. In a follow-up social media post, Walker told Fletcher that Doncaster Pride was "not going anywhere" and insisted there was "absolutely nothing" he could do to stop the annual celebration. The exchange marks the latest chapter in a long-running war of words between the singer and the former MP, who has repeatedly attracted criticism for comments about LGBTQ+ issues and immigration. Walker previously criticised Fletcher in 2023 following remarks he made about migration. Doncaster Pride, which drew thousands of attendees to Town Field over the weekend, is one of a growing number of Pride events across South Yorkshire celebrating LGBTQ+ identity, visibility and inclusion. Organisers and supporters say such events remain vital at a time when LGBTQ+ people continue to face discrimination and hostility. Fletcher's intervention also echoes previous criticism he has directed at Pride events. Last year, organisers of nearby Bawtry Pride accused the former MP of spreading "hurtful and hateful" rhetoric after he criticised their event. In response, organisers said Pride exists to ensure LGBTQ+ people feel "seen, valued and safe" and insisted that "love will always shine brighter". Supporters of Doncaster Pride say the strong turnout at this year's event demonstrates continuing public support for LGBTQ+ communities despite opposition from some political figures. They argue Pride remains an important celebration of equality, community and visibility, as well as a reminder of the progress still needed to secure full rights and acceptance for LGBTQ+ people. ### Messages From the Heart: The voices of Pride in The Park URL: https://www.scenemag.co.uk/messages-from-the-heart-pride-2026/ Last updated: 2026-08-10T09:08:34.000Z Pride is about many things: visibility, community, celebration and the freedom to be exactly who you are. But sometimes, the most powerful moments come from simply hearing people speak from the heart. During our coverage of **Brighton Pride in the Park**, Scene Magazine reporter **Liran Notik** spent time around Queer Town, asking people to share a personal message - whether it was for someone they love, someone who helped them along the way, their younger self, their future self, or even someone who once made them feel like they didn't belong. ## **Watch our video and hear the messages for yourself** 0:00 /5:59 1× ****Liran Notik, Brighton Pride in The Park** | Filmed by: Jessica Bainbridge The responses were emotional, honest and, at times, incredibly moving. One person chose to dedicate their message to their best friend - someone who had stood by them through everything: > “I want to thank my best friend, who has always supported me for who I am and has always been there for me. She’s the best person I know. Another decided to turn the message inward, celebrating the person they once were and everything they had become: > “I want to thank my younger self, because look how great I turned out!” And for someone else, Pride was an opportunity to reclaim painful experiences from the past and recognise the strength that came from surviving them: > “I want to thank my bully and everybody who harassed me and beat me up at school, because I grew up to become this amazing, strong, self-confident person I am today.” They capture something powerful about Pride: **the ability to look back at where we've come from, recognise the people who helped us along the way, and celebrate the people we've become.** Around Queer Town in Pride in The Park, we heard messages filled with love, gratitude, humour, vulnerability and resilience. Some were directed towards parents and friends. Others were for people who had caused pain. And some were simply a reminder to themselves that they had made it through. ![](https://www.scenemag.co.uk/content/images/2026/08/1.jpeg) Liran Notik | Scene Magazine Because behind every Pride celebration are thousands of personal stories. Stories of finding yourself, finding your people, overcoming challenges and finally feeling free to be who you are. These are just some of those voices. ### Police officer sacked and added to 'barred list' after making anti-trans comments URL: https://www.scenemag.co.uk/police-officer-sacked-after-making-anti-trans-comments/ Last updated: 2026-08-10T09:09:16.000Z A **Northumbria Police** detective who referred to trans women as “c\*\*ks in frocks” has been dismissed for gross misconduct and permanently barred from serving as a police officer. Former Detective Constable **Rachel Fletcher** was found guilty of gross misconduct following a disciplinary hearing that examined a series of comments she made about both trans women and men while serving with Northumbria Police. The panel concluded that her conduct breached professional standards relating to equality and diversity, authority, respect and courtesy, and discreditable conduct. The hearing heard that Fletcher had described trans women using the derogatory phrase and was also accused of making comments suggesting that “all men are rapists” and should be subject to a curfew. The panel found the allegations proven and determined that her actions amounted to gross misconduct. Following the ruling, Fletcher was dismissed without notice and placed on the **College of Policing**'s barred list, preventing her from working as a police officer in England and Wales in future. The decision has been welcomed by LGBTQ+ campaigners, who say police officers must be held to the highest standards when it comes to treating trans people with dignity and respect. In its ruling, the panel acknowledged Fletcher's previous service record and heard evidence from character witnesses who described her as hardworking and committed. Nevertheless, it concluded that dismissal was the only appropriate outcome, citing the discriminatory nature of the proven conduct and concerns about public confidence in policing. Supporters of the ruling argue that trans people, like all members of the public, deserve to know that officers entrusted with protecting their communities will treat them fairly and respectfully. They say accountability in cases involving discriminatory conduct is essential if public institutions are to maintain the trust of the diverse communities they serve. ### The Saturday Scene: The week the EHRC code landed URL: https://www.scenemag.co.uk/the-saturday-scene-the-week-the-ehrc-code-landed/ Last updated: 2026-08-08T07:40:04.000Z _This post is for subscribers only._ ### Brighton's Charles Street Tap to close after 25 years URL: https://www.scenemag.co.uk/brightons-charles-street-tap-to-close-after-25-years/ Last updated: 2026-08-07T12:56:16.000Z One of Brighton's best-known LGBTQ+ venues is set to close its doors after 25 years, with management announcing that **Charles Street Tap** will cease trading when its lease comes to an end in September. In an emotional statement shared with customers, General Manager **Chris Marshall** confirmed that the venue's lease would expire in mid-September and that the building would be returned to its landlords. A final closing date has not yet been announced. The seafront bar, formerly known simply as Charles Street, has been a longstanding fixture of Brighton's LGBTQ+ scene and has played a prominent role in the city's nightlife and community life since opening in 2001. Announcing the closure, Chris described the loss of the venue as the end of an important chapter for Brighton's LGBTQ+ community. "For 25 years Charles Street has been a small part of the beating heart of Brighton's LGBTQIA+ community and it has been my absolute honour to have been part of that story," he said. "The loss of one of our safe spaces should always be mourned. But its history and our memories, the difference it made to so many people should be so celebrated, shouted about and never forgotten." Chris has served as the venue's General Manager for the past 20 years and said Charles Street Tap had become far more than simply a workplace. "It is so much more than where I work. It is where I live, it is my home and it is part of who I am," he said. "This has been an incredible life-changing experience, with so many magical and amazing memories. It breaks my heart to say goodbye." Paying tribute to the staff who have worked at the venue over the years, Chris said he was "so proud" of the generations of bar staff and managers who had helped make Charles Street Tap a welcoming space for customers and the wider community. Among those singled out for special thanks were Deputy Manager **Ed Stocker**, who has worked at Charles Street for 22 years, and drag performer Dame **Sally Vate**, described by Chris as the venue's "resident drag mother" and one of its most recognisable faces over the past 18 years. Chris also thanked the venue's cabaret performers, DJs, promoters, security staff and cleaners, as well as the customers who supported the business over the past quarter of a century. "Throughout we tried to be different, we tried to do things well and we tried to bring joy," he said. "I hope at some point we succeeded to do that for you. Thank you." The closure will mark the loss of another established LGBTQ+ venue in Brighton, a city widely recognised for its vibrant queer community and nightlife. Further details about Charles Street Tap's final weeks and closing date are expected to be announced in the coming weeks. ### Queer Bloomsbury: a celebration of queer imagination, art and community at Charleston URL: https://www.scenemag.co.uk/queer-bloomsbury-a-celebration-of-queer-imagination-art-and-community-at-charleston/ Last updated: 2026-08-07T11:41:50.000Z From radical conversations and drag-infused performance to live art, cabaret spirit and a midsummer dancefloor, [**Queer Bloomsbury 2026**](https://marlboroughproductions.org.uk/event/queer-bloomsbury-2/?ref=scenemag.co.uk) is set to transform **Charleston House and Gardens** into a vibrant showcase of LGBTQ+ creativity on **15 August**. Delivered in partnership by[**Queer Heritage South**,](https://www.queerheritagesouth.co.uk/s/queer-heritage-south/page/home?ref=scenemag.co.uk) **Charleston** and [**Marlborough Productions**](https://marlboroughproductions.org.uk/event/queer-bloomsbury-2/?ref=scenemag.co.uk), the evening begins with ***The Moment***, a new commission featuring acclaimed writer and performer **Travis Alabanza**, bestselling author **Shon Faye**, and award-winning drag king and comedian **Jodie Mitchell**. The discussion will explore contemporary queer life, trans experiences, collective organising and visions for the future. According to organisers, the event asks what this moment means for queer and trans communities and what forms of solidarity still need to be built. ![](https://www.scenemag.co.uk/content/images/2026/08/284944ad-0899-f1a0-7ba4-7ce4cfea1588.jpg) Photo Credit [****Marlborough Productions**](https://marlboroughproductions.org.uk/event/queer-bloomsbury-2/?ref=scenemag.co.uk), As the sun sets, the venue will be reimagined as a ***Queer Fayre***, bringing together an eclectic mix of performances, live art, radical talks and immersive experiences. Artists including **Symoné, Brian Lobel, Emma Frankland, Subira Joy, Samson Dittrich and Charlie Wood** will present work across the gardens, creating what organisers describe as a landscape of queer curiosity and creativity. ![](https://www.scenemag.co.uk/content/images/2026/08/Queer-Bloomsbury-b-scaled.jpg) photo credit: CharlestonPhotoPh The celebrations continue into the night with a ***Midsummer Party*** led by East London queer scene favourite **Michelle Manetti**, whose two decades behind the decks have made them a respected DJ, producer and promoter. ![](https://www.scenemag.co.uk/content/images/2026/08/ac663e04-330e-b0e7-fb9b-d875c07ef122.jpg) Image credit: Anita aka Zenhofer One of the features is the dedicated **shuttle bus service from Brighton**, making it easier for local LGBTQ+ audiences to attend. Buses depart from **Old Steine Bus Stop F** at **4.30pm** and **8pm**, with return journeys at **9pm** and **12.15am**, with tickets available for **£3.50**. ![](https://www.scenemag.co.uk/content/images/2026/08/16fa934e-6c08-73ae-f470-33cccb0c2546.jpg) Photo Credit [****Marlborough Productions**](https://marlboroughproductions.org.uk/event/queer-bloomsbury-2/?ref=scenemag.co.uk), Alongside Queer Bloomsbury, organisers are also spotlighting a diverse programme of queer-focused events, including a zine-making workshop with **Zoe Thompson**, **The Clare Project**'s **Pride Special Pizza** and **Paperwork** **session**, **Joe Black**'s cabaret spectacular at **Komedia**, and **Jo Bannon**'s disability-led performance work. Queer Bloomsbury showcases the extraordinary breadth of LGBTQ+ culture, bringing together trans voices, artists, performers, writers and community organisers in a programme that celebrates the diversity, creativity and resilience of queer life. More info on acts, workshops and [**tickets from here:** ](https://marlboroughproductions.org.uk/event/queer-bloomsbury-2/?ref=scenemag.co.uk) ### London launches bid to host WorldPride 2032, which will mark 60 years of Pride in the UK URL: https://www.scenemag.co.uk/london-launches-bid-to-host-worldpride-2032-to-mark-60-years-of-uk-pride/ Last updated: 2026-08-07T11:37:54.000Z **London** has launched its campaign to host **WorldPride 2032**, with organisers aiming to bring the world's largest international LGBTQ+ festival back to the capital 20 years after it last staged the event. If successful, London would become the first city to host WorldPride twice, having previously welcomed the global celebration in 2012\. The event would also coincide with the 60th anniversary of the UK's first Pride march, held in 1972. The bid is being backed by **Mayor of London** Sir **Sadiq Khan**, who said the capital's LGBTQ+ communities have played a vital role in shaping the city. Writing in *The Standard*, Khan said: "Hundreds of thousands of uncelebrated LGBTQIA+ Londoners bring love and joy to our lives every day. Together, they have made London the modern, multicultural metropolis it is today - and they are the reason that WorldPride belongs in our city. "Given the opportunity, we'll show the world that, in the face of division, our diversity remains our greatest strength." WorldPride is held every two years and is one of the largest international LGBTQ+ events, bringing together Pride organisations, activists and communities from around the world. Since its launch in Rome in 2000, it has been hosted in cities including **Sydney**, **New York**, **Madrid** and, most recently, **Amsterdam**. ![](https://www.scenemag.co.uk/content/images/2026/08/emil-karlsen-ovNcAsCSvac-unsplash.jpg) Unsplash London's previous WorldPride celebration in 2012 marked the 40th anniversary of the UK's first Pride march. While financial difficulties forced organisers to scale back some planned activities, around 25,000 people took part in the parade through central London. As part of the 2032 campaign, the **London WorldPride 2032 Bid Committee** has launched two competitions designed to place LGBTQ+ communities at the heart of the bid. Artists, designers and creatives across the UK are being invited to submit concepts for an official bid logo that reflects London's diversity, creativity and the significance of hosting WorldPride. The winning designer will receive a £3,000 prize, with the logo set to become the official symbol of London's bid if selected. The committee is also seeking photographs from LGBTQ+ people and allies around the world celebrating Pride, identity, belonging and community. The images will form part of an immersive installation at **Outernet London**, where thousands of submissions will be brought together to create a single visual representation of global Pride. The winning logo design will be unveiled through the installation on Outernet London's digital screens at the end of October 2026. Submissions for both competitions are now open through the [Pride in London website](http://www.prideinlondon.org/worldpride2032?ref=scenemag.co.uk). Entries close on 25 September 2026, with winners due to be announced in early October. WorldPride 2026 was held in Amsterdam, where organisers celebrated 25 years since the Netherlands became the first country in the world to legalise same-sex marriage, while highlighting ongoing efforts to promote LGBTQ+ rights, diversity and inclusion. ### #DALEYPOP X AUGUST 2026 URL: https://www.scenemag.co.uk/6a64017bac95e60001c4f986/ Last updated: 2026-08-07T11:34:46.000Z Music has been embedded in my life ever since I was in the womb, my mum and dad basically raised me on music, especially POP music! I grew up listening to **Madonna**, **Mariah Carey**, **Kylie Minogue**, **Spice Girls**, **Britney Spears** and even **AQUA** and I’ve always been obsessed with pop culture and **Eurovison**! I love yapping about my favourite songs and album of the month every month with the world from **Scene HQ**! ### Orville Peck - Too Little, Too Late **Orville Peck** has returned with *Too Little, Too Late*, a gorgeous slice of country-pop heartbreak that reminds us exactly why he's become one of the most distinctive voices in modern country music. Taken from his upcoming album *Mule*, the track pairs classic themes of love lost and lessons learned with Orville's rich, velvety vocals and erm, hawt vocals which should come with a health warning at this point. What I love most about *Too Little, Too Late* is its emotional honesty. There's no dramatic begging for someone to stay and no lingering what ifs. Instead, Orville reflects on a relationship that's run its course with a sense of clarity and hard earned acceptance. It's bittersweet and incredibly relatable, especially for anyone who's reached the point where they realise the apology arrived just a little too late. I think this is probably the most contemporary track he's ever released? The polished production gives it a modern country pop sheen while still allowing Orville's unmistakable voice to take centre stage. It's the kind of track that longtime fans will instantly connect with but it's also accessible enough to pull in plenty of new listeners. ### James Indigo, Amanda Lepore, LVL1 - BORN FAMOUS Fresh from opening for the legendary **Peaches** at London's **O2 Forum Kentish Town** queer rap trailblazer **James Indigo** is back and ready to remind everyone why he's one of the UK's most exciting independent artists. *Born Famous* is an electrifying burst of confidence, glamour and pure main character energy. > [ View this post on Instagram ](https://www.instagram.com/reel/DbK32SIMFEg/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by 𝗝𝗮𝗺𝗲𝘀 𝗜𝗻𝗱𝗶𝗴𝗼 (@jamesindigo)](https://www.instagram.com/reel/DbK32SIMFEg/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Joining James on the track are nightlife icon and queer culture legend **Amanda Lepore** alongside Spanish electronic producer **LVL1** creating a dream team of boundary pushing talent. The result is a high energy electronic anthem packed with attitude, pulsating production and a fierce message about embracing your star power and taking up space unapologetically. If James Indigo isn't already on your radar, he should be! As the UK's most streamed gay rapper and with more than four million streams across platforms, he's steadily carving out his own lane. By blending rap, dance and electronic influences into a sound that feels both fresh and unmistakably his own. He's a big **Madonna** fan too, just saying. With every release he's continuing to champion queer visibility while proving that independent artists can make a major impact. ### Charli xcx - Wink Wink Released as the third single from her seventh studio album *Music, Fashion, Film*, *Wink Wink* might just be my favourite **Charli XCX** track in quite a while. Actually that's not totally true because I was pretty obsessed with *Rock Music* too but there's something about *Wink Wink* that immediately grabbed me. It just sounds so effortless and packed with the kind of razor sharp pop energy that Charli does better than almost anyone. To accompany the release Charli dropped an official music video directed by **Aidan Zamiri** who also helmed Charli's mockumentary movie, *The Moment* which I'm still yet to see! Based on an original concept from Charli herself, the film sees her playing a fictionalised version of herself as she navigates the pressures, absurdities and expectations that come with life as a global pop star. Charli is in one of those creative eras where she seems incapable of making anything boring and *Wink Wink* is further proof that she's still one of pop's most inventive and unpredictable artists. WINK! ### ADONXS - Cherry On Your Cake If you're a **Eurovision** fan like myself then chances are you'll remember **ADONXS** who flew the flag for **Czechia** at Eurovision 2025\. Well Czechoslovak pop export is back! Unveiling *Cherry On Your Cake* **Adam Pavlovčin** is serving up another dose of sensual, **Troye Sivan**\-esque cinematic pop with his latest single *Cherry On Your Cake*. ![](https://www.scenemag.co.uk/content/images/2026/08/756603975_18607164757008255_1937485918063314781_n-1.jpg) 📸 [David Urban](https://www.instagram.com/by%5Fdave%5Furban?ref=scenemag.co.uk) On the new track ADONXS once again proves why he was one of Eurovision's most magnetic performers. *Cherry On Your Cake* is dripping with confidence, charm and cinematic pop polish balancing flirtation and vulnerability with effortless ease. With its glossy production and infectious hooks, the song feels like the soundtrack to a romantic daydream. Following the release of earlier 2026 single *Rituál*, *COYC* arrives as the final taste of what's to come before ADONXS unveils not one, but two new EPs this autumn, one in Slovak and one in English. If these recent releases are anything to go by, he's definitely entering a thrilling new era defined by confidence, creativity and complete artistic freedom. In a world that can often feel weighed down by negativity, ADONXS delivers something gloriously refreshing and uplifting with COYC. It feels like a celebration of love, self worth and embracing exactly who you are. As an openly queer artist, he's creating pop music that feels authentic, empowering and joyfully free from compromise. Sweet, flirtatious and deliciously camp, *COYC* feels like more than just a catchy pop song, it feels like a statement of self confidence and queer joy and if this is any indication of what's coming next, ADONXS isn't just entering a new chapter, he's thriving. ### Mýa, Too $hort - Just a Little Bit Is it just me that immediately gets transported back to the early 2000s when they hear **Mýa**? Between the iconic *Case of the Ex* and of course *Lady Marmalade* alongside **Christina Aguilera**, **P!nk** and **Lil' Kim** she gave us some absolute classics. Good news for the nostalgia lovers because Mýa is back with *Just a Little Bit* featuring **Too $hort** and I'm obsessed. The track is a slick, groove filled slice of retro R&B that sounds like it was tailor made for a neon lit roller rink. Co produced by **Mýa** and **MyGuyMars** *Just a Little Bit* leans into shimmering synths, playful flirtation and old school funk influences creating a feel good atmosphere that's impossible not to move to. It's effortlessly cool, with Mýa and Too $hort engaged in a teasing game of musical cat and mouse that feels straight out of a latenight skate party. ### from20 - BIG BOY I'm still firmly in my K-pop era and former **BIGSTAR** member turned solo artist **from20** aka **Kim Rae-hwan** is giving me yet another reason to stay there. *BIG BOY* may have started life as a joke but it's turned into a bold anthem about confidence and unapologetically owning who you are. That message runs right through the self directed music video where from20 leans into charisma, empowerment and individuality with his trademark flair. While the track raised a few eyebrows, including earning a ban from Korean broadcaster **KBS** over what it deemed "excessively sexual" lyrics, from20 isn't backing down. In fact he seems to be embracing the controversy. Rather than shying away from conversations around sexuality, he's using them to encourage self acceptance and authenticity. When was the last time you saw a male public figure shout out their gay fans so much in a song?! I'm here for it. Having previously spoken about creating a welcoming environment for fans, from20 continues to position himself as an artist who values genuine inclusivity over performative allyship. ### Natalie Imbruglia - Just Drive Oh **Natalie Imbruglia** really understood the assignment with this one. The Aussie pop icon has unveiled *Just Drive*, the third single from her upcoming album *Algorithm* and it's an absolute gem. Co written and produced alongside **MyRiot**, the track pairs shimmering electro pop production with pulsating synths, delicate piano touches and the kind of emotional release that was made for late night drives and dramatic main character moments. What Natalie has always done so brilliantly is wrap heartbreak in beautiful melodies and *Just Drive* is no exception. On the surface, it's an irresistible pop track that makes you want to move but beneath the glossy production is a deeply vulnerable story about navigating life after a breakup. It's about putting one foot in front of the other carrying on when your heart isn't quite ready and wondering whether you'll ever truly move on. Honestly breakups are the worst! Nat's coming to Brighton by the way.... > [ View this post on Instagram ](https://www.instagram.com/p/DbVS0cEjLxd/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by natalie\_imbruglia (@natalie\_imbruglia)](https://www.instagram.com/p/DbVS0cEjLxd/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Back to *Just Drive* though, none of it would hit quite as hard without Natalie's voice. Dreamy, powerful and full of emotion, she brings a warmth and sincerity to every line that makes the song feel incredibly personal. While the subject matter is bittersweet, there's an underlying sense of hope running through the track. The woman who gave us *Torn* is essentially offering a gentle reminder that even the most painful endings don't last forever. As Natalie explained: “I wrote *Just Drive* about a breakup, and about something I think a lot of us do, which is hiding how we feel to make other people feel better. Sometimes you'd rather go through it on your own, as hard as that is. You love the other person so much, you don't want to put them through it too.” ![](https://www.scenemag.co.uk/content/images/2026/07/int-28d78342414e74f80ba22f4b8417a81b-kyjl78ur.webp) ## AOTM: Evanescence - Sanctuary ⭐⭐⭐⭐⭐ I'm so excited to get to write that my album of the month is *Sanctuary* by **Evanescence** because this feels especially fitting as November marks five years since I first started writing this column. Sharing my favourite music with our readers from Scene HQ has been a real joy and the occasion feels even more significant as this is Evanescence’s first studio album since 2021! Most bands spend the rest of their careers desperately trying to recreate the album that made them famous but not Evanescence. When **Amy Lee** and **Ben Moody** released *Fallen* in 2003 they didn't just drop a successful debut album, they unleashed a full blown cultural phenomenon. *Bring Me to Life* was absolutely everywhere. If you existed in the early 2000s, you've definitely heard that piano intro. Even if it's against your will. It was on the radio, on all the music channels, in film trailers and somehow permanently embedded into the brains of an entire generation. Then there was *My Immortal* which convinced millions of teenagers like me that staring dramatically out of a rain covered bedroom window was a perfectly reasonable hobby. I still remember hearing the band version for the first time and being totally unprepared for that swell of guitars and drums near the end. It transformed an already emotional song into a full blown cinematic event and teenage me absolutely ate it up. *Going Under* brought the angst, *Everybody's Fool* dragged fake perfection long before influencers somehow turned it into a career and deep cuts like *Imaginary*, *Torniquet*, *Haunted* and *Taking Over Me* gave the album its delicious gothicness. As a closeted gay teenager *Fallen* wasn't just an album for me. It was practically a personality trait. *Bring Me to Life* made me feel seen at a time when I was trying very hard not to be seen. Meanwhile *Everybody's Fool* was the soundtrack to my Oscar worthy performance as definitely straight and absolutely fine and normal. Spoiler alert, nobody was winning an Oscar! The thing is though, Amy never seemed interested in living off *Fallen* forever. She could've spent twenty years writing *Bring Me to Life 2: Still Being Brought To Life* but instead Evanescence kept evolving. From the orchestral drama of *Synthesis* to the heavier, more confrontational *The Bitter Truth*, they've always seemed more interested in moving forward than cashing in on nostalgia. ![](https://static.klipy.com/ii/c3a19a0b747a76e98651f2b9a3cca5ff/c6/ce/JCEHl07O.gif) *Synthesis* saw Evanescence giving some of their biggest songs the full dramatic orchestra treatment because apparently regular levels of drama weren't enough. Then came *The Bitter Truth* which was heavier, angrier and proof that Evanescence still had plenty left to say annnnnnd now five years later, we have *Sanctuary.* The good news for those of us whose personalities are still at least 30% *Fallen* is that the Evanescence DNA is all still here. Amy's piano remains a secret weapon and her voice can still go from delicate and vulnerable to absolutely flattening you emotionally in a matter of seconds. ![](https://www.scenemag.co.uk/content/images/2026/08/image-5-1.png) 📸 [Jonathan Weiner](https://www.instagram.com/jonathan.weiner?ref=scenemag.co.uk) There are little flickers on *Sanctuary* that will remind longtime fans why they fell in love with the band in the first place with flashes of the drama and intensity that made songs like *Hello* and *Taking Over Me* so special but this isn't *Fallen 2*. In fact, one of the album's biggest strengths is its refusal to spend forty five minutes winking at 2003\. Trust me, nobody wanted another classic Evanescence album more than me. I'll admit that I secretly spent the build up to *Sanctuary* wondering if anything could ever give me the same feeling as hearing *Bring Me to Life* for the first time. The answer, thankfully isn't trying to recreate it. Sure, traces of *Fallen* still linger but *Sanctuary* feels like a band that's completely comfortable with its legacy while still finding new places to go. Evanescence could have become a nostalgia act years ago and sold us variations of the same album forever but instead they're still evolving, still taking risks and still refusing to do the easy thing which I'm super grateful for. For a band whose debut remains one of the defining rock albums of the 2000s, that's impressive. There will only ever be one *Fallen* and that's how it should be and exactly why *Sanctuary* works. Evanescence's story was never supposed to end there. > [ View this post on Instagram ](https://www.instagram.com/p/DZNc4odm6kV/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Evanescence (@evanescenceofficial)](https://www.instagram.com/p/DZNc4odm6kV/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) The context surrounding *Sanctuary* is as important as the music itself. Across the three plus years of its creation, the world outside shifted into something Amy describes as a period of manufactured confusion. An era of political disorientation, misinformation and social fracture that made the search for genuine human connection feel both more urgent and more difficult. Speaking to [**Kerrang!**](https://www.kerrang.com/evanescence-amy-lee-interview-sanctuary-interview-who-will-you-follow-cover-story?ref=scenemag.co.uk)back in the spring she described the record’s central preoccupation as finding each other, dark as it may be, because you cannot fix what you refuse to face. That impulse to name the darkness before insisting on the light animates every track on *Sanctuary* and gives the record a moral seriousness that separates it from most of what passes for hard rock in 2026\. One of my favourites on the album is *Afterlife* and I think there's a reason it became such a huge hit and helped launch this era. It's dramatic, cinematic and emotionally huge and feels nostalgic yet modern and industrial. The chorus has that same goosebump inducing quality that made tracks from *Fallen* so memorable in the first place. It's one of those songs that feels massive whether you're listening through headphones or imagining it being performed in an arena. I'm also obsessed with *Who Will You Follow*. It feels like one of the album's defining statements, tackling confusion, division, fake news and misinformation without sounding preachy. It feels lkke classic Evanescence beginning with Amy's piano before exploding into something much heavier. The contrast between vulnerability and power has always been a part of the band's appeal and this track captures that perfectly. The official music video is epic too. Ooooh and then there's *Beautiful Lie* which might just be one of the strongest album openers they've written in years. The tension builds beautifully throughout and immediately establishes the darker, more reflective themes running through the record. It feels like the opening chapter of a story. For sheer emotional impact, though, it's hard to look past *How Do I Heal* and *Forever Without You*. The latter feels destined to become one of those fan fave deep cuts that people connect with on a deeply personal level. Amy has always excelled at writing songs that sound intensely personal while somehow feeling universal and both tracks showcase that gift gorgeously. > [ View this post on Instagram ](https://www.instagram.com/p/DbRCvRBm3uS/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Amy (@amylee)](https://www.instagram.com/p/DbRCvRBm3uS/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) I also found myself returning repeatedly to the album title track *Sanctuary* and not because it's the heaviest or most dramatic song on the album (well maybe) but because it perfectly captures the record's central message. Amid all the noise, confusion and division the song argues for connection and community. It's hopeful without being naive and uplifting without feeling forced. That's what I think makes *Sanctuary* so addictive. It carries many of the qualities fans fell in love with on *Fallen*....the huge choruses, the haunting piano, the emotional honesty and Amy's unmistakable voice but it never feels trapped in nostalgia. It honours Evanescence's past while continuing to push forward. > At a time when social media algorithms, misinformation and political division seem determined to push people further apart, Amy argues on *Sanctuary* that genuine human connection has become a form of resistance in itself. Amy's songwriting has always spoken to people who feel a little out of place, and as a closeted 15 year old gay teenager that was very much me. *Bring Me to Life* captured the loneliness of not quite knowing who I was and being terrified of anyone finding out. *Everybody's Fool* became the soundtrack to my teenage masking era as I tried, unsuccessfully, to be less gay and somehow magically neurotypical. More than twenty years later, *Sanctuary* feels like the next chapter. Where *Fallen* sat with the darkness, *Sanctuary* reaches for the light offering hope, healing and connection. For anyone who has ever felt like an outsider, that's a message that feels more powerful than ever. Stream the #DALEYPOP X AUGUST 2026 playlist [HERE](https://open.spotify.com/playlist/2HshaHrCDLe4AoC4UE0MYb?ref=scenemag.co.uk) and follow the official Scene Spotify [HERE](https://open.spotify.com/user/31yhhvqrnncziyslp6w3lcq5haym?ref=scenemag.co.uk).🎧✨ ### Vivian Jenna Wilson praises ‘trans excellence’ of fellow trans models in candid new interview URL: https://www.scenemag.co.uk/vivian-jenna-wilson-praises-trans-excellence-of-fellow-trans-models-in-candid-new-interview/ Last updated: 2026-08-07T09:00:52.000Z **Vivian Jenna Wilson** has praised fellow trans models **Hunter Schafer** and **Alex Consani** as "trans excellence" while reflecting on her own growing career in fashion during a wide-ranging appearance on the podcast *Delulu with Ryan Lu*. The model and cultural commentator said she regularly receives comparisons to the pair and welcomed the association. "I get compared to Hunter and Alex a lot. I don't mind it," Wilson said. "They're both amazing. They're both trans excellence." The interview saw Wilson discuss her rapid rise to fame, her evolving relationship with modelling and runway work, and the importance of carving out a career on her own terms. She also shared behind-the-scenes stories from filming **KATSEYE**'s *Pinky Up* music video, spoke about future queer brand collaborations and offered her views on topics ranging from **Troye Sivan** to Los Angeles politics. "One of the hottest women I've ever seen," Wilson said on Sivan. "I need Troye Sivan to transition just for me. When people are like 'you're forcing other people to transition'. If I did have an agenda: Troye Sivan transitioning. And I know I'm not the only one." ![](https://www.scenemag.co.uk/content/images/2026/08/image-1.png) Image supplied Elsewhere in the conversation with host **Ryan Lu**, Wilson opened up about her sudden rise to fame, learning to protect her personal time and building a modelling career on her own terms. She also shared behind-the-scenes details from filming **KATSEYE**'s music video for *Pinky Up*, revealing that cold temperatures were one of the biggest challenges on set. "I had so much fun, I loved filming that," she said. "Because it was so cold, between takes, sometimes when they would turn the camera off they would have people run to give us jackets, robes and blankets." Wilson added that she has remained close with the other featured performers from the video. "The girls and I call ourselves the Dollseye girls. We have a group chat. It's very cute," she said. The podcast covered a range of pop culture topics, with Wilson sharing the queer brands she hopes to collaborate with in future, the artists currently dominating her playlists and how she successfully manifested an appearance on comedy streaming platform **Dropout** by reaching out through Instagram. Never one to shy away from controversy, Wilson also offered her thoughts on former US Senate Republican leader **Mitch McConnell**, joking that she and Lu should conduct a tarot reading to determine whether he was still alive. "I feel like we should do a tarot reading for Mitch McConnell," she said. "Do you want to take bets on whether he's alive or not?" The pair also touched on politics closer to home, with Wilson predicting that **Los Angeles City Council** member **Nithya Raman** would win the city's upcoming mayoral election. The interview is the latest high-profile media appearance for Wilson, who has increasingly established herself as a prominent voice across fashion, entertainment and digital culture. Through her modelling work and online presence, she has built a growing following for her humour, commentary and advocacy for queer self-expression. Hosted by Los Angeles-based content creator Ryan Lu, *Delulu with Ryan Lu* blends celebrity interviews with discussions around pop culture, manifestation, astrology and internet trends. Previous guests have included **Bonnie McKee**, **Leah Kate**, **Sasha Allen** and **Kelon Campbell**. [The episode featuring Vivian Jenna Wilson is available now.](https://www.youtube.com/watch?v=WI9%5FncwjOpQ&ref=scenemag.co.uk) ### LGB Alliance to lobby Parliament against proposed conversion practices ban URL: https://www.scenemag.co.uk/lgb-alliance-to-lobby-parliament-against-proposed-conversion-practices-ban/ Last updated: 2026-08-06T12:54:52.000Z **LGB Alliance** has announced plans for a parliamentary lobby on **1 September** as it steps up its opposition to the Government's proposed **Conversion Practices Bill**. The anti-trans campaign group is encouraging supporters to meet MPs in Westminster ahead of the next stage of scrutiny of the draft legislation, which was published by the Government in June and aims to ban abusive conversion practices in England and Wales. According to LGB Alliance, the parliamentary lobby will focus on concerns that the proposed legislation could affect discussions around gender identity and what it describes as "exploratory therapy" for children and young people. The organisation has published a series of policy briefings urging MPs to amend or oppose elements of the bill. The move is likely to draw criticism from LGBTQ+ organisations and campaigners, many of whom have spent years calling for a comprehensive, trans-inclusive ban on conversion practices. The Government says the draft legislation is designed to protect LGBTQ+ people from physical and psychological harm caused by attempts to change or suppress a person's sexual orientation or trans identity. Under the proposals, those found guilty of carrying out abusive conversion practices could face an unlimited fine, a prison sentence of up to five years, or both. Ministers have argued that existing laws do not adequately address conversion practices and that new legislation is needed to close legal loopholes and better protect victims. The draft bill also includes protection orders designed to safeguard people at risk of abuse. LGBTQ+ rights organisations have broadly welcomed the publication of the bill, while continuing to push for what they describe as robust protections for both sexual orientation and gender identity. **Amnesty International UK** described the legislation as a significant step forward after years of delays and called for a "fully trans inclusive" law. Campaigners supporting a ban argue that conversion practices remain a serious issue affecting LGBTQ+ people across the UK. They say such practices can involve coercion, intimidation, manipulation and other forms of psychological abuse designed to change or suppress a person's identity. ### Trans swimmer Lev Goldberg begins epic 55km swim to raise funds for LGBTQ+ youth charity URL: https://www.scenemag.co.uk/trans-swimmer-lev-goldberg-begins-epic-55km-swim/ Last updated: 2026-08-06T12:08:42.000Z Trans open-water swimmer **Lev Goldberg** has begun a 55-kilometre crossing of **Lake Huron**, which shares a border between Michigan, United States, and Ontario, Canada, as part of a bid to become the first trans person to complete marathon swims across all five **North American Great Lakes**. Goldberg entered the water on **5 August**, setting off from **Port Sanilac**, Michigan, and aiming to reach the shores of **Lambton County**, Ontario. The exact finishing point will depend on weather conditions, including winds, waves and currents. The Lake Huron challenge follows Goldberg's successful crossing of Lake Ontario in 2025 and forms part of a wider campaign promoting trans visibility and raising money for LGBTQ+ youth services. [Donate to 55km swim for 2SLGBTQ youth: Historic Lake Huron Crossing, organized by Lev GoldbergMy name is Lev Goldberg, and I am a marathon swimmer based in T… Lev Goldberg needs your support for 55km swim for 2SLGBTQ youth: Historic Lake Huron Crossing![](https://www.scenemag.co.uk/content/images/icon/favicon-e59dc499-c93b-413a-a383-736f9be40d4d.png)gofundme.comLev Goldberg![](https://www.scenemag.co.uk/content/images/thumbnail/0-526af677-4473-4165-affd-9d146139393c.jpg)](https://www.gofundme.com/f/55km-swim-for-2slgbtq-youth-historic-lake-huron-crossing?ref=scenemag.co.uk) Organisers say the Lake Huron route covers approximately 55 kilometres and could require more than 30 hours of continuous swimming to complete. Goldberg previously completed a 51.5-kilometre swim across Lake Ontario as part of the "51km for Trans Visibility" campaign, finishing in 24 hours, 25 minutes and 15 seconds. That effort raised funds for queer youth services while highlighting the importance of inclusion within outdoor and sporting communities. Alongside the latest challenge, Goldberg has renewed a fundraising partnership with **LGBT YouthLine**, a peer-led support service for 2SLGBTQ+ young people across Ontario. According to organisers, last year's partnership generated enough support to donate 7,000 Canadian dollars to the organisation. The new initiative, titled the "55km for Trans Visibility Partnership", aims to build on that success and raise further funds for LGBTQ+ youth. > [ View this post on Instagram ](https://www.instagram.com/p/DWpQZMVGLl0/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Lev Goldberg (@lev.swims.lakes)](https://www.instagram.com/p/DWpQZMVGLl0/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Speaking ahead of the swim, Goldberg said open-water swimming had become a passion and an opportunity to increase transgender representation in endurance sport. "After just three years of training, I accomplished my Lake Ontario swim. Open water swimming is now my passion, and it's exciting to be a visibly trans person in this space, becoming that representation for others where previously I had seen very little," Goldberg said. [Donate to 55km swim for 2SLGBTQ youth: Historic Lake Huron Crossing, organized by Lev GoldbergMy name is Lev Goldberg, and I am a marathon swimmer based in T… Lev Goldberg needs your support for 55km swim for 2SLGBTQ youth: Historic Lake Huron Crossing![](https://www.scenemag.co.uk/content/images/icon/favicon-a090ad5e-cc6a-4578-86d4-626dd88d1ab5.png)gofundme.comLev Goldberg![](https://www.scenemag.co.uk/content/images/thumbnail/0-66f66f12-fcae-4fe8-954d-18af7f832030.jpg)](https://www.gofundme.com/f/55km-swim-for-2slgbtq-youth-historic-lake-huron-crossing?ref=scenemag.co.uk) **Lauren Pragg**, executive director of **LGBT YouthLine**, said the partnership was about more than raising awareness. "This partnership is about more than visibility. It's about material support for youth who deserve care, safety and connection," Pragg said. "We're excited to stand with Lev and show what solidarity in action looks like." ### Brighton's historic Theatre Royal opens its stage door for free Open Morning URL: https://www.scenemag.co.uk/brightons-historic-theatre-royal-opens-its-stage-door-for-free-open-morning-read/ Last updated: 2026-08-06T11:57:05.000Z [**Theatre Royal Brighton**](https://www.atgtickets.com/shows/2-22-a-ghost-story/theatre-royal-brighton/?ref=scenemag.co.uk) is inviting the public behind the scenes this **Saturday, 8 August**, for a free **Open Morning** running from **10am - 2pm**, with entry via the venue's historic **Stage Door** on **Bond Street**. For a city long celebrated as one of the UK's LGBTQ+ capitals, the event offers a rare chance to explore a piece of Brighton's cultural heritage up close. Built in 1807, the Grade II\* listed theatre is one of the oldest in the country, and this weekend it's opening doors that are usually kept firmly shut to visitors. Guests will be able to step into the Star Dressing Room for a dress-up photo opportunity, explore the theatre's history, and meet members of the team behind its upcoming season. Younger visitors can get creative with the theatre's ATG Inspire programme, making and taking home a free puppet, while a merchandise stall will sell posters, programmes and memorabilia from the theatre's archives. A silent auction will also run on the day, offering the chance to bid on exclusive, money-can't-buy experiences. All proceeds from the morning will go to **LEAF** (Live Education and Arts Foundation), the theatre's partner charity, which works to widen access to arts and education for young people and communities, and to support a diverse and dynamic future for the UK's creative industries, according to Theatre Royal Brighton. The event is free, family-friendly and open to all, no booking required. Just head to **Stage Door** on **Bond Street** between **10am - 2pm** this Saturday to take part. ### Unearthing Stories of Queer Cultivation: 'Q is for Garden' by Jenny Chamarette URL: https://www.scenemag.co.uk/unearthing-stories-of-queer-cultivation-q-is-for-garden-by-jenny-chamarette/ Last updated: 2026-08-07T13:15:17.000Z Curious, tender and beautifully hopeful, *Q is for Garden* welcomes us into a collective process of recovery, remembering and reimagining. This is a book that carefully, but determinedly, reaches into the earth to uproot binary thinking and cultivate plurality. We often imagine gardens as synonymous with a certain kind of middle-class domesticity. Just think of the ‘white picket fence’ marking the garden’s borderlines – an enduring cultural symbol of the idealised, suburban nuclear family. Jenny Chamarette’s book powerfully rethinks ‘the garden’, carefully unearthing the buried histories of queer cultivation. Fascinating stories of queer gardeners, botanists, ecologists, activists and artists show us that there has always been a Q in garden, though it has not always been tended to. ![](https://www.scenemag.co.uk/content/images/2026/08/Cover-bigger-image.jpeg) Cover design by Nell Wood To cultivate is to choose what to grow, what to nurture, what to help flourish – it is an act of care and a choice about what is cared for. Chamarette reminds us that ‘flower’ or ‘weed’ is a choice of categorisation not an intrinsic quality. Garden spaces can be charged with the binary thinking that all too often conditions the way we treat the world and one another: flower or weed, wanted or invasive, cared for or killed. In this book, the fences, walls and hedges that physically enclose gardens become a way of talking about a narrow, bounded type of thinking that is rooted in the binaries of colonialism, patriarchy and heteronormativity. The garden space is defined by its borders, yet these boundaries are constantly transgressed by all manner of more-than-human life: by creeping roots, seeds carried on the wind, pollen-bearing insects and trail-leaving snails. Just like the garden fence, binary thinking will always fail to contain the wonderful diversity of the world. ![](https://www.scenemag.co.uk/content/images/2026/08/Jenny-Chamarette-new-photo.webp) Image: Elle Benton / Oak Spring Garden Foundation Chamarette’s writing style skilfully mirrors the book’s themes. The emphasis on plurality is embodied in the form of the book itself, which refuses categorisation and linearity as it fluidly slips between genres, intermingling memoir, essay and poetry. This is a book that delights in finding connections, in the shared roots of plants, people and words. The language Chamarette uses is compost-like: words accrete multiple layers of meaning. ‘Tending’ to a garden becomes inextricably linked with the idea of ‘tenderness’, a word that holds within in it kindness, care, pain and healing. The ‘plot’ of *Q is for Garden* is both the story it tells and the piece of land it cultivates. The Q in garden grows in the place where the literal and the figurative entwine, but never become locked in a binary of real and symbolic. In this book, planting seeds is both the physical act of burying your hands in the soil and the nurturing of ideas that initiate change. Chamarette’s Q defies easy definition. It can describe sexuality, yes, but it can also describe a mode of thinking and feeling, a way of being in the world. For Chamarette, tending to the more-than-human can open up ways of being that are generous, creative and multiple. The eddies of success and failure that make up the work of gardening act as a foil to capitalist narratives of linear progress, making space for an alternative way of living. *Q is for Garden* gradually deconstructs the binaries that shape how we think. It is a book that dismantles the categories that limit how we see the world, not with the hammer blows of man-made tools, but with the slow, fracturing pressure of roots that refuse to be confined. *Q is for Garden* is published by [Manchester University Press. ](https://manchesteruniversitypress.co.uk/9781526197337/?ref=scenemag.co.uk) ### New York lawmakers seek to overturn 40-year ban on gay bathhouses URL: https://www.scenemag.co.uk/new-york-lawmakers-seek-to-overturn-40-year-ban-on-gay-bathhouses/ Last updated: 2026-08-06T11:01:01.000Z Lawmakers in New York have introduced legislation that would repeal a decades-old ban on gay bathhouses and replace it with a regulated licensing system, arguing that the restrictions no longer reflect modern public health science. State Senator **Erik Bottcher** and Assembly member **Tony Simone**, both openly gay Democrats representing parts of Manhattan, have put forward the **Public Health Modernisation Act**, which would scrap regulations introduced during the height of the AIDS crisis in the mid-1980s. The current rules, adopted in 1985, prohibit establishments from making facilities available for sexual activity and were used to close New York City's gay bathhouses the following year as officials sought to curb the spread of HIV/AIDS. Under the proposed legislation, adult saunas would be allowed to operate under a state-run licensing framework overseen by the **Department of Health**, with health and safety regulations replacing the outright prohibition. Supporters of the bill say advances in HIV prevention, treatment and testing have transformed the public health landscape since the ban was introduced more than four decades ago. ![](https://www.scenemag.co.uk/content/images/2026/08/Erik_Bottcher_MTA_2024_-cropped--1.jpg) ****Erik Bottcher** "The year is 2026, not 1986," Simone said in a statement backing the legislation. He argued that evidence-based public health policies developed over the past 30 years demonstrate the need to reconsider the restrictions and bring venues that already exist into a regulated environment. Bottcher said emergency measures introduced during the AIDS epidemic should not become permanent public policy. "Actions taken at the height of the AIDS crisis are out of step with modern reality," he said. "The science has changed. Prevention has changed. Treatment has changed. It's time for our laws to change too." The proposal has received backing from Dr **Demetre Daskalakis**, chief medical officer at LGBTQ+ healthcare provider **Callen-Lorde** and a former senior public health official. Daskalakis said bathhouses and similar venues could play a role in health outreach and HIV prevention when properly regulated. "My own work in these venues has shown that they can also be powerful environments for health outreach and prevention," he said. "By bringing people together rather than pushing them into less visible settings, we create opportunities to build trust and deliver services that improve health outcomes." Supporters have also pointed to significant declines in HIV diagnoses since the height of the epidemic, alongside the widespread availability of preventative medication such as PrEP. New York could follow Minneapolis, which lifted its own longstanding bathhouse ban earlier this year. ### LGBTQ+ organisations across Europe unite in action to 'Protect Pride. Protect Democracy' URL: https://www.scenemag.co.uk/lgbtq-organisations-across-europe-unite-in-action-to-protect-pride-and-protect-democracy/ Last updated: 2026-08-06T16:37:34.000Z On **Saturday, 8 August**, as hundreds of thousands of people gather in Amsterdam for the **WorldPride March**, LGBTQ+ organisations across Europe will join a coordinated action calling on the **European Commission** to take stronger action to protect Pride and the fundamental freedoms it represents. The action comes just two weeks after the violent attack at **Christopher Street Day** in Berlin, which left one person dead and several others injured. The tragedy has reinforced concerns over the increasingly hostile environment facing Pride organisers and participants across Europe. ![](https://www.scenemag.co.uk/content/images/2026/08/World-Pride-Protect-Pride-Protect-Democracy-2-1.jpeg) ****ILGA-Europe** and ****European Pride Organisers Association** As part of the [Protect Pride. Protect Democracy.](https://my.ilga-europe.org/civicrm/mailing/url?u=43877&qid=1892087&ref=scenemag.co.uk) campaign, led by **ILGA-Europe** and the **European Pride Organisers Association** (EPOA), organisations and individuals are calling on European Commission President **Ursula von der Leyen** to take decisive action to safeguard the rights to peaceful assembly, expression and association. Across Europe, Pride events are increasingly targeted through violence, funding cuts, political attacks and attempts to restrict or ban public gatherings. Despite these growing pressures, communities continue to organise and march. On Saturday, organisations from across Europe will share campaign messages encouraging people to sign the open letter to President von der Leyen, demonstrating broad public support for protecting Pride and the democratic freedoms it represents. ![](https://www.scenemag.co.uk/content/images/2026/08/World-Pride-Protect-Pride-Protect-Democracy-1-1.jpeg) ****ILGA-Europe** and ****European Pride Organisers Association** "The attack in Berlin is a devastating reminder that Pride cannot be taken for granted," said **Chaber**, Executive Director of **ILGA-Europe**. "When people cannot gather safely and freely, fundamental freedoms are at risk. We are calling on the European Commission to match its words with concrete action to protect those freedoms across Europe." **Patrick Orth**, President of the European Pride Organisers Association (EPOA), added: "Pride organisers continue to face increasing pressure, from security threats to political hostility and funding cuts. Yet communities keep showing up. This coordinated action demonstrates that Pride movements across Europe stand together and expect European institutions to do the same." Individuals can add their names to the open letter [here](https://my.ilga-europe.org/civicrm/mailing/url?u=43878&qid=1892087&ref=scenemag.co.uk). ### Gay Olympian Gus Kenworthy announces engagement to boyfriend Andrew Rigby URL: https://www.scenemag.co.uk/gay-olympian-gus-kenworthy-announces-engagement-to-boyfriend-andrew-rigby/ Last updated: 2026-08-06T09:55:07.000Z Olympic freestyle skier **Gus Kenworthy** has announced his engagement to boyfriend **Andrew Rigby** after proposing during a romantic holiday in **Mallorca**, Spain. The 34-year-old athlete, who represented Great Britain at the **2026 Winter Olympics** after previously competing for the United States, revealed that he popped the question on **4 August** during a trip off the Spanish island's coast. Kenworthy proposed on a secluded island after taking Rigby on what he described as a "little adventure" by boat from Mallorca. Speaking to *People*, the Olympian said he had arranged a picnic overlooking the sea before asking his partner to marry him. Following the proposal, the couple were surprised by six friends who had been waiting on a chartered boat to help celebrate the occasion. > [ View this post on Instagram ](https://www.instagram.com/p/DbrLr8aiFVw/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by gus kenworthy (@guskenworthy)](https://www.instagram.com/p/DbrLr8aiFVw/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Sharing the news on social media, Kenworthy posted photographs from the engagement and joked: "He said he'd think about it!" The couple have been together for around two years. They first crossed paths in Sydney nearly a decade ago before reconnecting at a mutual friend's 40th birthday celebration in Guadalajara, Mexico, in 2024\. After a period of long-distance dating between Los Angeles and Sydney, they later moved to New York together. Rigby admitted the proposal came as a complete surprise. "We've talked about this a lot obviously, but I thought this was just a relaxing vacation," he told *People*. "To say I was shocked was an understatement. And then to see our friends there immediately after Gus proposed? Wow." The pair's engagement comes after a busy summer that included trips to **Berlin Pride** and **WorldPride Amsterdam**. Kenworthy became one of the most high-profile openly gay athletes in the world after coming out publicly in 2015\. The silver medallist has since been a prominent advocate for LGBTQ+ inclusion in sport and wider society. ### Couple who helped challenge UK's marriage ban celebrate 10 years of marriage URL: https://www.scenemag.co.uk/couple-who-helped-challenge-uks-marriage-ban-celebrate-10-years-of-marriage/ Last updated: 2026-08-06T08:40:58.000Z On **20 August 2026**, **David Hull-Watters** and **Richard Hull-Watters** will celebrate ten years of marriage - a milestone made possible only after years of campaigning to challenge a legal inequality affecting LGBTQ+ people in the UK. Long before marriage equality became law, David and Richard were among the couples at the heart of the **Equal Love** campaign, led by veteran human rights campaigner **Peter Tatchell**. On **2 December 2010**, the couple walked into **Woolwich Register Office** in south-east London and applied for a civil marriage licence, fully aware that they would be refused. That refusal was exactly the point. Their application became part of a landmark legal challenge that reached the **European Court of Human Rights**, arguing that denying same-sex couples the right to marry - and preventing opposite-sex couples from entering civil partnerships - violated fundamental human rights. While the legal case itself did not secure an immediate victory, it became part of the growing movement that helped shift public opinion and political momentum, culminating in the introduction of same-sex marriage in England and Wales. Almost six years after being told they could not marry, David and Richard finally exchanged vows on **20 August 2016**. Reflecting on the anniversary, **David Hull-Watters** said: "Our wedding wasn't simply a celebration of our relationship. It was the celebration of a right we'd been told we didn't deserve. "Standing outside Woolwich Register Office in 2010, we knew we wouldn't be given a marriage licence. But we also knew that change only happens when ordinary people are prepared to challenge extraordinary injustice. "Looking back now, I feel enormous pride—not because we made history, but because we were one small part of a much bigger movement of people who refused to accept that some relationships were worth less than others." **Richard Hull-Watters** added: "There are moments in history that seem inevitable once they've happened, but they rarely feel inevitable at the time. ![](https://www.scenemag.co.uk/content/images/2026/08/Presenting-Husband-and-Husband-with-Russell-20-August-2016---Photographer-Karen-Rawlinson.jpg) "We were fortunate to stand alongside so many courageous campaigners, particularly Peter Tatchell, whose determination and belief in equality never wavered. Every couple involved helped tell the country that equality couldn't wait." For David, the anniversary is also a reminder that LGBTQ+ equality remains unfinished business. "Marriage equality changed lives, including ours, but around the world millions of LGBTQ+ people still face criminalisation, violence and discrimination simply for existing. "Here in the UK we've made remarkable progress, but rights can never be taken for granted. Every generation has a responsibility to protect what has been won and continue the work where inequality remains." Since marrying, David has become an award-winning Inclusion & Wellbeing Specialist, working with organisations across the UK and internationally to create more inclusive workplaces. He is also the author of the forthcoming book, *Never Blend In*, featuring interviews with leading LGBTQ+ voices including Sir **Stephen Fry,** **Alan Cumming**, **Peter Tatchell** and many others. As they celebrate ten years of marriage, David and Richard hope their story serves as a reminder that legal equality is never simply handed down - it is achieved because people are willing to stand up, speak out and imagine something better. "We didn't know in 2010 when - or even if - we would ever be allowed to marry," David reflected. "Being able to celebrate ten years together as husbands is something we'll never take for granted." ### Opinion: Queen's Park by-election is a reset for trans+ residents URL: https://www.scenemag.co.uk/opinion-queens-park-by-election-is-a-reset-for-trans-residents/ Last updated: 2026-08-05T20:18:39.000Z Brighton & Hove City councillor Milla Gauge's [resignation letter](https://www.scenemag.co.uk/labour-councillor-milla-gauge-quits-brighton-hove-council-after-feeling-ignored/) reads, on its surface, as a plea for safeguarding. Read closely, it borrows heavily from a script that's become familiar to anyone who has followed UK gender-critical campaigning over the past few years: children reframed as "gender-distressed" rather than simply supported; women's safety and trans children's healthcare bundled together as if they're in tension; unnamed "external organisations working in schools" invoked without being named. This script almost always contains a reference to Allsorts Youth Project, Brighton's LGBTQ+ youth charity, which has spent the weeks since the WellBN investigation running dedicated support sessions for affected families, not running a "pipeline" into anything. That doesn't mean the underlying report is fiction. It isn't. The WellBN investigation found real, serious clinical governance failures, an under-resourced NHS pathway that left desperate families going private or to a GP practice working under unbearable pressure and worry. Any honest reckoning with what happened at WellBN has to hold both things at once: children were failed by a system stretched past its limits, and that failure is now being folded into a political narrative that treats trans-affirming care itself, and the organisations that support trans young people, as the threat. That's precisely why Queen's Park voters deserve more clarity than a single resignation letter gives them and the 'culture war vultures' circling supported by a frenzy of keyboard commandos. A by-election is coming to a ward that sits inside a city with one of the highest proportions of Trans+ residents in Britain. Every candidate standing should be asked directly, on the record, what they believe about trans and non-binary inclusion and healthcare, about the role of youth organisations like Allsorts in schools, and about what "safeguarding" means to them in this context. With the EHRC's new Code of Practice now in effect, the time for vague signalling through loaded phrasing in the hope that nobody notices is well and truly over. Scene will be asking. We think every other outlet covering this by-election should too. ### Labour councillor Milla Gauge quits Brighton & Hove Council after 'feeling ignored' URL: https://www.scenemag.co.uk/labour-councillor-milla-gauge-quits-brighton-hove-council-after-feeling-ignored/ Last updated: 2026-08-05T20:00:39.000Z Councillor Milla Gauge has resigned from Brighton & Hove City Council today, saying she had repeatedly raised concerns with council leadership over many months but felt unheard and unable to get them properly addressed. The Queen's Park councillor said the decision followed "many unsuccessful attempts" to get the council to act, and that she was "resigning my post as councillor so I can continue my work through other means." The resignation triggers the eighth by-election in the ward since Labour took control of the council in 2023, and the third in Queen's Park specifically. Brighton & Hove News, which first published [Gauge's resignation letter,](https://www.brightonandhovenews.org/2026/08/05/labour-councillor-quits-saying-council-is-failing-kids-on-trans-issues/?ref=scenemag.co.uk) says it has asked the council and the Labour group to respond, and no statement had been issued at time of publication. ### 'I will never be safe in a man's toilet': Trans woman fears impact of new EHRC guidance URL: https://www.scenemag.co.uk/i-will-never-be-safe-in-a-mans-toilet-trans-woman-fears-impact-of-new-ehrc-guidance/ Last updated: 2026-08-05T13:11:25.000Z A trans woman has said she will "never be safe in a man's toilet" as new guidance on single-sex spaces comes into force across the UK. The comments come as the **Equality and Human Rights Commission**'s (EHRC) updated **Code of Practice** takes effect today, providing guidance on how organisations should apply equality law following last year's Supreme Court ruling that the definition of sex in the Equality Act refers to biological sex. The guidance states that many single-sex facilities, including toilets and changing rooms, should generally be provided on the basis of biological sex. It also suggests that service providers consider offering separate mixed-sex facilities where appropriate. For many trans people, however, the changes have prompted concerns about safety, privacy and participation in public life. Speaking to **Channel 4 News**, trans woman **Isabella** described being verbally abused while using a men's toilet before she began using women's facilities. "I was still using the men's bathroom when one day I was verbally assaulted," she said. > 'I will never be safe in a man's toilet', says Isabella who is a trans woman. > > Thousands of single-sex spaces in the UK, like changing rooms and toilets, should be used based on biological sex, according to new guidelines that come into place today from the Equalities and Human… [pic.twitter.com/FV9aLcAF47](https://t.co/FV9aLcAF47?ref=scenemag.co.uk) > > — Channel 4 News (@Channel4News) [August 5, 2026](https://x.com/Channel4News/status/2084922659729469678?ref%5Fsrc=twsrc%5Etfw&ref=scenemag.co.uk) "As soon as I got in, there was a man washing his hands. He looked at me in the mirror, got visibly distressed and shouted at me that I had to leave." "I felt very unsafe and I left immediately. Since then, I only use the ladies' bathroom." Isabella said her experiences using women's toilets had been very different from what she had feared. "I was very scared at first because of all the things that I've seen online," she said. "I was actually very surprised to see how welcoming everyone was." She said she initially tried to go unnoticed and leave as quickly as possible, but instead found acceptance from other women. [TransActual publishes updated rights guide as EHRC code comes into forceTrans rights organisation TransActual has published an updated guide to help trans and gender non-conforming people understand their legal rights as the Equality and Human Rights Commission’s (EHRC) new Code of Practice comes into effect. The refreshed Know Your Rights resource has been launched amid growing concern over![](https://www.scenemag.co.uk/content/images/icon/S-Logo-9cecf78e-2dfa-49d0-90d3-93fa14dff12e.png)Scene MagazineGraham Robson![](https://www.scenemag.co.uk/content/images/thumbnail/gabriel-dalton-20CzChg9JkI-unsplash-1-f06038f3-7700-4349-b0ce-c26a3e4385a9.jpg)](https://www.scenemag.co.uk/transactual-publishes-updated-rights-guide-as-ehrc-code-comes-into-force/) "I've even made friends. I've had lovely chats with people. Girls have complimented my outfits." The new guidance has sparked concern among LGBTQ+ organisations and trans rights campaigners, who argue it could leave trans people vulnerable to exclusion or force them into facilities where they do not feel safe. Asked how the changes would affect her, Isabella said her safety should be valued equally to that of cisgender women. "I do believe that my safety as a transgender woman has to have the same value as the safety of a cisgender woman," she said. ![](https://www.scenemag.co.uk/content/images/2026/08/Copy-of-Post-Template-10.png) "I feel like I'm not safe. I will never be safe in a men's toilet." While the EHRC guidance suggests alternative mixed-sex or gender-neutral facilities could be provided, Isabella said such arrangements may not solve every problem. She warned that directing trans people to separate facilities could effectively force some people to disclose their gender identity before they are ready. "Using a gender-neutral toilet could out people that are not necessarily ready to be outed or to have their gender identity there for people to know," she said. ### Calls grow for Manchester Council apology over treatment of AIDS patient Roger Youd URL: https://www.scenemag.co.uk/calls-grow-for-manchester-council-apology-over-treatment-of-aids-patient-roger-youd/ Last updated: 2026-08-08T13:15:06.000Z Campaigners are calling on **Manchester City Council** to issue a formal apology to the family of **Roger Youd**, a man with AIDS who was unlawfully detained in hospital in one of the most controversial HIV-related cases of the 1980s. Roger Youd, 29, became the focus of international attention in September 1985 after Manchester Council obtained a court order to detain him at **Monsall Hospital** after he expressed a wish to return home for a weekend visit. According to campaigners, neither Youd nor his family were consulted before the order was granted under **Section 38** of the **Public Health (Control of Disease) Act 1984**. HIV/AIDS was not classified as a notifiable disease at the time, leading lawyers acting for Youd to argue that the detention order had no legal basis. The case attracted widespread media attention in the UK and abroad and sparked protests outside Manchester Town Hall. With support from **Manchester AIDS Line**, now **George House Trust**, and **Terrence Higgins Trust**, Youd challenged the order in court. His legal team argued that the detention amounted to "virtual imprisonment", and ten days after the order was imposed **Manchester Crown Court** rescinded it. Following the ruling, Manchester Council publicly stated that no-one living with HIV or AIDS would be subjected to such an order again. However, campaigners say that despite the court's decision and the council's acknowledgement that the order would not be used in future, neither Youd nor his family ever received an apology. Youd died shortly after the order was lifted. By that point, his health had deteriorated significantly and he had chosen to remain in hospital. Campaigners also say his family faced intense media scrutiny and harassment during the case. Now, more than 40 years later, HIV activist and podcaster **William Hampson** is urging Manchester Council to issue a posthumous apology to Youd and his relatives. Hampson, who hosts the podcast *AIDS: The Lost Voices*, has spent the past year researching Youd's story and speaking with members of his family, including his brother, who acted as a liaison with hospital staff during the detention. He has also added a panel commemorating Youd to the UK AIDS Memorial Quilt and has been campaigning for greater recognition of the case. Supporters say an apology would provide a measure of closure for both the Youd family and the wider LGBTQ+ community, while acknowledging the discrimination and fear that characterised the early years of the AIDS epidemic. ![](https://www.scenemag.co.uk/content/images/2026/08/ROGER-YOUD-FRONT-FLYER.png) The campaign has gained visibility through outreach at Pride events in London and Brighton, where campaigners say many people were already familiar with Youd's story and expressed surprise that no formal apology had ever been made. Recent efforts to commemorate Youd have included the installation of a plaque at the **George House Trust AIDS Memorial** in Manchester's **Sackville Gardens**. Unveiled on **3 July**, the plaque references his case, and a separate memorial plaque in his honour is also planned. Manchester Pride is also set to display Youd's **AIDS Memorial Quilt** panel, known as **Block 47**, in an effort to raise awareness of his story and the ongoing call for an apology. Youd's experience has also entered popular culture. His case was referenced in **Russell T Davies**' award-winning drama *It's A Sin*, which featured a storyline involving the detention of a character with AIDS under a court order. While the programme drew on aspects of the real-life case, campaigners stress that Youd was never physically locked in his isolation room. Those backing the campaign argue that a formal apology would not undo the events of 1985 but would represent an important act of accountability. They say it would acknowledge the suffering endured by Youd and his family and demonstrate that lessons have been learned from a period when fear and misunderstanding surrounding HIV/AIDS often led to discrimination against those living with the virus. A [petition calling on Manchester City Council to issue a public apology has now been launched](https://www.change.org/p/urge-manchester-council-to-apologise-to-roger-youd-the-youd-family?recruiter=1420806859&recruited%5Fby%5Fid=6559f060-74e2-11f1-9df7-b56175828819&utm%5Fsource=share%5Fpetition&utm%5Fcampaign=petition%5Fdashboard&utm%5Fmedium=copylink&share%5Fid=f6T7bwkfZY). Campaigners hope it will help secure what they describe as long-overdue recognition of a historic injustice. ### Religious homophobia driving conversion therapy practices, reports warn URL: https://www.scenemag.co.uk/religious-homophobia-driving-conversion-therapy-practices-reports-warn/ Last updated: 2026-08-05T11:57:08.000Z Religious homophobia is continuing to fuel so-called conversion therapy in the UK, according to two new reports that detail allegations of exorcisms, coercive prayer sessions and attempts to "cure" LGBTQ+ people through religious intervention. A report by LGBTQ+ anti-abuse charity **Galop** found that religion-based conversion practices pose a "significant risk" to LGBTQ+ people. The research analysed case records from almost 200 clients who sought support from the charity between 2022 and 2025. More than a quarter of the cases examined by Galop, 27%, involved religion-based conversion practices. These ranged from forced or coerced prayer sessions to religious aversion therapy, exorcisms and attendance at religious camps, programmes and care homes. Many survivors described being told their sexuality was sinful, demonic or something that could be changed through faith. One client reported that their father described their sexuality as "demonic", while a church pastor allegedly agreed that they "needed to be delivered". Another said their parents encouraged them to attend church to "cure" their sexuality, while a third reported being pressured to study religious texts and marry in order to overcome feelings of same-sex attraction. The report also contains accounts of more extreme practices. One survivor alleged that an imam performed a ritual intended to remove a devil from them, while another described being pinned down during an exorcism as scripture was read aloud. Another client said they were hit with a Bible by a pastor attempting to "beat the demon out". > "They used holy water and were trying to cast out the demons, making me confess and pray the demons out." The findings were published alongside a separate report commissioned by the **Diocese of St Albans** into allegations of abuse at **St Andrew's Church** in **Chorleywood**, Hertfordshire. The church review details claims of conversion therapy and psychologically abusive exorcisms involving children and young people between the 1980s and early 2000s. One survivor said they were subjected to an exorcism as a teenager because of their sexuality. "They used holy water and were trying to cast out the demons, making me confess and pray the demons out," the individual said. "I have been irreversibly damaged." Another parent said their son revealed he had been taught at a church youth camp that being gay was "an abomination in the sight of God" and had been prayed over in an attempt to make "the gay go away". A further survivor said they underwent two years of what was described as deliverance ministry after a church leader suggested demons had entered them through childhood abuse. They claimed they were discouraged from seeking medical help and warned that any failure of faith would result in demons returning. The reports have reignited debate over the role of religion in conversion practices and whether existing safeguards go far enough to protect LGBTQ+ people. The **National Secular Society** (NSS) said the findings add to growing evidence that religious homophobia remains a major driver of conversion therapy. **Alejandro Sanchez**, a spokesperson for NSS, said: "These reports add to an ever growing body of evidence that religious homophobia is a major driver of so-called conversion therapy. "If the Government is serious about ending conversion therapy, it should start by ending the state-subsidised promotion of religious homophobia in the charity sector and our education system." The NSS has also highlighted concerns about religious organisations and educational settings that continue to promote negative views of homosexuality. The group noted that some faith-based charities have faced criticism over anti-LGBTQ+ messaging, while previous research found examples of faith schools teaching that homosexuality was morally wrong. The publication of the reports comes amid ongoing calls for the UK Government to introduce legislation banning conversion practices. Campaigners have long argued that any ban must include religious settings, while survivors and LGBTQ+ organisations continue to raise concerns about the lasting psychological harm caused by attempts to change or suppress a person's sexual orientation or gender identity. ### TransActual publishes updated rights guide as EHRC code comes into force URL: https://www.scenemag.co.uk/transactual-publishes-updated-rights-guide-as-ehrc-code-comes-into-force/ Last updated: 2026-08-05T11:34:20.000Z Trans rights organisation **TransActual** has published an updated guide to help trans and gender non-conforming people understand their legal rights as the **Equality and Human Rights Commission**'s (EHRC) new **Code of Practice** comes into effect. The refreshed **Know Your Rights** resource has been launched amid growing concern over the impact of the new guidance, which sets out how service providers should interpret equality law in relation to single-sex and separate-sex services. The code, which comes into force today, applies to a wide range of settings including community groups, leisure facilities, healthcare services and public toilets. While the guidance is not legally binding, it is expected to influence how organisations deliver services and make decisions about access to single-sex spaces. [Know Your Rights – TransActual![](https://www.scenemag.co.uk/content/images/icon/cropped-transactual_logo-circle-e1645966953700-270x270-6ec7a0a0-613e-46aa-b097-d14fbb346dc2.png)TransActual![](https://www.scenemag.co.uk/content/images/thumbnail/transactual_logo-circle-1-e1645967768788-1ae1c3dd-00b6-4237-af63-49ed29036e87.png)](https://transactual.org.uk/know-your-rights/?ref=scenemag.co.uk) TransActual said its updated guide aims to help people understand the legal protections that remain in place and what organisations can and cannot do under the law. The organisation said the resource was particularly important given ongoing uncertainty over how the code will be implemented in practice and whether some aspects of the guidance are workable. A spokesperson for TransActual criticised the new code, arguing that it introduces a framework that fails to adequately protect transgender people's privacy and dignity. "The Government's updated Code of Practice comes into effect today, setting out a new interpretation of equalities law that fundamentally fails to protect the dignity and privacy of transgender people in the UK," the spokesperson said. They warned that the guidance could create new barriers for trans and gender non-conforming people seeking to participate in everyday community life. "From joining a reading group to using the bathroom in a bar, trans and gender non-conforming people will now face additional barriers to being a part of our communities, and the fear of being forcibly outed every time we step out and into the world," they said. The spokesperson also accused ministers of creating a "hostile environment" for trans people and called on the Government to take action to restore protections. [Know Your Rights – TransActual![](https://www.scenemag.co.uk/content/images/icon/cropped-transactual_logo-circle-e1645966953700-270x270-ccc4d523-72fb-4c2d-8982-772c2ac9dcc3.png)TransActual![](https://www.scenemag.co.uk/content/images/thumbnail/transactual_logo-circle-1-e1645967768788-e41d23e2-5e55-4ddd-a2f5-90e0cc8fc299.png)](https://transactual.org.uk/know-your-rights/?ref=scenemag.co.uk) "This hostile environment will be the legacy of the UK Government, unless it takes urgent action to restore equalities across every area of society," they said. "Left unchallenged, this unworkable Code will continue to damage the international reputation of this country, and the lives of every trans person who calls it their home." The publication of the guide comes as campaign groups, legal organisations and LGBTQ+ advocates continue to scrutinise the implications of the EHRC's updated code and consider potential legal challenges. TransActual said its online resource is intended to provide practical information for anyone concerned about how the changes could affect their access to services and participation in public life. ### Dutch PM Rob Jetten opens World Pride Human Rights Conference in Amsterdam URL: https://www.scenemag.co.uk/dutch-pm-rob-jetten-opens-world-pride-human-rights-conference-in-amsterdam/ Last updated: 2026-08-05T10:56:55.000Z The Netherlands' Prime Minister **Rob Jetten** has opened the **World Pride Human Rights Conference** in Amsterdam, using his keynote speech to warn of growing threats to LGBTQ+ rights around the world and announce new measures to tackle online hate. Jetten, who became the country's first openly gay prime minister in February, began his remarks on Wednesday by acknowledging the recent terrorist attack at **Berlin**'s **Christopher Street Day** celebrations, which left one person dead and more than two dozen others injured. The Dutch leader said the attack had filled him with "anger and sorrow" before turning his attention to what he described as a wider erosion of LGBTQ+ rights internationally. ![](https://www.scenemag.co.uk/content/images/2026/08/imago863171294-1.jpg) ****PM Rob Jetten on Amsterdam Pride**'s ****Canal Parade** His speech was briefly interrupted by activists protesting against the Dutch government's position on Palestine. Jetten remained silent while the demonstration took place and waited for the protesters to finish before security staff escorted them from the conference hall. Speaking to delegates, Jetten reflected on the Netherlands' role in advancing LGBTQ+ equality, noting that it is 25 years since the country became the first in the world to legalise same-sex marriage. He also highlighted the 30th anniversary of **Amsterdam Pride**'s **Canal Parade**. "More and more in recent years, we've seen hard won progress being eroded," Jetten said. "We've seen countries backsliding in equal rights legislation. We've seen homophobic hate speech becoming more overt and aggressive, and not only out in the real world, but online as well." The prime minister described online hatred as one of the biggest challenges facing LGBTQ+ communities, warning that misinformation and disinformation can spread rapidly through social media and digital platforms. "All around the world, misinformation and disinformation can be spread in the blink of an eye with a single mouse click," he said. "This is always how hatred takes hold." Jetten announced that his government will launch a national dialogue on online discrimination later this year and provide guidance to help municipalities and civil society organisations respond to online hate speech. > "We've seen homophobic hate speech becoming more overt and aggressive, and not only out in the real world, but online as well." He also pledged annual funding of €7.5 million over the next three years to improve safety for LGBTQ+ people in Dutch cities. The investment will support organisations working to tackle discrimination in public spaces and workplaces, alongside a public information campaign aimed at countering discrimination and disinformation. In addition, the government plans to promote a campaign in schools encouraging pupils and teachers to wear purple as a visible sign of support for LGBTQ+ people. The prime minister also used his speech to challenge claims made by some political and religious groups that LGBTQ+ rights are a Western concept being imposed on other countries. Referring to developments in countries including Uganda and Senegal, Jetten criticised what he described as conservative forces that portray LGBTQ+ equality as a form of neo-colonialism. "Equal rights are not a Western agenda," he said. "They are first and foremost a human agenda." He argued that many societies have long histories of gender and sexual diversity, while some of the laws currently used to restrict LGBTQ+ rights were originally introduced during periods of colonial rule. Amsterdam Mayor **Femke Halsema** and **Nayyab Ali**, co-chair of **Pakistan's Ending Violence Against Women and Girls Alliance**, were among the other speakers on the opening day of the conference. ### Good Law Project backs legal challenge to government and EHRC over "transphobic" trans guidance URL: https://www.scenemag.co.uk/good-law-project-backs-legal-challenge-to-government-and-ehrc-over-transphobic-trans-guidance/ Last updated: 2026-08-05T09:41:14.000Z **Good Law Project** is supporting a legal challenge against the Government and the **Equality and Human Rights Commission** (EHRC) over new guidance on single-sex services that campaigners say will have a damaging impact on trans people. The challenge comes as the EHRC's updated code of practice comes into force today (**5 August**). The code, drafted by the EHRC and approved by ministers, provides statutory guidance for organisations and service providers on the application of equality law. Good Law Project has described the guidance as "transphobic" and says it will force many trans-inclusive women's organisations into an impossible position. According to the campaign group, women's services that currently welcome trans women will be faced with a stark choice under the new framework: either exclude trans women entirely or cease operating as a women-only service and instead open their doors to all men. The code applies to a wide range of settings, including women's community groups, gyms, leisure facilities and gendered toilets. Critics argue the guidance risks forcing trans people to disclose their gender history in everyday situations, increasing the likelihood of exclusion from public spaces and community activities. They also warn of wider consequences for cisgender women and disabled people, claiming the guidance could lead to increased challenges over who is permitted to use single-sex facilities, while encouraging trans people to use accessible toilets that are already in short supply. Good Law Project is supporting two claimants in the case: a trans person and a trans-inclusive organisation. The group has sent a pre-action protocol letter to both the Government and the EHRC, the first formal step before judicial review proceedings can begin. > "It's not just immensely harmful. We think it's unlawful, and completely against human rights." **Jess O'Thomson**, Good Law Project's trans rights lead, said the legal action was necessary because of what they described as a significant rollback of trans rights. "It’s difficult to believe just how far backwards our government has gone on trans human rights," they said. "This Labour government pushed through its transphobic guidance in the face of opposition from many MPs, including nearly a hundred of its own backbenchers. "It's not just immensely harmful. We think it's unlawful, and completely against human rights. So this challenge is absolutely essential." The Government and EHRC have previously argued that the code of practice is intended to provide clarity for service providers following recent legal and policy developments concerning single-sex spaces and the interpretation of equality law. The legal challenge is the latest in a series of disputes over the implementation of guidance affecting trans people, with campaigners, equality organisations and politicians continuing to debate how the Equality Act should apply to single-sex services and facilities. If the case proceeds, a court will be asked to determine whether the Government and EHRC acted lawfully in producing and implementing the guidance. ### REVIEW: Touch Me (2025) URL: https://www.scenemag.co.uk/review-touch-me-2025/ Last updated: 2026-08-05T09:30:44.000Z Hello, cinema lovers. **Addison Heimann**'s ***Touch Me*** is proof that a film can be too horny to be scary and too sad to be funny, and still somehow work, kinda. Framed as a sort of soft-core porn, art-house alien horror movie, Touch Me is really interesting. How interesting depends on how successfully you can suspend your common sense. ![https://www.imdb.com/title/tt34967068/mediaviewer/rm1521275394/?ref_=ttmi_mi_4_2](https://www.scenemag.co.uk/content/images/2026/07/MV5BMDk1MzZmZTItNjkzNS00ZWZlLWI4OGMtYjdmNzZlZTM4NTg5XkEyXkFqcGc@._V1_QL75_UX582_-1.jpg) Joey (**Olivia Taylor Dudley**) begins this tale, telling her therapist the whole saga in flashback. Her life is framed in a swamp of childhood trauma and rejection. Into this life comes an alien called Brian. Played by **Lou Taylor Pucci**, he's dressed in a dapper tracksuit, dances topless and is charming and oddly attractive. Brian's alien touch dampens the traumatic voices in Joey's head. Nevertheless, she runs away from him initially, probably out of fear of the unknown. Enter Craig (**Jordan Gavaris**), her gay best friend, a lovable but slightly lost layabout living on family handouts who takes her in. A series of domestic mishaps lead the hapless duo back to Brian, and soon Craig is similarly drawn to Brian's alien charms. Laura (**Marlene Forte**), Brian's assistant, is a deranged middle-aged woman with sexual designs on Brian for herself. All this leads to a heady toxic situation. ![](https://www.scenemag.co.uk/content/images/2026/07/TOUCH-ME-SUNDANCE.jpeg) image provided Dudley is really great in this project. She plays sex addiction as a quiet, horrible thing rather than a spectacle. That's the smartest choice in the movie. Gavaris matches her in his own timid performance. His Craig is shallow until suddenly he isn't, and his performance goes from laid back to totally desperate. Pucci understands exactly what's needed from Brian the alien. He's odd, self-involved, and completely narcissistic. Think Predator playing Warner Huntington III (*Legally Blonde*). Never once does he ask us to like him, and we don't. Forte turns in a fine performance; her Laura is wounded and terrifying. Every scene she's in feels out of place in a good way. ![https://www.imdb.com/title/tt34967068/mediaviewer/rm1353503234/?ref_=ttmi_mi_5_2](https://www.scenemag.co.uk/content/images/2026/07/MV5BZDA1YTIyZDktNjJlYy00MWZlLThlNWYtYTM3NTY2MThiZWM1XkEyXkFqcGc@._V1_QL75_UX582_-1.jpg) Heimann directs like he's dared himself to go further over the top as the movie progresses. Split screens. Dream sequences with blurry close-ups and red-pink colours are all the rage here. A crystal room lit red with a kind of Chinese space ship vibe. The cinematography treats the alien's house like a fever dream at times, all glows and shadows. The script and the plot are pretty loose, to say the least. Logic gaps get ignored rather than addressed; the movie initially gets away with its lack of strong narrative, but that wears thin as the film progresses. ![](https://www.scenemag.co.uk/content/images/2026/07/DANCE.png) image provided This film handles queerness with more care than you would think an arthouse horror might. Craig isn't just set decoration. His arc runs straight through grinder rejection, historical abuse, shame and the specific danger of finding comfort in a person that maybe wants to consume you. That's not subtext. It's the actual plot here; subtlety is for another project. The sex scenes themselves, tentacles included, are shot with real artistic, almost erotic intent. However, before long those tentacles start to become more dangerous, and there's something quietly interesting in how casually queer desire sits alongside the horror. It's never explained, never apologised for, just shown on screen. ![](https://www.scenemag.co.uk/content/images/2026/07/SPLIT-HEAD.png) image provided ![https://www.imdb.com/title/tt34967068/mediaviewer/rm2746012162/?ref_=ttmi_mi_2_2](https://www.scenemag.co.uk/content/images/2026/07/MV5BZGVkZmNiODEtMjQ5Yi00ZmY1LTgzMjctOTA5ODZjZmJiZTgwXkEyXkFqcGc@._V1_QL75_UX582_-1-1.jpg) Does it fully work? No, not completely. Scarlet Johansson gave us a better sexual, low-budget, creepy alien performance in *Under the Skin*. But this film tries to be more out of the box than most horror comedies manage. Plus a willingness to sit with all the characters' historical traumas is to the writers' credit. Mildly recommended, with a raised eyebrow; watch out for Brian's fantastic dance sequences topless. ***Touch Me*** is available now on Apple TV and Amazon Prime. ### Róisín Murphy accuses Madonna of backing ‘TQ+ bandwagon’ URL: https://www.scenemag.co.uk/roisin-murphy-accuses-madonna-of-backing-tq-bandwagon/ Last updated: 2026-08-05T09:06:24.000Z Social media has jumped on **Róisín Murphy** after she appeared to accuse **Madonna** of failing to challenge what she described as the "TQ+ bandwagon". In a post on social media, the singer wrote: "Madonna has no such excuse for supporting the TQ+ bandwagon or for not calling out its inherent homophobia. Perhaps she just doesn’t care that children who would’ve grown up to be gay are being medicalised and harmed before they have the maturity to know who they are. Strange that." The comments appeared to criticise Madonna's longstanding support for trans and queer communities, with Murphy suggesting the pop superstar should speak out against what she sees as harms associated with gender-affirming care for young people. Murphy's intervention quickly drew ridicule and criticism online. One social media user responded: "Insignificant pop star desperate to be noticed by Madonna." Another wrote: "Roisin Murphy is now suggesting @Madonna is homophobic for supporting trans and queer people." The latest row comes after several years of controversy surrounding Murphy's comments on transgender issues. In 2023, the singer faced backlash after comments from her private Facebook account emerged in which she criticised puberty blockers for trans young people, writing: "Puberty blockers are fucked, absolutely desolate, big Pharma laughing all the way to the bank. Little mixed-up kids are vulnerable and need to be protected, that's just true." She also asked not to be described as a "TERF" (trans-exclusionary radical feminist). > Roisin Murphy is now suggesting [@Madonna](https://x.com/Madonna?ref%5Fsrc=twsrc%5Etfw&ref=scenemag.co.uk) is homophobic for supporting trans and queer people. Hahahahahahahahahahaha! [pic.twitter.com/6w4POHcdVw](https://t.co/6w4POHcdVw?ref=scenemag.co.uk) > > — C (@Obseyxx) [August 4, 2026](https://x.com/Obseyxx/status/2084654216216232354?ref%5Fsrc=twsrc%5Etfw&ref=scenemag.co.uk) Following criticism from fans and LGBTQ+ groups, Murphy apologised for the hurt caused by her remarks and said she would "completely bow out of this conversation within the public domain". However, critics noted that she did not explicitly retract her views on puberty blockers. Since then, Murphy has repeatedly returned to the subject. In 2025, she sparked fresh criticism after sharing disputed statistics about the number of young people identifying as trans or non-binary and writing: "It was never real. Terribly sad though. Absolute havoc wreaked on children, families and society." LGBTQ+ campaigners and publications accused her of promoting anti-trans narratives, while Murphy defended what she described as the right for "dissenting voices" to be heard. Earlier this year, Murphy again addressed the fallout from the controversy, claiming she had faced "professional exile" for expressing her views and criticising what she described as online cancellation campaigns. She also attracted criticism after referring to "confused young people" acting as "social media enforcers". Madonna has spent decades publicly supporting LGBTQ+ communities and is widely regarded as one of the most prominent allies in popular music. Throughout her career she has spoken out against discrimination and championed LGBTQ+ visibility through her music, activism and live performances. ### The View From Inside: Brighton Pride Parade 2026 URL: https://www.scenemag.co.uk/the-view-from-brighton-pride-parade/ Last updated: 2026-08-04T21:33:45.000Z Forget the view from the pavement - we wanted the view from inside the parade. So, for **Brighton Pride 2026**, our reporter [Liran Notik](https://www.instagram.com/liran%5Fnotik/?ref=scenemag.co.uk), laced up his trainers, grabbed the cameras and joined thousands of marchers making their way through the city's rainbow-filled streets. Along the route, Scene Magazine marched with the fantastic Brighton & Hove Sea Serpents RFC, who welcomed us into their Pride family and gave us a front-row seat to one of the biggest celebrations of LGBTQ+ visibility anywhere in the world. ## Watch our walk with The Sea Serpents 0:00 /2:22 1× ****Liran Notik on the move, inside the Pride Parade** | Filmed by: Jessica Bainbridge From glitter-covered hugs and spontaneous dance breaks to cheers from every corner of Brighton, the atmosphere was nothing short of infectious. Every few metres came another smile, another flag waving high, another reminder that Pride is about so much more than a parade - it's about people. While walking with the **Sea Serpents**, we caught up with **Vice Chair Ricky Braiden**, who spoke passionately about why the club returns to Pride every year. Yes, they're an inclusive rugby club - but more importantly, they're a community. A place where anyone, regardless of experience, background or identity, can find friendship, confidence and belonging. > "We're an inclusive rugby club. Rugby is for everybody," While chatting with **Sam Johnson**, he shared with us how the club's upcoming 'Try Rugby' sessions - encourage complete beginners to give the sport a go: *"A program for anyone that's never played rugby before, who wants to come and be involved in a team, be part of the community. I did the same thing. I'd never held a rugby ball this time last year... and look at me now."* But this wasn't just a story about rugby. It was about Brighton doing what Brighton does best - bringing together people from every walk of life to celebrate love, identity and community. Whether marching, dancing, cheering from the pavement or simply soaking up the atmosphere, everyone became part of the same colourful story. As we made our way through the city, **Douglas Hawkins**, founder of *The Social Gays*, shared a message that resonated throughout the day: > "You're always going to find your people. Find your community, because it will always lead to positive outcomes." Simple words - but perhaps the most powerful takeaway from Brighton Pride 2026\. Because that's exactly what Pride is. A celebration, a protest, a party and, above all, a reminder that everyone deserves a place where they can belong. Along the route, we also caught up with the wonderful team from **MindOut**, whose work supporting LGBTQ+ mental health is more important than ever. Marching alongside thousands celebrating Pride, **Director Peter Nesbitt** and **ambassador Keye Luke** spoke to us about the power of community, the importance of looking after our mental wellbeing, and creating safe spaces where everyone feels seen, heard and supported. ## Watch while we walk with Mindout Ambassador, Keye Luke 0:00 /1:35 1× ****Liran Notik on the move, inside the Pride Parade** | Filmed by: Jessica Bainbridge Their message to everyone taking part in Brighton Pride was both simple and powerful: be kind to yourself and to one another, celebrate who you are, and never underestimate the strength that comes from finding your community. Amid the music, colour and celebration, their words served as a heartfelt reminder that Pride is not only about visibility—it's also about connection, acceptance and supporting one another every step of the way. ## Watch our interview with MindOut Director, Peter Nesbitt 0:00 /0:47 1× ****Liran Notik on the move, inside the Pride Parade** | Filmed by: Jessica Bainbridge As the final floats made their way through the city and the cheers slowly faded, one thing remained clear: Brighton Pride is so much more than a parade. It's a celebration of love, resilience and community - a reminder that, no matter who you are, there's a place where you belong. And if this year's Pride proved anything, it's that Brighton continues to wear its heart proudly on its rainbow-coloured sleeve. ### Trans rights group warns EHRC code will make trans lives ‘smaller and more precarious’ URL: https://www.scenemag.co.uk/trans-rights-group-warns-ehrc-code-will-make-trans-lives-smaller-and-more-precarious/ Last updated: 2026-08-04T15:05:04.000Z A leading trans advocacy organisation has warned that new guidance accompanying the **Equality Act** will make life more difficult for trans people across the UK as it comes into force. **Trans+ Solidarity Alliance** criticised the revised **Equality and Human Rights Commission** (EHRC) **Code of Practice**, which takes effect on Wednesday, arguing that it will lead to greater exclusion and uncertainty for both trans people and organisations seeking to provide inclusive services. **Alexandra Parmar-Yee**, director of Trans+ Solidarity Alliance, said the guidance was being implemented "without scrutiny, debate or a vote" and accused the Government of failing to adequately protect trans people. "The Code of Practice has already caused serious harm to trans people across the UK, and these harms will only increase with implementation," she said. "Trans people will be shut out of the services they need, made to feel unwelcome and unsafe in public spaces. Our lives will feel smaller and more precarious." The revised code follows months of debate over the rights of trans people and the interpretation of equality law, with campaign groups, public bodies and service providers seeking clarity on how the guidance will affect access to single-sex spaces and services. Parmar-Yee argued that the new framework leaves organisations facing significant legal uncertainty. "Organisations of all kinds have been left with no clear or safe route for inclusion and will be stuck in the crossfire of lawfare," she said. "The legal framework that protects all of our human rights has been fundamentally undermined." The campaign group also criticised the Government's wider approach to trans rights, describing the code as its "flagship policy" for the trans community. "This is the UK Government's flagship policy for the trans community, and it is chaotic, unworkable and cruel," Parmar-Yee said. "It leaves the UK an outlier, no longer living up to its human rights commitments." The organisation is calling for changes to the law to strengthen protections for trans people and ensure they can access public services and participate in public life safely. "The law must now change to protect trans people's ability to go about our day-to-day lives safely and with confidence," Parmar-Yee added. "It must change for the UK to once again be considered a nation that protects the human rights of all LGBTQ+ people." The revised EHRC Code of Practice comes into force amid continuing debate over equality law and trans rights, with LGBTQ+ organisations, legal experts and public bodies closely watching how the guidance is interpreted and applied in practice. ### Glitter Cymru to celebrate 10th anniversary with biggest Pride event yet URL: https://www.scenemag.co.uk/glitter-cymru-to-celebrate-10th-anniversary-with-biggest-pride-event-yet/ Last updated: 2026-08-04T12:15:27.000Z **Wales**' largest celebration of LGBTQ+ people from global majority communities will return later this month as **Glitter Cymru** marks a decade of community organising and advocacy. The Cardiff-based charity has announced that **Glitter Pride 2026** will take place on **Sunday, 23 August** at the **Temple of Peace** in **Cardiff**, bringing together performers, speakers and community members for what organisers say will be their biggest Pride celebration to date. The event forms part of Glitter Cymru's 10th anniversary programme and will feature live music, drag, comedy and dance performances from queer artists, alongside talks reflecting on the organisation's achievements over the past decade and its ambitions for the future. Among those scheduled to appear are **DJ SEKSU**, drag performer **Miss Dynasty** and singer **Kabambi**. Complimentary food and drink will also be provided by **Climate Cooks**, recognising the role that food plays in bringing communities together. Founded in 2016, Glitter Cymru is Wales' largest grassroots charity supporting LGBTQ+ people from global majority backgrounds. The organisation works to tackle marginalisation and improve representation, while providing social, cultural and support programmes for its members across Wales. ![](https://www.scenemag.co.uk/content/images/2026/08/GC---Glitter-Pride-2025.png) Glitter Pride 2025 This year's Pride celebration carries the theme of **Global Solidarity** and is the culmination of a summer programme of events in Cardiff. The charity will host a comedy night at **Porter's** **Cardiff** on **7 August**, featuring a performance of *The Corner Shop*, before premiering a new documentary about Glitter Cymru's journey at **National Museum Cardiff** on **13 August**. The documentary, directed by **Raven Gough** and **Alisha Ahmed**, co-chair of **Glitter Siblings**, explores the organisation's history through archive footage and interviews with members and supporters. Reflecting on the charity's first decade, Glitter Cymru co-chair and treasurer **Numair Masud** said the organisation had become a vital source of support for some of the most marginalised LGBTQ+ people in Wales. "Glitter Cymru has made such a difference to the lives of the most marginalised LGBTQ+ people. It has literally saved lives," he said. "Standing side-by-side with LGBTQ+ asylum seekers in immigration court on behalf of Glitter Cymru reinforced the need to continue championing community support. It was a highlight, not only for me, but more importantly for those who live to tell the tale of courage, resilience and hope. "Our Pride event this year feels extra special, as we celebrate creating a safe and uplifting environment for queer people. It has become an important space for community-building and support, and I'm really proud to play a part in that." ![](https://www.scenemag.co.uk/content/images/2026/08/GC---Vish-1.jpg) Vish Founder **Vish** said the charity remains committed to expanding the support available to its community in the years ahead. "We are deeply committed to providing for our community," they said. "Our ambition is to strengthen our community fund to support our ongoing initiatives, as well as invest in local queer talent, and create a dedicated budget for a counselling service for the most vulnerable individuals in our community. "We're excited to keep evolving too: we want to learn from, connect with, and celebrate the various LGBTQ+ global majority communities worldwide." As well as entertainment, Glitter Pride will include speakers sharing personal stories and reflecting on the charity's efforts to empower and uplift queer people from global majority backgrounds over the past decade. The event is free for Glitter Cymru members, with proceeds from ticket sales supporting the charity's ongoing work across Wales. Tickets are available via [Eventbrite](https://www.eventbrite.co.uk/e/glitter-pride-2026-global-solidarity-tickets-1989963181444?aff=erellivmlt&ref=scenemag.co.uk), with further information on Glitter Cymru's anniversary programme available through the organisation's [website](https://glitter.cymru/?ref=scenemag.co.uk) and[ social media channels](https://www.instagram.com/glittercymru/?ref=scenemag.co.uk). ### Trans Is Human: New exhibition opens at Queer Britain URL: https://www.scenemag.co.uk/trans-is-human-new-exhibition-opens-at-queer-britain/ Last updated: 2026-08-04T10:52:08.000Z A new exhibition celebrating the lives and experiences of trans people is set to open at **Queer Britain** in London this week. *Trans Is Human*, a collection of 13 black-and-white portraits by internationally acclaimed photographer **Mariano Vivanco,** will be on display at the UK's national LGBTQ+ museum from **5 August - 29 November**. Created and produced by **Jake** and **Hannah Graf**, the exhibition aims to challenge negative portrayals of trans people and highlight the diversity of the UK's trans community through personal stories and striking imagery. The project was conceived in response to what organisers describe as years of misinformation and hostility directed towards transgender people in the media and on social media platforms. According to the creators, *Trans Is Human* seeks to "rewrite that narrative" by showcasing trans people beyond their gender identity and focusing on their lives, experiences and humanity. **Jake Graf**, creator and producer of the exhibition, said the project comes at a critical moment for the trans+ community in the UK. "We have been fighting to hold onto our hard-won rights for over a decade and are now seeing those dramatically reversed," he said. ![](https://www.scenemag.co.uk/content/images/2026/08/Trans-Is-Human-2--credit--Mariano-Vivanco-.jpg) Trans Is Human. Credit - Mariano Vivanco "Our hope is that *Trans Is Human* reminds people that we are much the same as them, just asking for the dignity, safety and acceptance afforded to everyone else." The portraits were taken by Vivanco, whose work has appeared in publications including *GQ* and *Rolling Stone* and for brands such as **Dolce & Gabbana**, **Montblanc** and **Mugler**. The exhibition has been installed at Queer Britain, which organisers say provides an opportunity for visitors to celebrate transgender lives and experiences within a national LGBTQ+ cultural space. **Andrew Given**, chief executive of Queer Britain, said the exhibition arrives as trans rights continue to be the subject of political and public debate. "From 2011 to 2015, the UK once led Europe in first place within the **International Lesbian & Gay Association's Rainbow Map**," he said. "In 2026, the UK dropped to position 22 out of 49 European countries because of the treatment of trans people in law." Given added that the exhibition's opening coincides with parliamentary discussions around the draft **Conversion Practices Bill** and the draft **Equality and Human Rights Commission Code of Practice**. "Presenting *Trans Is Human* is vital now," he said. "It's important that Queer Britain insists that trans people are recognised with empathy and understanding as human beings within a diverse and vibrant community." Queer Britain is open from Wednesday to Sunday between 12 - 6pm, with a series of evening "Museum Lates" events planned throughout the exhibition's run in August, September, October and November. ### Police reviewing whether ‘homophobic assumptions’ affected investigation into death of gay man URL: https://www.scenemag.co.uk/police-reviewing-whether-homophobic-assumptions-affected-investigation-into-death-of-gay-man/ Last updated: 2026-08-04T10:22:49.000Z Police are reviewing whether “homophobic assumptions” influenced the handling of an investigation into the death of a gay man after watchdog findings raised concerns about how the case was treated. The **Independent Office for Police Conduct** (IOPC) ordered **Hertfordshire Police** to examine whether prejudice may have played a role in its response to the death of **Scott Gough**, 56, who died at his home in **Chandler’s Cross**, near Watford, in March 2024. A coroner concluded that Gough took his own life on 29 March 2024, a day after he allegedly received a note that investigators are now examining as part of a potential blackmail inquiry. Gough’s partner, **Cameron Tewson**, has spent more than two years campaigning for a fuller investigation, arguing that police failed to properly explore evidence suggesting Gough may have been targeted by a gang operating on the dating app Grindr. “From the beginning, it’s been a case of banging my head against a wall, making phone calls and sending emails to try and get officers to take this seriously,” Tewson said. “It’s always one step forward and two steps back. In many ways, I feel I’ve never had a chance to grieve.” ![](https://www.scenemag.co.uk/content/images/2026/08/scott-gough.jpg) ****Scott Gough** The IOPC found that Hertfordshire Police made errors and “did not fully investigate” Gough’s death. The watchdog also concluded that the force added to Tewson’s distress by failing to respond to complaints promptly. The review follows concerns that assumptions about Gough’s sexuality may have affected the direction of the original investigation. As part of its findings, the IOPC instructed the force to consider whether “homophobic assumptions” played a role in decisions made by officers. The night before his death, Gough reportedly received a handwritten note bearing a telephone number and the message: “I think it’s in your best interests to give me a call.” Tewson has argued that the note should have prompted a more thorough investigation into the possibility of blackmail. A separate BBC investigation uncovered multiple suspected blackmail cases involving users of Grindr in the local area, including at least four incidents allegedly linked to the same group. Responsibility for reviewing the case has now been handed to **Bedfordshire Police**, which is overseeing further enquiries and assessing whether a new criminal investigation should be launched. Tewson said he is now being kept informed about developments in the case. In a statement, Hertfordshire Police expressed its condolences to Gough’s family and partner and said it was committed to supporting LGBTQ+ communities. “The reinvestigation finalised by Bedfordshire, **Hertfordshire** and **Cambridgeshire Professional Standards Department** into Mr Tewson’s complaint found that a blackmail investigation should have been considered and the constabulary has sought an independent review of the original investigation,” the force said. It added that Bedfordshire Police is carrying out that review and would also take responsibility for any new investigation deemed necessary. “Hertfordshire Constabulary remains dedicated to learning to ensure that officers understand specific issues faced by members of the LGBTQ+ community,” the force said. ### Brighton Early Music Festival returns with a world-class season of dreams URL: https://www.scenemag.co.uk/brighton-early-music-festival-returns-with-a-world-class-season-of-dreams/ Last updated: 2026-08-04T10:05:01.000Z **Brighton Early Music Festival** (BREMF) has opened its priority booking window, giving members of its Festival Friends scheme first access to tickets for the 2026 programme, themed **Bringers of Dreams**. General booking opens on **Monday, 3 August**. Running from **2 - 25 October**, with pre-festival events starting **19 September**, [**BREMF** ](https://www.bremf.org.uk/?ref=scenemag.co.uk)has long established itself as one of the world's premier festivals dedicated to early music, and this year's programme shows exactly why: a wide-ranging season spanning centuries of repertoire and a real diversity of atmosphere and setting. ![](https://www.scenemag.co.uk/content/images/2026/07/7790667b1499641e0a482fd470ef3a3eb0b7d17469237a4cb9f28a097afaa2aa--1-.jpeg) ![](https://www.scenemag.co.uk/content/images/2026/07/7790667b1499641e0a482fd470ef3a3eb0b7d17469237a4cb9f28a097afaa2aa--3-.jpeg) Concert highlights include *City of Dreams*, a Florentine "extravaganza" narrated by **Maria de' Medici** exploring Renaissance Florence's cultural flowering; *The Planets*, a celestial orchestral reimagining of **Holst's** masterpiece by ensemble **Spiritato;** and *The Fairy Queen*, **Purcell's** midsummer-night setting performed by the **London Handel Players** alongside BREMF's own Emerging Artists. For something more intimate, **Dowland Day** brings three very different late-night concerts exploring melancholy, insomnia and faith through solo lute song and viol consort. Elsewhere, *Polia's Power* offers a female-perspective staging of a 15th-century novel with video projection, while *In Terra Aliena* is a meditation on belonging and hope. Venues and formats vary just as widely; from grand orchestral evenings to a relaxed "Clubnight" showcasing emerging talent in a pub setting, and an open mic night for informal jamming. ![](https://www.scenemag.co.uk/content/images/2026/07/7790667b1499641e0a482fd470ef3a3eb0b7d17469237a4cb9f28a097afaa2aa--4-.jpeg) ![](https://www.scenemag.co.uk/content/images/2026/07/7790667b1499641e0a482fd470ef3a3eb0b7d17469237a4cb9f28a097afaa2aa-1.jpeg) The festival also keeps a strong community and family thread running throughout: a free Polyphony Crawl through Brighton's churches, a baby-and-toddler concert from the **Orchestra of the Age of Enlightenment,** family singing and lullaby workshops, and a walking event linking nature and song. Underpinning it all is the Festival Friends scheme, as well as BREMF's outreach programme taking live music into local schools and care settings. ![](https://www.scenemag.co.uk/content/images/2026/07/Screenshot-2026-07-27-at-13.56.41.png) BREMF has been a fixture on Brighton's cultural calendar for many years now, and Scene has been lucky enough to visit many of its venues over that time, catching some genuinely fantastic performances along the way. If you've never been to a BREMF event before, this autumn is a great excuse to change that; few festivals anywhere offer early music of this quality and range. Anyone keen to get ahead of the queue has just over a week left of [Friends-only booking](https://www.bremf.org.uk/?ref=scenemag.co.uk) before tickets open to the wider public on 3 August. Full programme and ticket booking details on the [**BREMF website.** ](https://www.bremf.org.uk/?ref=scenemag.co.uk) ![](https://www.scenemag.co.uk/content/images/2026/07/BREMF26_FBbanner-1.jpg) ![](https://www.scenemag.co.uk/content/images/2026/07/E7-DSCF4498-Allyn-Wu.jpg) ![](https://www.scenemag.co.uk/content/images/2026/07/Headshot-April-2026-Ruby-scaled.jpg) ![](https://www.scenemag.co.uk/content/images/2026/07/BREMF_EmArt_LogoStacked.png) ![](https://www.scenemag.co.uk/content/images/2026/07/Steven-Player.jpeg) ![](https://www.scenemag.co.uk/content/images/2026/07/2-Hugo-Williamson-13.08.2025----Julian-Guidera-Hugo-Williamson.jpg) ![](https://www.scenemag.co.uk/content/images/2026/07/4S4A9854-Laura-Toomey-scaled.jpg) ### Plans unveiled for life-size statue honouring The Vivienne in Liverpool URL: https://www.scenemag.co.uk/plans-unveiled-for-life-size-statue-honouring-the-vivienne-in-liverpool/ Last updated: 2026-08-04T09:38:49.000Z Plans have been revealed for a life-size statue commemorating drag performer **The Vivienne** in Liverpool's Pride Quarter. The tribute, commissioned by **House of The Vivienne CIC**, will celebrate the life and legacy of **James Lee Williams**, the performer behind The Vivienne, who died in January 2025 aged 32 after struggling with ketamine addiction. Organisers have released an AI-generated image showing the proposed statue seated on a bench at the entrance to Liverpool's officially recognised Pride Quarter. The artwork is set to be installed at the junction of **Victoria Street** and **Stanley Street**, an area closely associated with Williams' rise through Liverpool's drag scene. House of The Vivienne CIC was established by Williams' family following their death and is leading efforts to create the permanent memorial. **Chanel Williams**, James' sister and a director of the organisation, said the statue would ensure The Vivienne's impact on both Liverpool and the LGBTQ+ community is never forgotten. "A permanent statue in the Pride Quarter feels like the right way to make sure nobody forgets that, and to remind anyone who might be struggling that they do not have to do it alone," she said. ![](https://www.scenemag.co.uk/content/images/2026/08/The-vivienne-1569927083.jpg) The Vivienne "That was what James believed, and it is what we are going to keep saying." She added: "James gave everything to Liverpool and Liverpool gave everything back to him. This city saw him, accepted him, and helped him become The Vivienne." Born in North Wales, Williams moved to Liverpool as a teenager and became a familiar face in bars and clubs around the city's Pride Quarter before later performing in Gran Canaria. National fame followed in 2019 when The Vivienne won the inaugural series of *RuPaul's Drag Race UK*, becoming one of the most recognisable drag artists in Britain and the only British queen to compete in the US version of the franchise. Beyond drag, Williams appeared in the West End and on television programmes including *Dancing on Ice*, *Saturday Night Takeaway* and *Emmerdale*. John Hyland, who is leading the statue project, said the memorial would recognise both Williams' contribution to Liverpool's LGBTQ+ community and the wider cultural significance of the Pride Quarter. "The Vivienne was the Pride Quarter, and James had a way of making everyone who walked through any one of those doors feel like they belonged, and that didn't stop when the cameras arrived and their star shot into the sky," he said. "This statue is Liverpool acknowledging what the LGBTQ+ community already knows. "But it's also the beginning of something bigger. The Pride Quarter deserves investment, attention and a future, and this is the first statement of intent that it's going to get both." The project has already secured initial backing from **Liverpool Business Improvement District** (BID), which represents businesses and cultural organisations across the city. **Bill Addy**, chief executive of Liverpool BID Company, said the organisation was proud to support the initiative. "Liverpool has always been a city that celebrates the people who shape and help to define its culture, and The Vivienne was one of them," he said. A public fundraising campaign has also been launched to help cover the cost of creating and installing the statue. If completed, the memorial would provide a permanent tribute to one of the UK's most influential drag performers and a lasting reminder of The Vivienne's connection to Liverpool and its LGBTQ+ community. ### Elliot Page says biology education is used ‘against queer and trans people’ URL: https://www.scenemag.co.uk/elliot-page-says-biology-education-is-used-against-queer-and-trans-people/ Last updated: 2026-08-04T09:18:09.000Z Actor **Elliot Page** has argued that traditional biology education is often used to marginalise LGBTQ+ people, claiming that lessons on the natural world can reinforce what he described as a “cis hetero-patriarchal” view of society. Speaking on the **TransLash** podcast with host **Imara Jones**, the *Juno* and *The Odyssey* star said discussions of biology frequently fail to reflect the diversity found in nature, including examples of same-sex behaviour and gender variation among animals. “The natural world and what we learn in biology class in terms of it seemingly being this cis hetero-patriarchal system... I feel is used against queer and trans people in terms of us being made to seem maladaptive, like there's something wrong with us or we're some modern thing, which we of course know is untrue,” Page said. The Oscar-nominated actor argued that greater awareness of diversity in the animal kingdom could help challenge misconceptions about LGBTQ+ identities. “Human beings are the only species that are ridiculous enough to seem to have a huge problem with trans folks,” Page added. [Elliot Page on The Odyssey, Genderqueer Chimpanzees, and Dating in HollywoodEpisode Description Elliot Page joins Imara for an intimate conversation about this current chapter of his career. He takes us behind the scenes of Christopher Nolan’s highly anticipated epic, The Odyssey, reflecting on what it was like returning to work with Nolan and why this role allowed him to feel more like himself than ever … Continued![](https://www.scenemag.co.uk/content/images/icon/cropped-Favicon_1x-270x270-f909e941-8e88-4e12-a491-e694c664e346.png)TransLash Media![](https://www.scenemag.co.uk/content/images/thumbnail/TransLash-16cd603b-4b39-479f-b446-b9b6d28624e2.jpg)](https://translash.org/podcasts/translash-podcast/elliot-page-on-the-odyssey-genderqueer-chimpanzees-and-dating-in-hollywood/?ref=scenemag.co.uk) During the interview, Page also discussed portraying Sinon in **Christopher Nolan**’s blockbuster adaptation of *The Odyssey*. The character plays a role in the legendary Trojan Horse deception, though Page explained that Nolan’s interpretation presents Sinon as unaware of the true nature of the plan. “In this situation, my character does not know that these men are on this horse,” Page said. “In the confrontation with Odysseus in Hades, he's confronting him with, ‘How could you lie to me? I sacrificed myself for you and for this. How could you lie to me?’” Page said the character is burdened by guilt and regret after becoming entangled in events that lead to widespread death and destruction. “I think the character of Sinon is carrying this horrible weight, of course, and regretting being a part of this, as well as, in many ways, being used and himself tricked into this situation,” the actor said. Nolan’s *The Odyssey* has become one of the biggest film releases of the year, topping the box office on its opening weekend and earning more than $700 million worldwide. The epic adaptation has also received strong reviews from critics and audiences, making it the director’s highest-grossing film to date. ### Homophobic attackers who spat at and pelted gay couple with fruit spared jail URL: https://www.scenemag.co.uk/homophobic-attackers-who-spat-at-and-pelted-gay-couple-with-fruit-spared-jail/ Last updated: 2026-08-03T11:49:20.000Z Two men who chased a gay couple through north London before spitting at them, hurling fruit and shouting homophobic abuse have been spared jail despite being convicted of a hate crime. **Mariuzs Smietana**, 46, and **Dariusz Wawrzenczyk**, 37, were sentenced at **Highbury Corner Magistrates' Court** after being found guilty of assault by beating following an attack on **Alex Grant**, 34, and his partner in Gospel Oak last summer. The court heard the couple were holding hands as they walked home from the **Highgate Men's Ponds** on **Hampstead Heath** shortly after 10pm on 1 July 2025 when they were targeted by the pair. Prosecutor **René De Silva** said Smietana and Wawrzenczyk approached the couple on Mansfield Road and spat at them while shouting homophobic slurs in Polish. The abuse escalated when Smietana chased the men down the street and threw fruit at them, which he had taken from a nearby shop without paying. Fearing for their safety, the couple called 999 and took refuge in a nearby pub before police arrested the attackers. ![](https://www.scenemag.co.uk/content/images/2026/08/SWNS_HOMOPHOBIC_FINE_09_164786-1024x674.jpg) Alex Grant and his partner. Crown Prosecution Service In a victim impact statement read from behind a privacy screen, Mr Grant's partner, who asked not to be named, said the attack had fundamentally changed how he and his boyfriend moved through public spaces. Having moved to the UK from Turkey "for the chance to live openly and freely as a gay man", he told the court: "Since the attack, walking at night with my partner no longer feels as normal or safe as it did before. "Whenever we go somewhere, I find myself thinking about how we will get home, which route we should take, and whether it is safe for us to walk together openly. "I know these may sound like small considerations, but they have become part of my daily life, and I do not think a simple walk home with the person I love should evoke that kind of fear or calculation." Mr Grant said the incident left him shaken and fearful that he might encounter the men again. "The hate and vitriol we encountered that night has made me realise that even today I am, as a gay man, still vulnerable to violent homophobia," he said. "What had been a quiet summer evening spent enjoying the weather swimming with my boyfriend turned into a night full of fear and angst which lasted for many days afterwards." ![](https://www.scenemag.co.uk/content/images/2026/08/SEI_307264131-a812-e1785745660778.jpg.webp) Smietana caught on CCTV stealing fruit from a store which he then threw at the gay couple. Crown Prosecution Service District Judge **Vanessa Lloyd** said the offence was aggravated by hostility towards the victims' sexual orientation. "The offence was motivated by or demonstrated hostility based on sexual orientation," she told the court. Despite the conviction, the judge ruled that the custody threshold had not been crossed and sentenced both men to 12-month community orders. Smietana, of Wembley, and Wawrzenczyk, of Tottenham, were each ordered to complete 180 hours of unpaid work and 15 rehabilitation activity days. They were also ordered to pay £325 in costs and a £114 victim surcharge. The court heard that Smietana had previously received a police caution for shoplifting, while Wawrzenczyk had been extradited to Poland in 2023 in connection with a non-conviction disposal for assaulting an emergency worker. Judge Lloyd noted that both men had continued to deny responsibility for the attack and had shown no remorse. She declined to award compensation to the victims, saying: "I don't think any amount of money can compensate for what happened to them that night. "Anything that I awarded would just be a token amount, and it would provide a link between you and them." Addressing the defendants, she added that the unpaid work and rehabilitation requirements would help them repay society for their behaviour and reduce the likelihood of any similar incidents in future. ### Trans rights organisation welcomes High Court ruling allowing puberty blocker trial to proceed URL: https://www.scenemag.co.uk/trans-rights-organisation-welcomes-high-court-ruling-allowing-puberty-blocker-trial-to-proceed/ Last updated: 2026-08-03T09:42:35.000Z Trans rights organisation **TransActual** has welcomed a **High Court** decision rejecting an attempt to halt a clinical trial investigating the use of **puberty blockers** for young people experiencing gender dysphoria. In a statement issued following the ruling, the campaign group said it supported the court's decision to allow the **PATHWAYS puberty blocker trial** to move forward, describing the study as the only legal route currently available for young people in the UK to access transition-related care involving puberty blockers. The challenge had sought to prevent the trial from proceeding, but the High Court ruled against the bid, clearing the way for the research programme to continue. Responding to the judgment, TransActual said further delays would have been unacceptable while trans young people remain unable to access care. A spokesperson for the organisation said: "This trial remains the only legal route for young people to access transition-related care in the UK, and it would have been unacceptable to further delay the trial while trans youth are left without access to the transition-related care that they deserve." The group also argued that, despite the ruling, wider restrictions on access to gender-affirming healthcare remain in place. TransActual said the ongoing limitations continue to affect trans young people despite concerns about the impact on mental health and wellbeing. The organisation accused politicians and campaigners opposed to gender-affirming care of politicising healthcare and creating barriers to treatment. In its statement, the group said: "The politicisation of trans people's healthcare in the NHS has created barriers to fairly and equally accessing care – barriers which must be torn down." The PATHWAYS study has become a focal point in the wider debate over transgender healthcare in the UK following restrictions on the prescription of puberty blockers outside approved research settings. Campaigners supporting access to gender-affirming care have argued that trans young people should be able to access evidence-based treatment without unnecessary delays, while opponents have raised concerns about the use of medical interventions for children and adolescents. Following the High Court decision, TransActual said it would continue campaigning for reforms to the healthcare system and for improved access to treatment for trans people. The organisation added: "While gender critical activists play politics with people's health, organisations like TransActual will continue to campaign for a healthcare system that truly recognises and respects the individual needs of everyone." ### Trump and Putin ‘share a snog’ on Amsterdam Pride Canal Parade float as Dutch PM Rob Jetten joins celebrations URL: https://www.scenemag.co.uk/trump-and-putin-share-a-snog-on-amsterdam-pride-canal-parade-float-as-dutch-pm-rob-jetten-joins-celebrations/ Last updated: 2026-08-03T09:20:12.000Z A giant **Amsterdam Pride** parade float depicting **Donald Trump** and **Vladimir Putin** sharing a kiss became one of the most talked-about sights of this year's celebrations, as hundreds of thousands of people lined the Dutch capital's canals for the world-famous event. The float, titled **The Kissing Couple**, featured oversized inflatable versions of the US President and Russian leader leaning in for a snog as they travelled along Amsterdam's waterways during the annual **Pride Canal Parade** on Saturday. Designed in the style of traditional Dutch Delft Blue pottery figurines, the two characters were dressed in blue-and-white costumes and each held a tulip while appearing to embrace. Trump was depicted wearing a dress while Putin wore overalls, as electronic dance music blasted from the boat and revellers danced alongside waving signs promoting love and unity. The group behind the float said it had reimagined a symbol of love and togetherness "not to provoke, but to pause power for a moment and highlight something human". ![](https://www.scenemag.co.uk/content/images/2026/08/imago863171294.jpg) ****IMAGO / ZUMA Press Wire** The satirical display was one of 80 vessels taking part in Amsterdam's colourful Canal Parade, the centrepiece of the city's annual Pride celebrations and this year also part of World Pride events being hosted by the Dutch capital. Among those taking part was openly gay Dutch Prime Minister **Rob Jetten**, who waved to crowds from a small boat as it made its way through the canals. Dressed in a white shirt and black life vest, Jetten joined thousands of participants celebrating LGBTQ+ visibility and equality. Hundreds of thousands of spectators packed bridges, quaysides and canal banks to watch the flotilla pass through the historic city centre. Boats representing government ministries, the military, police forces, LGBTQ+ organisations and community groups took part in the procession. Amsterdam Pride took place amid heightened security following a deadly attack at a Pride event in Berlin a week earlier that left one person dead and dozens injured. Ahead of the parade, Amsterdam Mayor Femke Halsema said authorities would take any necessary additional security measures while ensuring visitors could enjoy the celebrations. Despite those concerns, the atmosphere remained festive as music echoed across the canals and rainbow flags fluttered throughout the city. For many visitors, the event highlighted Amsterdam's longstanding reputation as one of the world's most LGBTQ+-friendly destinations. Rod Lugtenburg, a visitor from Toronto attending World Pride, said: "For me, it's about acceptance, being able to be who you are." Amsterdam Pride traces its roots back to 1996 and is unique among major Pride events for its canal-based parade rather than a traditional street march. While known for its colourful celebrations, organisers stress that the event remains a platform for campaigning on LGBTQ+ rights and visibility. That message was reflected by the Netherlands' LGBTQ+ rights organisation **COC**, which is celebrating its 80th anniversary this year. Its parade boat carried a manifesto calling for further progress on LGBTQ+ human rights and featured a portrait of Stonewall activist **Marsha P. Johnson**. ### Boy George hits back at ‘gay folk’ criticising his new pro-Israel song URL: https://www.scenemag.co.uk/boy-george-hits-back-at-gay-folk-criticising-his-new-pro-israel-song/ Last updated: 2026-07-31T13:12:58.000Z **Boy George** has hit back at criticism from some LGBTQ+ people over his controversial new song *We Will Dance Again*, insisting he will not “pipe down” and accusing “gay folk” of attacking him online because of his outspoken support for Israel. The **Culture Club** star made the comments in a lengthy post on X as debate continues over the AI-assisted track, which was inspired by the Hamas attacks on Israel on 7 October 2023 and the ongoing conflict in Gaza. George said friends and supporters had urged him to stay quiet and allow the controversy to fade, but insisted he had no intention of backing down. “So many people are calling me and saying I should pipe down and let it blow over and while they mean well I'm afraid it's not an option,” he wrote. > So many people are calling me and saying I should pipe down and let it blow over and while they mean well I'm afraid it's not an option. > Doubling down works for Donald Trump and we share a birthday with Che Guevara, Alan Carr and Paul O'Grady. > What a supergroup that would be.… [pic.twitter.com/6KEw8VPScu](https://t.co/6KEw8VPScu?ref=scenemag.co.uk) > > — Boy George (@BoyGeorge) [July 31, 2026](https://x.com/BoyGeorge/status/2083135945268682894?ref%5Fsrc=twsrc%5Etfw&ref=scenemag.co.uk) The singer joked that his determination to “double down” may be linked to sharing a birthday with figures including **Donald Trump**, **Che Guevara**, comedian **Alan Carr** and late entertainer **Paul O'Grady**. However, George reserved much of his criticism for opponents within the LGBTQ+ community, saying he was surprised by the number of gay people challenging his views online. “What is most shocking is the amount of gay folk attacking me,” he wrote, adding that “no gay person speaks for an entire community”. The singer also defended comments he has previously made about threats facing Jewish people, arguing that LGBTQ+ people should recognise the dangers posed by extremism. “When I say ‘they want to kill every last one of us’ I am also talking about us queers not just the Jewish community,” he wrote. “When will you wake up?” The singer also condemned anonymous social media users who direct abuse at others without revealing their identities. “Regardless of which side you take, I am disgusted by anyone who posts hatred against anyone but refuses to show their face,” he wrote. “If you have something powerful to say then you should have the guts to show the world who you are.” ### New toolkit aims to help LGBTQ+ football fans build supporters’ groups URL: https://www.scenemag.co.uk/new-toolkit-aims-to-help-lgbtq-football-fans-build-supporters-groups/ Last updated: 2026-07-31T11:42:59.000Z [A new free toolkit](https://www.prideinfootball.org.uk/resources?ref=scenemag.co.uk) has been launched to help LGBTQ+ football fans establish, run and grow supporters’ groups at clubs across the UK. The **LGBTQ+ Supporter Group Toolkit** has been produced by the **Football Supporters’ Association** (FSA) and **Pride in Football**, bringing together more than a decade of experience from LGBTQ+ fan groups into a single resource. Since the first LGBTQ+ supporters’ groups were formed in 2013, the movement has expanded to more than 50 active groups representing clubs across England, Scotland and Wales, as well as the UK’s national teams. The new guide is designed to support fans at every level of the football pyramid who are considering starting a group or developing an existing one. ![](https://www.scenemag.co.uk/content/images/2026/07/The-LGBTQ--supporter-group-toolkit---Photo-courtesy-of-Pride-in-Football--credit-required-.jpg) The LGBTQ+ supporter group toolkit. Photo courtesy of Pride in Football The toolkit highlights the importance of LGBTQ+ supporters’ groups in creating welcoming spaces within football. As Derby County supporters’ group **Rainbow Rams** explains in the guide: “Our flag shows the next generation that they don't have to choose between who they love and the club they support.” The resource covers a wide range of topics, including setting up a group, developing a name and logo, building a social media presence, organising matchday events and taking part in campaigns such as **Football v Homophobia**’s ***Month of Action,*** **Premier League With Pride** and the **EFL Rainbow Ball** initiative. It also includes guidance on trans inclusion, governance, fundraising, committee structures, media engagement and long-term growth. The toolkit features case studies from established groups including **Manchester United**’s **Rainbow Devils**, **Sheffield United**’s **Rainbow Blades**, **Tottenham Hotspur**’s **Proud Lilywhites** and **West Ham United**’s **Pride of Irons**. It also provides practical templates for press releases, welcome emails and group rules. The project was developed by a volunteer working group with support from Pride in Football and the FSA’s ***Fans for Diversity*** campaign, which is run in partnership with anti-discrimination charity **Kick It Out**. **Nilesh Chauhan** and **Hannah Kumari**, campaign managers for *Fans for Diversity*, said: “This project and the finished product demonstrate what football supporters can achieve when they work together. “The Football Supporters’ Association is proud to have partnered with Pride in Football to create a toolkit that will support existing LGBTQ+ supporters’ groups and those looking to establish new ones. By capturing and building on more than a decade of progress, this resource helps ensure a strong and sustainable future for LGBTQ+ supporters’ groups.” ![](https://www.scenemag.co.uk/content/images/2026/07/Inside-the-Toolkit---Photo-courtesy-of-Pride-in-Football--credit-required-.jpg) Inside the Toolkit. Photo courtesy of Pride in Football **Cass Hyde**, campaigns officer for Pride in Football and co-chair of Rainbow Devils, said the toolkit had been designed to recognise the diversity of LGBTQ+ supporters’ groups across the game. “LGBTQ+ supporters’ groups come in all shapes and sizes, each with its own priorities, which reflect its own club, community and members,” Hyde said. “That’s why this is a toolkit, not a manual; it gives groups, old and new, the expertise and support to grow in whatever direction they need. And if you’ve ever thought about starting a group at your club, whatever level of the football pyramid it plays at, this toolkit was made for you.” [The toolkit is available free of charge](https://www.prideinfootball.org.uk/resources?ref=scenemag.co.uk). Fans interested in setting up or developing an LGBTQ+ supporters’ group can also access support through Pride in Football’s network of more than 50 groups and the FSA’s Fans for Diversity campaign and LGBTQ+ Hub. ### Former clerk Kim Davis accused of hiding inheritance to avoid paying gay couple she denied marriage licence URL: https://www.scenemag.co.uk/former-clerk-kim-davis-accused-of-hiding-inheritance-to-avoid-paying-gay-couple-she-denied-marriage-licence/ Last updated: 2026-07-31T11:36:35.000Z Former Kentucky county clerk **Kim Davis** has been accused of concealing a substantial inheritance in an effort to avoid paying more than $565,000 in damages and legal fees awarded to a gay couple whose constitutional rights she violated. Lawyers representing **David Ermold** and **David Moore** have asked a federal court to investigate claims that Davis transferred or failed to disclose assets after inheriting property from her late mother. They argue the former clerk has not made a meaningful effort to satisfy the judgment awarded following years of legal battles stemming from her refusal to issue marriage licences to same-sex couples. Davis became a prominent figure in the culture wars in 2015 when she refused to issue marriage licences to same-sex couples after the **US Supreme Court**'s landmark *Obergefell v Hodges* ruling legalised equal marriage nationwide. Davis cited her religious beliefs as justification for her actions. Among the couples denied licences were Ermold and Moore, who later sued Davis. In 2023, a federal jury awarded the couple $100,000 each in damages, while another same-sex couple involved in the case received the same amount. The total amount Davis is now alleged to owe, including legal costs and interest, exceeds $565,000. Court filings by the couples' legal team reportedly claim Davis inherited property and other assets but failed to properly disclose them during efforts to collect the judgment. They argue the alleged transfers raise questions about whether she is attempting to shield assets from creditors. Ermold and Moore's lawyers have asked the court to compel further financial disclosures and examine whether Davis has complied with her legal obligations. The dispute marks the latest chapter in a case that has become emblematic of the struggle for LGBTQ+ equality in the United States. Civil rights advocates have long argued that Davis's actions represented unlawful discrimination against same-sex couples seeking to exercise their constitutional right to marry. For Ermold and Moore, the case has never been solely about financial compensation. The couple have repeatedly said their legal challenge was intended to ensure that public officials cannot deny services to LGBTQ+ people based on personal religious beliefs. LGBTQ+ rights groups have welcomed efforts to enforce the judgment, arguing that court rulings protecting equal marriage rights are meaningful only when they are fully upheld. Davis has continued to defend her actions, maintaining that she acted in accordance with her Christian faith. Her supporters have portrayed her as a victim of government overreach, while critics say public officials have a duty to follow the law regardless of their personal beliefs. The court has not yet ruled on the latest allegations regarding Davis's finances. ### "We are a shining beacon to queer communities across the world." Council leader Bella Sankey releases statement ahead of Brighton & Hove Pride URL: https://www.scenemag.co.uk/we-are-a-shining-beacon-to-queer-communities-across-the-world-council-leader-bella-sankey-releases-statement-ahead-of-brighton-hove-pride/ Last updated: 2026-07-31T11:07:49.000Z ***Words by Councillor Bella Sankey, Leader of Brighton & Hove City Council.*** Pride weekend is one of this city’s largest and most important celebrations. It is a collective outpouring of love, unity and solidarity which shows Brighton & Hove at its very best. This city has long been a place where people’s individuality could thrive. When the Prince Regent started building his pavilion here in the 1780s, he turned this town into somewhere people came to be a little more themselves than they could afford to be anywhere else. That spirit of freedom and self-expression didn't leave when he did. It took root in the fabric of our city and found new people to hold onto it. By the Victorian age, working class Londoners could embrace this spirit too. A weekend by the sea, a cheap train ticket down from London, a boarding house where nobody knew your name, that was permission enough for thousands of ordinary people to loosen the grip of a society that watched them – and judged them - too closely at home. Brighton & Hove became a place you escaped to. A place you could unashamedly be your authentic self. A place you could breathe. And for generations of people whose lives didn't fit the restrictive and draconian rules of the time, that weekend away or trip to Brighton & Hove was often the only freedom they got all year. Blue plaques, buildings, street and buses across the city bear the names and witness influential people who made their homes here, discretely living lesbian, gay, bisexual, trans and queer lives even if the language they used was different in those days. By 1972, that spirit had a ‘new’ name and a cause. Twenty people - students, local gay men and lesbians - barely more than a decade after homosexuality had even been partially decriminalised -, walked along our seafront between the piers, chanting into the wind that being gay was good, not shameful. The city – and the wider movement – would never be the same again. A year later, they held Britain's second-ever Pride march. It didn't need to repeat immediately, because something had already changed - a phone line had opened, a switchboard had started ringing, and people in this city had decided that support and visibility mattered. Through the AIDS crisis, through Section 28, through years when the law and the press were actively hostile, this city kept building support services; kept showing and sharing love. That collective spirit, that bravery and sense of community and solidarity – that determination to change society for the better - is something we should always make time to remember and reflect on because it mattered and continues to matter today. The Tay memorial in New Steine Gardens still catches the light in the shape of a red ribbon, so that no one who walks through those gardens forgets who we lost during the dark years of the AIDS epidemic and who we keep fighting for. Pride may be the city’s biggest celebration, but finding time throughout the year for contemplation and reflection remains vital. As a city we celebrate, but we must also remember the sacrifices, the hard-won freedoms, and the very real challenges and barriers so many still face today. In 2013, Brighton & Hove did something no other British city had done - it held the country's first Trans Pride, because the TNBI people organising it understood that "be yourself" isn't a slogan you get to apply selectively. So, when people ask why Brighton & Hove is known as the gay capital, the answer is clear: it's because we have never been quiet about our LGBTQ+ community or our unwavering belief that all our communities help make this such a special place. We are a shining beacon to queer communities across the world. And that’s what fills me with pride. From a windy seafront in 1972 to Trans Pride marches 40,000 strong, our city’s bold voice continues to carry – to reach every LGBTQ+ person elsewhere who has ever wondered if there's somewhere they'd be safe to simply be who they are. So, whether you're marching in the parade, dancing at the street party, cheering from your window, quietly expressing your truth, following events from elsewhere in the world, or helping the city run smoothly over a busy weekend, I wish you a wonderful, meaningful and uplifting Pride. ### INTERVIEW: Hugh Sheehan uncovers the men Britain criminalised for being gay in award-winning Criminally Queer: The Bolton 7 podcast URL: https://www.scenemag.co.uk/interview-hugh-sheehan-on-his-award-winning-podcast-criminally-queer-the-bolton-7-in-the-series-we-make-no-bones-about-observing-the-parallels-between-the-rhetoric-and-language-used-to-/ Last updated: 2026-08-03T08:53:10.000Z Composer. Sound designer. Writer. Audio producer. All round storyteller. Basically if it involves telling a great story through sound, **Hugh Sheehan** has probably got it covered! Originally from **Birmingham** and now based in **London** after a decade in **Helsinki** (which feels like a story in itself), Hugh creates work that spans theatre, podcasts, radio, film and live performance. In February 2025, Hugh released an award-winning **BBC Sounds** podcast called *Criminally Queer: The Bolton 7* which quickly established itself as one of the year's essential listens. In 2026, interest in the series surged once again after the Bolton 7 case was referenced in **Channel 4**'s **Tip Toe** introducing the story to a new audience and reigniting discussion about one of the most significant yet overlooked chapters in recent LGBTQ+ history. Described by **The Guardian** as "mind-bending" and "a staggering tale" and praised by **The Sunday Times** as "a sad, startling story skilfully unravelled". The series explores the shocking true story of seven gay and bisexual men (the Bolton 7) who were prosecuted following consensual group sex in **Bolton** (up North) in 1998 and how their case became part of the wider fight for LGBTQ+ rights. What began as a local criminal case soon exposed deep rooted prejudice within the legal system and sparked questions about privacy, justice and discrimination. Through personal testimonies, historical context and extensive research, the series reveals the lasting impact the prosecutions had on the men involved and highlights their significance in the broader struggle for equality in the **UK**. > [@bbcsounds](https://www.tiktok.com/@bbcsounds?refer=embed&ref=scenemag.co.uk "@bbcsounds") Who are the Bolton 7? @Hugh Sheehan [♬ original sound - BBC Sounds](https://www.tiktok.com/music/original-sound-7475326052303162134?refer=embed&ref=scenemag.co.uk "♬ original sound - BBC Sounds") Far from being just another podcast (literally everyone has a podcast now), *Criminally Queer* swept up major awards including Gold AND Bronze at the **ARIAS** forBest Social Impact and Gold at the **British Podcast Awards** in the sex and relationships category and specialist podcast of the year at the **Press Gazette**’s **Future of Media Awards**. The series was also highly commended at the **British Journalism Awards**. Most importantly though (IMPO), it got people talking. Through painstaking research and compelling storytelling, Hugh shines a light on a chapter of recent British history (it honestly wasn't that long ago) that many people, myself included, didn't even know about. Wild. The series challenges listeners to think about how recently these injustices took place and the lasting impact they've had on countless lives. It's the kind of podcast that stays with you long after you've fiynished listening, sparking conversations, reflection and hopefully, a greater understanding of the experiences of LGBTQ+ people in **Britain**. So thanks Hugh, if you're reading this! Not only did you create a brilliant podcast but you introduced thousands of people to an important piece of history that deserves to be remembered. Hugh has worked on projects ranging from **The Louis Theroux Podcast** and **BBC Radio 4**'s **Profile** to productions with **Ruby Wax** and a forthcoming **Audible** documentary series. He's also an acclaimed composer and sound designer whose work has been performed across **Europe** and **North America**. His 2023 debut album *Shapes That Are Different* mixed folk music, electronic soundscapes and documentary audio into what sounds like the coolest concept album you've never heard! When he's not creating award-winning podcasts, composing, producing or generally making the rest of us wonder how there are enough hours in the day, Hugh is also Musical Director of Comhaltas at [**Ceol Le Chéile**](https://www.instagram.com/comhaltas%5Fin%5Fbritain?ref=scenemag.co.uk) and also the founder of record label and concert series **Hybrid Forms**. Somehow Hugh managed to squeeze me in for a yap so let's get to know the man behind the stories and let's dive in....head first! DALEYPOP: HUGH! How's your day been so far?! HUGH SHEEHAN: Not too bad, thanks! I’m sat doing work on my balcony. The local primary school is having its sports day in the park below so there’s lots of laughter and cheering filling the air. DALEYPOP: For our readers who haven't heard of you or your *Criminally Queer: The Bolton 7* podcast yet, can you introduce yourself and what's the elevator pitch for your pod? HUGH SHEEHAN: I’m an audio producer, writer, composer, and sound designer making work for podcast/radio, theatre, concert hall and screen. My practice often explores questions of gender and sexuality, desire and shame, assimilation and radicalism. > My podcast *Criminally Queer* is a five part narrative audio documentary series which examines a little known 1998 legal case in which seven gay and bisexual men were arrested and charged with the archaic offences of gross indecency and buggery following consensual group sex. The series also acts as a framework to more broadly explore the criminalisation of queerness, and asks: how far have we really come? DALEYPOP: Good question. I can imagine that there were loads but were there any stand out moments during your research for the podcast about the Bolton 7 that genuinely super shocked you? HUGH SHEEHAN: There were many moments if I’m being honest. Maybe the first and most memorable was getting hold of the trial and police interview transcripts. I was taken aback by the way the men were interrogated about their sex lives. Explicitly and malevolently, and how their morals and selfhood were called into question in ways that were perniciously homophobic. Another was the **British Government**’s continued failure to offer an unconditional apology to men in **England** and **Wales** criminalised for having sex with other men and the hard fought campaign for and latent introduction of disregards (meaning a person’s crimes would be treated as though they never happened) and pardons (something which carries no legal wait, but is simply an extension of the royal prerogative of mercy) for such crimes. DALEYPOP: The series explores a case from the late 90s but I'd say it feels incredibly relevant today too....why do you think the story still resonates with so many of us so strongly? HUGH SHEEHAN: Progress is not linear. > It’s easy to see how the hard won rights that LGBTQ+ people had been afforded in the 2010’s are now being revoked. The moral panic that was prevalent in discussions around age of consent equalisation and was imbued into Section 28\. The language of predation and contagion is once again rearing its head. In the series, we make no bones about observing the parallels between the rhetoric and language used to describe gay men in the 80’s and 90’s with that weaponised against trans people today. To examine these histories (widely agreed to be shocking and unjust) in such high fidelity, hopefully exposes the prejudices and hypocrisy of the attacks on marginalised people today. > [@bbcsounds](https://www.tiktok.com/@bbcsounds?refer=embed&ref=scenemag.co.uk "@bbcsounds") @Hugh Sheehan [♬ original sound - BBC Sounds](https://www.tiktok.com/music/original-sound-7476413604322544406?refer=embed&ref=scenemag.co.uk "♬ original sound - BBC Sounds") DALEYPOP: How have reactions been from listeners? HUGH SHEEHAN: Overwhelmingly lovely. So many gay men who lived through this era of criminalisation have gotten in touch since the series was released. For many of them it feels like the first time their experiences have been properly acknowledged in public. One review on **Apple Podcasts** put it like this: “Thank you for shining a light on this. It was a hard listen but necessary. Having been a victim of this in the late-eighties with a subsequent conviction, humiliation in the local press, rejected by my family & the deep shame and humiliation that l've carried ever since. I'm surprised I'm still here, if l'm being honest. This podcast is so special & vitally important to ensure it's not forgotten.” so knowing I've had even a small hand in preserving these histories, honouring the courage of the people who lived them and bearing witness to what they went through means a great deal. ​The reaction from people outside the queer community has been similarly striking. Allies, friends and family of queer people and even those with no direct connection to the community but who simply enjoy history documentaries have responded with real generosity. > Mostly it's been shock, outrage and gratitude for having their eyes opened. It's reaffirmed something I already believed. Shine a light on injustice and people will notice a​nd hopefully act. It's given me the push to keep doing exactly that. DALEYPOP: What has been the most challenging part of telling this story responsibly and sensitively? HUGH SHEEHAN: ​Telling the story without being able to interview the seven men. Documenting someone's story without being able to hear it from them directly creates obvious narrative difficulties but underneath that sit some harder questions: who has the right to tell these stories and on what basis? > If the people who lived through a human rights injustice can't take part in how it's documented, is it still ethical to tell it? And where's the line for something being genuinely in the public interest? None of these questions have clear cut answers. I think they're the kind of quandaries anyone reporting ethically on human rights abuses or on stories involving people who've experienced trauma has to sit with. With regard to the story itself, myself and the series’ executive producer **Anishka Sharma** were both adamant in not wanting to sensationalise the mens’ ordeal and so our challenge was to make each episode engaging and arresting but in a way that was sensitive and compassionate. DALEYPOP: Well I think you definitely did that. The podcast has been on quite a winning streak recently by the way, congrats! Have you had a chance to take it all in yet? > [ View this post on Instagram ](https://www.instagram.com/p/DZIYo-cilJN/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) HUGH SHEEHAN: For the podcast to be recognised by industry peers is incredibly rewarding. Anishka and I put so much hard work into it so it’s been really nice to celebrate that. Hopefully it also means that more people hear the story of the Bolton 7 and that broadcasters will see the value in commissioning such reporting. > [ View this post on Instagram ](https://www.instagram.com/p/DPU%5FmlsCnxK/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) DALEYPOP: I hope so. The series has found a new wave of attention months after release and this year. Why do you think audiences are still discovering and connecting with it? HUGH SHEEHAN: I think when the rights of marginalised people are attacked, people will seek out literature, art and documentary that bears witness to similar injustices; be it for solace, inspiration, understanding and motivation and I think the issues we explore on the podcast are become more and more pertinent to today. DALEYPOP: So true. Did you always know the pod would be a five part series or did the story keep growing as you dug deeper? HUGH SHEEHAN: I originally pitched a five part series with five different cases but shortly after the project was commissioned we decided to focus solely on the trial of the Bolton 7\. It was remarkably under reported. There seemed to be so much to uncover, examine and contemplate that it made sense to do a deep dive into that case alone, which I think paid off. DALEYPOP: I think so too! Was there a favourite interview or conversation that didn't make the cut? HUGH SHEEHAN: Parts of every interview I conducted made the cut but I spoke to most people for at least an hour, sometimes two, so it was impossible to include everything everyone said despite all of the the interviewees being so articulate and knowledgeable. Writer **Robin Craig** was particularly insightful. He’s writing a book on the history of perversion which I’m eagerly awaiting. **Marc Thompson** was another, he’s an HIV and social justice activist who has lived a life! He’s engaging, erudite, and funny in equal measure and has done such important work. DALEYPOP: A lot of your previous work explores themes of gender, sexuality, desire and shame. What draws you to these topics? HUGH SHEEHAN: I guess my lived experience would be the main factor in my interest in these areas. Homophobia was ubiquitous when I was growing up and masculinity was currency; deviation from the norm being admonished. This was maybe part of the reason it took me so long to come to understand and accept my queerness; I didn’t come out until I was 25\. > Shouldering such a heavy weight for so long inevitably had a big effect on my sense of self and with it brought its own sadness, neuroses and anxieties. I think knowing the detrimental effects of being othered for who you are is partly what drives me to make work that examine these issues. On the other hand, being queer is now one of the best things about my life and so this is also a factor in my continued interest in making work that recognises and celebrates the rich and multiplicitous stories intertwined with sexuality and gender. DALEYPOP: Do you see your creative work as a form of activism, storytelling or maybe a bit of both? HUGH SHEEHAN: I definitely don’t see it as activism. I think activists are people who are devoting great amounts of their lives to a specific cause, to the betterment of society through the utmost means who are organising in their communities, are on the streets putting themselves in harms way on a regular basis and being locked up for protesting the greatest injustices of our time. Outside of work I try to be involved with causes that I care about and attend protests as much as possible but I wouldn’t call myself an activist and certainly wouldn’t call my work activism. Storytelling, reporting or journalism, oral history....these are perhaps all suitable names for what I do but I don’t care too much about how people categorise it. > The main goal for me is to make work that excavates a topic or a story to the fullest extent, does so in a way that is compassionate and human, is maybe idiosyncratic in its creativity and helps people understand or learn about an issue I think is important. DALEYPOP: Has making *Criminally Queer* changed you personally in any way? HUGH SHEEHAN: It’s made me appreciate the struggle of my forebearers even more than I did before. It’s inspired me to keep making work that interrogates what it is to be alive and how and why injustice manifests in the world. DALEYPOP: What does Pride personally mean to you? HUGH SHEEHAN: Pride to me means eschewing shame, celebrating otherness, rejecting assimilation, embracing unknowability, bearing witness to injustice and demanding equality and liberation. DALEYPOP: Is there another story from LGBTQ+ history you think deserves much more attention than it's currently getting? HUGH SHEEHAN: Not historical but access (or lack thereof) to trans healthcare and homelessness amongst LGBTQ+ young people. DALEYPOP: If you could interview anyone from LGBTQ+ history, who would you interview? HUGH SHEEHAN: **Edmund White**. **Sylvia Rivera**. **James Baldwin**. ![](https://www.scenemag.co.uk/content/images/2026/08/1000067561.png) Pictured left to right: Novelist Edmund White, transgender activist and trailblazer Sylvia Rivera and writer and activist James Baldwin DALEYPOP: How does your background in music influence the way you tell stories in audio? HUGH SHEEHAN: Cadence, rhythm, intonation, tempo, gesture, counterpoint, harmony and dissonance are all elements I take into account when crafting an audio programme. Be it writing a script, editing an interview, sculpting sound design or arranging the macro structure of a programme. I think my musical background is always at the back of my mind when I’m making decisions. DALEYPOP: Are you the kind of person who is constantly noticing sounds everywhere you go then? HUGH SHEEHAN: Yes! I’m really sensitive to anything auditory. It can be cool. I’ll often find beauty or richness in mundane sounds and I guess it means I move through the world focussing on sonorities that others may be less attuned to. But it can also be quite annoying. I was at the cinema last night and the (admittedly not very loud) air conditioning was doing my head in because it interfered with the sound world of the film so much. The friend I was with wasn’t bothered by it. > I recently read an interesting article on misophonia (a decreased tolerance for specific sounds) and a lot of it resonated with me…. DALEYPOP: If your creative career had to be soundtracked by one song....what would it be? HUGH SHEEHAN: Ooft, hard one. Today’s answer would be *An Bhuatais* by **Michelle Mulchahy**. It’s an Irish slow air played on the harp. It so intricately distills the beauty, complexity, sorrow and joy of what it is to be an artist (and human). DALEYPOP: Podcast, theatre or music. If someone put a water pistol to your head and you can only keep one for a year. Which survives? HUGH SHEEHAN: Music! It enriches life no end. It’s so intertwined with my every day. I love it so much. DALEYPOP: I know we're here to mainly yap about your podcast today but....what other podcasts do you listen to? Do you have any guilty pleasures? HUGH SHEEHAN: Outside of documentaries, I listen to a lot of the two comedians yapping genre of podcast. One of my favourites is [**Seek Treatment**](https://www.instagram.com/seektreatmentpod?ref=scenemag.co.uk), “a podcast about boys, sex, fucking, dating, and love,” in which the American alt-comedians [**Cat Cohen**](https://www.instagram.com/cat%5Fcohen?ref=scenemag.co.uk) and [**Pat Regan**](https://www.instagram.com/patreegs?ref=scenemag.co.uk) ruminate on their work, social and sex lives. Sometimes they have guests on who they’ll ask “who were you, who are you, and who do you want to be?” which I think is perhaps the most perfect question. They just published their 500th episode and so have established a deep and absurd vernacular. I find their irreverence and unbridled honesty equal parts entertaining and calmative. DALEYPOP: Super important question: who's your crush of the day?! HUGH SHEEHAN: Weirdly, crush of the week is one of the sign off questions that Cat and Pat ask each other at the end of every episode of Seek Treatment which makes me think maybe you’re a fan? My crush of the day is **Arthur Russell**’s album *World Of Echo*. Russell’s only studio album release, it's a beautiful, sprawling melange of cello, voice and delays. **Criminally Queer: The Bolton 7* is available now via BBC Sounds [HERE](https://www.bbc.co.uk/sounds/brand/p0kqbqw2?ref=scenemag.co.uk) or wherever you listen to your podcasts. **Shapes That Are Different* (Hugh's debut album) is available on all streaming platforms now. ### Gay Men’s Chorus of Los Angeles to make UK debut with concerts supporting Terrence Higgins Trust URL: https://www.scenemag.co.uk/gay-mens-chorus-of-los-angeles-to-make-uk-debut-with-concerts-supporting-terrence-higgins-trust/ Last updated: 2026-07-30T11:40:13.000Z The **Gay Men’s Chorus of Los Angeles** (GMCLA) will make its first-ever visit to the UK next month, with three London concerts raising funds for HIV charity **Terrence Higgins Trust**. Nearly 80 singers from the renowned LGBTQ+ choir will travel to the capital following appearances at **WorldPride Amsterdam** to perform *Love Across the Pond* at **The Actors’ Church** in **Covent Garden** on **7 & 8 August**. Proceeds from the concerts will support the work of Terrence Higgins Trust, the HIV and sexual health charity. **Lou Spisto**, Executive Director and Producer of GMCLA, said the partnership was particularly meaningful given the shared history of both organisations during the HIV/AIDS epidemic. “For nearly five decades, the Gay Men’s Chorus of Los Angeles has believed that music can do more than entertain – it can create community, give voice to those who have been silenced, and help change hearts and minds,” he said. Founded in 1979, GMCLA has become one of the largest and most influential LGBTQ+ arts organisations in the United States. The chorus has performed throughout key moments in LGBTQ+ history, from the fight for equality and marriage rights to raising awareness during the AIDS crisis. ![](https://www.scenemag.co.uk/content/images/2026/07/503378050_1254029709615099_4461165233704403117_n.jpg) Spisto said the epidemic remains a defining part of the choir’s story. “Like gay men’s choruses across America, we lost far too many members and friends during those years, and music became both an act of mourning and an act of resistance,” he said. “We sang at memorials, we sang for people who could no longer sing beside us, and we sang against the fear, stigma and silence surrounding HIV and AIDS.” He added that the group wanted its UK debut to be about more than simply performing concerts. “We wanted our time in London to have a purpose that reflected where we came from and the values we still carry with us today,” he said. Spisto said choosing Terrence Higgins Trust as the beneficiary of the performances was a natural fit. “The Trust was born out of the same crisis that so profoundly shaped GMCLA and the wider LGBTQ+ community, and its continuing work to end new HIV cases and confront HIV stigma speaks directly to a struggle our organisations have shared across generations and across the Atlantic,” he said. “While extraordinary progress has been made since the darkest days of the epidemic, that work is not finished.” The concerts will feature a wide-ranging programme spanning Motown, Broadway, gospel, pop and LGBTQ+ anthems, which Spisto described as “a celebration of joy, resilience and the extraordinary culture our community has created”. Reflecting on the significance of the visit, he added: “Our histories are connected, our struggles have crossed borders and so has our pride. After 47 years of singing for equality and belonging, we can think of no more fitting partner for our first performances in the UK than Terrence Higgins Trust.” Terrence Higgins Trust said funds raised through the performances will help support its ongoing work to end new HIV transmissions in the UK and tackle the stigma that people living with HIV continue to face. 💡 The **Love Across the Pond* concerts take place at The Actors’ Church, Covent Garden, on Friday 7 August and Saturday 8 August. Tickets [HERE](https://actorschurch.org/whatson/gay-mens-chorus-of-los-angeles/?ref=scenemag.co.uk) ### LGBTQ+ group raises thousands to counter anti-gay parenting billboards URL: https://www.scenemag.co.uk/lgbtq-groups-raise-thousands-to-counter-anti-gay-parenting-billboards/ Last updated: 2026-07-30T11:57:20.000Z LGBTQ+ campaigners in Ohio have raised thousands of dollars to fund pro-LGBTQ+ messages after a series of billboards criticising same-sex parents appeared across the state. The billboards, erected in Lima by the Seattle-based organisation **Them Before Us**, carried the slogans: “No child has two moms” and “No child has two dads”, displayed in rainbow-coloured lettering. **Katy Faust**, founder and president of Them Before Us, defended the campaign, arguing that children benefit from being raised by both a mother and a father. However, the billboards prompted a swift response from LGBTQ+ advocates. Dayton-based organisation **Have a Gay Day** launched an online fundraiser with the aim of purchasing advertising space for a counter-campaign. According to local broadcaster **WTVG**, the appeal raised more than $18,000 (£13,500) within 24 hours, dramatically exceeding its initial target of $500. The group used the funds to purchase electronic billboard adverts carrying the messages: “Many children have two dads”, “Many children have two moms”, and “You are loved”. **Michael Knote**, founder and executive director of Have a Gay Day, said the strong public response demonstrated support for LGBTQ+ families and young people. The controversy has reignited debate over similar campaigns elsewhere in Ohio. **Jeff Givan**, a member of the **Lima Pride Alliance** and a candidate for **Ohio House District 78**, told the *Columbus Dispatch* that comparable billboards sponsored by Them Before Us have previously appeared in Cleveland, Columbus and near Toledo. LGBTQ+ advocates have expressed concern about the impact such messages may have on children from same-sex parent families. “It’s not making any impact on the people who agree with that,” **Zachary Joseph**, director of Ohio Pride, told the *Dispatch*. “The impact that I’m seeing, and what makes me so upset, is the impact on the kid who drives past that billboard and has two moms or who has two dads. That’s telling them they’re different. And that’s not OK.” The issue also sparked a public demonstration, with LGBTQ+ groups and supporters gathering outside Lima Municipal Building on Monday to protest the billboards. Among those attending was Lima resident **Melissa Ladden**, who argued that the quality of care and support children receive is more important than the gender of their parents. “As long as children have loving people in their life, it doesn’t matter the combination of women or men – they just need people to show up for them,” she said. “There’s so many traditional families that their children are so unhappy, so I don’t think it has anything to do with who’s loving you.” ### Restore Britain councillor 'triggered' by rainbow picnic table URL: https://www.scenemag.co.uk/restore-britain-councillor-triggered-by-rainbow-picnic-table/ Last updated: 2026-07-30T09:11:53.000Z A **Restore Britain** councillor has been accused of homophobia after claiming that a rainbow-coloured picnic table at a South Wales shopping centre represented a “mandatory ideology” that was becoming “impossible to escape”. **Owain Clatworthy**, who represents Pyle, Kenfig Hill and Cefn Cribwr on **Bridgend County Borough Council**, sparked a backlash after sharing a photograph of the rainbow-painted picnic bench outside a Marks & Spencer in Bridgend. Posting on Facebook on **Tuesday, 28 July**, Cllr Clatworthy criticised the display, writing: “You can’t even sit down for a coffee at McArthur Glen for five minutes without being reminded of the latest mandatory ideology. “This isn’t about kindness or inclusion. It’s about making one political view impossible to escape in every public space. “Ordinary people are tired of it. They just want to live their lives without every surface being turned into a billboard.” ![](https://www.scenemag.co.uk/content/images/2026/07/Facebook-Template-8.png) The comments quickly drew criticism online, with many social media users accusing the councillor of overreacting to a symbol widely associated with LGBTQ+ inclusion and Pride. Thousands of people responded to the post, with some mocking the councillor for appearing to be “triggered” by a picnic table painted in rainbow colours. Others were more direct in their criticism. One commenter wrote: “Imagine being offended by a bench.” Another described the post as “embarrassing”, while others accused Cllr Clatworthy of promoting anti-LGBTQ+ sentiment. Several users branded the councillor a “bigot” and “homophobic”, arguing that rainbow symbols are intended to signal support and inclusion rather than promote a political agenda. The row comes as rainbow flags and Pride-themed displays continue to be used by businesses, councils and organisations across the UK to demonstrate support for LGBTQ+ communities. Restore Britain, the political party Cllr Clatworthy represents, has positioned itself against what it describes as “woke ideology” and identity politics, frequently criticising diversity and inclusion initiatives. ### London vigil honours victims of Berlin Pride attack as LGBTQ+ leaders vow ‘we will not be frightened back into the shadows’ URL: https://www.scenemag.co.uk/london-vigil-honours-victims-of-berlin-pride-attack-as-lgbtq-leaders-vow-we-will-not-be-frightened-back-into-the-shadows/ Last updated: 2026-07-29T13:18:24.000Z LGBTQ+ community leaders, campaigners and politicians gathered in London this week to remember those killed and injured in the attack on Berlin’s **Christopher Street Day** celebrations, standing in solidarity with Germany’s LGBTQ+ community and reaffirming their commitment to Pride. ![](https://www.scenemag.co.uk/content/images/2026/07/759920023_789973790840875_7466220605761203142_n.png-1.jpeg) The vigil took place just days after the attack at Berlin’s annual Pride event. Attendees came together to pay tribute to the victims and send a message of unity in the face of anti-LGBTQ+ violence. Among those speaking at the event were **Stonewall** chair **Olivia Campbell-Cavendish**, **Pride in London** co-chief executive **Rebecca Paisis** and London Mayor **Sadiq Khan**. Stonewall chief executive **Simon Blake** said the gathering demonstrated the resilience of LGBTQ+ communities in the face of hatred and attempts to intimidate them. “Acts of hate are a deliberate attempt to frighten and divide us,” he said. ![](https://www.scenemag.co.uk/content/images/2026/07/760055563_2267075517378754_4954235701119385139_n.png-1.jpeg) Simon Blake “As a lesbian, gay, bi, trans and queer community we cannot be divided and we cannot be frightened back into the shadows. We deserve to take up space, we deserve love and we deserve to go home.” The vigil comes at a time of heightened concern about rising anti-LGBTQ+ hostility across Europe and beyond. Speakers stressed that attacks targeting LGBTQ+ people are intended to create fear, but said the response must be one of solidarity and visibility. ![](https://www.scenemag.co.uk/content/images/2026/07/756227214_1350603780534905_4210882275811958942_n.png-1.jpeg) ****Sadiq Khan** Stonewall said the events of the past week had underlined why Pride remains as important as ever. “An attack on one of us is an attack on all of us,” the organisation said in a statement following the vigil. “The past week has shown us precisely why we need Pride.” The charity reaffirmed its commitment to campaigning for a future where LGBTQ+ people can live openly and safely, free from discrimination and violence. “At Stonewall, we will not stop until every LGBTQ+ person can live openly and be free without fear,” the organisation said. ### Major Labour unions to boycott women’s conference over trans exclusion URL: https://www.scenemag.co.uk/major-labour-unions-to-boycott-womens-conference-over-trans-exclusion/ Last updated: 2026-07-29T13:09:37.000Z Several of Labour’s biggest trade union backers will boycott the party’s women’s conference this year in protest at the exclusion of trans women from formal proceedings. **Unison**, **Aslef**, **Usdaw** and the **Musicians’ Union** have confirmed they will not send delegations to **Labour Women’s Conference** in Liverpool in September, arguing that the policy conflicts with their longstanding support for trans inclusion. The dispute centres on a decision by Labour’s **National Executive Committee** (NEC) to bar trans women from taking part in the conference’s official business, including speeches, policy debates and voting. Trans women will still be able to attend fringe events, which remain open to all regardless of sex or gender identity. The move follows legal advice received by the party after last year’s Supreme Court ruling on the definition of "woman" under the **Equality Act**. Labour subsequently cancelled its 2025 women’s conference while it considered the implications of the judgment. Before the ruling, Labour had allowed all members who identified as women, including trans women, to participate in the event. The boycott represents a significant challenge for the party, with the unions involved among Labour’s largest financial supporters. **Unison**, which represents more than 1.3 million workers and has donated tens of millions of pounds to Labour over the past quarter-century, said it would not attend because the restrictions run contrary to its policies on trans equality. A spokesperson said: “The union’s decided against sending a delegation to Labour women’s conference this year. “This is because the party’s restrictions on access run counter to UNISON’s policy on trans equality.” **Usdaw**, which represents more than 360,000 workers in retail, distribution and manufacturing, has taken the same position. A spokesperson said: “The union’s decided against sending a delegation to Labour women’s conference this year. “This is because the party has excluded trans women, which runs counter to Usdaw’s policy on trans equality.” Train drivers’ union Aslef and the Musicians’ Union have also confirmed they will not participate in the conference. The Musicians’ Union said its decision reflected a “long-standing position of trans inclusion”. The move has been welcomed by trans rights campaigners, who argue that trans women have long played an active role within Labour’s structures and should not be excluded from democratic participation. **Labour for Trans Rights** said it was “extremely disappointed” by the policy “For decades, trans women members have had a home in Labour’s structures, and it’s not acceptable that they’re being so blatantly excluded,” the group said. “The trade union movement, including the Labour-affiliated unions, have been incredible allies to the trans community. We hope that they’ll continue to use their influence in the Party to shift the new government towards a far more inclusive position.” ### Brighton Bear Weekend 2026: The Community, The Bears, The Heart URL: https://www.scenemag.co.uk/brighton-bear-weekend-2026/ Last updated: 2026-07-29T12:34:52.000Z With **Brighton Pride 2026** just around the corner and thousands of visitors preparing to descend on the city, we thought it was the perfect time to look back at another of Brighton's much-loved celebrations – **Brighton Bear Weekend 2026**. From laughter and live performances to heartfelt conversations and plenty of sweaty hugs (it *was* a heatwave, after all!), this year's event was a beautiful reminder of what makes Brighton so special: community. Our reporter **Liran Notik** caught up backstage with some of the incredible people who helped make the weekend so memorable. From community leaders and performers to this year's newly crowned Bear, every conversation reflected the warmth, inclusivity and cheeky spirit that defines the Brighton Bears family. ## Watch Our Interview: Matteo, Winner of Brighton Bear 2026 0:00 /3:22 1× Only moments after being crowned **Brighton Bear 2026**, **Matteo** somehow managed to pause long enough for a chat with us before being whisked away for hugs, congratulations and what felt like hundreds of photos. Still riding the adrenaline, he spoke about what winning the title means to him, the responsibility that comes with representing the community, and how proud he is to be part of such an inclusive and supportive family. ## Watch Our Interview: Mayor of Brighton & Hove, Cllr Theresa Fowler 0:00 /1:54 1× Just moments before the celebrations continued, Liran Notik Chatted with **Cllr** **Mayor Theresa Fowler**, who spoke about why it was important for her to attend Brighton Bear Weekend and stand alongside the city's LGBTQ+ communities. She shared how events like these strengthen Brighton & Hove's reputation as one of the UK's most welcoming and inclusive cities, while also proving that showing up, supporting one another and celebrating diversity really does matter. ## Watch Our Interview: Alan Hiscutt 0:00 /0:50 1× No Brighton Bear Weekend would be complete without catching up with **Alan Hiscutt**, one of the driving forces behind the event. Alan reflected on another hugely successful weekend, the incredible volunteers who make everything happen behind the scenes, and why the bear community continues to thrive year after year. His passion for creating welcoming spaces for everyone shines through in every conversation. ## Watch Our Interview: Doctor Woof 0:00 /0:43 1× Fresh from landing... somewhere in space and time... **Doctor Woof** brought plenty of laughs as he chatted with Liran about performing in Brighton, his larger-than-life character and why the Bears know exactly how to throw a party. Equal parts hilarious, charming and wonderfully bonkers, this was one interview that had us smiling from beginning to end. ## Watch Our Interview: Paul Middleton 0:00 /0:57 1× Travelling all the way from Berlin, singer **Paul Middleton** had only just stepped off stage when we grabbed him for a quick chat. Still buzzing from his performance, Paul spoke about the warm welcome he received from Brighton audiences and why performing for the bear community is always such a special experience. Safe to say, the crowd loved every minute. ## Watch Our Interview: Rose Garden 0:00 /0:53 1× Brighton favourite **Rose Garden, Host of Bear weekend 2026,** brought plenty of glamour, laughter and heart to the weekend. We spoke about the importance of being an ally, celebrating every part of our LGBTQ+ family, and why events like Brighton Bear Weekend continue to create spaces where people can simply be themselves. As always, Rose delivered wisdom with a healthy dose of fabulousness. Brighton Bear Weekend once again proved that it's about so much more than titles, beards and bears. It's a celebration of friendship, body confidence, kindness, inclusivity and finding your people. As Brighton gears up for another incredible Pride, we're grateful to everyone who took the time to speak with us and, more importantly, to everyone who helped make this year's Bear Weekend such a memorable one. See you at Pride... and don't forget to stay hydrated! ☀️🐻🌈 ### Lecturer loses appeal after calling trans student a ‘troublesome trans kid’ and using homophobic slur URL: https://www.scenemag.co.uk/lecturer-loses-appeal-after-calling-trans-student-a-troublesome-trans-kid-and-using-homophobic-slur/ Last updated: 2026-07-29T12:29:03.000Z A university lecturer who referred to a trans student as a “troublesome trans kid” and used a homophobic slur in class has lost his final attempt to challenge his dismissal. **Russell Cherrington**, a senior film studies lecturer at the **University of Derby**, was dismissed for gross misconduct in April 2024 after students raised concerns about language they described as transphobic, homophobic, misogynistic and ableist. An **Employment Appeal Tribunal** (EAT) has now upheld an earlier ruling that found his dismissal was fair, rejecting arguments that his rights to freedom of expression and academic freedom had been breached. The case arose after students on the university’s Film and High-End TV course raised concerns about Cherrington’s conduct. Four students made formal complaints, leading to an internal investigation. According to tribunal findings, Cherrington referred to a student who was transitioning as a “troublesome trans kid”. He also admitted telling a student wearing nail polish: “If you had worn that nail polish back in the day, you would have been called a p\*\*f.” Students also complained about repeated references to women as “females” and comments they considered sexist and demeaning. The university concluded that the lecturer’s behaviour had created an unsafe learning environment and damaged trust with students. In the appeal judgment, **Mr Justice Cavanagh** noted that the university disciplinary panel found Cherrington had engaged in discriminatory behaviour despite receiving relevant training. The judgment states that the university had concluded there could be no confidence that similar incidents would not happen again if he returned to teaching. The tribunal also heard that Cherrington lacked insight into the impact of his comments. While he acknowledged making some of the remarks, he argued they had either been jokes or had caused no harm. Cherrington challenged his dismissal on the grounds that his rights to freedom of speech and academic freedom had not been properly considered. However, the Employment Appeal Tribunal rejected those arguments and found no fault with the earlier decision. Mr Justice Cavanagh ruled that the original tribunal had been fully aware of the university’s obligations to protect freedom of expression while also maintaining a safe and inclusive learning environment. “The appeal is dismissed,” he concluded. ### Football sees surge in homophobic and transphobic abuse, says Kick It Out URL: https://www.scenemag.co.uk/football-sees-surge-in-homophobic-and-transphobic-abuse-says-kick-it-out/ Last updated: 2026-07-29T12:18:58.000Z Reports of homophobic abuse in football rose by 46% last season, according to new figures from **Kick It Out**, which also highlighted an increase in transphobic chanting across the game. The anti-discrimination charity received a record 1,744 reports during the 2025-26 season, a 25% increase on the previous campaign. Among them were 203 reports of homophobia, the highest figure recorded by the organisation and one of the sharpest rises among all forms of discrimination. Kick It Out said the figures demonstrate that anti-LGBTQ+ abuse remains a significant problem in football, despite ongoing efforts to make the sport more inclusive. The charity also recorded a rise in reports of discriminatory mass chanting, which reached a record 142 incidents. Those reports included increases in homophobic chanting, alongside transphobic, racist, sexist and ableist abuse. Overall, reports increased across the professional game, grassroots football and online spaces, with the charity receiving 1,255 reports of separate discriminatory incidents. The figures come amid wider concerns about growing levels of hate speech and discriminatory rhetoric in society. Kick It Out said discrimination remains "deeply embedded" within football and pointed to increases across almost every category of abuse. **Samuel Okafor**, chief executive of Kick It Out, said: "These figures show that discrimination remains deeply embedded across the game at a time when we're also seeing rises in hate crime and divisive political rhetoric in Britain. > [ View this post on Instagram ](https://www.instagram.com/p/DbXh49enMzy/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Kick It Out (@kickitout)](https://www.instagram.com/p/DbXh49enMzy/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) "But they also show that people are more willing to stand up to abuse when they see it, and it's encouraging to see professional players set that example last season." The charity said improved reporting mechanisms may also be contributing to the rise in figures. Over the past year it has strengthened partnerships with organisations including **Football v Homophobia**, **Her Game Too** and the **Frank Soo Foundation** in an effort to boost confidence among victims and witnesses to report discrimination. While racism remained the most commonly reported form of discrimination, accounting for 792 reports, Kick It Out said the increase in homophobic abuse and reports of transphobic chanting showed that LGBTQ+ supporters, players and participants continue to face hostility at all levels of the game. The organisation is calling for stronger action from football authorities, social media companies, regulators and government to tackle abuse and ensure football is welcoming to everyone. Okafor added: "While we recognise that there is a lot of good work ongoing in football to tackle discrimination, we will continue to work with football authorities, clubs, leagues, regulators and government to ensure we match the courage shown to report abuse with clear and consistent action so that football is welcoming to everyone." The latest figures follow a number of initiatives aimed at improving inclusion within football, but Kick It Out said the continued rise in reports underlines the need for sustained action to combat anti-LGBTQ+ abuse both in stadiums and online. ### REVIEW: 'FACADE' by Actually Gay Men's Chorus URL: https://www.scenemag.co.uk/review-facade-by-actually-gay-mens-chorus/ Last updated: 2026-07-29T11:59:18.000Z Brighton and Hove’s LGBTQ+ choral community is quite extraordinary and the [**“Actuallys”** ](https://www.actuallygmc.org/?ref=scenemag.co.uk)are no exception from concert to concert and year to year their ambition seems to know no bounds and the driving force of their music team of **Samuel Jame-Cousins** and **Simon Gray** push them ever forward with excellent choices of material and stunning arrangements. This season’s programmes is linked by the idea of the faces that we present and those that we hide and it works well, new material throughout but a few that they have presented before, and why not when they fit so well into the whole. And what better way to open than with a duet from **Jack Lynn** and **Alan Kite**, the stirring *Façade* from **Bricusse** and **Wildhorn**’s*Jekyll & Hyde*, what a way to open for both featured voices and the full strength of the chorus. And this was to be an evening of great solo and small group performances, too many to name all but each delivering the theme of the evening with conviction and with force. More force from that show next as **Patrick Bullock** brings queer joy to *Bring On The Men*, a big voice and a huge performance that got plenty of laughs as he took to the aisle of St Mary’s and flirted with the audience. **Nick Johnson** and **Ian Hollands** followed with *Into The Fire* from *The Scarlet Pimpernel*, no musical is left unturned with these boys, and that is by no means a bad thing. I have a real aversion to the next song being delivered by female artists, it was so specifically written to be sung by a man that anything else is simply a travesty. The Actuallys get *I Am What I Am* so very right, power, humour, defiance and joy all wrapped up in song. **Sondheim** next with *Agony* from *Into The Woods* but there is nothing painful about hearing **Nick Paget** and **Andrew Whitlaw** deliver this piece of comic genius about unrequited love, first class stuff! Once again the chorus have included guest soprano **Karen Orchin** and her first number is **Kern** and **Hammerstein’**s *Can’t Help Lovin’ Dat Man Of Mine*. It’s a soaringly powerful performance underpinned with quality harmonies from the choir. At this point I will say that there is something so good about this choir's approach to solos and that each is always delivered with the inclusion of the full chorus. In my view it lifts things just that bit higher, many steps above karaoke for sure. *Nessum Dorma*next, not sure why, what’s not to love about a bit of Puccini but why always this. I guess it must be fun to sing, but without a rousing solo voice it never seems quite enough to me. That said it was delivered well. *Hellfire* next from *The Hunchback of Notre Dame* sung by **Gareth Berry,** another big show tune and despite me saying that I would not, I seem to be naming all the solo performers so far, and why not, we are treated to some very good voices. So hats off next to **Stephen Horland** who bangs out a favourite of mine from A Chorus Line, What I Did For Love which is a show all about putting on a facade. **Zach Ebling** and **Thomas Price** show just how well two voices can sit side by side in *Who Wants To Live Forever* as the penultimate piece in part one before Orchin returns with the full chorus for that stonking great anthem of unity, *The World In Union*, although I do personally prefer *I Vow To Thee My Country* which set the hairs on my neck bristling every time I hear it sung. You need a big number to open the second half and **Sean Headley** nails it with Sondheim’s *Being Alive* hitting it firmly on the head with power, pitch and phrasing and we get more of the same when regular soloist **Andrew Whitlaw** hits us with *Sunset Boulevard* from what I think is **Lloyd Webber’**s best work. Wow this man can sing! **Patrick Bullock** returns next to deliver a bit of Bizet, an ambitious choice which he, and the chorus give their all. If you are sensing my reservation it is not to do with the performance but with the clumsy phrasing of the lousy translation from French to English. That said, singing anything in French is a nasal challenge for any performer and can induce severe adenoidal agonies. I felt much the same about *Titanium* and it seemed to sit somewhat uncomfortably in the programme but the mood was regained by **Chris Tippet**’s*Rise Like a Phoenix* followed by **Karen Orchin**’s *What Only Love Can See* and **Nick Paget**’s *One Night Only*. *The Light We See* is a busy medley that sees solos and break out groups throughout with some truly great moments but in my view a few awkward transitions. I’ve never warmed to *Skyfall* as a song but Karen Orchin delivers a version that sees her vocal range and colour at its best. Then we’re back to that rascal Dr Jekyll again with confrontation from **Gareth Berry**, a thunder of a number that has the entire chorus at full throttle, loud for sure but erring on the right side of shouty. A charming new song from the new *Paddington* music saw the choir in a more delicate mode and one that shows the breadth of their abilities. It’s a nice enough tune too, but not one I left whistling. What a treat to get a bit of **Tony Hatch** and **Jackie Trent**’s*Colour My World* and that one I may well have left whistling had they not finished with a slab of Les Mis, and why not send us out into the warm summer night with something so good and so much better than what was being delivered at major volume down on the beach! A great evening from one of the city’s most charming ensembles, a few minor caveats for me this time around but that’s nit-picking that as I type makes me shiver with guilt. ### UK’s ‘saxiest’ drag queen, Snow White Trash, to host special performance at London Bridge to celebrate Brighton & Hove Pride URL: https://www.scenemag.co.uk/uks-saxiest-drag-queen-snow-white-trash-to-host-special-performance-at-london-bridge-to-celebrate-brighton-hove-pride/ Last updated: 2026-07-29T10:46:45.000Z As **Brighton & Hove Pride** prepares to celebrate its 35th year, rail operator **Govia Thameslink Railway** (GTR) is set to welcome travellers heading to the city with a live performance from Brighton drag entertainer **Snow White Trash** at London Bridge station. The performer, dubbed the “saxiest Drag Queen in the UK”, will entertain passengers on Saturday morning with two 45-minute sets featuring singalong saxophone favourites and songs inspired by this year’s Pride headline acts, **RAYE** and **Diana Ross**. ![](https://www.scenemag.co.uk/content/images/2026/07/Snow-White-Trash---2.jpg) Snow White Trash The performances will take place on the main concourse near **Platform 4**, where **Thameslink** services to Brighton depart, offering an early taste of the celebrations for those travelling to the south coast. **Jenny Saunders**, Customer Services Director at GTR, said the company was proud to support Brighton & Hove Pride and help people travel to one of the largest events on its network. “We’re proud to once again be supporting Brighton & Hove Pride as the festival celebrates its 35th year,” she said. “It is one of the biggest events on our network and every year we help thousands of people get to and from the event by train. “We wanted to make the journey to Pride just as memorable as the day itself by bringing a little bit of sparkle and sax-appeal to London Bridge station.” She added: “We have plenty of services to get people down to Brighton and back again, but if you’re planning to travel by train, please check your journey ahead of time and be aware that our trains will be a lot busier than usual.” ![](https://www.scenemag.co.uk/content/images/2026/07/Snow-White-Trash---3.jpg) Snow White Trash GTR expects trains to be particularly busy throughout the weekend and has announced an enhanced timetable, including additional services and longer trains, to accommodate the large numbers travelling to and from Brighton. A queueing system will also be in place at Brighton station to help manage crowds after the event. Brighton & Hove Pride, one of the UK’s largest LGBTQ+ celebrations, takes place this weekend, with thousands expected to travel to the city by rail. ### Lesbian life of photographer who fled Nazi Germany finally brought into focus URL: https://www.scenemag.co.uk/lesbian-life-of-photographer-who-fled-nazi-germany-finally-brought-into-focus/ Last updated: 2026-07-28T13:15:44.000Z The life and work of a pioneering German-Jewish photographer who rebuilt her career in Birmingham after fleeing Nazi persecution is being explored in a major new exhibition that also brings long-overlooked details of her relationship with her female partner into public view. ***Discovering Lisel Haas***, at the **Library of Birmingham** until **12 December 2026**, traces the life of photographer **Lisel Haas** from her successful career in Germany to the decades she spent living and working in Birmingham with her partner, **Grete Bermbach**. The exhibition brings together portraits, theatre photography and personal material from Haas's archive, alongside family memories that provide a rare insight into the couple's life together. Haas (1898-1989) established her own photographic studio in Mönchengladbach, Germany, where she built a reputation in portraiture, theatre photography and photojournalism before being forced to leave the country in 1938 because of Nazi persecution. Among the works on display is a portrait of singer and actress **Lale Andersen**, who later achieved international fame with the song *Lili Marleen*, illustrating the level at which Haas was working before her career in Germany was abruptly cut short. ![](https://www.scenemag.co.uk/content/images/2026/07/image3.jpeg) Lale Andersen, Date Unknown, pre. 1938, Photograph, Lisel Haas Collection, Library of Birmingham Archives, Copyright Dorothy Williams. After arriving in Birmingham, Haas started again from scratch. Bermbach joined her in Britain in 1939 and the pair went on to live and work together for decades in Moseley, running the Lisel Haas photographic studio from their home. Evidence of their relationship features prominently in the exhibition through a family memoir written by **Francesca Skelton**, Bermbach's great-niece and Haas's goddaughter. In the memoir, Skelton writes that Bermbach left Germany "to join her partner Lisel" and describes the two women as central figures in family life. "Lisel and Grete were central to our lives," she wrote. ![](https://www.scenemag.co.uk/content/images/2026/07/image-3.jpeg) Photographer unknown (presumably Grete Bermbach or Lisel Haas), Lisel Haas, Date Unknown, Photograph, Lisel Haas Collection, Library of Birmingham Archives, Copyright Dorothy Williams The couple's home in Moseley combined a working photographic studio with a bustling family environment. Skelton and her brother Nicholas were frequent visitors, occasionally serving as photographic models and developing a close bond with both women. "I loved Grete and Lisel, their house and garden and their beautiful cat, Meiken," she recalled. "It felt safe and welcoming." **Iris Bertz**, of Bertz Associates, which is leading the project in partnership with the Library of Birmingham, said the exhibition aimed to present a fuller picture of Haas's life and achievements. "Lisel's story deserves to be seen in full," she said. "She was an established photographer in Germany, a refugee forced to begin again and an important figure in Birmingham's photographic and cultural life. "She also shared her home, work and family life with Grete for decades. That relationship was understood by the people closest to them and is an important part of who Lisel was. "The exhibition allows us to bring those parts of her life together and present a much fuller account of both the photographer and the woman." Following her arrival in Birmingham, Haas developed a long-standing association with **Birmingham Repertory Theatre**, photographing productions and performers for more than 20 years. Her subjects included actors **Paul Scofield, Albert Finney, Ian Richardson** and **Derek Jacobi**. Many of her photographs remain on display at the theatre, although Haas herself has often received less recognition than her work. ![](https://www.scenemag.co.uk/content/images/2026/07/image2.jpeg) Grete Bermbach, c.1960, Photograph, Lisel Haas Collection, Library of Birmingham Archives, Copyright Dorothy Williams Alongside their theatre commissions, Haas and Bermbach photographed generations of Birmingham families from their studio in Grove Avenue, Moseley. The exhibition draws on Haas's extensive archive, held by the Library of Birmingham, which contains 258 boxes of photographs, negatives, letters, documents and personal papers. The collection is currently being formally catalogued, with local organisations including LGBTQ+ social group **Pink Sou'westers**, women's and non-binary photography network **Luna**, and **Dolphin Women's Centre** helping to interpret the material. The exhibition also features new work inspired by the archive from artists **Anu Gamanagari, Gibson Kochanek Studio, George Eksts, Laura Chen** and **Rebecca Orleans**. Plans are also under way to install a blue plaque at the former Moseley home and studio shared by Haas and Bermbach. 💡 **Discovering Lisel Haas* runs at the Library of Birmingham until Saturday 12 December 2026\. Admission is free. ### Behind the scenes at Ledward Centre; the volunteers who made Pride Weekend opening possible URL: https://www.scenemag.co.uk/behind-the-scenes-at-ledward-centre-the-volunteers-who-made-pride-weekend-opening-possible/ Last updated: 2026-07-28T12:36:25.000Z *The community centre and café opens its doors on Pride Saturday, and it is thanks to a small team who have given months of their own time to make it happen.* It has been a busy week at the [Ledward Centre,](https://ledwardcentre.org/?ref=scenemag.co.uk) with the volunteer team pulling out all the stops to get the café ready to open on **Saturday, 1 August**. Co-directors **Billie** and **Ellie**, together with long term volunteers **Keith** and **Joel**, have been working consistently behind the scenes so the venue could reopen and stay rooted in the community for the long term. They are very excited to be able to invite everyone back this weekend. The Ledward Centre and café will be fully open to the public on Pride Saturday, **1 August**, running from **12 - 6pm**, and again on Pride Sunday, **2 August**, from **10am - 4pm**. Expect a wide selection of hot and cold drinks, cakes, pastries and snacks, plus baguettes, salads, sandwiches and jacket potatoes, with kids lunches and meal deals available too. And there is plenty to enjoy once you have got your order. A proper coffee machine is now turning out the good stuff, there is brand new air conditioning throughout the building, and comfortable furniture has been dotted around so you can settle in and stay a while. Shelves are also stocked with a wide selection of free to access fiction and non-fiction books, including a strong showing of currently published LGBTQ+ titles and new work by local authors, so there is always something new to pick up while you are there. ![](https://www.scenemag.co.uk/content/images/2026/07/WhatsApp-Image-2026-07-27-at-4.00.26-PM.jpeg) ![](https://www.scenemag.co.uk/content/images/2026/07/WhatsApp-Image-2026-07-27-at-4.00.25-PM--3-.jpeg) ![](https://www.scenemag.co.uk/content/images/2026/07/WhatsApp-Image-2026-07-27-at-4.00.25-PM--2--1.jpeg) ![](https://www.scenemag.co.uk/content/images/2026/07/WhatsApp-Image-2026-07-27-at-4.00.26-PM--1--1.jpeg) this weeks up to date selection of LGBTQ+ authors & cosy nooks to read them Beyond Pride Weekend, the space is also opening up for bookings. Private daytime bookings will run from **9am - 6.30pm** every Monday, Tuesday and Wednesday, while evening bookings will be available from **6.30 - 10.30pm**, Monday through Saturday. **Ellie Matthews,** co director, wanted to say a heartfelt thank you to everyone who has helped get the centre to this point. “We would like to express our sincere thanks to our incredible volunteers, supporters and friends who have helped us immeasurably throughout the past year,” she said. “We simply could not have done this without you. while there have undoubtedly been some extremely challenging moments along the way, the kindness, encouragement and practical support we have received from so many people has helped us to keep going, even when things felt particularly difficult.” ![](https://www.scenemag.co.uk/content/images/2026/07/WhatsApp-Image-2026-07-27-at-3.59.45-PM-1.jpeg) ****Ellie , Ledward Centre** She added that the messages of support flooding in over recent weeks had meant a great deal to the team. “We have also been incredibly touched by the many lovely messages of support we have received over the past few weeks,” she said. “Knowing how much the Ledward Centre means to people, and how much people want to see it succeed, has meant an enormous amount to us. After everything it has taken to get to this point, we are incredibly excited that we can welcome everyone back through the doors of the Ledward Centre. We cannot wait to see the building full of people again and to begin this next chapter together.” ![](https://www.scenemag.co.uk/content/images/2026/07/WhatsApp-Image-2026-07-27-at-4.00.24-PM.jpeg) ![](https://www.scenemag.co.uk/content/images/2026/07/WhatsApp-Image-2026-07-27-at-4.00.25-PM--1-.jpeg) ![](https://www.scenemag.co.uk/content/images/2026/07/WhatsApp-Image-2026-07-27-at-4.00.25-PM--4-.jpeg) ![](https://www.scenemag.co.uk/content/images/2026/07/WhatsApp-Image-2026-07-27-at-4.00.25-PM.jpeg) Coffee, air - con, sofas, chairs and sit up tables The centre is already buzzing with activity ahead of the café reopening. Before the doors open to the public, **Gaydio**, the UK's LGBTQ+ station, and the **Gaydio Academy** will be running their intro to radio and podcasting course at the centre, thanks to funding from the National Lottery. Hosted at the Ledward Centre, home to Gaydio's Brighton studios, the free course gives aspiring radio presenters, broadcast journalists and podcasters the chance to gain first-hand experience of working in the industry, taught by broadcasting experts covering interviewing, presenting, audio production and digital storytelling, with participants creating their own content throughout. ![](https://www.scenemag.co.uk/content/images/2026/07/PresenterLineup_Jul24.png) Gadio presenter line up **Lee Barnes,** senior academy lead at **Gaydio**, said the timing could not be better. “We're delighted to be bringing another academy course to the Ledward Centre, especially in the week leading up to Brighton Pride,” he said. “It's fantastic to be delivering the course from our south coast studios and giving people the opportunity to learn from broadcasting experts. "The Ledward Centre plays such an important role in providing an inclusive space for the community, and we're proud to be working together to help make it an even bigger hub for LGBTQ+ voices, creativity and storytelling in Brighton.” ![](https://www.scenemag.co.uk/content/images/2026/07/6523de5260e56.webp) Gaydio academy logo Pride Weekend at the centre will also carry a moment of reflection and community. On Sunday, 2 August, the [**Village Metropolitan Community Church** ](https://www.facebook.com/TheVillageMCC/)will hold their **Pride Service** at the centre from **6 - 7.30pm**, with guest speaker and leader of **Brighton & Hove City Council**, **Bella Sankey**,joining for the evening. ![](https://www.scenemag.co.uk/content/images/2026/07/images.png) MCC logo Regular opening hours will then begin from **Thursday, 6 August**, with the café open every Thursday, Friday and Saturday from **10am - 6pm**. ## **Fancy being part of it?** None of this happens without volunteers, and the Ledward Centre is actively looking for more people to join the team. If you would like to get involved, it only takes a few minutes to complete the [**online volunteering form** ](https://tally.so/r/J9ZMez?ref=scenemag.co.uk) or you can ask about opportunities in person at the centre during opening hours. For more information, follow the centre's socials on [Insta,](https://www.instagram.com/theledwardcentre/?hl=en&ref=scenemag.co.uk) [Facebook ](https://www.facebook.com/theledwardcentre/?locale=en%5FGB)or others @theledwardcentre. For more details on gaydio, visit [gaydio.co.uk, ](https://www.gaydio.co.uk/?ref=scenemag.co.uk)and for more on the Gaydio Academy, visit [gaydio.academy](https://www.gaydio.academy/?ref=scenemag.co.uk). 0:00 /0:10 1× ### Stonewall and Pride in London to hold vigil for victims of Berlin’s Christopher Street Day attack URL: https://www.scenemag.co.uk/stonewall-and-pride-in-london-to-hold-vigil-for-victims-of-berlins-christopher-street-day-attack/ Last updated: 2026-07-28T08:39:55.000Z **Stonewall** and **Pride in London** will hold a vigil in **Soho Square** this evening to honour those killed and injured in Saturday night's attack at Berlin's **Christopher Street Day** celebrations. The event, which will begin at **7pm**, comes after a vehicle was driven into crowds attending the annual Pride gathering in the German capital. One woman was killed and dozens of people were injured. Christopher Street Day is one of Europe's largest Pride events, attracting hundreds of thousands of people to Berlin each year. The event commemorates the 1969 LGBTQ+ uprising at the **Stonewall Inn** on Christopher Street in New York City, widely regarded as the catalyst for the modern Pride movement. Stonewall chief executive **Simon Blake** OBE said the attack had targeted not only those attending the event but also the values that Pride represents. "Berlin's Christopher Street Day should have been a celebration of who we are," he said. "Instead, it became an attack on our community and on the values of freedom and equality that Pride represents. "An attack on any one of us is an attack on all of us. Tomorrow we come together in Soho Square to stand together, to grieve and to say clearly that we are not afraid and will not be frightened out of public life. Our solidarity with lesbian, gay, bi, trans and queer+ people in Berlin, and around the globe, is unshakeable." **Rebecca Paisis**, interim chief executive of Pride in London, said the attack had deeply affected LGBTQ+ communities across the world. "Over the past two days, many of us have been trying to come to terms with the devastating attack at Christopher Street Day," she said. "I have spoken to many people across our community and one message has come through clearly: we stand united in solidarity with our LGBTQ+ siblings in Berlin and around the world. "Pride in London champions visibility, unity and equality for all. The vigil tomorrow is an opportunity to honour those affected and send a clear message to Berlin and the LGBTQ+ community in Germany: you are not alone, our community stands with you." The vigil will feature short speeches from community representatives and other leaders. Further details will be shared through Stonewall and Pride in London's social media channels. ### 2006 unpacked from Top of the Pops to Lance Bass coming out to Moscow Pride and everything in between URL: https://www.scenemag.co.uk/2006-unpacked-from-top-of-the-pops-to-lance-bass-coming-out-to-moscow-pride-and-everything-in-between/ Last updated: 2026-07-29T08:25:31.000Z If there's one thing I love, it's revisiting old pop culture moments. It's like flipping through a scrapbook filled with flip phones, oversized sunglasses, trucker hats and Juicy Couture tracksuits instead of family photos. Maybe it's a millennial thing but few years trigger nostalgia quite like 2006\. It was a cultural melting pot of blockbuster films, reality TV obsessions, celebrity scandals, chart dominating music and the first signs of stars who still dominate headlines today. I'm still struggling to accept that 2006 was two decades ago. Way before **TikTok**,streaming and influencers we were all glued to the tabloids, obsessed with **MySpace** and loading songs onto our **iPod s**o grab your Juicy Couture tracksuit and let's take a trip back to one of the most iconic years of the decade and dive in....head first! ![](https://static.klipy.com/ii/4e7bea9f7a3371424e6c16ebc93252fe/12/49/RKC9f17ueqkZWo.gif) If there was one thing dominating the UK charts in 2006, it was **The X Factor**. At both the beginning and end of the year, graduates from the show's second and third series were everywhere. **Shayne Ward**, **Chico Slimani** and **Leona Lewis** all bagged number one singles while Shayne also topped the album charts. Leona Lewis won The X Factor becoming the show's first female champion. Her winner's single, *A Moment Like This* shattered records almost immediately, selling an astonishing 50,000 downloads in its first half hour alone. The song went on to sell more than half a million copies in its first week, a remarkable achievement during a period when physical sales were generally declining. It was becoming clear that reality TV wasn't just creating stars anymore, it was creating chart domination. While X Factor acts were ruling the official UK charts, **Beyoncé** and **Rihanna** were rapidly transforming into global superstars. A little known 16 year old country singer named **Taylor Swift** was just beginning her journey into superstardom too. Her debut single, *Tim McGraw* arrived that year followed by her self titled debut album. It's wild to think there was once a time before Taylor's stadium tours and friendship bracelets. Several familiar faces from the 90s were also enjoying successful comebacks. **Take That** completed one of pop's greatest comebacks with *Patience* which was their first number one single in a decade. Their album *Beautiful World* also stormed to number one proving the band's return was far more than just a reunion cash grab while **Emma Bunton** and **All Saints** reappeared on the pop landscape too! **Justin Timberlake** had the world in a chokehold with *SexyBack* proving he was more than capable of escaping the boy band label. Meanwhile, actor **Neil Patrick Harris** came out in 2006 as did JT's fellow \* **NSYNC** bandmate **Lance Bass**, a moment that generated huge headlines and marked an important step forward for LGBTQ+ visibility in mainstream media. 18 year old me actually fancied him more than JT anyway! ![](https://static.klipy.com/ii/4e7bea9f7a3371424e6c16ebc93252fe/e6/a5/V3kFiX5YjsbZIKTkdt.gif) In 2006 activist **Nikolay Alexeyev** founded **Moscow Pride** and organised Russia's first ever Pride parade. Nikolay was met with extreme official hostility and Moscow authorities banned the Pride event and all LGBTQ+ public visibility by labeling the "international LGBT movement" as an extremist organisation attracted global attention and became a symbol of the growing battle over LGBTQ+ visibility in Russia. While LGBTQ+ visibility was growing in pop culture, 2006 was also the first full year that same sex couples could enter civil partnerships in the UK. Brighton long regarded as the country's unofficial LGBTQ+ capital, had been one of the first cities in England to host the landmark ceremonies the previous December marking a major step forward for equality. The internet was beginning to reshape the music industry in 2006....**Lily Allen** became one of the first artists to build buzz through MySpace by sharing early demo tracks like *LDN*. This online success helped her gain a record deal but she wasn't the only one doing this, countless musicians used MySpace to connect directly with fans. Basically like how new artists are discovered now on TikTok. Legal music downloads exploded and for the first time digital sales were becoming powerful enough to compete with physical formats. Speaking of digital sales, in 2006 one super lucky 16 year old from the US named **Alex Ostrovsky** downloaded the one billionth song sold through iTunes. Oh the song was *Speed of Sound* by **Coldplay** and **Apple** rewarded him with an **iMac**, not one, not two, but ten iPod's, a $10,000 iTunes gift card and even funded a scholarship in his name at the **Juilliard School of Music**. Not bad for buying a song, right?! The impact of downloads could also be seen in the charts. **Gnarls Barkley**'s *Crazy* became the first UK number one to reach the top based on downloads alone. **Ne-Yo**'s debut single *So Sick* surged to number one thanks to strong digital sales. Looking back, this was basically the moment the future of music arrived. Of course, every new era comes at a cost. As the internet transformed how we consumed pop culture, some beloved institutions quietly disappeared. **Smash Hits!** magazine published its final issue, while **Top of the Pops**, a British television institution since 1964, aired for the last time in 2006\. Generations had grown up watching their favourite artists perform on that legendary stage so seeing it disappear felt genuinely surreal and sad. Even the traditional Saturday morning children's shows on the **BBC** and **ITV** came to an end after decades on air. I'm still not over it. > For anyone who grew up racing downstairs on a Saturday morning or religiously tuning into Top of the Pops every week, 2006 marked the end of an era. While established acts and comeback stars found success, one band truly captured the nation's imagination: **Arctic Monkeys**. Their second single, *When The Sun Goes Down* shot straight to number one while their debut album *Whatever People Say I Am, That's What I'm Not* sold more than 360,000 copies in its first week. They swept up awards, dominated conversations and quickly became one of Britain's most exciting bands. At the **NME Awards** they won Best New Band, Best Group and Best Single for *I Bet You Look Good on the Dancefloor.* (I still prefer the **Sugababes** cover though....oh and the 2006 lineup consisted of **Keisha Buchanan**, **Heidi Range** and **Amelle Berrabah** by the way). Elsewhere, names like **Kanye West**, **Kaiser Chiefs** and **James Blunt** were collecting trophies and cementing their place in music culture although actually, at the 2006 **MTV Europe Music Awards**, Ye sparked controversy by interrupting the show after losing Best Video to **Justice vs Simian** insisting his *Touch the Sky* video should have won. The outburst was an early glimpse of the headline grabbing awards show controversies that would later define his public image long before the infamous Taylor Swift incident in 2009.... ![](https://static.klipy.com/ii/925f17378dd1893b674a723c07535afe/00/0f/BAfSrAJe.gif) Reality TV remained a national obsession with **Celebrity Big Brother** turned **Chantelle Houghton** into an overnight celebrity, while **Big Brother** (series 7, an absolute fan favourite) captivated viewers all summer introducing unforgettable housemates including fan favourite **Nikki Grahame** and eventual winner and Brighton boy **Pete Bennett** whose openness about living with Tourette's syndrome won widespread praise. Openly gay Canadian housemate **Richard Newman** wasone of the show's most outspoken and popular personalities too. At a time when LGBTQ+ representation on mainstream television was still relatively limited, Richard's visibility helped make him one of the most memorable housemates of the series, for me anyway! Meanwhile, shows like **America's Next Top Model**, The X Factor and **The Hills** continued to attract huge audiences, helping create a new generation of reality TV stars. Over on the **Disney Channel**, **Hannah Montana** introduced us to **Miley Cyrus** while **High School Musical** transformed **Zac Efron** into an overnight teen heart throb. TV also gave us future classics including **Dexter** and **Ugly Betty**. ![](https://static.klipy.com/ii/c3a19a0b747a76e98651f2b9a3cca5ff/a3/88/uOl4Y1Nf.gif) The world was left stunned by the sudden death of **Steve Irwin**. One moment we were watching **The Crocodile Hunter** wrestle crocodiles and handle deadly snakes with his trademark enthusiasm and the next we were mourning a man who had spent his life teaching us to respect and protect wildlife. ![](https://static.klipy.com/ii/d6b0ce929193df3c242ac34b5654d2ce/44/73/AuBIz2FF.gif) While we're on the subject of crocs, let's talk **Crocs**. The footwear brand sold an astonishing 21 million pairs in 2006\. I spent years making fun of them before finally trying a pair on as a joke only to discover they felt like walking on clouds. I now own a pair myself but they're strictly reserved for gardening duties! I can't write about 2006 and not mention WAGs. ![](https://www.scenemag.co.uk/content/images/2026/07/1000066311.jpg) 📸 Reuters During the 2006 **FIFA World Cup** the WAGs became celebrities in their own right. While England crashed out to Portugal on penalties tabloids were just as obsessed with **Victoria Beckham**, **Cheryl Tweedy** and the glamorous entourage following the squad around Germany. Sometimes the WAGs seemed to attract almost as much attention as the football itself. World Cup fever dominated the summer though with a string of England songs filling the charts and *Three Lions* making yet another comeback. Football and pop culture had rarely been so closely intertwined. Mainly thanks to the WAGs though I'd say! Not football or WAGs related but another debut that became impossible to escape in 2006 was *Everytime We Touch* by **Cascada**. Although it peaked at number two (blocked from the top spot by Shakira) it went on to become one of the biggest dance tracks of the decade and remains a certified 2000s anthem. **Christina Aguilera** topped the albums chart with *Back to Basics*. Beyoncé (still frequently billed as **Beyoncé Knowles** at the time by the way) bagged another number one with *Deja Vu* alongside her then boyfriend now husband **Jay-Z**. It was becoming increasingly clear that Bey's post **Destiny's Child** era wasn't just working, it was thriving and now look at her! She's one of the biggest superstars ever. Meanwhile, openly queer band **Scissor Sisters** were at their commercial peak in 2006 dominating the charts with *I Don't Feel Like Dancin'* and proving that unapologetically queer pop could achieve mainstream success. They bagged their first UK number one single with *I Don't Feel Like Dancin'* and their album *Ta-Dah* also hit the top spot meaning they were simultaneously number one in both the singles and album charts, a pretty impressive achievement! One of my favourite dance tracks from 2006 was *Call On Me* by **Eric Prydz**.... Ooooh and *Smack That* by **Akon** and **Eminem**.... What a time to be alive! One of the most random headlines of the year came from outer space when **Pluto** was officially reclassified as a dwarf planet. To this day, I'm still not entirely over it. Poor Pluto. At the cinema, **Johnny Depp** returned as **Captain Jack Sparrow** in **Pirates of the Caribbean: Dead Man's Chest**. ![](https://static.klipy.com/ii/925f17378dd1893b674a723c07535afe/31/10/eHcfqIdS.gif) Audiences flocked to see **Daniel Craig** in **Casino Royale....** ![](https://static.klipy.com/ii/4493325008d34b7bf8cd6813cd5c1619/58/37/SorowtK3Eio1E.gif) Oh and **The Da Vinci Code** and the latest **Harry Potter** instalment. **Borat** sparked endless debate and controversy while **The Devil Wears Prada** quietly became one of the best films ever! What looked like a glossy fashion comedy was actually a razor sharp exploration of ambition and power. More than twenty years later, people are still talking about it and we even got a sequel finally! ![](https://static.klipy.com/ii/4493325008d34b7bf8cd6813cd5c1619/55/2a/5274ncQeudR1WLV3VzTk.gif) Although it was released in 2005, **Brokeback Mountain** was a huge cultural talking point throughout 2006 in the UK winning Oscars and sparking mainstream conversations about LGBTQ+ representation in cinema. Animation also had a huge year, with **Cars** and **Ice Age: The Meltdown** proving family films could be every bit as influential as blockbuster action movies. Meanwhile, the **Nintendo Wii** arrived and promptly took over living rooms everywhere. Apple continued its dominance too. The iPod had become a must have accessory and, for the first time, films could be purchased directly through iTunes. I was personally obsessed with my apple green second generation **iPod Nano**! Online culture was beginning to reshape entertainment as well. **YouTube** was only a year old but was already producing viral moments like *Shoes* starring **Liam Kyle Sullivan** as **Kelly**. If phrases like "Let's get some shoes!" mean anything to you then erm congratulations! You honestly had to be there though. Then there was **Bebo**. MySpace was still king, **Facebook** had just opened beyond university students and **Twitter** made its debut when **Jack Dorsey** sent the platform's first ever tweet reading "just setting up my twttr". (It later sold as a digital NFT for $2.9 million) but the foundations of the social media world we know today were quietly being laid. Fashion was completely unhinged. Neon colours, skinny jeans, studded belts, oversized sunglasses, checkerboard **Vans**, scene hair, emo fringes and enough layers to survive an ice age. I vividly remember rocking a neon green studded belt and thinking I was the coolest person alive. The fact these trends keep returning can only mean one thing though....we're getting old. Celebrity culture was operating at absolute maximum capacity. **Katie Price** and **Peter Andre were still together and released an album together**, **Paris Hilton** and **Nicole Richie** dominated magazine covers, and there were very public break ups involving **Britney Spears** and **Kevin Federline**, **Reese Witherspoon** and **Ryan Phillippe** and **Jennifer Aniston** and **Vince Vaughn** which generated endless headlines. Over in reality TV land, **Lauren Conrad** left **Laguna Beach** behind for The Hills, giving us six seasons of friendship drama, relationship chaos and iconic moments. To this day, hearing **Natasha Bedingfield**'s *Unwritten* instantly transports me back. If you think celebrity feuds are intense now, 2006 was on another level. The fallout between Paris Hilton and **Lindsay Lohan** provided endless material for gossip magazines before that now iconic photo of Paris, Lindsay and Britney squeezed into Paris's car became one of the defining celebrity images of the decade. ![](https://www.scenemag.co.uk/content/images/2026/07/1000066310.gif) Paris also found herself at the centre of one of the strangest celebrity pranks of the era when **Banksy** secretly swapped hundreds of copies of her debut album *Paris* in record stores across the UK with altered versions featuring satirical artwork and renamed tracks. Wild. **Malcolm in the Middle** aired its final episodes. I still remember being absolutely gutted. Thankfully we got a reboot 20 years later! I've still not watched it yet though. By the year's end, Leona Lewis's *A Moment Like This* had become one of the biggest selling singles of 2006, while artists including **Scissor Sisters**, **Sandi Thom** and **Shakira** rounded out the year's best sellers. **Girls Aloud** made chart history when *Something Kinda Ooooh* entered the Top 10 based largely on downloads, becoming one of the first British acts to benefit from the changing chart rules. Meanwhile artists like **The Killers**, **Robbie Williams** and **Jamiroquai** all enjoyed chart topping albums too. Ooooh we had another unlikely chart champion in the form of Dutch **DJ Fedde Le Grand**, whose dance anthem *Put Your Hands Up for Detroit* went straight to number one. I love that song! Looking back now, it's incredible how many trends, careers, websites, TV shows and cultural phenomena that still shape our lives today either exploded or quietly began in 2006\. Maybe that's why I love these throwbacks so much. They remind us that what felt ordinary at the time was actually history in the making. Pop culture also felt noticeably more queer than it had just a few years earlier. With **Elton John** and **David Furnish** entering into a civil partnership at the end of 2005, 2006 became the first full year in which legally recognised same sex partnerships were part of everyday life in Britain. Meanwhile stars such as Lance Bass, Jake Shears and **Ana Matronic** were helping bring LGBTQ+ visibility firmly into the mainstream proving that queer celebrities and stories no longer belonged on the fringes of popular culture. 2006 wasn't just a moment. It was the moment. ### Brighton council leader expresses solidarity with LGBTQ+ community after Berlin Pride attack URL: https://www.scenemag.co.uk/brighton-council-leader-expresses-solidarity-with-lgbtq-community-after-berlin-pride-attack/ Last updated: 2026-07-27T16:17:31.000Z The leader of **Brighton & Hove City Council** has expressed solidarity with the LGBTQ+ community following the attack at **Berlin Pride**, while reassuring attendees that extensive preparations are in place ahead of this weekend's Brighton & Hove Pride celebrations. Councillor **Bella Sankey** issued a statement after the incident near Berlin's Christopher Street Day Pride celebrations, where a vehicle was driven into crowds close to the event, leaving one person dead and a number of others injured. The attack prompted the cancellation of several Pride-related events and led to community vigils across the German capital. ![](https://www.scenemag.co.uk/content/images/2026/07/images-2-2.jpeg) Bella Sankey Responding to the incident, Sankey said: "We are deeply saddened by the attacks at Berlin Pride and our thoughts are with all those affected." The council leader also reaffirmed Brighton & Hove's support for the LGBTQ+ community as one of the UK's most prominent Pride cities prepares to welcome thousands of visitors this weekend. ![](https://www.scenemag.co.uk/content/images/2026/07/imago862760649-1.jpg) "We stand in solidarity with the LGBTQ+ community and, as we look forward to Brighton & Hove Pride this weekend, we want to reassure all those attending that we are working closely with Brighton & Hove Pride, **Sussex Police** and our other partners to keep everyone safe." The attack in Berlin has sent shockwaves through LGBTQ+ communities across Europe. Thousands gathered for a vigil near the **Brandenburg Gate** in the aftermath, with community leaders speaking of grief, solidarity and the need to continue standing up for LGBTQ+ visibility and equality. Brighton & Hove Pride is one of the largest Pride events in the UK and is expected to attract tens of thousands of people for a weekend of celebrations, performances and community events. ![](https://www.scenemag.co.uk/content/images/2026/07/imago862760582-2.jpg) Sankey said organisers were focused on ensuring the event remains a positive reflection of the city's values. "We look forward to Pride being a celebration of the diversity, joy and, above all, the unity of our community." The statement comes as Pride organisers and local authorities across Europe continue to emphasise the importance of visibility, inclusion and community in the wake of the Berlin attack, while maintaining plans for upcoming Pride events. Brighton & Hove Pride takes place this weekend, bringing together LGBTQ+ people, allies, residents and visitors from across the UK in what organisers describe as a celebration of equality, diversity and belonging. ### Dame Kelly Holmes helps launch Lumo-backed record-breaking Pride Run in Newcastle URL: https://www.scenemag.co.uk/dame-kelly-holmes-helps-launch-lumo-backed-record-breaking-pride-run-in-newcastle/ Last updated: 2026-07-27T12:20:03.000Z A record-breaking **Pride Run** backed by rail operator **Lumo** got **Newcastle Pride** celebrations under way in style at the weekend, with Olympic legend **Dame Kelly Holmes** firing the starting gun before joining hundreds of runners on the course herself. A total of 450 participants took part in the sold-out **5K Pride Run** in **Leazes Park**, making it the largest event of its kind in **Newcastle** since before the pandemic. Organised by LGBTQ+ community running club **Newcastle Frontrunners** (NFR) and sponsored by train company **Lumo**, the event helped launch a Pride weekend that attracted an estimated 80,000 people across the city. After officially starting the race, the double Olympic gold medallist took part herself, running alongside participants who turned out in colourful outfits to celebrate Pride, visibility and community. ![](https://www.scenemag.co.uk/content/images/2026/07/Pride-Run---3.jpg) Speaking about the event, Holmes highlighted the importance of bringing LGBTQ+ people and allies together. "The Pride Run is more than running - it's about community, freedom and moving forward together. "That's what makes a Pride Run so special. It brings LGBTQ+ people, friends, families and allies together to celebrate who we are, support one another and share the joy of being active and visible. "Pride is about being proud of exactly who you are, and there's something incredibly powerful about running side by side with a community that celebrates you for it." Organisers hailed the event as the most successful Pride Run in its history, with tickets selling out for the first time since the pandemic. Andrew Melville, of Newcastle Frontrunners, said: "This has been the best 5K Pride Run in the history of the event. We sold out of tickets for the first time since the pandemic, which is brilliant." Melville said Holmes' involvement carried particular significance for participants. "It was fantastic to have double Olympic gold medallist Dame Kelly Holmes start the race. "She is a major person within the LGBTQ+ community. She's served in the armed forces, she's faced discrimination, and all while maintaining an incredible Olympic career." ![](https://www.scenemag.co.uk/content/images/2026/07/Pride-Run---1-1.jpg) The event also featured a **Junior Pride Run**, with more than 60 young people taking part before the main race. Entertainment throughout the evening included performances from drag queen **Miss Gloria Love**, singing group **Heaton Jukebox**, **Northern Proud Voices** and the **Metrognomes**, while **2024 Mr Gay GB** winner **Andrew Gardiner** led warm-up activities for runners before the start. This year's event was deliberately designed to be bigger and more visible than ever, organisers said, amid growing concerns about anti-LGBTQ+ rhetoric. Melville added: "It's been a difficult time for the LGBTQ+ community. There has been a lot of anti-LGBTQ+ and anti-trans sentiment, and for that reason we wanted to make this year's 5K event bigger and brighter than ever. "There may be grey clouds, but we're not going anywhere. It's never been as important for us to shine brightly." The race formed part of a wider Newcastle Pride weekend that saw performances from **Nadine Coyle**, **Katy B**, **Bimini** and **Danny Beard** in **Times Square**. Lumo's support extended beyond the run itself. The rail operator, which now partners with Pride events in Newcastle, **Gateshead**, **Glasgow**, **Edinburgh** and **Stirling**, also donated £1,000 to **Pride Radio**, which streamed live content from Newcastle Pride across the UK and internationally. In addition, Lumo worked with **Ocean Outdoor** to showcase LGBTQ+ organisations on digital advertising screens across Newcastle, following the launch of a specially branded train featuring LGBTQ+ groups supported by the company across England and Scotland. **Richard Salkeld**, Director of Communications and Partnerships at Lumo, said: "We're thrilled to support the 5K Pride Run and to play a part in such a joyful and inclusive event for Newcastle. "At Lumo, we're passionate about connecting communities, and it's fantastic to see so many people coming together to celebrate Pride, diversity and everything that makes our region such a welcoming place." ### Sara Cox reveals she is a "proud mother of a queer daughter" during conversation with Sam Smith URL: https://www.scenemag.co.uk/sara-cox-reveals-she-is-a-proud-mother-of-a-queer-daughter-during-conversation-with-sam-smith/ Last updated: 2026-07-27T11:56:19.000Z **Sara Cox** has revealed she is the "proud mother of a queer daughter" while speaking with **Sam Smith** about LGBTQ+ family life and the importance of support and acceptance. The **BBC Radio 2** presenter made the comment during a conversation with the singer-songwriter, as the pair discussed parenting, identity and what it means to create supportive environments for LGBTQ+ young people. Sara revealed the news as she spoke with Sam – who is non-binary and uses they/them pronouns – about their new single Oh Mother, which is an ode to their mum Kate Cassidy. ![](https://www.scenemag.co.uk/content/images/2026/07/110271373-16007329-Sara_Cox_revealed_she_s_the_proud_mother_of_a_queer_daughter_as_-a-1_1785147124642-1.jpg) As Sara mused that 'all mums want a song written about them', Sam agreed, saying: 'Especially queer kids, gay kids and their mums have - well at least I have a very strong, beautiful relationship with my mother.' Sara then interjected, saying: 'I'm proudly one of them by the way, with a queer daughter,' to which Sam exclaimed 'beautiful.' The singer continued: 'In this song I was just trying to access my mum's fury and protection that comes to save the day when a child gets hurt or heartbroken.' Cox, who recently took over the **Radio 2 Breakfast Show**, is a mother of three and has generally kept her children's lives out of the public eye. Her eldest daughter, Lola, is 22, while she also has son Isaac, 18, and daughter Renee, 16\. During the discussion, Cox spoke proudly about her daughter's identity, offering a rare glimpse into her family life while highlighting the importance of LGBTQ+ visibility and acceptance. ![](https://www.scenemag.co.uk/content/images/2026/07/110271371-16007329-Sam_who_is_engaged_to_fashion_designer_Christian_Cowan_then_reve-a-6_1785143058113-1.jpg) The conversation also saw Smith speak candidly about their own hopes for the future, revealing that they would like to become a parent one day. The singer has previously spoken about the importance of chosen family, self-expression and creating spaces where LGBTQ+ people can thrive. Cox's comments were welcomed by LGBTQ+ listeners and allies online, with many praising the broadcaster for publicly supporting her daughter and normalising conversations around queer identities within families. The presenter has long been regarded as one of British broadcasting's most popular voices, having first risen to prominence on Radio 1 before joining Radio 2\. Earlier this year she took over the station's flagship Breakfast Show, becoming one of the BBC's highest-profile radio hosts. ### New portrait exhibition marks 35 years of Brighton & Hove Pride URL: https://www.scenemag.co.uk/new-portrait-exhibition-marks-35-years-of-brighton-hove-pride/ Last updated: 2026-07-27T11:23:04.000Z A new portrait photography project celebrating the people who make up Brighton & Hove's LGBTQ+ community has launched to mark the 35th anniversary of **Brighton & Hove Pride.** **Proud Brighton – We Are Community**, commissioned by **Brighton Pride CIC** and created by photographer **Chris Jepson**, features portraits of people from across the city's LGBTQ+ communities, with each participant sharing a single sentence about what Pride means to them. The exhibition is now on display at **Jubilee Library** from **27 July - 15 August** and can also be seen across Brighton & Hove on lamppost banners. The portraits will additionally appear on placards during this year's **Brighton & Hove Pride Parade**. ![](https://www.scenemag.co.uk/content/images/2026/07/Pride35-JubileeLibrary-byChrisJepson-_CJP8089-Pano.jpg) ****Proud Brighton – We Are Community** by Chris Jepson The project forms part of **United in Pride**, a collaborative initiative bringing together Brighton & Hove Pride, **Trans Pride Brighton** and **Brighton Bear Weekend**. Participants have been drawn from all three communities, reflecting the diversity of Pride as it is experienced across the city. Created by award-winning community photographer and **Proud Studios CIC** founder **Chris Jepson**, the series brings together long-standing members of the community alongside first-time Pride attendees, performers, volunteers, organisers and parade-goers. The project also aims to highlight people who are often underrepresented in Pride imagery, including older LGBTQ+ people, disabled community members, people of colour, and trans and non-binary people. Chris said the exhibition builds on more than three decades of work documenting LGBTQ+ lives and experiences. "This project continues my long-term commitment to photographing LGBTQ+ lives. For over 30 years, my work has centred on visibility, authorship and who gets to be seen. ![](https://www.scenemag.co.uk/content/images/2026/07/Pride35-CityBanners-byChrisJepson-IMG_0644.jpg) ****Proud Brighton – We Are Community** by Chris Jepson "One of the things I care most about is removing the gatekeeping of who appears in photography, allowing for a more democratic, community-led curation. "Proud Brighton – We Are Community is a portrait exhibition marking the 35th anniversary of Brighton & Hove Pride. These portraits are a reminder that our community has never been a single story – and that Pride belongs to everyone who shows up." Brighton Pride CIC managing director **Paul Kemp** said the exhibition was designed to celebrate the people at the heart of Pride's success over the past three and a half decades. "Thirty-five years is a remarkable milestone, and we wanted to mark it in a way that felt genuinely true to our community. Proud Brighton does exactly that. ![](https://www.scenemag.co.uk/content/images/2026/07/Pride35-CityBanners-byChrisJepson-IMG_0977.jpg) ****Proud Brighton – We Are Community** by Chris Jepson "At a time when LGBTQ+ rights are under pressure across the world, visibility matters more than ever, and the portraits that Chris has created are a powerful act of representation. "This is not a celebration of an idea of Pride, it is a celebration of real people, real lives and a community that continues to show up for each other." Paul added that the project reflects the spirit of Brighton & Hove as one of the UK's most diverse and inclusive cities. The exhibition runs until 15 August at Jubilee Library, with portraits also featured throughout the city and during the Pride celebrations. More information is available via [**Proud Studios CIC**.](https://proud-studios.co.uk/proud-brighton?ref=scenemag.co.uk) ### "I am more powerful than I even knew": Dylan Mulvaney shoots back after being repeatedly referenced by Trump during White House dinner URL: https://www.scenemag.co.uk/dylan-mulvaney-responds-with-defiance-after-trump-remarks-i-am-more-powerful-than-i-even-knew/ Last updated: 2026-07-27T11:17:24.000Z Trans actor, author and advocate **Dylan Mulvaney** has responded after being repeatedly referenced by President **Donald Trump** during the White House Correspondents' Dinner, sharing a message about resilience and the strength of the trans community. According to multiple reports covering the White House Correspondents' Dinner, Trump mentioned Dylan Mulvaney while speaking about CNN journalis**t Kaitlan Collins** and referenced the 2023 Bud Light partnership that made Mulvaney a target of anti-trans conservative backlash. Mulvaney, who has become one of the most recognisable trans figures in America, chose not to respond with anger. Instead, Mulvaney reflected on what years of public scrutiny have taught her. "Thank you for reminding me that I am more powerful than I even knew," she said. The statement quickly resonated with supporters, many of whom praised Mulvaney for transforming yet another moment of political attention into a declaration of self-belief. > [ View this post on Instagram ](https://www.instagram.com/reel/DbRgAYUO20U/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Dylan Mulvaney (@dylanmulvaney)](https://www.instagram.com/reel/DbRgAYUO20U/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) For several years, Mulvaney has found herself at the centre of America's increasingly heated debate over trans rights. Yet despite relentless public scrutiny, she has remained one of the country's most visible advocates for trans joy, authenticity and inclusion. Mulvaney first gained international attention through her viral *Days of Girlhood* video series, which documented her transition and offered millions of viewers an intimate, often joyful insight into the experiences of a young trans woman. What began as a personal project quickly evolved into one of the most widely viewed transgender stories on social media. Since then, she has used her platform to speak about trans rights, representation and inclusion, appearing at LGBTQ+ events, engaging with lawmakers and using her public profile to challenge misconceptions about trans lives. ### REVIEW: Maurice (1987) URL: https://www.scenemag.co.uk/revie-maurice-1987/ Last updated: 2026-07-27T10:38:42.000Z Hello cinema lovers. Director **James Ivory**'s ***Maurice*** turns 39 this year, and it still stands out like a small cinematic miracle, a gay love story from 1987, at the height of the AIDS crisis, that dares to have a happy ending. Powerhouse production company **Merchant Ivory** took a great risk and quite a bit of opposition to make this film, and it's a seminal work in gay cinema. ![https://www.imdb.com/title/tt0093512/mediaviewer/rm2656012801/?ref_=ttmi_mi_8_2](https://www.scenemag.co.uk/content/images/2026/07/MV5BMDQ1MWY4YTUtMjhkYy00MWI3LTk3NTEtYWJhMzFjZjFlMTRjXkEyXkFqcGc@._V1_QL75_UX580.5_-1-1.jpg) Adapted from **E.M. Forster**'s posthumously published novel, the film follows the handsome **James Wilby** as Maurice Hall and is set in Edwardian England. The amusing opening scene depicts a stilted beachside lesson on "the sacred mystery of sex" related to a young fatherless Maurice. Swiftly moving on to the Cambridge years, where he falls for a young, posh and totally beautiful **Hugh Grant** as Clive Durham. Clive confesses his feelings first. Maurice is initially horrified but later reciprocates. ![https://www.imdb.com/title/tt0093512/mediaviewer/rm2974779905/?ref_=ttmi_mi_15_1](https://www.scenemag.co.uk/content/images/2026/07/MV5BMWUwYTM4N2QtOWY3My00MzJhLWFiZTAtZGFlNTMxNGFlNmMxXkEyXkFqcGc@._V1_QL75_UX580.5_-1.jpg) Their romance stays chaste due to Clive's unwillingness to take the next step. He believes sex would ruin them both. When Clive's friend Lord Risley (Mark Tandy) is arrested for picking up a hot soldier and falling into a police trap. News of his downfall causes Clive to scuttle into the closet in a sad downward spiral of self-loathing. Eventually, he marries a poor, unsuspecting woman. Maurice is left alone and devastated. Later in the movie, hope arrives in the form of **Rupert Graves**, who enters as the smouldering Alec Scudder. He's a gamekeeper on Clive's estate, who climbs a ladder into Maurice's bedroom one warm night and changes everything for both men. ![https://www.imdb.com/title/tt0093512/mediaviewer/rm2404354561/?ref_=ttmi_mi_11_1](https://www.scenemag.co.uk/content/images/2026/07/MV5BMDg3OGQ2MDEtMjI0ZC00NDEzLWE0ZjgtMjc0YTJjZDczMWY5XkEyXkFqcGc@._V1_QL75_UX580.5_-1.jpg) Wilby is the film's quiet powerhouse. He plays Maurice as a man constantly on the verge of falling apart, his true feelings only revealed through his expressions. It's a performance that risks looking undercooked and instead reads as horribly suppressed, which is the point of his portrayal. Grant, in only his second film, is exceptionally good here, initially all floppy-haired and doe-eyed early on, before morphing into a nervous, selfish coward by the second half of the story. It's no real surprise he became a superstar actor down the road. ![https://www.imdb.com/title/tt0093512/mediaviewer/rm593305088/?ref_=ttmi_mi_30_1](https://www.scenemag.co.uk/content/images/2026/07/MV5BYjhlNGM2OGYtYjRiYi00YzNiLTlhM2EtY2U5MWUwN2M5ZWNiXkEyXkFqcGc@._V1_QL75_UX585_-1.jpg) Graves gives Alec a sulky, then wild, working-class identity that never tips into stereotype. It's a small but pivotal role that he pitches well. Denholm Elliott and Simon Callow, both Merchant Ivory regulars, work hard and add an Edwardian world view in their brief roles. The wonderful Billie Whitelaw makes the most of too little screen time as Maurice's sweet but totally unaware mother. This film is Merchant Ivory at full bloom, at the peak of their 1980s powers. The cinematography lovingly treats Cambridge and the fictional country estate of Pendersleigh with care. It also treats the men's various naked bodies with respect and the beauty they inspire. never crude or creepy, the male form is on display here with affection. ![https://www.imdb.com/title/tt0093512/mediaviewer/rm2132423424/?ref_=ttmi_mi_3_2](https://www.scenemag.co.uk/content/images/2026/07/MV5BOWE0MTIyY2QtOWM0Yy00YzFhLTgzMTEtNGJhMTIyMjJmN2ZlXkEyXkFqcGc@._V1_QL75_UX477_-1.jpg) The movie's soundtrack does much of the emotional lifting where the script leaves certain feelings unspoken, particularly in that final silent shot of Clive at the window of his huge, stately closet in the shape of a house. The class dynamics between Maurice and Alec deserve more room than the film gives them. Their romance is very sweet, but it is also assembled too quickly. My main criticism of the movie is that it spends too much time on Clive's doomed affection and not enough on Alec's brave declarations. Where Maurice earns its place in gay cinema is its refusal to flinch away from its subject matter. There's a good bit of full-frontal nudity here, man-on-man desire filmed without apology. For 1987, a homosexual main character who ends the film happy rather than being punished or dead is groundbreaking. Compare that to the depressing end of *Brokeback Mountain*, which arrived nearly 20 years later. Alec's iconic line to Maurice, that they'll never be parted now, remains one of the most romantic sentences ever spoken in a British film. However, at times, the script wanders into complete pretentiousness, particularly in the first hour. All that aside, as a document of Edwardian gay love and a movie that lets its hero win, Maurice still deserves high marks. Essential viewing for anyone interested in a queer film education or simply revisiting a cherished classic from the 1980s, when gay men had little to cheer about. well worth a watch. *Maurice* is available to stream now on Amazon Prime, BFI Player and Apple TV. ### The tragedy in Berlin shows why Pride still matters URL: https://www.scenemag.co.uk/the-tragedy-in-berlin-shows-why-pride-still-matters/ Last updated: 2026-07-27T10:31:08.000Z Just hours after tens of thousands of people marched through Berlin for **Christopher Street Day**, one of Europe's biggest Pride celebrations became the scene of tragedy. A vehicle was driven into crowds near the Pride festival, killing one person and injuring dozens more. Organisers cancelled planned events, while thousands gathered the following day for a vigil near the Brandenburg Gate. Pride flags flew at half-mast, flowers were laid in tribute, and a celebration of LGBTQ+ visibility became a moment of collective grief. For those who argue that Pride has outlived its purpose, Berlin provides a devastating answer. Pride remains necessary because hatred has not disappeared. The attack struck at an event built around visibility, acceptance and freedom. One Berlin police officer, **Ali Darwich**, described it as an attack not just on LGBTQ+ people but on the values the city represents: "its diversity, its tolerance and its belief in freedom". Speaking as a gay man, a Muslim and a police officer, he said the incident touched "so many aspects of who I am". The aftermath revealed something else too: fear. **Alfonso Pantisano**, Berlin's LGBTQ affairs commissioner, spoke directly to a shaken community in the hours after the attack. "To you, my dear community: I know that many of you are afraid right now. I won't sugarcoat it. I am, too. But you are not alone in this fear, in your grief, and in your anger." Those words matter because they cut through one of the most persistent myths about Pride. The idea that LGBTQ+ equality has been won. The suggestion that Pride is now simply a colourful annual festival with little political relevance. If equality were complete, Pride events would not require extensive security operations. If equality were complete, LGBTQ+ people would not continue to experience hate crime, discrimination and abuse. If equality were complete, a community gathering in one of Europe's most liberal cities would not end with mourners laying flowers and lighting candles. Pride has always existed in the space between celebration and protest. ![](https://www.scenemag.co.uk/content/images/2026/07/imago862760649.jpg) ****IMAGO / JNA Press** The roots of the movement lie in resistance to discrimination and violence. The modern Pride march emerged from the **Stonewall** uprising in New York, when LGBTQ+ people fought back against police harassment and persecution. Berlin's Christopher Street Day itself takes its name from the street where those events took place in 1969\. That history is why Pride cannot simply become a party. The joy matters. The music matters. The rainbow flags matter. But they matter because they exist alongside a demand for dignity and equality. As Amsterdam hosts **WorldPride** and **London Trans+ Pride** records its largest-ever turnout, those events are not celebrations despite the challenges facing LGBTQ+ communities. They are celebrations in defiance of them. Berlin demonstrated that reality in the starkest possible way. Yet the response to the attack was not silence. It was solidarity. Thousands attended vigils. Community groups continued to organise. Pride supporters gathered in remembrance of those affected. One sign displayed at the vigil captured the mood perfectly: "From grief, to anger to resistance." Every generation faces a temptation to believe progress is inevitable. History tells a different story. Rights can be challenged. Visibility can provoke backlash. Communities can become targets precisely because they are becoming more visible and more accepted. That is why Pride remains essential. It tells LGBTQ+ people they are not alone. It reminds governments and institutions that equality requires constant protection. It creates spaces where people can live openly, often for the first time. And when hatred seeks to intimidate communities into retreating, Pride offers a powerful collective response. The scenes in Berlin this weekend were heartbreaking. But they also demonstrated why Pride endures. Because when fear appears, solidarity becomes more important. When hatred emerges, visibility becomes more powerful. And when a community is attacked, showing up for one another becomes an act of resistance. ### History made as Queen Máxima of the Netherlands opens WorldPride in Amsterdam URL: https://www.scenemag.co.uk/history-made-as-queen-maxima-of-the-netherlands-opens-worldpride-in-amsterdam/ Last updated: 2026-07-27T09:47:36.000Z **Queen Máxima** officially opened **WorldPride 2026** in **Amsterdam** on Saturday, becoming the first reigning queen to formally inaugurate the global LGBTQ+ event. The Dutch monarch launched the festival at Amsterdam's **Vondelpark** alongside mayor **Femke Halsema**, marking the start of more than two weeks of celebrations, cultural events and human rights discussions across the city. WorldPride is being hosted in Amsterdam for the first time, with organisers expecting around one million visitors. Addressing crowds gathered at the **Vondelpark Open-Air Theatre**, Queen Máxima delivered a message centred on freedom, equality and respect. "Being who you are, loving who you want, that's normal, isn't it?" she said, before urging attendees to "hold on to each other, support each other, and enjoy it". Before the official opening ceremony, the Queen toured Pride Park, visiting Sport Pride and Youth Pride initiatives and meeting representatives from LGBTQ+ organisations and community groups. Mayor Halsema used her speech to highlight both the celebratory and political dimensions of the event, arguing that Pride must continue to champion equality and human rights around the world. She pointed to growing concerns about LGBTQ+ rights internationally and warned against complacency in countries where legal protections already exist. WorldPride Amsterdam runs until **8 August** and will feature around 300 events, including the city's famous **Canal Parade**, a Human Rights Conference, concerts, exhibitions and community gatherings. The 2026 edition carries particular significance for the Netherlands. The event coincides with the 25th anniversary of the country becoming the first in the world to legalise same-sex marriage, as well as 30 years of Pride celebrations in Amsterdam and the 80th anniversary of LGBTQ+ organisation **COC Netherlands.** A Pride Walk from Dam Square to Vondelpark formed part of the opening day celebrations, with thousands taking part in a colourful procession through the city centre. Organisers said the march aimed to highlight the experiences of some of the most vulnerable members of the LGBTQ+ community, including asylum seekers and refugees. Amsterdam secured the right to host WorldPride after a successful international bid, bringing the biennial event to the Dutch capital for the first time. Organisers say the programme will focus on culture, visibility, connection and human rights, while reinforcing Amsterdam's reputation as a city of diversity and inclusion. *WorldPride Amsterdam 2026 runs from 25 July to 8 August, with the Canal Parade scheduled to take place on 1 August.* ### London Trans+ Pride draws record 150,000 as march ends in Trafalgar Square for first time URL: https://www.scenemag.co.uk/london-trans-pride-draws-record-150-000-as-march-ends-in-trafalgar-square-for-first-time/ Last updated: 2026-07-27T09:31:34.000Z **London Trans+ Pride** attracted a record-breaking 150,000 people to the streets of the capital on Saturday, marking the largest turnout in the event's history and culminating in a landmark gathering in **Trafalgar Square** for the first time. The annual march, which organisers said grew by 50,000 people compared with last year's attendance of 100,000, saw trans and non-binary people, allies and supporters march through central London before assembling in the iconic square for an afternoon of speeches, performances and community celebration. This year's event took place under the theme **"Our Future, Our Fight"**, bringing together campaigners, artists and activists less than two weeks before the Equality and Human Rights Commission's Code of Practice is due to come into force on 5 August. ![](https://www.scenemag.co.uk/content/images/2026/07/JADE8634.jpg) Photo cred Jade Aphrodite Among those taking to the stage were **Ceyenne Doroshow**, founder of **G.L.I.T.S.**; **Qween Jean**, the first openly trans Tony Award winner and founder of **Black Trans Liberation**; musician, poet and author **Kae Tempest**; intersex activist and footballer **Ray Newman**; **Rain Reeta Loi**, founder of **Gaysians**; drag king **Chiyo**; representatives from **Trans Action for Housing Justice**; artist **Quinnely Rose Z**; and multidisciplinary artist **Kobi Ayensuo**. High-profile attendees included *Heartstopper* star **Joe Locke**, actor **Yasmin Finney**, presenter **Jack Remmington**, writer and activist **Munroe Bergdorf**, and author **Juno Roche**. Trafalgar Square became the focal point of the day as crowds filled the steps and gathered around the fountains to hear speeches beneath artist **Teresa Margolles'** installation featuring face casts of 726 trans, non-binary and gender non-conforming people. ![](https://www.scenemag.co.uk/content/images/2026/07/Lewis-G-Burton-LT-P-organiser-9496-1.jpg) ****Lewis G Burton**. Photo cred Jade Aphrodite One of London Trans+ Pride's founding members, **Lewis G Burton**, described the event as "unstoppable". "London Trans+ Pride has proven once again exactly what it is: unstoppable," they said. "This year we didn't just show up, we showed out, growing from 100,000 to 150,000 people marching side by side, and for the first time ever ending in Trafalgar Square, right in the heart of this city that belongs to us as much as anyone."Every single person who marched today is proof that we are not going anywhere, that our joy is louder than their hate, and that London Trans+ Pride will keep fighting, keep loving, and keep growing until every trans person is safe, seen and free." A highlight of the afternoon came from **Kae Tempest**, who addressed the crowd before performing. Speaking about their experiences of attending Trans Pride events over the past 15 years, Tempest said they felt "full of gratitude" to be present and described the gathering as "something so special". ![](https://www.scenemag.co.uk/content/images/2026/07/JADE8296.jpg) Photo cred Jade Aphrodite Reflecting on a previous visit to Trafalgar Square, Tempest recalled sitting alone in the location when their track *Statue In The Square* was released. "I sat there and I thought about this place, and I can't believe there's 100,000 people here," they told the crowd. "And it's us. It's all us." The march also featured the **Trans Unity Quilt**, a 96-metre patchwork made up of more than 300 contributions from trans people across the UK. Co-created with **CN Lester** and the **Good Law Project**, the quilt includes memorials, personal stories, family celebrations and community references. Its 12 panels will now be preserved at **Bishopsgate Archives** before touring Pride events across the country. This year's event took place against the backdrop of significant debate over trans rights in the UK. Organisers highlighted concerns over recent legal and policy developments, including last year's Supreme Court ruling on the definition of biological sex, the forthcoming **EHRC Code of Practice**, restrictions on puberty blockers for trans young people, and proposed changes to school guidance. ### BRIGHTON GAY MEN’S CHORUS: Mother Clap's Molly House URL: https://www.scenemag.co.uk/brighton-gay-mens-chorus-mother-claps-molly-house/ Last updated: 2026-07-27T09:35:41.000Z Hot from the stage on the beach with **Fat Boy Slim** [**BGMC** ](https://www.brightongmc.org/performances/all-performances/?ref=scenemag.co.uk)are back with their summer concert and back with a bang too. Sat waiting for the off the still elegance of St George’s Kemp Town was pierced by the shrill squeals and laughter of a gaggle of men in corsets and panniers chasing each other through the church in an explosion of camp historical sauciness. What a sight, what beautiful costumes and what a great way to launch us all into a musical evening of song and drama. I say drama because this choir, who usually give is comedy sketches, this time deliver a play about the Molly Houses where in the 1700s gay men would gather in secret. At the time homosexuality carried a death sentence. This was an ambitious concept but one that they pulled off and particularly in the second half when the camp humour faded and the realities of the danger emerged. There were some excellent performances in the second part for sure. ![](https://www.scenemag.co.uk/content/images/2026/07/image0.jpeg) There you go, I don’t often enjoy or indeed praise these elements of BGMC’s concerts, but this time the writing and delivery was rather good. Enough of that though and onto the music, and songs that supported the theme from seeking pleasures, to doubt and to resistance. They launched with **Madonna**, a woman not averse to wearing a corset on stage, and **Abba**, a mash up of Hung Up and Gimme Gimme Gimme that got the whole thing off to a rousing start. Next **Pulp’s** This Is Hardcore who took the mood down a peg or two only to be lifted by **Jonathan Taylor**’s laconic delivery of the **Tony Hatch** classic Down Town, pop at its best delivered with style. ![](https://www.scenemag.co.uk/content/images/2026/07/Mother-Clap-Illustration-2-1.jpg) **John McPherson** then gave us Wicked Little Town from Hedwig And The Angry Inch and he simply nailed it! **Jade’s** Angel Of My Dreams next from the whole chorus and their excellent Toxic, far better than the original but then I do have a deep seated dislike of **Britney Spears**, I mean hit me Britney, you just mime! **Alanis Morisette’s** Uninvited next then a solo from **Jonnny Gannon** with a touch of **Kylie’s** Love At First Sight. Church from the entire chorus had real poignancy and for me a highlight came next with What Was I Made For. Why a highlight? Well for once a solo, **Kevin Prince,** backed by the whole chorus and beautifully done. **Hugh Cooper’s** Empty Chairs and Empty Tables from Les Mis, a song about the loss of friends sat so well in the whole evening. BGMC’s life on Mars always stands out and musical director **Tim Nail’s** arrangement works so well and **Joe Paxton’s** mash up of **Kylie** and **Madonna** Better Devil Vogue is a showstopper for sure and the revisited list of icons here as queer icons is very moving and punched home with great projected graphics. Part two opens with Scared Of The Dark by **Steps,** a poignant link to the darkness to come in the drama and then a solo from **Ben Fowler** of Undercover. And the drama is back and darker than before as the story unfolds. Jonathan Taylor is truly excellent as the prosecuting council as the gay men are taken to trial. ![](https://www.scenemag.co.uk/content/images/2026/07/WhatsApp-Image-2026-07-26-at-5.36.47-PM-1.jpeg) Another Tim Nail arrangement next with **Bowie’s** Where Are We Now, fingering the fact that in our present world the fought for freedoms that gay man and women have been able to enjoy are being chipped away by the emergence of a new fascistic right wing threat. **Rod Edmunds** always delivers a beautifully sung solo and this time The Sky Above The Roof was no exception. **Raye’s** I Know You’re Hurting was perhaps the least successful piece of the evening, but sitting just before Tim Nail’s next arrangement it had a lot to live up to. I was so excited to see I Do And I Don’t Care in the programme having heard it previously and to say the least been blown away. And blown away I was once more. It is a brilliant piece of writing, Self Esteem is such a talent, and **James Waite**, **Chris Hutchinson** and **Rod Edmunds** make it work so effectively against the precision of the choir who clearly are loving the challenge. **Sadao Ueda** acts a song, his moving performances always work and Chosen Family was a perfect choice of song to show this. ![](https://www.scenemag.co.uk/content/images/2026/07/Mother-Clap-Illustration-3-1.jpg) Somewhere, **Bernstein** and **Sondheim,** from West Side Story worked well within the theme and **Chris Hutchinson** sang it with heart and soul. The Power Of Love, **Holly Johnson’s** queer anthem, sat well as the penultimate song and hoorah for another solo backed by the full chorus, **Jessie Booth** floating his voice above the mass sound. But the still power of this needed to be followed by an uplifting finale so what better than It’s Raining Men, an explosion of joy. A wonderful evening of song and words, the chorus are so good and especially when delivering a big sound. If I had anything to say to detract from that it would be that I wished that they employed the confidence that they clearly have in those big numbers to the gentler and quieter moments, the talent is there for sure. Of course we demanded a finale and what a bonus for those of us who, for whatever reason, did not go to the beach to see Fat Boy Slim. Video footage of the BGMC presence on his stage, the choir singing along, somewhat chaotically, and finally exploding from the stage and dancing in the aisles. They were having fun and that energy was infectious. ***Andrew Kay*** 24 July St George’s Kemp Town ### One dead and many injured after vehicle hits crowd at Berlin Pride URL: https://www.scenemag.co.uk/one-dead-and-many-injured-after-vehicle-hits-crowd-at-berlin-pride/ Last updated: 2026-07-25T22:18:39.000Z Berlin's annual Pride celebrations were abruptly brought to an end on Saturday evening after a vehicle drove into a crowd near the city's Tiergarten park, killing at least one person and injuring several others. German police have launched a major manhunt for the driver, who reportedly fled the scene on foot. The incident occurred during **Christopher Street Day** (CSD), Germany's largest LGBTQ+ event and one of Europe's biggest Pride celebrations. Hundreds of thousands of people had gathered in central Berlin for the parade and associated concerts around the Brandenburg Gate when emergency services were called to reports that a vehicle had struck pedestrians near the parade route. Berlin police said at least 15 people were injured, some seriously. One person later died from their injuries. Witnesses quoted by local media said a white van appeared to drive into the crowd at speed before the driver abandoned the vehicle and escaped. Authorities have not yet confirmed the circumstances of the collision or whether it was deliberate. Emergency crews, firefighters and police officers flooded the area as organisers cancelled the remainder of the event. Attendees were instructed to leave the Brandenburg Gate concert site and avoid the Tiergarten area while investigations continued. In a statement issued on social media, Berlin police said they were conducting an intensive search for suspects and urged members of the public to stay away from the scene. Authorities have so far released few details about the driver or any possible motive. The tragedy cast a shadow over what had been a peaceful day of celebrations. Christopher Street Day is held annually in Berlin to promote LGBTQ+ rights, equality and inclusion, drawing participants from across Germany and beyond. The event had featured a large parade through the city centre, accompanied by music, performances and political demonstrations. Investigators are expected to work through the night to establish exactly what happened. As of Saturday evening, police had not indicated whether the incident was being treated as an accident, a criminal act or a potential terror attack. This is a developing story and details may change as authorities provide further information. ### Megan Rapinoe defends trans athletes and warns anti-trans policies are 'an attack on women' URL: https://www.scenemag.co.uk/megan-rapinoe-defends-trans-athletes-and-warns-anti-trans-policies-are-an-attack-on-women/ Last updated: 2026-07-24T12:26:30.000Z Former United States football star **Megan Rapinoe** has spoken out in support of trans athletes, arguing that efforts to exclude trans women from sport are part of a broader attack on women's rights and empowerment. The two-time World Cup winner made the comments during an appearance on US talk show *The View*, where she challenged claims that restrictions on trans participation in women's sport are primarily about protecting female athletes. Rapinoe said anti-trans campaigners were using sport as a "wedge issue", exploiting public concerns about safety and fairness to target a vulnerable minority. "They're going after trans people in sports, and they're using this as a wedge issue because we love sports," Rapinoe said. "And, you know, we don't want our little girls to be unsafe in sports." The former US national team captain argued that some proposed policies risk policing how women look and present themselves, while subjecting girls and young women to intrusive scrutiny. She pointed to legislation being debated in Washington State that would require sex verification measures for some athletes. Rapinoe went further, claiming the wider political campaign against trans inclusion ultimately harms all women. "They don't like women in sports because it helps us with confidence and power," she said. "It's just great for you physically and all of it. But it's an attack on women in society." Her intervention comes amid renewed debate in the United States after Indiana Fever basketball player **Sophie Cunningham** reiterated her opposition to trans women competing in female sport. Cunningham said she believed it was important to protect girls and women in sport and stood by previous comments on the issue. Rapinoe has long been one of the most prominent advocates for LGBTQ+ rights in sport and has repeatedly called for greater inclusion of transgender people. Supporters of trans inclusion argue that sport should remain accessible to all and that transgender athletes deserve the same opportunities to participate as everyone else, while governing bodies continue to develop eligibility policies aimed at balancing inclusion and competition. ### Liverpool FC to join city Pride march as club marks 14 years of support URL: https://www.scenemag.co.uk/liverpool-fc-to-join-city-pride-march-as-club-marks-14-years-of-support/ Last updated: 2026-07-24T12:00:45.000Z **Liverpool FC** will join thousands of people at **Liverpool Pride** this weekend as the club continues its long-running support for the city's LGBTQ+ community. Players, staff, supporters, Official Liverpool Supporters Clubs, fan groups and representatives from the club's commercial partners are set to take part in Saturday's Pride march, one of the largest events in the city's calendar. As an official sponsor of Liverpool Pride, the Reds will once again march alongside members of the LGBTQ+ community and allies from across the region, continuing a relationship that stretches back more than a decade. This year marks 14 years since Liverpool became the first Premier League club to participate in a Pride march, a milestone the club says reflects its ongoing commitment to equality, diversity and inclusion through its **Red Together** initiative. The club has been involved in a range of Pride-related activities throughout the summer, bringing together supporters, colleagues and local communities. ![](https://www.scenemag.co.uk/content/images/2026/07/12558970529033013340-2.jpeg) Liverpool Pride Earlier this month, the **LFC Foundation** hosted its annual Pride football tournament, welcoming teams from several local leagues for a day focused on football, inclusion and community spirit. Representatives from the **Young People's Advisory Service** (YPAS) also attended to raise awareness of support services available to young people across Liverpool. The Foundation will continue its involvement during Saturday's celebrations, with a dedicated stand at Liverpool Pride where visitors can learn more about its community programmes and charitable work. Meanwhile, the club's annual Pride badge competition has once again showcased the creativity of young people connected to the Foundation. This year's winning design was created by Grace, a participant in Foundation programmes, whose entry was selected from 364 submissions by Liverpool FC's LGBTQ+ employee network. The winning badge will feature prominently throughout the weekend's events. Supporters can also show their support through Liverpool FC's Pride retail collection, available online and in official club stores. The range includes clothing and accessories, with a percentage of proceeds donated to local LGBTQ+ charities. The initiative has contributed £20,000 to LGBT+ causes to date. **Rishi Jain**, Liverpool FC's director of impact, said: "We're proud to once again support Liverpool's Pride, marching alongside our colleagues, supporters, partner networks and the wider community this weekend. "Red Together is how we make sure everyone feels welcome, valued and respected, and Pride is an important opportunity to celebrate that alongside our city. We look forward to coming together to show our support for the LGBT+ community." Liverpool Pride takes place on Saturday, with thousands expected to attend celebrations across the city as organisations, community groups and businesses come together to champion visibility, equality and inclusion. ### John Waters says younger LGBTQ+ people can never fully understand the AIDS crisis URL: https://www.scenemag.co.uk/john-waters-says-younger-lgbtq-people-can-never-fully-understand-the-aids-crisis/ Last updated: 2026-07-24T19:17:53.000Z Cult filmmaker **John Waters** has said he is proud to be an "old-school gay", reflecting on ageing, gay culture and the lasting impact of the AIDS crisis as he approaches his ninth decade. The *Pink Flamingos* and *Hairspray* director, who turned 80 in April, shares his thoughts in thedocumentary *Finding Fire Island*, which explores the history and culture of the famous LGBTQ+ destination off the coast of New York. Waters, one of queer cinema's most influential and provocative figures, says he has never felt pressure to conform to the body ideals often associated with gay male culture. "The younger people understand me and my films," he says in the documentary. "Even at the height of when I looked the best, I never was a 'Muscle Mary'." Instead, Waters said he identified more closely with the countercultural and flamboyant spirit of groups such as **The Cockettes**, the legendary San Francisco psychedelic drag troupe of the 1970s. "It's a culture that I know about," he said, referring to gym-focused gay stereotypes, "but to me, the hippie gay thing, the Cockettes and all that, was more radical and to my liking than, say, clones." The filmmaker's comments come as *Finding Fire Island* examines the changing face of LGBTQ+ life and culture across generations. Waters also reflected on the devastating impact of the HIV/AIDS epidemic, saying it remains one of the defining experiences separating older LGBTQ+ people from younger generations. "That's the main thing: If you're older, you remember that, and you can never convey what that was like to young people," he said. The second season of *Finding Fire Island* is hosted by journalist **Jess Rothschild** and explores the history, rivalries and communities that have shaped the island's place in LGBTQ+ culture. Rothschild said she had long wanted to feature Waters, who is more commonly associated with Provincetown, Massachusetts, but was keen to hear his memories of visiting Fire Island during the 1970s alongside his late muse and drag superstar Divine. "John Waters represents the idea that what society calls 'too much' can become a source of creativity, humour and power," she said. ![](https://www.scenemag.co.uk/content/images/2026/07/JohnWaters-byPhilipRomano-2.jpg) "I love how he speaks to being an outsider even within the gay community and relishing it. I think that's his primary message: the traits that make you feel out of place can become the foundation of your identity, your art and your community rather than something to hide." Best known as the self-styled "Pope of Trash", Waters built a career on celebrating outsiders, misfits and unconventional characters. Films including *Pink Flamingos*, *Female Trouble* and *Hairspray* helped establish him as one of the most distinctive voices in American cinema. The latest documentary also seeks to broaden perceptions of Fire Island itself. Rothschild said she deliberately included the voices of women, trans people and people of colour, arguing that portrayals of the destination have too often focused exclusively on white gay men. "Nearly every well-known piece of media about Fire Island was made by a man and is about the white, gay, male experience," she said. "This just perpetuates the stereotype that Fire Island is relentlessly male, which it is not." For Waters, however, the documentary is also a reminder that queer culture continues to evolve. Despite being one of the most recognisable figures in LGBTQ+ entertainment, he believes younger audiences still connect with his work because of its celebration of individuality and refusal to conform. *Finding Fire Island* is distributed via the **Broadway Podcast Network** and is available on YouTube, Spotify, Apple Podcasts, SiriusXM, and Amazon Music. ### Forget the shy boffin: Alan Turing was cheeky, funny and loved sex URL: https://www.scenemag.co.uk/forget-the-shy-boffin-alan-turing-was-cheeky-funny-and-loved-sex/ Last updated: 2026-07-24T11:41:59.000Z **Alan Turing** is remembered as the brilliant mathematician who helped crack the Enigma code during the Second World War and laid the foundations for modern computing. But experts say a newly highlighted gay short story is helping to reveal a very different side of the pioneering scientist: a witty, playful man who enjoyed sex, friendship and mischief. The story, which has attracted renewed attention from historians and LGBTQ+ researchers, challenges the popular image of Turing as a socially awkward genius isolated from the world around him. Instead, scholars argue, it offers a glimpse of a man who was far more complex than the stereotype that has dominated portrayals of his life for decades. ![](https://www.scenemag.co.uk/content/images/2026/07/Alan_Turing_Aged_16.jpg) Alan Turing aged 16 "People tend to remember Turing as a lonely mathematical prodigy," said one researcher. "What emerges from personal writings and contemporary accounts is somebody with a sharp sense of humour, a mischievous streak and an active interest in relationships and sex." Turing, who was born in London in 1912, became one of the most important scientific figures of the 20th century through his work at **Bletchley Park** and his groundbreaking theories on computation and artificial intelligence. Yet much of the public narrative surrounding him has focused on his tragic persecution for being gay. In 1952, he was convicted of gross indecency after admitting a relationship with another man. He was subjected to hormonal treatment, often described as chemical castration, and died two years later aged 41. Historians say that while this injustice remains a crucial part of his story, it should not eclipse the fuller picture of his life. The short story, they argue, portrays Turing as someone who embraced pleasure and intimacy at a time when homosexuality was criminalised in Britain. Rather than depicting a withdrawn academic, it presents a man capable of humour, flirtation and self-expression. ![](https://www.scenemag.co.uk/content/images/2026/07/Alan_Turing_-5025990183-.jpg) Researchers believe such material is important because it restores a sense of agency to historical LGBTQ+ figures who are often remembered only through the lens of discrimination. "Turing was not simply a victim," said one expert. "He was a human being with desires, relationships, friendships and a sense of fun. Recognising that does not diminish what happened to him. It makes him more real." The renewed interest comes amid wider efforts to reassess the lives of LGBTQ+ people who have traditionally been excluded from mainstream historical narratives. For many campaigners and historians, understanding Turing's personal life is just as important as celebrating his scientific achievements. His legacy has undergone a remarkable transformation in recent decades. Once prosecuted by the state, Turing is now commemorated through statues, museums, university buildings and even the £50 note. In 2013 he received a posthumous royal pardon, while subsequent legislation known informally as the "Alan Turing law" extended pardons to thousands of men convicted under historical anti-gay laws. Experts say the emerging picture is of a man who was not only one of Britain's greatest scientific minds, but also someone who lived, loved and laughed despite the restrictions of his era. "The public knows Alan Turing the genius," said one historian. "What these personal accounts reveal is Alan Turing the man: intelligent, funny, cheeky and unapologetically human." ### Exhibition celebrating trans joy opens at Brighton's Ledward Centre URL: https://www.scenemag.co.uk/exhibition-celebrating-trans-joy-opens-at-brightons-ledward-centre/ Last updated: 2026-07-24T09:50:06.000Z A new exhibition celebrating the lives, experiences and resilience of trans people has opened in Brighton. *Beyond The Binary – A Celebration of Trans Joy* launched ahead of **Trans Pride Brighton** at the **Ledward Centre** on **Jubilee Street**, marking the first exhibition under the LGBTQ+ community venue's new leadership team, Billie and Ellie. The free installation features a series of large-format window displays pairing portraits of trans individuals and community groups with personal stories and reflections. Designed to be accessible around the clock, the exhibition can be viewed from outside the building 24 hours a day, as well as from inside the centre's café during opening hours. The project is the work of **Proud Studios CIC** and Brighton photographer **Chris Jepson**, and showcases members of organisations including Trans Pride Brighton, the **Clare Project**, **Trans Can Sport**, **TReNBI FC**, **Misfits** and **Transkaters**. ![](https://www.scenemag.co.uk/content/images/2026/07/13260896928005509639.jpeg) Organisers say the exhibition aims to highlight joy, community and visibility at a time when trans people continue to face intense scrutiny in political debate, legislation and media coverage. **Chris Jepson**, photographer and director of Proud Studios, said: "Trans people are being talked about more than they're being talked to. This exhibition is my small attempt to redress that, stories told in the words and images of the people who live them, not the people arguing about them. [Ledward Centre set to reopen its doors this Brighton PrideAfter more than 14 months closed, Brighton’s Ledward Centre is throwing its doors wide open on Pride Saturday, 1 August, and the whole community is invited home![](https://www.scenemag.co.uk/content/images/icon/S-Logo-b3280876-63ca-4183-acf8-b3e17aa88208.png)Scene MagazineScene Editorial Team![](https://www.scenemag.co.uk/content/images/thumbnail/WhatsApp-Image-2026-07-15-at-9.34.28-PM--1--1-1-4f68b127-b9d9-4493-9988-3080326cc3c7.jpeg)](https://www.scenemag.co.uk/ledward-centre-set-to-reopen-its-doors-this-brighton-pride/) "It feels right that this opens just in time for Trans Pride Brighton this weekend, a moment built entirely around trans people speaking for themselves. Joy is not naive in this climate, it's necessary. Every time we choose visibility over silence, we're saying that trans lives are worth celebrating, not just defending." The Ledward Centre, which describes itself as Brighton's first LGBTQ+ community and cultural centre, will remain open throughout Brighton Pride weekend before returning to normal opening hours from **6 August**. The exhibition has previously been displayed at venues including Brighton's Jubilee Library and **Plus X Innovation** **hub**, as well as **Google UK**'s King's Cross and St Giles High Street offices in London. People unable to visit in person can view the exhibition online [via the Proud Studios website.](https://proud-studios.co.uk/exhibition-beyond-the-binary-at-the-ledward-centre?ref=scenemag.co.uk) ### Manchester named world's third most sexually liberal city URL: https://www.scenemag.co.uk/manchester-named-worlds-third-most-sexually-liberal-city/ Last updated: 2026-07-24T09:35:18.000Z **Manchester** has been named the world's third most sexually liberal city in a new international ranking, trailing only **Amsterdam** and **Vancouver** and outperforming **London** by a considerable margin. The **2026 Sexually Liberal City Index,** compiled by adult entertainment portal Erobella.com, compares 41 cities worldwide using 10 indicators, including the density of sex shops and LGBTQ+ venues, access to abortion and contraception, sex work legislation, and anti-discrimination protections. Amsterdam topped the ranking for a second consecutive year with 69.4 points out of 100, followed by Vancouver on 58.9\. Manchester secured third place with 58.6 points, climbing four places from seventh last year and recording its highest-ever finish. The biggest story in this year's index is Manchester's rise. The city comfortably outperformed every other UK destination, with **Glasgow** ranking eighth and **Birmingham** 17th. **London**, despite its size and international reputation, was relegated to 23rd place. ![](https://www.scenemag.co.uk/content/images/2026/07/Manchester_Pride_2013_-9593471428-.jpg) Wikimedia Researchers highlighted Manchester's renowned Gay Village and Canal Street district as key drivers behind its strong performance. The city recorded the second-highest density of gay bars among all 41 cities surveyed, surpassed only by **Miami**. The ranking arrives at a notable moment for Greater Manchester. It comes in the same month that **Andy Burnham**, who served as Mayor of Greater Manchester for almost a decade, entered Downing Street as Prime Minister. While laws relating to sexual freedom are determined at a national level, Manchester's LGBTQ+ scene expanded significantly during Burnham's tenure. The city-region became the first to appoint an LGBTQ+ adviser to a metro mayor, pursued a night-time economy strategy modelled on cities such as Amsterdam and Berlin, and launched a programme worth more than £1 million aimed at ending new HIV transmissions by 2030. Amsterdam secured a commanding lead at the top of the table, scoring highest in three categories: sex work laws, sex worker organisations and abortion rights. Combined with a strong queer events calendar and extensive LGBTQ+ nightlife, the Dutch capital finished more than 10 points clear of Vancouver. Vancouver's second-place finish was driven largely by strong scores on health and equality measures, while Manchester's nightlife and LGBTQ+ infrastructure propelled it into the top three. The report found that American cities generally combine vibrant LGBTQ+ and adult entertainment scenes with weaker scores on legal and policy measures. ![](https://www.scenemag.co.uk/content/images/2026/07/Manchester_Pride_-52318199340-.jpg) Wikimedia Miami achieved maximum scores across all four lifestyle categories measured, including sex shops, gay bars and LGBTQ+ events, yet still ranked only 10th overall due to low scores for sex work laws, gender affirmation protections and anti-discrimination measures. **San Francisco** was the highest-ranked US city in fifth place, benefiting from strong community infrastructure and the highest concentration of sex worker organisations in the index. **New York** performed less strongly than might be expected, placing 32nd, while Houston and Dallas also finished in the bottom third of the rankings. At the opposite end of the table, **Moscow** ranked last with 11.6 points, followed by **Tokyo** on 17.7 and **Cape Town** on 20.1. The report identified London as one of the more surprising underperformers. Despite being one of the world's largest and most diverse cities, the capital finished 23rd, behind Manchester, Glasgow and Birmingham. The full ranking can be viewed on the [Sexually Liberal City Index 2026](https://erobella.com/creative/liberal-cities-2026/?ref=scenemag.co.uk). ### Queer Bloomsbury to return to Charleston with talks, performances and open-air celebration URL: https://www.scenemag.co.uk/queer-bloomsbury-to-return-to-charleston-with-talks-performances-and-open-air-celebration/ Last updated: 2026-07-23T13:16:37.000Z **Queer Bloomsbury** will return to **Charleston** in East Sussex next month with a programme of talks, performances and outdoor celebrations exploring queer culture, history and community. The one-day event, presented by **Marlborough Productions** and Charleston, will take place on **15 August** and has been fully curated by **Queer Heritage South** for the first time. Organisers have described the festival as an "extravaganza of queer excellence", combining discussion, live art, performance and a large open-air party set against the backdrop of Charleston's historic gardens. At the heart of this year's programme is ***The Moment***, a keynote talk examining queer imagination, activism and solidarity in the face of growing challenges to LGBTQ+ rights. According to organisers, the discussion will explore the tensions between increasing visibility and representation for queer communities and what they describe as rising political, legal and cultural pressures, particularly around trans rights and bodily autonomy. The session is intended as a call for collective action, reflection and community support. Visitors will also be invited to explore Charleston's grounds as part of ***Queer Fayre***, an evening programme featuring performances, live art and site-specific experiences throughout the gardens. Artists and performers taking part include **Symoné**, **Brian Lobel**, **Emma Frankland**, **Subira Joy**, **Samson Dittrich** and **Charlie Wood**. Organisers said the event would transform the gardens into a space for creative encounters, drawing inspiration from the artistic legacy of Charleston, which was home to members of the influential **Bloomsbury Group** and has long been associated with artistic experimentation and self-expression. As evening falls, the festival will conclude with a large-scale outdoor celebration featuring DJs, dancing and special guest performances. Billed as a ***Midsummer Party***, the event aims to bring together visitors for a night of music and entertainment beneath the East Sussex sky, while celebrating queer history, culture and community. Guests are being encouraged to embrace the occasion with flamboyant summer attire inspired by Shakespearean characters and floral themes, with organisers calling on attendees to "dress to impress" for the festivities. Marlborough Productions, known for its work in queer performance and live events, said the 2026 edition of Queer Bloomsbury would offer an evening of celebration, creativity and connection, bringing together artists, activists and audiences in one of Sussex's most distinctive cultural settings. ## [More info and tickets HERE ](https://www.scenemag.co.uk/amsterdam-to-illuminate-53-landmarks-in-rainbow-colours-for-worldpride-2026/) ### Amsterdam to illuminate 53 landmarks in rainbow colours for WorldPride 2026 URL: https://www.scenemag.co.uk/amsterdam-to-illuminate-53-landmarks-in-rainbow-colours-for-worldpride-2026/ Last updated: 2026-07-23T10:20:25.000Z **Amsterdam** will light up dozens of its most recognisable buildings in rainbow colours during **WorldPride 2026**, as the Dutch capital prepares to welcome visitors from around the world for the international LGBTQ+ celebration. A record 53 landmarks, museums, hotels, businesses and cultural institutions have signed up to take part in the initiative, which will see façades illuminated from **25 July - 8 August** in a show of support for diversity, inclusion and equal rights. Among the locations taking part are **Amsterdam Centraal** station, the **Passenger Terminal**, **the Stopera**, **Eye Filmmuseum**, **the Johan Cruijff ArenA**, **the Van Gogh Museum**, **Paradiso**, **the Beurs van Berlage** and the **Ziggo Dome**. Organisers said the initiative would transform the city into an "Amsterdam Rainbow City", creating striking photo opportunities for visitors while highlighting the city's reputation for openness and hospitality. The illuminated buildings will remain lit between 10pm and 7am throughout the two-week WorldPride celebrations. A map showing all participating locations is expected to be released to help visitors plan their own walking routes around the city after dark. The official launch of the lighting programme will take place at Amsterdam Centraal on **25 July**, when a ceremony is scheduled between 10.30pm and 11.30pm to mark the start of the initiative. The celebrations will culminate on **8 August** with the **WorldPride March**, which is expected to attract thousands of participants from the Netherlands and abroad. Marchers will gather from 3pm near **Martin Luther King Park** on **President Kennedylaan** for speeches, performances and community events before setting off at 4.30pm. The procession will travel through the city to **Museumplein**, where the official **WorldPride Amsterdam 2026 Closing Concert** is due to begin at 5.30pm. WorldPride organisers said the celebrations aim to demonstrate that Amsterdam is a city where everyone can be themselves, regardless of sexual orientation, gender identity or background. ### Oradea Pride march in Romania banned for fourth consecutive year with authorities citing ‘public morality’ URL: https://www.scenemag.co.uk/oradea-pride-march-in-romania-banned-for-fourth-consecutive-year-with-authorities-citing-public-morality/ Last updated: 2026-07-23T09:54:35.000Z The mayor of **Oradea** in Romania has banned the city's Pride march for the fourth consecutive year, prompting accusations of discrimination from LGBTQ+ rights groups and renewed concerns over freedom of assembly in the country. **Oradea City Hall** issued an order signed by Mayor **Florin Birta** prohibiting this year's **Oradea PRIDE March**, citing concerns that the event would violate "social norms of conduct and public morality". The decision has been strongly criticised by local LGBTQ+ organisation **ARK ORADEA** and national rights group **ACCEPT**, which argue that the repeated refusal to allow the event amounts to a pattern of discrimination against the community. Despite the ban, organisers have said the march will go ahead on **25 July**, with participants due to gather outside Oradea City Hall at 4pm. In a joint statement, the organisations said four consecutive bans could no longer be dismissed as administrative difficulties, arguing that preventing the same community from holding a peaceful public demonstration year after year amounted to differential treatment with a discriminatory effect. **Iulian Dițiu**, president of ARK ORADEA, said the local authority's reliance on "public morality" as justification for the ban demonstrated what he described as "institutionalised homophobia". "Oradea City Hall explicitly cites 'public morality' in writing as the reason for banning our march, for banning our right to peaceful assembly," he said. "This argument confirms the existence of institutionalised homophobia and direct discrimination against our community, against LGBTQ+ people in Oradea, their families and friends, and against all citizens who support democracy and the rule of law by joining our protest." Dițiu argued that participants were exercising their constitutional rights rather than threatening public order, adding that local authorities were continuing to infringe fundamental freedoms. ![](https://www.scenemag.co.uk/content/images/2026/07/Oradea-Pride-scaled-2.jpg) **Victor Ciobotaru,** executive director of ACCEPT, also condemned the decision, comparing the reasoning behind the ban to arguments historically used to justify the criminalisation of LGBTQ+ people. "It is shameful that Mayor Florin Birta is relying on arguments that were used twenty-five years ago by those who defended the criminalisation of LGBTQ+ people," he said. Ciobotaru argued that the decision was incompatible with European human rights standards and effectively treated the public visibility of LGBTQ+ people as a legal problem. Organisers said they had complied with all legal requirements and had submitted notification of the march at the earliest date permitted by law. They also claimed to have proposed more than 100 alternative routes in an effort to reach an agreement with local authorities on a central route through the city. According to the organisers, every proposal was rejected. The dispute has attracted international attention. More than 150 organisations from over 30 countries have expressed support for Oradea PRIDE and called for the right to peaceful assembly to be respected. Organisers said the **Council of Europe**'s **Commissioner for Human Rights** had raised concerns about the situation, while several Members of the **European Parliament** have urged Romanian authorities to safeguard fundamental rights. They also said the **European Commission** was monitoring developments in light of Romania's obligations regarding the rule of law and human rights protections. Representatives from nine diplomatic missions accredited to Romania, along with officials from the **Romanian Ombudsperson** **Institution**, are expected to be present in Oradea to observe events surrounding the march. Campaigners argue that the repeated prohibition of the Pride march reflects a wider concern about shrinking civic space in Romania and raises broader questions about the protection of minority rights and democratic freedoms. The organisers maintain that the event is intended to promote freedom of assembly, freedom of expression and equal treatment, rather than to target any individual or group. Despite the latest prohibition, they insist the march will proceed, with supporters from across Romania and Europe expected to take part. ### Whoopi Goldberg slams transphobic trolls criticising Elliot Page's casting in The Odyssey URL: https://www.scenemag.co.uk/whoopi-goldberg-slams-transphobia-elliot-pages-casting-in-the-odyssey/ Last updated: 2026-07-23T08:52:35.000Z **Whoopi Goldberg** has hit back at critics questioning trans actor **Elliot Page**'s casting in **Christopher Nolan**'s *The Odyssey*, telling detractors: "If you don't want to see it, don't go see it." Speaking on ABC's daytime talk show *The View*, Goldberg defended Page and criticised those attacking the actor's involvement in the blockbuster adaptation of Homer's epic poem. The Oscar-winning actress was responding to ongoing criticism of Page's role in the film, which has drawn backlash from some conservative commentators and social media users. "A lot of conservatives who see this are going to feel the same way. That's okay," Goldberg said. "But I don't understand. Why go see the movie? If you don't want to see it, don't go see it. Why do you care who's cast in it?" She went on to dismiss calls for others to share the same objections, adding: "You don't like Elliot Page? Don't go see the damn movie. Don't do it. We will be okay if you don't go see it." ![](https://www.scenemag.co.uk/content/images/2026/07/elliot-page-odyssey-main.jpg.png) Elliot Page in The Odyssey The discussion followed comments by conservative pundit **Ben Shapiro**, who criticised the casting of Page, a trans actor, in the film. Goldberg and her fellow panellists argued that audiences should judge the movie on its merits rather than focusing on the identities of its cast members. Page plays the Greek soldier Sinon in Nolan's adaptation, following speculation before the film's release that he would portray Achilles. *The Odyssey* has proved a major box-office success, with Goldberg noting that the film's strong performance undermines many of the criticisms levelled at its casting. The EGOT winner also urged critics to stop attacking films they have not seen, while fellow *View* panellists praised the epic as a "masterpiece" and rejected suggestions that its casting choices should overshadow the story itself. ### LGBTQ+ adopters, foster carers and their children to debut in Brighton & Hove Pride Parade URL: https://www.scenemag.co.uk/lgbtq-adopters-foster-carers-and-their-children-to-debut-in-brighton-hove-pride-parade/ Last updated: 2026-07-22T15:20:45.000Z LGBTQ+ adopters, foster carers, special guardians and their children will parade en masse on **Saturday, 1 August**, in the **Brighton & Hove Pride** Parade. It’s the first time peer support charity **New Family Social** and its members will take part in the event. As the event draws near, New Family Social has limited remaining spaces in its walking group in the parade for LGBTQ+ members who live locally. The charity is calling for them to act now to secure their place. Brighton & Hove Pride’s 2026 parade theme is *The Power of Love*, to mark the event’s 35th anniversary. For New Family Social, joining the parade is an opportunity to champion the love, resilience and everyday visibility of its LGBTQ+ parent members. This is at a time when court cases, a challenging environment and a dramatic fall in some parts of the community adopting have all occurred. James Lawrence, Head of Communications & Engagement at New Family Social, said: ‘We’re thrilled to take part in the Brighton & Hove Pride Parade for the first time. Our LGBTQ+ adopters, foster carers and special guardians build loving, secure families every day. "Pride is a powerful moment to celebrate that visibility. But we’re aware our members face strong criticism daily. This is both online and in the media, from opponents of LGBTQ+ people adopting and fostering. The recent convictions in the horrifying and tragic **Preston Davey** case saw media coverage that deeply bruised LGBTQ+ adoptive families. ‘This year some members participating asked not to wear t-shirts highlighting that they are adopters or foster carers. There’s real concern that images from our attendance at Pride events will be used online to attack them. At the same time we all know that by being visible, we encourage our community to follow in our steps. ‘The need for more LGBTQ+ people to consider adoption or fostering is stronger than ever. In England there’s more children waiting for adoption than there are applicants. Those children can’t wait for our critics to turn their attention elsewhere. They need LGBTQ+ people to step forward now. So we will parade in Brighton to show that our families are successful. And because our country’s most vulnerable children need us to.’ LGBTQ+ adopters and foster carers in the region who are members of New Family Social can find out more about joining their walking group by[ CLICKING HERE](https://newfamilysocial.org.uk/?ref=scenemag.co.uk) ### Trump accused of spreading disinformation after making bizarre claim linking trans people to computer chips URL: https://www.scenemag.co.uk/trump-accused-of-spreading-disinformation-after-making-bizarre-claim-linking-trans-people-to-computer-chips/ Last updated: 2026-07-22T13:06:18.000Z A US congresswoman has accused **Donald Trump** of spreading disinformation after the President claimed that companies receiving billions of dollars in government funding for computer chip manufacturing were required to be run by trans people. The controversy erupted after Trump criticised the **CHIPS and Science Act**, a bipartisan law signed by former President **Joe Biden** that committed around $52 billion (£39 billion) to boost semiconductor manufacturing in the United States. Speaking at the **Pennsylvania Defence and Innovation Summit**, Trump claimed companies seeking funding under the scheme faced diversity requirements so strict that "if you weren't transgender, as an example, you didn't qualify". He went on to suggest firms were forced to search for trans people to run their businesses. ![](https://www.scenemag.co.uk/content/images/2026/07/Doris_Matsui_Official_Photo-1.JPG) ****Doris Matsui** However, the legislation contains no such requirement and makes no reference to trans executives. In response, Democratic congresswoman **Doris Matsui**, one of the architects of the CHIPS Act, publicly challenged the President's remarks. "As one of the architects of the CHIPS Act, let me be clear: Donald Trump is lying," Matsui said. She accused the President of "deliberately spewing disinformation to incite hatred and divide Americans" while attacking a major investment in manufacturing and economic growth. The comments prompted widespread confusion and criticism, with journalists and fact-checkers scrambling to establish what Trump was referring to. Multiple outlets reported that the law contains no provisions relating to transgender people and no requirement for companies to appoint transgender executives in order to receive funding. Some commentators speculated online that Trump may have confused the words "transistor" and "transgender", given that the legislation is focused on semiconductor manufacturing. However, fact-checkers found no evidence that he misspoke, instead concluding that he appeared to be making a broader political attack on diversity and inclusion policies. ### Macron appoints senator who opposed gay marriage to France's top rights watchdog role URL: https://www.scenemag.co.uk/macron-appoints-senator-who-opposed-gay-marriage-to-frances-top-rights-watchdog-role/ Last updated: 2026-07-22T12:32:49.000Z French President **Emmanuel Macron** has faced criticism after appointing a senator who campaigned against same-sex marriage to one of the country's most important human rights positions. Lawmakers narrowly approved Macron's nominee, **François-Noël Buffet**, as France's new *Défenseur des droits* (Defender of Rights) on **Tuesday, 21 July** backing the appointment by 43 votes to 39\. The independent watchdog is responsible for protecting citizens whose rights have been infringed and promoting equal treatment under French law. The appointment has sparked concern among LGBTQ+ groups and human rights campaigners because of Buffet's previous opposition to key equality measures. The right-wing senator, who represents the Rhône region around Lyon, campaigned against the legalisation of same-sex marriage in France and later opposed extending medically assisted reproduction to single women and lesbian couples. Critics argue that his record sits uneasily with a role tasked with defending the rights of minority communities and tackling discrimination. ![](https://www.scenemag.co.uk/content/images/2026/07/Paris_Pride_2025_02.jpg) Wikimedia **Nicolas Faget**, spokesperson for the **Association of Gay and Lesbian Parents and Future Parents** (AGPL), described the appointment as "both absurd and scary". He warned that an institution which has played an important role in protecting LGBTQ+ families from discrimination could now be led by someone who previously opposed those rights. The Defender of Rights office acts independently of the French government and has broad powers to investigate complaints relating to discrimination, children's rights, public services and law enforcement. The position has often been regarded as one of the country's most important safeguards for vulnerable and marginalised groups. According to reports in France, concerns about Buffet's appointment were also expressed within the watchdog's own organisation. Staff members reportedly voiced "dismay" and "shock" at the prospect of a politician whose views have diverged from many of the institution's recommendations taking over the role. Buffet has acknowledged his past opposition to same-sex marriage and has reportedly argued that his views have evolved since the debates that divided France more than a decade ago. However, his critics remain unconvinced, pointing to more recent votes on LGBTQ+ and reproductive rights issues. The 62-year-old lawyer succeeds journalist **Claire Hédon**, whose six-year term came to an end this week. During her tenure, Hédon frequently spoke out on issues including racial discrimination and police conduct. ### Michael Hendricks, campaigner who helped win same-sex marriage rights in Canada, dies at 84 URL: https://www.scenemag.co.uk/michael-hendricks-campaigner-who-helped-win-same-sex-marriage-rights-in-canada-dies-at-84/ Last updated: 2026-07-22T09:48:26.000Z **Michael Hendricks**, one of Canada's most influential LGBTQ+ rights campaigners and a pioneer of the country's marriage equality movement, has died aged 84\. Hendricks died on **18 July** after living with a degenerative lung disease, according to reports from Canada. He is survived by his husband, **René Leboeuf**. For decades, Hendricks was at the forefront of the fight for LGBTQ+ equality in Canada, campaigning for the rights of gay people during the HIV/AIDS crisis and helping to secure legal recognition for same-sex marriage. Alongside Leboeuf, Hendricks became part of Canadian history in April 2004 when the couple became the first same-sex couple to marry legally in Quebec. Their landmark wedding came after a six-year legal battle that helped pave the way for marriage equality across Canada. Same-sex marriage was subsequently legalised nationwide in Canada in 2005, with campaigners crediting Hendricks and Leboeuf's court challenge as one of the key moments in the country's journey towards equal marriage rights. Before his work on marriage equality, Hendricks was deeply involved in advocacy during the HIV/AIDS epidemic of the 1980s and 1990s. Together with Leboeuf, he worked with activists and community organisations to support people living with HIV and commemorate those who died during the crisis. ![](https://www.scenemag.co.uk/content/images/2026/07/Hendricks-leboeuf2.jpg) One of his most enduring achievements was helping establish **Parc de l'Espoir** in Montreal's Gay Village, a memorial dedicated to people from Quebec who lost their lives to AIDS. More recently, Hendricks successfully campaigned to protect the site when proposed changes threatened its future. Born in the United States in 1941, Hendricks moved to Canada after receiving a Vietnam War draft notice in 1968\. He settled in Montreal, learned French and dedicated much of his life to campaigning for social justice and LGBTQ+ rights. Over the years, he co-founded **Lesbians and Gays Against Violence**, helped establish influential LGBTQ+ advocacy organisations in Quebec and became a respected figure within Canada's queer community. Tributes have poured in following news of his death, with campaigners and community leaders praising his lifelong commitment to equality. Speaking to Canadian media, those who knew him described Hendricks as a devoted activist whose work transformed the lives of countless LGBTQ+ people. His legacy can be seen not only in Canada's legal recognition of same-sex marriage, but also in the generations of LGBTQ+ people who benefited from the rights and protections he spent decades fighting to secure. ### Reform UK and Restore candidates fail to show up at Greater Manchester LGBTQ+ mayoral hustings URL: https://www.scenemag.co.uk/reform-uk-and-restore-candidates-fail-to-show-up-at-greater-manchester-lgbtq-mayoral-hustings/ Last updated: 2026-07-22T09:18:53.000Z **Reform UK** and **Restore Britain** failed to attend a special LGBTQ+ mayoral hustings in **Manchester** on Tuesday night, leaving **Labour**, **Green** and **Liberal Democrat** candidates to answer questions on issues affecting the community ahead of the Greater Manchester mayoral election. Candidates took part in the event at **The Church** in Manchester's Gay Village on **Tuesday, 21 July**, which was organised by **LGBT Foundation.** However, Reform UK's **Sian Astley** and Restore Britain's **Marlon West** were absent despite being invited, according to organisers. Independent candidate **Marcus Farmer** and Conservative hopeful **Phil Eckersley** sent apologies after being unable to attend. The hustings saw Labour candidate **Bev Craig**, Green candidate **Geraldine Coggins** and Liberal Democrat **Richard Kilpatrick** answer questions on issues affecting LGBTQ+ communities across Greater Manchester, including Pride funding, housing, conversion therapy and trans rights. Opening the event, Craig reflected on moving to Manchester as a teenager and finding a place where she felt able to be herself. ![](https://www.scenemag.co.uk/content/images/2026/07/Councillor_Bev_Craig_Leader_MCC_2026-1.jpg) ****Bev Craig** "It's nice that we're having this in the Gay Village because like so many in our community, I came here at 18," she said. "When I came here, I quickly found a home and a place where I could be myself." The Labour candidate also spoke about the prejudice she has encountered during her political career. "I've spent my life in politics being told maybe I should grow my hair or be less gay," she said. "But the reality is, as your mayor, I'll always stand up for what's right and I'll always stand up for what I believe in." The three candidates found common ground on many of the issues raised throughout the evening, expressing support for banning conversion therapy, backing local Pride events and improving protections for LGBTQ+ residents. Asked about the importance of Pride, Craig described it as both a personal and political issue, recalling attending Pride marches in Belfast and elsewhere in Europe where participants faced hostility and abuse. "For me, pride is personal," she said. "It reminds me of the day I knew I wasn't alone." Green candidate **Geraldine Coggins** also reflected on her first Pride event, recalling attending **San Francisco Pride** as a teenager from Dublin in the 1990s. "That's what it means to me, it's about joy, it's about inclusion and it's about visibility," she said, while outlining plans for a £10 million community development fund to support local groups. ![](https://www.scenemag.co.uk/content/images/2026/07/Richard-Kilpatrick-790x527.jpeg) ****Richard Kilpatrick** Meanwhile, Liberal Democrat candidate **Richard Kilpatrick** described Pride as both a celebration and a protest, arguing there was still progress to be made on equality. "I think a democracy should be judged by how it treats its minorities," he said. "I think there's an opportunity for this city to lead from the front." One of the most passionately discussed topics of the evening was trans rights. Responding to a question about anti-trans rhetoric and the perception that lesbians are often portrayed as being opposed to trans inclusion, Craig rejected attempts to divide communities. "As one of the most visible lesbians in politics, \[this\] has weighed on me really heavily," she said. "People try and put my community against one of the most marginalised and demonised communities that we see in society at the minute and it's just not right." Coggins and Kilpatrick echoed support for the trans community, with the Green candidate calling for stronger action against online hate and far-right rhetoric, while Kilpatrick said Greater Manchester Police should face greater scrutiny to ensure hate crimes are properly recorded and prosecuted. ### Frankie Grande calls out femmephobia in the gay community URL: https://www.scenemag.co.uk/frankie-grande-calls-out-femmephobia-in-the-gay-community/ Last updated: 2026-07-22T09:01:42.000Z **Frankie Grande** has spoken about what he describes as “femmephobia” within the LGBTQ+ community, revealing that years of criticism from other gay men only began to make sense while writing his memoir, *Supergay*. The singer, performer and author said the process of reflecting on his life helped him identify a pattern behind much of the hostility he has faced throughout his career. Rather than dismissing it as online negativity or personal attacks, Grande believes the criticism was rooted in discomfort with overt expressions of femininity. Speaking backstage at the Broadway musical *Titanique*, Grande said he had long struggled to understand why he attracted so much negativity from within his own community. “I didn’t understand why I got so much hate from gay men, and it’s actually femmephobia,” he said. “I didn’t understand that.” The 43-year-old performer said the realisation prompted deeper questions about acceptance and identity within LGBTQ+ spaces. He reflected on why openly feminine men can still face judgement, even in communities that champion self-expression and authenticity. Grande has never hidden his love of glamour, often appearing in make-up, heels, glitter and eye-catching outfits. He said these choices are a genuine reflection of who he is, rather than a performance. “I choose to present myself as female oftentimes, very often, not as a drag queen, but because I love make-up and I love heels and I love glitter and I love tight revealing outfits,” he said. “These things are shocking and defy even queer gender norms.” The entertainer also revealed that his artistic inspirations were female pop icons such as **Britney Spears** and **Madonna**, rather than traditional male role models. “When I became a pop star, my very first thing I wanted to do was be Britney Spears. I wanted to be Madonna. I didn’t want to be a male character.” Grande argued that the prejudice he encounters is linked not only to homophobia but also to misogyny. He suggested that society often places greater value on masculinity, leading some people to view feminine traits as inferior. “It’s because I’m a man who chooses to present female. And why would you do that? Because women are deemed lesser,” he said. His comments arrive amid wider conversations about gender expression and the persistence of “masc-for-masc” culture in some sections of the gay community. Critics of the trend argue that it can marginalise feminine-presenting men and reinforce traditional gender stereotypes. Through *Supergay*, Grande hopes to encourage greater understanding and acceptance of diverse forms of queer identity. His reflections shine a spotlight on the challenges some LGBTQ+ people continue to face from within their own community, raising questions about how inclusivity can extend beyond sexual orientation to encompass gender expression as well. ### The Proud Trust calls on Prime Minister Andy Burnham to back LGBTQ+ young people URL: https://www.scenemag.co.uk/the-proud-trust-calls-on-prime-minister-andy-burnham-to-back-lgbtq-young-people/ Last updated: 2026-07-21T11:48:03.000Z An LGBTQ+ youth charity has issued an open letter to Prime Minister **Andy Burnham**, urging him to champion equality and inclusion at a time when many young LGBTQ+ people feel their rights and safety are under threat. **Rachel Williams**, chief executive of **The Proud Trust**, praised Burnham's long-standing support for LGBTQ+ communities in Manchester, saying his leadership had helped establish the city as a place where LGBTQ+ people are "welcomed, celebrated and valued". In the letter, Williams said Burnham's public backing of equality, including his participation in Pride events and support for diversity, had provided hope to generations of young people seeking acceptance and community. However, she warned that many LGBTQ+ young people now feel that progress once seen as secure is beginning to reverse. "The time for political courage is now," Williams wrote. The charity said it had witnessed growing anxiety among young people as debates around LGBTQ+ rights become increasingly hostile and polarised. Concerns highlighted in the letter include changes to school guidance, uncertainty around healthcare and what it describes as an increasingly negative tone in national discussions. ![](https://www.scenemag.co.uk/content/images/2026/07/481098179_658081873543076_2061876568826894338_n.jpg) Proud Trust According to The Proud Trust, the impact of those debates is being felt directly by the young people it supports. Williams said referrals to the organisation rose by 171% following the Supreme Court ruling in *For Women Scotland Ltd v The Scottish Ministers*, which she said reflected a growing need among LGBTQ+ young people for reassurance, support and safe spaces. "That wasn't simply an increase in demand for a service," she wrote. "It represented hundreds more LGBTQ+ young people reaching out because they needed reassurance, somewhere they felt safe, or simply someone to tell them they still belonged." The charity said many of the young people it works with face challenges including bullying, poor mental health, isolation and fears about coming out to family members. Increasingly, Williams said, young people are also expressing concerns that society is becoming less accepting of LGBTQ+ people. The letter argues that young people often feel they are the subject of political and media debate without having their voices heard. "They watch adults debate their identities on television, read headlines questioning their existence, and hear politicians discussing their futures, yet too few people stop to ask the simplest question of all: 'What do you need?'" Williams called on the Prime Minister to ensure all young people have access to safe schools, respectful healthcare, welcoming communities and properly funded youth services before they reach crisis point. She also urged Burnham to remember Manchester's history of solidarity and support for LGBTQ+ communities as he leads the country. "Equality is never something we achieve once and keep forever," she wrote. "It has to be protected, defended and strengthened, especially when doing so becomes difficult." The letter concludes with a direct appeal to the Prime Minister, urging him to stand alongside LGBTQ+ young people and build a society where their rights, dignity and identities are not treated as matters for political debate. "Please, be that leader," Williams said. ### REVIEW: 'Our Shadow Selves' by VG Lee URL: https://www.scenemag.co.uk/review-our-shadow-selves-by-vg-lee/ Last updated: 2026-07-21T11:38:04.000Z [**VG Lee's**](https://www.vg-lee.com/?ref=scenemag.co.uk) *Our Shadow Selves* is a slow-burn, seaside-gothic thriller that creeps rather than crashes. Artist Shona Blake moves in with Richard, the man who once exploited her darkest history, and old wounds reopen fast. The pair share a crumbling house in Hawksbridge, a town so atmospherically decayed it functions almost as its own character. Together they cling, seeking some kind of hetro sanctury but thier hearts toll queer. Nearby, in the condemned Miller building, squats the eccentric Gifford family; a mother clinging to faded beauty and lost youth, and her troubled son Sonny, for whom she'll do almost anything, including sourcing him companionship from the street. Initialy they thrill and empower Shona with their affirming blasé attitude, but then a body turns up... The novel circles a familiar but sharp question: when someone survives the unsurvivable, which version of themselves do they get to keep? That's where the title earns its keep, and where the book speaks most directly to queer readers, Lee has a stong queer confidence in her writing and although this is a story tangentially about queerness, its emotional logic; building, hiding, changing or shedding a self to get through the world, will feel recognisable to anyone who's had to code-switch or reassemble an identity. Shona's arc isn't redemption in the neat sense; she isn't becoming someone new. She's deciding which fragments of herself she's willing to actually claim. It's a quietly queer kind of reckoning, even unspoken. ![](https://www.scenemag.co.uk/content/images/2026/07/655601186_10164784349904772_3786420638098688961_n-1.jpg) Author V E Lee Photo credit: Davina Johnson Lee's earlier novels are known for droll wit; here, that same sharp eye on manners and appearance is repointed towards menace rather than comedy, and it works. [Lee ](https://www.instagram.com/vg8083/?ref=scenemag.co.uk)was nominated for a Stonewall Award for previous writing. She also served as a judge for the Polari Prize. This book drips gothic menace, full of crepuscular characters, buildings which loom, creak, crumble offer dank corners for lingering discomfort. The Miller building is alive with decay, offering glimpses of what was through it's dangerously decrepit infrastructures, and Mrs Gifford is a tremendous disturbing cross between Baby Jane, Miss Havisham and Mrs Danvers, I loved her! You can smell the coastal 'left behind' damp on this book as you turn the pages, Lee captures the very essence of a certain type of British seaside town, fading, but clasping layered secrets to its over-powdered bosoms. The plot is confidently built, flashbacks used with precision, we gradually learn more about our protaganists past as we move through the book, prose genuinely lovely even at its darkest. Pacing takes its time at first, but once the body turns up near the Miller building, the novel tightens fast, heading towards an ending that feels both inevitable and unsettling. The tensions between revenge and reinvention throb with ever increasing pressure. A moody, morally slippery read that gets under the skin, and stays there. More info or to order see[ publishers website here. ](https://muswell-press.co.uk/product/our-shadow-selves-9781068389382-paperback/?ref=scenemag.co.uk) ### Women's Tennis Association bans trans women from women's tour URL: https://www.scenemag.co.uk/womens-tennis-association-bans-trans-women-from-womens-tour/ Last updated: 2026-07-21T09:48:19.000Z The **Women's Tennis Association** (WTA) has effectively barred trans women from competing on the women's professional tour after introducing mandatory genetic testing for all players under a new eligibility policy. The governing body announced that players wishing to compete in WTA tournaments will be required to undergo a one-off test for the SRY gene, which is associated with male biological development. The screening can be carried out using either a cheek swab or blood sample and will become a condition of eligibility for competition. The move represents a significant departure from the WTA's previous policy, introduced in 2024, which allowed trans women to compete provided they met strict testosterone suppression requirements over a two-year period. Under the new rules, athletes found to possess the SRY gene will be ineligible to compete in the women's category, subject to limited medical exceptions. Trans inclusion advocates have criticised similar policies introduced across a growing number of sports, arguing that they exclude trans athletes despite there being no known trans women currently competing on the WTA Tour. Reuters reported that there are no known trans women active at any level of professional tennis, while the WTA itself acknowledged the issue remains highly sensitive and complex. In a statement, the WTA said the updated policy followed a review process and consultation with members, adding that player screening would be conducted with confidentiality and data protection safeguards in place. The organisation said it remained committed to treating all players "with dignity" while implementing the new regulations. The decision aligns the WTA with a wider trend among international sporting bodies. Similar genetic testing requirements have already been introduced by organisations including **World Athletics** and **World Boxing**, while the **International Olympic Committee** has also adopted eligibility rules based on a one-time sex determination test for women's events. However, LGBTQ+ organisations have warned that such measures risk further marginalising trans people in sport. Stonewall previously criticised comparable testing requirements introduced elsewhere, arguing that they contribute to increasing division around transgender participation in public life. The debate over transgender inclusion in sport remains one of the most contested issues facing governing bodies, with supporters of the restrictions arguing they are necessary to protect competitive fairness, while critics contend that blanket exclusions disproportionately affect a tiny number of athletes and can reinforce discrimination against trans communities. The latest WTA policy is likely to intensify those discussions in the months ahead. There has not been a publicly known transgender woman competing in a WTA Tour event since trailblazing player **Renée Richards**, who played on the women's professional circuit between 1977 and 1981\. ### Pride in Hull organisers to feature on Hull Trains podcast ahead of landmark anniversary celebration URL: https://www.scenemag.co.uk/pride-in-hull-organisers-to-feature-on-hull-trains-podcast-ahead-of-landmark-anniversary-celebration/ Last updated: 2026-07-21T09:01:49.000Z Organisers of **Pride in Hull** are set to share the story behind the region's biggest LGBTQ+ celebration on **Hull Trains**' **Moving Minds** podcast as the event prepares to mark its 25th anniversary this weekend. **Andy Train** and **Lee Pearson**, key members of the team behind Pride in Hull, will appear on the latest episode of the podcast to discuss the continuing importance of the event, which has grown into one of the city's flagship celebrations. The special episode comes as Hull Trains announces further support for Pride in Hull by offering free travel to and from the city on **Saturday, 25 July** for people attending the event from **Doncaster**, **Selby**, **Howden** and **Brough**. ![](https://www.scenemag.co.uk/content/images/2026/07/CWA-MovingMinds-StephSimmonsPhotos-1126.jpg) Steph Simmons Photos Hosted by former *Emmerdale* star **Gemma Oaten**, Moving Minds was launched earlier this year to coincide with **Time To Talk Day**. The podcast is recorded on board Hull Trains services along the **East Coast Main Line** and features guests sharing personal experiences and discussing mental health and wellbeing. During the latest episode, Andy and Lee reflect on the evolution of Pride in Hull over the past quarter of a century and the role it continues to play in championing inclusion and supporting LGBTQ+ communities. This year's event will centre around a main stage at **Zebedee's Yard**, featuring performances from Drag Race UK winner **Ginger Johnson** and West End star **Kerry Ellis**. Visitors can also enjoy a family area and community market. **Andy Train**, Chair of Pride in Hull, said: "We'd like to thank the team at Hull Trains for six amazing years of supporting this iconic event for the city. "On our 25th anniversary, Pride in Hull continues to be more vital than ever and it's an event that celebrates our city and the people who make it what it is. "Joining Gemma on the Moving Minds podcast is a really special moment for us to take stock, speak about our own personal stories and raise awareness of mental health within LGBTQ+ communities. I hope the episode is an interesting listen that also gives an insight into why Pride continues to be so important." **Gemma Oaten** said she was looking forward to attending the celebrations and hearing more about what visitors can expect. "I can't wait to head along to Pride in Hull this year, so getting the chance to get a sneak preview on what's coming up from Andy and Lee is amazing," she said. ![](https://www.scenemag.co.uk/content/images/2026/07/CWA-MovingMinds-StephSimmonsPhotos-1061.jpg) Steph Simmons Photos "Hosting this podcast is a dream come true because I get to champion the people who make our home city so special." Hull Trains, which has supported Pride in Hull for the past six years, says its backing of the event reflects its commitment to inclusivity and diversity. **Nathan Rayne**, Interim Service Delivery Director at Hull Trains, said: "We wanted to mark the 25th anniversary of Pride in Hull in style and what better way than to invite the team behind it onto Moving Minds? "The event continues to be a powerful opportunity to champion equality, respect and understanding, as we stand proudly in support of our LGBTQ+ communities." Moving Minds is available to watch on the [Hull Trains YouTube channel](https://www.youtube.com/channel/UCWe5Tc8MPyY0pOJPneZ3GSA?ref=scenemag.co.uk) and can also be accessed through major podcast platforms. Further episodes featuring celebrity guests and local figures are planned in the coming months. Meanwhile, thousands are expected to attend Pride in Hull as the event celebrates 25 years of championing equality, diversity and inclusion in the city. ### Zero Flags Commonwealth exhibition to shine spotlight on LGBTQ+ rights during Commonwealth Games in Glasgow URL: https://www.scenemag.co.uk/zero-flags-commonwealth-exhibition-to-shine-spotlight-on-lgbtq-rights-during-commonwealth-games-in-glasgow/ Last updated: 2026-07-21T08:19:16.000Z An outdoor exhibition highlighting the ongoing criminalisation of same-sex relationships across parts of the **Commonwealth** is set to open in **Glasgow** as part of the **2026 Commonwealth Games** programme. The exhibition, titled **Zero Flags Commonwealth**, will be unveiled in **Candleriggs** in Glasgow's **Merchant City** on **23 July** and will serve as the centrepiece of **Pride House Glasgow 2026**, the official LGBTQ+ community hub for the Games. The installation will feature the national flags of Commonwealth countries where consensual same-sex intimacy remains illegal. Each flag will be marked with a black mourning ribbon, symbolising the continuing impact of laws that affect LGBTQ+ communities across the world. Organisers say the exhibition aims to encourage public discussion about equality, inclusion and human rights, while drawing attention to the fact that around half of the Commonwealth's 56 member states still criminalise same-sex relationships. Many of these laws have historical links to Britain's colonial past. Visitors will be able to access additional information through interpretation panels and QR codes, providing insight into the legal and human rights challenges faced by LGBTQ+ people in the countries represented. **Hugh Torrance**, Executive Director of **LEAP Sports Scotland**, described the exhibition as one he hopes will eventually become unnecessary. He said: "Wouldn't it be wonderful if, at a future Commonwealth Games, there were no flags left to display?" The exhibition is a special Commonwealth edition of the internationally recognised **Zero Flags Project** and was developed through a partnership of organisations committed to equality, human rights and inclusion. According to organisers, the initiative was inspired by community consultation for Pride House Glasgow 2026, which highlighted a desire for meaningful conversations about LGBTQ+ rights to be visible beyond traditional event spaces. Pride House Glasgow 2026 will operate across a network of venues in Merchant City, including community, cultural and social spaces, rather than from a single location. The programme will feature discussions, workshops, performances and activities throughout the Games. The Zero Flags Commonwealth exhibition will remain on display throughout the Games, which run until 2 August, inviting athletes, visitors and residents alike to reflect on the progress made and the challenges that remain in securing equal rights across the Commonwealth. ### Mayor of Brighton & Hove to open HIV The Naked Truth photography exhibition during Brighton Pride week URL: https://www.scenemag.co.uk/mayor-of-brighton-hove-to-open-hiv-the-naked-truth-photography-exhibition-during-brighton-pride-week/ Last updated: 2026-07-21T08:07:14.000Z The Mayor of Brighton & Hove, Councillor **Theresa Fowler**, will open **HIV The Naked Truth**'s nude photography exhibition at a private viewing on **30 July 2026** during **Brighton Pride** week. Open to the public from **29 July - 2 August** at **Phoenix Art Space**, the exhibition features 14 LGBTQ+ HIV activists photographed by **Rodwey Olukoya**, each using their body to challenge the stigma surrounding HIV and empower people living with the virus. ![](https://www.scenemag.co.uk/content/images/2026/07/LEASUWANNA2.jpeg) ****LeaSuwanna Griffith** Among those featured are *Smoggie Queens* actor **Peter McPherson**, drag performer and activist **Daisy Puller**, HIV activist **LeaSuwanna Griffith**, Brighton-based activist **David Fray**, and **Joshua Royal**, founder of HIV The Naked Truth. Together with the other participants, they use portrait photography to encourage conversations around HIV, visibility and acceptance. The Mayor of Brighton & Hove, Councillor **Theresa Fowle**r, said: "Having lived my whole life in this fantastic city and raised my family here, I feel immensely fortunate to call Brighton & Hove my home. I understand what makes our city thrive. Serving as Deputy Mayor is a truly wonderful opportunity, and I am honoured to contribute to the community I deeply adore.” ![](https://www.scenemag.co.uk/content/images/2026/07/jOSH-1.jpeg) ****Joshua Royal** **Joshua Royal**, founder of HIV The Naked Truth, added: "Having the Mayor open the exhibition is a real honour. It reflects the importance of continuing conversations around HIV stigma and visibility, particularly during Brighton Pride. We're incredibly grateful for her support and look forward to welcoming guests to what promises to be a powerful and thought-provoking exhibition.” 💡 The Brighton exhibition follows the success of the **HIV The Naked Truth 2025 Gala**, held in honour of ****World AIDS Day**, which welcomed 150 guests and raised £3,300 for ****Positive East**. ### Zack Polanski, Bambie Thug and Zoë Garbett back London Trans+ Pride as organisers announce first-ever Trafalgar Square finish URL: https://www.scenemag.co.uk/zack-polanski-bambie-thug-and-zoe-garbett-back-london-trans-pride-as-organisers-announce-first-ever-trafalgar-square-finish/ Last updated: 2026-07-20T09:13:06.000Z Green Party leader **Zack Polanski**, musician **Bambie Thug** and Hackney Mayor **Zoë Garbett** joined activists, performers and community leaders at the **London Trans+ Pride** press launch as organisers revealed this year's march will end in Trafalgar Square for the first time. The announcement was made during the organisation's press launch at **Joiners Heart** in Hackney on Friday (**18 July**), ahead of the eighth annual London Trans+ Pride march on **Saturday, 25 July**. The event brought together activists, celebrities and community leaders, including Green Party leader **Zack Polanski**, musician **Romy**, Hackney Mayor **Zoë Garbett**, **Bambie Thug**, and stars from *Tip Toe*, *Sex Education* and *What It Feels Like For A Girl*. The launch comes amid growing public support for this year's event, themed *Our Future, Our Fight*, with messages of solidarity from figures including **Paul Mescal**, **Mel B**, **Michaela Coel**, **Jessie Ware**, **Jameela Jamil** and **Munroe Bergdorf**. ![](https://www.scenemag.co.uk/content/images/2026/07/Lewis-G-Burton---LT-P-organiser-2026_07_17---LTP---JADE-APHRODITE---V1---0-41.jpg) Lewis G Burton. Pic by JADE APHRODITE In a landmark announcement, London Trans+ Pride co-founder **Lewis G Burton** revealed that the march will finish in Trafalgar Square for the first time in its history. "Due to our growth, I am pleased to share some news with you all," Burton said. "For the first time, we are going to be ending our march at Trafalgar Square. One hundred thousand trans+ people and our allies will be descending on one of the most recognisable landmarks in the UK, and taking up that space audaciously." Last year's event attracted more than 100,000 participants, making it the largest Trans Pride march ever recorded. Speaking at the launch, Zack Polanski said solidarity across communities was more important than ever. "As a gay man, I understand when they come for one of us, they come for all of us, and ultimately we've got to stand together in solidarity," he told *Scene Magazine*. "This is about clarity, it's about leadership, it's about standing with people who are asking for them to stand with us. I'm not interested in words, I've turned up today, I'm interested in action. "Trans people are the canary in the coal mine, and as they roll back their rights, we know they'll be rolling back rights for disabled people, migrants, gay people and women too. We are all on the chopping block unless we all stand together." ![](https://www.scenemag.co.uk/content/images/2026/07/Trans-Kids-Deserve-Better-2026_07_17---LTP---JADE-APHRODITE---V1---0-69.jpg) Trans Kids Deserve Better. Pic by JADE APHRODITE The event came a day after London Trans+ Pride issued a statement criticising the updated **Equality and Human Rights Commission Code of Practice**, which is due to come into force on **5 August**. The organisation argued that the code "interprets the law" rather than changes it and pledged to continue campaigning against what it described as efforts to exclude trans people from public life. The press launch also featured a panel discussion chaired by Burton, with contributions from activist Rain Dove, *Tip Toe* actors **Iz Hesketh** and **Shakeel Kimotho**, Trans Unity Quilt co-creator **Mars Callick**, and London Trans+ Pride access team member **EM Williams**. ![](https://www.scenemag.co.uk/content/images/2026/07/Bambie-Thug-2026_07_17---LTP---JADE-APHRODITE---V1---0-6.jpg) Bambie Thug. Pic credit JADE APHRODITE A key theme of the discussion was the impact of recent legal and policy developments on trans people and wider society. **Rain Dove** described a social experiment in which members of the public were asked to determine which toilets different people should use. "No one got it right," Dove said. "It is wildly dangerous to see ourselves as ideas, not people." Kimotho argued that the issue extends beyond the trans community. "It's so much bigger than us, this is an everybody problem," she said. "Our fathers with long hair, our mothers with short hair, we are being scapegoated. "At London Trans+ Pride next week we must lean into everything we feel, be able to simultaneously hold joy and grief and revel in each other's incredibleness." Williams highlighted the organisation's commitment to accessibility, describing an "access consciousness programme" designed to ensure disabled attendees can participate fully in the event. ![](https://www.scenemag.co.uk/content/images/2026/07/Iz-Hesketh-2026_07_17---LTP---JADE-APHRODITE---V1---0-79.jpg) ****Iz Hesketh. Pic credit** JADE APHRODITE Meanwhile, Callick spoke about the **Trans Unity Quilt**, a 96-metre patchwork project co-created with **CN Lester** and the **Good Law Project**. Made up of more than 300 individual panels created by trans people across the UK, the quilt will be carried through London during the march before being housed at **Bishopsgate Archives** and exhibited at pride events around the country. "The quilt is about capturing the trans experience in fabric," Callick said. "There is a long history of textiles being used as resistance, to tell stories, to keep ourselves safe and to keep ourselves sane. We want it to inspire people to do more to fight for each other." Looking ahead to the march, actor **Iz Hesketh** said she was most excited about celebrating community and visibility. "What I am most excited about is being surrounded by trans joy," she said. "Seeing us happy and thriving just moving through London. I am excited to have a good time, because we deserve it." London Trans+ Pride returns to central London on **Saturday, 25 July**. The march will begin at Langham Place at 1pm before making its way to Trafalgar Square, where organisers expect tens of thousands of trans people and allies to gather. ### Brighton's Trans Pride march becomes the biggest yet - a kilometre of trans joy through the city URL: https://www.scenemag.co.uk/brightons-trans-pride-march-becomes-the-biggest-yet-a-kilometre-of-trans-joy-through-the-city/ Last updated: 2026-07-20T08:45:29.000Z More than 40,000 people marched through the streets of Brighton at the weekend for **Trans Pride**, the largest turnout the city has ever seen for the event, as Brighton & Hove's TNBI community and thousands of allies came together in what was an extraordinary display of trans joy. 0:00 /0:17 1× Trans Pride Old Steine 2026 The march, now in its fourteenth year, has grown from a small grassroots gathering into one of Europe's largest annual protests for trans liberation. At one point *Scene Magazine* was at the bottom of West Street, was at the very front of the march, while the back of it had still not left Victoria Gardens, a route stretching well over a kilometre and a jump on last year's numbers. It was a striking testament to the volunteer team behind Trans Pride, who year on year manage to deliver a joyful, safe and powerful protest march that lets tens of thousands of people walk together in solidarity under the trans and TNBI flags. ![](https://www.scenemag.co.uk/content/images/2026/07/Trans-Pride-Brighton-20261.jpeg) ![](https://www.scenemag.co.uk/content/images/2026/07/Trans-Pride-Brighton-20262.jpeg) ![](https://www.scenemag.co.uk/content/images/2026/07/Trans-Pride-Brighton-20263.jpeg) ![](https://www.scenemag.co.uk/content/images/2026/07/Trans-Pride-Brighton-20264.jpeg) ![](https://www.scenemag.co.uk/content/images/2026/07/Trans-Pride-Brighton-20265.jpeg) ![](https://www.scenemag.co.uk/content/images/2026/07/Trans-Pride-Brighton-20266.jpeg) ![](https://www.scenemag.co.uk/content/images/2026/07/Trans-Pride-Brighton-20267.jpeg) ![](https://www.scenemag.co.uk/content/images/2026/07/Trans-Pride-Brighton-20268.jpeg) ![](https://www.scenemag.co.uk/content/images/2026/07/Trans-Pride-Brighton-20269.jpeg) This year's event carried a clear focus on supporting trans youth, with banners and speeches at the start of the march, centring the wellbeing, safety and futures of young trans people in the UK. There was also a current of frustration and real anger running with the protestors, much of it a response to recent guidance from the ECHR that many in the community feel will inflict real harm and add layers of difficulty to already precarious lives. But that frustration never took over the day. It sat alongside the joy rather than against it, a reminder that for this community celebration and resistance have always walked side by side. Marching loudly and proudly through your own city, surrounded by people who love and support you, is itself a form of protest, whatever else is happening in the wider world. What struck so many people, marchers and onlookers alike, was the sheer scale of solidarity on display. This was Brighton's own large and long established TNBI community, joined by people who had travelled from right across the UK and further afield to be part of it. Alongside them marched thousands of allies from Brighton & Hove's LGBTQ+ groups, trade unions, charties, local businesses and faith groups, all turning out in person to show their support. 0:00 /0:33 1× Trans Pride Brighton march New Road 2026 The city's LGBTQ chorus sang the marchers by from New Road, leading rousing chants of solidarity that carried down the street long after the singers themselves were out of sight, a small but powerful reminder of how many corners of Brighton, Hove and Sussex showed up for the community. ![](https://www.scenemag.co.uk/content/images/2026/07/Trans-Pride-Brighton-202610.jpeg) ![](https://www.scenemag.co.uk/content/images/2026/07/Trans-Pride-Brighton-202611.jpeg) ![](https://www.scenemag.co.uk/content/images/2026/07/Trans-Pride-Brighton-202612.jpeg) ![](https://www.scenemag.co.uk/content/images/2026/07/Trans-Pride-Brighton-202613.jpeg) ![](https://www.scenemag.co.uk/content/images/2026/07/Trans-Pride-Brighton-202614.jpeg) ![](https://www.scenemag.co.uk/content/images/2026/07/Trans-Pride-Brighton-202615.jpeg) ![](https://www.scenemag.co.uk/content/images/2026/07/Trans-Pride-Brighton-202616.jpeg) ![](https://www.scenemag.co.uk/content/images/2026/07/Trans-Pride-Brighton-202617.jpeg) ![](https://www.scenemag.co.uk/content/images/2026/07/Trans-Pride-Brighton-202618.jpeg) Even the day's one attempt at dissent was met with the same spirit of care and good humour. A small counter protest of just four people gathered at the clock tower, and was swiftly and cleverly screened off from view by another choir holding a huge 20-metre long trans flag, turning what little opposition there was into little more than a footnote against the scale of joy surrounding it. Perhaps the most moving sight of the day was along the pavements themselves, where families of TNBI people lined the route to declare their support out loud, alongside parents, grandparents and siblings marching for the young trans people in their lives. Organisers and longtime attendees noted a clear increase on last year, with noticeably more families than ever turning out together to stand behind their trans loved ones, in public and with pride. ![](https://www.scenemag.co.uk/content/images/2026/07/Trans-Pride-Brighton-202619.jpeg) ![](https://www.scenemag.co.uk/content/images/2026/07/Trans-Pride-Brighton-202620.jpeg) ![](https://www.scenemag.co.uk/content/images/2026/07/Trans-Pride-Brighton-202621.jpeg) ![](https://www.scenemag.co.uk/content/images/2026/07/Trans-Pride-Brighton-202622.jpeg) ![](https://www.scenemag.co.uk/content/images/2026/07/Trans-Pride-Brighton-202623.jpeg) ![](https://www.scenemag.co.uk/content/images/2026/07/Trans-Pride-Brighton-202624.jpeg) ![](https://www.scenemag.co.uk/content/images/2026/07/Trans-Pride-Brighton-202625.jpeg) ![](https://www.scenemag.co.uk/content/images/2026/07/Trans-Pride-Brighton-202626.jpeg) There were many placards, loud samba bands, chants, banners in every shade of blue, pink and white, flags representing the diversity of TNBI, queer and LGBTQ+ communities, and there was a warmth to the crowd that stretched the full length of that kilometre-long route. Friends walked arm in arm. Strangers cheered each other on. The march brought the city to a standstill in glorious July sunshine, drivers in the static traffic along West St and the seafront honking their support. For a community so often talked about in the abstract, in headlines and in policy documents, this year's Trans Pride was a day to simply be present, together, in the sunshine, taking up space in a city that opened its streets to them. ![](https://www.scenemag.co.uk/content/images/2026/07/Trans-Pride-Brighton-202628.jpeg) ![](https://www.scenemag.co.uk/content/images/2026/07/Trans-Pride-Brighton-202629.jpeg) ![](https://www.scenemag.co.uk/content/images/2026/07/Trans-Pride-Brighton-202630.jpeg) ![](https://www.scenemag.co.uk/content/images/2026/07/Trans-Pride-Brighton-202631.jpeg) ![](https://www.scenemag.co.uk/content/images/2026/07/Trans-Pride-Brighton-202632.jpeg) For all the very real challenges the trans community continues to face, the march was, above everything, a protest and a celebration. A celebration of trans lives, of diversity, of chosen and birth family, of resilience and above all of joy and a loud vocal protest against the continued erosion of basic human rights that trans people are facing in the UK. That golden thread of protest and joy ran through the entire day, from the first gathering points through to the final steps of the route. Brighton's Trans Pride has always understood that visibility and celebration is its own kind of strength, and this year's event proved that on the biggest scale the city has yet seen. 0:00 /0:21 1× Trans Pride Brighton march West St 2026 ### Zack Polanski on standing with trans people: "When they come for one of us, they come for all of us" URL: https://www.scenemag.co.uk/zack-polanski-on-standing-with-trans-people-when-they-come-for-one-of-us-they-come-for-all-of-us/ Last updated: 2026-07-19T12:08:46.000Z Zack Polanski, leader of the Green Party of England and Wales, was the party leader to turn up at the London Trans+ Pride press launch on Friday, held at Joiners Heart, the new LGBTQIA+ space in Hackney run by Friends of Joiners Arms. Asked why so many invited politicians had stayed away, Polanski gave a frank response. "First of all, I think that's pretty sad," he told Scene. "Some politicians are hateful, let's put them in that category, and don't want to stand for trans rights. Hopefully we haven't invited them. And some politicians are terrified. They know that billionaire-backed media, any time you talk about trans rights, will come for you and try and savage you." His answer to that, he said, is simple. "My point is: do the right thing. This is about clarity, it's about leadership, it's about standing with people who are asking for us to stand with them. I think one of the reasons why I'm here is that, as a gay man, I understand when they come for one of us, they come for all of us. Ultimately we've got to stand together in solidarity." > [ View this post on Instagram ](https://www.instagram.com/reel/Da5S7NyqWY8/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Scene LGBTQ+ Magazine (@scenemagazineuk)](https://www.instagram.com/reel/Da5S7NyqWY8/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) ### "It's going to be important to rebel" The launch came days after the updated EHRC Code of Practice was given the green light, requiring public service providers to follow the guidance from 5 August in order to operate lawfully. Asked what he would say to teachers and head teachers facing that deadline, Polanski said he was worried for them. "The guidance is changing on 5 August and it absolutely doesn't need to. What I would say to them first of all is write to Andy Burnham, write to your MP. We've got this new Labour Prime Minister. This is an opportunity where, if the Labour Party wants to say it's progressive on LGBT rights, this is a moment to demonstrate it. I'm not interested in words. I've turned up today. I'm not even interested in who turns up. I'm interested in action, and the action has to be about challenging this guidance." Staying within the law, he said, teachers should still be prepared to push back. "It's going to be important to rebel. It's going to be important to speak out and say what's unworkable in your school. Unworkable is one thing. More important than unworkable is the dignity of trans and non-binary students. As a teacher or a head teacher, it is your first duty to make sure you're protecting the safety and security of the people you're looking after." Asked directly whether he expected the new Prime Minister to reverse course, Polanski was blunt. "My honest answer is no, I don't, because when you see the people that back him, I don't think he has any real interest in a progressive agenda." He tempered it slightly: "I don't want to be churlish, he's not had day one yet, maybe he's going to surprise me. And we've got to cling on to hope. If we challenge him, if we speak with one voice, there's always hope, because politicians listen to the loudest voice." ### "We are all on the chopping block" On the growing online noise that Pride is over-sexualised or no longer needed, Polanski called the argument ludicrous, and answered it with something personal. "When I went on London Pride, I had the most amazing day holding my boyfriend's hand. Even as a politician who is visible and confident, otherwise I wouldn't be visible, it still meant so much to me to hold my boyfriend's hand. And I know how much it meant to other people. They tell me all the time." He went home that evening, he said, to a rant from Tommy Robinson. "That kind of ranting is becoming more and more normalised because of the hatred that is being allowed to creep into our spaces, particularly our media and political spaces." The rights already won, he warned, are not safe. "They can be rolled back at any time. And they're being rolled back not just for trans people. Trans people are the canary in the coal mine. As they roll back their rights, we know they'll be rolling back rights for disabled people, migrants, gay people, women. We are all on the chopping block unless we all stand together. So Pride is incredibly important, and it's important even for those people who aren't LGBT, that you turn up and show solidarity." Asked whether he would be at Trans Pride next weekend, Polanski said he would not be able to make it this year as he is booked at another festival, adding that he has attended in previous years and will be back next year. ### London Trans+ Pride bigger and better than ever At Friday's press launch, which was attended by high-profile supporters such as Zack Polanski, Romy and Zoë Garbett, as well as stars from Sex Education, Tip Toe and What It Feels Like For A Girl, and community leaders who were rallying support ahead of Saturday's historic march, the organisers of London Trans+ Pride announced that the march would go from Langham Place to Trafalgar Square for the first time in its history. London Trans+ Pride organisers say they expect 100,000 people to fill Trafalgar Square on 25 July, under this year's theme, "Our Future, Our Fight". Last year's march, of more than 100,000 people, was the largest trans pride event in history. ### The Saturday Scene: The guidance bites, the community answers URL: https://www.scenemag.co.uk/the-saturday-scene-5/ Last updated: 2026-07-18T07:30:16.000Z _This post is for subscribers only._ ### Brighton Gay Men’s Chorus donates 25-metre hand-stitched Trans Flags to Trans Pride Brighton URL: https://www.scenemag.co.uk/brighton-gay-mens-chorus-donates-25-metre-hand-stitched-trans-flags-to-trans-pride-brighton/ Last updated: 2026-07-17T18:21:48.000Z **Brighton Gay Men’s Chorus** has donated two huge 25-metre trans flags to **Trans Pride Brighton** ahead of the main march taking place this **Saturday 18 July**. The two banners were created by the chorus for their Pride float last year, which celebrated two decades of the chorus as a trans inclusive space and staunch community ally. Painstakingly hand-stitched by a team from the chorus, led by **Jack Elliott**, the epic flags stretching out behind the float were an unmissable show of trans solidarity and support in Brighton Pride. **Joe Paxton**, Artistic Director for the chorus said: “At a time when trans people are increasingly under attack, it’s really important for us to use our platform and to stand shoulder to shoulder as allies with our own trans members and the wider trans community. “It's been amazing to see Trans Pride Brighton grow into the biggest Trans Pride event in the UK - it's absolutely Brighton at its best. It is a real honour that these special flags will now be part of their story.” The end of each banner featured a quiet dedication in preparation for their donation to Trans Pride Brighton. Jack had personally embroidered them with the words “Brighton Gay Men’s Chorus 2005-2025 Vocal trans allies for 20 years,” and “Brighton Gay Men’s Chorus 2005-2025 Celebrating 20 years of trans inclusion.” **Sarah Savage**, co-founder of Trans Pride Brighton, whose achievements were celebrated earlier in the year at the chorus’s *Heroes* show, said: “These awesome flags are so much more than the fabric they’re made from; they’re a symbol of love, solidarity and our shared history. “Knowing they were hand-made by a trans member of Brighton Gay Men's Chorus makes them even more special. “We see this as the Chorus entrusting Trans Pride Brighton with a community heirloom and as an incredible honour. We are deeply grateful for this beautiful gift and for the powerful message of solidarity that it sends.” Trans Pride Brighton has taken on the care and maintenance of the flags, as a lasting symbol of the chorus and wider community's allyship and solidarity with their trans siblings. At Trans Pride Brighton’s invitation, Brighton Gay Men’s Chorus will have the privilege of carrying the banners through the city in its march on Saturday, 18 July. The march starts at 12pm at Valley Gardens. ### 'You are welcome here.' Council leader Bella Sankey shares message to trans, non-binary and intersex communities ahead of Trans Pride Brighton URL: https://www.scenemag.co.uk/you-are-welcome-here-council-bella-sankey-shares-message-to-trans-non-binary-and-intersex-communities-ahead-of-trans-pride-brighton/ Last updated: 2026-07-17T14:26:07.000Z ***Words by Councillor Bella Sankey, Leader of Brighton & Hove City Council*** Tomorrow Brighton & Hove will once again host the largest Trans Pride protest in Europe and as Leader of **Brighton & Hove City Council** I couldn’t be prouder of this. Trans Pride remains an incredibly important event and one which we should all support. At a time when trans rights continue to be attacked and undermined, to see our Trans Pride grow stronger sends a defiant and important message. Our city has long been a beacon, where everybody has been able to find a safe place, a home, a community. This will not change. However hard people try in their attempts to divide us, to deflect anger onto specific communities, or to create fear and hatred where there should be love and kindness, they will not succeed. Not here. That Brighton & Hove is and always will be a place where everyone can be themselves, find their place and enjoy their best lives is not just something I believe in. It is central to our collective identity, our shared values and our commitment to each other. > "At a time when trans rights continue to be attacked and undermined, to see our Trans Pride grow stronger sends a defiant and important message." And it is a commitment Brighton & Hove City Council shares. As an employer and as a service provider, our council remains an unequivocally trans-inclusive organisation. These aren’t just words; it is a long-term and sustained commitment evidenced by continuing meaningful action and representation. We regularly meet – and crucially – listen to our TNBI communities. We understand the diversity of TNBI communities throughout the city and that everyone has different lived experiences. One size does not fit all and as an organisation committed to learning and reflecting the experiences and needs of our communities, we will always be grateful for the insight, guidance and, at times, the patience of our TNBI communities as we work to ensure nobody risks being excluded or negatively impacted by policy decisions. We will always take an evidence and insight-led approach. ![](https://www.scenemag.co.uk/content/images/2026/07/thumb-Trans-Pride-v2-.png) As a council we delivered the world's first community-led Trans Needs Assessment to better understand and respond to community priorities, ensuring that trans voices shape the policies that affect their lives. We continue to work from our updated trans inclusion toolkit for education settings to promote inclusive practice and support young people, recognising the vital importance of creating affirming environments where all students can thrive. And we are staunch in our support of intersectional inclusion across the services we deliver, while also providing funding, where available, to some of the many fantastic third sector and community organisations doing such crucial work in the city. While recognising its vital role as a protest event – and a non-political space – we also facilitate and support Trans Pride. > "If you are trans, non-binary, intersex, or gender diverse, you are welcome here." We understand how important this event is to so many and celebrate the vital space it creates for people in our city - a space for people to proudly stand up for their rights and the rights of their loved ones, to be together, support and celebrate one another, and to feel acceptance and joy. I would encourage everyone to get involved this weekend, to show their support, and to help make this year's Trans Pride another memorable occasion, because allyship has arguably never been more important. I understand that members of our TNBI communities are more likely to experience harassment, hate and abuse. That is not something I, or anyone else, can fix overnight. But we can – each and every one of us – let our trans neighbours know they are seen, they are heard, they are loved and they are accepted. That is everyone’s basic, fundamental right as an individual, but one which, sadly, we still do not all experience equally. This council – and this city – will continue to provide allyship, advocacy and support as together we continue to push for a world where that is not the case. On behalf of Brighton & Hove City Council, I'd like to wish everyone taking part a wonderful, meaningful and safe Trans Pride. And to our trans, non-binary and intersex communities I have this message: if you are trans, non-binary, intersex, or gender diverse, you are welcome here. Not tolerated. Not accommodated. Welcomed. Included by right, not by exception. We stand with you – today, tomorrow and always. ### 'Every trans person is a precious child of God’: Church in Wales vows continued welcome for trans people after EHRC draft 'guidance' URL: https://www.scenemag.co.uk/every-trans-person-is-a-precious-child-of-god-church-in-wales-vows-continued-welcome-for-trans-people-after-ehrc-draft-guidance/ Last updated: 2026-07-17T14:15:43.000Z The **Church in Wales** has reaffirmed its commitment to welcoming and supporting trans people following the publication of the **Equality and Human Rights Commission**’s (EHRC) draft **Code of Practice**. In a statement issued on **16 July**, the **Bench of Bishops** said the guidance had caused “fresh pain and anxiety” for many trans people and stressed that the Church would continue to offer an inclusive environment for worship, pastoral care and community life. The bishops said that while the draft Code sets out what organisations are permitted to do under the law, it does not define the Church’s mission or values. “A year ago, following the Supreme Court’s ruling, we said that every human being is a precious child of God, deserving of dignity and respect. We say so again today – without qualification,” the statement said. The bishops added that the Church in Wales would not use exemptions contained within equality legislation to exclude trans people from worship, the sacraments, pastoral care or participation in church life. Calling on congregations across Wales to provide “genuine sanctuary” for trans people and their families, the Bench urged public bodies to seek solutions that uphold the dignity of everyone rather than protecting some rights at the expense of others. Addressing trans members of the Church directly, the statement said: “You are known. You are loved. You are welcome here, as you are, always.” The statement was issued by the **Archbishop of Wales**, the Most Rev **Cherry Vann**, Bishop of Monmouth, alongside the bishops of St Asaph, Swansea and Brecon, Llandaff and St Davids. The Bench concluded by affirming that every trans person is “a precious child of God” and “a beloved part of the life of this Church”. ### £25 community tickets for Pride on the Park are now live URL: https://www.scenemag.co.uk/25-community-tickets-for-pride-on-the-park-are-now-live/ Last updated: 2026-07-17T11:42:44.000Z ### Pride on the Park community tickets are here [Brighton Pride](https://www.brighton-pride.org/?ref=scenemag.co.uk) is made by its community, and this year Pride Community Foundation is facilitating the community ticket scheme as a thank you to the people who show up for it. The readers, the volunteers, the fundraisers, the ones who march. Community tickets for Pride on the Park 2026 (Saturday 1 August and Sunday 2 August, Preston Park) are £25\. Allocation is limited and tickets are first come, first served. Every ticket bought through the scheme supports the Foundation's work across grant-making, Scene Magazine and our community programmes. [![CTA Image](https://www.scenemag.co.uk/content/images/2026/07/POTP-LOGO-2026_-TRIPPLE-STACKED_V2-with-blue-background-1.png)](https://www.pridecommunityfoundation.org/community-tickets/pcf-pride-2026?ref=scenemag.co.uk) Not made any plans for Brighton Pride yet? Let's change that! [Get your £25 ticket ](https://www.pridecommunityfoundation.org/community-tickets/pcf-pride-2026?ref=scenemag.co.uk) ### Zero HIV Stigma Day to return to Brighton on 21 July URL: https://www.scenemag.co.uk/zero-hiv-stigma-day-to-return-to-brighton-on-21-july/ Last updated: 2026-07-17T08:01:35.000Z *Words by Gary Pargeter, Service Manager at Lunch Positive* **Tuesday, 21 July** marks **Zero HIV Stigma Day**, a global initiative uniting people and communities to raise awareness of HIV and take action to eliminate HIV stigma in all its forms. This year’s local theme for Zero HIV Stigma Day is **Communities and Collaboration**. So, in the spirit of this theme, Brighton & Hove is marking the day by bringing together communities for a stage event in **Jubilee Square**, Brighton on **21 July** from **1-2pm**. Everyone is welcome to this event and can hear the experiences of people living with HIV from **Terrence Higgins Trust Positive Voices** and how we can all change negative narratives about living with HIV today. The event will be hosted by **Mary O’Kart**, “the look queen” and performance artist. ![](https://www.scenemag.co.uk/content/images/2026/07/zero-hiv-stigma-day-21-07-23-_c2_a9-simon-pepper-photography-7-scaled-e1690105794470.jpg) **Lunch Positive** is coordinating the event and will be providing information about the event and local services and offering free food and drink for people attending, there will be **Stigma Warriors** from the **Sussex Beacon** and representatives from **Brighton & Hove City Council** and **University Hospitals Sussex** giving updates on HIV in Brighton & Hove. We are fortunate to have the **Rainbow Chorus** performing again this year throughout the event. HIV continues to be a manageable, treatable health condition and most people living with HIV have a normal life expectancy. In Brighton & Hove, at the end of the year 2025, 95% people with HIV were already diagnosed, 99% were on antiretroviral treatment and 99% have an undetectable viral load that means they cannot pass on HIV to their partners. This is reflective of the extensive collaborative efforts of HIV services across the city and we are proud of the hard work, innovation and dedication that has got us to this point. There are a number of ongoing projects on HIV testing, **PreP**, prevention and supporting people with HIV to remain engaged in treatment and care. But we need to do more as a city and a community reduce the experiences of HIV stigma for people living with HIV in all settings. ![](https://www.scenemag.co.uk/content/images/2026/07/Unknown-1-2.jpeg) HIV stigma can hurt more than HIV itself and we know that stigma prevents some people having an HIV test or from accessing essential treatment and care. HIV stigma and discrimination leads to loneliness and isolation and negatively impacts on quality of life and participation in society. The **Positive Voices 2022** survey report highlighted that 45% of those surveyed felt ashamed of their HIV status and 30% reported low self-esteem. We need to change this. We want to see a city where people living with HIV feel they are treated the same as any person with any long-term condition. As the UK’s first **HIV Fast Track City**, Brighton & Hove is proud to be only city that publicly marks Zero HIV Stigma day as part of its ‘Towards Zero HIV’ strategy. This project is delivered in partnership, involving people living with HIV and a host of organisations including Brighton & Hove City Council, voluntary sector organisations, community groups and NHS services. By 2030, our goal is to achieve: ZERO-HIV stigma ZERO-new HIV infections ZERO-deaths from HIV We can only eliminate stigma if we all act and collaborate together. We invite everyone in Brighton & Hove to join in the activities, circulate on social media and be part of becoming the first Zero HIV Stigma city! Please come and show your support in Jubilee Square at **1-2pm** on **Monday, 21 July**. ### Civil society groups urge Romanian authorities to allow Oradea Pride march URL: https://www.scenemag.co.uk/civil-society-groups-urge-romanian-authorities-to-allow-oradea-pride-march/ Last updated: 2026-07-17T07:36:20.000Z A coalition of civil society organisations has called on Romanian authorities to guarantee the right to peaceful assembly by allowing the **Oradea Pride** March 2026 to take place on **25 July**. In a joint statement, the signatories expressed solidarity with local organiser **ARK Oradea** and the city’s LGBTQ+ community, urging both local and national authorities to uphold the rights protected by Romania’s Constitution, the **European Convention on Human Rights** and **European Union** law. The groups said they were concerned by reports that local authorities intend to reject all routes proposed for the march, despite organisers submitting their notification within the legal deadline and putting forward more than 100 possible route options. According to the statement, authorities have suggested a static gathering point instead of a parade route. However, the organisations argue that such an arrangement cannot replace the right to organise a public march and does not provide a genuine alternative to exercising freedom of assembly. The appeal comes after four consecutive years in which the Oradea Pride March has been unable to take place. The signatories said the repeated failure to authorise the event can no longer be explained by administrative or logistical challenges alone. “After four consecutive years in which the Pride March has not been able to take place, this can no longer be a matter of administrative or logistical difficulties,” the statement said. “The fact that the same outcome is reached year after year points to the existence of a practice that prevents the effective exercise of freedom of assembly.” ![](https://www.scenemag.co.uk/content/images/2026/07/Oradea-Pride-1024x993-2.jpg) The organisations stressed that Pride marches are not solely events for the LGBTQ+ community, but represent the exercise of fundamental democratic rights including freedom of assembly, freedom of expression and participation in public life. They warned that repeatedly restricting such events raises wider concerns about civic freedoms and democratic standards. “When an authority constantly prevents a community from assembling peacefully, a principle that concerns all citizens is affected,” the statement said. The signatories also linked restrictions on Pride events elsewhere in Europe to concerns about democratic backsliding and weakening respect for the rule of law. They warned that Oradea risks becoming, after Budapest, one of the few cities in the European Union where authorities repeatedly block a Pride march. “Such a precedent is incompatible with the values on which the European Union is founded: human dignity, freedom, equality, democracy, the rule of law and respect for human rights,” the organisations said. The statement further argued that religious freedom should not be used as grounds to restrict the peaceful assembly and expression rights of others, saying that all fundamental rights must coexist and enjoy equal protection in a democratic society. The groups emphasised that the Oradea Pride March is not intended to limit anyone’s rights and that organisers are seeking only the same treatment afforded to other public assemblies in the city. They called on the Mayor of Oradea, the municipal commission responsible for authorising public gatherings and other relevant institutions to approve a route that allows the march to proceed safely and effectively. They also urged Romania’s central authorities to monitor the situation and ensure that fundamental rights are respected throughout the country. “Protecting freedom of assembly in Oradea means protecting democracy in Romania,” the statement concluded. “When the freedom of one community is repeatedly restricted, the freedoms of all are affected.” The full list of organisations backing the statement is available on the **ILGA-Europe** website: [Joint statement of solidarity with Oradea Pride](https://www.ilga-europe.org/news/joint-statement-of-solidarity-with-oradea-pride-romania/?ref=scenemag.co.uk). ### Good Law Project to march giant Trans Unity Quilt at London Trans+ Pride URL: https://www.scenemag.co.uk/good-law-project-to-march-giant-trans-unity-quilt-at-london-trans-pride/ Last updated: 2026-07-16T12:53:17.000Z A giant community-made quilt celebrating trans lives across the UK will be marched through central London later this month as part of **London Trans+ Pride**. The **Trans Unity Quilt Project**, launched by campaign group **Good Law Project**, has brought together hundreds of trans people, family members and allies to create what organisers describe as a nearly 300-metre-long artwork celebrating the trans community. Inspired by the tradition of textile protest art, the project saw more than 300 individual patches distributed across the UK before being painted, sewn and appliquéd by contributors. The finished quilt features memorials, family collaborations, personal stories and references to shared experiences within the trans community. ![](https://www.scenemag.co.uk/content/images/2026/07/23.jpg) Clare: Perhaps surprisingly, I've found queer Christian spaces some of the most important for navigating my gender journey... The artwork will make its public debut on **25 July** when it is carried through the capital during London Trans+ Pride. Organisers are recruiting more than 200 volunteers to help carry the quilt from **Portland Place** to **Trafalgar Square**. Good Law Project said the quilt will be displayed in large panels, forming a bespoke trans flag stretching longer than an Olympic-sized swimming pool. The campaign group said the project was designed to bring “joy and hope” to trans people at a time when many feel under pressure amid ongoing debates around trans rights. **CN Lester**, co-creative lead of the project, said creating the quilt had highlighted the strength and diversity of the trans community. “Creating the Trans Unity Quilt has been a powerful lesson in the breadth, diversity, and strength of the UK trans community - and all of our friends and loved ones,” they said. ![](https://www.scenemag.co.uk/content/images/2026/07/280.jpg) Jane Thakoordin: This is my homage to Marsha P Johnson who was a trans revolutionary and trail blazer, changing the lives of so many trans and queer people “No two patches are the same, but sewn together they form a united message: that even under the weight of oppression we stand together in love, courage, and truth.” Fellow co-creative lead **Mars Callick** said the project drew on a long history of textile art being used by protest and resistance movements. “We’re joining this collective creative tradition, stitching together our experiences as a beautiful, diverse and resilient community, regardless of transphobia or hate,” they said. “We have always existed, and we always will.” According to Good Law Project, the quilt was created through workshops, social groups and community events, as well as contributions made in people’s homes across the country. ![](https://www.scenemag.co.uk/content/images/2026/07/92-2.jpg) In memory of Alice Litman, who died by suicide aged 20 on 26th May 2022\. It's made by Alice's mum and her friends, who designed each heart. After its appearance at London Trans+ Pride, the quilt will be housed at the **Bishopsgate Archives**. Organisers also plan to display sections of the artwork at Pride events around the UK and include it in larger exhibitions over the coming year. **Cat MacLean**, a policy adviser at Good Law Project, said the project offered trans people an opportunity to tell stories often overlooked in public discussions. “We’ve been fighting hard to protect trans people’s basic rights, and wanted to give the community an opportunity to share the parts of their lives that never get portrayed by the press,” she said. “The final product is an overwhelming vision of hope and love, displaying joy and resistance despite this intensely difficult time.” ### Ledward Centre set to reopen its doors this Brighton Pride URL: https://www.scenemag.co.uk/ledward-centre-set-to-reopen-its-doors-this-brighton-pride/ Last updated: 2026-07-16T12:05:48.000Z It has been more than a year since the **Ledward Centre** last welcomed the public through its doors, and the wait is finally, joyfully, almost over. The centre had originally hoped to reopen for Christmas 2025, but that date slipped after a complicated tangle of issues with the building's lease and some lingering legacy matters from the collapse of the **Rainbow Fund**. The new team running the Ledward Centre is entirely separate from, and has no connection to, the Rainbow Fund and they have simply been getting on with the job of building something brilliant. The centre will now reopen to the public on **Saturday, 1 August**, Pride Saturday itself. ![](https://www.scenemag.co.uk/content/images/2026/07/WhatsApp-Image-2026-07-15-at-9.34.28-PM.jpeg) Billie and Ellie — the new team behind the Ledward Centre **Billie Lewis,** centre manager, said the past 16 months had been a rollercoaster. “We have faced setbacks, barriers and obstacles well beyond our control, and at times it has felt relentless,” he said. “But we have persevered, buoyed every step of the way by the belief and support of so many people and organisations who share our values and understand exactly what this centre means to our communities. throughout it all, our determination has never wavered, to keep the Ledward Centre a space that is accessible, affordable, safe and inclusive, a true home for our community.” And honestly, it has been worth the wait. the team behind the Ledward Centre have worked tirelessly to bring the building up to a genuinely impressive standard, and the results speak for themselves. The centre is being finished as a top notch, fully functioning community space, fully accessible throughout, with accessible bathrooms, generous public areas and a canteen where visitors and groups can gather, chat and make themselves at home. New additions include air conditioning throughout the building and a new accessible toilet within the café. The centre hosts a variety of spaces that LGBTQ+ groups can use, along with public and private event hire. ![](https://www.scenemag.co.uk/content/images/2026/07/WhatsApp-Image-2026-07-15-at-9.34.30-PM--1-.jpeg) ![](https://www.scenemag.co.uk/content/images/2026/07/WhatsApp-Image-2026-07-15-at-9.34.30-PM.jpeg) new accessible cafe bathroom The team had hoped to have the centre open in time for [**Trans Pride Brighton** ](https://transpridebrighton.org/?ref=scenemag.co.uk)this weekend, but have confirmed they have not quite been able to finish the final details in time. Even so, the Ledward Centre is showing up in full support of Trans Pride and the city's trans, non binary and intersex communities, hosting [**Chris Jepson's** ](https://chrisjepson.photography/?ref=scenemag.co.uk#exhibitions)award winning [***Beyond the Binary***](https://proud-studios.co.uk/exhibition-beyond-the-binary-at-the-ledward-centre?ref=scenemag.co.uk) exhibition, a real celebration of trans joy across the whole run of its windows facing **Jubilee Street** for the entire Brighton Pride season, a bright and visible welcome ahead of the doors properly opening. “Even before our own doors were fully open, we knew we had to show up for Trans Pride,” said Billie. “This centre exists to be a true home for our whole community, and that has to include showing up loudly for our trans, non binary and intersex family, not just once we were ready, but right from the start.” ![](https://www.scenemag.co.uk/content/images/2026/07/WhatsApp-Image-2026-07-15-at-9.34.29-PM.jpeg) The exhibition is being described as an introduction to the level of visibility the Ledward Centre intends to maintain going forward, with the venue committing to supporting local artists, creatives and activists to be seen and heard from its city centre home. The road to reopening has not been an easy one. The team has battled numerous setbacks and struggles along the way, all in pursuit of making the Ledward Centre welcoming. “We want the Ledward Centre to be one of the best community venues anywhere in the south east, and a leading LGBTQ+ space in this city,” said Billie. “Every single setback along the way has only made us more determined to get this right, for everyone who has been waiting for us to come home.” ![](https://www.scenemag.co.uk/content/images/2026/07/WhatsApp-Image-2026-07-15-at-9.34.30-PM--2-.jpeg) The Ledward Centre will be fully open to the public on **Pride Saturday**, **1 August**, running from **12 - 6pm**, and again on **Pride Sunday**, **2 August**, from **10am - 4pm**. So grab your friends, your flags and your chosen family, and come and see the space for yourselves. Every LGBTQ+ person, allies and their chosen family is warmly invited through the doors. ![](https://www.scenemag.co.uk/content/images/2026/07/WhatsApp-Image-2026-07-15-at-9.34.31-PM.jpeg) The Ledward Centre, Jubilee Street, Brighton The café will be serving a wide selection of hot and cold drinks, cakes, pastries and snacks, plus baguettes, salads, sandwiches and jacket potatoes, with meal deals available too. Regular opening hours will then begin from **Thursday, 6 August**, with the centre open Thursday, Friday and Saturday from **10am - 6pm**. The team say they anticipate opening on additional days later in the year, so keep an eye on their website and socials for those updates. “We cannot wait to welcome you back to your community centre,” Billie said. “To everyone who has stood by us on this journey, thank you, from the bottom of our hearts.” 💡 You can learn more about the Ledward Centre, including opening times and how to get involved, at [ledwardcentre.org](https://ledwardcentre.org/?ref=scenemag.co.uk), or by following @theledwardcentre on social media. ### 'I was told to go to hell': Stockport councillor says he suffered broken bones in homophobic attacks URL: https://www.scenemag.co.uk/i-was-told-to-go-to-hell-stockport-councillor-says-he-suffered-broken-bones-in-homophobic-attacks/ Last updated: 2026-07-16T11:46:14.000Z A Stockport councillor has revealed he suffered broken bones after being physically assaulted and subjected to homophobic abuse because of his sexuality. **Liberal Democrat** councillor **Jamie Hirst**, who represents Offerton, spoke about his experiences during a debate on a motion aimed at reaffirming **Stockport Council**’s support for the LGBTQ+ community. The motion, brought forward by the council’s Liberal Democrat leadership, expressed concern that LGBTQ+ people in the borough are facing increasing hostility and called for further action to support the community. Speaking at a full council meeting on 9 July, Cllr Hirst said the motion was “about making sure families like mine never have to justify their existence again”. He told councillors he had suffered physical attacks in the past that left him with broken bones and had been told by strangers that he was “sick, depraved, and going to hell”. Despite significant progress in LGBTQ+ rights, including marriage equality, Cllr Hirst said discrimination remained a problem and had worsened in recent years. “Over the last few years and particularly over the last few months people have felt perfectly entitled once again to tell me I should go to hell, gay people shouldn’t have children, that children would be better off without parents like me,” he said. The councillor added that the debate was not about seeking special treatment but protecting hard-won rights. “It isn’t about special treatment. It’s about protecting the progress that people fought for, and making sure we do not step backwards,” he said. Ahead of the meeting, **Stephen Bowyer**, chair of **Stockport Pride**, said members of the LGBTQ+ community continued to face hostility as debates around LGBTQ+ rights became increasingly polarised. He said the organisation regularly encountered abusive comments on social media, including “slurs, insults, harassment, stereotyping, misinformation and threats”. Mr Bowyer added that many LGBTQ+ residents still altered their behaviour because of concerns about discrimination. “Many are reluctant to hold their partner’s hand in public because they fear harassment. Others avoid using public toilets because they do not feel safe,” he said. He welcomed the council’s backing, saying it sent a clear message that Stockport was a welcoming place for everyone, regardless of sexuality or gender identity. The motion was overwhelmingly approved by councillors. Council leader **Mark Roberts** said he hoped the vote would send “a very clear message” that Stockport remained an open and inclusive borough. However, **Reform UK** group leader **Brian Battle** said he could not support the motion, arguing that discrimination should be tackled across the board and criticising what he described as a “complex and badly worded motion”. Cllr Battle said some members of his party had also experienced intimidation and unfair scrutiny, although he acknowledged the historic discrimination faced by LGBTQ+ people, including members of the armed forces. His comments drew criticism from other councillors. Labour’s **James Frizzell** said the remarks had “got no place in this council chamber”, while Cllr **Laura Clingan** said ongoing discrimination against LGBTQ+ people remained deeply troubling. Speaking as a member of the LGBTQ+ community, Cllr Clingan added: “Maybe Councillor Battle needs to understand not everyone is marginalised and the LGBTQ+ community are targeted purely because of who they are.” ### Charity Commission probes mosque after imam claimed gay people would ‘destroy the human race’ URL: https://www.scenemag.co.uk/charity-commission-probes-mosque-after-imam-claimed-gay-people-would-destroy-the-human-race/ Last updated: 2026-07-16T08:58:23.000Z The **Charity Commission** has opened a regulatory compliance case into a west London mosque following complaints about alleged hate speech by one of its imams and concerns over a guest speaker with a history of extremist remarks. **Hounslow Jamia Masjid and Islamic Centre** is facing scrutiny after the **National Secular Society** (NSS) lodged a formal complaint with the charities regulator this week. The complaint centres on comments made by the mosque’s imam, **Shaykh Ammar Siddiqui**, and the mosque’s decision to host Egyptian preacher **Yusri Jabar**. The NSS raised concerns over a seminar held at the mosque in January 2023, during which Mr Siddiqui allegedly claimed that gay people would “destroy the human race” and appeared to defend the use of capital punishment for homosexuality in some Muslim-majority countries. The two-hour event, based on a book titled *Advice for the LGBTQ*, was uploaded to the mosque’s YouTube channel and was reportedly aimed at children. In the recording, Mr Siddiqui said: “There is no other way the LGBTQ sort of motive, the agenda, the purpose of that is to destroy the human race. Why? Because you cannot produce.” Addressing laws that impose the death penalty for homosexuality in some countries, he added: “The punishment is there to stop people from engaging in it. It’s a deterrence.” The complaint also highlights the mosque’s decision to host Mr Jabar, a social media preacher who has previously made comments calling for violence against Jewish people and expressing support for armed conflict against Israel. In a YouTube video published in January, Mr Jabar reportedly said: “Wars will stop after killing the Jews - there will be no wars after killing the Jews.” Despite calls for ministers to prevent his entry into the UK, Mr Jabar was allowed to travel to Britain and spoke at an event hosted by the mosque earlier this week. The mosque has also previously attracted attention because it was attended by **Asif Hanif**, one of the suicide bombers responsible for the 2003 attack on **Mike’s Place** bar in Tel Aviv. **Megan Manson**, head of campaigns at the National Secular Society, described the situation as “outrageous”, noting that the charity had received significant amounts of public funding. “We urge the Charity Commission to investigate these concerns and evaluate this organisation’s suitability as both a registered charity and the proprietor of a school,” she said. Ms Manson also called for reforms to prevent organisations from using charitable status to spread hatred and division. A spokesperson for the Charity Commission said charities “must not allow their premises, events or online content to become forums for hate speech against any community”. “The public, rightly, expects charities to bring people together, not to stoke division,” the spokesperson said. “When such allegations arise we will, within our regulatory remit, deal with it robustly. “Following serious concerns raised in the media about an individual connected to Hounslow Jamia Masjid and Islamic Centre, we have opened a regulatory compliance case to gather more information and to engage with the charity’s trustees. “We have since received a complaint from NSS and will be considering the contents of this complaint as part of our case.” ### Revenge and R-Bar back Trans Pride Brighton with fundraising drive URL: https://www.scenemag.co.uk/revenge-and-r-bar-back-trans-pride-brighton-with-fundraising-drive/ Last updated: 2026-07-15T15:20:13.000Z Two of Brighton's best-known LGBTQ+ venues are raising money for **Trans Pride Brighton** this weekend through special events and charity drinks promotions. **Revenge** will host a dedicated Trans Pride Brighton fundraiser on **Saturday, 18 July**, with £1 from every customer attending the venue donated to the annual Trans Pride event. A portion of sales from a range of limited-edition drinks created for the weekend will also go towards the fundraising effort. The fundraiser will take place alongside the club's regular *Confession Saturdays* event, which features pop, queer pop, dance music and R&B across two floors, as well as performances from guest artists and resident entertainers. ![](https://www.scenemag.co.uk/content/images/2026/07/740206325_1699297491115436_5789226927135128416_n.png-2.jpeg) The event is the latest in a growing number of fundraising initiatives being organised by Brighton's LGBTQ+ venues in support of Trans Pride, which returns to the city this weekend. Meanwhile, sister venue **R-Bar** is continuing its year-round support for the cause through sales of its "Crash the Cis-tem" shooter. The drink is sold throughout the year, with 50p from every shot donated to Trans Pride Brighton. The venue is currently offering the shooter as part of a two-for-£7.50 promotion. This year's Trans Pride Brighton is expected to attract thousands of people to the city, with fundraising events taking place across the weekend in venues throughout the city's LGBTQ+ quarter. ## [TICKETS HERE](https://events.revenge.co.uk/events/96210/confession-trans-pride-fundraiser?ref=scenemag.co.uk) ### Queens Arms launches third year of Trans Pride fundraising URL: https://www.scenemag.co.uk/queens-arms-launches-third-year-of-trans-pride-fundraising/ Last updated: 2026-07-15T13:21:42.000Z The **Queens Arms** will kick off its third consecutive year of fundraising for **Trans Pride Brighton** this week, with a series of events led by cabaret performer **Ophelia Payne**. Fundraising begins on **Thursday, 16 July** with ***Ophelia Payne's G Spot***, featuring guest performer **Cazeleon**. The celebrations continue on **Friday, 17 July** with the venue's annual charity musical, *Guys and Protect the Dolls*, which will see a cast of trans performers and allies stage a production after just six hours of rehearsal, with all proceeds going to Trans Pride Brighton. ![](https://www.scenemag.co.uk/content/images/2026/07/Unknown-5-3.jpeg) The evening will then continue with performances from **Lovina Belle** and an all-trans line-up hosted by Ophelia, who said the events are part of a wider effort that has helped grow support for Trans Pride across Brighton's LGBTQ+ nightlife scene. Two years ago, Ophelia joined fellow performers Suga, Charli and Rupert to organise one of the first dedicated Trans Pride fundraisers at Queens Arms, raising more than £4,500 for the event. Last year, she expanded the initiative by creating a **Day of Solidarity** during the Trans Pride Brighton weekend, encouraging venues across the city to host fundraising events for the annual celebration. ![](https://www.scenemag.co.uk/content/images/2026/07/Unknown-4-1.jpeg) Now, she says, support for Trans Pride Brighton has spread across Brighton's bar circuit, with venues organising their own fundraising events and activities. "I absolutely love that the bars are all supporting Trans Pride Brighton," Ophelia said. "It has been my mission over the past couple of years to get the circuit behind the event." She added: "It's been so heartwarming to see how much the community has grown and got behind Trans Pride Brighton, with every bar on the circuit doing Trans Pride events off their own backs. "At a difficult time for the trans community in Brighton, seeing the venues show solidarity and much-needed fundraising was exactly what I had set out to create, so to see it happen organically has been amazing." ![](https://www.scenemag.co.uk/content/images/2026/07/Unknown-3-1.jpeg) Ophelia was keen to stress that the success of this year's fundraising effort reflects a collective commitment from venues across the city rather than competition between them. She said years of work by the Queens Arms and its supporters had helped build momentum behind the cause, adding that it had been rewarding to see so many businesses now embracing Trans Pride and supporting the community through fundraising and events. Trans Pride Brightonhas become one of the city's largest annual community events, attracting thousands of people each year and raising funds for local trans-led projects and organisations. This year's programme of venue-led fundraisers is expected to continue throughout the Trans Pride weekend. ### Reform UK councillor calls for Pride flags to be removed from Southampton Civic Centre URL: https://www.scenemag.co.uk/reform-uk-councillor-calls-for-pride-flags-to-be-removed-from-southampton-civic-centre/ Last updated: 2026-07-15T12:22:40.000Z A **Reform UK** councillor has called for Pride flags to no longer be flown outside **Southampton's Civic Centre**, arguing that the city council should restrict flag displays to national and civic symbols. **Philip Crook**, who was elected to **Southampton City Council** in May, has tabled a motion seeking to limit flag flying at the council's headquarters to the Union flag, the St George's flag and Southampton's city flag. The proposal is due to be debated by the **Labour**\-run authority at a full council meeting. If approved, the move would prevent a range of flags currently flown at the Civic Centre from being displayed, including Pride flags and banners marking occasions such as **Black History Month**, **Windrush Day**, **International Women's Day** and **Vaisakhi**. Under the council's existing protocol, a number of commemorative and community flags are flown throughout the year. Crook said the proposal was intended to promote unity and avoid controversy. "I thought let's have one unifying flag that over centuries has represented us in good times and bad times," he said. "It unifies us as a country and that's the main purpose behind it and it removes any controversy." Local groups **Southampton Pride** and **Trans Pride Southampton** have voiced opposition, announcing an emergency protest. In a statement posted on Facebook, Southampton Pride said: “For many people, a Pride flag is not simply a piece of fabric. “It is a visible sign that says, ‘you are welcome here, you belong here, you will be treated with dignity and respect’. “When local authorities choose to fly the Pride flag during Pride month or significant occasions, they are not elevating one community above another. “They are recognising a community that has historically faced discrimination, exclusion and violence, while making a clear public commitment that everyone should be able to participate equally in civic life.” The statement adds: “Sometimes inclusion also requires visible acts that reassure communities who continue to experience prejudice that they are seen, valued and protected.” Trans Pride Southampton called on the council to expand its use of Pride flags. The group’s statement said: “This is a very hard time for especially trans people right not, and we call on the council to show solidarity with our community. ### Mexico's controversial first openly gay mayor shot dead aged 59 URL: https://www.scenemag.co.uk/mexicos-controversial-first-openly-gay-mayor-shot-dead-aged-59/ Last updated: 2026-07-15T10:56:59.000Z **Benjamín Medrano Quezada**, the first openly gay politician elected mayor in Mexico, has been shot dead at the age of 59. The former mayor of **Fresnillo**, in the northern state of **Zacatecas**, was killed in the city of **Guadalajara** on **7 July**, according to Mexican authorities. Local reports said he was shot several times after leaving an ice cream shop in the **Santa Elena de la Cruz** neighbourhood before the attacker fled the scene on a motorcycle. Investigators have not announced a motive and no arrests have been reported. Medrano made history in 2013 when he was elected mayor of Fresnillo as a candidate for the **Institutional Revolutionary Party** (PRI), becoming the first openly gay person to hold such a post in Mexico. He served as mayor until 2015 before representing Zacatecas in Mexico's Chamber of Deputies. In a statement following his death, **Fresnillo City Council** expressed its condolences to his family and friends, describing his death as an "irreparable loss". Before entering politics, Medrano was a well-known performer in Zacatecas, recording several albums of ballads and ranchera music. He also ran a gay bar in Fresnillo and was a prominent local businessman before beginning his political career as a councillor in 1995\. Despite his status as one of Mexico's most prominent openly gay politicians, Medrano often found himself at odds with much of the country's LGBTQ+ movement. A practising Catholic, he publicly opposed same-sex marriage, adoption rights for same-sex couples and Pride marches, arguing that Mexican society was not ready for such changes. In recent years, Medrano had faced legal scrutiny over allegations that he embezzled public funds while serving as president of the Board of Trustees of the **National Fair of Zacatecas** in 2019\. An arrest warrant was issued in 2022 after he failed to attend a court hearing, although reports said a judge later overturned the warrant in 2025\. His family maintained that the accusations were politically motivated. ### Gay couple who gave away 180,000 backpacks to homeless people die days apart URL: https://www.scenemag.co.uk/gay-couple-who-gave-away-180-000-backpacks-to-homeless-people-die-days-apart/ Last updated: 2026-07-15T10:15:32.000Z A gay couple who devoted years to helping homeless people by distributing backpacks filled with essential supplies have died within days of each other. **Jayson Conner**, 48, and **Jeffrey Newman**, 58, spent much of the past eight years supporting people living on the streets of New York through their charity initiative, **Backpacks for the Street**. Together with a team of volunteers, they distributed more than 180,000 backpacks containing items such as toiletries, socks, notebooks and food. Mr Conner died from a heart attack at the couple's home in Queens on **28 June**, according to his daughter, **Jewlia Conner**. Mr Newman died four days later, on **2 July**. His brother, **Glenn Newman**, confirmed his death but did not disclose the cause. The pair launched their backpack project in 2018 under the umbrella of their non-profit organisation, **Together Helping Others**. What began with a handful of donated backpacks grew into a major volunteer effort serving some of New York's most vulnerable residents. ![](https://www.scenemag.co.uk/content/images/2026/07/images.jpeg) Each week, dozens of volunteers gathered at a rented space in Queens to pack more than 100 backpacks before transporting them to Manhattan for distribution. Volunteers were trained not only to hand out supplies but also to engage respectfully with people experiencing homelessness, addiction and mental health difficulties. **Kristina Kashtanova**, who joined the organisation in 2020, said the couple's approach left a lasting impression. "It was fascinating to see how well they managed to communicate with people on the streets," she said. "They taught me how to be a better human and how to talk to people who were so different from me." The idea for Backpacks for the Street emerged after the couple recognised that many homeless people lacked even basic items to carry their belongings. After appealing on social media, they received almost 100 donated backpacks and large quantities of supplies within days. The contents of the backpacks were carefully considered. Winter packs included wool socks, while every torch was supplied with fresh batteries. The pair also included protein-rich foods that could be easily consumed by people with dental problems. ![](https://www.scenemag.co.uk/content/images/2026/07/Jayson-Conner-Jeffrey-Newman.jpg.webp) "We're not making little goody bags," Mr Newman told ABC News in 2020\. "We're really thinking out what it is people need the most. It's a labour of love." Demand for the service increased during the Covid-19 pandemic, when many people were reluctant to use homeless shelters because of fears over virus transmission. "The city has great programmes for the homeless, but there are many reasons why someone might not want to go to a shelter right now," Mr Newman said at the time. "Every bag we deliver can go a long way, especially during this crisis." For Mr Conner, the work was deeply personal. He had experienced homelessness, addiction and sexual abuse before rebuilding his life. Originally from Stockton, California, he worked in restaurants after attending culinary school. After a period of drug addiction and homelessness, he became sober in 2015. Speaking on the charity's website, he described homelessness as "soul-crushing", adding: "You never know where you'll find respite day after day, or if you'll eat or find warmth." Reflecting on the backpack initiative in 2020, Mr Newman said: "Everything about the backpack is about hope. We understand that it's not going to cure homelessness. But it does say to somebody, 'Hey, you know what? We care.'" Volunteers are now discussing how the programme might continue following the deaths of its founders, although no decisions have yet been announced. ### REVIEW: Auntie Mame (1958) URL: https://www.scenemag.co.uk/review-auntie-mame-1958/ Last updated: 2026-07-15T09:52:08.000Z Hello cinema lovers. This week's retro slot goes to a fossil of a movie that refuses to die, and thank god for that. ***Auntie Mame*** (1958) is not queer cinema the way we usually recognise it, but it's queer cinema in the way we've always decided. Before anyone was handing out permission slips. **Rosiland Russell** stars in this perfect vehicle that proves love has no limits, nor does kindness or sass. ![https://www.imdb.com/title/tt0051383/mediaviewer/rm1805853696/?ref_=ttmi_mi_7_2](https://www.scenemag.co.uk/content/images/2026/07/MV5BNmExOWZmMDEtNmI2NC00ZGU0LTg3NmUtMzhjYTM3ZGQ1ZDlmXkEyXkFqcGc@._V1_QL75_UX771_.jpg) ![](https://www.scenemag.co.uk/content/images/2026/07/MV5BMmEwZTY5MDgtN2NmNS00ZGQ3LThlMjgtNTRlYmJkOWY4MDYzXkEyXkFqcGc@._V1_QL75_UX769.5_-2.jpg) Orphaned in 1928 (rich people problems, this isn't *Annie*), young Patrick gets dumped on his aunt Mame, played by Rosalind Russell, an actress who took a role she'd already conquered on Broadway and decided the screen hadn't suffered enough. Russell had spent the '30s and '40s being typecast as Hollywood's reigning career gal in trousers, all clipped putdowns and withering one-liners. Auntie Mame was the role that let her finally be as over the top as she always wanted. Gay socialite Mame throws parties jammed with gin-soaked dandies. She loses her fortune in the Great Market Crash without missing a beat. She marries a Southern oil baron (**Forrest Tucker**), gets involved in a farcical fox hunt and works as a charmingly inept sales clerk in a department store. She spends two decades outlasting Patrick's stuffy trustee for sole custody of the boy's imagination and heart, and mostly wins. ![https://www.imdb.com/title/tt0051383/mediaviewer/rm1940071424/?ref_=ttmi_mi_7_1](https://www.scenemag.co.uk/content/images/2026/07/MV5BMmZjZTRjMTYtNzdmNy00MzQ4LWFiYzUtMDE0OWRmYzA5YTZiXkEyXkFqcGc@._V1_QL75_UX771_.jpg) **Peggy Cass** gives a terrific turn as secretary Agnes Gooch, sadly destroyed by precisely one wild night. Hers is a performance so committed to hysteria that it earned her an Oscar nomination for essentially one scene of falling apart in a cocktail dress. **Coral Browne** steals whatever scenes she can as boozy, cynical actress **Vera Charles**, a role she plays with such gusto that it feels she's waited her whole career for the role. The entire plot sprawls across two decades and endures constant redecoration and reinventions of mames expansive New York apartment. ![https://www.imdb.com/title/tt0051383/mediaviewer/rm413344768/?ref_=ttmi_mi_8_1](https://www.scenemag.co.uk/content/images/2026/07/MV5BNDBjZmFmN2UtOGYxZi00ZjQ5LTkyNjUtY2Y0NzNlZDk5M2JiXkEyXkFqcGc@._V1_QL75_UX774_.jpg) Russell is the main event here, obviously. Every camp gesture is calibrated within an inch of its life. Every line lands exactly where she's aimed it. shes Big, Fast and Fearless. Her characterisation is built for a Broadway show and somehow works on a cinema screen just as well. Russell originated the role on Broadway. Eight years after Norma Desmond introduced audiences to shrill monstrosity in *Sunset Boulevard*, Russell gave us Mame, a much kinder but no less formidable woman. There's a sharp scene in which Mame outwits some terrible antisemites that's as notable as it is satisfying. Director **Morton DaCosta** works like he originated this project on Broadway and has simply moved the proceedings to Hollywood. Scenes arrive and vanish at speed. **Orry-Kelly**'s costumes are amazing; he's a designer who'd already dressed many of Hollywood's divas and clearly saved his most bonkers ideas for a character that would appreciate the effort. The script is stuffed with quotable lines and is witty and thoughtful. The runtime is a little overlong but well worth the effort. ![https://www.imdb.com/title/tt0051383/mediaviewer/rm312681472/?ref_=ttmi_mi_9_1](https://www.scenemag.co.uk/content/images/2026/07/MV5BY2Y2ZDRiY2EtZjdiYi00NDViLWE3MGUtNGI1Y2FmZDZlZDdiXkEyXkFqcGc@._V1_QL75_UX769.5_.jpg) Here's the thing: Patrick is straight (and quite cute in later scenes). Mame is straight. Nobody comes out here. Nobody so much as glances sideways at someone of the same sex on screen. What do we get instead? Two unnamed women in tweed, obviously a couple, glimpsed at Mame's first party and never referenced again. No lines. No plot function. Just there on view as the backdrop of Mame's world, like nothing unusual is happening. Because to Mame, nothing is. That's the entire conceit in this movie, refreshing for its time. What *Auntie Mame* offers is a sensibility, camp before the word was used more commonly. A woman who chooses her family on merit instead of blood, who treats convention as something to be ignored rather than observed. **Patrick Dennis**, the bisexual novelist who created her, knew precisely what he was doing. Gay audiences have known precisely what to make of her once she arrived on screen. ![https://www.imdb.com/title/tt0051383/mediaviewer/rm2091066368/?ref_=ttmi_mi_6_2](https://www.scenemag.co.uk/content/images/2026/07/MV5BODdhNDJhZDAtY2M5OS00ZjI1LWEyMTUtMDk2MmNmMThjYzY3XkEyXkFqcGc@._V1_QL75_UX771_-2.jpg) Seek this movie out. It's a camp classic that modern audiences won't be aware of but really should be. We've all seen *The Wizard of Oz* and *All About Eve* before. They are fine movies, but Auntie Mame deserves a similar status. A recent remaster does right by the costumes and the shape-shifting apartment sets, and Russell's performance deserves the biggest screen you own. Its Essential viewing for anyone who's ever needed an aunt like this one, whether or not life was generous enough to provide her. Let her open such doors for you. Essential viewing. *Auntie Mame* is available to stream on Apple TV and Amazon Prime. ### ‘Discriminatory’ and ‘unworkable’ trans guidance comes into force on 5 August URL: https://www.scenemag.co.uk/discriminatory-and-unworkable-trans-guidance-comes-into-force-on-5-august/ Last updated: 2026-07-15T09:03:47.000Z Statutory guidance on the provision of single-sex services will come into force on **5 August**, following confirmation from Equalities Minister **Bridget Phillipson**. The code of practice, issued by the **Equality and Human Rights Commission** (EHRC), has attracted criticism from campaign groups and some MPs, who argue it will have significant consequences for trans people accessing public services. Critics say the guidance effectively treats trans people as a separate category, encouraging the use of alternative facilities rather than those designated for men or women. They argue this could lead to increased stigma, force some transgender people to disclose their gender identity, and create barriers to accessing services. Campaign group **Good Law Project** said the guidance would also place additional pressure on existing accessible facilities and could increase harassment of cisgender women. The organisation further disputes the code's interpretation of discrimination law. The guidance states that providing services for women and trans women is "very likely" to discriminate against cisgender men because they would be excluded from those services. ![](https://www.scenemag.co.uk/content/images/2026/07/yasmin-peyman-AVFW7wuPGVk-unsplash.jpg) Unsplash Good Law Project argues that position is inconsistent with a High Court ruling delivered in February. In that judgment, the court said there could be circumstances in which allowing trans women to use female facilities while requiring other biological men to use male facilities would amount to different, but not necessarily less favourable, treatment. The government has faced political opposition over the move. More than 160 MPs signed an Early Day Motion calling on ministers to reject the draft code before its adoption. **Jess O'Thomson**, trans rights lead at Good Law Project, said: "It is abhorrent that despite widespread opposition this government has continued its attacks on trans human rights. "The code is not only discriminatory, but utterly unworkable in practice - as so many organisations have repeatedly pointed out. The guidance gets the law wrong, and if service providers uncritically follow it, they may be acting unlawfully. "Worse than that – they will be causing immense harm, and helping to strip trans people of their rights." > "The code is not only discriminatory, but utterly unworkable in practice." Although the code applies directly to service providers and associations rather than employers, campaigners say it is likely to have a wider impact on organisations seeking to comply with equality law. Good Law Project is currently appealing against a separate High Court decision relating to the EHRC. The appeal argues that requiring trans people to use separate facilities amounts to discrimination and breaches their human rights. The outcome of that case could have broader implications for workplaces as well as services and associations, and may affect future interpretations of the law underpinning the guidance. ### Brighton LGBTQ+ venues to support Trans Pride Brighton URL: https://www.scenemag.co.uk/brighton-lgbtq-venues-to-support-trans-pride-brighton/ Last updated: 2026-07-14T16:17:20.000Z Brighton's LGBTQ+ community is coming together in support of **Trans Pride Brighton**, with venues, including **Charles Street Tap** and **Legends Brighton**, hosting fundraising events and entertainment programmes ahead of the city's Trans Pride on **Saturday, 18 July**. Charles Street Tap and Legends Brighton are among the venues backing Trans Pride Brighton, helping to raise funds and provide platforms for performers, activists and community members in the lead-up to one of the world's largest trans-led Pride events. ![](https://www.scenemag.co.uk/content/images/2026/07/747422610_1503937805081289_8818691720456655515_n.jpg) On **Sunday, 19 July**, Charles Street Tap on Marine Parade will host a dedicated **Trans Pride Fundraiser**, featuring cabaret performances from **Carmel Fleur** and **Ophelia Payne**, hosted by **Sally Vate**. The evening will include a raffle and fundraising activities, with proceeds going directly to **Trans Pride Brighton**. Meanwhile, nearby venue **Legends Brighton** has unveiled a three-day entertainment programme for Trans Pride weekend, featuring a host of drag and cabaret performers. ![](https://www.scenemag.co.uk/content/images/2026/07/746824134_1985518272074791_4070063392632163303_n.png-1.jpeg) The seafront venue will kick off events on **Friday, 17 July** with acclaimed performer **Billie Gold**, followed by **Portia n Pals – Episode 7** on **Saturday, 18 July** featuring special guest **Amy LaQueefa**. Sunday's programme includes appearances from cabaret favourites **Miss Lola Lasagne** and **Dawn the Drag Queen**, and a closing performance from **Sam Solace**. Legends said the line-up had been created to complement the city's Trans Pride celebrations and provide a welcoming space for people attending events throughout the weekend. [Home - Trans Pride BrightonTrans Pride 2026 We have such exciting plans for 2026\. Join us in Brighton on Saturday the 18th of July for what promises to be our biggest Trans Pride yet.![](https://www.scenemag.co.uk/content/images/icon/cropped-site_icon-1-270x270-6981bb03-8b13-4684-95e3-bc2fe7cbbf53.png)Trans Pride Brighton![](https://www.scenemag.co.uk/content/images/thumbnail/TP2021_sofayears_banner_image_04-92c8b563-200b-4581-8ddb-f3d6248ac699.png)](https://transpridebrighton.org/?ref=scenemag.co.uk) **Trans Pride Brighton** returns on **Saturday, 18 July**, bringing thousands of people to the city for what has become one of the largest trans-led Pride events in the world. Founded in 2013, the annual event celebrates trans, non-binary and gender-diverse lives while campaigning for equality, visibility and inclusion. This year's programme includes the traditional community march through the city, a park event featuring live music, speakers and community stalls, and a range of fringe events taking place across Brighton & Hove throughout the weekend. ### Good Law Project withdraws ‘Monster’ campaign following backlash URL: https://www.scenemag.co.uk/good-law-project-withdraws-monster-campaign-following-backlash/ Last updated: 2026-07-14T15:33:33.000Z **Good Law Project** has apologised to members of the trans community and withdrawn its ‘Monster’ campaign after concerns were raised about how it had been received. In a statement issued by executive director **Jo Maugham**, the legal campaign organisation said it had listened to criticism from the trans community and instructed its media partners, including *Scene*, to remove the campaign. The campaign, titled *Monster*, was created by artist **Martin Firrell** and was intended to address what the organisation described as opposition to trans people's rights, spaces and joy. According to the Good Law Project, the campaign was designed to speak primarily to cisgender audiences and had been positively received during testing with allies and members of the team involved in its development, including trans people. However, the organisation acknowledged that the campaign had damaged trust among some within the trans community. “We want to apologise for how the ‘Monster’ campaign has been received by the trans community,” the statement said. “We’ve heard you - and we’ve instructed our media partners to take the campaign down.” The Good Law Project said the campaign had been funded through a single donation and had generated at least one four-figure contribution during its brief run. The organisation also defended the intentions behind the project, arguing that it is important to engage both the trans community and the wider public in efforts to tackle anti-trans sentiment. Despite that, Maugham said the impact of the campaign on trust within the community outweighed any potential benefits. “All of this is true – but none of it matters if it damages the trust we enjoy with the trans community and it has,” the statement said. “So it will be taken down today.” The organisation reiterated its commitment to supporting trans people and highlighted other projects it has backed, including the 86-metre **Trans Unity Quilt**, which is due to be carried along the route of **London Trans+ Pride** later this month before appearing at further events outside the capital. Maugham concluded by offering a further apology to those upset by the campaign and thanked members of the trans community who continue to support the organisation’s work. “We remain, as ever, extraordinarily grateful to the many members of the trans community who continue to support our work for the community,” the statement said. ### Lumo unveils new Pride Train celebrating LGBTQ+ organisations and communities URL: https://www.scenemag.co.uk/lumo-unveils-new-pride-train-celebrating-lgbtq-organisations-and-communities/ Last updated: 2026-07-14T11:36:12.000Z Rail operator Lumo has unveiled a newly redesigned Pride train celebrating the organisations, volunteers and communities championing inclusion across the UK. The all-electric train, which operates services between **London King’s Cross**, **Newcastle**, **Edinburgh** and **Glasgow**, now carries the logos of several LGBTQ+ organisations supported by the operator, including **Pride Radio, OUT North East, Edinburgh Pride** and **Glasgow Pride**. The train was officially unveiled by community volunteers alongside a former **Mr Gay GB**, highlighting the partnerships that help make Pride events and year-round inclusion initiatives possible. Lumo says the redesign is intended to shine a spotlight on the organisations working throughout the year to support LGBTQ+ communities and create safe, welcoming spaces where people can be themselves. **Richard Salkeld**, Lumo’s Director of Communications and Partnerships, said the train reflects the company’s commitment to inclusion beyond Pride season. “We’re proud to welcome everyone onboard at Lumo,” he said. ![](https://www.scenemag.co.uk/content/images/2026/07/Pride-Train---Three.jpg) “Each logo featured on this train represents an organisation that works incredibly hard throughout the year to champion inclusion, support LGBTQ+ communities and create places where people can feel safe to be themselves. We are pleased to help shine a light on that great work. “At Lumo, we believe our role is about far more than connecting towns and cities. It's about connecting people, communities and opportunities. That's why we're proud to place our partners' logos alongside our own. It's a visible reminder that when organisations work together, we can create something far greater than any of us could achieve alone.” The launch comes after Lumo was named **Best Small Employer in Scotland** at this year’s Proud Scotland Awards in Glasgow. **Peter Darrant**, Chief Executive of OUT **North East**, welcomed the continued partnership with the rail operator. “Our partnership with Lumo goes well beyond branding on a train,” he said. “It reflects a genuine commitment to inclusion, equality and allyship, with Lumo standing alongside OUT North East and **Pride Radio** throughout the year. “Seeing our logo travelling the length of the country on a Lumo train sends a powerful message to hundreds of thousands of passengers that LGBTQ+ people belong, that inclusion matters and that businesses can play an important role in supporting our communities. That's what Pride – and true allyship – is all about.” While Lumo’s trains have carried Pride branding since 2023, the latest redesign focuses on the organisations and volunteers whose work extends beyond annual Pride celebrations. Ahead of **Glasgow Pride** this weekend, representatives from LGBTQ+ organisations in North East England and Scotland came together for the launch, symbolising the connections between communities along Lumo’s route. A spokesperson for Glasgow Pride said the partnership helps reinforce the message that Pride belongs in every community. “We are incredibly proud to partner with Lumo, an organisation that shares our commitment to celebrating diversity and fostering inclusion,” they said. “Seeing the Glasgow’s Pride logo travelling across the UK is a powerful reminder that Pride belongs everywhere and in every community. This partnership helps amplify our message of equality and encourages people from all backgrounds to stand together in support of LGBTQ+ people.” ![](https://www.scenemag.co.uk/content/images/2026/07/Pride-Train---One.jpg) **Edinburgh Pride** also praised the initiative, describing it as an example of how businesses can use their platforms to support inclusion. “Pride is about visibility, community and belonging, and seeing our organisation represented on a train connecting communities across Britain sends a powerful message that everyone deserves to feel welcome, wherever they travel,” a spokesperson said. The Pride train forms part of Lumo’s wider programme of community partnerships, which includes work with charities, cultural organisations, educational institutions and local groups across its network. The operator says colleagues will take part in more Pride events than ever before this summer, supporting celebrations in Newcastle, Gateshead, Edinburgh, Stirling and Glasgow. Lumo recently expanded onto the West Coast Main Line, introducing direct services between Stirling and London, and is also supporting **Stirling Pride**, which is due to take place on **29 August**. ### Dr Natacha Kennedy: "The government’s guide to harming trans children in school" URL: https://www.scenemag.co.uk/dr-natacha-kennedy-the-governments-guide-to-harming-trans-children-in-school/ Last updated: 2026-07-14T11:00:49.000Z *Words by Dr Natacha Kennedy, a trans academic from Goldsmiths University* There’s no point in beating about the bush, the government’s new anti-trans “guidance” for schools is about harming trans children in the same way [its puberty-blocker ban has already harmed](https://www.tandfonline.com/doi/full/10.1080/09589236.2025.2521699?ref=scenemag.co.uk) many of them. Probably the worst headline measure being introduced is permitting transphobic teachers and classmates to legally abuse trans kids by misgendering them constantly, because they apparently have the right to “gender-critical” beliefs. In my view any teacher who does this should never work with minors again. Horrific, but the rest is as bad. The government wants people to use the term “gender-questioning, instead of “trans” for trans kids. In effect it is trying to enforce as standard the decades-old “just a phase” myth used against cis LGB people. If the state-supported bullying was not enough, trans kids will be constantly forced to use the wrong toilet and effectively banned from school sports and trips. Additionally schools will, in effect, be required to teach transphobic rhetoric and will be allowed to ban children from socially transitioning (that is a non-medical transition involving changing appearance, name, pronouns etc). The “gender questioning” designation is not just the institutionalisation of Just A Phase but it makes false assumptions about trans children. [My own research](https://www.tandfonline.com/doi/abs/10.1080/19361653.2020.1816244?ref=scenemag.co.uk) has shown that, by the time a child has got to the stage where they are coming out to any adult, almost all are well past “questioning” their genders usually by many years or months, they have thought about it and know who they are; the [very low rate](https://www.erininthemorning.com/p/kansas-judge-eviscerates-anti-trans?ref=scenemag.co.uk) at which trans children stop being trans is clear evidence of this. This false “questioning” designation also tries make their lives permanently precarious and to justify this inhuman treatment of them. In my view all school staff should avoid using this term except in the very rare instances where a child is genuinely questioning their gender. ![](https://www.scenemag.co.uk/content/images/2026/07/thiago-rocha-wwiJE6j8UcA-unsplash-2.jpg) Unsplash Then there is the issue of minority stress. **Ilhan Meyer**, in the 1990s, found that members of any minority group experience a higher level of background stress than members of non-minority groups. This can affect children too and can result in absenteeism and lower attainment in their schoolwork. Research published in 2016 however, showed that supporting trans children in their gender identities; correctly gendering them, for example, eliminates minority stress almost completely. So the government’s transphobic “guidance” is actively harming them academically as well as psychologically and socially. ## **Ambient Conversion Therapy** As an academic, this has brought me to theorise what I am calling “Ambient Conversion Therapy”. Along with ramping up their minority stress and designating their identities permanently “just a phase” there are also plenty of other transphobic measures from this most transphobic government ever that will affect trans children, such as the puberty-blocker ban and the way it has effectively not banned conversion therapy. In my view these combine to form a kind of wraparound conversion therapy designed to pressure trans children into not being trans and to doubt their identities 24/7\. So schools, the NHS, social services and even their social lives become part of a cruel system that pressurises them into believing they are cis. ![](https://www.scenemag.co.uk/content/images/2026/07/Trans_Pride_in_London_13.jpg) As is well known, even on its own terms conversion therapy is always unsuccessful. It does not make gay people straight or trans people cis, all it does is produce traumatised and suicidal victims (and there is no other term for those who have been subjected to conversion therapy). This psychological harm can last well into adulthood. To me this feels like government ministers trying to proxy-bully and proxy-torture children into not being trans. The government’s own data suggests [that young trans people are *many times* more likely to die by suicide than cis children](https://www.wearequeeraf.com/one-in-six-children-who-died-by-suicide-were-lgbtq-new-data-shows/?ref=scenemag.co.uk). This is by far the main problem for trans children and [main worry for their parents](https://www.vogue.co.uk/article/trans-daughter-suicide?ref=scenemag.co.uk). A responsible government would be making suicide prevention for trans children its top priority, instead it seems to be doing the complete opposite. I don’t believe this is accidental. The government’s action fails to acknowledge that the main problems faced by trans children are society’s transphobia, instead they seem to be trying to make out that any mental health problems these kids have is somehow inherent in being trans, which is ridiculous. Can abusing, psychologically harming, segregating, and undermining any group of children in the way this “guidance” does really be intended to cause anything but harm? In my view nothing can possibly justify the harm that will be caused to these children. Labour’s anti-trans “guidance” is many orders of magnitude worse than **Margaret Thatcher**’s **Section 28** ever was - I know, I was a teacher all the way through that period. When Section 28 was repealed I worked hard to introduce the concept of the [Rights Respecting School](https://www.unicef.org.uk/rights-respecting-schools/?ref=scenemag.co.uk) to where I was working. This guidance will negatively affect all children because, in my view it means the Rights Respecting School is now effectively dead and buried; I can’t imagine trying to teach about respecting children’s human rights while being forced to deny some children theirs. Finally, anyone who thinks Ambient Conversion Therapy will only be restricted to trans kids urgently needs to re-read the [poem](https://hmd.org.uk/resource/first-they-came-by-pastor-martin-niemoller/?ref=scenemag.co.uk). ### School community stands stronger after Pride flag destroyed in fire URL: https://www.scenemag.co.uk/school-community-stands-stronger-after-pride-flag-destroyed-in-fire/ Last updated: 2026-07-14T10:11:43.000Z A **Toronto** school community has responded with messages of love and support after a student-made Pride flag was destroyed in a fire being investigated by police as a possible hate crime. The intersex-inclusive Pride flag, created by pupils at **R.H. McGregor Elementary School** in Toronto, was burned earlier this month after being displayed on a fence as part of Pride Month celebrations. The flag had been made from strips of fabric tied together by students, with each child contributing a small part to the larger display. According to parent **Jessica Thom**, the project gave pupils a sense of ownership and pride, with many excitedly showing family members the section they had helped create. However, parents were informed days later that the display had been destroyed in a fire. Toronto Police’s **Hate Crime Unit** is now investigating the incident. Rather than allowing the vandalism to divide the community, pupils, parents and staff have come together to create a new display featuring rainbow flags, handmade signs, beadwork and messages of support. ![](https://www.scenemag.co.uk/content/images/2026/07/D7IVVSGYQRFAZHGNVCI3MOLF6A.jpg.png) Jessica Thom Thom said the response reflects the values of both the school and the wider neighbourhood. “We really want to be reflective of the allyship of our school and our neighbourhood and our community in general,” she said. The aim, she added, is to demonstrate that everyone is welcome at the school and that hate will be met with messages of inclusion and acceptance. “We will continue to stand as strongly as we possibly can to respond to hate with love and with representations of inclusivity,” Thom said. The community has also written an open letter to local and provincial elected representatives, calling for support and requesting the installation of a permanent rainbow crossing near the school. The proposed crossing would be located at the junction of Mortimer and Durant Avenues, an area regularly used by pupils and families. School principal **Denise Colby** described the destruction of the display as “particularly disappointing”, noting that students had invested considerable time and care into the project. In a letter to families and community members, she said the Pride display represented the school’s commitment to creating a welcoming, inclusive and respectful environment. “We are grateful for the support of our school community and are already making plans to replace the mural so that it can once again reflect the values of inclusion and belonging that are important to our school,” she said. Toronto Fire Services attended the scene on the evening of 5 July after receiving reports of a fire. By the time firefighters arrived, the blaze had largely been extinguished by a member of the public using water. Officials said the cause of the fire remains unknown. Toronto Mayor **Olivia Chow** also condemned the incident, describing the destruction of the Pride display as unacceptable. Her office said she had spoken with a representative from the school’s parent council and expressed support for the proposed rainbow crossing. The mayor also welcomed the way the school community had united in support of LGBTQ+ students and families following the incident. ### LGBTQ+ community leader arrested after allegedly using non-profit's funds for haircuts, Uber journeys and fuel URL: https://www.scenemag.co.uk/lgbtq-community-leader-arrested-after-allegedly-using-non-profits-funds-for-haircuts-uber-journeys-and-fuel/ Last updated: 2026-07-14T09:58:43.000Z An LGBTQ+ community organiser in **Florida** has been arrested after allegedly using a non-profit organisation’s funds for personal expenses, including haircuts, Uber journeys and fuel. **Jason Nunez**, the former director of the **Greater Fort Lauderdale LGBT Chamber of Commerce**, is accused of spending more than $11,000 (£8,000) of the organisation’s money on personal purchases and cash withdrawals. According to police, the alleged spending took place over several months and included transactions at major retailers, transport providers and a local barbershop. Investigators allege Nunez used the organisation’s business credit card on a near-daily basis from October 2025, with spending increasing in the months before his employment ended. Police also claim funds were transferred through digital payment services, including **Zelle** and **Apple Cash**, and that cash was withdrawn from the chamber’s accounts. The alleged misuse of funds came to an end after Nunez was dismissed from his role in January this year, according to reports. Nunez has pleaded not guilty to the allegations and was released on bond following his arrest. Neither he nor the chamber has publicly commented on the case. The case comes amid a separate legal dispute between Nunez and his former employer. He has filed a lawsuit alleging breach of contract, claiming he was not paid during part of his employment before being dismissed. The chamber has denied those allegations. Nunez had most recently been working as director of programming and external affairs for the **Miami-Dade LGBTQ+ Allied Chamber of Commerce.** Reports state that his profile was removed from the organisation’s website shortly after the arrest became public. ### Funding boost to strengthen support for LGBTQ+ hate crime victims across Teesside URL: https://www.scenemag.co.uk/funding-boost-to-strengthen-support-for-lgbtq-hate-crime-victims-across-teesside/ Last updated: 2026-07-14T09:33:00.000Z Victims of LGBTQ+ hate crime across **Teesside** will receive specialist emotional and practical support thanks to new funding from Cleveland Police & Crime Commissioner **Matt Storey**. The PCC has awarded £12,384 from his **Protect & Support Fund** to **Hart Gables**, which supports LGBTQ+ people across Teeside and East Durham, for its **Thrive Beyond Hate** project, which provides one-to-one and group support for LGBTQ+ people whose wellbeing has been affected by hate crime and hostility. The funding comes as the charity continues to support members of the LGBTQ+ community facing threats, intimidation, online abuse and hate incidents. Among those helped by the project is a young trans woman who was attacked and verbally abused while walking home from work in Middlesbrough. Initially reluctant to report the incident to police because she feared being viewed as “overreacting” or “too sensitive”, she is now rebuilding her confidence with support from Hart Gables and hopes to report the attack in the future. ![](https://www.scenemag.co.uk/content/images/2026/07/745525036_1477601794396923_6848448350867553237_n.jpg) As well as offering emotional support, Hart Gables helps victims record incidents, even when they do not meet the threshold of a hate crime. The information can then be shared anonymously with partner organisations, including the PCC, to build a clearer picture of anti-LGBTQ+ hate across the region. The project also delivers monthly peer support sessions, providing a safe space for LGBTQ+ people to share their experiences and connect with others who have faced similar challenges. **Andrew Towers**, LGBTQ+ Development Worker at Hart Gables, said: “At a time when hostility towards minority groups is increasing and the UK is falling in the ILGA rankings for LGBTQ+ safety, this project is more important than ever. “Already, Thrive Beyond Hate has supported more than 20 people who may not otherwise have felt able to report hate or hostility to the police or access mainstream services. “Through practical, emotional and peer support, the project has helped people feel seen, heard and valued. “It means a great deal to know that the PCC is committed to the safety and wellbeing of the LGBTQ+ community.” ![](https://www.scenemag.co.uk/content/images/2026/07/747931201_1477601741063595_1526160268957685231_n.jpg) Over the past year, Hart Gables has worked with more than 500 people and supported 43 individuals who experienced hate or hostility linked to their LGBTQ+ identity. The charity expects demand for the service to increase, particularly among transgender and non-binary people, following what it describes as a rise in negative media attention directed at the trans community in recent years and a growing number of people sharing their experiences. Following a visit to Hart Gables, PCC Matt Storey highlighted the importance of trusted community organisations in helping victims recover from the impact of hate crime. He said: “Having visited Hart Gables, I can see how important it is to have a project like Thrive Beyond Hate. “Projects delivered by familiar, trusted organisations like Hart Gables allow people who have experienced hate crime to open up about their experiences, recover their confidence and rebuild their lives. “With support, I’m hoping that more victims will start to report hate crime incidents so we can then target help where it is needed most.” ### Declan Rice praised for role in groundbreaking ‘GayVAR’ campaign against homophobia URL: https://www.scenemag.co.uk/declan-rice-praised-for-role-in-groundbreaking-gayvar-campaign-against-homophobia/ Last updated: 2026-07-14T09:20:07.000Z England midfielder **Declan Rice** has been recognised for his contribution to the fight against homophobia in football through his involvement in the innovative **GayVAR** campaign. The initiative, launched by telecommunications company **EE** as part of its **Hope United** programme, aimed to challenge anti-LGBTQ+ abuse online and encourage football supporters to call out discriminatory behaviour. Rice, who has become one of England’s most influential players and helped the Three Lions reach the semi-finals of the **2026 World Cup**, was among a number of high-profile football figures who lent their support to the campaign. The midfielder featured in content designed to highlight the damaging impact of homophobic abuse and demonstrate how supporters can respond when they encounter it on social media. Inspired by football’s Video Assistant Referee system, ‘GayVAR’ was created to encourage fans to “review” and challenge homophobic comments online in the same way controversial incidents are scrutinised during matches. The campaign monitored social media activity around **Premier League** fixtures, identifying moments that often trigger spikes in online abuse, including poor performances, defeats and high-profile mistakes. As part of the initiative, Rice appeared in a post-match analysis-style video in which he confronted abusive messages directed at footballers and discussed the wider impact of online hate. The campaign also featured former England star **Joe Cole**, comedian **Tom Allen**, **Rio Ferdinand**, **Lucy Bronze** and **Andy Robertson**, while working alongside the anti-discrimination organisation **Football v Homophobia**. Research commissioned for the campaign revealed the scale of the problem. Nearly three-quarters of Britons surveyed believed homophobia remains an issue in football, while almost half said social media had made the problem worse. The findings underlined the need for greater allyship and more active intervention from supporters when discriminatory language is used online. ### Queer Belfast streamer, Paul "Bloomeroid" Bloomer, to take on 24-hour charity gaming marathon for Samaritans URL: https://www.scenemag.co.uk/queer-belfast-streamer-paul-bloomeroid-bloomer-to-take-on-24-hour-charity-gaming-marathon-for-samaritans/ Last updated: 2026-07-14T08:02:18.000Z Queer content creator **Paul "Bloomeroid" Bloomer** will undertake a 24-hour charity livestream in aid of **Samaritans** beginning at **8am** on **Saturday, 18 July**. Streaming live across **Twitch, YouTube and TikTok**, Paul will spend 24 hours playing a variety of games, chatting with viewers and welcoming members of the public to join multiplayer games throughout the event. All donations will go directly to Samaritans through the official fundraising page. ![](https://www.scenemag.co.uk/content/images/2026/07/Bloomeroid-streamerlogo-1.png) For more than 70 years, Samaritans has provided a free, confidential, non-judgemental listening service, available 24 hours a day, 365 days a year, for anyone struggling to cope. The charity works to reduce suicide, improve emotional wellbeing and raise awareness of mental health across the UK and Ireland. Samaritans, an active supporter of LGBTQ+ communities, participates in Pride events across the UK and Ireland, including **Dublin Pride**, where volunteers provide face-to-face support and a listening ear during the festival. Samaritans incorporates LGBTQ+ experiences into volunteer training, has an internal LGBTQ+ staff and volunteer network, and works with LGBTQ+ organisations to improve understanding and support for the community. ![](https://www.scenemag.co.uk/content/images/2026/07/Bloomeroid-2.png) ****Paul "Bloomeroid" Bloomer** Paul said:"This fundraiser is incredibly personal to me. During one of the darkest periods of my life, a Samaritan was there to listen without judgement and helped me get through it. I'll never forget that kindness, and this stream is my way of giving something back so that support is there for the next person who needs it. "As a proud queer man from North Belfast, it also means a great deal to support an organisation that stands alongside LGBTQ+ communities, takes part in Pride events across Ireland and the UK, and works to ensure everyone knows they have someone to talk to. If you enjoy gaming, I'd love you to join me, play a few games, have a chat and, if you're able, support this fantastic cause." The livestream is open to everyone, whether they want to watch, play games, join the conversation or support the fundraiser. **Watch live** on Twitch: [**https://www.twitch.tv/bloomeroid**](https://www.twitch.tv/bloomeroid?ref=scenemag.co.uk), TikTok: **@Bloomeroid or Youtube @Bloomeroid.** **Donate** [**HERE**](https://fundraise.samaritans.ie/fundraisers/paulbloomer/24hr-challenge-ni?ref=scenemag.co.uk) ### LGBTQ+ representation in films falls for third consecutive year, GLAAD report finds URL: https://www.scenemag.co.uk/lgbtq-representation-in-films-falls-for-third-consecutive-year-glaad-report-finds/ Last updated: 2026-07-13T11:26:16.000Z The number of LGBTQ+ characters appearing in major studio films has fallen for the third consecutive year, according to a new report from media advocacy organisation **GLAAD**, which found there were no transgender characters in mainstream films released in 2025. GLAAD's annual **Where We Are in Film** study analysed 225 films released during 2025 by the 10 largest film distributors, including **Disney**, **Netflix**, **Warner Bros.** **Discovery**, **Paramount**, **Sony** and **Amazon Studios**. Of those films, just 46 featured LGBTQ+ characters, down from 59 the previous year and continuing a decline from a record high reached in 2023. The report identified 112 LGBTQ+ characters across those films, a significant drop from the 181 counted in 2024\. Most notably, researchers found no trans characters at all in major studio releases during 2025. GLAAD President and CEO **Sarah Kate Ellis** said the findings were at odds with audience demand for diverse storytelling. “Audiences across the board are seeking out original and inclusive stories,” Ellis said. “Our study found LGBTQ+ stories in film that are both commercially and critically successful. “If the industry doesn’t prioritise investing in films with LGBTQ+ characters, it risks losing a generation that will go elsewhere to find entertainment that does include our community.” The report also found a decline in diversity within LGBTQ+ representation. Just 30% of LGBTQ+ characters were people of colour, down from 36% the previous year. Only 11 characters were identified as bisexual, while four LGBTQ+ characters were depicted as living with HIV or having a disability. ![](https://www.scenemag.co.uk/content/images/2026/07/71zOpmNMQ9L._AC_UF1000-1000_QL80_.jpg) LGBTQ+ characters were also more likely to appear in supporting or background roles than as leading characters. Just 16% of LGBTQ+ characters occupied lead roles, according to the study. One of the report's starkest findings was the complete absence of LGBTQ+ representation in animated and family films. None of the 19 films in the category featured LGBTQ+ characters, compared with two titles the previous year. **Megan Townsend**, GLAAD's Senior Director of Entertainment Research and Analysis, warned that studios risk alienating younger audiences. “Gen Z represents the largest share of moviegoers in North America,” she said. “Gen Z also has the highest percentage of people who say they are part of the LGBTQ community. “If studios want to stay relevant with younger audiences and bring in box office dollars, they can’t afford to ignore nearly one-quarter of their most enthusiastic ticket buyers.” ![](https://www.scenemag.co.uk/content/images/2026/07/9437d34bf47175f2bfda7d3edd9f849ab0-weapons-blog.rhorizontal.w700.jpg.webp) Weapons Despite the overall decline, the report highlighted horror as a rare success story for LGBTQ+ inclusion. Films including *I Know What You Did Last Summer*, *The Parenting*, *Companion* and *Weapons* featured LGBTQ+ characters and performed strongly at the box office. According to GLAAD, every theatrically released LGBTQ-inclusive horror film with publicly available budget information earned more than double its production costs, while LGBTQ-inclusive mid-budget and independent productions generated an average return of more than three times their budgets. The findings come amid wider concerns about representation in the entertainment industry and ongoing debates in the United States over LGBTQ+ visibility in media. The full **Where We Are in Film** report is available on GLAAD's website. ### Lib Dems brand Reform UK-controlled Essex County Council's response to Pride displays ‘chilling’ URL: https://www.scenemag.co.uk/lib-dems-brand-reform-uk-controlled-essex-county-councils-response-to-pride-displays-chilling/ Last updated: 2026-07-13T11:23:14.000Z The **Liberal Democrats** have accused **Essex County Council**'s **Reform UK** administration of creating a “chilling” atmosphere for LGBTQ+ people after questioning Pride displays in the county's libraries. The row follows a decision by the council earlier this year to tell library staff not to promote events unrelated to their day-to-day activities during Pride Month. Although several libraries continued to host Pride-themed book displays, the move sparked concern among campaigners and opposition politicians, who argued it sent the wrong message to LGBTQ+ residents. Liberal Democrat councillor **David King** said the administration's handling of the issue had been deeply concerning. ![](https://www.scenemag.co.uk/content/images/2026/07/3780fe30-59d6-11f1-a86d-8bf9558fa476.jpg.webp) David King “The manner of the new administration's decision and how it has been read, and their reaction to Pride material is chilling – for all of those for whom Pride is important to their sense of belonging and inclusion in our society,” he said. King's comments came after council leader **Peter Harris** of Reform UK defended the administration's position, claiming some Pride displays contained material he believed was “inappropriate” and arguing that libraries should not promote anything that could be viewed as “ideological” or potentially upsetting to parents. However, Harris did not specify which books or materials he was referring to. For LGBTQ+ campaigners, the controversy has become about more than library displays. Critics argue that Pride-themed book collections help LGBTQ+ people, particularly young people, see themselves reflected in public spaces and provide access to information, support and stories that are often missing elsewhere. ![](https://www.scenemag.co.uk/content/images/2026/07/article.jpeg) ****Peter Harris** The dispute has also reignited concerns about the future of diversity and inclusion initiatives under Reform UK-controlled councils. A protest organised by **Save Our Libraries Essex** is due to take place outside County Hall ahead of the council's next full meeting, with politicians from across the political spectrum expected to attend. Opposition figures have questioned whether Pride displays were ever a source of concern for library users. Conservative group leader **Lee Scott** said no complaints had been made about such displays when his party ran the authority. Despite the criticism, Harris said the council had received support from residents for its approach and insisted that any future displays should be age-appropriate. He also stressed that libraries would continue to mark events including **International Women's Day**, **Black History Month** and **Windrush Day**. ### Lindsey Graham, longtime opponent of LGBTQ+ rights and key Trump ally, dies aged 71 URL: https://www.scenemag.co.uk/lindsey-graham-longtime-opponent-of-lgbtq-rights-and-key-trump-ally-dies-aged-71/ Last updated: 2026-07-13T09:45:50.000Z US Senator **Lindsey Graham**, a Republican lawmaker whose three decades in Congress were marked by opposition to many of the most significant advances in LGBTQ+ equality, has died aged 71 following what his office described as a “brief and sudden illness”. The South Carolina politician served in the Senate for more than 23 years and became one of **Donald Trump**’s closest allies, despite famously describing him as a “kook” and a “race-baiting, xenophobic, religious bigot” during the 2016 Republican presidential primary campaign. Following Trump’s election, Graham underwent a dramatic political transformation, becoming one of the president’s most loyal defenders and influential advisers. While Graham was widely respected in Washington for his expertise on foreign policy and national security, LGBTQ+ advocates are likely to remember him for his consistent opposition to equality measures. During his time in Congress, he voted for the **Defence of Marriage Act**, which defined marriage under federal law as between one man and one woman, and later backed a constitutional amendment that would have permanently banned same-sex marriage nationwide. He also voted against the repeal of the military’s “Don’t Ask, Don’t Tell” policy in 2010, which forced lesbian, gay and bisexual service personnel to hide their sexuality or risk dismissal. Three years later, he opposed the Employment Non-Discrimination Act, legislation that would have provided federal workplace protections for LGBTQ+ people. Although Graham said he would respect the Supreme Court’s landmark 2015 ruling legalising same-sex marriage across the United States, he made clear that he disagreed with the decision. In 2022, he was among the Republican senators who voted against the Respect for Marriage Act, which repealed the Defence of Marriage Act and guaranteed federal recognition of same-sex marriages. LGBTQ+ organisations including **GLAAD** repeatedly criticised his voting record throughout his career. Graham's public life was also accompanied by years of speculation about his sexuality, fuelled largely by his lifelong bachelor status. He consistently denied being gay and publicly rejected rumours about his private life. Allegations circulated online for years, but none were independently substantiated or verified. ### OPINION: 'VIP' packages create a class divide within Pride URL: https://www.scenemag.co.uk/opinion-vip-packages-create-a-class-divide-within-pride/ Last updated: 2026-07-13T09:35:35.000Z I am often criticised for being 'too negative' about the LGBTQ+ community, and I want to start this article by saying... I am perfectly entitled to raise issues within my own community. If that rubs you up to the wrong way, perhaps take a moment to reflect on why you are so bothered. Today's moan is about 'VIP packages' at Pride. As we all know very well, Pride is not restricted to June. There are many events that happen throughout the summer, and sometimes even into September. It is becoming increasingly common for events to offer VIP status so a select number of attendees. I have [previously spoken about](https://www.scenemag.co.uk/the-hidden-price-tag-of-pride-who-gets-left-out/) how people are being priced out of attending Pride events in places like Manchester and Brighton due to their extortionate ticket prices. But offering VIP packages, to me, is worse. As a working-class socialist, I hate the class system. I love being working-class, and I love being a socialist. But I hate being poor. I mean, sure, it gives me a stronger sense of solidarity and class struggle, but it's also a pain in the arse most of the time. Whilst I am struggling to pay my bills and keep my food cupboards topped up, I don't expect my own community to make me 'less-than' by creating an elite status within a space I deserve to be in. I live in Hull, and I am proud to live here. But 'Pride in Hull' offers a VIP wristband for their event, which offers: - Premium stage viewing - Exclusive VIP Lounge access - A dedicated VIP bar - Private toilets And sure, it's £21.25 (including a booking fee) which sounds reasonable. But whilst a select few enjoy private toilets, the rest of the attendees are forced to use disgusting portaloos which are caked in faeces and urine within an hour or two of the event opening up. That, I admit, is more a reflection on people more broadly than it is on Pride in Hull, but the point is, you shouldn't have to pay access basic facilities such as toilets that are dignified and clean. The concept is utterly wild to me. Earlier, I mentioned the class system. By creating VIP packages, you essentially create a class system within a community that should be seeking to unite and stand alongside each other. But instead, we are creating a status which shows preference to people who can afford to pay extra. Elitism within Pride. And look, I have often spoken about how Pride events struggle financially, and by offering a VIP package, it tops up their income a bit. I understand it from a business perspective. But let's look at it from the financial perspective of somebody who is on state benefits such as Universal Credit. Before even considering buying a VIP wristband, they have to fork out money for: - Bus or taxi fares - Food and drink costs - Pride-related items such as flags, makeup, etc. If that's a family, those costs add up massively. Nobody is saying that people have to buy any of that stuff. But Pride should be inclusive, not exclusive. We should be enabling people to enjoy the event as much as possible rather than allowing them to feel excluded by costs associated with attending. It is absolutely fair to say that 'everything costs money', because it does. Nothing in life is free. But too much of Pride is very corporate, and when we have huge corporations pumping huge amounts of money into these events, I do wonder why we continue to allow organisers to divide us into 'VIP' and 'Standard'. Pride should prioritise accessibility over premium experience. If 'VIP' is to exist, the standard experience should be dignified and comfortable. Pride began as a protest and community solidarity, but today, it resembles a commercial festival economy. And unfortunately, 'VIP' culture symbolises that disappointing descent into corporate greed. ### LGBTQ+ youth charity launches #DeserveBetter campaign after 171% rise in referrals URL: https://www.scenemag.co.uk/lgbtq-youth-charity-launches-deservebetter-campaign-after-171-rise-in-referrals/ Last updated: 2026-07-13T09:29:04.000Z A leading LGBTQ+ youth charity has launched a major national campaign after experiencing a 171% increase in referrals following the **Supreme Court** ruling in *For Women Scotland Ltd v The Scottish Ministers,* whichcentred on how the terms "sex", "woman" and "man" should be interpreted in the **Equality Act 2010\.** **The Proud Trust**, one of the UK’s largest LGBTQ+ youth organisations, has unveiled its new **#DeserveBetter** campaign, which aims to highlight the challenges facing LGBTQ+ young people and call for greater understanding, safer spaces and improved support throughout the year. The campaign comes against a backdrop of concerning research into the experiences of LGBTQ+ young people. According to figures cited by the charity, almost half of LGBTQ+ pupils experience bullying because of their identity, nearly six in 10 have seriously considered suicide, and almost a quarter may never complete secondary school - twice the national average. The Proud Trust said referrals to its services surged by 171% following the Supreme Court ruling in April 2025, with growing numbers of LGBTQ+ young people seeking specialist support. The charity believes the increase reflects a rising demand for dedicated services. Over the past year, it delivered nearly 400 youth group sessions and held more than 820 support conversations with LGBTQ+ young people, parents, carers and professionals. ![](https://www.scenemag.co.uk/content/images/2026/07/Liam-Swanston--Director-of-Development---Partnerships---3-1.jpg) Liam Swanston outside The Proud Place Meanwhile, almost 10,000 people visited **The Proud Place**, the charity’s LGBTQ+ community centre in Manchester, and more than 1,400 teachers, youth workers and other professionals received specialist inclusion training. Through its **Rainbow Flag Award** programme, which helps schools create more inclusive environments for LGBTQ+ pupils, The Proud Trust said it reached almost 50,000 young people. Through the #DeserveBetter campaign, the charity will focus on issues including bullying, discrimination, healthcare, education, barriers to employment, family acceptance, identity, belonging and access to safe spaces. The campaign launches with a series of first-person stories from LGBTQ+ people speaking publicly for the first time about their experiences of growing up LGBTQ+, alongside expert commentary and lived experience exploring the challenges facing young people today. Award-winning spoken word artist **myndstate** has also written an original poem inspired by his experiences of growing up gay. A film featuring LGBTQ+ celebrities and prominent allies is due to be released as part of the campaign, with the full list of contributors set to be announced in the coming weeks. ![](https://www.scenemag.co.uk/content/images/2026/07/-DeserveBetter-Logo--2.png) **Liam Swanston**, Director of Development and Partnerships at The Proud Trust, said the rise in referrals represented far more than a headline figure. “A 171% increase in referrals isn't just a statistic – behind every referral is a young person looking for somewhere they feel safe, someone who understands what they're going through, or simply reassurance that they're not alone. “Every day we work alongside LGBTQ+ young people who are navigating bullying, discrimination, isolation and uncertainty while also trying to understand who they are and where they belong. We also work with adults who want to better understand and support the young people in their lives. “No young person should grow up believing they have to hide who they are, face those experiences alone, or feel there's no place where they truly belong “#DeserveBetter is about ensuring those young people's voices are heard. This campaign shines a spotlight on the realities many LGBTQ+ young people continue to face today, while celebrating the extraordinary difference that acceptance, visibility, community and support can make. “We hope it encourages greater understanding, challenges misconceptions and reminds every LGBTQ+ young person that they deserve to feel safe, valued, understood and able to thrive, every single day of the year.” Further information about the campaign is available on **The Proud Trust’s website**: [The Proud Trust](https://www.theproudtrust.org/?ref=scenemag.co.uk). ### Oops! I didn’t know I couldn’t talk about sex… URL: https://www.scenemag.co.uk/oops-i-didnt-know-i-couldnt-talk-about-sex/ Last updated: 2026-07-13T08:54:46.000Z “I'm breakin' all the rules I didn't make,” Madonna sang in 1994’s Human Nature. Twenty-two years later we seem to be going backwards, not forwards. **Curzon Soho’s World Pride Amsterdam** trilogy on 16 July 16 is definitely 18 rated, but then it’s out to make the point on our terms. Premiering is main feature ***Bob: Man of The Angels***, exploring the fightback for LGBTQ+ freedom by Dutch activists after the darkness of Nazi Occupation - more than 20 years before **Stonewall**. ![](https://www.scenemag.co.uk/content/images/2026/07/Dan-De-La-Motte-BobManOfTheAngels-1.jpg) Dan De La Motte - Bob: Man Of The Angels Dutch trans photographer and filmmaker **Prins de Vos arrives** on a UK screen for the first time in ***Je Weet Wie Je Bent (You Know Who You Are)*** and de Vos’ own unapologetically explicit ***Beds 2: Levon***. Prins, with a considerable Netherlands fanbase already, is known for beautifully personal photo studies of trans lives, in still photography and Prins’ own films like *On Hold*. There’s very little held back. Modest and unassuming, Prins doesn’t claim to be a ‘spokesperson’ for the trans community, though the exquisitely written *An Island of One’s Own* is very much Prin’s own story of childhood and transition. But if you thought the Netherlands would be way ahead of us in quality of life for trans people: “On Hold is about the long waiting times in gender-affirming care that are hugely problematic and absolutely need to be seen and heard,” explains Prins. “They're truly personal, in that place with the camera. Very natural.” Like trans twins Moos and Pel, or one of the film’s older voices with a shocking realisation to live as your true self are before time runs out. Is there even one of your trans friends whose personal story and experiences were not unique to them? And there the critical peril of sweeping blanket statements wilfully flung out into the world, like the UK Supreme Court… it’s not even so much about the initial catastrophe of the tsunami, but what comes in its wake… ![](https://www.scenemag.co.uk/content/images/2026/07/ERWIN-OLAF-Funf-neue-marchen_Freunde_FHD-frame-DONOTCROP.jpg) Prins’ work also looks at queer sexualities in their unpredictable diversity. Not least the ***BEDS*** film trilogy - close-up intimate, radiating simple humanity in all its flaws and contradictions, witty - and very hot. Showing on 16 July at the World Pride programme is ***Beds 2: Levon***. Looking for all the world like a young Leo Di Caprio, Levon has absolutely no physical inhibitions in front of Prins’ camera, but draws us in with alluring ambiguity about the reason for getting it on for the audience. “I think I am not that interested in my personal eroticism,” says Levon. Er, we’ve got this feeling the audience very definitely will be, Levon… Naked, with a hypnotic beauty, want to take a guess what happens next? But this is no five-a-dime OnlyFans ‘sinfluencer’ reel, it’s a short but exquisitely made work of art about our unpredictable sexualities. There’s nothing but truth and absolute reality in this lens. **Je Weet Wie Je Bent** and ***Beds 2: Levon*** screen with ***Bob: Man of The Angels* *at* Curzon Soho**, 99 Shaftesbury Avenue W1D 5DYon Thursday, 16 July at 6.20pm, 18+. Music by **Tall Houses** and **Freddie Lewis**. Live Q&A with **Peter Tatchell**, **Sue Sanders** and cast. Book [HERE](https://www.curzon.com/films/bob-man-of-the-angels-plus-shorts/HO00007174/ ?ref=scenemag.co.uk) ### THE RAINBOW CHORUS: STRONGER TOGETHER URL: https://www.scenemag.co.uk/the-rainbow-chorus-stronger-together/ Last updated: 2026-07-12T11:48:23.000Z ![](https://www.scenemag.co.uk/content/images/2026/07/image-10.png) Seldom is the title of a show more appropriate than last night in St George’s Kemp Town. I have for many years sung the praises of this excellent LGBTQ+ community choir, but have to confess that on the last few occasions felt that they have not been on their best form. Last night in the stifling conditions of this heat wave they were as suggested in their title, both stronger and together. There was also a sense of ambition too in their choice of programme that had perhaps been missing, certainly since their excellent performance of **Pergolasi’s** Stabat Mater some while back. There was also a tangible sense of fearlessness in their performance, a confidence and a joy in what they were performing which always adds to the whole. The evening opened with a breathtakingly beautiful performance of The Seal Lullaby by **Eric Whitacre**, delicate, precise and perfectly pitched. So good in fact that one wondered how they could top it. But top it they did with **Elgar**’s ambitious and charming My Love Dwelt In A Northern Land. Each note perfect, the phrasing precise and the whole so delightfully sung, as good as any choir could hope to do, let alone an amateur, non-audition chorus. This shows that with quality leadership and ambitious choices to drive the choir forward greatness can be achieved. Challenges certainly pushed the standard high too for the rest of the evening. Shenandoah, a favourite of theirs and mine they have never sung better, and the precision displayed in their performance of A Little Respect raised it to a new level, this was way beyond a bunch of friends doing karaoke, this was pure class. A break-out group then delivered a moving arrangement of Sunshine On Leith that kept the standard high. Sometimes these smaller groups can lack conviction, but not this one! And with storming versions of Viva La Vida, Somebody That I Used To Know and **Justin Timberlake’**s Can’t Stop The Feeling they romped into the interval, an interval where the word wow was heard throughout the room. On their return the mood was set with What Was I Made For, **Billie Eilish** and **Finneas O’Connell** and then Chosen family where gently members of the choir gradually held hands, very touchingly so. [**The Rainbow Chorus**](https://rainbowchorus.org.uk/About-us/?ref=scenemag.co.uk) has for years offered people who like to sing but for whatever reason cannot commit to the often rigorous demands of the rehearsal schedule their own opportunity with [RC+.](https://rainbowchorus.org.uk/Join-Us/?ref=scenemag.co.uk) It’s an excellent initiative for sure but last night they absolutely stormed it with a thrilling delivery of Titanium and then Make Your Own Kind Of Music that sees them reaching an all time high. Had the RC not been already on top form they may well have been blown off the stage by their offshoot comrades. ![](https://www.scenemag.co.uk/content/images/2026/07/0168aab19cbf46937a5a4305de18b73c_500x500_fit.png) Back to the full chorus after that rousing and heartening performanfance to a mash up of I Will Survive and Survivor, what’s not to love about a bit of **Gloria Gaynor** stirred into **Destiny’s Child**. This was followed by Together We Are One, a summing up of the choir’s ethic and mood and both confirmed with **Rachel Platten’s** Fight Song. Off to the classics next with a choral version of Nessum Dorma which perhaps had footie fans looking at their watches in the hope that they could be home for the kick off of the England/Norway match, but one that saw the choirs impressive sopranos in full flight and the excellent basses underpinning the whole. The choir has a much fuller and rounded sound these days for certain. These Are The Days Of Our Lives showed how well a Queen number can be arranged for voices as did **Mika’s** Happy Ending, both sung with this re-discovered force and precision. It would indeed have made a fine ending too but the chorus director **Aneesa Chaudhry** and piano accompanist **Adrian Ward** let rip with a storming version of **Freddie Mercury’s** Barcelona which saw those sopranos, and indeed the whole choir raise the roof. A stunning evening of exciting music delivered with skill and with class. How I loved the whole not being crazily and artlessly lit with swirling and irrelevant lighting and what a joy to be given a programme that was stylishly designed and for once legible in the dark, hats off to **Gareth Pugh** who I believe is responsible for the latter. My friend, a choreographer, asked me about what has become known in choir circles as armography but I was able to explain that the movements used are actually based on sign supported English or SSE, and take on a real purpose as well as looking good. What a great evening and a new high for this exemplary family! Andrew Kay 11 July. St George’s Kemp Town ![](https://www.scenemag.co.uk/content/images/2026/07/Rainbw-Chours-Summer-Concert-poster--3-1.jpg) ### The Saturday Scene: a prime minister in waiting and a code nobody voted on URL: https://www.scenemag.co.uk/the-saturday-scene-a-prime-minister-in-waiting-and-a-code-nobody-voted-on/ Last updated: 2026-07-11T15:53:14.000Z _This post is for subscribers only._ ### Dying to Live by Shell Rowe URL: https://www.scenemag.co.uk/dying-to-live-by-shell-rowe/ Last updated: 2026-07-11T12:25:35.000Z Dear readers, gather round, because this one comes with a warning: you may finish it and immediately do something reckless, like booking that trip, texting your ex a healthy goodbye, or finally dyeing your hair the colour you've been Pinterest-boarding since 2019. [**Shell Rowe** ](https://www.instagram.com/reel/Cr8qY6Hoi-9/?ref=scenemag.co.uk)is not a stranger to a comeback. The proud queer content creator, who hails from Billericay in Essex and has faced down cancer four separate times since her diagnosis at twenty, built her following of nearly a million on [TikTok ](https://www.tiktok.com/@shellrowe?ref=scenemag.co.uk)by refusing to let chemo wards dim her sparkle, turning hospital corridors into stages for dark humour and unfiltered honesty. *Dying to Live: How to Thrive, Not Just Survive* is the inevitable, and very welcome, next chapter: a memoir-meets-manual distilling ten lessons pulled from a life that has, by any measure, thrown rather a lot at her. ![](https://www.scenemag.co.uk/content/images/2026/07/11102050-8af3b4e3-e107-4616-99b7-bfd3f885312b.jpeg) Photo credit Shell Rowe What lands is the book's central refusal to settle for mere endurance. Rowe isn't interested in gritted-teeth survival stories that stop at "and then I got through it." Instead, she's after something bolder: a genuinely rebuilt life, deliberately shaped and pursued even while the difficult stuff is still very much happening. The tone throughout is less self-help lecture, more a fiercely loving mate who's been through it and refuses to let you shrink. There's no finger-wagging, no toxic positivity dressed up as wisdom, just practical, hard-won insight delivered with warmth. You'll catch yourself dog-earing pages, not for the productivity hacks, but because something in her account of clawing back agency mirrors a shape you recognise in your own story. This book earns its place on a queer reading list, even though it isn't marketed, or written, as an "LGBTQ+ book" in the narrow sense. For queer people, the experience of having your body, your choices, or your very existence scrutinised, medicalised, or gatekept by institutions is not a metaphor, it's Tuesday. Trans and non-binary readers in particular will know intimately what it is to fight for basic bodily autonomy against systems that would rather manage you than listen to you. Rowe's insistence on narrating her own survival, on her own terms, against a medical establishment that had already begun writing her obituary, will land with anyone who has had to reclaim their story from people who thought they knew better. It's a blueprint for taking back the pen, and one this community has been sketching in the margins for decades. ![](https://www.scenemag.co.uk/content/images/2026/07/Screenshot-2026-07-10-at-12.32.03.png) Photo credit Shell Rowe There's also something quietly radical in a queer woman becoming this visible while this unwell, refusing to disappear into either illness or convention. Representation here isn't a rainbow sticker on the cover; it's structural, present in whose resilience gets to be seen and celebrated. Hope is the electrical throb that drives this narrative, not just hope for a tomorrow to be in, but hope for an opportunity to be as magnificent as possible in, vital, throbbing, energising, enabling hope. It's a refreshing shunt into the reality of our lives being brief things, with nothing guaranteed. *Dying to Live* isn't asking you to ignore how hard things are. It's handing you a torch and a map for building something rich and purposeful anyway. For anyone ready to trade quiet survival for something louder, messier, and altogether more alive, this is your sign. **Dying to Live: How to Thrive, Not Just Survive** by Shell Rowe is published by Bantam, out now, more info or to order from the [**Publishers website.** ](https://www.penguin.co.uk/books/476787/dying-to-live-by-rowe-shell/9780857509260?ref=scenemag.co.uk) ### Broadcaster and Terrence Higgins Trust patron Paul Gambaccini reveals Alzheimer’s diagnosis URL: https://www.scenemag.co.uk/paul-gambaccini-reveals-he-is-living-with-alzheimers-as-hiv-charity-pays-tribute-to-decades-of-advocacy/ Last updated: 2026-07-10T12:21:42.000Z Broadcaster and music journalist **Paul Gambaccini**, who has been a patron of HIV charity **Terrence Higgins Trust** for more than 30 years, has revealed he is living with Alzheimer’s disease after being diagnosed with the condition in early 2025. The veteran radio presenter shared the news in a statement released on social media and to journalists, saying that while the condition presents an "uncertain future", he intends to continue broadcasting. Referencing Queen's *These Are the Days of Our Lives*, Gambaccini said: “As Freddie Mercury once sang, you can’t turn back the clock, you can’t turn back the tide. Ain’t that a shame. “In early 2025 I was diagnosed with Alzheimer’s disease. There’s no denying it’s a serious condition with an uncertain future, but for now life goes on as normal and I continue to broadcast *The Paul Gambaccini Collection* on **BBC Radio 2** from 8-10pm on Sundays, and my shows on Greatest Hits Radio. “I’m grateful for the kindness and support I’ve already received. I will be as open as I can as things progress. For now, I wish to be given the space to keep on broadcasting the music I love to the listeners I love even more. These are the days of our lives.” The announcement prompted an outpouring of support, including from Terrence Higgins Trust, where Gambaccini has served as a patron for more than 30 years. The HIV charity said it was sending its “love and support” to Gambaccini and his husband, adding that it was pleased they were being supported by **Alzheimer's Society**. > “Paul has been with Terrence Higgins Trust and those affected by HIV every step of the way." Terrence Higgins Trust chief executive **Richard Angell** paid tribute to Gambaccini's longstanding commitment to people living with HIV and the wider LGBTQ+ community. “Paul Gambaccini has been in our thoughts since we learned of his Alzheimer’s diagnosis,” Angell said. “Paul has been with Terrence Higgins Trust and those affected by HIV every step of the way – from the devastation of the 1980s right through today, as we target the end of new HIV cases in the UK by 2030. “He has had a huge personal impact in improving public perceptions of HIV over the last 30 years and I have no doubt that from today he will do the same with Alzheimer’s, including through his brilliant radio shows." Gambaccini has been one of the most visible supporters of HIV awareness and fundraising in Britain since the earliest years of the epidemic, using his profile to challenge stigma and champion those affected by HIV and AIDS. Sir **Nick Partridge**, who served as chief executive of Terrence Higgins Trust between 1991 and 2013, said Gambaccini had played a pivotal role in helping the charity respond to the AIDS crisis. “Paul Gambaccini stepped up to the challenge of HIV at a time when so many others turned away,” he said. “Paul’s high-profile advocacy and fundraising was a vital wake up call for the public about the devastation of the AIDS crisis and need for urgent action.” Sir Nick also highlighted the significance of Gambaccini’s fundraising efforts through the charity’s influential 300 Club initiative. “Paul’s 300 Club – where 300 supporters donated £1,000 – was a game changer for Terrence Higgins Trust, securing the charity’s financial stability and place at the forefront of the UK’s HIV response,” he said. “The legacy of that club and Paul’s actions continue today.” Gambaccini, whose broadcasting career spans more than five decades, remains a familiar voice on British radio and has made clear that he intends to continue presenting for as long as possible. ### LGBTQ+ cruise ship refused entry to Egypt days after Turkey ban URL: https://www.scenemag.co.uk/lgbtq-cruise-ship-refused-entry-to-egypt-days-after-turkey-ban/ Last updated: 2026-07-10T11:48:03.000Z An LGBTQ+ cruise carrying around 2,000 passengers has been denied entry to Egypt just days after being barred from docking in Turkey, leaving travellers scrambling as organisers seek alternative destinations. Passengers aboard the **Scarlet Lady**, a **Virgin Voyages** ship chartered by LGBTQ+ holiday company **Atlantis Events**, woke on Thursday to find a letter under their cabin doors informing them that Egyptian authorities had refused the vessel entry into the country's waters. The ship had been due to call at **Alexandria** as part of a 10-day cruise from Athens to Venice. In a message to guests, Atlantis Events chief executive **Rich Campbell** said the decision had come as a surprise. "Early this morning, we were informed that Scarlet Lady has been denied entry into Egyptian waters, and, as a result, will no longer be able to call in Alexandria today," he wrote. "I know how much this visit meant to so many of you. We successfully sailed a similar itinerary last year without issue. So we were surprised by this unfortunate decision." > "If they don't want our tourism, we will sparkle and spend elsewhere." Campbell added that both Atlantis and Virgin Voyages had worked extensively to make the Egyptian stop possible and said the news had left organisers "just as disappointed" as passengers. The Egypt stop had already been added as a replacement after Turkish authorities blocked the ship from visiting the port of **Kuşadası** earlier this week. Officials in Turkey said the cruise had been chartered by groups "known for behaviours that do not align with the structure of our society and our moral values". Authorities claimed the visit had generated "significant public concern" and insisted there was "absolutely no possibility" of the group visiting the province for such an event. No official explanation has yet been provided by Egyptian authorities for their decision to deny the ship entry. ![](https://www.scenemag.co.uk/content/images/2026/07/Patti_LuPone_Agatha_All_Along_Premiere-1.png) ****Patti LuPone** Among those onboard is Broadway star **Patti LuPone**, who had previously condemned Turkey's decision. Writing on Instagram, the Tony Award-winning performer said she was "furious" that a ship carrying LGBTQ+ passengers had been refused entry "simply because of who is onboard". Passenger and blogger **Randy Slovacek** described the latest development as unprecedented. "In the company's 36-year history, Atlantis had never had a ship denied entry to dock," he wrote. "And now it's happened in two countries in one week." Despite the disruption, Slovacek struck a defiant note, adding: "If they don't want our tourism, we will sparkle and spend elsewhere." **Kyle Olsen**, owner of LGBTQ+ travel company **Hermes Holidays**, said he feared the decisions by Turkey and Egypt could encourage other countries to take similar action against LGBTQ+ cruise operators. "I worry that other countries are going to be emboldened in turn to ban gay cruises from their ports as well," he said. "This is a sad representation of the way the world is going. Successive governments are falling to right-wing groups and the rights of LGBTQ+ people are being taken away as a result across the globe." Olsen said he would no longer recommend Turkey or Egypt to customers following the decisions, but stressed that government policies did not necessarily reflect the attitudes of local people. "We've been to Turkey and Egypt many times in the past and have found the people very warm, friendly and engaging," he said. ### Brothers jailed over 1984 murder in homophobic attack on civil servant URL: https://www.scenemag.co.uk/brothers-jailed-over-1984-murder-in-homophobic-attack-on-civil-servant/ Last updated: 2026-07-10T11:37:49.000Z Two brothers have been jailed for the murder of a civil servant who was killed in north London more than 40 years ago during a violent campaign targeting men they believed to be gay. **Michael Stewart**, 57, and **Anthony Stewart**, 60, were convicted at the Old Bailey in June of murdering **Anthony Littler**, who was attacked as he walked home in East Finchley on 1 May 1984\. The brothers were sentenced on Friday after denying any involvement in the killing. Michael Stewart was jailed for 10 years, while Anthony Stewart received a 15-year prison sentence. Mr Littler, a 45-year-old civil servant, was found dead in an alleyway near **East Finchley** Underground station after suffering devastating head injuries. Prosecutors said he sustained two skull fractures, one of which caused a "catastrophic" brain injury. The court heard that the brothers, who were aged 15 and 18 at the time of the attack, had made a "hobby" of targeting lone men they believed to be gay. Senior Crown Prosecutor **Samantha Yelland** described Mr Littler's killing as a hate crime. Despite a murder investigation, no-one was identified as responsible for the attack at the time and the case remained unsolved for decades. ![](https://www.scenemag.co.uk/content/images/2026/07/01KT1XN3DWT833PGERT9VHFCM7.jpg.png) Michael Stewart (left) and Anthony Stewart (right) The breakthrough came on the 29th anniversary of Mr Littler's death when the brothers' younger sibling, **Daniel Stewart**, approached police following a family dispute. Jurors heard that Daniel, who was 10 years old when Mr Littler was murdered, told detectives his older brothers had confessed to the killing and boasted about taking part in what they referred to as "queer bashing". The court was also told that Michael Stewart later admitted his involvement to a former girlfriend and even showed her the location where the attack took place. In 2022, detectives reopened the case and launched a fresh investigation using covert surveillance techniques, including recording devices placed in the brothers' vehicles and Michael Stewart's home. The convictions bring a measure of justice for Mr Littler's family more than four decades after his death and highlight the long-lasting impact of anti-LGBTQ+ violence during a period when homophobic attacks were frequently underreported and often went unsolved. Mr Littler's murder is one of a number of historic cases in which advances in forensic and investigative techniques, combined with new witness evidence, have enabled police to secure convictions many years after the original offences were committed. ### Kidderminster Pride 2026 cancelled as rising costs make event “almost impossible” to stage URL: https://www.scenemag.co.uk/kidderminster-pride-2026-cancelled-as-rising-costs-make-event-almost-impossible-to-stage/ Last updated: 2026-07-10T11:29:25.000Z **Kidderminster Pride 2026** has been cancelled after organisers said “significant” running costs had made it “almost impossible” to continue staging the event in its current form. The announcement was made in a statement shared on the group's Facebook page, with organisers saying the decision had been taken with a “very heavy heart”. Explaining the cancellation, a spokesperson said increasing costs had left the volunteer-led organisation struggling to make the event financially viable. “We have made this decision with a very heavy heart,” the statement said. The group added that the costs involved in delivering the annual celebration had become “almost impossible” to meet, forcing organisers to call off this year's event. Despite the setback, organisers stressed that Pride celebrations in the Worcestershire town would not disappear entirely. “The celebration is not disappearing completely,” the spokesperson said. “We are currently planning something on a smaller scale, so please keep your eyes peeled for updates.” They added: “We are truly sorry to disappoint anyone who was looking forward to this year's event, but thank you from the bottom of our hearts for standing with us and supporting Kidderminster Pride over the years.” Last year's Pride took place in August, although a date for the 2026 event had not been announced before the cancellation was confirmed. Since its launch, Kidderminster Pride has become a popular fixture in the local calendar, bringing together LGBTQ+ people, allies, community groups and businesses for a day of celebration, visibility and inclusion. Reflecting on previous events, organisers thanked the community for helping to build the event over recent years. “We have had the most amazing few years celebrating Pride in Kidderminster,” the spokesperson said. “We are so grateful to everyone who has supported us, volunteered, donated, attended, and helped create such a special atmosphere for our community.” While the full-scale event will not go ahead this year, organisers say plans are already underway for a smaller alternative, with further details expected to be announced in the coming months. The cancellation comes as Pride events across the UK continue to face mounting financial pressures, with organisers increasingly citing rising operational costs, security requirements and challenges securing sponsorship as barriers to staging large-scale community celebrations. ### Ann Widdecombe, who spent decades fighting LGBTQ+ rights, dies aged 78 URL: https://www.scenemag.co.uk/ann-widdecombe-who-spent-decades-fighting-lgbtq-rights-dies-aged-78/ Last updated: 2026-07-11T12:30:37.000Z Former **Conservative** MP and **Reform UK** figure **Ann Widdecombe** has died aged 78, bringing to a close one of the most controversial careers in modern British politics. Widdecombe, who served as a Tory MP for 23 years before later joining the **Brexit Party** and Reform UK**,** was known for her uncompromising social conservatism, outspoken Catholic faith and enduring opposition to LGBTQ+ equality. The ex-Tory minister is believed to have been attacked at her remote bungalow in Haytor, on Dartmoor, at around 12.30pm on Wednesday. But the alarm was not raised until 11.40am the next day when her gardener discovered the former MP and MEP in a pool of blood with serious injuries in the kitchen of her home. While political allies have remembered her as a prominent Eurosceptic and Brexit campaigner, many LGBTQ+ people will view her legacy through a different lens. For decades, Widdecombe was among the most recognisable public opponents of expanding LGBTQ+ rights in Britain, frequently using her media profile to challenge legal and social progress for queer communities. Widdecombe's opposition to LGBTQ+ equality stretched across some of the defining battles of modern British social history. During her parliamentary career, she defended **Section 28**, the controversial law that prohibited local authorities from "promoting homosexuality", and was a vocal critic of attempts to expand legal recognition and protections for LGBTQ+ people. She opposed moves towards greater equality for same-sex couples and remained critical of marriage equality long after it became law. As Britain moved from the era of Section 28 to one in which same-sex marriage was celebrated and LGBTQ+ representation became part of mainstream public life, Widdecombe remained one of the most prominent political voices arguing against that change. For many LGBTQ+ people, her career came to symbolise not simply a difference of opinion, but organised resistance to rights that are now widely regarded as fundamental. One of her most infamous interventions came in 2012, when she suggested that if people could seek counselling to "become gay", they should equally be free to seek help to become heterosexual. The comments sparked outrage from LGBTQ+ organisations and mental health experts, who argued that they lent credibility to so-called conversion practices. Throughout her parliamentary and post-parliamentary career, she opposed a range of measures aimed at improving equality for LGBTQ+ people. Even as public opinion shifted dramatically and same-sex marriage became legal, Widdecombe remained steadfast in her socially conservative views, arguing that traditional religious values should guide public policy. Her critics said those positions contributed to stigma and exclusion, while supporters praised her willingness to stand by unpopular convictions. In 2010 she reinvented herself as an unlikely television star on *Strictly Come Dancing*, where her performances with professional partner **Anton Du Beke** became a national talking point. Despite consistently low scores from judges, she survived week after week thanks to public support and eventually reached the latter stages of the competition. After *Strictly Come Dancing* featured a same-sex routine by professional dancers Johannes Radebe and Graziano Di Prima in 2019, Widdecombe argued that the BBC was "trying to make a political statement". While praising the performance itself, she said she did not believe same-sex pairings should become a regular feature of the programme. Widdecombe remained unapologetic about her views until the end of her life. For many LGBTQ+ people, those views caused real hurt and represented barriers to equality that had to be overcome. ### Barefoot Wine and LGBT Foundation partner to support 50,000 LGBTQ+ people across UK URL: https://www.scenemag.co.uk/barefoot-wine-and-lgbt-foundation-partner-to-support-50-000-lgbtq-people-across-uk/ Last updated: 2026-07-09T15:14:29.000Z **Barefoot Wine** has partnered with **LGBT Foundation** to help support 50,000 LGBTQ+ people across the UK through a programme of community events, Pride outreach and digital campaigns. The wine brand has been named the charity’s exclusive wine partner and will back a series of activities in cities including **Manchester**, **Liverpool**, **Coventry** and **London**. The initiative aims to connect LGBTQ+ communities, celebrate LGBTQ+ joy and share stories of hope throughout the year. As part of the partnership, members of the public attending events this summer will be able to take part in free Barefoot merchandise giveaways and learn more about ways to support LGBTQ+ communities. LGBT Foundation guests will also be offered complimentary Barefoot Wine at a number of VIP events, including pre-Pride brunches in Liverpool and Manchester. The collaboration will also support LGBT Foundation’s national *Hope Starts Here* campaign. A number of high-profile figures, including singer **Seann Miley Moore**, *Married at First Sight* star **Leigh Harris** and influencer **Rhys Doing Things**, will use their platforms to highlight how LGBTQ+ pride is expressed year-round through relationships, friendships and family life. LGBT Foundation, one of the UK’s leading LGBTQ+ health and wellbeing charities, says the partnership will help it continue reaching the 50,000 people it supports annually. **Sam Turner**, Partnerships and Philanthropy Manager at LGBT Foundation, said: “The support of our good friends at Barefoot is instrumental in helping us reach the 50,000 LGBTQ+ people we support each year. This partnership ensures we can be there at the moments that matter most – whether someone is in crisis or supporting a loved one to come out. “Barefoot continues to demonstrate a genuine, year-round commitment to community and inclusivity, enabling us to deliver real, lasting impact across the UK.” A spokesperson for Barefoot Wine said the partnership reflects the company’s long-standing support for LGBTQ+ communities. “At Barefoot, supporting LGBTQ+ communities has been at the heart of what we do for over 30 years,” the spokesperson said. “Our partnership with LGBT Foundation reflects that ongoing allyship – not just during Pride Month, but all year round. “We’re proud to stand alongside LGBTQ+ people, helping create a world where everyone feels embraced, supported and celebrated for who they are.” The partnership builds on Barefoot Wine’s backing of LGBT Foundation’s 50th anniversary celebrations in 2025 and its Volunteer Awards in 2026, with both organisations highlighting a shared commitment to driving positive change for LGBTQ+ communities. LGBT Foundation is [encouraging people to get involved](http://www.lgbt.foundation/?ref=scenemag.co.uk) by donating, accessing support services or sharing messages of hope and inclusion to help the charity reach more people when they need it most. ### Jake Shears launches fourth season of Queer The Music pod with Brian Molko, Jodie Harsh and Baby Queen among upcoming guests URL: https://www.scenemag.co.uk/jake-shears-launches-fourth-season-of-queer-the-music-pod-with-brian-molko-jodie-harsh-and-baby-queen-among-upcoming-guests/ Last updated: 2026-07-09T11:19:00.000Z **Jake Shears** has launched the fourth season of his award-winning podcast ***Queer The Music***, opening the new run with a special extended interview featuring **Placebo** frontman **Brian Molko**. The new season arrives after a successful year for the chart-topping podcast, which recently won two **Webby Awards**, including **Best Music Podcast**. Upcoming guests will include Swedish pop star **Tove Lo**, DJ and drag performer **Jodie Harsh**, and alt-pop artist **Baby Queen**. Hosted by the **Scissor Sisters** singer, *Queer The Music* explores the artists, songs and cultural moments that have shaped LGBTQ+ lives and influenced wider popular culture. Across the series, Jake speaks to musicians, performers and creatives about the music that has defined their lives and careers, while examining the role queer artists and allies have played in transforming the cultural landscape. The fourth season is being billed as the podcast's most ambitious yet, with plans for themed episodes, legacy artist specials, guest co-hosts and conversations with authors alongside musicians. ![](https://www.scenemag.co.uk/content/images/2026/07/Jake-Shears.jpg) Jake Shears The opening episode sees Jake in conversation with Brian Molko as the pair discuss everything from their shared admiration for David Bowie to navigating life as outsiders within the music industry and media. The episode also coincides with the 30th anniversary of Placebo's breakthrough single *Nancy Boy*. Released in 1996, the song explored themes of sexuality, gender and identity and has since become one of the band's defining tracks. Originally conceived as a reclamation of a slur, the song is widely regarded as a landmark moment in alternative music's engagement with LGBTQ+ themes. The podcast's return comes during a busy period for Jake, who is continuing Scissor Sisters' reunion celebrations following the band's first tour in more than a decade. The group recently released the live album *IT'S 10 PM…DO YOU KNOW WHERE YOUR SISTERS ARE? LIVE FROM THE O2, LONDON*, recorded during their sold-out London show in 2025. [Queer the Music Official Music - Listen to songs on YouTube, Spotify | Check for Videos on LinktreeView Queer.themusic’s Linktree to discover and stream music from top platforms like YouTube, Spotify here. Your next favorite track is just a click away!![](https://www.scenemag.co.uk/content/images/icon/favicon-f1564718-1bb9-4cfa-9d78-3c7374dd93be.svg)Linktree![](https://www.scenemag.co.uk/content/images/thumbnail/Queer.themusic-2229b99b-3689-448b-8838-72cd3cfc57cb.jpg)](https://linktr.ee/Queer.themusic?ref=scenemag.co.uk) The band's comeback has included a headline performance at **Mighty Hoopla** and a widely acclaimed return to **Glastonbury Festival**, with further festival appearances planned across the UK and Europe this summer. Previous guests have included Self Esteem, Jessie Ware, Perfume Genius, Pet Shop Boys, Billy Porter, John Grant and Big Freedia, alongside episodes exploring the legacies of influential artists including Sylvester and Little Richard. The first episode of Season 4, featuring Brian Molko, is available now. ### ‘Dark legacy’: Trans campaigners attack government as EHRC code set to clear Parliament today URL: https://www.scenemag.co.uk/dark-legacy-trans-campaigners-attack-government-as-ehrc-code-advances/ Last updated: 2026-07-09T10:57:18.000Z The **Equality and Human Rights Commission**’s (EHRC) revised **Code of Practice** is set to clear Parliament today after the end of its 40-day scrutiny period, despite opposition from more than 160 MPs and growing pressure on ministers to revisit the guidance. With no parliamentary vote scheduled before the deadline, the code will pass automatically, allowing the government to bring it into force at a later date through a ministerial order. The existing Code of Practice would also need to be revoked before the new guidance could take effect. Campaigners say the development marks a significant setback for trans rights in the UK and are calling on the government to reform the underlying law following last year’s Supreme Court judgment. **Alexandra Parmar-Yee**, director of Trans+ Solidarity Alliance, criticised the government’s handling of the issue. “This creates a dark legacy on LGBTQ+ rights for Starmer’s government, cementing the UK’s status as an international outlier in its treatment of trans people. Labour must reset and legislate urgently to put our legal framework back on a fair and workable footing, in line with Parliament’s original intent. “The government has refused to allow time for this harmful guidance to be debated or voted on, but it can still listen to the more than 90 Labour MPs who have rebelled and signed the motion to stop it and think again. Trans people’s legal protections are fundamentally broken, which will cause real and everyday harms.” A parliamentary “prayer” motion seeking to block the code attracted signatures from 166 MPs from across the **House of Commons**, including more than 90 Labour backbenchers. The motion was tabled by Labour MP **Nadia Whittome**, who also wrote to Education Secretary **Bridget Phillipson** on Wednesday urging the government to reconsider its approach. Although the code is expected to complete scrutiny today, it will not come into force immediately. Under provisions in the Equality Act 2006, ministers must take further steps before it becomes legally operative, a process that could take several more weeks. Opponents of the guidance have highlighted concerns raised in the government’s own **Equality Impact Assessment**. The assessment acknowledges that some trans people could face a “disproportionate risk of violence and sexual assault” as a result of the changes. It also warns that increased scrutiny of access to single-sex spaces could lead to wider “gender policing”, with women perceived as masculine potentially facing greater challenges and questioning. LGBTQ+ organisations argue that the controversy stems from uncertainty created by the Supreme Court’s judgment and are urging ministers to introduce legislation that they say would restore clarity and legal protections for trans people. The government has not indicated that it plans to schedule a parliamentary vote on the code before the scrutiny period expires. As a result, the revised guidance is expected to pass automatically at the close of proceedings today. ### Bonnie Tyler dies aged 75: Tributes paid to Welsh music icon and Eurovision star URL: https://www.scenemag.co.uk/bonnie-tyler-dies-aged-75-tributes-paid-to-welsh-music-icon-and-eurovision-star/ Last updated: 2026-07-09T09:40:28.000Z Tributes are being paid to Welsh singer **Bonnie Tyler**, who has died aged 75 after a period of illness. Her family announced that the legendary performer behind *Total Eclipse of the Heart*, *Lost in France* and *Holding Out for a Hero* died in hospital in Portugal on 8 July. Known for her distinctive husky voice and larger-than-life stage presence, Tyler enjoyed a career spanning five decades, becoming one of the most recognisable voices in popular music. Her family said they were “heartbroken” by her death and asked for privacy while they mourned. Born **Gaynor Hopkins** in Skewen, South Wales, in 1951, Tyler rose to fame in the late 1970s before achieving global superstardom with the release of *Total Eclipse of the Heart* in 1983\. The power ballad became an international smash hit and remains one of the defining songs of the decade. Throughout her career, Tyler released 18 studio albums, earned multiple Grammy nominations and became one of Wales’ most successful musical exports. She continued performing well into her seventies, maintaining a devoted international fanbase. Many Eurovision fans will remember Tyler’s appearance at the **2013 Eurovision Song Contest** in Malmö, Sweden, where she represented the UK with the song *Believe in Me*. Although she finished 19th, her participation brought one of Britain’s most established stars to the competition and further cemented her popularity with Eurovision audiences across Europe. Tyler also held a special place in LGBTQ+ culture. Her soaring anthems, theatrical performances and powerful vocals made her a favourite among generations of LGBTQ+ fans, while *Total Eclipse of the Heart* became a staple at Pride celebrations, gay venues and community events around the world. News of her death prompted an outpouring of grief from fans across social media, with many describing her songs as the soundtrack to key moments in their lives. Others praised her resilience, longevity and the unmistakable voice that helped define an era of popular music. In recent months, Tyler had been recovering from emergency surgery in Portugal following a serious illness. Earlier reports indicated that she had been placed in an induced coma before later showing signs of improvement. Her family confirmed on Thursday that she died unexpectedly while receiving treatment. ### Stonewall honours LGBTQ+ champions at inaugural Proud Changemakers Awards URL: https://www.scenemag.co.uk/stonewall-honours-lgbtq-champions-at-inaugural-proud-changemakers-awards/ Last updated: 2026-07-09T09:10:40.000Z LGBTQ+ rights charity **Stonewall** celebrated Pride season in style this week, unveiling the winners of its inaugural **Proud Changemakers Awards** during a fundraising summer party at **The Ministry** in south London. The new awards recognise individuals and organisations that have made a significant impact on LGBTQ+ lives over the past 12 months, with winners honoured across four categories reflecting Stonewall’s current strategic priorities. The evening brought together community leaders, politicians, campaigners and supporters, while fundraising for the charity’s ongoing work to advance LGBTQ+ equality. Stonewall chief executive **Simon Blake** joined **Lady Phyll Opoku-Gyimah**, executive director of **UK Black Pride** and the **Diva Charitable Trust**, to present the awards. ![](https://www.scenemag.co.uk/content/images/2026/07/Stonewall_6Jul2026_--BronacMcNeill_LR-0086.jpg) ****Lady Phyll Opoku-Gyimah.** ©Bronac McNeill The winners were: **Navigating Turbulence** – **Trans+ History Week CIC**; **Shaping Policy** – **Rachel Taylor** MP and **Marie Tidball** MP; **Inclusive Places** – **Lou Englefield** (**Rainbow Laces**) and **Trenton Tomlinson** (**Proud Employers**); **Lifetime Contribution** – **Rupert Whitaker**, co-founder of the **Terrence Higgins Trust**. “We’re delighted to be able to honour the incredible work of these amazing changemakers,” said Simon Blake. “The party was an amazing night of solidarity and celebration in the summer heat - one I’ll remember for a very long time.” The prestigious Lifetime Contribution Award was presented to **Rupert Whitaker**, whose work as co-founder of the **Terrence Higgins Trust** has helped shape the UK’s response to HIV and AIDS over several decades. Accepting the honour, Rupert reflected on the progress made since he came out in the late 1970s. “We have come a long way from the fear, bigotry and everyday violence of the late '70s, when I came out, a time when equality was almost unimaginable,” he said. “Since then, both Stonewall and the Terrence Higgins Trust have fought, in different ways, to insist that our government and public institutions recognise the fundamental dignity of our lives.” ![](https://www.scenemag.co.uk/content/images/2026/07/Stonewall_6Jul2026_--BronacMcNeill_LR-0390.jpg) Simon Blake (L). ©Bronac McNeill He added that the achievements of both organisations were the result of the efforts of generations of staff, volunteers, campaigners and allies who understood that “progress is never inevitable, nor secure”. The **Navigating Turbulence Award** was presented to **Trans+ History Week CIC**, recognising its work to amplify trans voices and preserve trans history through storytelling and education. Founder **Marty Davies** dedicated the award to the organisation’s volunteers, creatives, sponsors and donors. “Storytelling under the trans community’s authorship is an essential act of survival,” Marty said. “It helps us reclaim our common humanity, making the work to win back our rights a little bit easier. It also helps us to do more than survive, but thrive.” Marty also thanked Stonewall for supporting the initiative from its earliest stages. In the policy category, MPs **Rachel Taylor** and **Marie Tidball** were jointly recognised for their work on anti-LGBTQ+ hate crime legislation, advocacy for an inclusive ban on conversion practices and challenges to newly drafted **Equality and Human Rights Commission** guidance. ![](https://www.scenemag.co.uk/content/images/2026/07/Stonewall_6Jul2026_--BronacMcNeill_LR-0449.jpg) ©Bronac McNeill Rachel Taylor said the award reflected the importance of ensuring equal protection under the law. “Those who commit acts of hate against LGBTQ+ and disabled people should know their crimes will be treated every bit as seriously as other forms of hate,” she said. “I'm absolutely delighted to have passed the amendment to make all categories of hate crime aggravated offences and am honoured to have received this award from Stonewall for leading this campaign in Parliament with **Marie Tidball** MP.” The **Inclusive Places Award** recognised efforts to make workplaces and sporting environments more welcoming for LGBTQ+ people. Two winners were selected, representing Stonewall’s **Rainbow Laces** campaign and **Proud Employers** programme. ![](https://www.scenemag.co.uk/content/images/2026/07/Stonewall_6Jul2026_--BronacMcNeill_LR-0531.jpg) ©Bronac McNeill **Lou Englefield**, chief executive of **Pride Sports**, said the recognition came at a particularly significant moment as preparations continue for the **EuroGames Cardiff 2027**, the first time the event will be held in the UK. “As we build towards the first ever EuroGames to come to the UK next year, it’s fantastic to have our work to make sport and physical activity more inclusive acknowledged by Stonewall,” Lou said. “And no better year for this to happen than in our 20th anniversary year.” Meanwhile, **Trenton Tomlinson** of **Universal Music Group**, a participant in Stonewall’s Proud Employers leadership cohort, highlighted the importance of creating equitable workplaces across the music industry. ![](https://www.scenemag.co.uk/content/images/2026/07/Stonewall_6Jul2026_--BronacMcNeill_LR-0729.jpg) Denise Van Outen with Charlie Condou. ©Bronac McNeill “Music has the power to shape culture, but that only matters if the people behind it are also protected, celebrated and given the equity to succeed,” he said. “This is something that Stonewall does every day, so it means an awful lot to not only play a part in that change but to be acknowledged by Stonewall for it.” Guests included actor **Charlie Condou**, singer **Duncan James**, campaigner **Olivia Campbell Cavendish** and pop star **Sinitta**, alongside activists, politicians, artists and influencers. Entertainment came from celebrity DJs **Gok Wan** and **Denise van Outen**, whose sets kept revellers on the dancefloor throughout the evening. Funds raised during the event will support Stonewall’s ongoing work with lawmakers, businesses and third-sector organisations to help shape policy, influence legislation and promote a society in which LGBTQ+ people are treated fairly and equally. Stonewall also thanked **M&G**, **Elton John Zero**, **Madame F**, **Lucky Sant**, **Silverhand Estates** and **Letterbox Cocktails** for supporting the summer fundraiser. ### Church of England allows controversial 'ex-gay' event at Synod despite protests URL: https://www.scenemag.co.uk/church-of-england-allows-controversial-ex-gay-event-at-synod-despite-protests/ Last updated: 2026-07-08T11:43:13.000Z The **Church of England** has allowed a controversial fringe event featuring so-called "ex-gay" Christians to go ahead during this week's **General Synod**, despite calls from LGBTQ+ campaigners and progressive clergy for it to be cancelled. The event, titled **"People Change: Sexual Identity Transformation"**, is due to take place alongside Synod proceedings in York and will feature speakers who claim to have changed or overcome same-sex attraction. Among them is **Matthew Grech**, a Maltese Christian who was recently acquitted after facing legal action over comments he made about his experiences of leaving homosexuality behind. Also speaking is **Mike Davidson**, chair of the **International Foundation for Therapeutic and Counselling Choice** (IFTCC), an organisation that supports people seeking help for unwanted same-sex attraction or gender dysphoria. The event sparked a backlash from LGBTQ+-affirming members of the Church. Rev Dr **Charlie Bączyk-Bell**, an openly gay priest and General Synod member, criticised the decision to host the meeting, while dozens of clergy and lay members wrote to the Archbishops of Canterbury and York urging them to intervene. The group questioned how the event complied with Church guidelines, which allow fringe meetings to be blocked if they conflict with the Church's ethos, damage its reputation or raise safeguarding concerns. The controversy comes against the backdrop of the Church of England's support for a ban on conversion practices. In 2017, General Synod voted overwhelmingly in favour of outlawing conversion therapy, which many LGBTQ+ organisations describe as harmful and discredited. Organisers of the fringe event rejected suggestions that it promoted abusive conversion practices. **Rebecca Hunt**, the Synod member hosting the event, said it was intended to explore personal testimonies and pastoral support for Christians seeking to live in accordance with traditional Church teaching on sexuality. A Church of England spokesperson said the decision reflected the Church's established position on conversion practices. "Following careful consideration, the Archbishop of Canterbury and the Archbishop of York have informed the Synod member that their fringe meeting, as a private discussion for Synod members and invited guests, may go ahead as planned but has declined permission for the associated stand and public display," the spokesperson said. They added that allowing a public exhibition would conflict with the Church's support for a ban on conversion practices. The row comes as the UK Government continues work on legislation to prohibit conversion practices. While the Church supports a ban, senior bishops have previously expressed concerns that any law must clearly distinguish between harmful conversion therapy and legitimate pastoral care or prayer. ### Vigil honouring Michael Causer, 18 years after his death in a homophobic attack, to launch Knowsley Pride URL: https://www.scenemag.co.uk/vigil-honouring-michael-causer-18-years-after-his-death-in-a-homophobic-attack-to-launch-knowsley-pride/ Last updated: 2026-07-08T11:11:33.000Z The life and legacy of **Michael Causer** will once again take centre stage this summer as **Knowsley Pride** begins with an annual vigil marking 18 years since the teenager's death. For many across Merseyside's LGBTQ+ community, the vigil is far more than the opening event of a Pride celebration. It is an opportunity to remember a young gay man whose death became a catalyst for change and helped reignite Pride in the Liverpool City Region. Michael was just 18 when he died in August 2008 after suffering injuries in a homophobic attack at a house party. His death shocked communities across the region and prompted widespread calls for greater action to tackle anti-LGBTQ+ hate crime and discrimination. Nearly two decades later, his name remains closely linked to the fight for equality in Merseyside. Campaigners and community leaders have long argued that the public response to Michael's death played a significant role in inspiring the return of **Liverpool Pride** after more than 15 years without a city-wide Pride event. ![](https://www.scenemag.co.uk/content/images/2026/07/734644755_1325269986482733_2682617384502495067_n.jpg) This year's Michael Causer Vigil will take place on **Sunday, 2 August** at **Court Hey Park** and will officially open Knowsley Pride 2026\. The event is expected to bring together members of the LGBTQ+ community, allies, local organisations and residents to reflect on Michael's life and the progress that has been made since his death. The vigil will begin a week of events across Knowsley celebrating LGBTQ+ identity, visibility and inclusion. Organised with support from **One Knowsley**, the programme will culminate in **Rainbow in the Park** on **8 August**, featuring live performances, entertainment and community activities. **Racheal Jones**, chief executive of One Knowsley, said the week reflects the strength and diversity of the borough's LGBTQ+ community. "Knowsley Pride has grown into something very special, with this year feeling like another step forward," she said. "It's not about one event, it's about a whole week of activity that reflects the breadth and strength of this community; from the vigil on Sunday through to Rainbow in the Park on Saturday, every part of this week belongs to Knowsley." 💡 Knowsley Pride runs from 2 to 8 August, with further community events due to be announced in the coming weeks. ### Brighton Gin unveils 2026 Pride bottle celebrating queer women and supporting local LGBTQ+ charity URL: https://www.scenemag.co.uk/brighton-gin-unveils-2026-pride-bottle-celebrating-queer-women-and-supporting-local-lgbtq-charity/ Last updated: 2026-07-08T10:41:18.000Z **Brighton Gin** has revealed its limited-edition Pride bottle for 2026, continuing its annual tradition of showcasing LGBTQ+ artists while raising funds for grassroots organisations in the city. This year's design has been created by Brighton-based artist **Amy Isles Freeman**, whose artwork celebrates queer female visibility. The special-edition bottle is available now through Brighton Gin's website and selected local stockists. The independent distillery has released a Pride bottle every year, using the initiative to platform LGBTQ+ artists and support community organisations through charitable fundraising. ![](https://www.scenemag.co.uk/content/images/2026/07/It---s-here---Our-Limited-edition-charity-fundraising-Pride-bottle-for-2026--Every-year-Brighton-g.jpg) For 2026, Brighton Gin has chosen **Lunch Positive**, the Brighton-based charity that supports people living with HIV and tackles social isolation through community meals and events, as its fundraising partner. The company says it will be supporting the charity not only through sales of the limited-edition bottles but also through an event taking place this Saturday at **The Bottom's Rest** pub. Announcing the launch, Brighton Gin praised Freeman's contribution, saying it hoped customers would love the design "as much as we do". The artist's vibrant artwork centres on queer female representation, reflecting Brighton Gin's commitment to celebrating the diversity of the LGBTQ+ community throughout the year. 0:00 /0:04 1× The annual Pride bottle has become a fixture of Brighton's Pride celebrations, combining support for local artists with fundraising for community causes. Previous editions have highlighted a range of LGBTQ+ voices and creative talent from across the city. Brighton Gin said its commitment to the community extends well beyond Pride season. "Here at Brighton Gin we are queer all year, not just gay for a day," the company said. 💡 The limited-edition 2026 Pride bottle is available now from Brighton Gin and selected retailers including Quaff Wine, The Wine Barrel, Seven Cellars and The Bottom's Rest. ### "This Is Bigger Than Pride": Europe's LGBTQ+ leaders urge EU to defend democratic freedoms URL: https://www.scenemag.co.uk/this-is-bigger-than-pride-europes-lgbtq-leaders-urge-eu-to-defend-democratic-freedoms/ Last updated: 2026-07-08T10:17:07.000Z Europe's leading LGBTQ+ organisations have launched a new campaign warning that attacks on Pride events should be treated as warning signs of a broader threat to democracy. **ILGA-Europe** and the **European Pride Organisers Association** (EPOA) today unveiled ***Protect Pride. Protect Democracy.***, a campaign calling on European institutions to recognise restrictions on Pride as indicators of democratic backsliding and to take stronger action to defend the rights of LGBTQ+ communities across the continent. The initiative comes as Pride season continues across Europe against a backdrop of growing concern over attempts to restrict Pride events, rising anti-LGBTQ+ hostility and increasing pressure on civil society organisations. Campaigners say Pride is often viewed solely through the lens of LGBTQ+ rights, when in reality it relies on fundamental democratic freedoms that benefit everyone. According to the organisations behind the campaign, every Pride march, rally and celebration depends on the rights to freedom of assembly, freedom of expression and participation in public life. They argue that when governments, local authorities or other institutions limit those freedoms, the consequences extend far beyond the LGBTQ+ community. The campaign highlights a range of challenges facing Pride organisers in different parts of Europe, including bans on Pride events, inadequate protection from hostile counter-protesters, cuts to public funding, online misinformation and hate campaigns, attacks on marchers and the burning of rainbow flags. It also points to what organisers describe as a retreat by some companies from diversity, equity and inclusion commitments. Campaigners argue that these developments are part of a wider pattern in which restrictions on visibility, expression and public participation can signal deeper democratic erosion. **Patrick van der Pass** of EPOA said Pride remains one of the clearest examples of democratic freedoms being exercised in public. “Pride is not simply a celebration. It is one of the most visible expressions of the freedoms that underpin democratic societies: the freedom to gather, the freedom to speak, and the freedom to be seen. For millions of people across Europe, Pride is what those freedoms look like in practice.” As part of the campaign, ILGA-Europe and EPOA have published an open letter addressed to European Commission President **Ursula von der Leyen** and the EU's High Representative for Foreign Affairs and Security Policy, **Kaja Kallas**. The letter calls on European leaders to recognise restrictions on Pride as indicators of democratic decline, speak out when Pride organisers come under attack and strengthen protections for the right to peaceful assembly across Europe. **Katrin Hugendubel**, deputy director of ILGA-Europe, said European leaders had a responsibility to protect freedoms secured by previous generations. “Generations of Europeans worked to cultivate societies rooted in freedom, dignity and democracy. Our leaders have a duty to honour what they built by protecting the freedoms that allow Pride, and the democratic values it represents, to flourish. “Protecting these freedoms today will help ensure that future generations inherit a Europe that is open, democratic and inclusive for all.” The campaign, which launches on 8 July and will run through to the end of 2026, is inviting individuals, Pride organisations and civil society groups to sign the open letter and support stronger protections for democratic freedoms across Europe. ### Reform UK cracks down on Pride displays in Norfolk libraries URL: https://www.scenemag.co.uk/reform-uk-cracks-down-on-pride-displays-in-norfolk-libraries/ Last updated: 2026-07-08T09:41:53.000Z **Norfolk County Council**’s **Reform UK** administration has banned libraries from hosting Pride-themed displays and events, prompting criticism from trade unions and opposition politicians who say the move risks making LGBTQ+ residents feel less welcome in public spaces. The new guidance instructs library staff not to create Pride displays or organise events linked to **Pride Month** or local Pride celebrations taking place across Norfolk this summer. Reform councillors say the policy is intended to ensure libraries remain politically neutral and accessible to everyone. However, critics argue the move targets LGBTQ+ visibility and forms part of a wider culture-war agenda being pursued by the party since it took control of the council. The decision follows an earlier row over the council’s refusal to fly the Progress Pride flag from County Hall, a move that sparked anger among some employees and helped fuel what staff have dubbed a “rainbow rebellion”. Reform UK has long argued that Pride has become a political movement rather than simply a celebration of LGBTQ+ communities and equality. ![](https://www.scenemag.co.uk/content/images/2026/07/pexels-katierainbow-8249729.jpg) Pexels **Scott Hussey**, a senior Reform councillor, said the new guidance was introduced following concerns raised by local families about activities taking place in Norfolk libraries. “Public buildings funded by Norfolk taxpayers must not be used to advance any political agenda or promote the interests of any campaign group, however well-intentioned,” he said. “We have heard from residents who feel that hasn’t always been the case, particularly with regard to materials aimed at children. “As such, we welcome the steps Norfolk County Council has taken to ensure its library and museum spaces are inclusive and politically neutral for all visitors.” The party has also linked the decision to wider debates around transgender rights and what it describes as “gender ideology” - a term frequently used by critics of trans-inclusive policies. The council's decision has drawn sharp criticism from **Unison**, which represents many local authority employees. **Jamie Smith**, the union’s eastern regional organiser, accused Reform of focusing on divisive cultural issues rather than public services. “While Reform is busy clamping down on free speech and fighting culture wars, council staff will get on with providing the best service they can to the people of Norfolk,” he said. “That includes making libraries genuinely open, welcoming and inclusive spaces for all residents, whatever signals councillors are trying to send.” ![](https://www.scenemag.co.uk/content/images/2026/07/17826284.jpg) ****Brian Watkins**, leader of the ****Liberal Democrat group at County Hall** **Brian Watkins**, leader of the **Liberal Democrat** group at County Hall, said he was “extremely alarmed” by the decision. Critics argue that removing Pride displays does not create neutrality but instead sends a message that LGBTQ+ identities are less deserving of recognition than other communities. The dispute is the latest sign of mounting tensions between Reform councillors and sections of the council workforce. Many staff members have reportedly been frustrated by the administration’s decisions to stop flying the Progress Pride and Ukraine flags, review the council’s net-zero policies and examine existing hybrid working arrangements. Unison has previously described a “strong sense of disappointment” among employees following the arrival of the new administration and organised support sessions for staff who felt anxious or vulnerable as a result of the changes. Reform councillors criticised those sessions, dismissing them as “snowflake sessions”. ### Police in Philadelphia hunt suspect after two men killed and another injured in alleged anti-gay attacks URL: https://www.scenemag.co.uk/police-in-philadelphia-hunt-suspect-after-two-men-killed-and-another-injured-in-alleged-anti-gay-attacks/ Last updated: 2026-07-08T09:07:25.000Z Police in **Philadelphia** are searching for a man suspected of carrying out a series of shootings targeting gay men, leaving two people dead and a third seriously injured. Investigators have identified 21-year-old **Jahylin Melchur** as a suspect in three attacks that took place over the course of a month in the **Hunting Park** area of the city. Authorities believe the incidents are connected and may have been motivated by hostility towards the victims' sexual orientation. The first shooting occurred on **29 May** at around **9.50pm**. A 55-year-old man survived after being shot while standing near his car. According to police, the victim told officers that a man approached him, announced a robbery and then opened fire. He was found in the street suffering from gunshot wounds to his side and elbow. A second attack took place on **20 June** at about 10pm. **Martin Higgins**, 45, was discovered with multiple gunshot wounds to his back. Emergency responders pronounced him dead at the scene. Less than a week later, on **26 June** at around **11pm**, 29-year-old **Sharef Holman** was shot in the back. He was taken to hospital but later died from his injuries. Police initially did not disclose a possible motive for the shootings. However, investigators now believe the three incidents are linked and may have targeted gay men. “All three incidents were perpetrated very similarly in the same geographic area,” Deputy Commissioner **Frank Vanore** said. “So we're believing now that they're all connected.” The attacks all took place within a month of one another in the vicinity of Hunting Park, prompting detectives to investigate whether a single offender was responsible. Vanore said investigators believe the suspect may be using public transport to travel to and from the crime scenes. He urged passengers using the **Southeastern Pennsylvania Transportation Authority** (SEPTA) network to remain vigilant. Sources told local broadcaster **NBC10 Philadelphia** that all three victims were gay. Police have not formally classified the shootings as hate crimes, however, and Vanore previously said robbery remains a key line of inquiry. “The motive appears to be robbery, in all these cases. At least it does in the first case,” he said last week. “We have a witness telling us he announced the robbery, but at this point, that's our theory.” Philadelphia Police have released images of the suspect and warned members of the public not to approach him if spotted. Instead, anyone with information is being urged to contact law enforcement immediately. The case has also drawn attention to gaps in Pennsylvania's hate crime legislation. While the state enacted an LGBTQ+-inclusive hate crimes law in 2002, it was later struck down by the Pennsylvania Supreme Court on procedural grounds. Lawmakers have not subsequently passed legislation explicitly adding sexual orientation and gender identity to the state's hate crime protections. Police say the investigation remains ongoing. Anyone with information that could assist detectives is being urged to come forward. ### Seeing Things in a Queer Light: Invisible Rainbows by Dr Alfredo Carpineti URL: https://www.scenemag.co.uk/seeing-things-in-a-queer-light-invisible-rainbows-by-dr-alfredo-carpineti/ Last updated: 2026-07-07T16:11:26.000Z Deeply fascinating and delightfully playful, Dr **Alfredo Carpineti** dazzles us with all the light we cannot see in this heartfelt ode to the universe beyond the visible. Illuminating in every sense of the word, *Invisible Rainbows* takes us on a breathtaking sightseeing tour of all the wavelengths of light that are invisible to the human eye, exploring the wondrous possibilities of the electromagnetic spectrum, from radio waves to gamma rays. But light is not the only spectrum that shines at the heart of *Invisible Rainbows*. This book is animated by lively conversations with LGBTQ+ scientists, welcoming us into an astounding unseen universe. As Carpineti plays with the symbolic resonances of light, visibility and rainbows, ‘*Invisible Rainbows’* comes to stand not only for the awe-inspiring universe beyond visible light, but also for the often-erased brilliance of LGBTQ+ scientists. In this book, the importance of using each different wavelength of light to look at the Universe becomes inextricably linked with the importance of embracing diverse perspectives: we can only hope to understand the Universe by being open to seeing things in a different light, both literally and figuratively. It is by practising this radical openness to both human and celestial diversity that we can enrich our understanding of the Universe and one another. ![](https://www.scenemag.co.uk/content/images/2026/07/carpineti.webp) Author Dr Alfredo Carpineti: chair and founder of Pride in STEM Science, Carpineti reminds us, is not neutral. Science is human, subject to all the messiness, flaws and biases that humanity entails. *Invisible Rainbows* dismantles the illusion that science occupies an objective sphere, bringing us face to face with the myriad ways in which science is shaped by its social and political context. Throughout, Carpineti’s reflections are skilfully inflected with a double meaning. He is talking about how we approach scientific exploration, yes, but he is also talking about how our society reacts to ‘difference’. “Reality at the smallest scale is a mess of fluctuations”, Carpineti explains. Difference, then, is the essential condition of our Universe, yet it is often feared and erased in our society. When the Universe was mere seconds old, Carpineti tells us, everything was exactly alike … well, almost. It was the tiniest of differences within almost complete uniformity that allowed enough matter to gather for galaxies to form. In the cosmology of *Invisible Rainbows*, difference is the precondition of all creation: it is potential and possibility. If the smallest difference can create whole galaxies, imagine how much would be possible if we fully embraced human diversity. This book asks us how much we could achieve if the same tenets of openness, curiosity and understanding that inform the best kinds of science also governed the way we treat one another. Astronomers can approach the stars with passionate curiosity, a desire to learn and understand, yet human beings so often fail to extend the same openness and acceptance to one another. ![](https://www.scenemag.co.uk/content/images/2026/07/9781806770441.jpg.webp) *Invisible Rainbows* delights in the moments where our theories break down. Carpineti sheds light on the erasure that takes place in order for scientists to arrive at a ‘perfect explanation’. For our theories to hold up, we often have to ignore certain phenomena and disregard complexities. *Invisible Rainbows* shows us that the places where our rules fail are rich with overlooked possibility. The heartbeat of this book is the implicit parallel between LGBTQ+ people and the invisible light that shatters our theories. Phenomena, whether celestial or human, that flout the rules we set face erasure, yet it is precisely because they disrupt our assumptions that they hold such enormous potential to enhance our understanding of the world. This is a book that challenges us to be open to possibility, to see beyond our senses and to think outside of the assumptions we make about the Universe and one another. In *Invisible Rainbows*, the horizon ceases to be an end-point and becomes instead an irresistible invitation to go beyond, to push against our limits and embrace the rich diversity of both the cosmos and humanity itself. After all, when faced with a world that “won’t give us a straight answer”, we need to harness diverse perspectives and always remain open to seeing things in a different light. *Invisible Rainbows* is published by [Wilton Square Books.](https://wiltonsquarebooks.com/products/invisible-rainbows?%5Fpos=1&%5Fpsq=inv&%5Fss=e&%5Fv=1.0&ref=scenemag.co.uk) ### Abigail's Party @ Theatre Royal Brighton URL: https://www.scenemag.co.uk/abigails-party-theatre-royal-brighton/ Last updated: 2026-07-07T15:43:03.000Z There's a particular strangeness in watching a piece of queer-adjacent camp iconography turn into comfort food. *Abigail's Party* has long occupied a funny corner of gay cultural memory; Beverly Moss as accidental drag icon, that swaying dance to Demis Roussos passed round at parties for decades, the cheese-and-pineapple hospitality of hell quoted back and forth like scripture. **Nadia Fall**'s revival at Theatre Royal Brighton knows exactly what it's been handed, and it delivers that inheritance with real technical assurance. It's just that knowing your own legend so well can tip a production into recital rather than performance. ![](https://www.scenemag.co.uk/content/images/2026/07/Abigail_s-Party-3-Lauren-Patel.jpg) ****Photo Credit: Ellie Kurtz** **Tamsin Outhwaite** gives Beverly everything the role demands aided by an impressive blonde Farrah cut, with the towering heels, the over-poured drinks, the swanning cruelty dressed up as hostessing. She's commanding, slightly manic but never lets the character's nastiness curdle into caricature, there's a real woman in there, lonely inside her own suburban stagecraft. But the production seems to trust that we already love Beverly, rather than earning that love scene by scene, and so a lot of Outhwaite's best work plays like a victory lap. The design is perfect, Peter McKintosh's costumes and set nail that uncanny 1977 register that now doubles, unhelpfully for the play's satire, as fashionable "mid-century modern"; the effect is that a room built to look tacky and try-hard now reads as rather tasteful, which undercuts some of the original bite and I thought, Beverly, darling, you were simply ahead of your time and nobody appreciated it. Howard Harrison's lighting adds a few nice touches of atmosphere without overpowering the domestic claustrophobia the play needs. The play stays rooted in its 1970s attitudes, casual racism, misogyny, and class snobbery all present and unsoftened, alongside domestic violence and a couple of uncomfortably jokey references to rape, left unexamined. None of it's been updated, sitting alongside the constant smoking as a reminder of how much the period's casual cruelties remain untouched ![](https://www.scenemag.co.uk/content/images/2026/07/IMG_0339.jpeg) ****Photo Credit: Ellie Kurtz** The performance to single out, oddly, isn't Beverly at all. Sue (played by **Pandora Colin)** meant to be the evening's pale, apologetic non-drinker, quietly disintegrating next door while her teenage daughter's actual party rages unseen, is given a lovely, understated sadness that the rest of the production doesn't quite match. Where everyone else is turned up to the show's expected pitch, Sue is allowed to be small, awkward, genuinely adrift, and for a few minutes the play stops being a greatest-hits set and becomes something sadder and stranger. That's the frustrating thing about this staging: it's well-drilled and well-designed, the marriages fray convincingly, the second half does properly accelerate into disaster, and the class comedy still has teeth, or veneers at the very least, nearly fifty years on. But so much of the production seems built around the audience's foreknowledge rather than trying to surprise them anew. Every iconic line lands like a chorus everyone's been waiting to sing along to, and the show seems content to let them. ![](https://www.scenemag.co.uk/content/images/2026/07/Abigail_s-Party-1-Omar-Malik-.jpg) Omar Malik, Tamzin Outhwaite and Lauren Patel. Photo Credit: Ellie Kurtz Which brings me to my companion and me, sitting rather stiffly through an auditorium that was, by contrast, laughing before punchlines arrived, murmuring lines a beat ahead of the actors, visibly delighted every time Beverly refilled a glass. It's an odd, slightly isolating position to be in at a play so many people clearly adore, and I'm honestly not sure whether that says something about the production, or about us. Maybe the party was never really for us in the first place; maybe we just wanted it to surprise us the way it once surprised everyone else. Anyway. Lovely evening, it's worth going. Everyone adored it, mostly. Beverly will be having people round again very soon, and this time she'll try the Demis Roussos again, because really, why change a winning formula. Cheese straw, Sue? Until Sat 1th, Theatre Royal Brigton, [tickets/info. ](https://www.atgtickets.com/shows/abigails-party/theatre-royal-brighton/?ref=scenemag.co.uk) ![](https://www.scenemag.co.uk/content/images/2026/07/Abigails-Party5.jpg) ****Photo Credit: Ellie Kurtz** ### Judges to hear challenge to Trinidad and Tobago's colonial-era anti-gay laws URL: https://www.scenemag.co.uk/judges-to-hear-challenge-to-trinidad-and-tobagos-colonial-era-anti-gay-laws/ Last updated: 2026-07-07T12:51:06.000Z A landmark legal challenge to colonial-era laws criminalising consensual same-sex intimacy in **Trinidad and Tobago** will be heard by the **Judicial Committee of the Privy Council** (JCPC) in London on **8 July**, in a case campaigners say could have far-reaching consequences for LGBTQ+ people across the Caribbean. The appeal concerns laws dating back to the colonial period that criminalise same-sex intimacy between consenting adults. LGBTQ+ advocates warn that, given existing Privy Council jurisprudence, there is a realistic possibility the legislation could ultimately be upheld. Campaigners say the outcome could affect not only Trinidad and Tobago but also other countries where similar laws remain in force or are being reinforced through contemporary legislation. Five Caribbean LGBTQ+ organisations, including **Colours Caribbean**, have been granted permission to intervene in the case. The groups are being supported by **Harvard Law School's LGBTQI+ Advocacy Clinic** and a team of leading lawyers from Canada and the UK. The appeal has also reignited debate about Britain's continuing constitutional role in former colonies and the extent to which UK institutions remain involved in cases concerning laws rooted in the colonial era. Former Irish Taoiseach **Leo Varadkar** recently highlighted the issue in an article questioning whether it remains appropriate for the UK to continue providing judges and legal institutions to determine appeals involving laws that criminalise same-sex relationships. Campaigners argue that the case raises broader questions about the UK's international reputation as a supporter of LGBTQ+ rights. The hearing will take place in London before judges sitting as members of the Judicial Committee of the Privy Council, which remains the highest court of appeal for Trinidad and Tobago despite the country becoming a republic in 1976. Advocates have noted that although there are currently two Caribbean members of the JCPC, neither has been selected to sit on the panel hearing the case. For LGBTQ+ organisations, the appeal is about far more than criminal law. Human rights groups have long argued that laws criminalising same-sex intimacy contribute to stigma, discrimination and violence against LGBTQ+ people, even when prosecutions are rare. International human rights bodies have repeatedly found that such legislation can have a profound impact on the lives of LGBTQ+ communities by legitimising prejudice and creating barriers to equality, healthcare, employment and personal safety. Supporters of the intervention argue that the continued existence of these laws is incompatible with modern human rights standards and international legal obligations. The case has also prompted comparisons with the UK's decision in 2022 to withdraw Supreme Court judges from **Hong Kong's Court of Final Appeal**. At the time, senior judges said continued participation risked appearing to endorse a legal and political environment that no longer reflected fundamental freedoms and human rights principles. Campaigners say a similar question now arises over Britain's role in adjudicating appeals involving laws that criminalise consensual same-sex relationships. The hearing is expected to attract significant attention from LGBTQ+ organisations, legal experts and human rights campaigners throughout the Caribbean and beyond. Whatever the outcome, the judgment is likely to have implications far beyond Trinidad and Tobago, influencing debates about colonial-era legislation, constitutional independence and LGBTQ+ equality across the Commonwealth. For many campaigners, the case represents a crucial test of whether courts will continue to uphold laws rooted in a colonial past or move towards a legal framework that recognises the rights and dignity of LGBTQ+ people. As the appeal begins in London, advocates say they hope the court will deliver a judgment that advances equality and human rights, helping to create a future in which consensual same-sex relationships are no longer treated as criminal acts anywhere in the Commonwealth. ### Scene exclusive: the duo who saved the Stonewall Inn URL: https://www.scenemag.co.uk/scene-exclusive-the-duo-who-saved-the-stonewall-inn/ Last updated: 2026-07-08T15:43:38.000Z _This post is for subscribers only._ ### Labour MP says new EHRC guidance could lead to ‘enforced segregation’ of trans people URL: https://www.scenemag.co.uk/labour-mp-says-new-ehrc-guidance-could-lead-to-enforced-segregation-of-trans-people/ Last updated: 2026-07-07T11:33:09.000Z A **Labour** MP has warned that trans people face "enforced segregation" if controversial new guidance on single-sex services comes into force this week, as campaigners raise concerns about its impact on everyday life. The **Equality and Human Rights Commission**'s (EHRC) revised **Code of Practice** for service providers, associations and public bodies is expected to clear parliamentary scrutiny on **9 July**, paving the way for ministers to bring it into force. The guidance follows last year's Supreme Court ruling that the terms "woman" and "sex" in the **Equality Act** refer to biological sex. It advises service providers not to admit trans people to single-sex spaces that align with their gender identity and warns that organisations could face legal challenges if they do so. Critics say the guidance could leave many trans people effectively excluded from public life, with some potentially unable to access services that match either their gender identity or their sex assigned at birth. ![](https://www.scenemag.co.uk/content/images/2026/07/thiago-rocha-wwiJE6j8UcA-unsplash.jpg) Labour MP **Nadia Whittome**, who sits on Parliament's **Women and Equalities Committee**, has been among the most vocal opponents of the changes. She tabled a motion seeking to block the code, which attracted support from 164 MPs across five political parties. However, the motion is unlikely to be debated before the parliamentary deadline expires. "If it is debated and passed within the 40-day scrutiny window, it would prevent the code from coming into force," Whittome told **ITV News**. "Unfortunately, there is no mechanism by which backbench MPs can force a vote to be held, so one is unlikely to take place." Whittome said the guidance would have serious consequences for trans people. "The code will mean enforced segregation for trans people, with services, businesses and charities expected to exclude them from spaces they have long used," she said. "I'm worried it also increases the risk of harassment and abuse, particularly for trans women forced into male-only spaces." She also warned that the guidance could affect people beyond the transgender community. "The code also suggests trans people's exclusion should be enforced based on physical appearance. That will affect anyone who doesn't conform to gender stereotypes, not just trans people." LGBTQ+ organisations say the impact is already being felt. **Galop**, a charity supporting LGBTQ+ victims of abuse and violence, said it had been unable to place any trans women in domestic abuse refuges during 2026 despite receiving more than 240 referrals. Campaigners argue that the guidance creates uncertainty around access to everyday facilities and services, including toilets, changing rooms, support groups and healthcare settings. **Rachel Taylor**, co-chair of the **LGBT+ Parliamentary Labour Party**, said she feared the changes represented a step backwards for trans rights. "I don't want women to feel unsafe about using single-sex spaces. I absolutely don't," she told ITV News. "But there has to be proportionality about this, and there also has to be respect for trans people to live their lives as they have done for years. It seems like we're going backwards." Meanwhile, advocacy groups say growing uncertainty is having a damaging effect on the mental health and wellbeing of trans people. ![](https://www.scenemag.co.uk/content/images/2026/07/karollyne-videira-hubert-wKWZqMHTbL4-unsplash.jpg) **Alfie Bailey-Bearfield**, advocacy lead at the Trans+ Solidarity Alliance, said many people now feel "scared and betrayed" and are unsure how to navigate everyday situations. "If you don't know if you can use a pub toilet without either breaking a policy or being put in danger, or whether you can be admitted to hospital in a safe and dignified way, then so many people will sadly self-exclude to all our detriment," he said. He urged the government to intervene, warning that failure to clarify the law could lead to years of costly legal disputes. "The EHRC's guidance is bad but it's also a symptom of a broader problem, that the legal position is now cruel and untenable," he said. The EHRC has similarly rejected claims that transgender people could be excluded from services altogether. A spokesperson said: "Trans people cannot be left without access to services, and nobody should face harassment." The watchdog said the code provides guidance on balancing the rights of different groups and pointed to examples such as the provision of self-contained, lockable facilities that can be used by anyone. ### Brighton Gay Men's Chorus turns back the clock for Pride show celebrating 300 years of queer history URL: https://www.scenemag.co.uk/brighton-gay-mens-chorus-turns-back-the-clock-for-pride-show-celebrating-300-years-of-queer-history/ Last updated: 2026-07-07T11:10:10.000Z Brighton Gay Men's Chorus (BGMC) is set to transport audiences back to Georgian England this Pride season with a new show celebrating the resilience, joy and hidden history of queer lives. The award-winning choir's latest production, ***Mother Clap's Molly House***, will take to the stage at **St George's Church** in Kemptown on **24 & 25 July**, marking 300 years since the infamous raid on one of London's best-known meeting places for gay men. Blending music, storytelling and plenty of glitter, the show tells the story of Mother Clap's molly house - a secret gathering place where gay men in the early 18th century could meet, socialise and find community at a time when same-sex relationships were criminalised. ![](https://www.scenemag.co.uk/content/images/2026/07/Mother-Clap-Illustration.jpg) BGMC Chair **John McPherson** said the production aims to shine a light on a chapter of LGBTQ+ history that is often overlooked. "This year marks the 300th anniversary of the raid on Mother Clap's molly house, which saw many of its patrons arrested, tried and even put to death for sodomy," he said. "While not shying away from that, our new show is joyful and celebratory, reminding audiences that queer people have always existed, and that the freedoms enjoyed now are built not just on the work of the Stonewall generation, but on centuries of resistance and persistence. "It's a story with a serious history - but we're telling it with warmth, wit and no shortage of glitter." The production comes as Brighton prepares for another busy Pride season, with thousands expected to descend on the city for one of the UK's largest LGBTQ+ celebrations. While Pride is often associated with colourful parades and headline performances, organisers and community groups continue to emphasise its roots in protest, visibility and the ongoing fight for equality. Against that backdrop, *Mother Clap's Molly House* explores the experiences of LGBTQ+ people long before the modern rights movement emerged, highlighting the dangers faced by queer communities in Georgian Britain while celebrating their determination to find joy and connection. Audiences can expect a soundtrack packed with familiar favourites and unexpected musical choices as the choir brings the hidden world of the molly house to life. Artistic Director **Joe Paxton** said the show combines the Chorus's trademark entertainment with an important historical story. "I'm always thrilled by the audience reaction to our shows, and *Mother Clap's* promises to be even more special," he said. "Of course we'll be bringing our trademark variety of camp hits and heart-touching melodies, but this month we're also really excited to bring the true story of Mother Clap and her rag-tag group of 18th-century gay men to the audiences of Brighton." ![Image](blob:https://www.scenemag.co.uk/060c80e7-a5de-4479-b1f2-5060e4665625) Brighton Gay Men's Chorus The announcement caps a busy and successful period for the Chorus. Earlier this year, BGMC sold out its *Heroes* show during **Brighton Fringe** and recently returned from Brussels, where members performed at Various Voices, the international LGBTQ+ choral festival. The choir is also preparing to welcome the festival to Brighton in 2030 as co-hosts, further cementing the city's reputation as a major centre for LGBTQ+ culture and community. Founded more than two decades ago, Brighton Gay Men's Chorus has grown into one of Europe's largest LGBTQ+ choirs, with around 150 members. Known for its ambitious arrangements, powerful harmonies and crowd-pleasing repertoire, the group has become a fixture of Brighton's cultural and Pride calendar. From contemporary pop and musical theatre favourites to classic disco and anthems by artists such as David Bowie, Queen and ABBA, the Chorus has built a reputation for delivering high-energy performances alongside more emotional moments. With *Mother Clap's Molly House*, however, the choir hopes to offer audiences something more than entertainment. By telling the story of a community forced underground three centuries ago, BGMC hopes to remind audiences that LGBTQ+ people have always existed - and that today's freedoms were hard won by generations who came before. 💡 ****Brighton Gay Men's Chorus will perform** ***Mother Clap's Molly House** **at St George's Church, Kemptown, on 24 and 25 July. Tickets are available from** [****BGMC Tickets**](https://tickets.brightongmc.org/?ref=scenemag.co.uk)****, priced £20 (£15 concessions).** ### Drag Race UK's Veronica Green marches at Pride in London after multiple sclerosis diagnosis URL: https://www.scenemag.co.uk/drag-race-uks-veronica-green-marches-at-pride-in-london-after-multiple-sclerosis-diagnosis/ Last updated: 2026-07-07T09:44:42.000Z **RuPaul's Drag Race UK** star **Veronica Green** joined the **MS Society** at this year's Pride in London, speaking publicly about her multiple sclerosis (MS) diagnosis and the importance of visibility for people living with the condition. Green, whose real name is **Kev Grogan**, marched with the charity during the capital's annual Pride celebrations after being diagnosed with MS in 2024. The performer revealed that the diagnosis had a profound impact on his life, leaving him temporarily dependent on his partner, Steve, as he adjusted to the condition. ![](https://www.scenemag.co.uk/content/images/2026/07/P7040396.JPG) "For two months after my diagnosis, I was completely dependent on my partner, Steve," Grogan said. "He fed, clothed and bathed me while I couldn't use my hands. "As time went by my symptoms slowly improved and were more manageable. Once my motor functions returned and I was able to work again, although I struggled with energy levels." MS is a neurological condition affecting the brain and spinal cord, with symptoms varying widely between individuals. Many people experience fatigue, mobility issues, numbness and problems with coordination, while some symptoms may not be immediately visible to others. Grogan said the support he received from the LGBTQ+ community played a crucial role both before and after his diagnosis. "The LGBTQ+ community has always been supportive and provided a voice and visibility for those who are oppressed or face societal challenges," he said. "I'd been an out and proud gay man for 20 years before my MS diagnosis. The community supported me for my career and for my MS diagnosis. ![](https://www.scenemag.co.uk/content/images/2026/07/PXL_20260704_131550451.jpg) "My fans have been 100% supportive. I speak to a lot of people about my own struggles and in turn I have a fan base that connects with me through their own experiences." Pride in London brought together LGBTQ+ organisations, charities, community groups and allies from across the UK, with this year's event once again highlighting issues of inclusion, equality and visibility. For Grogan, taking part with the MS Society was an opportunity to shine a light on the experiences of people living with a condition that is often misunderstood. "Marching in London Pride with the MS Society was about giving back and helping everyone be seen," he said. "That's why we chose our banner slogan this year, 'Our symptoms can be invisible, but we won't be.'" ![](https://www.scenemag.co.uk/content/images/2026/07/P7040145.JPG) The collaboration between the MS Society and Pride organisers reflects growing recognition of the intersection between disability and LGBTQ+ identities, with campaigners calling for greater visibility and support for disabled LGBTQ+ people. Grogan, who became a fan favourite during his appearances on *RuPaul's Drag Race UK*, has increasingly used his platform to speak openly about life with MS since receiving his diagnosis. By sharing his experiences, he hopes to raise awareness of the realities of living with the condition while encouraging others facing similar challenges. As Pride celebrations continue to champion the diversity of the LGBTQ+ community, Grogan said ensuring disabled voices are heard remains an important part of that mission. "Helping everyone be seen" was at the heart of the MS Society's presence at the parade, he said. ### Teacher struck off after telling pupils gay and trans people are ‘mentally ill’ URL: https://www.scenemag.co.uk/teacher-struck-off-after-telling-pupils-gay-and-trans-people-are-mentally-ill/ Last updated: 2026-07-07T09:16:08.000Z A teacher has been banned from the profession after telling pupils that gay and trans people are "mentally ill" during a classroom discussion, with a disciplinary panel finding the comments amounted to discriminatory behaviour. **William Garwood**, 60, was prohibited from teaching following a **Teaching Regulation Agency** (TRA) investigation into remarks made during a Year 11 history lesson at **St Mary's Menston Catholic Voluntary Academy** in West Yorkshire in October 2023. The panel found that Mr Garwood made comments to the effect that "gay and transgender people are mentally ill" while teaching a lesson on the history of Nazi Germany. In its ruling, the TRA concluded that the comments were inappropriate, unrelated to the curriculum and had the potential to cause harm to pupils. The panel said it was particularly concerned by the remarks about LGBTQ+ people because of their potential impact on young people in a school environment. "The panel also considered the comments relating to homosexuality and transgender people to be especially problematic given their potential impact on school-aged children," the decision stated. Panel members noted that issues relating to sexual orientation and gender identity are matters of significant public discussion and sensitivity, making it especially important that teachers approach such topics responsibly and professionally. Mr Garwood denied misconduct and argued that his views were rooted in his Islamic faith. During the hearing, he said his position on trans issues reflected his religious beliefs and claimed these had been used to portray him as "a psychological threat to children's wellbeing". The teacher also maintained that he had not expressed an opinion about gay people, arguing instead that pupils had misunderstood his religious beliefs and created a "false caricature" of his views. However, the panel rejected his arguments and found that the comments constituted unacceptable professional conduct. In its findings, the TRA said the remarks were not only outside the educational purpose of the lesson but were delivered without any attempt to provide balance or alternative perspectives. "As such, the panel concluded that the conduct was clearly inappropriate and significantly outside the bounds of acceptable teaching practice," the decision said. The panel further found that Mr Garwood's comments about gay and transgender people fell within the scope of discriminatory behaviour. The TRA imposed a prohibition order, preventing Mr Garwood from teaching. He will not be able to apply to have the ban reviewed until June 2032. ### LGBTQ+ helpline ‘more vital than ever’ amid rising anti-trans sentiment and demand URL: https://www.scenemag.co.uk/lgbtq-helpline-more-vital-than-ever-amid-rising-anti-trans-sentiment-and-demand/ Last updated: 2026-07-07T08:51:06.000Z An LGBTQ+ helpline says its services are ‘more vital than ever’ amid rising anti-trans sentiment and a surge in demand. **Switchboard**, one of the UK’s oldest LGBTQ+ helplines, is experiencing an ongoing rise in calls. Last year more than 17,000 conversations were handled by the charity’s volunteers - a rise of 20% compared with 2024\. Concerns around mental health featured in nearly one in five conversations, alongside the continuing impact of barriers faced by trans and gender diverse people. Conversations relating to gender identity accounted for almost a quarter of all contacts, while a 33% surge in conversations recorded in April reflected the profound effect of the UK Supreme Court ruling on the definition of sex. ![](https://www.scenemag.co.uk/content/images/2026/07/Volunteers-at-Pride-in-2002-1.png) **Jake O'Dwyer**, Head of Fundraising and Communications at Switchboard, says members of the trans and non-binary communities are facing difficulties surrounding the updated **Equality and Human Rights Commission** (EHRC) **Code of Practice** following the ruling, which advises that access to single-sex spaces (including toilets, changing rooms and women’s refuges) should be based on biological sex rather than gender identity. “We’ve seen a rise in people talking to us about gender identity with concerns around topics including access to healthcare and coming out to people safely. It’s really difficult for some parts of the community to function in everyday life. “The rise in anti-LGBTQ+ sentiment is leading to the community as a whole feeling less safe than they have done in recent years and services like Switchboard are more vital than ever,” he says. ![](https://www.scenemag.co.uk/content/images/2026/07/Volunteers-at-a-Pride-in-the-70s.png) In 2015 the UK was ranked the best county in Europe for LGBTQ+ rights but has now fallen to 22nd place out of 49 countries. Latest Home Office statistics show that there were more than 18,000 hate crimes motivated by sexual orientation and over 3,000 trans related hate crimes in the UK between March 2024 and March 2025\. Research from the charity Stonewall has meanwhile found that less than half of LGBTQ+ people feel comfortable holding their partner’s hand in public due to safety concerns. Jake says Switchboard plays a unique and vital role in supporting the LGBTQ+ community who often face a lack of support and understanding. ![](https://www.scenemag.co.uk/content/images/2026/07/Switchboard-Archive----2.jpg) “For the trans+ community the NHS wait times are through the roof. In some parts of the country it can be in excess of five years and often people reach out because they don’t know where else to turn. “First and foremost, we’re a listening service that makes us very different to a lot of services out there. We’re here to provide space for people to explore their own feelings and thoughts and work through what they need. “All of our volunteers are members of the community, so they have lived experience which makes us really unique. When somebody reaches out to Switchboard they know they’re going to be speaking to somebody who has some understanding of what it means to be a member of the community. We’re built by the community for the community,” he says. Jake says support for LGBTQ+ organisations is needed now more than ever with many charities feeling the impact of the cost-of-living crisis and experiencing a roll back in corporate support. ![](https://www.scenemag.co.uk/content/images/2026/07/Robert-Workman-Archive--Bishopsgate-Institute.jpeg) He says that although Switchboard has not been directly affected, many LGBTQ+ organisations have noticed that companies on both sides of the Atlantic have scaled back support after US President **Donald Trump** signed a series of executive orders in 2025 that overturned federal government diversity, equity and inclusion (DEI) programmes. “Corporate partners have been pulling away and there has been a roll back in support across the sector in terms of how organisations are showing up, especially during Pride season. There are organisations that may have a head office in the US, and they are having to look at inclusion differently, which may mean not publicly supporting LGGBTQ+ organisations in the way that they once were. “The cost-of-living crisis is also affecting everybody. Bills have gone up and everything costs more money. At Switchboard it costs on average £16 for a wraparound conversation which includes the costs of training somebody, recruiting volunteers and generally running the service,” he says. ![](https://www.scenemag.co.uk/content/images/2026/07/Copy-of-SB_13_3_1_001--1-.jpg) As a national organisation, Switchboard is supporting smaller charities struggling with rising costs and demand. “Over the past few years, we’ve seen some LGBTQ+ services either closing down completely or having to concentrate on core delivery, so we’ve started to take their calls and overflow conversations. “There’s less money to go round which means that for an organisation like Switchboard, that has been running for 52 years, it’s really important that we continue to receive funding and support because there are going to be fewer organisations to support the community.” In a bid to raise vital funds Switchboard is rallying supporters to fundraise or take part in its events. In addition to accepting donations, the charity has signed up to the easyfundraising website and app. When supporters sign up to easyfundraising and choose Switchboard as the cause they want to raise for, the retailers they shop with via the easyfundraising website or app will automatically donate a percentage of their purchase to the charity, without adding any extra expense to their bill. 💡 Support Switchboard with every online shop [here.](https://74n5c4m7.r.eu-west-1.awstrack.me/L0/https:%2F%2Fwww.easyfundraising.org.uk%2Fcauses%2Fswitchboard%2F%3FsearchSessionId=f2bce184-8e43-42f4-8969-b945a5354dea/1/0102019f3b7ceee9-1ffb5b84-f3ff-444e-adfa-b99c00217af3-000000/S0o55DifCYMuWeYuydR2WArNuQU=473?ref=scenemag.co.uk) Find out more about the service [here.](https://74n5c4m7.r.eu-west-1.awstrack.me/L0/https:%2F%2Fswitchboard.lgbt%2F/1/0102019f3b7ceee9-1ffb5b84-f3ff-444e-adfa-b99c00217af3-000000/8SI2gAMn1zOMxb8YY1QHj52EU1o=473?ref=scenemag.co.uk) ### REVIEW: Toomorrow (1970) URL: https://www.scenemag.co.uk/review-toomorrow-1970/ Last updated: 2026-07-06T11:52:52.000Z Hello cinema lovers. Some films get rediscovered because they're brilliant. Some get rediscovered because they're a court injunction away from never being seen at all. Toomorrow is the second kind. Banned from general release by its own director over unpaid wages and mothballed for over four decades. It's finally surfacing on BFI Blu-ray. A long-lost camp classic that deserves its moment in the spotlight. ![](https://www.scenemag.co.uk/content/images/2026/07/TOOMORROW_A-BFI-BLU-RAY-RELEASE_PIC-3.jpg) IMAGE PROVIDED The plot is deliberately pretty thin. An alien named John Williams ([Roy Dotrice](https://www.imdb.com/name/nm0234541/?ref%5F=tt%5Fcst%5Ft%5F5&ref=scenemag.co.uk)) has lived on Earth disguised as a human for three thousand years. His superiors at Galactic Control detect a strange vibration. It's coming from a pop band. Future Gay Icon [Olivia Newton-John](https://www.imdb.com/name/nm0000556/?ref%5F=tt%5Fcst%5Ft%5F1&ref=scenemag.co.uk), then twenty-two years old and all teeth and legs, fronts a college band called Toomorrow. Her bandmates are Benny Thomas, Vic Cooper, and Karl Chambers, a bunch of very cute boys in a sort of 1970s way. Williams kidnaps them. They play a gig in outer space. They come home. Olivia wakes up wondering if it was a dream. Director [Val Guest ](https://www.imdb.com/name/nm0346436/?ref%5F=tt%5Fov%5F1%5F1&ref=scenemag.co.uk)also made *The Quatermass Xperiment*. This is not that film. ![](https://www.scenemag.co.uk/content/images/2026/07/TOOMORROW_A-BFI-BLU-RAY-RELEASE_PIC-4.jpg) IMAGE PROVIDED Newton-John carries the picture. She's not yet the screen presence she'd become in *Grease* and *Xanadu,* but the ingredients are already in place. She has warmth, an easy comic touch and the sense that the camera loves her more than the script deserves. The rest of the cast is serviceable. Dotrice plays the alien with a dry, urbane charm that's the closest thing the film has to a nodding wink. ![](https://www.scenemag.co.uk/content/images/2026/07/TOOMORROW_A-BFI-BLU-RAY-RELEASE_PIC-5.jpg) IMAGE PROVIDED There's real money on screen here when it comes to its special effects, and it's where the project earns major brownie points. The spaceship interior scenes are stunning. The production's effects work holds up far better than the story around it, and the BFI's restoration is totally gorgeous. Lots of saturated colours fill the screen. I'm reminded of movies such as *Logan's Run* and *Superman* that came along several years later. The Roundhouse festival sequence, shot at the genuine Camden venue, is a wonderful time capsule and a real treat to see on screen. ![](https://www.scenemag.co.uk/content/images/2026/07/TOOMORROW_A-BFI-BLU-RAY-RELEASE_PIC-6.jpg) IMAGE PROVIDED Now. Queerness. There isn't any, not really. No queer characters, no coded romances. What the film does have is camp. Real camp, the unadulterated kind, which is always more interesting than the deliberate sort. Glittering jumpsuits. A space-trap built with a bonkers, disco-like fortress-of-solitude sensibility. An alien woman plunged into a head-turning green dress is sent to seduce a band member in a sequence that tips into a sex farce. None of this was made with a queer audience in mind. All of it should be claimed by one anyway, the way *Barbarella* has been. That's not representation. It's reception and intent. Queer viewers know the difference, and this camp romp should be welcomed with open arms. ![](https://www.scenemag.co.uk/content/images/2026/07/TOOMORROW_A-BFI-BLU-RAY-RELEASE_PIC-9.jpg) IMAGE PROVIDED There's also a quieter plot point if you care to notice it. An alien who has spent three thousand years passing as human, hiding what he is from everyone around him, performing an identity that isn't his. Unintentionally, this character may resonate with gay men of a certain age, and his interest in the cute boys in the band does suggest a possible sexuality. It's a characterisation that is not implicit, and it may be completely accidental, but it's there on screen to be observed So, is it good? Yes and no. Is it worth fifty years in the wilderness and a careful restoration? I would argue yes. It's a likeable curiosity of a movie. Generous with its budget and its silliness, and Newton-John is genuinely worth watching as always. Camp value is high. plot and substance are an absolute minimum. Go in knowing which one you're getting, a possible future cult classic to be enjoyed with a bunch of pals and a cocktail. Recommended camp splendour. Recommended Toomorrow is out now on BFI Blu-ray. ### We are here, and we are singing URL: https://www.scenemag.co.uk/we-are-here-and-we-are-singing/ Last updated: 2026-07-06T13:58:45.000Z *Inside Brighton's Rainbow Chorus, where queer voices find each other* It is a Monday evening in Brighton and sixty-odd people are filing into a rehearsal space ( St George's Church in Kemptown) , shaking off the rain and heading for the tea urn. Someone has baked a cake. There is a low hum of catching up, of hugs and laughter, and then the room arranges itself into sections and something shifts. The noise of the week falls away. A chord is struck. And they begin. [Rainbow Chorus ](https://rainbowchorus.org.uk/?ref=scenemag.co.uk)is Brighton's LGBTQ+ choir. It also runs [RC+](https://rainbowchorus.org.uk/About-us/?ref=scenemag.co.uk), a lower-commitment monthly session for those who want to sing without the full rehearsal schedule. We spent time with six of its members: a nervous first-timer, a long-standing couple, a new accompanist, and the chair who once stood at the very same door, terrified. What follows is their account of what happens when queer people get into a room and sing. **The door** Almost everyone remembers the exact feeling of walking in for the first time. For **Georgia**, an alto who moved to Brighton during lockdown and spent years feeling alongside the city rather than inside it, knowing she would not be the only new face helped: "New member intake is twice a year, and I would not be the only new person joining. I can't say I always hit the right notes, but I know that I won't be judged if I don't, as long as I try." ![](https://www.scenemag.co.uk/content/images/2026/07/Georgia-one.png) **Bob**, a tenor recruited mid-karaoke by a choir member who spotted something worth nurturing, found the process kinder than expected. "Aneesa, the choir leader, and the members were extremely welcoming and quickly put us at ease. Having a small group all auditioning on the same day meant that it felt much easier at the first rehearsal, with some familiar faces about." For **Chris**, a transfeminine non-binary person who sings with[ RC+,](https://rainbowchorus.org.uk/About-us/?ref=scenemag.co.uk) the lower-pressure format was the right entry point. "The smaller, more relaxed feel of RC+ definitely felt more suited to me. It still felt daunting to sing in a new space with total strangers. Fortunately, everyone is really welcoming, so I was given the space and the grace to be able to make mistakes without any pressure." ![](https://www.scenemag.co.uk/content/images/2026/07/Brian-and-Stephen-1.png) The experience of **Brian and Steven** had particular weight. The couple came to Rainbow Chorus partly because singing is recommended for people living with Parkinson's disease, which Steven was diagnosed with six years ago, and he had previously sung with both the NYC and London Gay Men's Choruses. "During the first three months, we continued to feel a little anxious about how we both were fitting in," Brian recalls. "Steven had issues with handling the music, turning over pages quickly enough. We bought a set of music for Steven so corners could be turned down, scores highlighted. We were encouraged by how friendly and generally supportive folks were." Soprano **Debs** came having sung in church choirs, choral societies, chamber choirs and barbershop quartets, and having watched her wife sing with the group for years. When she finally joined: "The Rainbow Chorus was something completely different, made up of LGBTQ+ singers, which I hadn't experienced before, with a very diverse repertoire, all learned off page. I wanted to sing in my local area with my people and my wife and be authentic." "Our summer concert is sixty voices saying we are here and we are proud, and we would very much like you in the pews at St George's Church on 11th July to hear us; tickets at [zeffy.com](https://www.zeffy.com/en-GB/ticketing/stronger-together-summer-concert--2026?ref=scenemag.co.uk)." **Who we are** *"I tried to squeeze myself into boxes that never felt quite right. That journey of self-discovery has shaped the way I approach my role as chair."* Ask the members of Rainbow Chorus to describe themselves and the answers resist easy summary. They are a bisexual soprano and spiritual being who describes herself as a "disco mirror ball, reflecting different things to different people." A middle-aged gay man who has mainly straight friends and lives in a small East Sussex town. A transfeminine non-binary person who does not want to be pigeonholed into a vocal range any more than a gender box. A lesbian who, upon reflection, also identifies as pansexual and queer and "not really interested at this stage of my journey in trying to define myself with any label." ![](https://www.scenemag.co.uk/content/images/2026/07/Ashley-chair.png) **Ashley**, who chairs Rainbow Chorus and uses they/them and she/her pronouns, describes their identity as something discovered over time: "For much of my life, I tried to squeeze myself into boxes that never felt quite right. That journey of self-discovery has shaped the way I approach my role as chair, allowing me to foster an environment where everyone feels comfortable just being themselves. To me, it's not simply about being accepted; it's about being genuinely welcomed, celebrated, and embraced for who you are." That breadth runs through the whole choir. Georgia values that "there is no requirement to be led by a label if that doesn't feel right. I love being part of a choir that celebrates our differences and the nuances of our varied identities, while still uniting us in our shared experiences as queer people." Chris finds a parallel freedom in the music itself: "RC+ is a mixed gender choir, and I don't feel like I'm pigeonholed to sing in a certain range, so it gives me ample space to sing in a vocal range which feels comfortable for me." For Bob, the choir offers reconnection to a community he had drifted from: "I used to enjoy the gay scene when I was younger, so it is great to be able to reconnect to the LGBTQ and queer community now that I'm not so bothered about going out clubbing." **The sound itself** "It's a great feeling to sing with others," says Chris. "The big advantage of a choir is the voices all blend together, so it kind of takes the spotlight off you." Bob reaches for something more expansive: "The joy and pleasure one gets from singing as part of a big group cannot be overstated. You can feel the sense of accomplishment radiating from the choir, and Aneesa's smile is a reward in itself." ![](https://www.scenemag.co.uk/content/images/2026/07/Chris-RC-1.png) Debs finds a quality that is harder to manufacture: "Sometimes in performance, or just before in rehearsal when it is coming together and we get it right, the dynamics come together, the tuning, we can actually feel it. A flag is raised and you realise what you are really singing for and about. That is when the singing transcends the ordinary." She speaks with equal feeling about performing alongside the sign language interpreters: "Their contribution to our concerts is huge, and sometimes they absolutely make the songs come to life. They are so talented and help us connect with our deaf audience, which I have never been able to do before. I consider this a privilege." ![](https://www.scenemag.co.uk/content/images/2026/07/Bob-one.png) For Brian and Steven it has taken real work. "There has been a lot of music to learn. Only through illness have we missed one choir rehearsal. We have tried to rehearse, on our own, at least three times a week." Brian is still working on his own instinct to sing out; Steven, he notes with quiet pride, "is able to blend in with the choir well." Georgia captures what it feels like when the hard work pays off: "It is such a great feeling when we all come together in our sections, get it right, and produce an awesome sound. It is especially powerful when we sing one of our more political pieces and tell the world what we are really about." Ashley, in the soprano 2 section once the chair hat comes off, agrees: "Hearing the beautiful sound we create together never fails to send shivers down my spine." "Come to St George's Church, Kemptown on 11th July and let us show you what it sounds like when a community refuses to be quiet: Stronger Together, and we mean it; grab your ticket at [zeffy.com](https://www.zeffy.com/en-GB/ticketing/stronger-together-summer-concert--2026?ref=scenemag.co.uk)." **The view from the piano** **Adrian** arrived as the choir's accompanist after an interview that included playing for a rehearsal. Still, nothing quite prepares you. "A lot of members turned up, so there were at least sixty people in the room and everyone was catching up, fresh from their summer holidays. It felt both exciting and overwhelming and I remember nervously thinking: I hardly know anyone!" ![](https://www.scenemag.co.uk/content/images/2026/07/Adrian-1-.png) Nearly a year in, his read on the room has deepened. "Playing for singers is a unique skill. I'm always listening carefully to what's happening in the choir and responding, aiming to provide a supportive cushion of sound while keeping the music fresh and organic. There are certain songs that you can feel really resonate with members, and it can feel very emotional and bonding at times." Coming into a specifically LGBTQ+ space has come to feel like more than a job. "It feels a joy and a privilege to be invited into this unique space. Even though it's my job, it feels more than that really. I'm doing important work in our community and playing a more active role at a time when we need to maintain a strong presence." **Finding your people** *"When I first arrived in Greenwich Village in New York, I felt at home. I have a similar feeling being in the Rainbow Chorus."* Brighton is a city that sells itself on welcome, but welcome and belonging are different things. Georgia, who moved here during lockdown, found that singing at community events with a choir so embedded in the city "really helped me feel like I am part of Brighton in a way I did not anticipate." For Chris, who struggles with social anxiety, each rehearsal has been a small act of accumulation: "With each rehearsal I go to I feel more and more comfortable. When I first joined, there was loads of checking in from other members of RC+, so I felt very welcome." ![](https://www.scenemag.co.uk/content/images/2026/07/Debs-RC-1.png) Brian's summary of what the choir has come to mean lands quietly and hard: "When I first arrived in Greenwich Village in New York, I felt at home. I have a similar feeling being in the Rainbow Chorus." Debs reaches for one of the choir's own songs: "Where do I belong? That is how one of our favourite songs, 'Chosen Family', starts, and I have had the honour of saying those words myself in performance. For some of the older members of the community who have experienced times of closeting and state-sanctioned homophobia, having a space to celebrate your whole authentic self is an amazing thing." Bob, who grew up without many of those same struggles: "I have really appreciated finding out more about these and singing loudly and proudly to try our best to help people through them." **Holding the space** Ashley chairs Rainbow Chorus with a fundamental understanding of what is at stake when a new member walks through the door, because they remember being that person. "I vividly recall the first time I walked through that door, feeling overwhelmed by nerves and doubting whether I truly belonged. Instead, I was welcomed with warmth, patience, and a genuine sense of joy. That experience left a lasting impression, and it's exactly how I hope everyone feels when they join us." The choir extends well beyond rehearsals: camping trips, walking groups, dinners, pub nights, theatre outings. The Rainbow Chorus has just returned from the international LGBTQ+ Choir convention [Various Voices ](https://various-voices.be/?ref=scenemag.co.uk)and are looking foreword to attending [Hand in Hand](https://handinhandfestival.org/?ref=scenemag.co.uk) in 2027, the UK & Ireland's Queer Choir festival. "It's so much more than just a choir; it's a vibrant community. Everyone belongs, and genuine care and encouragement are always present. While I wish I could say we always get it right, claiming perfection would mean we've stopped learning and growing." ![](https://www.scenemag.co.uk/content/images/2026/07/WhatsApp-Image-2026-07-02-at-11.14.06-AM.jpeg) Image Credit Chris Jepson **Louder than you think** There is a political dimension to all of this, held lightly by most, but present. Performing at IDAHOBIT, the International Day Against Homophobia, Biphobia and Transphobia, crystallised something for Brian: "My political sense was fully engaged and I realised the choir was more important than just singing together as another gay choir. We were not just doing it because it was good for us as individuals, but we were doing it for a wider community." Debs is characteristically direct: "There has and always will be something political about a queer choir. A queer anything. NOW, right now, being part of the LGBTQ+ family is a defiance, against the odds. The choir is a safe space. It is a political beacon, it says: you know what, we are here and we are queer. And together we have strength, solidarity, brother and sisterhood." Georgia echoes her: "Our communities have a history of resistance. It is part of our heritage. Singing in RC is a political act because we are visible, loud, and very proud of who we are." Adrian, from the piano stool: "The real magic happens when we get in front of an audience and everyone comes together as one unified group. That feels great." **Just come** Chris: "Give RC+ a go. No matter what your skill level, the experience feels very communal and everyone around you will help you put your best foot forward." Bob: "It's not for everyone, but it certainly is open to everyone. You never know, you might just love it." Georgia: "Being part of the choir is good fun. We don't take ourselves too seriously, and if you want to meet new people, celebrate our community, and make some noise while doing it, give it a go." And Debs: *"If you have been thinking about joining, just do it. Come along. You will be welcome. We need you as much as you need us. We are stronger together, and families must grow. Come along and be a part of ours. Be chosen."* [Rainbow Chorus](https://rainbowchorus.org.uk/?ref=scenemag.co.uk) is, on the surface, a group of people who meet to sing. Spend five minutes with any one of them and you realise it is something else entirely. A place where people arrive a little lost and leave, if not transformed, then at least a semitone closer to themselves. Where the music is the point, and also never quite the point. Where belonging is not a grand gesture but someone making space for your voice, and trusting you to use it. Some things, it turns out, are worth singing about. Ashley says: "Everyone is welcome at Stronger Together, our **summer concert at St George's Church, Kemptown on 11th July** — come and be part of something that is so much more than just a night of singing; **tickets from £10** at [zeffy.com](https://www.zeffy.com/en-GB/ticketing/stronger-together-summer-concert--2026?ref=scenemag.co.uk)." 0:00 /3:35 1× Rainbow Chorus singing Chosen Family @ Various Voices Queer Choir Brussels 2026 ### Sir Ian McKellen and Roger Allam featured in new image from upcoming film Frank and Percy URL: https://www.scenemag.co.uk/sir-ian-mckellen-and-roger-allam-featured-in-new-image-from-upcoming-film-frank-and-percy/ Last updated: 2026-07-06T10:56:03.000Z A new image from the forthcoming British comedy-drama ***Frank and Percy*** has been released, offering audiences a fresh look at stars Sir **Ian McKellen** and **Roger Allam** in the lead roles. The film, adapted from the acclaimed West End play of the same name, is co-produced and financed by **John Gore Studios** and **BK Studios**. The newly unveiled image shows McKellen as Percy and Allam as Frank during a scene depicting a Pride celebration. *Frank and Percy* follows two older men who strike up a friendship while walking their dogs on Hampstead Heath. What begins as casual conversation develops into a deeper connection, with the story exploring themes of companionship, love and later-life relationships. McKellen, a six-time Olivier Award winner and Oscar nominee known for roles in *The Lord of the Rings* and *Gods and Monsters*, also serves as an executive producer on the project. He stars alongside three-time Olivier Award winner Roger Allam, whose screen credits include *The Thick of It* and *Les Misérables*. The film boasts an extensive ensemble cast featuring Sir **Stephen Fry, Jessica Gunning, Dame Joanna Lumley, Sir Derek Jacobi, Ncuti Gatwa, Dame Siân Phillips, Rob Brydon, Felicity Kendal, Dame Sheila Hancock, Peter Davison, Gary Wilmot, Nitin Ganatra, Amari Bacchus, Hugh Skinner** and **Wayne Sleep**. Award-winning screenwriter **Martin Sherman**, whose credits include *Bent* and *Mrs Henderson Presents*, has adapted the screenplay, while **Sean Mathias**, known for his work in film and theatre, directs. The film centres on the relationship between Frank and Percy as they navigate friendship, ageing and the possibility of finding romance later in life. Producers have described it as a life-affirming story about connection and second chances. Icon Film Distribution will release *Frank and Percy* in UK cinemas, while Kaleidoscope Film Distribution is handling worldwide sales. ### Trans and non-binary Olympian Nikki Hiltz criticises US Supreme Court ruling on trans athletes URL: https://www.scenemag.co.uk/trans-and-non-binary-olympian-nikki-hiltz-criticises-us-supreme-court-ruling-on-trans-athletes/ Last updated: 2026-07-06T09:58:03.000Z Trans and non-binary Olympic runner **Nikki Hiltz** has spoken of their disappointment after the **US Supreme Court** upheld state laws restricting trans athletes from competing in girls’ and women’s school sports. The landmark 6-3 ruling backed laws in **West Virginia** and **Idaho** that require student athletes to compete according to their biological sex at birth rather than their gender identity. The decision is expected to have implications for transgender participation in school sports across much of the United States. Hiltz, who identifies as trans and non-binary and uses they/them pronouns, said they were “not surprised” by the decision but remained disappointed by the outcome. Speaking after winning the mile race at the **Prefontaine Classic** in Eugene, Oregon, Hiltz said they hoped to challenge negative perceptions of transgender people in sport. “For me, I want to show that trans people can be in sport, be affirmed in their gender,” Hiltz told *The Athletic*. “We’re not these big, scary things.” The Olympian also described it as a “really weird time” for many communities in the United States, particularly transgender people, amid growing political and legal debates over participation in sport. Hiltz has become one of the most prominent LGBTQ+ athletes in American athletics. They represented the United States in the women’s 1,500 metres at the **Paris Olympics** and have frequently spoken publicly about gender identity and inclusion in sport. Hiltz has previously described their gender as fluid and said their experience does not fit neatly within traditional gender categories. The Supreme Court's majority opinion, written by Justice **Brett Kavanaugh**, found that states can maintain female-only sports categories based on biological sex under Title IX and the Equal Protection Clause. Supporters of the ruling argue it protects fairness and opportunities in women’s sport. However, LGBTQ+ advocacy groups have criticised the decision, arguing it could further marginalise transgender young people and limit their access to school activities. Hiltz's comments echo concerns among campaigners that transgender athletes have become a focal point in wider political debates about gender identity and inclusion. ### Safe online spaces for LGBTQ+ young people ‘more important than ever’ ahead of social media ban, charity warns URL: https://www.scenemag.co.uk/safe-online-spaces-for-lgbtq-young-people-more-important-than-ever-ahead-of-social-media-ban-charity-warns/ Last updated: 2026-07-06T09:29:23.000Z A youth charity has warned the social media ban for under 16s could leave LGBTQ+ young people feeling cut off from communities and much-needed lifelines. **The Proud Trust** that offers support services and safe spaces to LGBTQ+ young people nationally, says the ban could lead to widespread loneliness. **Liam Swanston**, director of development and partnerships at The Proud Trust, says young people supported by the charity have expressed fears they will be left isolated by the ban. “For our young people, especially those that are rurally isolated or have disabilities that make accessing spaces in person more difficult, not having access to social media is quite a stark, scary, isolating thought. They feel that online spaces where they’ve created a community and feel safe, are being taken away from them,” he says. Ahead of the social media ban being enforced The Proud Trust has created a digital youth group to provide LGBTQ+ young people with a safe, accessible online space when in-person support isn’t possible. **The Queer & Far** digital youth group bridges the gap between one-to-one online support and physical groups and could soon serve as the only LGBTQ+ community some young people can access. Liam says digital youth groups, like Queer & Far, offer a crucial sense of belonging and support to young people who are facing politically and socially challenging times amid rising anti LGBTQ+ rhetoric. “It’s more important than ever that these types of spaces exist that are safe for young people to access. They are particularly vital for those in rural areas, those not out at home, disabled young people, and anyone who feels safer online. ![](https://www.scenemag.co.uk/content/images/2026/07/The-Proud-Place.jpg) “A lot of young people worry about finding connection, especially when they don’t feel able to be their authentic selves in school when there is the risk of bullying and harassment,” he says. The Proud Trust is currently experiencing a surge in demand for its services. Last year the charity saw an 171% increase in referrals after the **UK Supreme Court** unanimously ruled that the terms "sex", "man", and "woman" in the **Equality Act** 2010 refer strictly to biological sex. The Proud Place, the charity’s LGBTQ+ centre for organisations in Manchester, meanwhile welcomed close to 10,000 people through its doors. In a bid to meet demand and ensure it can continue to support young people both on and offline The Proud Trust has launched a fundraising initiative called **Pride 365**. The campaign stresses that LGBTQ+ support, safe spaces, and advocacy are vital every single day of the year, not just during Pride Month. “Young people need support 365 days a year which is why our community and services are available all year round. Pride’s really lovely to shine a spotlight on the types of work we do as an LGBTQ+ organisation but actually this work happens the other 11 months of the year when it’s not Pride too,” Liam says. The Proud Trust is aiming to raise £36,500 through the campaign, which equates to £100 pounds a day for LGBTQ+ support over 365 days. In addition to accepting donations, the charity has signed up to the [easyfundraising](https://74n5c4m7.r.eu-west-1.awstrack.me/L0/https:%2F%2Fwww.easyfundraising.org.uk%2Fcauses%2Ftheproudtrust%2F/1/0102019f363b21e0-04ac21c4-383b-4421-affe-4e99c8944d12-000000/aOvsQLRJRTPM%5FnVzST18-fZmLrE=473?ref=scenemag.co.uk) website and app. When supporters sign up to easyfundraising and choose the Proud Trust as the cause they want to raise for, the retailers they shop with via the easyfundraising website or app will automatically donate a percentage of their purchase to the charity, without adding any extra expense to their bill. 💡 Support The Proud Trust with every online shop [here.](https://74n5c4m7.r.eu-west-1.awstrack.me/L0/https:%2F%2Fwww.easyfundraising.org.uk%2Fcauses%2Ftheproudtrust%2F/2/0102019f363b21e0-04ac21c4-383b-4421-affe-4e99c8944d12-000000/aBhOrX1xx-d5-gv2hsIDF3vxSsU=473?ref=scenemag.co.uk) Find out more about the Proud Trust’s youth groups [here](https://74n5c4m7.r.eu-west-1.awstrack.me/L0/https:%2F%2Fwww.theproudtrust.org%2Fyoung-people%2Fyouth-groups%2F/1/0102019f363b21e0-04ac21c4-383b-4421-affe-4e99c8944d12-000000/yMEl8GRRKV0QXdSTVB-aDMM1csQ=473?ref=scenemag.co.uk) ### Government announces £22million for Brighton seafront URL: https://www.scenemag.co.uk/government-announces-22million-for-brighton-seafront/ Last updated: 2026-07-06T09:07:48.000Z The UK Government has announced £22 million in funding to help replace ageing Victorian arches supporting **King’s Road** on Brighton seafront. The investment, confirmed on Sunday, 5 July is intended to secure the future of the busy coastal route, which runs above a series of arches that **Brighton & Hove City Council** says are in need of significant repair and replacement. The council has warned that without intervention the structures could deteriorate further, posing risks to the road, pavement and cycle lane above. King’s Road is one of Brighton’s main transport routes, carrying around 22,000 vehicles and almost 1,500 cyclists each day. It also provides access to tourist attractions including **Brighton Palace Pier**, **Brighton Beach** and the **i360**. The funding will be used to replace dozens of arches and create refurbished commercial units along the seafront. The Government said the project would help support local businesses and improve public spaces in the area. Roads and Buses Minister **Simon Lightwood** said the scheme would help secure the future of the seafront while supporting economic growth. “Brighton is home to a whole host of attractions, from its iconic beach and legendary pier to the fantastic local businesses dotted across the nearby lanes,” he said. “This funding will mean that everyone can continue to enjoy all of these for the next 120 years by revamping the Victorian arches that dozens of businesses along the seafront call home.” The project will be delivered in two phases. Work between the **Brighton Bandstand** and the i360 is expected to be completed by 2027, while a second phase west of **Shelter Hall** is scheduled to finish by 2029. The £22 million Government contribution will be supplemented by £3.9 million from Brighton & Hove City Council. Councillor **Trevor Muten**, the council’s cabinet member for transport and city infrastructure, said the funding was vital to the long-term future of the route. “This funding means we can strengthen the Victorian-era arches so they can support the road, pavement and cycle lane on one of the city’s busiest routes for another 100 years,” he said. “But we’ll also be able to create a better home for local businesses in this vibrant space on the seafront and, working with local communities, look at options for a new and improved King’s Road paddling pool area.” The announcement comes alongside separate Government funding of more than £26 million over the next four years for road maintenance and pothole repairs across Brighton & Hove. ### INTERVIEW: Brighton-based artist and illustrator Yoad Shiran on books, baking, Pride and his iconic DEN Loungewear collaboration URL: https://www.scenemag.co.uk/interview-brighton-based-artist-and-illustrator-yoad-shiran-on-books-baking-pride-and-his-iconic-den-loungewear-collaboration/ Last updated: 2026-08-03T11:12:08.000Z Ladies and gentleman, theys and thems, welcome to the **Brighton & Hove** residents' community corner series celebrating our city’s bold drag artists, boundary breaking performers and a new category unlocked for 2026: Brighton & Hove based queer/LGBTQ+ owned businesses. In 2025 I decided that I wanted to create a series that goes beyond the glam with our legendary, local queer performers (and now queer owned businesses too) so we can all get to know them more because like **Lady Gaga** said on *ARTPOP*, "Do you wanna see the girl who lives behind the aura?" so erm, why not?! If you’re looking to put your hard earned money where your queer mouth is then I think supporting queer/LGBTQ+ owned businesses is a statement of solidarity. These businesses often operate at the intersection of creativity, resilience and community, bringing fresh perspectives while navigating unique challenges. Their success strengthens our community economically and helps pave the way for future queer entrepreneurs. This week though, we’re joined by freelance professional illustrator, **YOAD SHIRAN**. ![](https://www.scenemag.co.uk/content/images/2026/07/1000064358-1.jpg) 📸 [Yoad Shiran / Instagram](https://www.instagram.com/yoadshiran?ref=scenemag.co.uk) Yoad Shiran is a freelance professional illustrator based in Brighton, whose main interest combines concept, narrative and publishing illustrations. Inspired by the theatre culture and nature, he enjoys working in a free hand digital environment and occasionally in traditional media such as acrylic and coloured pencils. Although most of his work is in children's publishing, he also works with individuals and gives artistic consultations, commissioned private illustrations and more. ​ If this is your first time stumbling across my centrestage series and you want to catch up on previous interviews, don't panic hun! Catch up [HERE](https://www.scenemag.co.uk/tag/centrestage/) and subscribe [HERE](https://www.scenemag.co.uk/scene-plus/#/portal/signup) to see who else I'll be yapping with but right now, it's all eyes on Yoad so let's dive in....head first! DALEYPOP: First things first, how's your day been so far? For our readers meeting you for the first time, can you tell us a little about yourself, how you became an illustrator and describe your work in just three words? YOAD SHIRAN: My day so far has been great! It's **Madonna**'s album release day, so I wish joyous festivities to those who celebrate. ![](https://www.scenemag.co.uk/content/images/2026/07/1000064333.gif) DALEYPOP: Waittttt what's your favourite track on *Confessions II*?! YOAD SHIRAN: To be honest, and sorry if I'm offending anyone, I'm not practicing or observing Madonna. I'm more into musicals....but I respect all religions and beliefs. DALEYPOP: Oh I see how it is....anyway please continue telling us about yourself, how you became an illustrator and describe your work in just three words? (I had to ask about Madonna after you mentioned her soz). YOAD SHIRAN: No worries! I'm a 38 year old gay artist and I have lived in beautiful Brighton for the past 6 years now, working as a full time illustrator for an educational British publication, in their children's books division. I've been drawing since I was two years old and doing it professionally for the last 15 years, realising this is what makes me happy. I'd describe my work as fulfilling, weird and rewarding. DALEYPOP: Wow you've been working as a professional illustrator for quite some time now then. Was there a specific moment when you realised that this is what you want to do for a living and what did you do before? YOAD SHIRAN: That’s right, 15 years and counting! I knew I wanted to do art for a living since I was a teenager. My school grades were okay and I majored in biotechnology but I haven't felt conventional enough to study anything further to discover my thing, or passion. I already had that, I just thought it was a hobby. Over the years I've been a lot. I was a clerk at a pet shop, reservation agent in a hotel, PA in a music label….all these jobs that reflected my qualities but not as just who I am. I think that every time I decided to quit a job I was an underlayer of “cuz that's not what I want to be doing”. > I always wished I'd be that person who does art for a living. I got to Brighton and a few months afterwards I got accepted to my dream job, doing children's books. DALEYPOP: Was there a book, artist or childhood obsession that first sparked your love of drawing and storytelling? YOAD SHIRAN: Oh gosh, a lot! I love animals, especially birds and marine life, and drew them endlessly. I watch **National Geographic** and read encyclopedias and drew the wildlife I saw there. That was me at 5\. Then I discovered witches and fantasy realms shortly after, which is where my inspiration from till this day. There's plenty of children's books I read as a kid, more than 50 times and the illustrations stuck with me since. That's the power of a good book. DALEYPOP: Are there any children's books you've illustrated that hold a special place in your heart? YOAD SHIRAN: There's few of them, all have their own place. The first one that I've done, which looks horrible to me now. The first one I did with a UK publisher, which is also….yeah....I say horrible because I judge myself harshly, they are the loveliest read you'll have and are really cute but I love seeing how far I've gotten since. And of course the ones I'm doing now. I'm grateful to have a book to wake up to and to work on. DALEYPOP: As an illustrator for a UK educational publisher with worldwide distribution, what does a typical day in your studio look like? YOAD SHIRAN: I work from my modest house. I wake up, shower, make myself coffee and sit by my computer. The company is in **Sheffield**, never been there and only met a few people in real life. By now I have a few books I illustrate simultaneously so I get to be in charge of my schedule with my supervisor's guidance. Drawing by request is about self discipline, inner peace and determination. I start right away and can go into a work mode for hours. I think that people would be surprised to learn that artists trained their bodies for long hours of sitting for work without breaks, either sitting or standing, not consciously, just by force of habit. > Thank god my husband calls me to remind me to drink, stretch and take a break. I work 9-5, sometimes attend team meetings, but overall sit by my computer with my trusty drawing tablet, put a movie in the background, and be in my own world. DALEYPOP: That doesn't sound too bad at all! What are some of the biggest challenges illustrators face today? YOAD SHIRAN: I think that the market is overflowing with people who up until recently haven't invested themselves enough in the craft, demoting it, and using AI to reach potential markets to get rich easily. If up until 3 years ago you needed me to make you a cute family portrait, you could do it today by yourself. It's our world now, I learned to accept that. > AI gives and it takes away. It's the people who do not have respect for art that offers to make you a book, a new living room picture or whatnot, that throw themselves into pools they otherwise wouldn't have dipped in, nor really care about. DALEYPOP: What do you enjoy most about collaborating independently with authors, including first time writers? YOAD SHIRAN: In my workplace, I work with an experienced team of writers, designers, editors and other illustrators. We know each other and our communication goes beyond talking. Each trusts each other's abilities, it's a family made of colleagues. I love that. Independently, it's the excitement of the first timers that I love and it's the fuel for the project. It's their baby and I'm here to deliver, making sure it's what they dreamt about. I'm not a fan of “pancake children". If I'm illustrating your book, you best believe that book would someday be an astronaut. DALEYPOP: How do you build trust and a creative partnership with writers you've never worked with before? YOAD SHIRAN: It's very easy, a stranger picking me out of the crowd, paying me and trusting me to help them with their book....I am immediately thankful for them choosing me. I return the trust right then and there, involving them and showing how fun it is to create art. More than once I need to guide them to express correctly what they envision for their book, making sure they know to word it out and work together. I’ll never let them feel they don’t know better because it’s not about that at all. For me it is being the extension of their arms so I can draw exactly what they want as they don’t have that ability. This form of trust is the easiest because both sides choose one another. DALEYPOP: How do you stay creative during demanding projects or tight deadlines? YOAD SHIRAN: Firstly, I never say yes unless I know for sure it's doable. My publisher hired the most sensitive, hard working people I worked with and they make sure I'll never feel stressed or burnt out. With that, I bring 15+ years of experience in professional art and other work experience and life lessons that taught me to handle pressure in a healthy way. > I don’t look at goals with fear, but as achievements. DALEYPOP: What advice would you give to aspiring illustrators hoping to break into children's publishing too? YOAD SHIRAN: I'm not big enough to give advice, but for me there was no “okay let's do this” moment. I just threw myself into the world, bombarded it with my art and submitted myself to jobs I believed I could do. I made sure people would know I'm an artist and that I love doing what I'm doing. If I could do it, then you certainly can. If you'd knew me that would have mean more! DALEYPOP: When you're not illustrating, you're often in the kitchen right? Do baking and illustration have more in common than people might think? YOAD SHIRAN: I do spend some time there, yes. I think the two are creative outlets for sure, but baking is more scientific than illustration which is more intuitive. DALEYPOP: Have your baking adventures or squirrel watching habits ever inspired your artwork? YOAD SHIRAN: Those actually rarely appear in my work. I'm sure I'll be ready once I get a request to feature a giant 3-tier cake or a squirrel in a book, trust. DALEYPOP: I know your collaboration with Brighton based and queer run **DEN Loungewear** is part of their Pride collection supporting the **Terrence Higgins Trust**, right?! How did it feel to be involved in a project that combined creativity with an important cause? YOAD SHIRAN: It was definitely a highlight. I've admired DEN over the past two years since I discovered them online. **Glenn** (**Gallagher-Scott**) and **Mark** (**Gallagher-Scott**) truly created a brand Brighton should be proud of! I really hope I could collaborate with them again, the process was really fun. Having me as one of the artists they chose to work with is very special to me and for such an important cause. > The Terrence Higgins mission to end new cases by 2030 and to eliminate the stigma surrounding HIV. It’s not just LGBT issue but a human kind one, and that's humbling to help this mission. As always, it’s the LGBT community who’s effectively gathered and taking action. We've created together 3 unique, all man made swim briefs, reflective of our gay, bear and trans communities. ![](https://www.scenemag.co.uk/content/images/2026/07/1000064375.png) Yoad's collab with Den Loungewear for the limited edition PRIDE Swimwear Collection. In support of THT. The clouds motifs appear in all 3 options, and they perfectly symbolise our community. Our community is diverse, ever changing. Clouds are this in between state, they're not just solid, not just liquid, not just gas. And that mirrors how many people in the community might not fit into certain categories. They exist beyond simple labels. Clouds can form in different ways, but together, they create a whole sky. Think about how cool that is! DALEYPOP: I love the way you explained that! Is there a particular piece from the collection that you're especially proud of and is there any stock still available to buy?! YOAD SHIRAN: Let's start with YES, BUT HURRY because these are limited edition! Available on the DEN website [HERE](https://www.denloungewear.com/products/pride-swim-briefs-regular-fit?ref=scenemag.co.uk), those are a charity piece for **THT** and the way your bum and bulge would look in those worth every pound. > [ View this post on Instagram ](https://www.instagram.com/p/DZxQbDVDBfr/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Ó S C A R R² (@oscar\_rroman)](https://www.instagram.com/p/DZxQbDVDBfr/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) We have the pride flag, bear pride and trans pride currently. All have unique hand drawn cloud illustrations, and recognisable colourations of our flags. The general pride flag is the one I am proud of the most, I think. Personally, as an artist, I don't find the flag appealing, apologies everyone! It's a rainbow pattern and very limiting! It was difficult to create something I would feel it's good enough, especially because many swim briefs have a rainbow pattern and I wanted to have DEN’s to have a saying as well as standing out. I came up with the design by chance when I was at the gym. When it came to my head I stood in the middle of the lockers, dripping sweat in my running tights, scribbling the concept in using my phone before it would disappear in the post run memory loss. > It took us about 12 different designs to reach those final 3, and some were VERY wild and fun! DALEYPOP: How does creating artwork for fashion differ from illustrating a book or creating prints? YOAD SHIRAN: The landscape I think changes, when it's fashion you must think of the medium the art will be used, and make it work so the end result will be usable. When you do art to be printed, you usually create a full scene but when it is a garment you want to convey the idea and emotion in a more subtle way, I find. Less obvious, more suggested. Let's say your concept is romance, when it's a book you can showcase an entire date, you tell a story and develop it across a few spreads. You build the situation. When it's a print, you choose a scene to signify the situation, a kiss or a touch….or more, I'm all for it. But when it's fashion, I personally love the suggestion. Flower patterns, warm colours, symbols like lips or a heart etc. DALEYPOP: Have you created artwork for fashion before?! YOAD SHIRAN: I mean I did manage to do **Speedos** that were influenced by pop culture, like jewelled nude Speedos inspired by underwear **Carrie Bradshaw** wore in **Sex and The City** or pieces inspired by 90’s **Barbie** dolls but that was me basically playing around with glue gun and a bit of sewing. > I love fashion, and I hope to explore that side more in the future. DALEYPOP: What does Pride personally mean to you? YOAD SHIRAN: For me Pride means feeling comfortable with who you are and how you live your life. Simply that. DALEYPOP: Do you think art has a unique ability to start conversations and bring people together around important issues. YOAD SHIRAN: No, not more than other stuff. I think it's a great tool to convey an idea, but you don't necessarily need it to highlight a subject to begin a discussion. People today, I find, are quite opinionated, vocal and aware of challenges and comfortable talking about issues. Art is a great way to participate when you don't have all the right words. DALEYPOP: I know you love baking but do you have a favourite bakery in Brighton and/or Hove?! Asking for a friend....that friend is me. YOAD SHIRAN: [**GAIL's Bakery**](https://www.instagram.com/gailsbakery/?ref=scenemag.co.uk), full stop. Especially the one on **North Road**. My husband and I have a weekly date there each weekend. We love the coffee and the pastries are delicious but the team that works and holds this place together is what makes us feel at home. I think this is something that is so special to Brighton. DALEYPOP: Last question and super important.... Who's your crush of the day?! YOAD SHIRAN: I have soooo many crushes. It's stupid, almost for every occasion! My husband who's my everyday crush. > [ View this post on Instagram ](https://www.instagram.com/p/DYuv2OnsG-d/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by YֹׂOָAD SִHIRַAN (@yoadshiran)](https://www.instagram.com/p/DYuv2OnsG-d/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) I have my gym crush, I have a guy from abroad crush, I have a **Legends** crush, I have Hove crush (Hi **Jonathan Bailey** sir) I'm really hopeless. Oh and of course the UK's finest, **Henry Cavill**. DALEYPOP: Actually one more, for any aspiring authors reading this and thinking "I need this illustrator for my book!", are you currently available for commissions and how can people get in touch? YOAD SHIRAN: I'll be happy to talk to anyone who's thinking of writing a book or actively looking for an illustrator. I see myself as quite approachable, so let’s talk! Sometimes people just want to buy a print, sometimes they ask for commission, and occasionally we have a chat about books without anything more. That’s what I’m love doing and I'm happy to help anyone who’s appreciating that. People can find me using **Google** (sorry not sorry for all the shirtless pics), my portfolio website [www.yoadshiran.com](https://www.yoadshiran.com/?ref=scenemag.co.uk) or social media, [@yoadshiranart](https://www.instagram.com/yoadshiranart/?ref=scenemag.co.uk) or say hi in Legends next time you see me. DEN are proud to once again support the amazing work of the Terrence Higgins Trust by donating all profits from the limited edition PRIDE Swimwear Collection. Shop [HERE](https://www.denloungewear.com/products/pride-swim-briefs-regular-fit?srsltid=AfmBOorurPRRo9qURFg4oW1Dt7nu09Kgiv7a9kbHg-T%5FnVhmwX3fEcFz&ref=scenemag.co.uk). If you’re a local queer performer or a Brighton & Hove based queer/LGBTQ+ business owner or a Brighton/Hove based artist and would love to be featured in this community corner series, follow and DM me on [Instagram](https://www.instagram.com/itsdalemelitabitch?ref=scenemag.co.uk) or email [****dale@scenemag.co.uk**](https://www.scenemag.co.uk/interview-lady-red-velvet-god-save-the-queen-brighton-fringe-2026/) ### Lord Guy Black announced as new Chair of Terrence Higgins Trust for ‘final push’ to end new HIV cases in the UK by 2030 URL: https://www.scenemag.co.uk/lord-guy-black-announced-as-new-chair-of-terrence-higgins-trust-for-final-push-to-end-new-hiv-cases-in-the-uk-by-2030/ Last updated: 2026-07-06T08:49:30.000Z **Lord Guy Black of Brentwood** has been announced as the new Chair of HIV charity **Terrence Higgins Trust**. The announcement was made ahead of **Pride in London** and on the 44th anniversary of **Terry Higgins**’ death, when the 37-year-old Welshman became the first named person to die of an AIDS-related illness – marking the start of the UK’s response to HIV. Lord Black, the first openly gay Conservative peer, will start his three-year term as Chair at the charity’s annual general meeting (AGM) in December and joins the Board as trustee this month. He will take over from current chair **Jonathan McShane**, who joined the Board in 2016. Lord Black’s three-year term runs to December 2029, right at the point of success or failure for the government’s commitment to ending new HIV cases in the UK by 2030\. He entered a civil partnership with his long-term partner **Mark Bolland**, which was later converted into marriage following Lord Black’s support for the historic legislation allowing same sex couples to marry. He won Peer of the Year at the **2016 Pink News Awards** in recognition of his contribution to LGBTQ+ issues in Parliament. Lord Black has been a long-standing supporter and Patron of Terrence Higgins Trust. He served on the **HIV Prevention England Steering Committee** from 2018 to 2021, where he advised on the delivery of national campaigns such as **National HIV Testing Week**. Appointed to the House of Lords in 2010, Lord Black has been a member of the **All Party Parliamentary Group** on HIV/AIDS. Lord Black has consistently made the case for increased investment in HIV testing and prevention, and for improved support for people living with HIV, including playing a key role in advocating for the expansion of opt-out HIV testing to more hospitals across England. **Lord Black of Brentwood**, said on this appointment: “Terrence Higgins Trust is much loved by the LGBTQ+ community and those who have had skin in the game since Terry Higgins’ death more than 40 years ago. It has changed the epidemic for the better: running innovative testing campaigns, providing first-class services for people living with HIV and changing government policy, laws, hearts and minds on the issue. “I am deeply proud to have been associated with Terrence Higgins Trust for so many years and always admired its incredible work. To be appointed on the anniversary of Terry Higgins’ passing is deeply poignant for me. I am reminded of the history, the remarkable people who founded, created and sustained the charity and all we have to do to end new HIV cases and I pay huge tribute to everyone who has been a part of that journey. "Imagine how it will feel to be the first country to end new HIV cases, without even a vaccine or a cure.“While so much has changed, the stigma experienced by people living with HIV has not. I will work to change that and be a champion for all those whose lives are affected by HIV. Due to the stigma, so much of what Terrence Higgins Trust does is done in private – over the phone, in a counselling room or peer support setting. "That wonderful work needs to be better known and I will do all I can to get the message out there that this incredible organisation is changing lives day-in, day-out.” **Jonathan McShane**, outgoing Chair of Terrence Higgins Trust, said: “I can think of no one better to hand the baton onto than Lord Black at this crucial point in the fight against HIV. Guy brings with him a wealth of experience in media and communications, as well as a political nous and a deep understanding of the inequalities which exacerbate the UK’s HIV epidemic. “I have no doubt that Guy – with support from the talented Board of Trustees – is the right person to ensure Terrence Higgins Trust remains properly placed to see the UK become the first country in the world to end new HIV cases by 2030\. We want to create a society where no one is held back by HIV or by people’s attitudes towards it. We cannot do this without the huge generosity of people giving their time and expertise to our cause, and donating to ensure we can continue our life-changing work.” ### The Saturday Scene: When a pride flag becomes a target URL: https://www.scenemag.co.uk/the-saturday-scene-when-a-pride-flag-becomes-a-target/ Last updated: 2026-07-04T07:38:07.000Z _This post is for subscribers only._ ### Keighley Cougars owners reverse decision to quit over homophobic abuse URL: https://www.scenemag.co.uk/keighley-cougars-owners-reverse-decision-to-quit-over-homophobic-abuse/ Last updated: 2026-07-03T12:35:00.000Z The owners of **Keighley Cougars** have reversed their decision to step down from the club after receiving an overwhelming show of support from fans following reports of homophobic abuse. Married couple **Kaue Garcia** and **Ryan O'Neill** announced last month that they intended to leave the **Betfred Championship** club after seven years at the helm, citing the impact that “constant personal attacks” had had on their mental health. The pair, who have become well known for championing LGBTQ+ inclusion within rugby league, said they had now changed their minds after what they described as an “extraordinary outpouring of support” from supporters and the wider community. In a statement, Garcia and O'Neill said: “Together, we're going to build something that Keighley can be proud of.” Since taking over the West Yorkshire club, the couple have introduced a number of initiatives aimed at making rugby league more inclusive. These include an annual Pride match and the sport's first Pride Terrace, designed to provide a space where supporters can enjoy matches free from prejudice. Rainbow flags also fly year-round above Cougar Park as a visible symbol of the club's commitment to the LGBTQ+ community. ![](https://www.scenemag.co.uk/content/images/2026/07/734023056_1520047520133296_221304432699170132_n.jpg) The strength of feeling among supporters was evident during Keighley's home match against Swinton on Sunday, where fans turned out in force to back Garcia and O'Neill. Speaking after the game, O'Neill admitted the pair had “wobbled a lot” over their original decision as messages of support continued to pour in. The club had already entered discussions with a prospective buyer before deciding to remain in charge. Reflecting on the decision, O'Neill said: “What we hadn't realised was that we have an army of kindness within our club. “In today's world, negativity often shouts the loudest. It can sometimes make you believe hate has won. What we've learned over the last week is that loyalty and decency are far stronger – they're just sometimes quieter until they need to be heard.” Garcia said the response from supporters had reinforced their determination to continue the work they had started at the club. “The incredible support has given us renewed energy and belief to continue building that vision,” he said. He added that fans had reminded the couple they could not “let hate win”. ### Greens call for action over ‘outrageous’ trans healthcare waiting times in Scotland URL: https://www.scenemag.co.uk/greens-call-for-action-over-outrageous-trans-healthcare-waiting-times-in-scotland/ Last updated: 2026-07-03T11:22:33.000Z The **Scottish Greens** have called on ministers to take urgent action to tackle what they describe as “outrageous” waiting times for trans people seeking NHS healthcare. Scottish Greens Shadow Cabinet Secretary for Health **Kayleigh Kinross-O’Neill** MSP has written to First Minister **John Swinney** and Health Secretary **Neil Gray**, warning that the current system is failing thousands of trans and non-binary people across Scotland. In her letter, Kinross-O’Neill cites data from **Public Health Scotland** and analysis by **Scottish Trans** which suggests people joining some gender identity clinic waiting lists today could face waits of between 160 and 660 years if current appointment rates remain unchanged. According to the figures, more than 4,000 people are currently on waiting lists while some services are offering as few as six to 24 first appointments a year. The Greens MSP said the situation meant many people were unlikely ever to receive the care they need. “Our NHS should work for all of us, but these waiting times are outrageous,” she said. “It is heartbreaking that so many trans people are being left waiting years for the healthcare they need, with many facing the prospect of never reaching the front of the queue. “For others, if they do ever get an appointment, it is often a long way from where they live and with little access to local support in the meantime.” ![](https://www.scenemag.co.uk/content/images/2026/07/Kayleigh-ONeill-profile.jpg.webp) ****Kayleigh Kinross-O’Neill** Kinross-O’Neill said the issue came at a time when many LGBTQ+ people, particularly trans people, felt increasingly under pressure. “The last few years have been incredibly difficult for LGBTQ+ people,” she said. “Trans people in particular have seen their rights rolled back while cynical and reactionary politicians have sought to scapegoat, demonise and ridicule them for who they are. “The Scottish Government must act to cut these unacceptable waiting times and ensure everyone can access the healthcare they are entitled to.” In her letter, the MSP said constituents in Edinburgh and the Lothians had raised concerns about the length of waits for gender-affirming healthcare, describing the figures as “heartbreaking”. She argued that Scotland’s current model, which relies on just four gender identity clinics (GICs) to serve the entire country, was no longer fit for purpose. “Scotland’s current system of having just four GICs trying to meet the needs of all trans and non-binary people who need gender-affirming care simply isn’t working,” she wrote. Kinross-O’Neill highlighted particular concerns about Sandyford Gender Identity Clinic in Glasgow, which serves patients from around half of Scotland’s health boards and has some of the longest waiting lists in the country. She called for an “emergency response” from health boards across Scotland and urged ministers to outline how they plan to improve access to trans healthcare. “I would be grateful if you can advise how the Scottish Government is working to improve immediate access to trans healthcare and what assurances you can make to trans and non-binary Scots that this care will be collaborative, accessible, resourced and equal for all,” she wrote. The intervention adds to growing concern from campaigners and LGBTQ+ organisations over delays in accessing gender-affirming healthcare, with long waiting times continuing to be a major issue across Scotland's NHS services. ### Turkey blocks LGBTQ+ cruise from docking over ‘moral standards’ URL: https://www.scenemag.co.uk/turkey-blocks-lgbtq-cruise-from-docking-over-moral-standards/ Last updated: 2026-07-03T10:34:43.000Z Turkey has barred an LGBTQ+ cruise carrying thousands of international passengers from docking at its ports, with local authorities reportedly citing “moral standards” and “family values” in the controversial decision. The cruise, organised by US-based **Atlantis Events**, was due to visit the Turkish resort town of **Kuşadası** and later Istanbul as part of its 10-day “Athens to Venice” itinerary, which departs from Greece on 5 July. However, Turkish officials informed organisers that the ship would not be permitted to dock because it had been chartered by groups “known for behaviours incompatible with the fabric of our society and our moral values”. The vessel, the *Scarlet Lady*, is expected to carry around 1,900 passengers, including more than 1,100 from the United States, alongside travellers from the UK, Canada, Australia and other countries. Following Turkey’s decision, Atlantis Events confirmed that the cruise will now call at Cairo in Egypt and the Greek island of Crete instead. **Rich Campbell**, president and chief executive of Atlantis Events, said he was shocked by the move and claimed it was the first time in the company’s 36-year history that it had been prevented from docking because of the identity of its passengers. “It’s pretty stunning, to be honest. And the reasoning behind it is that it’s a gay group,” Campbell told CNN. “It’s very concerning to me when a country decides they can pick and choose which tourists are allowed in and which are not.” Authorities in Turkey’s Aydın province, where Kuşadası is located, reportedly said there was “absolutely no possibility” of allowing the group to visit for an event of that nature. The decision comes amid continuing concerns from human rights organisations over the treatment of LGBTQ+ people in Turkey. President **Recep Tayyip Erdoğan**’s ruling **AK Party** has adopted increasingly hostile rhetoric towards the LGBTQ+ community in recent years, while Pride marches have been banned in Istanbul since 2015, officially on public safety and security grounds. The incident has sparked criticism from campaigners and tourism advocates, who argue that the move sends a damaging message about inclusivity and international visitors. Atlantis Events describes the voyage as an “epic adventure” around the Mediterranean, offering passengers the opportunity to visit destinations including the Greek islands and Croatia. ### Madonna and Grindr celebrate Confessions II with exclusive London album launch URL: https://www.scenemag.co.uk/madonna-and-grindr-celebrate-confessions-ii-with-exclusive-london-album-launch/ Last updated: 2026-07-03T10:18:29.000Z **Madonna**’s latest album era reached its climax in London on Thursday night as **Warner Records** and **Grindr** teamed up for an exclusive launch party celebrating the release of *Confessions II*. The event, held ahead of the album’s global release on **3 July**, brought together music industry figures, influencers and members of the LGBTQ+ community for a night dedicated to the Queen of Pop’s long-awaited follow-up to her acclaimed 2005 album *Confessions on a Dance Floor*. ![](https://www.scenemag.co.uk/content/images/2026/07/260703_LONDON_GRINDR_MADONNA_H2I7390.jpg) Guests were treated to signature cocktails created by **Absolut** as the campaign surrounding *Confessions II* came to a close. The partnership between Madonna and Grindr has been described as one of the most ambitious artist-platform collaborations in recent years, with the dating app playing a central role in promoting the record to LGBTQ+ audiences around the world. **George Arison**, CEO of Grindr, said the collaboration reflected a shift in how major artists engage with fans. “The biggest artists no longer build campaigns around mass audiences,” he said. “They build them around the communities that actually move culture. Madonna knows that. That's why she came to Grindr.” The London celebration marks the culmination of a campaign that has seen Madonna embrace direct engagement with LGBTQ+ audiences, a community that has supported her throughout her four-decade career. ![](https://www.scenemag.co.uk/content/images/2026/07/260703_LONDON_GRINDR_MADONNA_H2I7281.jpg) *Confessions II* serves as a sequel to *Confessions on a Dance Floor*, one of the defining dance-pop albums of the 2000s. The new record sees Madonna return to the electronic and club-inspired sound that made tracks such as *Hung Up*, *Sorry* and *Jump* global hits, while incorporating contemporary production and themes of freedom, self-expression and reinvention. The album has been highly anticipated by fans, with Madonna teasing the project through a series of social media posts and promotional partnerships in recent months. Industry observers are expected to closely watch streaming and chart performance following its worldwide release. ![](https://www.scenemag.co.uk/content/images/2026/07/260703_LONDON_GRINDR_MADONNA_H2I7371.jpg) Alongside the album launch, fans can still purchase the exclusive *Confessions II* merchandise capsule and limited-edition Grindr picture disc, both of which were created as part of the campaign. ### Leeds Hunters launch bid to bring LGBTQ+ Rugby World Cup to Yorkshire URL: https://www.scenemag.co.uk/leeds-hunters-launch-bid-to-bring-lgbtq-rugby-world-cup-to-yorkshire/ Last updated: 2026-07-03T09:59:28.000Z An inclusive rugby club is hoping to bring the **LGBTQ+ Rugby World Cup** to **Leeds** after launching a bid to host the prestigious **Bingham Cup** in 2028. Leeds Hunters have submitted plans to stage the biennial tournament, alongside the **Amanda Mark Cup**, from **24 - 29 July 2028**, with organisers hoping to welcome up to 4,000 players from around the world. Widely regarded as the largest amateur rugby tournament on the planet, the Bingham Cup brings together LGBTQ+ and inclusive rugby teams from across the globe and has become one of the sport’s most celebrated events. Hunters player Nathan Martin described the competition as “a rugby tournament like no other”. “It’s about feeling connected, it’s about being with other people that may be like you, may be different, but you’re welcome,” he said. The tournament was first held in San Francisco in 2002 in memory of **Mark Bingham**, a gay American rugby player who died during the 9/11 terrorist attacks. The Amanda Mark Cup, a competition for women’s teams, was added in 2022. Both tournaments are organised by **International Gay Rugby** (IGR) in partnership with the host city club. The Leeds bid has secured backing from Leeds Rhinos Foundation, Leeds Tykes, Leeds City Council and the University of Leeds. For Hunters player Chris Languedoc, hosting the event in Leeds would highlight how far attitudes towards LGBTQ+ inclusion in sport have progressed. “When I was younger, I wasn’t openly gay, and I couldn’t fit in, couldn’t act the same way,” he said. “I was excluded, always picked last. “I didn’t ever think I’d feel like this – being part of a club and an organisation that accepts you for who you are. You can be your authentic self.” The Leeds club faces competition to secure hosting rights, with Dublin, Vancouver, Orlando, Perth and Querétaro also bidding for the event. Leeds City Council leader James Lewis said the tournament would provide a major opportunity to showcase the city on an international stage. “Leeds prides itself on being a welcoming and inclusive city and the prospect of hosting this event is tremendously exciting,” he said. “The Bingham Cup is the world’s largest LGBTQ+ inclusive rugby tournament, attracting thousands of players and visitors from across the globe. “It represents not only a major sporting event, but also a significant opportunity to showcase Leeds as an inclusive, welcoming and vibrant city.” International Gay Rugby is expected to announce the successful host city within the next few months. ### ‘It was exhausting’: Mark Foster opens up on decades of lies to hide his sexuality URL: https://www.scenemag.co.uk/it-was-exhausting-mark-foster-opens-up-on-decades-of-lies-to-hide-his-sexuality/ Last updated: 2026-07-03T09:44:27.000Z British swimming great **Mark Foster** has revealed how he spent decades living a “double life”, spinning a web of lies to conceal his sexuality while competing at the highest level of sport. The five-time Olympian and former **Team GB** flag bearer admits becoming so adept at telling “half-truths and outright lies” that deception became second nature as he tried to keep his personal and professional lives completely separate. Speaking ahead of the release of his memoir *My Double Life*, the 56-year-old says the strain of hiding who he really was became overwhelming. “I lived a double life. I kept my work and home lives completely separate, never the twain would meet,” Foster said. “I got very good at telling half truths and outright lies. It was exhausting. “When society tells you it's not right, whether it be from the playground, the changing room or the TV, I kind of went, ‘OK, whatever I'm feeling, I can’t be that person.’ That little secret became bigger and bigger.” For years, Foster carefully managed his public image while privately coming to terms with his sexuality. He even enlisted the help of a female friend, Catherine, to pose as his girlfriend in public. “Her actual partner didn’t mind, thankfully,” he joked. Despite winning 47 major international titles, claiming six world championships, 11 European crowns and breaking eight world records, Foster feared being outed throughout his glittering career. The former swimmer said he was reluctant to tell teammates he shared rooms with on international trips that he was gay, despite many of them later becoming close friends. “Even when I was the Team GB swimming captain, I’d be on the coach having a chat, but getting ready with a response if anyone asked about my personal life,” he recalled. “It was a tangled web of lies.” Foster only publicly came out in 2017 at the age of 47, having previously shared the truth only with close family and friends. ![](https://www.scenemag.co.uk/content/images/2026/07/Mark_Foster-_October_2008.jpg) Foster at the parade in London to celebrate the achievements of British competitors at the 2008 Summer Olympics. He believes there are still elite sportspeople hiding their sexuality, particularly in football. “In the Premier League there has to be footballers that will be gay,” he said. “There must be stories of some incredibly talented, incredibly gifted footballers who felt they could not be openly gay in that environment because they felt it wasn't going to be a safe place for them.” The Essex-based broadcaster pointed to the experience of Justin Fashanu, the first professional footballer to come out as gay, as evidence of why many athletes remained fearful for so long. “His story really affects me to this day,” Foster said. “He was incredibly brave, but it goes some way to explaining why many gay people, myself included, felt unsafe to come out publicly. “Do I think it's got better? Yes. Do I think it's where it should be? No. It's got a long way to go. People still use hate speech and call it free speech. There is still prejudice and widespread homophobia. It’s bullying.” Foster says he first realised he might be gay after developing a crush on James Bond star Sean Connery as a child, but only fully understood his sexuality when he fell in love with his first boyfriend, Vince, at the age of 21. Telling his mother Sheila was another major hurdle. “When I told my mum I was gay, she said she hoped it was a phase. What would she tell the neighbours?” he recalled. “She then became my biggest supporter.” He also spoke about the impact of growing up during the HIV crisis. “It was frightening to be gay back then. The HIV crisis frightened a lot of people. It became another way of drumming up hatred for gay people.” After retiring following the **2008 Beijing Olympics**, Foster's profile grew even further through television appearances, including a stint on *Strictly Come Dancing*. At the time, journalists frequently speculated about his private life. His long-term partner **Vince Constantine** was forced to pretend he was merely a family friend when reporters called, while rumours also circulated linking Foster romantically with fellow athlete **Colin Jackson**. “If you Google us, it’s on the internet that we were a couple,” Foster said. “But I'm sorry to tell you that’s not true.” Today, Foster says he is happier than ever and living openly with his partner Craig McKay, whom he met in a café five years ago. “He took a chance on me five years ago,” Foster said. “I am the most authentically myself that I have ever been. I don't have to dance around the truth, which is liberating.” The former swimmer has even had the word “TRUTH” tattooed on his wrist as a reminder of the freedom that comes with honesty. “There's that saying, ‘the truth will set you free’. It’s true for me.” Looking back, Foster believes the fear of being seen may even have affected his sporting ambitions. “Four-time Australian Olympic swimming champion **Peter Evans** told me I didn't want to win Olympic gold because I didn't want to be seen. Maybe there's something in it.” But his focus now is firmly on helping others. “I decided to come out to help others and, if sharing my truth helps just one person feel like they can be themselves too, I've done the right thing.” ***My Double Life* by Mark Foster is published by Bloomsbury Sport.** ### Good Law Project sues Ofcom for failing to take action against TalkTV for transphobic misinformation and hate URL: https://www.scenemag.co.uk/good-law-project-sues-ofcom-for-failing-to-take-action-against-talktv-for-transphobic-misinformation-and-hate/ Last updated: 2026-07-01T13:06:46.000Z **Good Law Project** has launched a legal challenge against **Ofcom** alleging that the broadcasting regulator has failed to take action to stop **TalkTV** from breaking the law with a torrent of misinformation and transphobic hate. The Ofcom Broadcasting Code says that channels must protect the public from “harmful and/or offensive material”, must not misrepresent facts, and, when discussing major issues of “political controversy” and “current public policy”, must broadcast a “wide range of significant views”. However hosts and guests on TalkTV consistently spew misinformation and transphobic hate, without providing a balancing point of view. In July 2025, Good Law Project filed a formal complaint with Ofcom, along with 21,000 members of the public, outlining TalkTV’s clear breaches of the broadcasting code. Despite this, Ofcom failed to take appropriate action to stop TalkTV from breaking the law, only opening an investigation into one out of the eleven incidents subject to complaints. Now, Good Law Project has applied for a judicial review and if accepted, will go to the High Court to make the case that Ofcom’s inaction is not only a dereliction of duty, but that it is irrational and unlawful. **Good Law Project campaigns manager Charlene Pink** said that “Ofcom is giving TalkTV a free pass to blatantly break the law. Instead of keeping hate and misinformation off our airwaves, Ofcom is allowing TalkTV to serve as a megaphone for billionaires to spread toxic lies and amplify dangerous, far-right rhetoric for their own political gain.” ### Reform UK councillor links Pride flag to paedophilia URL: https://www.scenemag.co.uk/reform-uk-councillor-links-pride-flag-to-paedophilia/ Last updated: 2026-07-01T09:57:07.000Z A Pride flag flown over a **Cambridgeshire** council building has been taken down following a challenge from **Reform UK** councillors - sparking anger after widely criticised comments linking the banner to paedophilia. The Progress Pride flag, which represents LGBTQ+ communities including trans people and people of colour, was removed from **Huntingdonshire District Council**’s headquarters after it emerged planning permission had not been formally secured. ![](https://www.scenemag.co.uk/content/images/2026/07/sophie-popplewell-Sl_tMSimgr4-unsplash.jpg) Unsplash But the row has been driven less by the technical issue than by remarks from **Reform UK** group leader **Ryan Coogan**, who described the flag as “divisive” and went on to suggest it was associated with “paedophile behaviour” - claims that have been widely condemned as baseless and harmful. Council leaders moved swiftly to distance themselves from those comments. Chairman **Stephen Ferguson** said he was “deeply disappointed” the flag had to be taken down, but stressed that the issue was purely procedural. “I want to be absolutely clear that I unequivocally stand in solidarity with the LGBTQ+ community,” he said. “The Progress Pride flag represents inclusion, dignity and support for LGBTQ+ residents across our district.” He added that attempts to link the flag to paedophilia were “offensive, dangerous and wholly unacceptable”, warning against “conspiracy tropes” targeting minority communities. Cllr Coogan has subsequently called for Chairman Ferguson to resign for "flying his divisive flag", and "seriously consider whether he can continue as Chair of Huntingdonshire District Council". ### Pride banners in Calderdale set to stay despite threats from Reform UK URL: https://www.scenemag.co.uk/pride-banners-in-calderdale-set-to-stay-despite-threats-from-reform-uk/ Last updated: 2026-07-01T09:22:15.000Z Pride banners installed across **Calderdale**, West Yorkshire look set to remain in place despite an initial threat from **Reform UK**, which runs the council, to remove them and pursue legal action. Around 30 banners featuring the Progress Pride flag have appeared in towns across the borough, each including a QR code linking to information on reporting hate crime. The initiative, funded through an £8,000 community crowdfunding campaign, has been welcomed by campaigners as a visible show of support for LGBTQ+ inclusion. Councillor **Sarah Courtney**, who helped lead the fundraising effort, said the banners were legally installed in licensed advertising spaces and reflected strong backing from local residents. ![](https://www.scenemag.co.uk/content/images/2026/07/729657821_1639486818177483_2333187309162788299_n-1.jpg) “These have been put up legally, by the company the council uses for banner advertising, and paid for by the community,” she said. “We wanted to make sure that message of inclusion is visible right across Calderdale - that everyone is welcome here.” The banners are expected to remain in place for up to a year and have been installed in towns including **Elland**, **Brighouse**, **Sowerby Bridge**, **Todmorden** and **Hebden Bridge**. Their appearance follows a recent council decision to reduce the number of occasions on which certain flags, including those linked to LGBTQ+ awareness days, are flown from official buildings - a move that prompted concern among equality campaigners. ![](https://www.scenemag.co.uk/content/images/2026/07/692054292_1596134419179390_1982034635030972177_n-1.jpg) Councillor **Sarah Courtney** Supporters say the banner campaign represents a positive, community‑led response, ensuring Pride remains visible in public spaces regardless of official policy changes. Reform UK initially said it would “move to immediately remove” Pride-related displays and seek to recover costs, but no further action has been confirmed. The council has since stated only that it did not formally approve the banners, stopping short of saying they would be taken down. Courtney acknowledged that some unauthorised flags had been tied to lampposts in parts of the borough, but stressed that the Pride banners themselves were installed properly and within existing rules. “I absolutely support removing anything put up unsafely,” she said. “But these banners are in the proper spaces and have been done the right way.” ### Man accused of killing trans student Juniper Blessing deemed unfit for trial URL: https://www.scenemag.co.uk/man-accused-of-killing-trans-student-juniper-blessing-deemed-unfit-for-trial/ Last updated: 2026-07-01T09:05:01.000Z A man accused of fatally stabbing a trans university student more than 40 times has been found not competent to stand trial, a US court has ruled. **Christopher Leahy**, 31, is charged with the murder of 19‑year‑old **Juniper Blessing**, a **University of Washington** student, who was found dead in the laundry room of her off‑campus accommodation in Seattle in May. Prosecutors allege that Blessing suffered more than 40 stab wounds in what they have described as a “horrific” attack. At a hearing in **King County Superior Court**, a judge ruled that Leahy is currently unable to understand the legal proceedings or assist in his own defence. “The court finds Mr Leahy is not able to proceed in this matter at this time and orders restoration,” Judge **Joe Campagna** said. Under Washington state law, Leahy will be held in a psychiatric hospital for treatment aimed at restoring his competency. He could remain there for an initial period of up to 90 days before the court reviews whether he is fit to face trial. ![](https://www.scenemag.co.uk/content/images/2026/07/05152026_1_211342.jpg.webp) Juniper Blessing If he is later deemed competent, the criminal proceedings will continue. If not, he may remain under mental health care rather than face a conventional trial. Blessing, a trans woman, was described by her family as a gifted and compassionate young person whose death has devastated those who knew her. The killing has also had a profound impact on LGBTQ+ communities locally and beyond, with some campaigners highlighting the broader risks faced by transgender people and calling for greater safety and protection. However, prosecutors have said there is currently no evidence to suggest that the attack was motivated by hate, adding that the victim may have been targeted at random. Leahy is expected to return to court later this year for a further assessment of his condition. ### Melania Trump endorses restrictions on trans athletes in women’s sport URL: https://www.scenemag.co.uk/melania-trump-endorses-restrictions-on-trans-athletes-in-womens-sport/ Last updated: 2026-07-01T08:58:59.000Z **Melania Trump** has endorsed restrictions on trans athletes in women’s sport, following a landmark **US Supreme Court** decision that has drawn strong reaction from civil rights groups. In a public statement shared on social media, the First Lady said she “fully supports the LGBTQIA+ community” and called for respect and inclusion, even as she backed measures aimed at limiting transgender participation in girls’ and women’s sports. “America, we can support the rights of the LGBTQIA+ community and also protect opportunities for female athletes,” she wrote. “Respect everyone and keep girls’ sports fair. Both ideals are essential.” > “As many of you may know, I fully support the LGBTQIA+ community. But we must also ensure that our female athletes are protected and respected." - MELANIA, #1 NYT Bestseller, (p. 156) > > The U.S. Supreme Court has now legally confirmed this opinion: > “Under Title IX and the Equal… > > — MELANIA TRUMP (@MELANIATRUMP) [June 30, 2026](https://x.com/MELANIATRUMP/status/2072032878762897809?ref%5Fsrc=twsrc%5Etfw&ref=scenemag.co.uk) Her remarks came hours after the US Supreme Court ruled by a 6–3 majority that individual states may ban trans girls from competing in school sports teams aligned with their gender identity. The decision allows existing restrictions in states including Idaho and West Virginia to remain in place. The ruling has been widely criticised by LGBTQ+ advocates, who warn it could deepen discrimination against trans young people. Campaigners argue that access to sport is a key part of inclusion, wellbeing and equality for LGBTQ+ communities, particularly for students already facing marginalisation. Mrs Trump’s attempt to strike a middle ground reflects the increasingly polarised nature of the debate in the United States. While she framed her position as one of balance, emphasising both inclusion and fairness, critics say policies restricting transgender participation risk undermining broader civil rights protections. The court’s majority opinion, written by Justice **Brett Kavanaugh**, held that schools may determine eligibility for women’s sport based on biological sex, concluding that such policies are compatible with existing federal law. However, opponents of the ruling say it sends a damaging message to trans people, particularly young athletes seeking acceptance and equal opportunities. Civil rights groups have warned that similar measures across more than two dozen states could now be further entrenched. ### #DALEYPOP X JULY 2026 URL: https://www.scenemag.co.uk/daleypop-x-july-2026/ Last updated: 2026-07-19T11:44:09.000Z Music has been embedded in my life ever since I was in the womb, my mum and dad basically raised me on music, especially POP music! I grew up listening to **Madonna**, **Mariah Carey**, **Kylie Minogue**, **Spice Girls**, **Britney Spears** and even **AQUA** and I’ve always been obsessed with pop culture and **Eurovison**! I love yapping about my favourite songs and album of the month every month with the world from **Scene HQ**! ### Katy Perry - Watch It Burn People seriously need to stop sleeping on my favourite triple Scorpio, **Katy Perry**. *Watch It Burn* is a fiery pop rock anthem (taken from *KP7* hopefully) and sounds like the moment someone finally decides they've had enough and refuses to hold back any longer. It's super catchy too! Built around themes of anger, self worth and emotional release, the track sees KP embracing raw honesty as she confronts past hurt and reclaims her power. The soaring chorus reminds me of some of her biggest empowerment hits but there's a grit and vulnerability here that makes it feel even more personal and refreshing. The official music video is just as compelling. Directed by the ever brilliant **Christian Breslauer**, the visual leans into themes of destruction, transformation and liberation, perfectly mirroring the song's message of leaving the past behind and emerging stronger than ever. There's lots of Easter eggs too as per for us KatyKats....and the KatyRats and SmartyKats. ### Rarito - BATHHOUSE I won’t pretend to know a huge amount about **Rarito** because I've only stumbled across him last week but from what I can tell, he’s an emerging independent artist making a real statement with his latest track, *BATHHOUSE*. Oh and he's got like 39.6K followers on **TikTok**. ![](https://www.scenemag.co.uk/content/images/2026/07/1000031336.jpg) 📸 [Ricky Middlesworth](https://www.instagram.com/rickymiddlesworth?ref=scenemag.co.uk) He's undeniably handsome so I can see why but looks aside, *BATHHOUSE* is a bold, pulsing celebration of queer history wrapped in an irresistibly catchy pop sound and honestly it's bloody brilliant. Rarito's vocals are effortlessly smooth, carrying the track's infectious hooks and playful energy with ease while a deeper message flows beneath the surface. Rarito shared on **Instagram** (and TikTok), that *BATHHOUSE* pays tribute to the LGBTQ+ community, the spaces that fostered connection and belonging and the activists who fought for visibility, acceptance and freedom long before those conversations entered the mainstream. Rarito is one to watch I reckon! ### LaRoux - BabyLine **Elly Jackson** better known as **La Roux** is back baby! I had a feeling new music was on the horizon especially with her joining **Hilary Duff** on tour. I was already excited to see Hils but now knowing La Roux will be there too with fresh material in tow, has taken my excitement to a whole new level. If I finally get to hear *Bulletproof*, *In for the Kill* and *I'm Not Your Toy* live ​I may never recover. Just saying. > [ View this post on Instagram ](https://www.instagram.com/reel/DYCjTJ0MYI7/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by LA ROUX (@larouxroux)](https://www.instagram.com/reel/DYCjTJ0MYI7/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) The second single from upcoming album *Old Flames*, *BabyLine* is a shimmering pop gem driven by Elly's unmistakable vocals and a euphoric chorus. There's a real sense of renewal running through the track, capturing that moment when you leave a difficult chapter behind and start finding your way back to yourself. Elly describes it as a song about "finding your way out of the woods and back to yourself," so yeah, and that optimism absolutely shines through. While previous single *Cabin Fever* was a bop in its own right, *BabyLine* feels lighter and full of hope. ### Rêve - Devour Singer songwriter **Briannah Donolo** aka **Rêve**'s sophomore album, *Delusions of Grandeur* is set to arrive later this year and if *Devour* is any indication, we're in for something special. In fact, a random thought just crossed my mind: **Canada** has officially announced today, on Canada Day, that they're participating in Eurovision, Rêve would totally own that stage. I'm choosing to manifest it now. Back to *Devour* though, *Devour* is already making a strong case for itself as one of the year's most commanding pop releases IMPO. It's Europoppy (honestly super perfect for Eurovision hehehenxnjsma) and erm meaty, and bursting with confidence. It's one of those songs that grabs your attention straight away and refuses to let go. If this is the direction Rêve is heading in, then *Delusions of Grandeur* has every chance of becoming one of the standout pop albums of the year. ### Carly Rae Jepsen - On Wires YAY new **Carly Rae Jepsen** music! *On Wires* is the first taste of her upcoming eighth album, *Day and Night*, a double album by the way! It's a gorgeous return. Blurring the line between friendship and romance and rather than relying on her usual glossy pop formula, the track captures emotional uncertainty with dreamy ease as Carly's vocals float over a lush mix of jazz, pop and rock influences. It's a creative risk that pays off stunningly. The accompanying official music video adds even more depth, exploring the tension between motherhood and career as Carly literally drags a microphone cord through different scenes, symbolising the constant pull between competing roles, ambitions and desires. [ View this post on Instagram ](https://www.instagram.com/reel/DaAyBWfI1Zf/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Matty Hyndman (@yermatty)](https://www.instagram.com/reel/DaAyBWfI1Zf/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) “The risk was that I would lose everyone I know and love. My vocation, my community - everything was so intertwined,” he said. “So for me to say no was for me to reject the belief of my entire community and walk away. And I did.” He added: “I consider myself one of the lucky ones because I walked away and said, ‘no, actually, I think I know who I am’.” Conversion practices – which aim to change or suppress a person’s sexual orientation or gender identity – can take a range of forms, from counselling sessions to religious rituals. Under the proposed legislation for England and Wales, those found guilty of carrying out abusive conversion practices could face unlimited fines or prison sentences of up to five years. The Government has said a criminal threshold will be set for conduct that causes serious harm, with campaigners highlighting accounts ranging from coercive counselling to physical and sexual abuse in extreme cases. Hyndman said the legislation would be an important step forward for those who have experienced similar pressures. “I think it just sends a really clear signal,” he said. “Anyone who is currently experiencing this, anyone who has, they’re hearing from the highest level that this is wrong and that it should not be happening to you.” ### Mark Carney backs LGBTQ+ rights at Toronto Pride: ‘Love who you want to love’ URL: https://www.scenemag.co.uk/mark-carney-backs-lgbtq-rights-at-toronto-pride-love-who-you-want-to-love/ Last updated: 2026-06-29T09:46:07.000Z Canada’s Prime Minister **Mark Carney** has voiced support for LGBTQ+ rights as he joined thousands of revellers at Toronto’s annual Pride parade. Carney marched alongside Mayor **Olivia Chow** on **Sunday** (28 June), greeting crowds, posing for photographs and taking part in one of the largest Pride celebrations in North America. Speaking about equality and inclusion, the prime minister said people should be free to “love who you want to love”, echoing earlier remarks in which he described such freedoms as a core part of Canadian values. Toronto’s Pride parade drew large crowds to the city centre, with colourful floats, performers and community groups taking part in the celebrations. Carney’s appearance marked his first time attending the event since taking office last year. He marched with volunteers and supporters, including groups commemorating victims of the 2016 Pulse nightclub shooting. His comments come amid wider concern about a “backlash” against LGBTQ+ rights in some parts of the world, with the prime minister previously warning that progress made in recent decades cannot be taken for granted. “Canada will always stand up for the vulnerable and the equal rights we cherish,” he said in earlier Pride-related remarks, stressing the need to continue advancing equality. Toronto Pride is one of the biggest annual LGBTQ+ events globally, celebrating diversity and inclusion while also reflecting on the ongoing fight for equal rights. ### Ex-MP, Sir Jeffrey Donaldson, ‘visited gay sauna’ while calling homosexuality ‘sinful’, programme alleges URL: https://www.scenemag.co.uk/ex-mp-visited-gay-sauna-while-calling-homosexuality-sinful-programme-alleges/ Last updated: 2026-06-29T08:57:46.000Z A former MP visited a gay sauna in London in the same year he publicly described homosexuality as “sinful”, according to a forthcoming **BBC** documentary. The programme claims that Sir **Jeffrey Donaldson**, the former leader of the **Democratic Unionist Party** (DUP), was seen entering a central London sauna popular with gay men in 2006. Two former senior police officers have said they observed him entering the premises, with one stating he was “100 per cent sure” of the identification, a claim said to be corroborated by a second detective. The allegations are due to be aired in a **BBC Northern Ireland Spotlight** documentary, which examines what it describes as a “double life” involving behaviour at odds with Donaldson’s public stance. At the time, the politician had described homosexuality as “sinful”, a position consistent with his party’s opposition to same-sex marriage. The reports come after Donaldson was convicted of a string of sexual offences, including rape, against two women when they were children. He is currently awaiting sentencing. According to the programme, the alleged sauna visit itself was not illegal, but raised concerns among those who later reflected on the contrast between his private conduct and public statements. Former colleagues and investigators cited in the documentary describe the behaviour as indicative of a “double standard”, while also warning it could have exposed him to potential compromise during his political career. The BBC said it put the allegations to Donaldson ahead of broadcast but did not receive a response. The DUP has not commented directly on the claims contained within the programme, but has previously said it was “shocked” by wider allegations surrounding its former leader. ### Luke Evans lights Empire State Building in Pride colours for New York Pride URL: https://www.scenemag.co.uk/luke-evans-lights-empire-state-building-in-pride-colours-for-new-york-celebrations/ Last updated: 2026-06-29T08:07:53.000Z Welsh actor **Luke Evans** helped illuminate the **Empire State Building** in a vibrant display of colour on Sunday evening (**28 June**), as **New York City** marked Pride 2026. The building’s iconic tower lights were lit in the colours of the Inclusive Pride Flag, in partnership with the **Stonewall Inn Gives Back Initiative** and **The Trevor Project**, as part of the city’s annual celebrations. Tony Award-nominated performer Evans took centre stage at a special lighting ceremony, where he flipped the famous switch to bring the display to life. ![](https://www.scenemag.co.uk/content/images/2026/06/Z92_6642_Ww3ubJdP-1.JPG) Photo by Roy Rochlin/Getty Images for Empire State Realty Trust The lighting forms part of a long-standing tradition at the Manhattan landmark, which has marked LGBTQ+ Pride with coloured lights every year since 1990, when campaigners successfully pushed for recognition of the community. The building continues to change its tower colours throughout the year to highlight major cultural moments, causes and holidays. New York Pride commemorates the Stonewall uprising of 1969, widely regarded as the catalyst for the modern LGBTQ+ rights movement, and remains one of the largest Pride celebrations in the world. In 2026, the event also coincides with milestones linked to the movement’s historic roots, including anniversaries tied to the preservation and recognition of the **Stonewall Inn**. ![](https://www.scenemag.co.uk/content/images/2026/06/_CTC8457--2--1.jpg) The Stonewall Inn Gives Back Initiative, the charitable arm of the landmark venue, works to support grassroots LGBTQ+ organisations, while The Trevor Project focuses on providing support and advocacy for LGBTQ+ young people. Following the ceremony, Evans toured the Empire State Building’s Observation Deck Experience before posing for photographs on the 86th floor. He has also been involved in wider Pride programming linked to Stonewall celebrations this year, reflecting his continued visibility as an openly gay performer during a high-profile period in his stage career. ### Life Before Pride: Prejudice, Protests, and Picnics URL: https://www.scenemag.co.uk/life-before-pride-prejudice-protests-and-picnics-readfy/ Last updated: 2026-06-28T18:58:19.000Z A new Brighton event will explore the city’s LGBTQ+ protest history through rediscovered photography and personal testimony. **Queer Heritage South** is hosting a conversation between photographer A**bigail Dombey** and Brighton DJ and archivist **Kate Wildblood,** reflecting on queer life in the city between 1989 and 1992\. The event centres on the discovery of Dombey’s long-lost 35mm slide film collection, captured when she was an 18-year-old working in a local camera shop. Her images document a pivotal period in Brighton’s LGBTQ+ history, from everyday community life to protests on the streets. Organisers say the discussion will revisit a time marked by “bigotry and fear”, as LGBTQ+ people faced the impact of Section 28, hostile media narratives and the ongoing HIV and AIDS crisis. The free event will highlight grassroots activism during this period, when campaigners mobilised against homophobia and discrimination, helping to shape what would become the modern Pride movement. Attendees will also be invited to take part by sharing memories, photographs and reflections on Brighton’s queer history. A map of the city will be used to spark discussion about places and moments that have helped define local LGBTQ+ heritage. Documenting protest histories and community resistance is vital for preserving LGBTQ+ heritage and understanding the roots of today’s rights, visibility and ongoing struggles for equality. **7:00 pm, Thursday 9th July 2026** **Location:** Ironworks Studios **Tickets:** Free, booking essential [more info or to book the FREE tickets here: ](https://www.ticketsource.com/marlborough-theatre-productions-ltd/life-before-pride-prejudice-protests-and-picnics/2026-07-09/19:00/t-xdazxyn?ref=scenemag.co.uk) ![](https://www.scenemag.co.uk/content/images/2026/06/qhs_logo_black_line.png) ### What protections does the Conversion Practices Draft Bill offer the LGBTQ+ community? URL: https://www.scenemag.co.uk/what-does-the-onversion-practices-draft-bill-actually-say/ Last updated: 2026-06-28T18:17:53.000Z After 8 years of delays and U-turns, the government has finally [published a draft conversion practices bill](https://www.scenemag.co.uk/government-publishes-draft-bill-to-ban-conversion-practices-after-years-of-campaigning/). It has been written in consultation with Galop UK, Ban Conversion Practices Coalition and Stonewall UK, and is a long awaited step towards getting conversion therapy banned in England and Wales. The 2017 Memorandum of Understanding on Conversion Therapy (a joint document signed by over 25 health, counselling and psychotherapy organisations including NHS England and Wales) makes it clear that conversion therapy in relation to gender identity and sexual orientation is unethical, potentially harmful and is not supported by evidence. The UK government has [recognised](https://www.gov.uk/government/publications/conversion-therapy-an-evidence-assessment-and-qualitative-study/conversion-therapy-an-evidence-assessment-and-qualitative-study?ref=scenemag.co.uk) that "exposure to conversion therapy is statistically associated with poor mental health outcomes including suicidal thoughts and suicide attempts." Conversion therapy is prevalent in the UK with **1 in 5** LGBTQ+ and **2 in 5** trans people having been subjected to it, according to [Galop](https://www.galop.org.uk/news/galops-new-research-shows-nearly-1-in-5-lgbt-people-have-experienced-conversion-practices?ref=scenemag.co.uk). The necessity of this bill is evident. So what does it actually say and does it offer the LGBTQ+ community adequate protections? ### 1\. There is an exception made for 'health care' contexts. The bill states that conversion therapy is any conduct towards an individual with the intention of causing the individual to have or not have (or believe that they have or do not have) a particular sexual orientation or gender identity. However, according to the bill if the conduct "is carried out in the course of providing health care services" then it "is not a conversion practice" unless the practitioner falls “far below” professional standards. This means that unless you can prove gross negligence, conversion therapy is legitimate in 'health care settings'. This is despite the fact that the government's National LGBT Survey found that 28.7% of conversion practices carried out on respondents were by a "healthcare provider or medical professional". The bill defines 'health care services' broadly, such that it covers “people working in all public and private, regulated and non-regulated sectors”. TransActual has raised concerns that this "paves the way for a cottage industry of conversion abusers posing as therapists and healthcare practitioners." The exception legitimises the movement against 'gender affirming care' in law. Gender affirming care is care that starts with recognition that a patient's gender identity is real and with respect for that identity. The care that follows from this basic start point is underlined by the intention of helping the patient to feel happy, healthy and safe in their gender. Gender affirming care does not rule out an individual exploring their gender identity, however it must be patient driven as opposed to being driven by the medical professional. In recent years there has been backlash against gender affirming healthcare in the UK, particularly for under 18s. Some medical professionals working in children's services have said on record that they feel they have been pushed out of the NHS due to their gender affirming approach. The gender affirming medical practice of using puberty blockers has been made illegal, and there has been a ban on new prescriptions and referrals for hormones for under 18s. The alternative to gender affirming care is gender non-affirming care, which does not accept or respect an individual's gender identity. In practice this looks like some kind of 'exploratory therapy', which is another name for conversion therapy and is harmful. The bill legitimises this kind of 'care', with small exceptions for cases where conduct falls “far below” professional standards. The gross negligence caveat fails to provide any protections for trans people, due to the fact that 'professional standards' is vague, and due to the power of the anti-gender-affirming-care movement. This means that 'what would reasonably be expected of a medical professional' in gender care would be highly contestable in court. Jo Maugham KC, founder and director of the Good Law Project, has raised concerns that this bill actually damages transgender people's rights as it will make it more difficult for them to sue healthcare professionals if they receive bad or harmful care, as the bill legalises conversion practices in healthcare settings. ### 2\. There is no 'religious freedom' exception. There is notably no exception made for conduct that takes place as part of religious practice or in a religious setting. Many religious groups have been expressing opposition to the bill, arguing that "it could criminalise ordinary conversations about faith, sexuality and gender" according to Premier Christian News. It will be interesting to see whether this affects the revision process of the bill. ### 3\. Abusive conversion therapy can be liable to up to 5 years imprisonment. The bill defines conversion practices (albeit with a questionable healthcare exception), then goes on to provide the conditions under which a conversion practice is 'abusive' which considers whether it involves sexual aspects, violence, controlling behaviour, and use of economic, psychological or emotional pressure. It then goes on to say that abusive conversion therapy is an offence in England and Wales if it causes serious harm, the penalty for which can be an unlimited fine, up to 5 years imprisonment, or both. Encouraging or assisting abusive conversion practices abroad is equally liable. This is a commendable step forward in terms of filling in some gaps in the law. The government has stated that existing laws that cover domestic violence, coercive control and communications offences do not adequately address the unique nature of abusive conversion practices. Simon Blake, Stonewall CEO, said that "no one should be told they have to change who they are, LGBTQ+ people are not broken or in need of ‘fixing’. At a time when LGBTQ+ rights are under threat and we’re seeing increased hostility towards the LGBTQ+ community, this draft Bill is crucial in creating a safer and more inclusive future for LGBTQ+ people." The bill also grants the courts the power to issue a 'conversion practice protection order', which can be a broad range of prohibitions, restrictions or requirements to protect an individual from abusive conversion practices. --- The bill will now undergo a process of pre-legislative scrutiny which is expected to last around three months. After, this it will need to go through several stages in House of Commons where MPs can propose and vote on amendments, then to the House of Lords before it can become law. There has been a mixed response from the community, with outrage that the bill includes an exception in medical contexts, meaning that it does not protect transgender people. However, some have argued that the positive aspects of the bill mean that it is important to get it across the line nevertheless. ### Healing Starts Here: Michael C Wearing on mental health and self-acceptance URL: https://www.scenemag.co.uk/michael-wearing-therapist-life-coach/ Last updated: 2026-06-28T17:45:50.000Z Sometimes the most important conversations don't happen on a stage or in front of a large audience. Sometimes they happen over a coffee, when someone simply asks, "How are you?" and genuinely waits for the answer. That was exactly the feeling when I met therapist, life coach and speaker Michael C Wearing. Like many people, I first came across Michael through Instagram, where short videos about anxiety, confidence, relationships and self-worth have built a loyal and growing audience. There was something different about the way Michael spoke. There were no miracle cures or empty motivational slogans. Instead, there was honesty, warmth and practical advice that felt grounded in real life. Meeting in person only confirmed that first impression. ## **Watch our full interview with Michael C Wearing** 0:00 /8:14 1× A conversation with Michael C Wearing | At Ironworks Studios, Brighton Michael's journey into therapy began long before becoming the person now helping others. Growing up, life wasn't easy. Bullying became a constant part of childhood, simply because Michael was different. *"It was physical, mental,"* Michael tells me. *"My voice was different, my mannerisms."* Long before fully understanding sexuality, there was already a feeling of not fitting in. When Michael eventually realised being gay was part of that difference, years of bullying had already planted a painful belief. "It led me to believe that there was something fundamentally wrong with who I am." Sadly, that sentence will sound familiar to many LGBTQ+ people. So many grow up absorbing messages from classmates, society or even family that convince them they need to change in order to belong. Michael knows exactly how damaging those beliefs can become. Thankfully, they don't have to last forever. At the age of 27, after what Michael describes as "a bit of a breakdown", therapy became more than simply somewhere to talk. This time, something shifted. > "This particular time was different," Michael explains. "I really surrendered and I worked really hard on myself." That willingness to fully engage with the process transformed the way Michael viewed life. > *"I touched a love inside of me that I never knew existed but innately knew had always been there."* It is one of the most memorable moments from our conversation. Rather than describing healing as becoming a different person, Michael speaks about rediscovering the person who had always existed underneath years of fear, shame and self-criticism. That experience completely changed the direction of life. > "It profoundly changed how I saw my past experiences, how I viewed myself, others and the world." Today, Michael helps others navigate similar challenges, describing the work as both a privilege and a responsibility. > "I absolutely love it. It's a real honour and a privilege to hold space for other people." That phrase - *holding space* \- stayed with me. It feels very different from fixing people or giving advice. Instead, it describes creating a safe environment where someone can begin understanding themselves without judgement. Mental health has become a far more open conversation over the last decade, but Michael believes one of the biggest challenges remains unchanged. > "We think we're the only one." Whether someone is experiencing anxiety, depression, burnout, grief or simply feeling overwhelmed, isolation has a way of convincing us that everyone else has life figured out. *"We can feel quite isolated,"* Michael says. *"We can feel like we're on our own."* In reality, Michael reminds me, that is rarely true. > "There will be somebody else... experiencing something similar." As someone who regularly interviews members of the LGBTQ+ community, I couldn't help thinking about Pride. Every summer we celebrate with colour, music, laughter and thousands of smiling faces. It is a wonderful celebration, but social media can sometimes create the illusion that everyone else is thriving while we quietly struggle behind closed doors. I asked Michael what advice would be given to someone who might be watching Pride celebrations while privately battling anxiety or low self-esteem. The answer is refreshingly simple. Talk to somebody you trust. And if talking feels too difficult, start writing. *"If I've got all these thoughts spinning around in my head, then I'm in that loop,"* Michael explains. *"As soon as I start putting them on paper, I can actually start to challenge them."* Journalling isn't presented as a magic solution. Instead, it becomes a practical way of slowing thoughts down and questioning them. > "Is this accurate? Is it true?" Sometimes, Michael explains, simply asking those questions is enough to begin breaking the cycle. As our conversation comes to an end, I ask what message Michael hopes people will leave with after hearing the story. Without hesitation, the answer returns to something wonderfully simple. > "We're all special and unique." ![](https://www.scenemag.co.uk/content/images/2026/06/SnapInsta.to_656006731_18583471543061013_8867425917370478353_n-1.jpg) A moment of reflection, Michael C Wearing It sounds obvious, yet so many people spend years believing they are somehow not enough. Michael's message is a gentle reminder that healing isn't about becoming somebody else. It is about recognising your own value, learning self-compassion and understanding that asking for help is never a sign of weakness. Leaving our interview, I found myself thinking less about therapy and more about kindness. Not just kindness towards others, but towards ourselves. Michael's story is proof that even the beliefs we carry for years can be challenged, rewritten and eventually replaced with acceptance. If you're looking for thoughtful, practical and reassuring content around mental health, confidence and personal growth, Michael's Instagram is well worth following. Regular videos offer bite-sized advice, honest reflections and gentle encouragement that many of us could benefit from hearing. You can find Michael on Instagram at [**@michaelcwearing**](https://www.instagram.com/michaelcwearingtherapy/?ref=scenemag.co.uk), where a simple scroll might just be the reminder you didn't know you needed. ### Tell us what you really think of Scene URL: https://www.scenemag.co.uk/tell-us-what-you-really-think-of-scene/ Last updated: 2026-06-27T15:00:57.000Z Scene has been part of this community for more than thirty years, and the only way we stay useful to you is by actually listening to you. So we have put together a short, simple survey. We want to know what you come to us for, what we are missing, and how happy you are with us right now, good or bad. ****Take the Scene reader survey** Takes about 90 seconds. Open until 1 August 2026. [Go to Survey ](https://tally.so/r/7Re26z?ref=scenemag.co.uk) Your answers will shape how we plan coverage, what we cover more of (and what we drop), and how we develop **Scene+**. Whether you read every issue cover to cover or have only just found us, we want to hear from you. Not sure what [**Scene+**](https://www.scenemag.co.uk/scene-plus/) is? It is our membership scheme for readers who want to go a little further with us: print copies through the post, and access to The Vault, our archive of features, interviews and investigations. You can find out more, and claim your discount, once you have had your say. ****Take the Scene reader survey** Takes about 90 seconds. Open until 1 August 2026. [Go to Survey ](https://tally.so/r/7Re26z?ref=scenemag.co.uk) Thank you for reading, and for telling us where we should go next. **Leslie Clarke** Publisher, Scene Magazine ### The Saturday Scene: Europe is boiling URL: https://www.scenemag.co.uk/the-saturday-scene-europe-is-boiling/ Last updated: 2026-06-27T10:55:37.000Z _This post is for subscribers only._ ### From Bracknell to Brighton: A grassroots view of Pride outside major cities URL: https://www.scenemag.co.uk/daniharmerxfondacox-q-a-bracknellforestpride2026/ Last updated: 2026-07-15T09:37:17.000Z With summer officially here, **Brighton Pride** on the horizon and **Pride Month** in full swing, I've been reminiscing about my little home town era where growing up gay in the '90s and early 2000s felt taboo, something no one really spoke about. Not that I wanted to talk about being gay all the time but when I look back, there was way less acceptance and representation than there is today. It often felt like this unspoken thing….and yet in just a few decades so much has changed. The **UK** moved away from laws like Section 28 which discouraged even talking about homosexuality, to a society where same-sex marriage is legal and Pride is celebrated openly. My hometown even launched **Bracknell Forest Pride** in 2023, something that still blows my mind. It was described as a “historic” turning point bringing people together in a joyful celebration of inclusion. What once felt hidden is now something proudly shared and that shift feels powerful. It’s not just about changing laws but about how hearts, minds and communities can grow-sounds cheesy but it’s true! > [ View this post on Instagram ](https://www.instagram.com/p/DZC7vuYDlP%5F/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Bracknell Forest Council (@bracknellforest)](https://www.instagram.com/p/DZC7vuYDlP%5F/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) When I see comments online like “Where’s straight pride?" or "This is such woke nonsense" it’s hard not to roll my eyes. I never engage but I don’t think these kind of people realise that straight people were never silenced in the way LGBTQ+ people were under Section 28 (thanks to **Margaret Thatcher**). > It still blows my mind that Section 28 was introduced the year I was born in 1988! It kept being gay out of classrooms and conversations as if even acknowledging it was somehow dangerous. At school it basically meant silence. Even when I asked a school friend, **Carla Hughes** (hey koala hehe) if she knew I was gay back then, she said, “You were just Dale to me. I didn’t really think about sexuality” which is lovely to hear actually but it also shows how invisible being queer was. Being gay just wasn’t spoken about. Not in lessons, not in sex education, not even in discussions around the AIDS crisis in the 1980s. It was like queer people just didn't exist. When I started to realise I was gay around 11 or 12, I felt isolated and unsure about my future. I didn’t even know the language for how I was feeling despite “that’s so gay” being thrown around constantly. But what I hold onto now is this: even in that silence, I found my way. Life didn’t stay that small, because things did change. And I’m grateful I was born when I was. I know life would have been even harder 10 or 20 years earlier. Section 28 was only repealed in **England** (and **Wales**) in 2003, the year before I left school! I don't even remember seeing this on the news at the time though not that I watched the news at that age. 2001 in **Scotland**. While that came too late to shape my school experience, (I didn't even go to my prom because of internalised homophobia but that's a story for another day), it marked the beginning of something bigger. Little by little, the world opened up. Conversations became easier. Visibility grew. Acceptance followed. YAY! When I think about it, that basically means almost my entire childhood and teenage years were spent under legislation that effectively silenced LGBTQ+ lives and experiences. Those years are some of the most important and formative in any person's life. It's when we develop our sense of self, build our understanding of the world, learn how to navigate relationships and establish the confidence and independence that shape us as adults. Looking back, it really does feel as though the start of my life was delayed in some way. There was so much I wasn't able to see, learn, or understand about myself because those conversations simply weren't happening. I carried confusion and internalised homophobia for a while because I wanted to be "normal" and the impact didn't end when the law was repealed; it stayed with me, shaping my confidence, my mental health and the way I learned to navigate the world. Being the optimistic olive I am though, I didn’t stay there. My family accepted me for who I am and so did my friends. That’s the part that feels important to say out loud, it gets better, sometimes in ways you couldn’t have imagined at the time. Now I can honestly say I love being gay! Life might have been simpler if I were straight but I’m genuinely happy. > Pride, for me is so much more than rainbow flags or parades even though that's fun of course and still a form of protest. For me personally though, it's about that younger version of myself finally being seen. It’s about creating spaces where no one has to feel invisible or unsure in the same way. It’s about joy, community and the possibility of something better. I know it sounds dramatic but the place that once felt quiet and uncertain has found its voice and in doing so has helped others find theirs too I hope. I just never imagined it happening in my little home town! That's the hopeful part though right? Not just that things have changed but that they’re still changing for the better. I believe we'll get there with trans rights too. I guess it just takes time which is frustrating right now but if you're a closeted or confused trans person reading this, hang in there! I did and I'm so glad I did. So yeah before **Brighton** and before the sea, before that fateful morning a seagull swiped a sausage roll straight out of my hand on the way to work, before this fully realised version of me....there was Bracknell baby! When Brightonians ask where I'm from I always say "Errrm a small **Berkshire** town between **Ascot** and **Windsor** better known for the horse racing and royal neighbours, just outside **London**, not actually far from Brighton" and they usually react with delight. ![](https://www.scenemag.co.uk/content/images/2026/06/1000062944.gif) Fun fact: Bracknell is also home to **Harry Potter**'s house! 4 Privet Drive. Actually Picket Post Close. It's just a normal house ten minutes walk away from where I grew up, despite people travelling miles to see it. ![](https://media.tenor.com/6TMTVHphgYEAAAAC/harry-potter-hedwig.gif) Oh and Bracknell is home to one of the largest interactive water world's in **England** too, **Coral Reef Waterworld**. Not that I can swim or like wateralthough there is an adults-only Coral Spa area but stillll. I grew up on a council estate in **Harmans Water**, later moved to **Guildford** with my first proper boyfriend then **York** and finally Brighton, chasing that long held dream of coastal life and authenticity. No matter where I go though, I’ll always be a Bracknell boy at heart. When I was asked to write this feature about Pride beyond big cities, Bracknell Forest Pridecame straight to mind because if you’d told my 15‑year‑old self Pride would exist in Bracknell, I pinky promise I wouldn’t have believed you. Yesss the town has evolved a lot and reinvented itself as a genuine technology powerhouse earning its place in what's often called the **Silicon Thames Valley** and [**The Lexicon**](https://www.instagram.com/thelexiconbracknell?ref=scenemag.co.uk) still blows my mind; but the real shift isn’t only architectural, it’s cultural. > Growing up in the '90s and early 2000's, I didn't know anyone in my hometown who was openly queer. I wasn't really out, even to myself. Until I was 16 in 2005 so basically a year after I left school! Now there's even a [Bracknell LGBTQ+ Group](https://www.facebook.com/share/g/1UkjwYt9my/) now too on **Facebook** which blows my mind a tiny bit and I'm a member of course! That kind of online space for your hometown feels completely normal today but back then I didn’t have anything like it. I did have **MSN** though oh and **Faceparty**….and **Gaydar**. ![](https://www.scenemag.co.uk/content/images/2026/06/1000062888.jpg) [📸 Stewart Turkington](https://www.instagram.com/stewartturkington?ref=scenemag.co.uk) **Dani Harmer** (the ACTUAL **Tracy Beaker**) grew up in Bracknell and says what was once “a quiet little town with a few phone shops and a **Poundland**” is now somewhere people actually travel to but for her, the biggest change isn’t the bars or the restaurants or **The Lexicon** (I still can't get over that there's a **H&M**, **Hotel Chocolat**, **GAIL's**, **Five Guys**, **Mango**, **M&S**, **Nando's**, **Flying Tiger**, **Kokoro**, **Dunelm**, **Popeyes**, **Fenwick**, **Pret**, **River Island**, **Primark**, **TKMaxx**, **Giggling Squid**, **Footlocker** and **Wagamama's** and more....like WHAT?! We literally had **The Point** growing up-**Pizza Hut**, **Frankie & Benny's**, **Hollywood Bowl** plus **Topman**, **Burton's**, **Odeon**, a **Harvester** and a **Beefeater** (where I worked FYI) and a few other pubs growing up oh and **Bentalls** which actually I loved to be fair and is **Fenwicks** I know but still), oh and **BB's** in **Princess Square**. But the real shift is the arrival of Bracknell Forest Pride. > “I’m so, so happy Bracknell finally has a Pride,” Dani says. “Better late than never.” That sense of disbelief still lingers for many of us who grew up there. Not just those of us who are queer, but our allies too. Pride in Bracknell once felt unimaginable yet now it feels quietly revolutionary. In cities like Brighton, Pride is woven into everyday life. In smaller towns though, visibility takes longer to build and that’s why I think local Pride events matter so much. As Dani puts it: “It’s our way of saying we support you, we love you, we’re here for you… not just during Pride, but always.” ![](https://www.scenemag.co.uk/content/images/2026/06/1000062932.jpg) ![](https://www.scenemag.co.uk/content/images/2026/06/1000062922.jpg) ![](https://www.scenemag.co.uk/content/images/2026/06/1000062928.jpg) ![](https://www.scenemag.co.uk/content/images/2026/06/1000062935.jpg) ![](https://www.scenemag.co.uk/content/images/2026/06/BracknellPride2025web-271.jpg) ![](https://www.scenemag.co.uk/content/images/2026/07/1000062936.jpg) ![](https://www.scenemag.co.uk/content/images/2026/07/1000062930.jpg) 📸 Bracknell Forest Council I really love a small town Pride. I’ve been to a few now and honestly I often prefer them to the big city ones. They’re not vast, anonymous crowds stretching over an entire weekend, they’re usually just one day and it feels more personal and comfortable. It’s familiar faces, neighbours, friends and families all coming together. In Bracknell, it’s less about spectacle or big festival energy and more about genuine connection and as a result, like Dani says, "The sense of community is much stronger” and jokes that “every other person is basically my cousin.” That sense of familiarity though, is exactly what gives events like Bracknell Forest Pride their charm IMPO and for Dani, it’s more than just showing up each year. Her performing arts academy takes to the stage, making it a real highlight in their calendar. Rain or shine (and quite literally) nothing seems to dampen the atmosphere. > "Even last year, when it absolutely chucked it down, seeing all my students waving their flags and spreading love and happiness. That’s what Pride is all about." Her support for the LGBTQ+ community is something she’s long been vocal about, both locally and on a wider platform. That commitment was especially visible during her appearance on **RuPaul’s Drag Race UK** season 7 for the hun makeover challenge where she transformed into her drag persona....**Dannayris**. Thanks to Brighton's [**Tayris Mongardi**](https://www.instagram.com/tayrismongardi?ref=scenemag.co.uk) (who I interviewed last year by the way, [HERE](https://www.scenemag.co.uk/interview-tayris-mongardi-announces-post-drag-race-homecoming-show-at-revenge/)). > [ View this post on Instagram ](https://www.instagram.com/p/DRAs4RgiEmp/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by •TAYRIS MONGARDI• (@tayrismongardi)](https://www.instagram.com/p/DRAs4RgiEmp/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Sharing the stage with other icons like **Charlotte Church**, **Diane Parish** and **David Potts**, Dani saw the experience as more than just a fan moment (she's a mega fan of the show by the way), it was an opportunity to show up as an ally. “Being on Drag Race was a dream come true,” she says. “I’d do it all again in a heartbeat.” But more importantly, it reinforced something central to her values, showing solidarity in meaningful and visible ways. > “Some of my closest friends are queer. They’re my biggest supporters and I’ve got such a strong LGBTQ+ fanbase. I’ll always stand by them, especially when things aren’t all sunshine and rainbows like they are right now.” More than anything, it reinforced something central to her values. The importance of showing solidarity in ways that are both meaningful and visible. For Dani, allyship isn’t passive, it’s active. She believes those with a platform have a responsibility to speak out, amplify voices and share resources that can make a real difference. That includes highlighting charities, helplines and support networks, particularly for communities facing heightened challenges. “Everyone deserves a peaceful, happy life,” she says simply, adding that people shouldn’t be afraid to call out injustice when they see it. > [@daniharmer](https://www.tiktok.com/@daniharmer?refer=embed&ref=scenemag.co.uk "@daniharmer") > > Pride!!! How can we be a better ally?? > > [♬ original sound - Dani Harmer](https://www.tiktok.com/music/original-sound-7650108243011717910?refer=embed&ref=scenemag.co.uk "♬ original sound - Dani Harmer") Meanwhile in Bracknell, Pride continues to grow year on year with increasing turnout and more visibility across the town and Dani is keen to see it evolve even further. More involvement from local businesses, more residents showing their support and crucially, more recognition of Pride’s roots. “We marched for the first time last year,” she notes. > “Pride is still a protest. A huge, joyful march this year, especially in support of the trans community would be amazing.” Dani and her academy are once again going to be a part of the celebrations this year too and she promises their biggest performance yet. “The set list is incredible,” she teases. “It’s going to be the best one so far.” At its core, Dani’s message is simple: allyship starts with listening and showing up. “Ask your queer friends how you can help. That’s the best place to begin,” she says. > “Be loud, be proud, ignore the ignorance. Fight hate with love because love always wins.” Behind the scenes, **Sarah Naxton**, Town Centre Events and Marketing Manager at **Bracknell Forest Council** has played a key role in shaping what Bracknell Forest Pride has become. Unlike other small Pride events across the UK which are typically volunteer led charities, Bracknell’s is run in partnership with the council giving it a slightly different foundation but the same core purpose! Sarah explains that there wasn’t a single defining moment that sparked its creation; instead, it grew naturally in response to an obvious gap. “We could see people leaving Bracknell to experience Pride elsewhere,” she says. “There wasn’t anything visible or local here.” At the same time, conversations around identity, representation and belonging were becoming more prominent. Creating a Pride event felt like both a natural and necessary step, a clear signal that Bracknell itself is an open and inclusive place where people don’t need to go elsewhere to feel seen and accepted for who they are. Honestly, it’s the kind of thing my 15-year-old self would have needed more than I can put into words. > [ View this post on Instagram ](https://www.instagram.com/p/DZpnzs9DZeq/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by The Lexicon Bracknell (@thelexiconbracknell)](https://www.instagram.com/p/DZpnzs9DZeq/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) This is where [**Fonda Cox**](https://www.instagram.com/msfondacox/?ref=scenemag.co.uk) steps in.... ![](https://www.scenemag.co.uk/content/images/2026/06/1000062933.jpg) 📸 Bracknell Forest Council “Performing at hometown Prides always feels warmer,” she says. “I nurture community. I feel a connection with all of them.” Whether she’s on stage or in the crowd, her approach is simple: “I make sure there is nothing but warmth in my tone… it allows people who may have come alone to feel welcomed into other groups.” I know I sound like a broken record but I genuinely never imagined seeing a drag queen on stage in the middle of Bracknell town centre when I was growing up. A drag queen at the bandstand....OMG....IYKYK. Fonda’s journey started 23 years ago in an **Eastbourne** gay bar and that sense of connection has only grown since. Reflecting on a recent Pride weekend there, she says: “I look out at the crowd and see familiar faces from years ago, people who’ve since settled into relationships and don’t go out as much, mixed in with new faces and others I’ve never seen before. Some of them have asked me to perform at their weddings, birthdays and countless other celebrations. I feel a connection with all of them.” Part of what makes her presence so special at local Prides is how rooted she is in the community. “I know the councillors, the Pride committee members and the business owners who support the event,” she explains. “I make sure the crowd gets to know them too, so they recognise the effort that’s gone into putting this all together”. Despite only living in Bracknell for two years, Fonda has quickly become a familiar face. Through regular work at the comedy club at [**South Hill Park**](https://www.instagram.com/southhillpark/?ref=scenemag.co.uk)and thanks to the arts centre’s CEO championing her for more family friendly public events, she caught the attention of the local council. Since then, she’s become a go-to host for community celebrations. > “Bracknell has really embraced me as a bit of a local trinket,” she says. “I love fronting events that promote community celebrating and shining a light on the people who work tirelessly to create spaces for others to enjoy.” And speaking of South Hill Park, Fonda recently made her theatrical debut there. Condragulations Fonda! “Thank you so much. My debut was a crazy comedy of errors from start to finish,” she laughs. “It didn’t go to plan at all and really tested my ability to ad-lib around technical issues but somehow it worked. The audience were in hysterics and the feedback afterwards was that people hadn’t laughed that hard in a long time.” > [ View this post on Instagram ](https://www.instagram.com/p/DZgCoonISyL/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Fonda Cox (@msfondacox)](https://www.instagram.com/p/DZgCoonISyL/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) “My husband played a small part as my technical guru except he kept pressing all the wrong buttons for comedic effect,” Fonda laughs. “He came on stage in a green morph suit because I’d told him to wear something that would help him blend in. Unfortunately he dressed for a green screen studio, not a black cloth theatre….so he looked ridiculous all night.” The impact clearly lingered beyond the stage. “Just yesterday, he was in **Aldi** bending over the blueberries when someone recognised him and told him how much they loved the show. He’s loving his local celebrity status.” Bracknell Forest Pride is still growing but it’s growing with intention. Bigger parades, more involvement and deeper roots in the community. Not chasing scale, but meaning. Where early reactions were often tentative, questions about why Pride was needed or why there isn't a straight pride, there’s now a noticeable shift towards openness. More people are showing up, getting involved and seeing Pride not as something other but as part of Bracknell itself. Which is the long game, normalisation, not novelty, right?! My hometown proves that impact doesn’t come from size (bigger isn't always better hehehe) it comes from proximity. For families a local Pride is a way to show support in public together and for local businesses it’s a chance to visibly align with inclusivity. I would love to go to Pride with my mum and my dad and my brother and my niece etc! As Bracknell Forest Pride continues to grow, familiar faces like Fonda Cox return alongside a refreshed lineup that leans further into celebration without losing sight of Pride’s activist roots because as Tracy Beaker oooops I mean Dani reminds us: “Pride is still a protest.” and "People need to be vocal and share resources." > "Share charities and helplines that will help our LGBTQ+ family, especially our trans sisters and brothers who are being used as weird pawns right now! We can all see that it’s wrong so speak up! Everyone has the right to a peaceful and happy life." Bracknell Forest Pride has grown into something few might have predicted even a decade ago. One of the standout moments for Sarah (Naxton) came last year, as the full brass band led a vibrant parade through the town centre. “Seeing The Lexicon filled with people cheering and families watching felt like such a powerful way to start the event,” she recalls. Hosting duties were taken on last year by the one and only Fonda Cox and she brought both joy and meaning to the day. Fonda says "I make sure that there is nothing but warmth in my tone when I host these events. Between hosting duties whilst the guest artists are on, I walk amongst the crowd, chat to them, pose for selfies with them and even dance with them to get the audience involved with whoever is currently performing. These interactions often lead to me being able to do shout outs and celebrate members of the audience when I’m back on the mic. It brings people together and gets the community talking to each other, it allows people who may have attended on their own to be invited into other groups and make some new friends for the day or maybe more." From the outset, Sarah and her team wanted to create more than just a celebration, they wanted a space for genuine connection. The event offers not just visibility but support. “It’s about helping people feel like they can be the very best version of themselves,” she says. In a town where “everyone knows everyone,” LGBTQ+ visibility has taken on its own kind of meaning. With local performers on stage, businesses showing support and families turning up together, that familiarity has helped weave Pride into everyday life. As Sarah puts it, “it stops feeling like something 'other'… it just becomes part of the town.” ![](https://www.scenemag.co.uk/content/images/2026/06/download--3-.jpeg) ![](https://www.scenemag.co.uk/content/images/2026/06/1000062925.jpg) ![](https://www.scenemag.co.uk/content/images/2026/06/1000062924.jpg) ![](https://www.scenemag.co.uk/content/images/2026/06/download--2-.jpeg) ![](https://www.scenemag.co.uk/content/images/2026/06/download--1-.jpeg) ![](https://www.scenemag.co.uk/content/images/2026/07/1000062929.jpg) ![](https://www.scenemag.co.uk/content/images/2026/07/1000062926.jpg) 📸 Bracknell Forest Council Sarah has been seeing a growing openness with more people keen to engage, learn and take part. While some scepticism still exists (you can never please everyone), particularly online, she views those moments as opportunities to educate rather than divide. “It’s about extending a warm welcome,” she says. Fonda says "In every pride celebration I always make sure that we raise a glass to those who went before us, sacrificing their reputation, their livelihood and often their home life in a time when we were viewed as unacceptable. This also educates people who are new to this about the hard fight that was fought to get us where we are today. Of course I pepper the story with punchlines and personal anecdotes to keep it light, but I find when delivered with space for laughter people keep listening and really take in the message you’re selling." What sets a small town Pride like Bracknell Forest Pride apart is accessibility. For many, especially younger people, it’s their first real experience of LGBTQ+ community making it deeply personal and often life affirming too. As Sarah says, “Real cultural change happens in places like Bracknell,” where visibility can genuinely shift perceptions, spark conversations and help people feel seen in their everyday lives. The goal, she explains, is to make Pride feel embedded within the town. Not just something that arrives and disappears but something shaped by and reflective of the community itself. I remember being 18, hopping on the train from **Martins Heron** for [**Reading Pride**](https://www.instagram.com/readingprideuk?ref=scenemag.co.uk), my first ever Pride event, making lots of new friends and then spending the evening at **The Granby**, my first experience of a gay nightclub and also **The Wynford Arms**, a legendary gay bar that’s no longer there. RIP. For the first time in a long while, I felt….normal and that there were loads of people like me in the world! Fun fact: Reading Pride was notably the first town Pride festival to take place in the UK, in 2004. Fonda says "The larger cities prides tend to be hosted by big events companies and attract many out of towners, so there's less of a feeling of emotional pride towards a community getting together to celebrate. Instead it has more of a festival vibe with a strong message of love one another regardless of their identity. The community feel is a little more muted as more often than not, the local gay bars can’t even be involved in or benefit from the main events. Instead they rely on people popping along to their after parties once they have left the pride enclosures. Each type of festival has its place, but I always feel much more warmth at smaller community driven events." Same here hun! Some of the most meaningful feedback from attendees who say it was their first time feeling truly seen in their own town. “You hear people say, ‘I didn’t expect this in Bracknell,’” Sarah says. “And they mean it in the best possible way.” Looking ahead, Sarah’s vision is focused not just on growth but on sustainability and depth. She hopes to see more partnerships, greater community involvement and activity that extends beyond a single central space. “Maybe even a second stage,” she suggests. The parade, too, is set to evolve, building on last year’s success with more participants and even greater energy. As for 2026's Pride, there’s already plenty to look forward to. Fonda Cox will be back, “a massive hurrah,” as Sarah puts it, alongside a refreshed music lineup designed to push the event firmly into party territory without losing its sense of purpose. Ultimately, Bracknell Forest Pride is about more than visibility. It’s about belonging. Creating a space where people feel seen, supported and celebrated, right where they are and for who they are. For a town once thought unlikely to ever host such an event, that transformation speaks volumes. Fonda says "Personally it gives me a sense of pride to be part of the team that is focused on the need to educate instead of hate." > "For every new ally that stumbles through our party on their afternoon shopping activities and decides to stay to enjoy the event with us, that’s one more person promoting our right to exist and silence the haters." "I’m impressed that this event is held in such a prominent place, it shows that Bracknell is not a town where people should ever feel a need to hide. It’s a town that celebrates people for their differences. Which makes it a special place in my mind." With Bracknell Forest Pride returning next month (18th July) for it's third year, it’s clear this once unlikely event has become something far more powerful: a celebration of community, visibility and progress right at the heart of a town still redefining itself. For me, Bracknell Forest Pride represents something bigger than a single event. It’s proof that change doesn’t just happen in cities, it happens in the places people start, the towns they grow up in, the communities they thought might never shift. It’s a reminder that visibility matters everywhere and maybe it’s finally time I made it back to Bracknell for Bracknell Forest Pride myself. Bracknell Forest Pride returns on July 18th for its fourth year and has been organised in partnership with The Lexicon, Bracknell Town Council and local community groups with sponsorship from the [****Abri Community Fund**](https://www.abri.co.uk/what-we-do/community-funding?ref=scenemag.co.uk) and [****Winkfield Parish Council**](https://winkfieldparishcouncil.gov.uk/?ref=scenemag.co.uk). Click [HERE](https://www.thelexiconbracknell.com/events/bracknell-forest-pride-2026?ref=scenemag.co.uk) for more info. ### Moulsecoomb Forest Gardens Open Day URL: https://www.scenemag.co.uk/moulsecoomb-forest-gardens-open-day-dready-to-go/ Last updated: 2026-06-26T19:01:53.000Z **Community open day invites locals to explore Moulsecoomb forest garden** Residents in the city are being invited to an open day at [Moulsecoomb Forest Garden](https://moulsecoombforestgarden.org/?ref=scenemag.co.uk), offering a chance to connect with nature and meet the people behind the community space. The event will take place on Friday 10 July, running from midday until 6pm. Organisers say the day is an opportunity for visitors to see what happens at the garden and learn more about its activities and projects. A wide range of hands-on experiences and family-friendly activities are planned. These include demonstrations of primitive technology, pizza-making, bug hunting, pond dipping, art sessions and a tombola. Visitors will also be able to learn more about bees and the role they play in the local environment. Food and drink will be available, with a café serving snacks and refreshments throughout the day. The event is open to everyone, with organisers emphasising its welcoming and inclusive nature. For locals, the open day offers a chance to engage with green space, learn new skills and connect with others in an informal, accessible setting. Inclusive, community-led spaces like this help create safer, welcoming environments where LGBTQ+ people can connect, build networks and access wellbeing-focused activities outside traditional venues. Lean more from [their website](https://moulsecoombforestgarden.org/?ref=scenemag.co.uk). ![](https://www.scenemag.co.uk/content/images/2026/06/MoulsecoombForestGardenOpen-Day-Friday-10th-July-2-1-1.png) ### Greens overturned 20% majority and took one out of three Goldsmid seats from Labour URL: https://www.scenemag.co.uk/greens-overturned-20-majority-and-took-one-out-of-three-goldsmid-seats-from-labour/ Last updated: 2026-06-26T19:00:43.000Z The Green Party has won the Goldsmid byelection in Brighton and Hove, overturning a 20% Labour majority to take their eleventh seat on the city council. Nadia Barton Ahmad, 22, topped the poll with 2,037 votes, ahead of Labour's Philip Berman on 1,357\. The result, declared after a hard-fought campaign that concluded on the hottest day of the year so far, reduces Labour's majority to 33 seats of the 54 seats on the council. It marks the Greens' second byelection win over Labour in nine months, following their electoral success in Queen's Park last September. There are three council seats in the Goldsmid ward. Two of these remain Labour-held and are represented by Councillor Birgit Miller and Councillor Trevor Muten. Barton Ahmad, a local community campaigner, ran on a platform centred on protecting green spaces, supporting small businesses and improving street safety. Speaking at the count, she said residents had raised concerns ranging from the cost of living and housing conditions to the state of local services, adding: "These conversations have stayed with me and will shape my work as a councillor. They are also a reminder that politics matters because people's lives matter." ## Full results - Nadia Barton Ahmad, Green Party – 2,037 votes - Philip Berman, Labour Party – 1,357 votes - Louis Bird, Conservative Party – 210 votes - Glenn Kelly, Trade Unionist and Socialist Coalition – 31 votes - Kim Marie Leyland-Walker, Liberal Democrats – 214 votes - Luke Willmoth, Reform UK – 304 votes The turnout in the Goldsmid by-election was 35.84%. ### Japan moves towards nationwide LGBTQ+ education programme despite political tensions URL: https://www.scenemag.co.uk/japan-moves-towards-nationwide-lgbtq-education-programme-despite-political-tensions/ Last updated: 2026-06-26T17:59:29.000Z Japan is [preparing](https://www.abc.net.au/news/2026-06-15/japan-rolling-out-lgbtqia-education-for-the-first-time/106775430?ref=scenemag.co.uk) to introduce a nationwide education programme on sexual orientation and gender identity, aimed at addressing widespread gaps in public understanding of LGBTQ+ issues. The initiative has been approved by the ruling Liberal Democratic Party and is expected to receive final approval from the cabinet. It stems from a 2023 law designed to promote public awareness of diversity in sexual orientation and gender identity. While full details have not yet been released, the programme is expected to require schools to provide information about LGBTQ+ people, alongside offering access to trained counsellors and social workers. Universities are also set to include education on gender and sexual diversity within training for future professionals, including those in healthcare and academia. The development comes amid a complex political backdrop. **Prime Minister Sanae Takaichi** has previously voiced opposition to same-sex marriage, reflecting broader conservative views within the governing party. Japan currently has no nationwide anti-discrimination protections for LGBTQ+ people and remains the only G7 country without marriage equality. Supporters argue that improving education could help shift public attitudes over time, although some LGBTQ+ voices have warned it may only represent an initial step. Young people in Japan are generally seen as more supportive of LGBTQ+ rights than older generations, which observers say may be influencing the government’s approach. Experts suggest that increasing awareness and understanding could help reduce stigma, even as wider legal reforms remain uncertain. Expanding LGBTQ+ education has the potential to challenge stigma and build long-term cultural change, especially in countries where legal protections and recognition remain limited. ### Podcast hosts Your Internet Boyfriends launch mini-series tackling homophobia in response to Tip Toe URL: https://www.scenemag.co.uk/podcast-hosts-your-internet-boyfriends-launch-mini-series-tackling-homophobia-in-response-to-tip-toe/ Last updated: 2026-06-26T17:50:09.000Z The comedy podcast Your Internet Boyfriends is stepping away from its usual format for a new two-part mini-series, Go Deep... On Tip Toe, examining the reality of homophobia in the UK in response to Russell T Davies' new Channel 4 drama. Hosts Mark T Cox and Denis Len, one gay, one straight, said the idea came directly from watching Tip Toe and asking themselves whether its bleak vision could actually happen. The figures suggest it might not be far off: homophobic hate crimes have risen by 20% over the last five years, and trans-related hate crimes by 50%, with fewer than one in ten LGBTQ+ people believed to report incidents of abuse. Research from Stonewall has found that less than half of LGBTQ+ people in the UK feel safe holding a partner's hand in public, while this year the UK fell from first to 22nd place in ILGA-Europe's Rainbow Map, and to 44th on trans rights specifically. Denis Len said the final scene of Tip Toe hit him personally. "I watched the final scene thinking, what if that was Mark? It hit hard. And it set off an alarm bell to have an open honest discussion and make this Go Deep series." Mark T Cox said the show's usual lighter format made it the wrong place to properly explore the impact of Tip Toe. "It just felt impossible to cover the impact of the show in the regular pod. It needed to properly go deep with a dedicated mini-series." In the series, made with journalist Alastair James, the pair discuss their personal experiences of rising hostility. Cox reflected on how his own assumptions about strangers have shifted. "I assume the worst now of strangers. I assume people are probably a bit racist and a bit homophobic," he said, while also pointing to a wider erosion of social consequences for prejudice voiced by people in positions of power and influence. Len struck a note of cautious hope, drawing a parallel with the 1980s. "There were a lot of people that wanted to support \[the LGBTQ+ community\] but were really scared to. I think there are tonnes who would support this time around," he said, while warning that progress historically has come at a devastating cost. Your Internet Boyfriends Go Deep... On Tip Toe will be available to stream [across podcast platforms](https://headstuffpodcasts.com/show/your-internet-boyfriends/?ref=scenemag.co.uk) from Thursday 25 June. ### Queer Bloomsbury is back! URL: https://www.scenemag.co.uk/queer-bloomsbury-is-back/ Last updated: 2026-06-25T17:38:23.000Z A major celebration of queer culture and creativity is set to return this summer, with **Queer Bloomsbury** coming back to [**Charleston** ](https://www.charleston.org.uk/whats-on/?ref=scenemag.co.uk)on 15 August. The event promises an evening of “queer excellence”, blending discussion, performance and nightlife across Charleston’s house and gardens. Audiences are invited to explore the grounds through “strange explorations in the garden”, alongside a programme of talks and live art. ![](https://www.scenemag.co.uk/content/images/2026/06/8b582137-3fac-4b58-bff9-bb003aa871f2.jpeg) Image credits Queer Bloomsbury photographed by Lewis Ronald. Proceedings begin at 6pm with *The Moment*, a specially commissioned queer talk bringing together three leading voices to examine how queer imagination can confront, subvert and transform the world. From 7pm to 9pm, the venue will transform into a “Queer Fayre”, featuring performances, live art and installations spread throughout the gardens. Artists including **Symoné, Brian Lobel, Emma Frankland, Subira Joy** and **Charlie Wood** are set to take part, creating what organisers describe as a “bucolic” yet subversive takeover of the space. ![](https://www.scenemag.co.uk/content/images/2026/06/08635b47-c81a-4ed3-b0a2-bee6dcb47ff2.jpeg) Image credits Queer Bloomsbury photographed by Lewis Ronald. The evening culminates in a midsummer party running from 9pm to midnight, with DJs, performances and a line-up of special guests. **DJ Michelle Manetti** will headline, as attendees are encouraged to “dance into the night” under an August sky, with a dress code inspired by “queering the garden”. ![](https://www.scenemag.co.uk/content/images/2026/06/181ef21b-5bf1-414c-a740-5bbffbf7dff8.jpeg) Image credits Queer Bloomsbury photographed by Lewis Ronald. Events like Queer Bloomsbury create visible, celebratory spaces for queer art and ideas, strengthening cultural representation and community connection within and beyond traditional LGBTQ+ venues across Sussex. More info or to book tickets via the [Charleston website here](https://uk.patronbase.com/%5FCharleston/Productions/Q031/Performances?utm%5Fsource=NEWSLETTER&utm%5Fmedium=email&utm%5Fcampaign=GENERAL%20QUEER%20BLOOMSBURY%2026%20announce%20I%20Talks%20%2B%20Queer%20Fayre%20%2B%20Midsummer%20Party%20%2801KTKMG0SYWG8F93B6ZKG7HFZH%29&%5Fkx=aHCtlvZED%5FpMjmyHjd-smTZtgU8962KSCsadvyJuCV8.RgwhZi). ### A piece of Stonewall history is coming to London Pride next weekend URL: https://www.scenemag.co.uk/a-piece-of-stonewall-history-is-coming-to-london-pride-next-weekend/ Last updated: 2026-06-25T15:45:52.000Z A replica of New York's Stonewall Inn will join London Pride's parade next weekend, built on a converted bus and recreating elements of the globally famous bar where the modern LGBTQ+ rights movement began. The installation is part of a longstanding partnership between the venue and Brooklyn Brewery, which has produced an official Stonewall Inn beer since 2017 in support of the bar's community giving initiative. For Pride 2026, the brewery has released limited-edition packaging created with artist Rob Likes to Draw and the Queer Youth Art Collective, on sale in the UK until 31 August. The bus itself will travel the parade route as a mobile stage for DJs and performers. I have my own connection to the original. I visited the Stonewall Inn on Christopher Street back in 2019, and it is one of those rare places where you can genuinely feel the weight of history sitting in the room with you. Stepping inside, knowing patrons fought back against a police raid there in the early hours of 28 June 1969, and that those nights of resistance helped spark a global movement, is something that really sticks with you. It remains an incredibly moving place to visit. This year, Scene will be right there on top of the float during the parade, speaking to the venue's owners about what the Stonewall Inn still means more than half a century on. ### Government publishes draft Bill to ban conversion practices after years of campaigning URL: https://www.scenemag.co.uk/government-publishes-draft-bill-to-ban-conversion-practices-after-years-of-campaigning/ Last updated: 2026-06-25T08:30:27.000Z The Government has published a draft Bill to ban conversion practices in England and Wales, marking a long-awaited step after eight years of promises from successive administrations. If passed, the legislation would make it illegal to attempt to change a person's sexual orientation or gender identity. The commitment dates back to the LGBT Action Plan published under Theresa May's government in 2018, and has since been reaffirmed by Boris Johnson and Keir Starmer, most recently in May's King's Speech. Campaigners stress that today's publication is the start of a legislative process rather than the end of one, with the draft Bill now expected to undergo pre-legislative scrutiny, likely via a joint committee, before progressing through Parliament in the usual way. Stonewall chief executive Simon Blake welcomed the announcement as overdue and significant, saying it sends LGBTQ+ people a clear message that they are not broken and do not need fixing. He said Stonewall would continue pushing to ensure the eventual ban is watertight and free of loopholes. Saba Ali, chair of the Ban Conversion Practices Coalition, struck a similar note, calling the announcement both historic and long overdue. She welcomed the inclusion of protections covering gender identity as well as sexual orientation, arguing that any ban excluding trans people would not be a genuine ban at all, and said the coalition would now scrutinise the legislation line by line alongside parliamentarians and sector partners. Humanists UK also responded positively. Chief executive Andrew Copson, whose organisation has campaigned on the issue for more than three decades, described attempts to force LGBT+ people to change who they are as barbaric and consigned to the past. The organisation's LGBT+ Humanists coordinator, Nick Baldwin, who has previously spoken about being subjected to so-called prayer counselling himself, said conversion practices are rooted in shame and stigma rather than genuine therapy, and urged the Government to ensure the final law is strong, trans-inclusive and closed to religious or consent-based loopholes. The human cost of delay was underlined by Ian, a survivor of conversion practices, who described the lasting damage to his self-confidence and mental health. He said the announcement felt like a moment of justice, but that it angered him such practices had been allowed to continue for so long. According to the Government's National LGBT Survey, 7% of LGBT people and 13% of trans people have been offered or undergone so-called conversion therapy. Research from Galop suggests the practice remains an active and ongoing risk, with more than two-thirds of cases reviewed found to be current, recent or ongoing. Separate research by Amnesty International UK found that the income of four Christian charities promoting conversion practices rose by 165%, to almost £2 million, between 2019 and 2023\. More than 20 countries, including Brazil, Canada and Germany, have already introduced full or partial bans. ### Armed Forces Day Events this weekend URL: https://www.scenemag.co.uk/armed-forces-day-events-this-weekend/ Last updated: 2026-06-25T07:19:21.000Z Free Armed forces day events this weekend on Sat and Sun to feature historic shelter tours and call to ‘look to the skies’ and a free concert at Brighton Bandstand on the beach. A cool Brighton heritage site is set to mark **Armed Forces Day** with a full programme of community events, including a **Battle of Britain Memorial Flight** flyover, on 27 June around 4pm. Armed Forces Day is a UK-wide occasion dedicated to recognising the contributions of serving personnel, veterans and cadets, with communities encouraged to come together in support and remembrance. The Brighton event will run from 10am, with guided tours of the site’s underground air raid shelter, part of the [Take Shelter museum. ](https://takeshelter.org.uk/?ref=scenemag.co.uk)Built in 1939, the shelter protected up to 300 pupils and staff during school hours and was later used by the wider community during the Second World War. Sealed after the war and forgotten until its rediscovery in 1983, it remained unused until volunteers began restoring it in 2012\. Today, it operates as an interactive museum featuring wartime dioramas, films and soundscapes, welcoming thousands of visitors each year. ![](https://www.scenemag.co.uk/content/images/2026/06/AFD-Poster-2026-A4-Print_page-0001-1.jpg) Above ground, visitors can explore new museum displays, speak with veterans, and take part in a programme of activities including cadet demonstrations, dancing, stalls and vintage military vehicle displays. A Deputy Lieutenant and the Mayor will review cadets and service personnel before a Drumhead Service in the afternoon. ![](https://www.scenemag.co.uk/content/images/2026/06/AFD_Date_2026-980x542.png) A key highlight will be the planned flyover by the Battle of Britain Memorial Flight. Organisers are urging attendees to “look to the skies and listen out for the distinctive engines of these amazing planes”, with planes crossing the city for 4pm. The event will also provide 50 free fish and chip lunches for veterans and serving military personnel, funded by Sussex Freemasons. Entry to the museum and outdoor activities is free, although tickets are required for shelter tours.[**Book them here:** ](https://www.tickettailor.com/events/takeshelter/2116552?ref=scenemag.co.uk) ![](https://www.scenemag.co.uk/content/images/2026/06/Take_Shelter_April24-0684-1-scaled-1.jpg) Image Credit Take Shelter M Button Inclusive remembrance events play an important role in ensuring LGBTQ+ service members and veterans are visible, recognised and included in shared national history. **Brighton & Hove City Council** is hosting a free Armed Forces Day Concert at the Bandstand on Kings Road on Sunday 28 June 2026, featuring the **Patcham Silver Band** performing a lively mix of 1940s classics and modern favourites. ![](https://www.scenemag.co.uk/content/images/2026/06/img_44-1_28.jpg) ****Steyr 1500A** staff car belonging to German General Hans-Jürgen von Arnim, who surrendered to the British Royal Sussex Regiment in North Africa in 1943\. Credit Royal Sussex Museum Running from 1:30pm to 3:00pm, this family-friendly event will offer free deckchairs for relaxed seaside seating and include a rare WWII German general’s car, captured in 1943, on public display along the promenade. Visitors are encouraged to come along, enjoy the music, and take part in a community celebration of Armed Forces Day. ![](https://www.scenemag.co.uk/content/images/2026/06/image--2--1.png) ### Lesbian politician Bev Craig named Labour candidate for Manchester mayor URL: https://www.scenemag.co.uk/lesbian-politician-bev-craig-named-labour-candidate-for-manchester-mayor/ Last updated: 2026-06-24T20:00:28.000Z Bev Craig, the leader of Manchester City Council, has been confirmed as [Labour's candidate](https://www.instagram.com/p/DZ70BM4Fq4X/?ref=scenemag.co.uk) to become the next mayor of Greater Manchester, with the byelection called after Andy Burnham's win in last week's Makerfield contest pulled him back to Westminster. Craig, 41, has led the council for five years and is the first woman and first openly gay person to hold the role. Speaking to [The Irish News](https://www.irishnews.com/news/politics/belfast-born-lgtbtq-campaigner-raised-on-traditional-loyalist-estate-is-labour-candidate-for-manchester-mayor-MWHNCVEBEBE4ZCZZSZSRNA74JQ/?ref=scenemag.co.uk), she described growing up on a "very traditional, working class, Protestant, loyalist" estate on the edge of north Belfast, where she came out as gay at 14\. She has previously summed up the reaction at the time bluntly: people told her no one would love her, she would never marry and no one would employ her. Looking back, she says there is something powerful in having proved that wrong. Before politics, Craig worked from her early teens in a Chinese restaurant, then in retail and a call centre, becoming the first in her family to go to university when she moved to Manchester in 2003\. She has said that experience of dealing with difficult members of the public prepared her well for canvassing. She told The Irish News that she did not grow up particularly politically engaged, pointing to a sense of tribalism and religion in Northern Ireland that put her off party politics for years. What changed her view, she said, was discovering as a young LGBTQ+ campaigner that nationalist parties, and Sinn Féin in particular, were the only ones willing to engage with her, a discovery she found genuinely disorientating given how she had been raised. It was only after relocating to England and getting involved in trade union work that she found her way into Labour politics. Craig currently also serves as deputy mayor for economy, business and inclusive growth on the Greater Manchester Combined Authority. Announcing her candidacy, she paid tribute to the region's radical history, from the Industrial Revolution to the trade union, co-operative and suffragette movements, saying Manchester had given her opportunities she could never have imagined and that she had spent her career trying to repay that. The byelection follows Burnham's departure for Westminster, where he won Makerfield comfortably. He had previously won the 2024 Greater Manchester mayoral race with nearly two-thirds of the vote and a majority of 351,000. ### Review : Thirst (2019) URL: https://www.scenemag.co.uk/review-thirst-2019/ Last updated: 2026-06-24T14:38:20.000Z Directors Steinþór Hróar Steinþórsson and Gaukur Úlfarsson :80 mins Hello, cinema lovers. Today's movie gives us perhaps Iceland's most interesting cinematic export yet: a movie featuring a thousand-year-old gay vampire with a love of a very specific male appendage and little or no time for women. Sit back and relax; Hjörtur will do all the work. ![](https://www.scenemag.co.uk/content/images/2026/06/image--1--1-1-1.png) Image: provided First released in 2019 in Iceland, Thirst is directed by [Steinfóur Hróar Steinfóursson](https://www.imdb.com/name/nm2621096/?ref%5F=tt%5Fov%5F1%5F1&ref=scenemag.co.uk) and [Gaukur Úlfarsson](https://www.imdb.com/name/nm2103171/?ref%5F=tt%5Fov%5F1%5F2&ref=scenemag.co.uk). It is, by any measure, an odd film. It opens with a roadside hook-up that ends in a gory explosion where a victim's dick is literally ripped off him. This film is liberal in its use of fake blood. The story's central anti-hero is openly and explicitly gay. There is no queer coding to be figured out between the lines here. This vampire is not Tom Cruise's Lestat. We see a clearly stated character that the film then builds its entire logic around. ![](https://www.scenemag.co.uk/content/images/2026/06/MV5BNjJlNDY1YWEtMmRjNS00OWMxLWEyNGEtZDU3N2RkOGM1MTBiXkEyXkFqcGc@._V1_QL75_UX525_-1-1.jpg) image provided The vampire of the hour is Hjörtur, played with a haunted presence and centuries-long weariness by [Hjörtur Sævar Steinason](https://www.imdb.com/name/nm4329266/?ref%5F=tt%5Fov%5F3%5F1&ref=scenemag.co.uk). He preys exclusively on men. He has no appetite for women. He forms an unlikely alliance with Hulda ([Hulda Lind Kristinsdóttir](https://www.imdb.com/name/nm11068156/?ref%5F=tt%5Fov%5F3%5F2&ref=scenemag.co.uk)). She's a troubled young woman entangled with local police over her brother's death. A platonic relationship develops between the two characters and becomes the beating heart of the film. It's shown as a quirky and interesting dynamic that develops between two outsiders; both have been rejected by the world and cast out as defective yet find solace in each other. All the while, they navigate Reykjavík's wintry streets together. ![](https://www.scenemag.co.uk/content/images/2026/06/image--3-.png) image provided On screen, gay male characters in horror tend to be historically shown as coded figures or sympathetic victims. Hjörtur is something else entirely: a queer protagonist who is also the most powerful figure in any given scene. He's capable of splitting skulls with his hands while delivering some funny deadpan lines. His character is grounded through his loneliness. He's given a sad longing for true connection that the film takes seriously even as the blood comically splatters across the screen. The film's main antagonists are a wacky religious group/cult operating behind the scenes in Reykjavík. The parallels shown between queer monstrosity and religious bigotry are not exactly breaking new ground, but Thirst shows these themes competently and funnily. There's also a rotating cast of police officers who start investigating strange murders at night. Some of the actors cast here are less talented than you would hope, but it offers an interesting contrast to the supernatural shenanigans. ![](https://www.scenemag.co.uk/content/images/2026/06/image-3.png) image provided The production is shot with the kind of synth, neon-drenched visuals that pay homage to 80s and 90s genre cinema. The directors obviously love movies like *The Lost Boys* and *Innocent Blood*, and that comes through on screen. They imbue Reykjavík with an impressively bleak gothic atmosphere. The practical effects are the film's genre calling card and reportedly required well over 200 litres of fake blood to achieve. There is, however, a recurring joke involving several rubber cocks that lands flatly; the intention is to be funny but fails miserably and feels tawdry. ![](https://www.scenemag.co.uk/content/images/2026/06/image--2-.png) image provided The film is not without its faults. The film's cult subplot takes too long to get going. Hulda is underwritten as a character for much of the runtime, spending extended stretches as a passive bystander rather than an active participant in the plot. However, Steinason's terrific performance carries the film through some of its weaker points. His Hjörtur is compelling; you never take your eyes off him when he's on screen. One particular scene where Hjörtur lusts after a beautiful man he sees from afar is wonderfully portrayed and shows his character's viewpoint as well as his curse. For queer audiences, Thirst offers something that genre cinema doesn't provide often enough. A gay central character whose identity is not the source of his suffering, or a shorthand for being different. Hjörturs identity is simply a fact around which the film's entire world is duly organised. It's a refreshing viewpoint, and the final product is an effective movie that slightly overreaches but is entertaining nonetheless. A great indie gem; can't wait for the sequel. Thirst is available on UK digital platforms from 22 June. ### MPs vote to let puberty blockers trial go ahead, after a Commons debate that exposed deep divides over trans young people's care URL: https://www.scenemag.co.uk/mps-vote-to-let-puberty-blockers-trial-go-ahead-after-a-commons-debate-that-exposed-deep-divides-over-trans-young-peoples-care/ Last updated: 2026-06-24T11:53:20.000Z On Tuesday 23 June, the House of Commons spent more than two hours debating an opposition day motion that called on the government to halt the Pathways trial, a King's College London study examining the effects of puberty-suppressing hormones on children and young people with a diagnosis of gender incongruence. The motion was tabled by the Conservatives and supported by a small but vocal cross-party coalition. It was defeated by a margin of more than two to one, meaning the trial, paused since last year, can proceed under a tightened set of safeguards approved by the MHRA. For Scene readers, the vote itself may be the least interesting part of what happened in the Chamber. What followed was a debate that ranged from clinical detail to personal testimony, and which laid bare just how far apart MPs remain on what it means to protect a child. ### What the trial actually involves Dr Caroline Johnson, the Conservative MP for Sleaford and North Hykeham and a practising NHS paediatrician, opened the debate by moving the motion. Speaking with the authority of her medical background, she argued that gender incongruence is a self-resolving condition in the majority of children, that the trial's eligibility criteria could not reliably identify which children would benefit, and that existing data from the Tavistock clinic's now-closed gender service should be analysed before any new children are recruited. She was backed during the debate by Conservative colleagues including Gregory Stafford, Rebecca Paul, Joy Morrissey and Sir John Hayes, by the DUP's Carla Lockhart and Jim Shannon, and by the independent MP for Canterbury, Rosie Duffield, who described leading a cross-party coalition against the trial and questioned how informed consent could ever be meaningful for an 11-year-old. Responding for the government, Health Secretary James Murray set out the safeguards built into the trial: a minimum two-year diagnosis of gender incongruence, parental consent alongside the child's own consent or assent, sign-off from both an NHS care team and a national multidisciplinary panel, and monitoring every three months with automatic withdrawal criteria if any sign of harm emerges. He reminded the House that the trial follows a direct recommendation of the Cass review, commissioned by the previous Conservative government, and that the review's author, Baroness Cass, has said she is convinced more children will be harmed without the trial than with it. ### The voices fighting for trans young people It was the backbenches, rather than the front bench, where the strongest cases for trans young people's healthcare were made. Samantha Niblett, the Labour MP for South Derbyshire, delivered one of the standout speeches of the debate. She argued that the Opposition's own logic was self-defeating: if more evidence is genuinely needed before treatment decisions can be made, then blocking the very research designed to produce that evidence makes no sense. She was direct about what she saw underpinning some of the unease in the Chamber. *“If you come to this debate from the position that transgender people do not exist or that it is a fad, you are mistaken. Transgender people have always existed, and they deserve the same dignity, compassion and evidence-based healthcare as anyone else.”* Niblett pushed back on the framing of inaction as a neutral or safe default, pointing out that delay and uncertainty carry their own consequences for young people in distress, and that puberty itself can be a source of profound fear for trans children who are watching their bodies change in ways that feel wrong to them. Sarah Owen, Labour MP for Luton North and Chair of the Women and Equalities Committee, opened her contribution by naming a frustration many trans people will recognise: that so much of this debate happens about trans people, rather than with them. She read into the record words from her 83-year-old constituent Teraina, a trans woman who discharged herself from hospital to share her story, asking that future generations be spared the bullying she endured and be allowed to access treatment and simply be who they are. Owen also used her medical select committee experience to point out that puberty blockers are already used, uncontroversially, to treat prostate cancer, endometriosis and precocious puberty in children, and asked why the same drugs are treated so differently when the patient is trans. Olivia Blake, the Sheffield Hallam MP and a former biomedical scientist, brought a research scientist's eye to the debate, explaining why a placebo arm would be unethical here and stressing that puberty-suppressing hormones are not new or experimental, but have been used safely in clinical settings since the 1980s. She warned that framing trans children as a problem to be solved, rather than supported, risks pushing them towards far more dangerous routes, including self-starvation to delay puberty. Christine Jardine, the Liberal Democrat MP for Edinburgh West and honorary president of her party's LGBTQ+ group, used her contribution to challenge the idea that supporting trans healthcare and supporting gay and lesbian people are somehow in tension, noting that many of the people fighting hardest for trans rights are themselves lesbian or gay. She argued that removing the option of puberty blockers does not remove trans children's distress, it simply removes their support. Labour's Richard Quigley, Dr Scott Arthur and Sheffield's Olivia Blake were among those who challenged the Opposition directly to say what they would offer instead of the trial, with Quigley arguing that an outright ban risks pushing young people towards the unregulated and dangerous routes that Baroness Cass has warned about. Perhaps the most striking moment of the entire debate came from the government benches. Closing the debate for the government, Care Minister Stephen Kinnock opened by declaring an interest: his son Milo is a trans man. It was a personal note in a debate that had, at times, become a proxy for much bigger arguments about culture and politics, and it landed as a reminder of who these decisions are actually about. ### What happens next The Pathways trial will now proceed under the strengthened protocol agreed by the MHRA last week, which includes more frequent monitoring and clearer, more objective criteria for withdrawing a participant if any sign of harm emerges. Around 226 young people are expected to take part, split between those who begin treatment immediately and those who begin a year later, with outcomes compared against a separate observational group of 300 participants. Rosie Duffield made clear in her speech that her cross-party coalition does not intend to stop campaigning against the trial, and the question of whether the NHS data linkage study should have been completed first remains unresolved and contested by Conservative, DUP and some independent MPs. But for trans young people and the families supporting them, Tuesday's vote means the trial that many see as the only legal route to accessing puberty-suppressing treatment in the UK will continue. As Niblett put it to the House, the answer to genuine uncertainty cannot simply be to refuse to learn more. ### Review: Nova Scotia House by Charlie Porter URL: https://www.scenemag.co.uk/review-nova-scotia-house-by-charlie-porter/ Last updated: 2026-06-24T11:20:19.000Z [**Charlie Porter's**](https://www.instagram.com/thecharlieporter/?hl=en-gb&ref=scenemag.co.uk) debut novel arrives with a deceptively quiet premise. Johnny is 19 when he meets Jerry, who is 45 and HIV positive, in early 1990s London. They fall in love, make a home together in a council flat in the East End, and build a life on their own terms. Then Jerry dies quickly in the summer of 1995, just months before combination therapies transformed HIV from a death sentence into a manageable condition. The timing is devastating, and Porter knows exactly what to do with it. "*He said he would understand if it was too much for me, that I could leave him, that I was young, I should be living, I said to him, I am living."* Nearly thirty years later, Johnny is still in that flat eating what he grows, saving what he can, shagging the neighbours, cursing the developers. The building, Nova Scotia House, a small pocket of social housing in one of London's last undeveloped East End corners, now sits in the shadow of a rising tower block. As the new development climbs, Jerry's lovingly kept garden loses its light. It is one of the novel's most quietly political images: queer community space, literally built over. ![](https://www.scenemag.co.uk/content/images/2026/06/167SqQGS2OUOEICmIg3d@responsive-1250-1.webp) Author Charlie Porter *Nova Scotia House* weaves its three threads; AIDS grief, queer memory, and the erasure of affordable urban space, with remarkable control. Porter who is a writer, fashion critic and curator, has spoken of asking what to do with the anger that haunts generations of British gay men, and the novel itself is his answer: not fury, but witness. Johnny keeps Jerry's spirit alive through small rituals, tends the garden, contributes to the UK AIDS Memorial Quilt, whose photographs are reproduced in the book. Survival and remembrance are framed explicitly as acts of resistance. The prose style demands some patience. Porter favours long, unpunctuated sentences that circle their subject and restlessly refine it, broken by blunt declarative statements. The rhythm is distinctive, even hypnotic over time, though early pages require you to lean in. Those willing to meet the novel on its own terms will find the payoff considerable. Johnny's voice becomes something familiar and understandable. What gives *Nova Scotia House* its particular charge for queer readers today is how precisely it maps the gap between then and now. HIV treatment has transformed lives, but stigma persists. Social housing in London remains under existential threat. the Queer spaces are mapped out by Porter, and all strike and feel real, written with the textures of queer spaces vibrantly through them, although all in the book are fictional, Porter documents how physical, cultural, intergenerational spaces continue to disappear. Porter locates all of this in one garden, one flat, one grief-struck man, and the result is something rare: a novel that functions as both love story and manifesto, elegy and act of defiance. It even has the good grace to offer some honest renditions of app driven desire and recreational sex and an sanguine ending. This is a debut of real ambition, and a reminder that the queer past is not safely archived history. It is still, urgently, unfinished business. *Nova Scotia House* by Charlie Porter [is published by Penguin, £10.99.](https://www.penguin.co.uk/books/464548/nova-scotia-house-by-porter-charlie/9781802067446?ref=scenemag.co.uk) ### Pride Community Foundation calls for volunteers to march — and speak — at this year’s Brighton Pride URL: https://www.scenemag.co.uk/pride-community-foundation-calls-for-volunteers-to-march-and-speak-at-this-years-brighton-pride/ Last updated: 2026-06-23T18:40:25.000Z [Pride Community Foundation](https://www.pridecommunityfoundation.org/?ref=scenemag.co.uk) (PCF) is gearing up to lead the Brighton & Hove Pride Parade on **Saturday 1 August 2026** for the second year, and is putting out a call for volunteers to march with them on the day. This year’s Pride theme is *“The Power of Love,”* and PCF says it couldn’t come at a more apt moment. The organisation is framing its presence in the parade as a direct call for better LGBTQ+ representation in politics and public life, arguing that visibility on the streets is one route to changing how the community is treated by people in power. “If we want to change the way politics treats us, we need to change the system from the inside,” PCF said of this year’s entry. Volunteers who sign up to march with PCF and carry a placard will also get free access to [Pride on the Park](https://prideonthepark.co.uk/?ref=scenemag.co.uk) as part of their thanks for taking part. ## A first for the Park: the Queer Soapbox Stage Alongside the parade, PCF is launching something new this year: the **Queer Soapbox Stage** at Pride on the Park, a dedicated platform for LGBTQ+ speeches and political contributions. The stage is designed to give community members, campaigners and anyone with something to say a space to voice their opinions and make the case for change, in front of the Pride on the Park audience. PCF is inviting people to put themselves forward to speak as well as to march, opening the stage up to anyone who wants to take part. ### How to sign up Anyone wanting to march with PCF in the parade, or to put themselves forward for a slot on the Queer Soapbox Stage, needs to fill out PCF’s sign-up form. Successful applicants will then receive a confirmation email in the coming weeks ahead of Pride. Sign up here: [tally.so/r/Mev9J0](https://tally.so/r/Mev9J0?ref=scenemag.co.uk) ### Review: Bath Haus by P.J. Vernon URL: https://www.scenemag.co.uk/review-bath-haus-by-p-j-vernon/ Last updated: 2026-06-23T15:16:44.000Z [**P.J. Vernon's**](https://crookedlanebooks.com/p-j-vernon/?ref=scenemag.co.uk)debut thriller is an unflinching piece of queer fiction that explores the messy, complicated, fully human interior life of queer/gay men navigating desire, secrecy, and the terrifying distance between who we are and who we've promised to be. At its heart, Bath Haus is a love story gone wrong in the most visceral way possible. Oliver Park; recovering addict, younger partner, perennial outsider in the world of wealth and stability his relationship with Nathan affords him , makes a single catastrophic decision that sets off a chain reaction of consequences that Vernon orchestrates with the precision and cold delight of someone who genuinely loves the thriller form. What begins as a stolen hour of anonymous desire in a gay bathhouse spirals into something far darker: violence, survival, and a lie that metastasizes with every page. Vernon doesn't moralize. He doesn't treat the bathhouse as a symbol of moral failure or something to be explained or apologized for. The sex-positive architecture of this novel is one of its quiet strengths, desire is rendered as fully legitimate, as inevitable, even when its consequences are catastrophic. What destroys Oliver isn't that he wanted something outside his relationship. What destroys him is the violence that follows, and then the lies he builds to survive it. ![](https://www.scenemag.co.uk/content/images/2026/03/193-PJ-Vernon-scaled.jpg) Author P.J. Vernon And those lies are where Vernon really shines. The tension here is white-knuckle stuff. Vernon has a gift for the physical: the body registers fear, shame, arousal, and desperation in prose that feels almost tactile. There's an atmosphere of transgression that clings to even the most mundane scenes; brunch conversations feel dangerous, a familiar glance carries menace. The domestic space becomes a crime scene of a different kind: the site of an ongoing deception. Oliver is a deeply layered fully realised person whose past with addiction and shame makes him both sympathetic and genuinely complicated. Vernon earns our loyalty to Oliver even when he's making choices that make us want to shake him. He owns his failures in a way that the other characters simply don't, and there's something quietly radical about a novel that humanizes an addict and a liar this thoroughly, that pushes past easy judgment to find the frightened, striving person underneath. The novel shifts between Oliver's and Nathan's perspectives, and while their voices occasionally blur into one another - a minor frustration - the dual viewpoint allows Vernon to interrogate the relationship from both sides of its fault lines. Nathan is not a wronged innocent; he too is carrying secrets, and the novel's explosive final act reframes everything that came before it in ways that are surprising. There are small reservations worth noting. A few of the supporting characters lean into familiar queer character types, the bitch witty best friend, the emotionally wobbly older gay, and the heightened final act occasionally tips into camp. But camp, it should be said, has a long and honourable tradition in queer storytelling, can heighten dread and even when Vernon veers toward the theatrical, he never loses the emotional thread. Bath Haus is a thriller that trusts its queer readership entirely; with complex desire, moral ambiguity, and the suffocating specific terror of watching a life you've built brick by brick start to crumble. Vernon understands that plot is nothing without a character we're willing to fall with, and that the most dangerous rooms aren't always the ones in a bathhouse. Sometimes they're the ones we share with the people we love most. If you appreciate a thriller with genuine psychological depth and an unapologetically queer soul, Bath Haus will grip you by the throat and not let go. For more info or to order see the [UK publishers website here](https://www.penguinrandomhouse.com/books/654227/bath-haus-by-p-j-vernon/?ref=scenemag.co.uk). ### Callout for stories to document Brighton Cares legacy URL: https://www.scenemag.co.uk/callout-for-stories-to-document-brighton-cares-legacy/ Last updated: 2026-06-23T09:12:15.000Z A new community heritage project is calling on people in Brighton to share their memories of [**Brighton Cares,** ](https://www.queerheritagesouth.co.uk/s/queer-heritage-south/search?facet[dcterms%3Asubject][]=Brighton+Cares&ref=scenemag.co.uk)a fundraising and support group for HIV charities in the city active during the 1990s. Organisers are inviting contributions from anyone involved with the initiative between 1990 and 2000, including trustees, producers, performers, volunteers and beneficiaries. The appeal also extends to local businesses that supported the charity through donations or services. The project aims to capture personal stories about the charity’s work and the wider sense of solidarity it fostered across the city. Contributors are encouraged to reflect on their roles and experiences, helping to build a fuller picture of Brighton Cares’ impact during a pivotal decade. Those with memories or materials to share are asked to get in touch directly via email to contribute to the archive: [roni@marlboroughproductions.org.uk](mailto:roni@marlboroughproductions.org.uk?subject=Brighton%20Cares%20Story&body=). By gathering first-hand accounts, the organisers hope to preserve an important chapter in Brighton’s community history, highlighting how collective action and mutual support shaped local responses to social challenges at the time. Recording community-led responses from the 1990s preserves vital LGBTQ+ history, particularly around grassroots care, activism and solidarity during the HIV and AIDS crisis. ![](https://www.scenemag.co.uk/content/images/2026/06/50828735d76c60d05af55c9e5474955fbcc8dd9c.jpg) Photo Credit Queer Heritage South & Allan Cardew ### Netherlands backs sweeping ban on conversion therapy for young people and vulnerable adults URL: https://www.scenemag.co.uk/netherlands-backs-sweeping-ban-on-conversion-therapy-for-young-people-and-vulnerable-adults/ Last updated: 2026-06-22T16:02:29.000Z The Netherlands has moved to outlaw conversion therapy targeting children and vulnerable adults, following a decisive vote in the country’s Senate. The legislation, which had already passed the Dutch House of Representatives, will introduce penalties for those carrying out such practices, including possible prison sentences of up to two years and financial fines. Practitioners could also face losing their professional licences. While some extreme forms of conversion therapy, such as medical or shock-based interventions, were already prohibited, lawmakers argued that existing rules did not go far enough. The new measures aim to address a broader range of practices, including psychological pressure, so-called “pastoral” or prayer-based interventions, and other forms of pseudo-therapy. The bill was driven by political parties including D66 and VVD, who described its passage as the result of sustained efforts to uphold principles of equality and human dignity. LGBTQ+ advocacy group COC Netherlands, which has campaigned on the issue for more than a decade, welcomed the decision as a major milestone and a victory for survivors. Evidence cited during the debate pointed to the damaging impact of conversion practices, with studies linking them to increased risks of mental distress and other serious harms. The move positions the Netherlands among a growing number of countries strengthening protections against conversion practices, particularly for those seen as most at risk. Extending legal protections to trans people, young people and vulnerable adults sends a clear signal that attempts to suppress LGBTQ+ identities are abusive and unacceptable under the law. ### UK government set to publish long-delayed conversion therapy ban draft URL: https://www.scenemag.co.uk/uk-government-set-to-publish-long-delayed-conversion-therapy-ban-draft/ Last updated: 2026-06-22T12:14:58.000Z Sky News are [reporting](https://news.sky.com/story/gay-and-trans-conversion-therapy-ban-bill-expected-to-be-published-13556071?ref=scenemag.co.uk) that the UK government is expected to release draft legislation to outlaw conversion practices targeting both sexual orientation and gender identity, marking the latest step in a long-running effort to introduce a ban. The proposed law would prohibit attempts to alter or suppress a person’s identity, practices widely condemned as harmful. Ministers have previously characterised such actions as abuse and signalled their intention to legislate, though progress has repeatedly stalled since an initial commitment was made in 2018\. Publishing the proposal in draft form means it will undergo consultation before entering the formal parliamentary process. While this allows for scrutiny and feedback, it could delay implementation, with analysts warning that the crowded legislative agenda may slow its passage further. LGBTQ+ advocates and some MPs have expressed frustration at the pace of progress, noting that promised action has yet to materialise despite multiple commitments in recent government agendas. At the same time, there is cautious optimism that a trans-inclusive approach will be maintained in the forthcoming proposals. Campaign groups have urged ministers to move quickly once the draft is published, stressing the need for clear legal protections. Survivors of conversion practices have also highlighted the urgency of reform, pointing to the length of time it has taken to reach this stage. Although the draft bill represents movement after years of delays, it remains uncertain when, or if, a full ban will be enacted. A comprehensive, trans-inclusive ban would provide critical legal protection against practices widely recognised as abusive, but continued delays risk prolonging harm and uncertainty for LGBTQ+ people. ### LGBT+ Labour to hold an Extraordinary General Meeting after delaying elections for a year URL: https://www.scenemag.co.uk/lgbt-labour-to-hold-an-extraordinary-general-meeting-after-delaying-elections-for-a-year/ Last updated: 2026-06-22T09:22:55.000Z LGBT+ Labour is set to hold an Extraordinary General Meeting next month, alongside its Annual General Meeting where it will elect its committee. This comes after the group controversially delayed its internal elections following the Supreme Court ruling in April 2025. The claim from the group was that the ruling led to confusion around whether trans women could stand for women's roles within its executive committee, and claimed that legal advice given to them said to postpone their elections. After the notice of election went out to members, a slate of candidates emerged which sought to unseat the current executive committee. The slate was backed by Labour MP Nadia Whittome and consisted of people including LGBT+ Labour's trans officer Georgia Meadows, and Momentum's Alex Charilaou. Steph Richards was also on the slate as the Women's Officer. A few days after the slate announced its intention to run candidates, LGBT+ Labour called an emergency meeting for its committee, and decided to 'postpone' the election. ### Timeline of key events - 14th June 2025 - An email goes out to LGBT+ Labour members formally inviting them to attend the Annual General Meeting, and opens nominations for its executive committee. - 6th July 2025 - A strong pro-trans slate of candidates is announced, seeking to unseat the incumbent executive committee with two trans women as candidates for co-chair. - 11th July 2025 - LGBT+ Labour calls an Extraordinary Executive Committee Meeting (essentially an emergency meeting) to take place that same evening with no formal written agenda, and later emails its members informing them that their elections are being delayed, claiming that the legal guidance surrounding the meaning of 'sex' in the Equality Act was "unclear". - 16th July 2025 - An invitation goes out to members for a 'Brunch Social' to take place in central London instead of its Annual General Meeting. - 19th July 2025 - The 'Brunch Social' takes place, with members of the executive turning up late. Dame Nia Griffith confirmed that a ban on conversion practices would be introduced within 'this parliament' (which ended recently, with no ban in sight). But now, the election is on. Due to the recent haemorrhaging of members from the Labour Party, it is unclear whether there will be a shift in leadership within the group. Some of the slate candidates remain members of the party, but whether they also remain organised is unclear. A proposal being made by the committee ahead of its meeting next month is to elect members of the committee directly, rather than to specific roles, and then allocate the roles later. It is clear that the Labour Party went into panic mode in 2025, even cancelling its Women's Conference that September. Rather than committing to legislative changes to ensure trans people are not excluded, the Labour Party opted to sit on its hands and hope for it to blow over. Whether the upcoming election will be a democratic reseat for LGBT+ Labour, or simply an attempt to contain an internal crisis, remains to be seen. What is clear is that the fallout from the Supreme Court ruling continues to cause significant issues for trans people, and the Labour Party so far has failed to meet the moment. ### Sir Kier Starmer resigns as Prime Minister and Labour leader URL: https://www.scenemag.co.uk/sir-kier-starmer-resigns-as-prime-minister-and-labour-leader/ Last updated: 2026-06-22T08:57:44.000Z Sir Keir Starmer delivered remarks this morning outside 10 Downing Street, reflecting on the major achievements of his time as Prime Minister. Addressing press and staff lining the street, he said leading Labour to victory in 2024 remained one of his proudest moments. Sir Keir said the question of who could lead Labour to electoral success in 2024 had already been answered. The question now being asked by his party, he said, is a different one, and he added that he "gracefully" accepts that the answer has changed. A process to determine a new Labour leader and Prime Minister will now begin, with a conclusion expected by September. Sir Keir will remain in post until then. Towards the end of his speech, the Prime Minister became emotional when speaking about his family. Watch the full speech below. > Watch live: My statement. [https://t.co/MX7ga3FRGq](https://t.co/MX7ga3FRGq?ref=scenemag.co.uk) > > — Keir Starmer (@Keir\_Starmer) [June 22, 2026](https://x.com/Keir%5FStarmer/status/2068974834676342973?ref%5Fsrc=twsrc%5Etfw&ref=scenemag.co.uk) ### Review :A Year in London (2026) URL: https://www.scenemag.co.uk/review-a-year-in-london-2026/ Last updated: 2026-06-21T17:54:43.000Z Dir Flaminia Graziadei: 90 mins Hello, cinema lovers. A Year in London arrives with an interesting premise. What if *The Devil Wears Prada* was a love story? Not a cautionary workplace tale. Sadly, the resulting movie feels shallow and tame, lacking any real heart. The devil in this case wears Primark. ![](https://www.scenemag.co.uk/content/images/2026/06/unnamed--1-.jpg) image provided Directed and written by [Flaminia Graziadei](https://www.imdb.com/name/nm5311455/?ref%5F=tt%5Fov%5F1%5F1&ref=scenemag.co.uk), this Anglo-Italian romantic drama follows Olivia ([Nina Pons](https://www.imdb.com/name/nm10294735/?ref%5F=tt%5Fov%5F3%5F2&ref=scenemag.co.uk)), a young designer from Southern Italy, as she moves to London to study fashion. She quickly gravitates toward her teacher Nina ([Melanie Liburd](https://www.imdb.com/name/nm10294735/?ref%5F=tt%5Fov%5F3%5F2&ref=scenemag.co.uk)), an established, Gay designer. The two women quickly develop a bond; however, Nina's position as an up-and-coming student and a handsome fiancée back in Italy all conspire to keep our star-crossed lovers apart. ![](https://www.scenemag.co.uk/content/images/2026/06/unnamed--2--1-1.jpg) image provided Pons plays Olivia with an unpleasant, bratty air that will put off most viewers almost immediately. This decision was obviously meant to show a character arc throughout the movie but feels lost in the script. Pons is a very attractive actor, but her portrayal of Nina reminds me of Anna Hathaway's shorter, grumpier, moody Italian cousin that nobody invites over for Christmas. Liburd gives it a better go at playing Nina; she's definitely a striking woman who wouldn't feel out of place playing Storm in an X-Men movie adaptation, but rather unfortunately she can't act her way out of a paper bag. There's a line early in the movie where Nina talks about her fashion style as an armour. That armour is mostly confined to all-black ensembles, all-white outfits and, dare I say, a combination of the two. As a fashion icon, she reads as bland as a toilet brush. ![](https://www.scenemag.co.uk/content/images/2026/06/unnamed--4--1.jpg) image provided The plot lumbers along in an unconvincing will-they-won't-they manner. Dream sequences showing the two women kissing each other are sprinkled throughout the movie with all the erotic charge of a bit of old cabbage. Honestly, I didn't see a single tongue once. Two people falling in love is an amazing thing; here it's portrayed as an odd, stilted, strange affair that leaves me wondering what these women see in each other. Recently, I reviewed *the watermelon women* from 1996, and what struck me was the authenticity of that project. This, however, feels like the opposite: a thinly constructed, poorly plotted, crude attempt at a lesbian rom com that feels bereft of romance. The comedy element is mostly left to several side characters. Nina's flamboyant assistant is a game attempt to add a bit of sass to the proceedings but feels like a faded xerox copy from an episode of *Ugly Betty.* ![](https://www.scenemag.co.uk/content/images/2026/06/unnamed--3--2.jpg) image provided Nina's flatmates in the most unconvincing flatshare set I've seen in years feel redundant too. Nina is rude and spikey to them initially, but after a mugging subplot they are all suddenly friends. It makes no sense, and it doesn't work. This kind of plotting makes *Emily in Paris* feel like *Mad Men* in comparison. The depth of a puddle comes to mind. On the plus side, the movie is very well filmed, particularly the drone shots of London and the Italian countryside. The very handsome [Masseo Bassi](https://www.imdb.com/name/nm14689349/?ref%5F=tt%5Fov%5F3%5F3&ref=scenemag.co.uk) plays Ninas fiancee Paolo, hes very limited in range, but he's very cute and is a welcome sight on the screen. The Italian village Nina comes from is filmed beautifully, especially the scene when Nina and Olivia run into each other at either end of a rainbow-painted tunnel. The two women rush through the large opening, embrace and declare their undying love. It's not exactly nuanced, but the tunnel looked pretty. ![](https://www.scenemag.co.uk/content/images/2026/06/unnamed-3-1.jpg) image provided The director clearly cares about representation, and the themes of gender and sexuality are given space to be explored here. That counts for something. But representation without emotional weight is a bird without wings. Some very pretty actors can't distract from a shallow, inept project that feels like a swing and a big miss. Maybe some pleasure can be gotten watching this car crash, but for most cinema fans it's best avoided. A Year in London will be released in UK and Irish cinemas on July 17, 2026 ### The Saturday Scene: A ceasefire, a by-election, and a glimmer of hope for LGBTQ+ equality URL: https://www.scenemag.co.uk/the-saturday-scene-a-ceasefire-a-by-election-and-a-glimmer-of-hope-for-lgbtq-equality/ Last updated: 2026-06-20T13:47:49.000Z _This post is for subscribers only._ ### US Department of Education targets three Michigan schools over trans athletes URL: https://www.scenemag.co.uk/us-department-of-education-targets-three-michigan-schools-over-trans-athletes/ Last updated: 2026-06-19T15:18:06.000Z Three school districts in Michigan are facing [federal investigation](https://www.thepinknews.com/2026/06/19/donald-trump-department-of-education-michigan-trans-athletes/?ref=scenemag.co.uk) after the Trump administration's Department of Education accused them of breaching Title IX by letting transgender students take part in sport and use changing facilities matching their gender identity. The districts under scrutiny are Ann Arbor, Monroe and Chippewa Valley. The complaints allege that Ann Arbor let a trans student play on a girls' volleyball team, that a Monroe girls' team was made to compete against and share changing rooms with an opposing team that included a trans player, and that Chippewa Valley allowed a female athlete to use a boys' locker room. Kimberly Richey, the department's assistant secretary for civil rights, argued that letting students participate based on gender identity puts pupils at risk and breaks federal law. Title IX, the civil rights legislation designed to prevent sex discrimination in schools, has increasingly become the administration's chosen mechanism for challenging trans-inclusive policies in education. Chippewa Valley said it had only learned of the probe through media reports and had not yet been formally notified, but pledged to cooperate and reaffirmed its commitment to a safe and supportive environment for every student. Ann Arbor and Monroe had not issued a response at the time of writing. The case fits a wider pattern this year of federal pressure on schools and states over trans athletes' participation in sport, most visibly in the prolonged row surrounding Californian teenager AB Hernandez, who has competed entirely within her state athletic body's rules despite being personally singled out by Trump. Her mother has previously dismissed the criticism, arguing the issue was never genuinely about fairness but about erasing trans children from public life. ### Dame Kelly Holmes receives Freedom of the City of London on Pride day in the Square Mile URL: https://www.scenemag.co.uk/dame-kelly-holmes-receives-freedom-of-the-city-of-london-on-pride-day-in-the-square-mile/ Last updated: 2026-06-19T10:42:17.000Z Double Olympic champion Dame Kelly Holmes has been awarded the Freedom of the City of London, on a day of Pride celebrations across the Square Mile. Holmes received the honour ahead of appearing as guest of honour at a Pride panel event at Mansion House, the official residence of the Lady Mayor of the City of London. The two-time gold medallist, who won the 800m and 1500m at the 2004 Athens Olympics, came out as gay in 2022 after hiding her sexuality for decades, including during her time in the Army, when gay people were banned from serving. Speaking after receiving the Freedom, Holmes said: "Much of my life has been about finding the confidence to be myself on and off the track. Being able to speak openly about my experiences and connect with others who feel the same has been hugely important." The panel event, organised by the City of London Corporation's City Pride staff network and supported by City Bridge Foundation and Amazon, brought together guests including Birds of a Feather actor Linda Robson, The Traitors' Amanda Collier, trans advocate Ella Morgan, Dr Ranj Singh, swimmer and presenter Michael Gunning, and actors Gabriel Constantin and Lee Knight. The evening closed with a performance by Heather Small of her hit Proud. Scene was there on the night and spoke to several guests, including Oscar Davies, the UK's first non-binary barrister, drag queen Ella Vaday, Zelah Glasson, Amanda Collier, Stonewall CEO Simon Blake and Alderman Tim Hailes. Hailes is set to become the City of London's 698th Lord Mayor, and the first openly gay person to hold the role in its history, when he takes office in November. Interviews are live on Scene's social channels now, with more coverage of Pride in the Square Mile to follow over the coming days. The Mansion House event was followed by the City Corporation's now customary Pride flag raising at Guildhall, one of a series of events taking place across the Square Mile this Pride month. 0:00 /0:27 1× ### Letters: a reader on library Pride censorship, from Essex to Sheffield URL: https://www.scenemag.co.uk/letters-a-reader-on-library-pride-censorship-from-essex-to-sheffield/ Last updated: 2026-06-19T09:37:42.000Z We received the following letter from a reader, responding to news of Essex County Council's [recent directive](https://www.scenemag.co.uk/essex-libraries-banned-from-promoting-lgbtq-and-pride-events-under-new-reform-uk-leadership/) to librarians on Pride-related displays and social media. Publication does not imply endorsement. The views expressed are solely those of the contributor. [Learn more ](https://help.scenemag.co.uk/en/articles/6705346?ref=scenemag.co.uk) Dear editor, In a move described as Orwellian, Essex County Council's Reform leadership has written to librarians informing them that they are no longer permitted to produce social media posts or book displays celebrating Pride. While this censorship has caused a stir and highlighted the threat posed by Reform to LGBTQIA+ communities, library censorship is sadly an issue that cuts across party lines, and Reform does not have a monopoly on it. Step forward Sheffield City Council, which in a rush of blood to the head in 2014 took the baffling decision to transfer 16 of its branch libraries out of the council's statutory library service and, therefore, out of its own control. This gave the various voluntary groups running them, some of whom have links to evangelical religious groups, carte blanche to opt out of library service celebrations for events such as Pride and Black History Month, and to decide which books are kept on the shelves and which are not. In a nutshell, for the past decade, most Sheffield branch libraries have been doing what Essex County Council is only now doing under Reform. With Reform winning a number of seats in Sheffield at the recent local elections, pressure is mounting on the Green Party, which has taken over the chairmanship of the committee overseeing the city's library service, to rethink its approach and ensure that all Sheffield libraries, including the volunteer-led branches, support the programme of events curated by the library service in relation to Pride. Readers can email the chair of the committee that oversees Sheffield libraries, asking that they ensure all of the city's libraries support and take part in the Pride events curated by the library service, at [brian.holmshaw@councillor.sheffield.gov.uk](mailto:brian.holmshaw@councillor.sheffield.gov.uk). ### Scottish Conservatives win Westminster byelection for first time in 50 years URL: https://www.scenemag.co.uk/scottish-conservatives-win-westminster-byelection-for-first-time-in-50-years/ Last updated: 2026-06-19T09:22:28.000Z The Scottish Conservatives have won a Westminster byelection for the first time in more than half a century, taking Aberdeen South from the SNP. Tory MSP Douglas Lumsden won the seat, defeating SNP candidate Richard Thomson by more than 6,000 votes, with the Conservatives taking almost half of all ballots cast. The seat was vacated by the SNP's Stephen Flynn, now Scotland's economy secretary. Lumsden, a former oil and gas worker, said his constituents had sent a message that "the destruction of the oil and gas industry must stop now." ![](https://www.scenemag.co.uk/content/images/2026/06/e89e2650-6b8f-11f1-8546-8f19e4fe30f4.png.webp) [© BBC](https://www.bbc.co.uk/news/articles/cpv3kk3nlj1o?ref=scenemag.co.uk) Conservative leader Kemi Badenoch called the result "particularly significant," noting support from voters who had never backed the party before. Lumsden will resign from Holyrood within 49 days under rules banning dual mandates, with his seat passing to Fraserburgh councillor James Adams. The same night, the SNP held Arbroath and Broughty Ferry, with Lara Bird winning a majority of more than 5,000 votes over the Conservatives. Bird said voters had "rejected the politics of division and hate" and reaffirmed that Scotland's future "lies with independence." Labour slipped to fourth place in the constituency, with Reform UK in third. South of the border, the same night saw Greater Manchester mayor Andy Burnham win the [Makerfield byelection](https://www.scenemag.co.uk/andy-burnham-returns-to-westminster-after-winning-makerfield-by-election/), a result widely seen as paving the way for a future leadership challenge to Sir Keir Starmer. The results come just six weeks after the SNP's comfortable victory in the Scottish election, and follow a turbulent period for the party after former chief executive Peter Murrell admitted to embezzling more than £400,000 of SNP funds. ### Andy Burnham returns to Westminster after winning Makerfield byelection URL: https://www.scenemag.co.uk/andy-burnham-returns-to-westminster-after-winning-makerfield-by-election/ Last updated: 2026-06-19T09:04:25.000Z Greater Manchester Mayor Andy Burnham has won the Makerfield byelection, securing his return to parliament and positioning himself as the Labour politician most likely to challenge Keir Starmer for the party's leadership. Burnham secured 55% of the vote, a comfortable lead over Robert Kenyon of Reform UK, who came second with 35%. The by-election had been triggered specifically to give Burnham a path back into Westminster, after he was previously blocked by Labour's National Executive Committee from standing in an earlier contest. ![](https://www.scenemag.co.uk/content/images/2026/06/c0952080-6bb4-11f1-8e1d-bbbb1017d210.png.webp) [© BBC](https://www.bbc.co.uk/news/live/c3928mlyle8t?ref=scenemag.co.uk) The result comes against a backdrop of deindustrialisation and economic disparity in the area, compounded by the cost-of-living crisis and rising concern over immigration, in a seat that has voted Labour for over a century. Reform UK's support in Makerfield has been climbing steadily, with 65% of the electorate having voted to leave the EU in 2016\. Burnham is closely associated with Manchester's LGBTQ+ community and has previously spoken at Pride events in the city, including engagements supporting Manchester Village Pride. His return to Westminster is being widely read as the clearest signal yet of an eventual leadership challenge to Starmer, whose own position has weakened considerably amid Labour's struggles against Reform UK in recent contests. The result will be watched closely by LGBTQ+ organisations and advocates given the starkly different records of the parties involved. Reform UK has consistently opposed LGBTQ+ rights measures, while Burnham's mayoralty in Greater Manchester has been associated with visible support for the city's queer communities. ### OBITUARY: John Welsman (1947–2026) URL: https://www.scenemag.co.uk/obitjohn-welsman-1947-2026/ Last updated: 2026-06-18T17:30:16.000Z **John Welsman**, who has died aged 79, was part of the community response in Brighton that helped lay the foundations for **The Sussex Beacon** during the early years of the AIDS crisis. In the 1980s, as HIV began to impact communities across the city, John was among those who supported the development of grassroots initiatives such as the **Sussex AIDS Centre and Helpline** \- early volunteer-led services providing information and care at a time of fear and stigma. As these efforts evolved into the **Sussex AIDS Trust,** established in 1987, they created the pathway for the opening of The Sussex Beacon in the early 1990s—now one of the UK’s most respected HIV charities. A university administrator by profession, John contributed practical skills and organisational support at a crucial time, helping transform community action into lasting services. Though never a public figure, his contribution formed part of the collective effort that stood up to prejudice to ensure people living with HIV in Sussex could safely access care, dignity, and support. His legacy lives on in the work of The Sussex Beacon today. ### Makerfield is about more than one seat in Wigan URL: https://www.scenemag.co.uk/makerfield-is-about-more-than-one-seat-in-wigan/ Last updated: 2026-06-18T09:28:53.000Z Today, voters in Makerfield go to the polls in what is, by any honest measure, one of the most consequential by-elections of this Parliament. Labour’s Andy Burnham and Reform UK’s Robert Kenyon are the clear front runners. [Politics UK’s](https://politicsuk.com/news/makerfield-by-election-forecast-andy-burnham-to-return-to-parliament/?ref=scenemag.co.uk) final forecast, published on the eve of polling day, put Labour on 46.3 per cent to Reform’s 39.4 per cent, with Rupert Lowe’s Restore Britain splitting the right on 7.2 per cent. Their aggregated betting markets implied roughly an 80 per cent chance of a Burnham win. Nothing in an election is decided until the votes are counted, but Burnham goes into today as the clear favourite. ![](https://www.scenemag.co.uk/content/images/2026/06/IMG_8361.jpeg) © Politics UK What has struck me most about this campaign is not the polling. It is what this contest has done to Labour itself. Something has been awakened that has been absent for some time: the party kicked its campaigning machine into action and threw, figuratively speaking, the kitchen sink at it. Hundreds upon hundreds of volunteers travelled up and down from across the country to knock doors for Burnham, joined by ministers, MPs and party staff who made the journey north. Burnham himself has run a thoroughly professional campaign, one built squarely around his own personal brand rather than the national party’s. Whatever you think of the man or his politics, it has been a serious, disciplined operation, and it shows in the polling. My colleague Jamie Strudwick published a piece this morning setting out his frustration with tactical voting: that it preys on the fears of minority groups and backs us into a corner, asking us to vote for parties we may not believe in simply to keep something worse out. You can read his argument in full [here](https://www.scenemag.co.uk/tactical-voting-prays-on-our-vulnerabilities-and-is-ultimately-undemocratic/). I understand where that frustration comes from, and from an LGBTQ+ perspective, I understand it deeply. Andy Burnham is met with a huge amount of reservation, and his record gives plenty of grounds for reasonable doubt. But even if your heart is not in voting Labour today, I would argue that this by-election carries a symbolic weight beyond Makerfield itself. It will help determine whether Reform enters the second half of this Parliament emboldened, or whether it is checked. That is not a small thing, and it is worth weighing carefully against any discomfort about who is asking for your vote. To anyone considering a protest vote for another party on the left, I would say this: our job demanding better from Labour is only finished when the party eventually leaves power, whenever that day comes. Until then, the pressure has to be kept up, from inside the party and from outside it. Neither approach works on its own. I don’t believe it is necessary or appropriate for me to tell you how to vote. This is simply where my own thoughts have landed. Publication does not imply endorsement. The views expressed are solely those of the contributor. [Learn more ](https://help.scenemag.co.uk/en/articles/6705346?ref=scenemag.co.uk) Full list of candidates in the Makerfield by-election: - Jake Austin (Liberal Democrats) - Count Binface (Count Binface Party) - Andy Burnham (Labour Co-op) - Dan Clarke (Libertarian) - John Dyer (Independent) - Ed Gemmell (Climate) - Paul Gould (Independent) - Howling Laud Hope (Monster Raving Loony Party) - Robert Kenyon (Reform UK) - Robert Pownall (Independent) - Rebecca Shepherd (Restore Britain) - Sarah Wakefield (Green Party) - Peter Ward (Rejoin EU) - Michael Winstanly (Conservative) ### Tactical voting prays on our vulnerabilities and is ultimately undemocratic URL: https://www.scenemag.co.uk/tactical-voting-prays-on-our-vulnerabilities-and-is-ultimately-undemocratic/ Last updated: 2026-06-18T09:29:22.000Z Yesterday, I received an email from Forward Democracy. Despite not living in Makerfield, it told me that the way to stop Reform is to vote Andy Burnham.They are the group behind the tactical voting tool designed to stop Reform and the Conservatives from winning local and general elections. But there's a side of tactical voting nobody talks about. It is usually the case that minority groups are the target demographics for the promotion of tactical voting. For example: - Stop Reform to protect migrant rights - Stop Reform to protect LGBTQ+ rights - Stop Reform to protect disability rights It is a system that plays on the fears of minority groups. And it is absolutely right that we do all that we can to stop far-right parties taking power. However, there is an issue with tactical voting in that it backs us into a corner, essentially scaring us into voting for a party we may not align ourselves with. Today is the by-election in Makerfield - a highly consequential fight between Labour's Andy Burnham, and Reform's Robert Kenyon. This election will probably determine who takes over from Sir Keir Starmer as Prime Minister. As soon as Burnham was announced as the candidate, we knew it would be a two-horse race. The official 'tactical vote' is to vote Burnham to prevent another Reform MP getting in. And the advice - on this occasion - is correct. There is an incredibly small chance that any of the other candidates stand a chance. But I fell victim to this system recently. Last month, I stood as a local election candidate for the Green Party. For the first time ever, the party fielded candidates in all available wards across Kingston upon Hull. That's nineteen candidates. We saw the national polling which showed the Green Party was making waves, and our membership surpassed that of the Liberal Democrats **and** the Conservatives, and likely Labour (who don't report their official membership numbers anymore, but we can make an educated assumption). But the tactical voting advice across Hull varied between Labour and the Liberal Democrats. The local election in my city wasn't an all-out election. By that, I mean only nineteen out of 57 seats were up for election. Even if Reform had won all of those available seats, it wouldn't have meant they would take power. So, we had an opportunity here to elect new and progressive voices. But the tactical voting advice said, 'Don't mess with the flow, no, no. Stick to the status quo.' (I have one more High School Musical reference, and then I'm done). Instead of crême brûlée, hip-hop, or playing the cello, we just get crap politics. To give a bit of context, the Labour Party and the Liberal Democrats have tossed power between them here for an excessively long time, except for two years where the Conservatives briefly held power. We have also had other views represented on the council, with UKIP and plenty of independents. But now, Reform has broken the glass ceiling and taken ten seats on the council. Once again, we have no progressive voices on the council - just a strange hodgepodge of Labour, Lib Dems, Reform, and independents with no party having overall control. It's more of the same, and it's residents who will feel that. I want to make it really clear that the Liberal Democrats are not progressive. They often sit on the fence on many issues, try not to rock the boat, and manage rather than progress anything. They are incredibly boring - the political equivalent of vanilla. But they are seen as the 'safe bet'. Now, tactical voting could be a powerful tool if it was also campaigning for proportional representation, or another system of voting. Forward Democracy could quite easily come out and say, 'We know the situation is crap, but until we get a system that is truly democratic, this is the best we can do.' Instead, it backs us into a corner, and tells us that the best way to stop the right and far-right is to vote for boring, non-progressive, and sometimes actively harmful parties. If we look at the Labour Party being touted as the tactical choice in Makerfield, would you say that Andy Burnham is progressive? I mean, he has recently backtracked on his support for trans people, has said that if he wins the Labour leadership election, he would keep some (or most) of the current cabinet, and do not forget that he has been an MP before between 2001 and 2016\. He is a seasoned politician who has skin in the game. He does not represent anything new. Many people vote tactically because they are rightly terrified of what a Reform government would mean. None more so than LGBTQ+ people and disabled people, because we have seen their policies, and they are grim. But the Labour Party is not much better. Nor are the Liberal Democrats (who are, in my opinion, Tory in all-but party colour). I'm not telling you who to vote for here. I'm not encouraging you to reject tactical voting. I am asking you to consider whether this system is truly representative and democratic. Because to me, it isn't. It is like voting Hilary Clinton to try stopping Donald Trump back in 2016\. Voting for the 'lesser evil' is still voting for evil. Publication does not imply endorsement. The views expressed are solely those of the contributor. [Learn more ](https://help.scenemag.co.uk/en/articles/6705346?ref=scenemag.co.uk) *Full list of candidates in the Makerfield by-election: Jake Austin (Liberal Democrats), Count Binface (Count Binface Party), Andy Burnham (Labour Co-op), Dan Clarke (Libertarian), John Dyer (Independent), Ed Gemmell (Climate), Paul Gould (Independent), Howling Laud Hope (Monster Raving Loony Party), Robert Kenyon (Reform UK), Robert Pownall (Independent), Rebecca Shepherd (Restore Britain), Sarah Wakefield (Green Party), Peter Ward (Rejoin EU), and Michael Winstanly (Conservative).* ### Surrey Pride cancelled amid funding shortfall URL: https://www.scenemag.co.uk/surrey-pride-cancelled-amid-funding-shortfall/ Last updated: 2026-06-17T11:20:31.000Z Surrey's annual Pride celebrations will not return until 2027 after organisers announced they were unable to secure enough financial backing to stage the event. The LGBTQ+ festival and parade, which had been due to take place in Guildford on **8 August**, has been shelved following what organisers described as a significant increase in operating costs coupled with a drop in promised corporate sponsorship. In a statement shared on social media, **Pride in Surrey** said the decision had been taken reluctantly after efforts to keep the event running proved unsuccessful. Organisers said they had examined a range of alternatives, including seeking additional funding and rescheduling the festival for next year, but ultimately concluded that neither option was workable. The cancellation reflects wider challenges facing Pride events across the country, several of which have struggled with rising costs and reduced commercial support in recent years. The announcement comes against the backdrop of **Surrey County Council**'s decision to step back from the event in 2025\. The authority said at the time that concerns had been raised over whether Pride in Surrey adequately represented the diversity of the LGBTQ+ community, leading it to withdraw official participation by council staff and services. Ticket holders affected by the cancellation have received refunds, organisers confirmed. Despite the setback, Pride in Surrey said plans are already being developed for a return in 2027\. The next festival is scheduled to take place at **Stoke Park** in Guildford on **11 September** that year. Organisers said work on the event would begin shortly, expressing hope that the festival would return on a stronger footing. ### Priscilla, Queen of the Desert @ Theatre Royal Brighton URL: https://www.scenemag.co.uk/priscilla-queen-of-the-desert-theatre-royal-brighton/ Last updated: 2026-06-17T11:17:56.000Z There's a difference between a show that's queer and a show that's selling queerness, and somewhere on the road from Sydney drag bar to West End jukebox musical, Priscilla lost track of which one it is. This touring revival is glossy, loud, and relentlessly, exhaustingly fabulous, and from where I sat, it felt less like a celebration of our community than a polished product wearing our colours to sell tickets. ![](https://www.scenemag.co.uk/content/images/2026/06/Priscilla2026JP-03677-Edit.jpg) Photo credit: Matt Crockett It's worth remembering why the 1994 film has lasted as long as it has: it tackled real cultural friction head-on, it's stacked with songs that still fill gay dancefloors decades later, and its larrikinist humour has a sharp, sarcastic bite that never lets the sentiment get sticky. That's a hard act to follow, and this production knows it, so it throws everything at the wall instead. It opens at full volume and never drops below it. Costume change, wig flip, a phalanx of muscular dancers whipped into shimmering formation, costume change again, the show is fabulous to the power of three from the first beat and stays there for two and a half hours, working so hard to impress that it never once stops to let anything land emotionally. There's no breathing room, no quiet beat where you're allowed to feel something rather than just applaud it. So much Fosse glitz, but no beating heart. The audience adored it, singing along, clapping on cue, having the time of their lives. My companion and I sat there like [***Statler and Waldorf,***](https://en.wikipedia.org/wiki/Statler%5Fand%5FWaldorf:%5FFrom%5Fthe%5FBalcony?ref=scenemag.co.uk#/media/File:StatlerandWaldorf%282%29.JPG) surrounded by people dressed nearly as camp as the company onstage, watching everyone else have a transcendent night out. ![](https://www.scenemag.co.uk/content/images/2026/06/Priscilla2026JP-01694-Edit--1-.jpg) Photo credit: Matt Crockett To be fair, it's a genuinely good show on craft terms. It looks and sounds terrific, the live band excellent and full-throttle from the opening note, and the crowd-pleasing run of 90s-and-beyond pop hits keeps the energy high (but Abba conspicuously absent). Costumes from **Vicky Gill** are shimmering sequinned superb, referencing the movie while offering some psychedelic interpretations of scenes that are full on classic Technicolor musical joy. I was impressed with these scenes most of all. Cast is great, **Kevin Clifton**'s Tick has real warmth underneath the nerves. **Nick Hayes** is the standout as Felicia, cheeky and self-assured, with comic timing sharp enough to keep the room laughing whenever he's on. Bernadette, played at this performance by understudy **Dakota Starr**, came through with poise, finding the grace and weariness underneath the glamour, and the bond between the three leads read as genuinely lived-in. Holding the whole thing together are a trio of dazzling chanteuses, who keep the score soaring, **Leah Vassell, Bernadette Bangura** and **Jessie May** absolutely earn their flowers here. ![](https://www.scenemag.co.uk/content/images/2026/06/Priscilla2026JP-02435-Edit-2.jpg) Photo credit: Matt Crockett But the production tells you everything about its priorities in what it changes and what it doesn't. The hard punches along the way, transphobia, homophobia, HIV stigma, violence, racism, bigotry, are treated as punch lines; one nasty flash and gone. The outback reduced to projected ochres and browns. The film carries its share of stereotyping that sits awkwardly today, and rather than reckoning with that, the show keeps most of it intact while making one curious cut: the young Aboriginal boy's quiet, empowering moment is gone, swapped for an encounter with a generic group of tourists instead of a local Indigenous man and his community. Removing the one beat of real cultural specificity and queer tenderness in the film while leaving the dated film jokes well alone. ![](https://www.scenemag.co.uk/content/images/2026/06/Priscilla2026JP-00300-Edit-1.jpg) Photo credit: Matt Crockett Whatever else didn't land, the ensemble of dancers earned every ounce of the audience's screaming approval. Hot, muscular, and drilled within an inch of their lives, they tore through number after number with furious precision, never once dropping a beat even as they hit costume change after costume change, wig swap after wig swap, at a pace that was physically impressive. They were the thing that kept my eye fixed to the stage all night, a blur of sweat, sequin fringe and stamina that never flagged for a second. ![](https://www.scenemag.co.uk/content/images/2026/06/Priscilla2026JP-03542-Edit-1.jpg) Photo credit: Matt Crockett The story is squeezed breathlessly between numbers, thinner and less nuanced than the film ever managed. And, true to form, everyone gets their happy ending, sending the sold out crowd out into the Brighton night chattering like a riot of kookaburras, buoyant and grinning. It's a perfectly enjoyable night out if spectacle is what you came for. But as queer audiences, we deserve more than a show that performs our joy at full volume while quietly trimming our heart. Until June 20th, more info or tickets from [**Brighton Theatre Royal**](https://www.atgtickets.com/shows/priscilla-queen-of-the-desert-the-musical/theatre-royal-brighton/?ref=scenemag.co.uk) ### 'Lesbian Lines': A time capsule of a lesbian community in 1980s Ireland URL: https://www.scenemag.co.uk/lesbian-lines-a-time-capsule-of-a-lesbian-community-in-1980s-ireland/ Last updated: 2026-06-17T10:33:46.000Z It is 2019, mid-October, in a small venue somewhere in Dublin. The walls are splashed with colour and ceilings hung with cheery bunting because it is a special day. It is the 40th anniversary of **Dublin Lesbian Lines**. It is a night of spoken word, music and conversations. Onto the stage arrive some of the original volunteers who share their stories of being a part of the helpline in the 1980s. They tell of the kind of time it was in Ireland, of how important the helpline was for so many women, and of the underground community that they built around it. It is a story of creativity, initiative, loss, love and friendship. In the audience sits **Cara Holmes**, film director and editor. She is amazed that she, a Dublin born and bred lesbian, has never heard of this history. She grew up in the 1990s where she had experienced very little lesbian visibility, and yet this helpline had been around a whole decade before that. Six and a half years on Cara is the one on stage. She is introducing her new feature documentary *Lesbian Lines* at its premiere at **Sheffield DocFest**. The theatre is packed full and people have been turned away, as will be the case for the following screening at the festival. This time I am in the audience. ![](https://www.scenemag.co.uk/content/images/2026/06/bba58398-5340-44a5-871b-bd6cab5c18a6.jpg.webp) **pocketmags.com* The film begins with one woman and a telephone in a room in 1979\. This was the first form of the helpline, with women ringing from stickers that the volunteers would plaster over Dublin. The following year, there was a huge breakthrough for Lesbian Lines when **Joni Crone**, a 26-year-old volunteer, made history as the first gay woman to publicly come out on Irish television, using her interview to advertise the helpline. Following this it began to grow, and variations of Lesbian Lines sprung up all over Ireland, from Cork to Galway. Women from all walks of life would ring, seeking advice, comfort, or even just the knowledge that there was someone on the other end who was willing to listen. For many of these women the lines became a lifeline. For the volunteers, it was not solely missionary work: many women who rang would become a part of the community and in doing so become friends and lovers. In a time when lesbians were virtually invisible, this was a necessary way of forging a community. Very few records remain from the early days of the Lesbian Lines. The most significant record is the logbooks in which the volunteers would make notes about all the calls. These form a rich source about the issues that lesbian Irish women faced across decades of changing Irish society. Most of the other available materials are photographs and items from the volunteers' personal collections. This lack of archive was a challenge for Cara when setting out to make this film, but it was also the very reason that it was so important for it to be made. The film itself is an act of archiving as it preserves the personal testimonies of the volunteers through recorded interviews. Interview snippets are collaged together to form the narrative backbone. For me, the talking head sections are the highlight of the film, capturing the joyful and colourful personalities of the women who were the heart of the helpline back in the 1980s. ![](https://www.scenemag.co.uk/content/images/2026/06/Gay-pride-week-1983-Izzy-Kamikaze-Joni-Crone-taken-by-Thomas-A-OShea-Irish-Queer-Archive.jpg.webp) Izzy Kamikaze and Joni Crone at Gay Pride Week in 1983 (Thomas A. O'Shea / Irish Queer Archive) To compensate for the lack of archive footage, the rest of the film is made of cinematic reenactments of stories from the logbooks. These are boldly shot, making use of dramatic lighting, smoke, and slow motion sequences. A couple of these moments feel a little overdramatised and overly symbolic, however this is a matter of personal taste ("They really got their money's worth with that smoke machine" writes one Letterboxd user sarcastically; "I didn't enjoy reenactments until this film" writes another). Overall the reenactments are very evocative. They create a mood throughout the film, such that you are not just being told what happened but can really feel what it must have been like to be there at the time. Sometimes this is deep sadness and depression, but at other times incredible joy. Despite dealing with topics such as suicide, the film is very successful in avoiding becoming overly heavy. Towards the end of the film, there is a conversation between the volunteers and the actors from the reenactments. The volunteers ask the younger generation what being queer is like for them in modern day Ireland. This is a nice touch. Cara spoke on stage about how the volunteers had been keen for this heartwarming scene. The inclusion of younger queer Irish women is also a nod to her motivations for making the film: her belief in the importance of passing stories between generations, as knowing your history is vital for a sense of self and community identity. *Lesbian Lines* (2026) is certainly a triumph in preserving a part of history that could have been lost in the coming decades. Its emotive reenactments are like marmite, but in amongst the interviews and archive images they form a rich picture of what it was like to be there as a volunteer for the helpline in 1980s Ireland. ### "The mural that upset a thousand TERFS." Lush Pride mural artist responds to calls for artwork to be removed URL: https://www.scenemag.co.uk/the-mural-that-upset-a-thousand-terfs-lush-pride-mural-artist-responds-to-calls-for-artwork-to-be-removed/ Last updated: 2026-06-17T08:58:48.000Z A Pride mural in a **Lush** shop window has sparked a wave of attention, with its creator highlighting its message of trans pride and visibility after some campaigners called for it to be removed. The artwork, installed at the cosmetics chain’s **Chelmsford** store ahead of **Essex Pride**, features a tiger painted in the colours of the trans flag alongside the slogan “Proud of My Stripes”. ![](https://www.scenemag.co.uk/content/images/2026/06/Lush-Tiger.jpg) The animal’s markings are intended to resemble scars from gender‑affirming top surgery, a procedure undertaken by some trans people. In response, artist **Bucky Ringsell** defended the mural in a post on Instagram, saying the reaction had been driven by transphobia. > [ View this post on Instagram ](https://www.instagram.com/reel/DZmt0TLqYwr/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Bucky Ringsell 💚 (@your\_pal\_bucky)](https://www.instagram.com/reel/DZmt0TLqYwr/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Writing alongside the now‑viral image, Ringsell said: “For some bizarre reason, transphobic nutters have discovered my mural on Lush’s window and called for its removal.” They added that the piece forms part of a wider Pride campaign across the city and was designed to celebrate trans people who have undergone top surgery. “I designed and painted this tiger to support and represent trans folks who have undergone top surgery - myself included,” Ringsell said. ![](https://www.scenemag.co.uk/content/images/2026/06/587798975_18540890299062739_4590784893876514328_n.jpg) ****Bucky Ringsell** The artist explained that the imagery was intended to reframe scars as a source of pride, adding: “Being proud of your scars (aka stripes) is something everyone can take inspiration from, regardless of your journey.” The post concluded with a message of affirmation: “Trans bodies are beautiful.” The mural is one of several Pride displays appearing across Chelmsford in the run‑up to Essex Pride, but it has become a flashpoint in wider debates about trans visibility and representation. Supporters have praised the artwork as a powerful celebration of trans identity. ### "Maybe there’s an attraction." Sister Act star lifts lid on hidden queer subtext in classic film URL: https://www.scenemag.co.uk/maybe-theres-an-attraction-sister-act-star-lifts-lid-on-hidden-queer-subtext-in-classic-film/ Last updated: 2026-06-17T08:25:23.000Z A star of the hit film *Sister Act* has revealed she secretly played her character as gay and attracted to **Whoopi Goldberg** during filming. **Wendy Makkena**, who portrayed shy novice nun Sister Mary Robert in the 1992 comedy, said she made a conscious acting choice to give her character an unspoken attraction to Goldberg’s lounge singer Deloris Van Cartier. Speaking on the *You Might Know Her From* podcast, Makkena explained she had been searching for a motivation to explain why her character appeared so fascinated by Deloris. “I thought, ‘How am I going to justify how obsessed I am with Doloris?’ And then I thought, ‘Well, maybe there’s an attraction,’” she said. The actress said she imagined Sister Mary Robert was drawn to Deloris “unconsciously” and that this attraction was something the character herself might not even fully understand. Makkena added that the decision was never discussed on set and remained a private element of her performance, describing it as “an internal little secret” she used to inform the role. However, she later learned that the subtext had not gone entirely unnoticed. After the film’s release, she was told that *Out* magazine had commented on the apparent “sexual tension” between the two characters. The revelation has resurfaced after the interview clip was reshared online, sparking renewed interest among fans of the film, which has long enjoyed a strong LGBTQ+ following. *Sister Act*, released in 1992, became one of the most successful comedies of its era and starred Goldberg alongside Dame **Maggie Smith, Kathy Najimy** and **Harvey Keitel.** ### Drag performers boycott Attleborough Pride over links to Reform UK councillor URL: https://www.scenemag.co.uk/drag-performers-boycott-attleborough-pride-event-over-links-to-reform-uk-councillor/ Last updated: 2026-06-16T15:07:38.000Z Drag performers have withdrawn from a local Pride event after discovering that its organiser is a **Reform UK** councillor, citing concerns about the party’s record on LGBTQ+ rights and values. More than 10 drag artists have announced they will boycott **Attleborough Pride**, due to take place in August, after learning that the event is being organised by **Daniel Burcham**, a recently elected Reform UK councillor on **Norfolk County Council**. The dispute emerged after a now-deleted promotional post for the event appeared on Facebook, featuring images of drag performers from previous Pride celebrations. Several of the performers said they had not given permission for their images to be used and were unaware of the organiser’s political affiliation at the time. Those pulling out of the event have accused Reform UK of campaigning against the interests of LGBTQ+ people, pointing to the party’s positions on Pride symbolism and wider equality issues. One performer, using the stage name **Stealia Jobs**, said small-town Pride events remain vital, but values and accountability matter. “Small Prides are absolutely needed,” the performer said. “But it’s a question of morals. It feels wrong to be associated with someone who works with a party that actively campaigns against people like us. That goes against everything Pride is meant to be.” ![](https://www.scenemag.co.uk/content/images/2026/06/471494151_18047995730142396_8772270887185856432_n.jpg) ****Stealia Jobs** Another organiser involved with the event said there was “no Pride without acceptance”, adding that opposition from Reform-led councils to flying the Pride flag on public buildings had made collaboration untenable for some in the community. The issue has been further inflamed by Norfolk County Council’s recent decision to stop flying the Pride flag. While council staff have responded by wearing Pride badges and displaying rainbows on screens, trade union representatives described the policy as a “calculated snub” that caused disappointment among employees. Responding to the boycott, Burcham told the *Eastern Daily Press* that sexuality should not dictate political beliefs and criticised what was described as the politicisation of a community event. Burcham has also defended opposition to flying the Pride flag at county hall, arguing that the symbol does not represent all LGBTQ+ people. However, critics say such positions undermine the purpose of Pride events, which are rooted in protest, visibility and solidarity. Campaigners argue that Pride cannot be meaningfully separated from politics when LGBTQ+ rights and recognition remain contested. ### Queer Britain celebrates ‘Pride all year’! URL: https://www.scenemag.co.uk/queer-britain-celebrates-pride-all-year/ Last updated: 2026-06-16T14:32:21.000Z With **Pride in London** set to take over the capital on **Saturday, 4 July**, Queer Britain has announced an expanded summer programme celebrating LGBTQ+ history, creativity and community, with new exhibitions, events and late openings at the UK’s national LGBTQ+ museum. Based in **King’s Cross**, Queer Britain has announced a series of additions to its 2026 schedule, including evening openings, outdoor cinema, author talks and collaborations across London. The museum is open Wednesday to Sunday from noon to 6pm, with late-night openings planned for **Thursday, 18 June**, **Thursday, 16 July** and **Thursday, 20 August**. Visitors arriving at the museum this June will also be greeted by a 90-metre-long rainbow-lit tunnel connecting King’s Cross Underground station to King’s Boulevard. The light installation, which runs daily from 7am to 8pm, marks Pride Month and leads directly towards Queer Britain’s entrance. Among the summer highlights is a free outdoor screening of the cult 2005 film *Kinky Boots*, curated by Queer Britain as part of the **Everyman on the Canal** cinema season. The screening will take place at **7.30pm** on **Saturday, 4 July**, offering audiences a chance to unwind after the Pride parade. ![](https://www.scenemag.co.uk/content/images/2026/06/Pride-All-Year--credit-Queer-Britain-Museum-.png) Credit: Queer Britain Museum Earlier this year, Queer Britain reopened its galleries with new displays for 2026 featuring more than 200 objects, including a panel from the **UK AIDS Memorial Quilt**, costumes from **Club Kali**, football shirts worn by **Justin Fashanu**, and protest music linked to the **Women’s Liberation** movement. A special pop-up exhibition, *Fighting With Pride*, runs until **20 December** and explores the experiences of LGBTQ+ veterans affected by the historic ban on gay people serving in the Armed Forces. Developed in partnership with the charity **Fighting With Pride**, the exhibition tells the stories of service members who were dismissed and stripped of medals because of their sexuality. The museum’s summer programme also includes a series of “meet the author” events, featuring **Max Hovey** discussing *No Fats, No Fems* on **24 June**, **Emily Garside** exploring *Rainbow Wales* on **27 June**, and **Mollie E. Barnes** and **Gemma Rolls-Bentley** presenting *Queer Art* on **22 July**. ![](https://www.scenemag.co.uk/content/images/2026/06/We-Are-Queer-Britain-at-the-National-Theatre--photo-credit-Queer-Britain-.JPG) Credit: Queer Britain Museum Beyond King’s Cross, Queer Britain has partnered with the **National Theatre** on a major photography exhibition, *We Are Queer Britain*, running in the **Lyttelton Lounge** alongside *Pride the Musical*. The exhibition documents more than 150 years of British LGBTQ+ history and is free to visit until **1 October.** On Pride day itself, Queer Britain is also collaborating with the **FUJIFILM House of Photography** on a “Queer Love” photo booth in Trafalgar Square. Selected images will later be exhibited in Covent Garden and added to Queer Britain’s permanent archive. **Andrew Given**, Chief Executive of Queer Britain, said the programme reflected the museum’s commitment to celebrating LGBTQ+ stories year-round. “As we mark 54 years since the first London Pride, there’s no better time to visit Queer Britain to explore stories of community, creativity and resilience, and to celebrate our shared queer history - past and present,” Given said. ### Fred again.. to lead Abbey Road launch of new Trans+ Future Sounds series URL: https://www.scenemag.co.uk/fred-again-to-lead-abbey-road-launch-of-new-trans-future-sounds-series/ Last updated: 2026-06-16T10:14:11.000Z Producer and artist **Fred again..** will lead the launch of **Trans+ Future Sounds**, a new series dedicated to supporting trans+ music creators, when its inaugural event takes place at **Abbey Road Studios** on **Friday, 19 June**. The free production and songwriting workshop marks the first outing for the initiative, presented by **Trans Creative Collective** (TCC) in partnership with **We Are Moving The Needle**. Running from **3 - 8pm**, the event will bring together trans songwriters, producers and music industry professionals for an afternoon focused on mentorship, skills development and community-building. Fred again.. will host a 2.5-hour session as part of a wider programme featuring artists, producers and industry leaders. ![](https://www.scenemag.co.uk/content/images/2026/06/Sans-Soucis---October-2025---Olivia-Brissett---edit-v1-27.jpg) Sans Soucis. Pic by Olivia Brissett Also confirmed to take part are TCC co-founder and Trans+ Future Sounds founder **charlieeeee**, producer **Sans Soucis**, DJ and producer **Messie**, artist and songwriter **Satch**, and the trans choral collective **Trans Voices**. A&Rs, managers and agents actively championing trans talent will also be in attendance. In total, the event will welcome 15 trans songwriters, 15 trans producers and 15 industry professionals. The programme includes workshops, a performance from Trans Voices, a gear and plug-in giveaway, and an evening reception designed to encourage networking and collaboration. While all genders are welcome, priority has been given to trans and queer creatives. ![](https://www.scenemag.co.uk/content/images/2026/06/TCC-x-Abbey-road---POSTER-event-descriton.jpg) The launch comes amid ongoing concerns about representation in music production. According to We Are Moving The Needle’s **Fix The Mix** report, just 2.3% of producers are women, trans or non-binary. Organisers say Trans+ Future Sounds aims to directly challenge that imbalance by placing trans+ creators at the centre of one of the world’s most iconic recording studios, surrounded by peers, mentors and industry decision-makers. charlieeeee said the project reflects Trans Creative Collective’s founding mission. “Since we started TCC in 2021, our whole aim has been to make space for trans+ creatives to thrive, not just survive, in the music industry,” they said. “Getting to welcome our community into Abbey Road, and to have artists like Fred again.. give their time and expertise, is genuinely moving.” ![](https://www.scenemag.co.uk/content/images/2026/06/charlieeeee---PRESS-SHOT-1---@jubbigeorgiarose.jpg) charlieeeee. Pic by @jubbigeorgiarose Trans Creative Collective was founded in 2021 to support trans creators and allies across music, film and art, and has since built an international community through workshops, mentoring and industry partnerships. The organisation has been recognised in the **UK Music Diversity Report** for its role in driving lasting change. We Are Moving The Needle, founded by Grammy Award-winning mastering engineer **Emily Lazar**, supports women, non-binary and trans producers and engineers through scholarships, mentorships, research and advocacy. Further Trans+ Future Sounds events are expected to be announced later in 2026. ### “Forced back into the closet." New research shows older LGBTQ+ people fear discrimination in housing and care settings URL: https://www.scenemag.co.uk/forced-back-into-the-closet-new-research-shows-older-lgbtq-people-fear-discrimination-in-housing-and-care-settings/ Last updated: 2026-06-16T09:37:47.000Z Older LGBTQ+ people in the UK are continuing to hide their identities from housing and care staff amid fears of discrimination, dismissal and social isolation, [according to new research ](https://www.surrey.ac.uk/sites/default/files/2026-02/THE-LIFE-HOUSE-IMPACT-PROJECT-Transforming-LGBTQ%2B-EDI-training-in-Housing-and-Social-Care-through-creative-approaches.pdf?ref=scenemag.co.uk)from the **University of Surrey**. The study found that many older LGBTQ+ people feel unsafe being open about who they are in settings where they rely on care and support. However, researchers also discovered that a simple intervention - training based on animated stories created with LGBTQ+ people themselves - can significantly improve how staff understand and support their service users. The research forms part of the **Life House Project**, led by Dr **Georgia Bowers**, Professor **Andrew King** and Dr **Richard Green**. The project worked directly with older LGBTQ+ people to document their experiences of housing and social care, then translated those accounts into an animated film used in staff training. In the weeks following the training, the proportion of staff who said they regularly or always met the needs of LGBTQ+ service users rose from 55% to 85%. Confidence in supporting LGBTQ+ people increased from 77% to 95%, while the use of inclusive language rose from 70% to 95%. Dr **Georgia Bowers**, Senior Lecturer at the **Guildford School of Acting** and project lead, said older LGBTQ+ people were often “forced back into the closet at the very moment they need care and support most”. “Data and policy guidance alone were never going to change that,” Bowers said. “So we worked directly with LGBTQ+ people to create something different - an animated film that lets their real experiences speak through characters and story rather than through statistics. When care workers feel something, rather than simply learn something, the effect is more durable.” Six older LGBTQ+ people took part in theatre workshops run in partnership with the **London Bubble Theatre Company**, using an applied theatre approach to develop the story, characters and script for a short animated film. Their experiences informed three composite characters, including a lesbian woman in her 70s whose relationship is dismissed by a carer, an elderly gay man mocked for his past relationships, and a trans woman facing intrusive questioning in sheltered housing. The four-minute animation was used as the basis for training at a London-based housing provider and a homecare provider in July 2025\. Twenty-two staff took part, with all rating the session as good or excellent and saying they would recommend it. More than 70% reported an emotional response to the material. Follow-up interviews with managers six to eight weeks later found visible changes in practice, including staff introducing themselves with pronouns and showing greater attentiveness to LGBTQ+ clients. While some behaviours, such as proactively asking about pronouns, changed more modestly, nine in ten staff said further training would be valuable. Professor **Andrew King**, Professor of Sociology at the **University of Surrey**, said the findings showed the power of training rooted in lived experience. “Older LGBTQ+ people are still experiencing discrimination and invisibility in services that are supposed to support them,” King said. “This approach is not a complete solution, but it is a significant and replicable one.” The training model will now be incorporated into equality, diversity and inclusion provision at both partner organisations, with the research team exploring wider adoption across the housing and care sectors. ### Danny Beard to star in stage comedy celebrating the life of Paul O’Grady and Lily Savage URL: https://www.scenemag.co.uk/danny-beard-to-star-in-stage-comedy-celebrating-the-life-of-paul-ogrady-and-lily-savage/ Last updated: 2026-06-16T09:12:30.000Z Manchester-based **Hope Mill Theatre** has announced the world premiere of ***SAVAGE***, a new comedy and drag production celebrating **Paul O'Grady**, and the iconic character **Lily Savage**, with *RuPaul’s Drag Race UK* winner **Danny Beard** set to star in the title role. Written by multi-award-winning playwright **Jonathan Harvey**, whose credits include *Gimme Gimme Gimme* and *Beautiful Thing*, the show is inspired by the life of the late entertainer Paul O’Grady and was developed with his blessing. Drawing on O’Grady’s autobiographies, the production explores the story behind the creation of Lily Savage, one of British comedy’s most enduring characters. The play traces O’Grady’s journey from a working-class upbringing in Birkenhead to the heart of London’s club scene, where Lily Savage was born. Armed with sharp wit and an uncompromising outlook, the peroxide-blonde alter ego went on to challenge convention and win over audiences nationwide. ![](https://www.scenemag.co.uk/content/images/2026/06/723407655_1421158470044518_8068101388546589509_n.jpg) Credit: Danny Kaan Blending razor-sharp humour with moments of unexpected tenderness, the production is described as an intimate portrait of a singular talent and the world that shaped him, charting how Paul became Lily - and how Lily became a British icon. Speaking during the early development of the project, Paul O’Grady said: “I’m delighted Jonathan has agreed to write the script. He’s perfect for this and such a great writer.” Jonathan Harvey said it was “an honour” to bring O’Grady’s story to the stage, recalling first seeing Lily Savage perform in a West London bar in the late 1980s. “The zinging one-liners are all his,” Harvey said. “It’s so sad he’s not here to see it, but hopefully this will be a fitting testament to everything he achieved - and a cracking night out full of humour and heart.” Further casting and creative team details are expected to be announced. ### "More disco. Less fascism.": Brighton's verdict on Saturday's far-right protest URL: https://www.scenemag.co.uk/more-disco-less-fascism-brightons-verdict-on-saturdays-far-right-protest/ Last updated: 2026-06-15T13:16:09.000Z The organisation behind Saturday's anti-immigration march in Brighton has blamed Sussex Police for what it called a failed operation, as community figures, councillors, and the city's MP lined up to celebrate what they see as a decisive rejection of the far right. *South East Patriots*, who organised the *Stop the Boats* demonstration, released a [statement](https://www.theargus.co.uk/news/26192935.brighton-reacts-anti-immigration-counter-protests/?ref=scenemag.co.uk) in the aftermath of 13 June expressing frustration with how the day was policed. The group claimed to have liaised extensively with Sussex Police in advance, described their planned exit route as having been locked, and suggested officers were absent at key points during the day. They also claimed some supporters had been unable to reach the gathering point after encountering counter-protesters and police near the station. The statement sits in stark contrast to what was happening on the other side of the police line. Both groups had begun gathering near Brighton train station from around 10.30am. *South East Patriots* assembled outside The Railway Bell pub. Counter-protesters gathered on the opposite side, divided by lines of officers. There were clashes during the morning: witnesses described scenes that were, in the words of one eyewitness, "getting a bit violent," and one person was seen being tackled to the ground by police. As the day progressed, the protests spread across the city. The *Carnival Against Fascism*, a coalition of more than 20 anti-racist organisations, moved to block the far right's route along Queens Road. Smaller groups gathered at points throughout the centre, with large sections of the crowd dancing to live music. Norman Cook, the Brighton DJ better known as Fatboy Slim, was among them. He said he had never been more proud of his home town. "More disco. Less fascism." > [ View this post on Instagram ](https://www.instagram.com/reel/DZiEP%5FFs-37/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Fatboy Slim (@officialfatboyslim)](https://www.instagram.com/reel/DZiEP%5FFs-37/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) *Carnival Against Fascism* organisers said they were proud of the city's turnout, stating that however the day had unfolded, people had shown up for each other. Brighton Pavilion Green MP Siân Berry called it another example of Brighton massively outnumbering an attempted fascist march. Council leader Bella Sankey had [set the tone](https://www.scenemag.co.uk/your-message-of-hatred-is-not-welcome-leader-of-brighton-hove-city-council-speaks-out-ahead-of-far-right-protest-in-the-city/) before the protest even began, making clear that the far right's message was not welcome in Brighton. > [ View this post on Instagram ](https://www.instagram.com/p/DZhzWmJiMEt/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Sian Berry (@sian\_berry)](https://www.instagram.com/p/DZhzWmJiMEt/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) As Scene's [Jamie Strudwick](https://www.scenemag.co.uk/author/jamie/) [wrote on Saturday](https://www.scenemag.co.uk/was-the-far-right-protest-in-brighton-a-taste-of-whats-to-come-this-summer/), the city provided the blueprint. The question now is whether others can follow it across what is shaping up to be a very long summer. ![](https://www.scenemag.co.uk/content/images/2026/06/aacf958f-225e-402c-a5cd-fd7227e357c0.jpeg) ![](https://www.scenemag.co.uk/content/images/2026/06/203d2a98-5c96-40e3-b52f-3df313232011.jpeg) ![](https://www.scenemag.co.uk/content/images/2026/06/d6cc6700-d157-49b2-9656-791ebcddf942.jpeg) ![](https://www.scenemag.co.uk/content/images/2026/06/7eb99863-dcc7-4a9c-8369-d574cd37b9e0.jpeg) ![](https://www.scenemag.co.uk/content/images/2026/06/14ebca69-008e-4dd0-b36a-046ef0beefd7.jpeg) ![](https://www.scenemag.co.uk/content/images/2026/06/1275b100-4848-45a0-bea5-65328fe6de2d-1.jpeg) ![](https://www.scenemag.co.uk/content/images/2026/06/925bbcf9-c419-4f52-b9f4-527c497ed94f.jpeg) ![](https://www.scenemag.co.uk/content/images/2026/06/b890b887-0ce3-4c4c-be84-f84ca0dd84c9.jpeg) ![](https://www.scenemag.co.uk/content/images/2026/06/tempImagevBaoRh.gif) Images: © Scene Magazine ### Elton, Reimagined: Jess Robinson brings her joyous Cabinet of Voices to Old Market URL: https://www.scenemag.co.uk/elton-reimagined-jess-robinson-brings-her-joyous-cabinet-of-voices-to-old-market/ Last updated: 2026-06-15T11:02:36.000Z There are few artists whose catalogues feel more inherently queer than E**lton John**'s. From the glittering excess of his stage persona to decades of outspoken activism, from *Rocket Man*'s barely-coded longing to his friendship with Diana, his fundraising for HIV charities, and his long marriage to **David Furnish**, Elton has always belonged, at least in part, to us. So the prospect of a show that takes his songbook and filters it through the voices of some of the most iconic women in popular and queer culture is delicious ![](https://www.scenemag.co.uk/content/images/2026/06/Jess_Robinson_Elton_John-683x1024-1.jpg) Photo Credit Chloe Hashemi *Elton Reimagined* arrives at [**Brighton's Old Market** ](https://www.theoldmarket.com/shows/jess-robinson-elton-reimagined/?ref=scenemag.co.uk)this Friday, 19 June, and if the show's Edinburgh run is anything to go by, it deserves to sell out twice over. [**Jess Robinson** ](https://www.instagram.com/jessrobinsonofficial/?hl=en-gb&ref=scenemag.co.uk)is the UK's foremost female impressionist, a *Dead Ringers* stalwart, a regular on *The Last Leg*, a *Britain's Got Talent* semi-finalist whose audition racked up millions of views, and a performer who has graced stages from the London Palladium to the Royal Albert Hall. She is the real thing and stops off in Hove on her current UK tour of the show. ![](https://www.scenemag.co.uk/content/images/2026/06/JessRobinsonEdinburgh2018015-scaled.jpg.webp) Photo Credit Karla Gowlett What makes *Elton Reimagined* fun is [Robinson's genuine musicality](https://www.jessrobinson.co.uk/about/?ref=scenemag.co.uk). Classically trained, she doesn't merely *do* voices; she inhabits them, stretching Elton's melodies into new shapes while keeping the emotional core of each song intact. Imagine *Crocodile Rock* through the prism of Britney Spears, or the aching beauty of *Your Song* filtered through the crystalline upper register of Julie Andrews. Robinson teases the familiar into something fresh, and the effect is simultaneously funny and genuinely moving. It is cabaret entertainment that doesn't ask you to leave your intelligence at the door. Robinson herself has spoken about why Elton's catalogue lends itself so naturally to this kind of reimagining. She described his music as unmatched in its range and staying power, songs that have accompanied people across generations, and that continue to find new audiences through collaborations with artists like Dua Lipa and Britney Spears. ![](https://www.scenemag.co.uk/content/images/2026/06/JessRobinson_Poster-759x1024.jpg) Photo Credit J Robinson The show has been developed in collaboration with musical director **Matthew Floyd Jones,** whose credits include the beloved *Frisky & Mannish*. This is not a show content to coast on charm alone, though charm it has in abundance. For queer audiences, *Elton Reimagined* offers a celebration of an icon, mediated through other icons, performed by a woman at the absolute top of her game. In a world that can feel grim, there is value in an evening of this much joy. Book early. The Old Market is filling up, the word of mouth is already loud, and you will not forgive yourself for missing it. [*Tickets at theoldmarket.com*](https://www.theoldmarket.com/shows/jess-robinson-elton-reimagined/?ref=scenemag.co.uk) ### LGBTQ+ housing champion Terry Stacy awarded OBE in King's Birthday Honours List URL: https://www.scenemag.co.uk/lgbtq-housing-champion-terry-stacy-awarded-obe-in-kings-birthday-honours-list/ Last updated: 2026-06-15T09:51:19.000Z **Terry Stacy**, Chair of **Tonic Housing**, the UK's first and only LGBTQ+ housing association, has been awarded an OBE in the **King's Birthday Honours List 2026** for services to the LGBTQ+ community. The announcement, made during Pride Month, comes at a particularly significant moment for both Terry and Tonic. Last year, Tonic became the country's first and only LGBTQ+ housing association to achieve **Registered Provider** status after decades of campaigning and advocacy. The timing makes this recognition especially meaningful for Terry, Tonic, and the wider LGBTQ+ community. This milestone represents a major step forward in Tonic's mission to create inclusive, affirming retirement communities where older LGBTQ+ people can live with security, dignity and pride. As a Registered Provider, Tonic can now directly deliver social and affordable housing, while accessing new development, investment and partnership opportunities. The achievement creates a platform for growth and enables Tonic to meet the increasing demand for housing that supports and celebrates older LGBTQ+ people across London and beyond. ![](https://www.scenemag.co.uk/content/images/2026/06/4.png) The honour builds on Terry's decades of leadership and service in both the housing and LGBTQ+ sectors. He was previously awarded an MBE in the 2011 Queen's Birthday Honours for services to housing. Throughout his distinguished career, Terry has held a number of senior leadership positions across the housing sector, including Chair of **Old Ford Housing Association**, **Island Homes** and **Victoria Park Homeownership**. He has served as a Board member of **Gateway Housing Association** and the **Empty Homes Agency**, and until recently was Vice Chair of **Clarion Housing Association**, the UK's largest housing association. He is currently Chair of **Rentplus Homes**, a pioneering rent-to-buy housing provider. Terry is also a housing association tenant himself, giving him a personal understanding of the importance of safe, affordable and inclusive housing. His commitment to the LGBTQ+ community spans more than three decades. Before joining Tonic, Terry served as Chair of the **Albert Kennedy Trust** (akt), the LGBTQ+ youth homelessness charity, for nine years. During his tenure, he welcomed both **Lady Gaga** and **His Royal Highness The Prince of Wales** to akt events and initiatives. Alongside his voluntary work, Terry has enjoyed a long career in local government, including 18 years as a councillor in London and serving as Leader of **Islington Council**. He is currently a Senior Adviser to the **Local Government Association**, the national cross-party body representing local government across England and Wales. Commenting on the award, **Terry Stacy** MBE said:"I am incredibly proud of the work I have done in the LGBTQ+ sector, particularly tackling youth homelessness and helping to create housing for older members of our community. "Tonic Housing does vital work supporting some of the most vulnerable LGBTQ+ elders in society. More than 30 years after I first began campaigning on these issues, we still have a long way to go. In today's challenging environment, it is more important than ever that we stand up, speak out and make our voices heard. "I came out more than 35 years ago and began my activism shortly afterwards. I came out of the closet then, and I have absolutely no intention of going back into it now." **Adam Pemberton Wickham**, Chief Executive of akt, said: “Terry was Chair of the Board of Trustees of akt between 2013 and 2022, where he was integral to our work helping young LGBTQ+ people affected by homelessness and laying the foundations for our current and future success. We are delighted to hear that Terry’s dedication and hard work has been recognised with this honour.” ### Keir Starmer's social media ban raises concerns over impact on LGBTQ+ young people URL: https://www.scenemag.co.uk/keir-starmers-social-media-ban-raises-concerns-over-impact-on-lgbtq-young-people/ Last updated: 2026-06-15T09:06:06.000Z **Keir Starmer**’s newly announced plan to ban under-16s from social media has sparked debate over its potential impact on LGBTQ+ young people, with campaigners warning it could remove vital spaces for community, support and self-expression. The Prime Minister confirmed on Monday, 15 June that the Government will introduce legislation to block children under the age of 16 from accessing major social media platforms, including **TikTok**, **Instagram** and **Snapchat**, as part of sweeping reforms to online safety. Starmer described the move as a necessary step to protect children, arguing that social media is “making children unhappy” and exposing them to bullying, harmful content and addictive online experiences. The policy, expected to come into force as early as 2027, would place responsibility on tech companies to enforce age restrictions and limit access to a wide range of platforms and features. However, while the Government has framed the ban as a child protection measure, experts and LGBTQ+ advocates have raised concerns about unintended consequences for marginalised groups. [Research suggests](https://research.brighton.ac.uk/en/publications/lgbtq-youth-cultures-and-social-media/?ref=scenemag.co.uk) that social media plays a particularly important role in the lives of LGBTQ+ young people. Studies have found that these platforms offer opportunities for identity development, peer support and access to information that may not be available in offline environments. For many LGBTQ+ teenagers, especially those living in areas with limited local support or unsupportive family environments, [online communities can provide a crucial sense of belonging](https://research.brighton.ac.uk/en/publications/lgbtq-youth-cultures-and-social-media/?ref=scenemag.co.uk). Social media is often used for self-expression, connecting with other LGBTQ+ people and exploring identity safely. A **House of Commons Library** briefing on proposals to restrict social media use has warned that blanket bans could have “unintended consequences”, including limiting the ability of marginalised groups to form communities online. Commentators have suggested this could disproportionately affect LGBTQ+ young people, who are more likely to rely on digital spaces to find peer networks and support. At the same time, the Government has pointed to evidence linking high levels of social media use to poorer mental health outcomes among young people, arguing that reducing exposure to harmful content is necessary. There is also evidence that children are frequently exposed to risks online, including bullying and inappropriate content, which ministers say the ban is designed to address. Supporters of the policy, including many parents and child safety campaigners, argue that restricting access will help protect children from these harms and encourage healthier offline development. But critics say the issue is more complex, particularly for those who may already feel isolated. Some campaigners argue that rather than removing access altogether, efforts should focus on making platforms safer and more inclusive. ### Live Nation & Academy Music Group announce £9.5 million investment for Brighton Hippodrome URL: https://www.scenemag.co.uk/live-nation-academy-music-group-announce-9-5-million-investment-for-brighton-hippodrome/ Last updated: 2026-06-15T08:56:58.000Z **Academy Music Group Limited** (AMG), part of **Live Nation Entertainment**, has signed an agreement to operate the historic Brighton Hippodrome, marking a major milestone in bringing this renowned venue back to life. The Grade II\* listed building, located in **Middle Street**, has been vacant since 2006\. Under this agreement, AMG will reopen the Hippodrome as a performance venue once again. Brighton-based family firm, **Matsim Properties**, purchased the building in 2020 and has since undertaken extensive restoration work. This includes installing a new roof to protect the venue’s iconic circular auditorium and ornate ceiling, which make it one of the most architecturally significant circus theatres in the UK. Live Nation and AMG are investing £9.5million as part of a wider redevelopment project, representing a total investment of £25million to restore and modernise the venue. This funding will deliver essential upgrades to infrastructure and facilities, ensuring the Hippodrome can host more incredible performances while preserving its historic character. **Simon Lambor** of Matsim commented: “We are delighted to have contracted AMG as the operator, who lead the way in performance venues across the country. This wonderful building was in a perilous state when we bought it, and we are proud to have saved it from loss. After five years of tackling extensive damage caused by dry rot and water penetration, we are thrilled to see the Hippodrome ready for its next chapter.” “To open a venue in Brighton is an absolute privilege, and to see this historically important building alive with performance again will be an honour,” said Steve Hoyland, chief operating officer of AMG. “Brighton is a new territory for AMG, and the city is truly special – thriving on creativity, arts and culture. Investing in British live entertainment and cultural institutions is vital for the future of our industry. The Brighton Hippodrome is an extraordinary venue with a rich history, and we’re proud to play a part in restoring it for generations to come.” Opened in 1901, the Brighton Hippodrome was converted from a skating rink by renowned theatre architect Frank Matcham and later became a major Variety Theatre, hosting legendary acts including **Charlie Chaplin, Laurel and Hardy, The Beatles, The Rolling Stones** and **Sammy Davis Jr**. ### Alan Cumming calls on supporters to help build a “lasting legacy” for Tip Toe URL: https://www.scenemag.co.uk/alan-cumming-calls-on-supporters-to-help-build-a-lasting-legacy-for-tip-toe/ Last updated: 2026-06-15T08:36:42.000Z **Alan Cumming** has called on his followers to help build a “lasting legacy” for the new drama *Tip Toe*, as charities launch a campaign to tackle ongoing HIV stigma. *Tip Toe*, a new five-part drama from **Russell T. Davies**, portrays the life of Leo Struthers, a man who has been living with HIV since 1994\. Leo runs a bar called Spit and Polish in Manchester’s gay village on Canal Street. The series shows Leo living well with HIV more than 30 years after his diagnosis, while also reminding audiences of the stigma surrounding HIV that persists today. Alan Cumming posted on Instagram calling on supporters to buy the T-shirt and support the campaign to help build a “lasting legacy” for the show. In the video, **Alan Cumming** said: “Thankfully, successful treatments have been found and now people like Leo just take one pill a day which keeps their HIV in check and means they cannot pass HIV on to anyone else. “Leo runs a bar called Spit and Polish in Manchester gay village. Spit and Polish is more than just a bar. It’s a sanctuary where everyone feels safe, celebrate and free. And now you can buy your own Spit and Polish T-shirt to support people like Leo living with HIV because while treatment has changed beyond our wildest dreams the stigma around HIV still remains with too many people still met with stigma, judgement and isolation. By wearing your T-shirt you’re helping to build a lasting legacy for *Tip Toe* and making sure that no one faces HIV alone.” **Russell T Davies**, writer of the show, said: “It’s an honour to portray Alan Cumming’s character, Leo Struthers, as a man living with HIV since 1994\. It feels like the natural legacy of *It’s a Sin*. There wasn't the time in that show to show the long-term story, that medications were found which saved so many lives. So this feels like a right and proper continuation. > [ View this post on Instagram ](https://www.instagram.com/reel/DZfS54OCUDD/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Alan Cumming (@alancummingreally)](https://www.instagram.com/reel/DZfS54OCUDD/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) “In my role as patron of the George House Trust, and a supporter of Terrence Higgins Trust, I've often been asked by people in both organisations to show modern-day characters who are HIV+ and living straightforward, happy lives, so it’s an honour to do so in *Tip Toe*. "And there's some contentious stuff in there too, as the age-old problem of stigma raises its head, as well as the problems of HIV denial. The fight never ends, but Leo’s ready on the front line.” **Richard Angell** OBE, Chief Executive of Terrence Higgins Trust, said: “No TV series has done more to engage and re-engage the public in the fight against HIV than *It’s A Sin*. It reminded us of the devastation of the AIDS crisis and how fortunate we are to live at a time when there are highly effective ways to prevent, test for and treat HIV.” “We thank Russell for doing what he couldn’t in *It’s A Sin* \- including showing Leo taking one pill a day and living well with HIV three decades on from his diagnosis [Russell T Davies’ Tip Toe hailed as ‘natural legacy’ of It’s A SinRussell T Davies has described his new Channel 4 drama Tip Toe as a “natural legacy” of his critically acclaimed series It’s A Sin, as leading HIV charities welcomed its up‑to‑date portrayal of life with the condition. Davies’ 2021 hit It’s A Sin, set during the![](https://www.scenemag.co.uk/content/images/icon/S-Logo-0af3434f-c492-4ce1-a5b9-9e46ead39323.png)Scene MagazineGraham Robson![](https://www.scenemag.co.uk/content/images/thumbnail/77559_S1_--Embargo-0900-Tuesday-9th-December---Tip-Toe---First-Looks-c2161513-bb52-4fa7-82ee-74b4d310eeed.jpg)](https://www.scenemag.co.uk/russell-t-davies-tip-toe-hailed-as-natural-legacy-of-its-a-sin/) “That single pill keeps his HIV in check and means he cannot pass the virus on to sexual partners. HIV is a tiny part of his life, leaving him with plenty of time to run his bar, spend time with friends and even feud with his neighbour.” **Darren Knight**, Chief Executive of George House Trust, said:“Only when people know the facts about HIV will we truly tackle the stigma and discrimination that still persists. Through representation, inclusion and truth, Russell’s writing helps us reach and educate more people. “Tip Toe is another strong example of bringing those facts into people’s living rooms - challenging prejudice and giving audiences the knowledge they need about HIV in 2026\. We thank everyone involved for helping to build a world where HIV holds no one back.” To coincide with the show, HIV charities **Terrence Higgins Trust** and **George House Trust** have come together to produce a real-life version of the Spit and Polish T-shirt that is worn by Leo in the series. The T-shirt is now available on [Terrence Higgins Trust’s website](https://www.scenemag.co.uk/petition-calling-for-section-28-inquiry-passes-10-000-signatures/), with proceeds split between the two charities to supporting people living with HIV. ### Petition calling for Section 28 inquiry passes 10,000 signatures URL: https://www.scenemag.co.uk/petition-calling-for-section-28-inquiry-passes-10-000-signatures/ Last updated: 2026-06-15T08:15:34.000Z A [petition](https://petition.parliament.uk/petitions/760231?ref=scenemag.co.uk) calling for a public inquiry into the impact of **Section 28** has surpassed 10,000 signatures, meaning the Government is now required to issue a formal response. The campaign has been led by the **Section 28 Justice Coalition**, an entirely volunteer-run group founded earlier this year to seek accountability for the effects of the controversial legislation and to challenge what it describes as a resurgence of LGBTQ+ censorship. Launched in February, the coalition says it has rapidly built support through social media and grassroots organising. In addition to the petition milestone, more than 150 individuals and organisations have signed a public pledge opposing LGBTQ+ censorship, including national charities, youth services, Pride organisations and local community groups. Section 28, in force from 1988 until its repeal in 2003, prohibited the “promotion of homosexuality” by local authorities and schools. Campaigners argue its long-term impact has never been formally acknowledged by any UK government. ![](https://www.scenemag.co.uk/content/images/2026/06/Launch-of-Section-28-Petition-.jpg) LAUNCH OF PETITION The coalition was formed following a conference titled *After Section 28: LGBTQ+ Rights in an Age of Censorship and Backlash*, held in February 2026\. Its founders say the initiative brings together a range of organisations and projects united by opposition to what they see as renewed attempts to marginalise LGBTQ+ voices. They point to a range of recent developments as evidence of growing pressure on public institutions, including reports of book removals from libraries, cancellations of LGBTQ+ speakers in schools, and restrictions on Pride-related activity by some local authorities. Among the evidence cited by the coalition is a survey of school librarians in which more than half said they had been asked to remove books, with many complying. Other research highlighted concerns about limited positive LGBTQ+ representation in schools and barriers to inclusion reported by staff. The group is pursuing several strands of activity alongside the petition campaign, including lobbying MPs and engaging with the **All-Party Parliamentary Group** (APPG), commissioning and collating research, and building a public archive of personal testimonies from those affected by Section 28\. It is also developing a feature-length documentary, *Don’t Say Gay*, due for release in 2027. Public figures have lent their support to the campaign, with actor **Russell Tovey**, designer **Hannah Drakeford** and singer **Boy George** sharing its materials online. Lord **Michael Cashman**, a co-founder of Stonewall, has also backed the petition, stating that it is important to hold governments to account for past legislation. **Sue Sanders**, a co-founder of **LGBTQ+ History Month** and of the coalition itself, said the legacy of Section 28 required formal examination. She argued that the policy had shaped attitudes beyond the UK and influenced similar measures internationally. ![](https://www.scenemag.co.uk/content/images/2026/06/section28justice_aims.png) The coalition’s co-chairs, **Stevie Jones** and **Sarah Drummond**, said the original legislation not only imposed legal restrictions but also reinforced wider cultural pressures. “Section 28 didn’t just silence LGBTQ+ people through law - it operated alongside and reinforced wider cultural pressures that made LGBTQ+ lives invisible,” they said. “That combination of legislative and cultural silencing is re-emerging today.” They added that reaching the 10,000-signature threshold marked a significant moment for the campaign. “We are hugely grateful to everyone who has signed the petition and are delighted that it has reached ten thousand signatures so the Government has to respond,” they said. “We have been staggered by the strength of support from the LGBTQ+ community and its allies.” The coalition plans to continue raising awareness over the summer, with volunteers attending Pride events across the UK and a planned march in the **Pride in London** parade on **4 July**. Under parliamentary rules, petitions that pass 10,000 signatures require a Government response, while those reaching 100,000 signatures are considered for debate in Parliament. ## [SIGN THE PETITION HERE](https://petition.parliament.uk/petitions/760231?ref=scenemag.co.uk) ### Trans equality groups pressure Keir Starmer to legislate for trans equality URL: https://www.scenemag.co.uk/trans-equality-groups-pressure-keir-starmer-to-legislate-for-trans-equality/ Last updated: 2026-06-15T08:02:05.000Z Prime Minister Sir **Keir Starmer** is facing mounting pressure to intervene and legislate for trans equality after leading advocacy groups warned that a new Code of Practice is “unworkable” and risks undermining fundamental rights. **TransActual**, the **Trans+ Solidarity Alliance** and **Scottish Trans** \- three of the UK’s leading organisations supporting trans people - have issued a stark warning that the proposed Code fails on multiple fronts. In a joint intervention, they argue it does not adequately protect trans people’s ability to participate fully in society, does not support organisations seeking to remain inclusive, and falls short of the UK’s domestic and international human rights obligations. The groups have urged the Prime Minister to act immediately to resolve what they describe as a “broken framework”, warning that failure to do so would amount to a political choice for which the government must take responsibility. Their intervention comes amid growing concern in Westminster. More than 130 MPs have signed an **Early Day Motion** seeking to disapprove the Code, while others have publicly raised concerns about the practical and legal implications of its implementation. Campaigners say the government has been repeatedly warned that failing to uphold trans people’s rights would have serious consequences for their ability to take part in public life. Despite this, they say no decisive action has yet been taken. ![](https://www.scenemag.co.uk/content/images/2026/06/pexels-oriel-frankie-ashcroft-3247631-6054387-2-1.jpg) Pexels The government’s own **Equality Impact Assessment** highlights the potential risks, including increased discrimination, threats to physical safety, and reduced access to essential services. It also raises broader concerns about the implications for the general public, warning that appearance-based gender policing could have unintended consequences for safety more widely. **Helen Belcher**, Managing Director of **TransActual**, said the proposals represented a significant departure from established practice. “Labour’s bathroom ban is an affront to the spirit and intent of the Equality Act,” she said. “It has turned decades-old settled policy on how trans people should be treated into a mess of contradictory, harmful and incoherent rules. It is past time for the Prime Minister to intervene.” **Alexandra Parmar-Yee**, Director of the **Trans+ Solidarity Alliance**, said the government could no longer avoid responsibility. “We have been very clear that allowing this situation to continue is a political choice, and that the government must now take responsibility and legislate to fix our broken framework for trans equality,” she said. **Vic Valentine**, manager o**f Scottish Trans** at **Equality Network**, warned that the impact could be widespread if the Code were implemented as drafted. “If all services ran how this Code says they should, it would cause untold harm to trans people across Britain,” they said. “Rather than letting that come to pass, the Prime Minister should act now to prevent it - whether that means changing the Code, or changing the law.” The organisations have submitted a joint letter outlining their concerns in detail and calling for urgent intervention. ### Was the far-right protest in Brighton a taste of what's to come this summer? URL: https://www.scenemag.co.uk/was-the-far-right-protest-in-brighton-a-taste-of-whats-to-come-this-summer/ Last updated: 2026-06-14T07:43:50.000Z ![](https://www.scenemag.co.uk/content/images/2026/06/WhatsApp-Image-2026-06-13-at-14.43.26.jpeg) ![](https://www.scenemag.co.uk/content/images/2026/06/WhatsApp-Image-2026-06-13-at-14.44.39--1-.jpeg) ![](https://www.scenemag.co.uk/content/images/2026/06/WhatsApp-Image-2026-06-13-at-14.47.16--1-.jpeg) ![](https://www.scenemag.co.uk/content/images/2026/06/WhatsApp-Image-2026-06-13-at-14.47.16.jpeg) ![](https://www.scenemag.co.uk/content/images/2026/06/WhatsApp-Image-2026-06-13-at-14.44.39-1.jpeg) Images: Scene Magazine It is set to be another summer of protests, and today, Saturday the 13th of June, saw another humiliating defeat for anti-immigration protestors in Brighton city centre. But how did we get here? And how much worse is it going to get? Over the last few years, we have seen intensifying anti-immigration protests, usually organised and encouraged along by far-right groups and agitators. In 2024, those protests came to a head following the devastating murder of three young girls in Southport. Bebe King, Elsie Dot Stancombe, and Alice da Silva Aguiar were killed on the 29th of July 2024, and their murders led to a summer of violent riots which led to over a thousand arrests. More recently, we have seen riots in Southampton and Belfast following the sentencing of Vickrum Digwa who murdered 18-year-old Henry Nowak in December 2025, and the alleged *(legally, we have to say 'alleged')* attempted murder of Stephen Ogilvie. In Belfast, the Police Service of Northern Ireland (PSNI) used water canons to deter would-be rioters after a night of violence on the 9th of June. Anyone who saw the scenes in Belfast should be sickened. But is it going to get better? Well, I've no idea. Cities like Kingston upon Hull are preparing for more protests this summer, with a [counter demonstration planned](https://www.instagram.com/p/DZa5R5bumEO/?ref=scenemag.co.uk) by the local Stand Up To Racism against a protest on the 20th of June 2026, largely organised by John Francis Gilling who was behind the 2024 protest-turned-riot in the city. He went on to condemn the riot, but given that in the days prior we had seen 'peaceful protests' turn violent, it was not a surprise to anybody that Hull descended into chaos on the 3rd of August 2024. Now, thankfully, in Brighton the anti-immigration protestors were massively outnumbered by counter-protestors. It is exactly the blueprint we should strive towards. I live up north, so wasn't able to be there in Brighton. But one person I spoke to described it as a "carnival atmosphere" with music, dancing, and a very clear message to the sixty-or-so racists: your hate will not win. ![](https://www.scenemag.co.uk/content/images/2026/06/WhatsApp-Image-2026-06-13-at-14.52.28-1.jpeg) Image: Scene Magazine As somebody who helps to organise anti-racism and anti-fascist protests here in Hull, it's important to recognise that the response seen in Brighton is unusual. We don't usually see that level of public support, particularly in northern cities. I think we could all take a leaf out of Brighton's book and get on the streets every time the far-right decides to march to show them they are not welcome. This summer, we are likely to see huge organised protests by far-right groups across the United Kingdom. If you see a counter demonstration being organised, go to it. If you see an opportunity to get involved in your local Stand Up To Racism group or trade union, do it. These are the groups on the frontline of fighting against the rise of the far-right, and they urgently need your help. We will not be able to fight these groups with you sat comfortably in your armchair watching along on TikTok. Get out there and help your local groups. ![](https://www.scenemag.co.uk/content/images/2026/06/WhatsApp-Image-2026-06-13-at-14.52.28--1--1.jpeg) Image: Scene Magazine I guess, the message to take away from this is to be more Brighton. I'll sign off by saying a huge congratulations to everybody who turned out today. And a big fist (not that type of fist) of solidarity from us in the north. [Find your local Stand Up To Racism group](https://standuptoracism.org.uk/our-branches/?ref=scenemag.co.uk) --- ### The Doom and Gloom I feel it is important to get the doom and gloom out the way. The truth is, we need you to wake up to the threat that the far-right poses. If you are reading this article, you are very likely to be LGBTQ+, or an ally. But if you are privileged enough to think that 'this doesn't affect me', well, it does. People like Nigel Farage, Rupert Lowe, and Elon Musk despise your very existence. And they will not stop at destroying trans rights. **You are needed in this fight, or we all lose.** ### The Saturday Scene: Pride Month, a New York mayor, and the politics of actually meaning it URL: https://www.scenemag.co.uk/the-saturday-scene-pride-month-a-new-york-mayor-and-the-politics-of-actually-meaning-it/ Last updated: 2026-06-13T07:33:50.000Z _This post is for subscribers only._ ### Why gay dads get semen analysis before surrogacy URL: https://www.scenemag.co.uk/why-gay-dads-get-semen-analysis-before-surrogacy/ Last updated: 2026-06-12T14:01:23.000Z #### Contents Entering fatherhood with the love of your life can be quite the dream. And thankfully, there are many ways for two future dads to build a family. Surrogacy can be a fantastic option for both LGBTQIA+ individuals and couples who want to have biological children. The process can include many steps, including a semen analysis. ## What is a semen analysis? Semen analysis is a medical procedure that gauges the overall health of a man’s sperm and whether it’s capable of fertilising an egg. Its earliest application [dates back to 1934](https://embryo.asu.edu/pages/procedure-semen-analysis-described-world-health-organizations-laboratory-manual-examination?ref=scenemag.co.uk), way before the World Health Organization (WHO) created a standardised laboratory manual on the issue. The standard analysis looks into several key qualities of the semen, including sperm motility or how well the sperm move. A semen analysis should be able to measure the amount of sperm that comes out with a single ejaculate. The average is [normally 15 million sperm per millilitre](https://theyfactor.com/blog/what-is-a-semen-analysis-and-why-do-men-get-one?ref=scenemag.co.uk) or more, which indicates a high chance of conception. However, a lower count may indicate oligospermia. Oligospermia doesn’t necessarily mean that a man is infertile. However, lower sperm counts reduce the likelihood of fertilising the egg and creating an embryo. ### Sperm morphology Sperm morphology refers to the shape and structure of the sperm. Sperm analysis can involve microscopic inspection to assess the shape and quality of your sperm. In a single ejaculation, each sperm can have different forms. At least 4% of the ejaculation needs to have what’s considered a typical form. Sperm with an abnormal shape may find it challenging to penetrate an egg cell. The semen analysis involves the total fluid created during ejaculation. To compare, the sperm count measures concentration, while the sperm volume measures the liquefied quantity. It’s better to have a high volume, as too little may suggest problems with the prostate. ## What surrogacy for gay men looks like Surrogacy is traditionally known as the process of having a surrogate carry a child on behalf of another couple. It can be an effective way to help any couple have biological kids, including gay men. However, the proper terminology for them is gestational surrogacy or host surrogacy. Gestational surrogacy is distinguished by the surrogate having no biological relations to the baby they’re carrying. The embryo that will grow inside them is created through in vitro fertilisation (IVF) in a lab. Unless the surrogate is also the egg donor and you’re undergoing intrauterine insemination (IUI) treatment, they would have zero biological connection. Both heterosexual and homosexual couples may opt for gestational surrogacy to avoid any emotional and legal risks. It can also be a safer and more successful method when done right. Gay men will need to carry out the following steps. ### Finding a donor and surrogate Since both men can provide the sperm needed to develop an embryo, their main goal is to find an egg donor. There are already donors available who have undergone suitability tests. It’s illegal to pay them directly, but rest assured, they’ve already been compensated for their completed donation cycle. It’s also vital to find a surrogate. Some may arrange a match between family members, but you can also look for a carrier within the surrogacy community. You can [cover](https://www.hfea.gov.uk/treatments/explore-all-treatments/surrogacy/?ref=scenemag.co.uk) [reasonable expenses like](https://www.hfea.gov.uk/treatments/explore-all-treatments/surrogacy/?ref=scenemag.co.uk) loss of earnings, maternity clothes and travel expenses. Using your or your partner’s sperm for the surrogacy can ensure that you’re biologically connected to the child. However, it’s important to evaluate whether either of you is infertile first. Infertility [affects about one in six people](https://www.who.int/news-room/fact-sheets/detail/infertility?ref=scenemag.co.uk) of reproductive age worldwide. The semen analysis greatly helps with this, since it can accurately provide information on whether the sperm is in condition for egg fertilisation. A semen analysis is actually used as a way to confirm that a vasectomy procedure is successful. ### Choosing whose sperm to use If you and your partner are both fertile, you’d have to choose whose sperm to use. You can both provide sperm sources, and the laboratory will assess which sperm is most compatible with the donated eggs. On the chance that both are compatible, you and your partner may choose which sperm is used for the egg. Some couples may decide to keep the sperm that was officially used private when retelling the story to avoid perceptions of who the “real” father is. That said, under the surrogacy arrangement, both dads are legally the parents of the child. You also must consider your overall health before the surrogacy. Some people may find blood in their semen and feel alarmed. Hematospermia is [often due to a temporary infection](https://bodymind.com/a-mens-health-screening-guide-for-every-decade/?ref=scenemag.co.uk), but you can seek additional evaluation to rule out underlying causes. ## The process of a semen analysis Semen analysis may sound intimidating, but it’s a very noninvasive process. The sample is collected through masturbation and ejaculation. It’s recommended to collect the semen cleanly and without lubrication. Aim to avoid spillage and do not drink before the analysis. Results from a semen analysis can be [available within the same day](https://www.webmd.com/infertility-and-reproduction/what-is-semen-analysis?ref=scenemag.co.uk) or take a few days. The total timeline can depend on whether you collect the sperm at a clinic or at home. ### Can you skip semen analysis? It’s not recommended to skip semen analysis since it provides critical information about the health of your sperm. If you and your partner are both possible candidates but have chosen a single contributor, the other person may opt out. Should the results reveal that one person’s sperm is of low quality, it may be best to conduct another semen analysis. That way, you can see whether surrogacy is a viable option to start a family. ## More ways for gay dads to ensure a safe surrogacy Semen analysis is a key step in ensuring a safe surrogacy for gay men, and there are many other ways that you can make the process smoother. ### Avoid rushing the process As exciting as fatherhood can be, it’s important to exercise caution and patience. Surrogacy can have a longer timeline outside of your surrogate carrying your baby because of all the medical clearances and legalities that need to be ironed out. As lengthy as they may be, these steps ensure that everyone is safe and protected, including your future child. ### Review legal information Remember to review the surrogacy arrangement and to work with a reputable donor, surrogate and fertility team. While not fully enforceable, they outline expectations regarding medical care and finances. Be wary of disagreements over who the child’s legal parents are, as this [will result in a court decision](https://www.gov.uk/legal-rights-when-using-surrogates-and-donors?ref=scenemag.co.uk) based on the child's best interests. ### Seek out emotional support Going through surrogacy can be a stressful phase in your relationship and life. It’s vital that you and your partner practice open and transparent communication to avoid any misunderstandings and stay on the same page. You should also look to friends and family for support at every step. ## Make the right decisions for your future family Pursuing surrogacy can require plenty of preparation from both dads. A semen analysis can help reassure you that you and your partner are ready to embark on the journey. Check your health and make informed decisions for your future children. ### TransActual criticises end of endocrine care for young trans patients at WellBN URL: https://www.scenemag.co.uk/transactual-criticises-end-of-endocrine-care-for-young-trans-patients-at-wellbn/ Last updated: 2026-06-12T12:40:02.000Z A trans advocacy organisation has condemned the withdrawal of endocrine care for young trans people receiving treatment through **WellBN**, warning that patients could be left without access to gender-affirming healthcare. In a statement issued following the publication of an **NHS Sussex** investigation into the Brighton GP practice, **TransActual** said it was "disturbed" to learn that young trans patients had received letters informing them that their access to endocrine care would end in July. According to the organisation, patients aged 16 and over will be referred to **NHS Children and Young People'**s gender services, but with "no guarantee" they will be able to continue receiving gender-affirming hormone treatment. For those under 16, TransActual said there would be "no prospect" of accessing hormone treatment through the NHS until adulthood and no certainty of being able to obtain puberty blockers. The campaign group argued that the move risks causing immediate harm to young people currently receiving care. The NHS Sussex investigation was launched following legal action brought on behalf of a parent who raised concerns about their teenage child's transition-related treatment at the practice. The resulting report, published this week, examined the care provided by WellBN to young transgender patients. ![](https://www.scenemag.co.uk/content/images/2026/06/472055101_572857098961731_6704708499654654478_n.jpg) While the investigation identified concerns and repeatedly referred to the possibility of "potential harm", TransActual highlighted a section of the report which acknowledged that WellBN staff had demonstrated a "genuine desire and commitment" to supporting young trans people and their families. The organisation said many patients had reported positive experiences of care at the practice, particularly after facing long waits to access specialist NHS gender services. TransActual argued that the greater danger now lies in the loss of treatment pathways for young people who may find themselves without access to ongoing care. "While the investigation points repeatedly to 'potential harm' to young people at the clinic, young trans people now face the very real harm of being left with no clear route to accessing care - or no route at all," the statement said. Addressing affected patients and families directly, the organisation added: "TransActual stands with you. "You deserve access to timely, affirming healthcare, free from political interference and we will keep working until access to that care is restored." ### BBC to air exclusive Madonna interview with Graham Norton URL: https://www.scenemag.co.uk/bbc-to-air-exclusive-madonna-interview-with-graham-norton/ Last updated: 2026-06-12T11:47:32.000Z BBC will broadcast a world-exclusive special later this month featuring **Madonna** in conversation with **Graham Norton**. Recorded at London's iconic **Koko** in Camden, the venue where Madonna performed her first UK concert in 1983 and later launched her acclaimed 2005 album *Confessions on a Dance Floor*, the programme will see the global superstar sit down for an intimate and wide-ranging interview reflecting on her life, career and enduring influence on popular culture. The special, *Madonna & Graham*, comes ahead of the release of Madonna's highly anticipated new album, *Confessions II*, which is due to be released on **3 July**. During the programme, the singer discusses her early years in New York, her longstanding relationship with the UK, and her recent performance at **Coachella**. The interview will also feature appearances from special guests, including Madonna's long-time collaborator **Stuart Price**. Together, they offer insights into the making of the new album, exploring the stories, inspirations and creative process behind the project. Speaking about the programme, Norton said: "As a lifelong fan it is always a thrill to interview Madonna, but to meet her on the dance floor where she first performed in London over thirty years ago felt incredibly special. She remains a legendary pop icon who is still doing what she does best - getting people up to dance." A huge gay icon, Madonna remains one of the most successful recording artists of all time. Since releasing her debut single *Everybody* in 1982, she has achieved 13 UK number-one singles and 12 UK number-one albums, won seven Grammy Awards and two Golden Globe Awards, and was inducted into the Rock and Roll Hall of Fame in 2008. 💡 **Madonna & Graham* will air on BBC One on Friday, 26 June at 10.40pm and will also be broadcast on BBC Radio 2 on Saturday 4 July from 6pm to 8pm. Both programmes will be available on BBC iPlayer and BBC Sounds for 30 days after transmission. ### Complaint lodged against Reform UK council leader George Finch after he calls for trans books to be removed from libraries URL: https://www.scenemag.co.uk/complaint-lodged-against-reform-uk-council-leader-george-finch-after-he-calls-for-trans-books-to-be-removed-from-libraries/ Last updated: 2026-06-12T11:32:09.000Z **Warwickshire County Council** leader **George Finch** is facing a fresh code of conduct complaint after saying books containing what he described as "contested gender ideology" should be removed from the county's libraries. The **Reform UK** councillor said he had received complaints from residents about some children's books and argued libraries should "not seek to embolden political ideologies" that are "highly charged and polarising". He said such ideas should not be "taught to children as pure fact". Speaking to **BBC CWR**, Finch said his concerns related to trans issues rather than sexuality. Refusing to identify any specific books, he said: "Kids should be taught how to be good people, not if they want to be a boy or a girl - that's completely irrelevant." In a later statement, Finch said Warwickshire's libraries should be "politically neutral, family-friendly" and should not promote political causes. He added that material involving "sex, gender, identity or other social or medical issues" should be presented in an "age-appropriate and responsible way". He said a new policy would be developed "thoughtfully and lawfully" to give parents "peace of mind that their children are not being told to believe one set of political ideas over any other". The policy would apply not only to libraries but to all council-owned public spaces. Following his comments, **Warwickshire Pride** submitted a formal code of conduct complaint, saying his remarks further marginalised LGBTQ+ people. The group said treating LGBTQ+ identities as a political ideology rather than "the lived reality of thousands of people" was both misleading and harmful, and warned against using libraries as "tools for political censorship". The complaint comes after an independent investigation found Finch breached the council's code of conduct over comments that could have jeopardised a child rape case. Other complaints relating to his social media activity are also understood to remain under investigation. Warwickshire County Council said it could not comment, describing the matter as a political issue. Opposition politicians and LGBT+ groups also criticised Finch's proposals, arguing libraries should remain places of learning, inclusion and free access to information. ### Portraits of Pulse: Exhibition commemorates victims of Pulse nightclub shooting, 10 years on URL: https://www.scenemag.co.uk/portraits-of-pulse-exhibition-honours-victims-as-orlando-marks-10-years-since-nightclub-shooting-devesraed-lgbtq-communi/ Last updated: 2026-06-12T10:56:12.000Z Ten years after the **Pulse** nightclub shooting shocked the world and left a lasting scar on **Orlando**'s LGBTQ+ community, a new exhibition is offering a deeply personal tribute to the 49 people who lost their lives. ***Created in Community: Portraits of Pulse***, which opened at **Orlando City Hall** this week, forms part of the city's programme of events marking the 10th anniversary of the attack on **12 June 2016**. The exhibition features 49 portraits, one for each victim, created through a collaborative project involving family members, friends and members of the wider community. The artworks were originally conceived in 2017 by Orlando artist **Jeff Sonksen**, who designed the portraits in a paint-by-numbers format. Loved ones of the victims worked together to complete the paintings, transforming a creative process into an act of remembrance and healing. ![](https://www.scenemag.co.uk/content/images/2026/06/721575990_1479975584169272_3636292133387514086_n.jpg) City of Orlando Facebook According to organisers, more than 1,000 people contributed to the wider project, which became part of the **Orlando Travelling Memorial**. The collection was acquired by the **Orange County Regional History Center** in 2024 to ensure its long-term preservation. City officials say the exhibition is intended not only to honour those who were killed, but also to celebrate their lives and the community bonds that endured in the aftermath of the tragedy. Some families completed their portraits together, while others left sections unfinished, reflecting lives cut short and journeys interrupted. The Pulse shooting remains one of the deadliest attacks on LGBTQ+ people in modern history. In the early hours of 12 June 2016, a gunman opened fire inside the popular Orlando nightclub during its Latin Night event, killing 49 people and injuring dozens more. The victims were predominantly Latino, and the attack reverberated far beyond Florida, prompting vigils and memorials around the world. ![](https://www.scenemag.co.uk/content/images/2026/06/721041631_1479975317502632_3572793726810441216_n.jpg) City of Orlando Facebook The anniversary is being marked across Orlando with remembrance ceremonies, exhibitions and community gatherings. A commemorative service on Friday evening will include musical performances, reflections from community leaders and the reading of the names of the 49 victims. For many visitors, however, the Portraits of Pulse exhibition offers one of the most intimate opportunities to reflect on the human stories behind the tragedy. Rather than focusing on the violence of that night, the exhibition centres on the individuals who were lost and the people who continue to carry their memory forward. 💡 The free exhibition is on display in the Terrace Gallery at Orlando City Hall until 23 August. ### Manchester Pride is BACK! Here's what happened... URL: https://www.scenemag.co.uk/manchester-pride-is-back-heres-what-happened/ Last updated: 2026-06-16T09:20:34.000Z After [Manchester Pride Limited imploded](https://www.scenemag.co.uk/nelly-furtado-among-stars-owed-money-as-manchester-pride-collapses-into-liquidation/) in October last year (leaving artists and suppliers owed a total of £1.3million), Pride has been resurrected by a newly formed group who are now running the event: [**Manchester Village Pride CIC**](https://www.manchestervillagepride.org/?ref=scenemag.co.uk)**.** I had a chat with three of the directors - **Carl Austin-Behan** (former Mayor and current LGBTQ+ mayoral advisor), **Nick Curtis** and **Andrew Underwood** (co-owners of the **Richmond Tea Rooms** and **Eagle Bar**) - to hear more about their experience of taking on the weekend. Nick explained how when he left the Manchester Pride board back in 2018: "the festival was in a great financial situation: it had a lot of money in reserves, it was raising lots of money for charity and it had a really great impact on the community". However, he argued that in the following years it had descended into being more about the business than the community. Carl, who left his previous role as ambassador for Pride around the same time, said that they were "hemorrhaging money" with their annual wage bill being over £600,000\. The decision to move Pride to Mayfield Depot in 2025 had also been very unpopular, and had caused tensions with the businesses in Gay Village. ![](https://www.scenemag.co.uk/content/images/2026/06/LEVEN-Manchester-Pride-6.jpg) OutThere Already in a dire financial state, they threw everything at last year's Pride as they were banking on getting **Euro Pride** which would have helped shore up their finances. "But that money would have just been spent covering the cost of the Pride that's just gone," explained Carl, "and to lose out to Limerick who got 70% of the vote says a lot." "It's fraudulent what they were doing: saying we're going to pay these people. They would have known that they couldn't have paid the artists months ago, so why book all these people?" "None of the charities I know got the funding they were told they were going to get. I want to know where that money has gone." There will hopefully be more clarity when the investigation is concluded by the liquidators. None of them were surprised when Manchester Pride Limited went bust late last year. Following this, Carl described how a group of them had decided something needed to be done to save Pride. "\[Pride\] is so important to the community, and also to the city as part of the annual calendar... In 2011, the Pride weekend saw hotels in Manchester at [97% capacity](https://www.placenorthwest.co.uk/hotel-occupancy-rises-in-greater-manchester/?ref=scenemag.co.uk). If Pride didn't go ahead this year somewhere like Leeds, Birmingham or Blackpool could've quite easily said 'we're having that bank holiday Monday', and then we would have lost the bank holiday weekend forever. That would've been a real economic loss for the city." The group comprises business owners in the Village (Tracy from New York, New York, Andrew, Nick, Gerrard from Cruz, Frank from the off licence...) and three independents who are very involved in the community (Carl, Phil Burke, and Rob Malcomson). None of them were a part of Manchester Pride Limited when it entered liquidation. "It was about the fact of starting back, going back to grassroots, bringing it back to the community," said Carl. ![](https://www.scenemag.co.uk/content/images/2026/06/Screenshot-2026-06-11-at-19.47.20.png) They got the go-ahead from the council at the end of January, and then the real work began. Andrew explained how as there had been no handover, they had to start from scratch, having only six months to plan what would usually have taken a year. On top of this they are all volunteers: "Every day there's been meetings and emails, it's kind of a full time job in itself while trying to run a bar and a tea room on the side." "It is full on but I wouldn't change it," added Carl, "even though I'm going to bed at 1am, waking up at 3am, with anxiety - 'Have I've done this? Have I've done that?' - and then going to do my normal day job on top of that. What has been brilliant and really heartwarming is the fact that so many people have come forward to support and help." Building trust has been a big part of the job. It has helped that the board is made up of figures who are already central in the community, and as no-one was a part of last year's Pride there is recognition that they are not to blame for what happened. However, there are still lasting impacts from what happened last year. "There's a lot of trust to build back, especially when we're asking some of these people to work who didn't get paid last year from Manchester Pride," Carl explained. In April, [Manchester Village Pride CIC signed an Equity agreement](https://www.scenemag.co.uk/equity-and-manchester-village-pride-sign-landmark-union-agreement/), a historical moment marking the first union agreement ever for a UK Pride event. It means that acts will receive a portion of pay before the event, and ensures that no performers will be asked to work for free. ![](https://www.scenemag.co.uk/content/images/2026/06/manchester-village-pride-agreement-photo-onlyonebimmy.jpg.webp) Equity To add to this, Andrew described how Manchester Pride Limited "muddied the water when it comes to financials, so we want to be very transparent about where money has come from and what it is going to." They have also been much more stringent in terms of spending, such that the whole list of artists for the Friday to Sunday night has come under less than what the one main headliner cost for Pride last year. They are certainly not holding back, however, in terms of the range of things that will be taking place across Manchester over the weekend. Programme highlights include ***SCENE Festival*** screenings, the parade on Saturday and a "family fun day" on the Monday. The group are committed to delivering, and know that people will be watching. Carl spoke of how important it is that Manchester Pride comes back strong this year, considering the current political backdrop. "If Reform \[UK\] gain more council majorities across Greater Manchester in the coming years, I can see that funding will be taken away \[from local Prides\]... We need to be strong in Greater Manchester and continue fighting for the rights of LGBTQ+ people, and especially trans people." Since our chat, the new Reform UK council leader in St Helen's, Merseyside, announced that [the council will no longer support or promote Pride](https://www.scenemag.co.uk/reform-uk-leader-of-st-helens-borough-council-pulls-support-for-st-helens-pride-claiming-event-affiliated-to-harmful-trans-ideology/). So, spread the word! Manchester Pride is back on and will be taking place **28 - 31 August**. [Buy your wristbands](https://www.skiddle.com/festivals/manchester-village-pride/?ref=scenemag.co.uk) early, as this will help them ensure the weekend goes ahead as planned. ### Switchboard to celebrate 50 years of LGBTQ+ community care with anniversary event URL: https://www.scenemag.co.uk/switchboard-to-celebrate-50-years-of-lgbtq-community-care-with-anniversary-event/ Last updated: 2026-06-12T10:28:03.000Z **Brighton & Hove LGBT Switchboard** is inviting LGBTQ+ communities to come together this summer for a special event celebrating 50 years of queer community care, connection and support. Taking place on **Thursday, 30 July** at **6-9pm** at **Brighton i360**, the free community celebration will bring together supporters, volunteers, service users, partners and generations of LGBTQ+ people connected to Switchboard’s history and future. ![](https://www.scenemag.co.uk/content/images/2026/06/484328260_1090491203122241_6753838501433711108_n-2.jpg) Switchboard has supported LGBTQ+ people in Brighton & Hove through five decades of social change, activism and community organising. From its early years as a volunteer-run helpline through to today’s wide range of wellbeing, advocacy and inclusion services, the charity has remained at the heart of LGBTQ+ life in Brighton & Hove. The anniversary event will feature drag performances from Ophelia Payne, awards recognising contributions to LGBTQ+ life in Brighton & Hove presented by **Amanda Collier** (*The Traitors UK*, Series 4), food from **Lunch Positive,** and space for reflection, creativity and connection. **Rob Sainsbury, CEO** at Switchboard, said:“Reaching 50 years is a huge milestone for Switchboard and for LGBTQ+ communities across Brighton & Hove. "We want this event to bring people together to celebrate the friendships, activism, care and resilience that have sustained the organisation over five decades, and to recognise the role community continues to play in LGBTQ+ people’s lives today.” ![](https://www.scenemag.co.uk/content/images/2026/06/527217063_18399729061191606_9196818244221538779_n.jpg) The event forms part of Switchboard’s wider 50th anniversary programme, celebrating LGBTQ+ support, advocacy and community care in Brighton & Hove. The celebration takes place ahead of **Brighton & Hove Pride** weekend and aims to welcome both longstanding members of the community and newer generations connected to the city’s LGBTQ+ life. [**Free tickets are available via EventBrite**](https://www.eventbrite.co.uk/e/brighton-hove-lgbt-switchboards-50th-anniversary-community-event-tickets-1991551010684?aff=ebdssbcategorybrowse&ref=scenemag.co.uk) ### INTERVIEW: Max Hovey explores queer culture’s tough conversations in NO FATS, NO FEMS: A Guide to Queer Empathy and Unpacking Prejudice URL: https://www.scenemag.co.uk/interview-max-hovey-nofatsnofems/ Last updated: 2026-06-12T09:17:02.000Z Meet **Max Hovey**, a **London** based writer, creator, [**Climax**](https://www.youtube.com/@climaxlgbtq?ref=scenemag.co.uk) founder and one of the most unfiltered voices in queer spaces right now. If you haven’t seen him online yet, you’ve definitely missed a conversation. Max uses his platform to crack open everything from body image and sex positivity to mental health and the messier sides of LGBTQIA+ life. No filters and no softening the blow! His work has landed in **The Independent**, **Attitude**, **GQ**, **Bustle** and now **Scene**! It’s his brutally honest, long form storytelling that’s built a loyal following and now, he’s an official author. His debut book **NO FATS, NO FEMS** is out right now huns. It’s part manifesto, part reality check, taking on the exclusion, bias and internalised issues that still exist in queer communities and asking what it would really take to do better. Drawing on personal stories and wider research, Max digs into identity, intersectionality, body image and what community actually means, without ever turning preachy. I had a yap with Max to discuss the book of course, the backlash and everything in between so let's dive in....head first! > [ View this post on Instagram ](https://www.instagram.com/p/DVEaw-ajCgh/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Max Hovey (@max\_hovey)](https://www.instagram.com/p/DVEaw-ajCgh/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) DALEYPOP: Hiiii Max how are you and what's your day looked like so far?! MAX HOVEY: Soooo today involved an early morning leg day at the gym, followed by getting some more book marketing prepped as well as planning my usual sex ed content. I spin a lot of plates! DALEYPOP: For our readers who might not have discovered you yet, please can you introduce us to yourself and what you do etc. MAX HOVEY: I’m a gay sex educator and big boy advocate! The gay community has it's issues to say the least but it’s very easy to just point the finger and blame each other for our behaviour (which is still valid by the way) without digging a little deeper as to why we think and act the way we do. Both our relationships to sex and our bodies are something much bigger than us and so I’ve made it my job to talk about these things for a living. DALEYPOP: This is your first book, huge congrats again on officially becoming a published author! You must feel super proud of yourself. How did the idea for NO FATS, NO FEMS happen and have you always been drawn to writing? > [@maxhovey](https://www.tiktok.com/@maxhovey?refer=embed&ref=scenemag.co.uk "@maxhovey") > > At one point he thought he’d have to take being gay to the grave, he’s now signing his debut book about queer empathy😭🌈 > > [♬ Sand Drawing - Judah Earl](https://www.tiktok.com/music/Sand-Drawing-7410721101360449537?refer=embed&ref=scenemag.co.uk "♬ Sand Drawing - Judah Earl") MAX HOVEY: Thank you. I’ve always loved writing, I’ve been writing for publications and my own personal blogs since my late teen years. I was made aware from when I was about 6 by my mum that I had a “very strong sense of right and wrong” and I still do to this day. > Writing gives me the ability to articulate myself in more detail on topics I care deeply about but most articles are usually capped at about 800 words, so I knew a book was something I wanted do for years. I knew I wanted it to be something important, something meaningful and something rarely discussed in depth, but I just didn’t know where to start as there is so much for us to unpack as a community. Then the title just came to me. NO FATS, NO FEMS. It was punchy, it was controversial and it got people's attention. More importantly, the contents of the book was going to be made pretty clear by it. As soon as I had the title, the rest of the book followed. DALEYPOP: NO FATS, NO FEMS is something many of us in the queer community have come across especially on dating apps. How did you go about unpacking its impact without alienating the very people you're speaking to? MAX HOVEY: Within the book itself, I’ve spoken very openly about my own personal experiences and my past. > It was important for me to write this not from a pedestal, but from a place of growth. Many of the mindsets I discuss in the book I admit to once having myself. That’s why I felt this was the perfect book for me to write. I’m not saying you’re a terrible person, I’m saying this is a thought process you may have and it’s not your fault, but refusing to acknowledge and unpack it is still your responsibility. I think it’s important for people to fully understand why we’re wired the way we are before we’re able to work on it. So the book tries to guide the reader through this process, as well as saying hey, I’ve been where you are, I’ve shared these mindsets, but it’s possible to unlearn them and incredibly liberating when you do. DALEYPOP: You weave in voices from **Danny Beard** and **MNEK** in your book, was it important for you to make this a collective conversation rather than just your own perspective and if so, how come?! MAX HOVEY: I’m a cis white gay man and with that comes a lot of privilege. Not only is it not my place to speak on certain topics, but in many cases I also lack the personal experience. > When it comes to understanding intersectional queerness, it’s incredibly important to listen to people whose experiences differ from our own. Speaking to 21 different queer individuals for this book is what made it what it needed to be. DALEYPOP: You talk about internalised prejudice within queer spaces in the book, what were some of the most challenging truths you had to confront in yourself whilst writing? MAX HOVEY: The biggest one was my views on femininity and body image. In my younger years, whilst I don’t recall ever using the words on the cover of my book, I shared their sentiment. > I had internalised homophobia and femphobia and I had internalised fatphobia. I didn’t have any truths to confront whilst writing per se, as I’d already confronted them. By the time I was writing this book, I was in a place to fully reflect on the journey of where my prejudices came from, how I perpetuated them, how I unlearned them and how even I still have work to do. DALEYPOP: I love how you explore race, class and identity, how do these factors complicate ideas of desirability and belonging in queer culture today in your opinion? MAX HOVEY: The only solid representation we have of queer (men in particular) is of masculinity, muscularity and whiteness. We never see feminine black men represented desirably, we rarely see plus size white men, let alone POC’s, represented desirably. When we don’t see ourselves represented it’s hard to feel like we belong, it’s hard to feel that others find us desirable. DALEYPOP: There’s a strong theme of empathy (again I love this) throughout the book. What does queer empathy mean to you in practice though? Especially in everyday interactions like dating or nightlife? MAX HOVEY: Just being understanding of different peoples experiences. I say this many times in my book, just because it doesn’t impact you does not mean that it doesn’t impact other people. I think that’s the main thing to remember. > It’s just taking a step back and thinking about how other people's experiences will be different from our own. DALEYPOP: For some of our readers who might feel a tiny bit defensive when confronted with their own biases, how do you hope the book reaches and resonates with them? MAX HOVEY: Give yourself grace. One point I make in the book is that not only do we need to have empathy for others in the community who may struggle more than we do, but we also need to have patience for those who are still learning. Having an unconscious bias isn’t our fault. It’s the result of decades of information being fed to us that can skew our perspective. For myself, I do feel shame about my past mindsets and behaviour but I also give myself some grace as I was the product of the system, as we all are. Having an unconscious bias, internalised prejudice or privilege doesn’t define your character; what defines it is what you do with it. Will you comfortably sit back, knowing that your behaviour and mindsets negatively impact your peers or will you take the time to do some unlearning and in turn, help make the lives of other queer people a little less painful? DALEYPOP: With LGBTQIA+ rights under increasing pressure globally, how do you see this kind of internal community work connecting to the bigger picture of activism and what does Pride personally mean to you? MAX HOVEY: I think about this graphic in the **New Yorker** a lot. For all of the rights many faults, they’re united. They have a clear and more importantly, shared goal, even if that goal is targetting us. The left however is often incredibly fragmented, in my book I describe the left as often being cannibalistic. > Holding each other accountable is both our biggest strength and our biggest weakness. In the end, a lot of our strength becomes wasted fighting each other, rather than fighting FOR each other. Hopefully, this book can help us better understand each other and over time, have a more united front to fight back because right now, we’re losing. DALEYPOP: You touch on this tension of feeling judged and judging at the same time. Why do you reckon that cycle is so hard for us queer men to break?! MAX HOVEY: I state that quite often, those who are the most insecure are the most judgmental. This is true for everyone though, not just queer men. But when we spend most of our lives feeling short changed in our self worth and made to feel inferior, it creates two things; a lot fo insecurity and a yearning for validation, reassurance and to prove our worth. That’s what creates this vicious cycle, we judge others for the very thing we fear the most. What many of us end up doing is masking our insecurities through financial success, our body and appearance, our partners etc, rather than addressing the insecurities head on and unpacking why they exist to begin with. DALEYPOP: If someone reads your book and still says it's just a preference....what would your slightly unfiltered response be? MAX HOVEY: So if it’s a preference, you’re saying that if your preference wasn’t available you’d still be okay being with someone who wasn’t your exact type or preference? If the answer is no, then that’s not a preference. > Refusing to date black people or any other person of colour isn’t a preference, refusing to date someone feminine or plus size isn’t a preference. That’s not me saying you have to date or fuck everyone but instead maybe consider why your so called preference exists to begin with. DALEYPOP: Now that your first book is out in the world, has it made you want to write another and if so what might you explore next oh and how long did this one take you? MAX HOVEY: I absolutely want to write another one. I want to be a writer, it’s the one place I can formulate my views in an unfiltered and unrestricted way. You’ll have to wait and see but this one took me 3 years! DALEYPOP: Any plans for book tours or signings (maybe **Brighton**👀)? Annnd will we be spotting you at **Brighton Pride** this year? MAX HOVEY: I’ve got a few events! I was in **Swansea** for a talk in **Waterstones** recently andI’ll be at **Queer Britian** on the 24th June and am hopefully going to **Manchester** too! But it’s a lot of planning. I am hoping to be at Brighton Pride yes! DALEYPOP: Before I let you go, who's your crush of the day, mood of the day and song of the day?! MAX HOVEY: I’m feeling very blessed. I went to **Mighty Hoopla** and so many people came up to me to thank me for my book having already read it a week after it came out! Plus I got to see **Alexandra Burke** and my love for her has come back tenfold so absolutely blasting her in my ears whilst working today! > [ View this post on Instagram ](https://www.instagram.com/reel/DZF8tokMEVm/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Max Hovey (@max\_hovey)](https://www.instagram.com/reel/DZF8tokMEVm/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) NO FATS, NO FEMS is published by [****HarperCollins**](https://harpercollins.co.uk/?ref=scenemag.co.uk) and available to order now [HERE](https://lnk.to/NoFatsNoFems?ref=scenemag.co.uk). You can also book tickets here for a special meet the author at Queer Britain [HERE](https://www.outsavvy.com/event/36421/meet-the-author-max-hovey-no-fats-no-fems?ref=scenemag.co.uk). Max will discuss his new book. The conversation will be chaired by author, founder and storyteller [****Kenny Ethan Jones**](https://www.instagram.com/kennyethanjones/?ref=scenemag.co.uk). Your ticket includes admission to the [****Queer Britain Museum**](https://queerbritain.org.uk/?ref=scenemag.co.uk). ### "Your message of hatred is not welcome": Leader of Brighton & Hove City Council speaks out ahead of planned far-right protest in the city URL: https://www.scenemag.co.uk/your-message-of-hatred-is-not-welcome-leader-of-brighton-hove-city-council-speaks-out-ahead-of-far-right-protest-in-the-city/ Last updated: 2026-06-12T08:38:53.000Z The leader of **Brighton & Hove City Council** has issued a warning to far-right groups reportedly planning to travel to the city this weekend, urging them to stay away and saying their “message of hatred is not welcome”. Councillor **Bella Sankey** said the planned demonstration on Saturday was intended to “stir up division” and described it as “unpatriotic”, stressing that Brighton & Hove’s identity is rooted in diversity and inclusion. In a statement shared via the council’s social media channels, Cllr Sankey said: “On Saturday far right agitators are planning to come to Brighton for an unpatriotic march to stir up division. My message to them is simple: don’t come.” She emphasised that Brighton & Hove is “a proudly diverse city” where people of different backgrounds, faiths and identities “live side by side peacefully”. Highlighting the city’s long-standing reputation for tolerance, she added: “In Brighton & Hove difference is famously our strength.” The council leader pointed to a number of factors underpinning that diversity, including the 108 languages spoken locally, the international make-up of **Brighton & Hove Albion** football club, and the fact that around 30% of schoolchildren come from global majority backgrounds. Her comments come amid concerns among residents about the potential for unrest. Acknowledging these anxieties, Cllr Sankey said events of this nature can have a disproportionate impact on communities already facing discrimination or intimidation. “To Brighton & Hove residents I recognise that events like this cause concern and can affect communities in different ways,” she said. She confirmed that the council is working closely with community representatives to provide support and share information, and is liaising with **Sussex Police** as preparations are made for the weekend. “The council is also working closely with Sussex Police to ensure they are planning to deploy appropriate resources to keep people safe and minimise disruption,” she added. Cllr Sankey said her “priority is ensuring residents, communities and businesses are protected”, and urged people to remain vigilant and look out for one another. Residents are being encouraged to report incidents promptly. In an emergency, people should call 999, while hate crime can be reported anonymously via Crimestoppers on 0800 555 111. “Please look out for each other,” she said. “If you witness anti-social behaviour, a hate incident or crime please report it as soon as possible.” ### Brighton LGBTQ+ venue The Queery closes permanently citing 'longstanding issues' and financial pressures URL: https://www.scenemag.co.uk/brighton-lgbtq-venue-the-queery-closes-permanently-citing-longstanding-issues-and-financial-pressures/ Last updated: 2026-06-11T16:24:02.000Z **The Queery**, the Brighton LGBTQ+ community café, bookshop and event space, has closed permanently after members voted to dissolve the co-operative that operated it. The decision was taken at the organisation's Annual General Meeting on **31 May** 2026. Announcing the closure, the co-operative said: "This decision was not taken lightly." It said the move followed discussion of "long-term cultural, organisational and financial issues which had been repeatedly raised over time and remained unresolved". As a result, the organisation confirmed that "all event bookings have been cancelled and the space will not reopen for trading". The statement added: "We know this news may be upsetting, disappointing or difficult for many people in our community." The Queery said it was working with insolvency professionals as part of the closure process and sought to reassure artists, makers and others with property at the venue. It said: "No personal items, items included in our current gallery display, or items on consignment sale in the shop will be moved, damaged, or disposed of." The co-operative added that it was working "to ensure proper procedures are followed, including the return of any items that do not belong to The Queery as quickly and safely as possible". Artists, authors, makers, suppliers and others with items stored at the venue have been asked to contact the organisation to arrange their return. Reflecting on the venue's legacy, the statement said: "The Queery was founded with good intentions, and over the years it offered many people shelter, friendship, creativity, connection and care." The co-operative also thanked "everyone who supported, volunteered in, visited, donated to, performed at, organised within or otherwise helped shape the space". However, the statement also contained a frank assessment of the challenges faced by the organisation. "At the same time, we must acknowledge that The Queery also faced longstanding issues," it said. The co-operative said those issues included "operating in ways that did not always reflect its stated values, causing harm to members of the community it sought to serve, and contributing to the loss of volunteers, visitors and trust". It concluded that those problems, together with wider economic pressures, made closure unavoidable. "These issues, alongside the financial pressures faced by many physical community spaces, mean that we do not believe it would be responsible for the co-operative to continue operating." The Queery had become a well-known fixture within Brighton's LGBTQ+ community, hosting events, workshops, exhibitions and social gatherings alongside its café and bookshop. ### REVIEW: Blowie (2025) URL: https://www.scenemag.co.uk/review-blowie-2025/ Last updated: 2026-06-11T15:28:54.000Z Hello cinema lovers. In 1978, John Carpenter kicked off the slasher movie era with the seminal classic *Halloween*. There have been many variations of that original idea, but never a gay porn spin. *Blowie* is the queer slasher you never knew you needed. A crazy, hardcore Welsh horror sex romp that somehow earns its cult credentials. An ambitious endeavour all round. ![](https://www.scenemag.co.uk/content/images/2026/06/in-hut.jpg) image provided The setup is straightforward. A group of handsome sex workers rent a remote Welsh country mansion to shoot OnlyFans content. An accident kills one of their number during a latex scene gone horribly wrong. The group cover it up, dump the body, and attempt to carry on. Enter Clark, the victim's secret lover, sent as a replacement performer but really there to find out what happened to the man he loved. What follows is part slow-burn thriller, part revenge slasher, part porn flick and very unique. ![](https://www.scenemag.co.uk/content/images/2026/06/Blowie-window.jpg) image provided Experienced porn performers **Bishop Black, Kayden Gray, Gabriel Cross, Leander** and **Kali Sudhra** all play fictional versions of themselves in a loose, relaxed manner. The performers bring chemistry and an ease with their own bodies that comes across as authentic on screen. It's a pleasure to watch all these sexy fit men in various states of undress on the screen. Bishop Black is a standout here, drawing from a background in performance art and occult theatre that lends itself to the plot. **Clark Lewis** plays the outsider-investigator; his performance walks a tricky balance between vulnerability and obsession, but he pulls it off impressively. ![](https://www.scenemag.co.uk/content/images/2026/06/walk.jpg) image provided Directors **Ed Aldridge** and **Sam Lidbetter** shoot the remote Welsh setting beautifully, giving the isolation a hint of menace. POV shots establish an unseen presence and echo classic slasher themes reminiscent of Michael Myers. The cinematography is really well done despite the budget restrictions; talent always shines through regardless of limited funds. The script is funny and informative about the ins and outs of content creation without patronising the industry. The tarot scene in the garden shed is a highlight of the movie. The rubber-suited killer, all gimp mask and blonde wig, feels inspired by movies like *The Collection* and *Texas Chainsaw Massacre* with a queer twist. The filmmakers made a smart artistic choice on that front. The sex scenes are explicit and genuine, but it never feels like the actors are being exploited. This movie gives the characters a sense of agency in their choices. Where queer horror has in the past used gay sex as a device to suggest deviance or punishment, *Blowie* rightly treats it as natural. Sex work is a job and is shown as such. There is a sweet flashback between Clark and Leander that's very intimate. The tender relationship between them is the emotional backbone of the film. ![](https://www.scenemag.co.uk/content/images/2026/06/Blowie-door-2.jpg) image provided The commentary on sex worker vulnerability in relation to police and authority figures is less developed. However, these messages matter, and the filmmakers deserve kudos for sincerity. It feels tacked on in parts and unfortunately reads as a bit clumsy. You can't win them all. The major slasher themes do take a while to arrive on screen, and some viewers will feel the pacing tests their patience. The kills, when they come, are gruesome and well directed for an independent production of this scale. ![](https://www.scenemag.co.uk/content/images/2026/06/out-hut.jpg) image provided *Blowie* is the type of movie to be enjoyed without taking it too seriously. It is messy, and sometimes brilliant; it is filled with hot sexy porn actors that show off their asses and dicks with pride, and for that alone it's worth the price of entry. Leander and Bishop Black are frankly hot as hell. It has all the makings of a queer cult classic, and deserves to be seen. A good Pride Month movie night option. Great fun all round. *Blowie* is available in the UK on Digital and On Demand via Dark Star Pictures. ### Becoming George by Fiona Sampson URL: https://www.scenemag.co.uk/becoming-george-by-fiona-sampson/ Last updated: 2026-06-11T11:56:17.000Z *"My friends will respect me, I hope, just as much under my jacket as under my dress... So take me for a man or a woman as you wish."* These words, written by Aurore Dupin; the woman the world would come to know as George Sand, carry across two centuries with startling freshness. They read like a declaration still being made on dancefloors, in courtrooms, and in the pages of contemporary queer fiction. That a woman born in 1804 could speak so directly to us is precisely what makes [Fiona Sampson's ](https://www.fionasampson.co.uk/biography/?ref=scenemag.co.uk)biography such an electrifying book. By thirty, Aurore Dupin had remade herself entirely. George Sand, the name an act of creative defiance, had become internationally renowned, her literary experiments outselling Victor Hugo in English translation. Paris was scandalised. She smoked cigars, wore trousers, took lovers of every kind, and broke systematically every rule designed to contain women. Sampson's achievement is to restore Sand to her full intellectual and artistic stature: as the beating heart of French literary culture in her century, and as a figure whose prescience about ecology, politics and gender feels like visionary intent. ![](https://www.scenemag.co.uk/content/images/2026/04/george-sand-1804-1876-m-2c5e11-1024-1.jpg) [George Sand (1804-1876) M - Public domain portrait print](https://garystockbridge617.getarchive.net/amp/media/george-sand-1804-1876-m-2c5e11?ref=scenemag.co.uk) Sampson brings to this project the instincts of a detective as much as a poet. She pursues her subject through archives, images and cultural history with such tenacity that the book generates genuine suspense and I caught myself rereading a paragraph in disbelief. This biography is revelation. Sampson illuminates how Sand constructed and repeatedly reconstructed herself against the backdrop of a Europe convulsed by political upheaval and artistic reinvention, and the result reads with the propulsive energy of fiction, it's part intimate memoir, part intellectual thriller, while remaining scrupulously grounded in evidence. It is a rare combination. Sampson structures the biography with formal elegance. Narrative chapters charting Sand's life across mass politics and rapid urbanisation are punctuated by interpretive interludes in which she pauses to analyse a portrait or photograph of her subject. Because Sand moved throughout her life in bourgeois circles, she was documented by both portrait painters and photographers, leaving an unusually rich visual archive. The opening impression is particularly resonant: Sand with her granddaughters, just a year before her death, at the country house where she grew up. From this single image, Sampson draws out the full measure of transformation, personal and national, that Sand's long life had witnessed, positioning her as a bridge between the eighteenth century, when a Goethe or Voltaire could reshape European culture from the provinces, and the new Paris-centred modernity that Sand had to inhabit to sustain her astonishingly productive career. These visual interludes do something else, too. Sampson moves fluently between literature, fine art and music, teasing hidden meanings from images with quiet skill. Her pages on Chopin perhaps Sand's most celebrated lover, are particularly fine, drawing out the ways in which his music and her fiction inhabited a shared emotional and aesthetic atmosphere. The book is at its most philosophically interesting when it turns on two intertwined questions: what it means to be an author, and what it means to write a life. Sampson acknowledges that biography is always an encounter with the irreducible, that the countless branching choices making up any life resist reconstruction. For a writer, this problem deepens, since the central act of a writer's existence leaves few visible traces. Sand, however, was more gregarious than most, her life laced with complicated, geographically sprawling affairs with famous composers and poets that have given biographers abundant material across the generations. ![](https://www.scenemag.co.uk/content/images/2026/04/GJMR8-jW4AA88Pb-1.jpg) Author Fiona Sampson. Photo ©Fiona Sampson Where to begin with the texture of the life itself? Sand took younger lovers, male and female, while maintaining intense, unsentimental bonds with the leading male intellectuals of her day, friendships premised on absolute parity at a time when society offered women no such thing. She threw herself into the revolutionary fervour of 1848 with the conviction of a true believer, then pivoted, without apparent contradiction, to advising Napoleon III on how best to bring the artistic classes to heel, pragmatism and principle coexisting in her. Physically, she was fearless: crossing the most vertiginous stretches of the Pyrenees on horseback, covering impossible distances. When her marriage collapsed, she fought for and secured custody of her children despite being a known and unrepentant adulteress, an achievement so improbable in that legal landscape it reads now as pure audacity. Sampson gathers all of this into a portrait of someone who treated her own existence as a medium, shaping and reshaping it with the same restless intelligence she brought to her fiction. The comparison Sampson reaches for is arresting: Sand as an early architect of the essentially queer idea; that identity is something we make rather than inherit. From a lesbian literary perspective, there is something deeply satisfying about seeing Sand reclaimed in this way. Sampson does not flatten Sand's queerness into biographical footnote. The woman who dressed as a man to move freely through Paris, who loved women, who insisted her friends take her as a man or a woman as they wished, this is the very substance of her radicalism. Sampson's prose acknowledges it with pleasing directness, describing one image as "very dykey" without apology, and tracking Sand's evolution into something altogether harder to categorise or contain. These moments of anachronistic frankness make Sand feel genuinely present. *Becoming George* arrives to mark the 150th anniversary of Sand's death and stands as both fitting tribute and genuine reassessment, the first substantial new biography in nearly a quarter of a century. For readers who know that the nineteenth century had more to teach us about gender, desire and creative freedom than the textbooks admit, this book is a revelation. George Sand, who asked only to be taken as she wished, deserves to be taken seriously. Sampson makes that case beautifully. Out now Hardback £22.00 *Becoming George by Fiona Sampson is published by* [*Penguin for more info or to buy the book.* ](https://www.penguin.co.uk/books/460324/becoming-george-by-sampson-fiona/9781529924336?ref=scenemag.co.uk) ![](https://www.scenemag.co.uk/content/images/2026/04/9781529924336-jacket-large.webp) ### LGBTQ+ England supporters group to boycott World Cup over safety fears URL: https://www.scenemag.co.uk/lgbtq-england-supporters-group-to-boycott-world-cup-over-safety-fears/ Last updated: 2026-06-11T11:25:24.000Z A member of **Three Lions Pride**, the official LGBTQ+ supporters' group for the England men's football team, has said the group will not attend the **2026 FIFA World Cup** because of concerns over the safety of LGBTQ+ fans. [Speaking to **Amnesty International**](https://www.amnesty.org/en/latest/campaigns/2026/06/this-world-cup-has-disenfranchised-lgbt-fans-like-no-other/?ref=scenemag.co.uk), "Robert", 33, said the tournament - being hosted across the United States, Canada and Mexico - had left many queer supporters feeling "disenfranchised" despite initial hopes that it would be the most inclusive World Cup yet. "This is probably the one that has disenfranchised LGBTQ+ fans like no other World Cup because it had so much hope," he said. "We knew Russia was going to be difficult. We knew Qatar was going to be almost impossible. But this one had so much optimism." Robert, whose name has been changed for protection purposes, said football had been a major part of his life since childhood. A lifelong Arsenal supporter, he recalled attending matches with his father and falling in love with the atmosphere of the game. However, as he began to understand his sexuality as a teenager, he increasingly felt alienated by homophobic abuse heard at football grounds. "It made me feel like football didn't like me," he said. "As much as I loved football, it wasn't a space where I could be myself." He eventually stopped attending matches before helping to establish Three Lions Pride ahead of the 2018 World Cup in Russia. The group was created to provide a safe and visible space for LGBT+ England supporters and has since supported fans attending major international tournaments. > "As a queer person, I would not be able to visibly be myself in a number of World Cup locations and that is directly down to policymakers, law enforcement and the direction of travel in the US." According to Robert, attitudes within football have improved significantly in recent years. "There's definitely been a huge improvement in European football, particularly in the UK," he said. "You don't hear as many homophobic chants now, and if you do, other supporters are more willing to challenge them." But despite that progress, he said concerns about the treatment of LGBTQ+ people in parts of the United States had led Three Lions Pride to decide against travelling to the World Cup. "When I first heard it was going to be in Canada, the US and Mexico, I felt like it would be my first time attending where I could really enjoy it and be myself," he said. "As a queer person, I would not be able to visibly be myself in a number of World Cup locations and that is directly down to policymakers, law enforcement and the direction of travel in the US." Robert said LGBTQ+ supporters often face additional considerations that other fans do not. "We don't get to just focus on the football," he said. "We have to constantly ask ourselves: am I safe here?" Three Lions Pride has chosen not to organise an official presence at the tournament, saying it cannot assure members they will be safe travelling as openly LGBTQ+ supporters. "As much as the focus of Three Lions Pride is visibility, it's also our job to support our queer fan base with travel advice and support," Robert said. "We cannot in good conscience say that people will be safe going to this year's World Cup as openly LGBT+ fans." He also expressed concern about the potential impact on transgender supporters, pointing to varying laws and policies across different US states. Robert criticised FIFA for what he described as a lack of engagement with affected fan groups and accused football's governing body of failing to uphold its commitments on inclusion and human rights. "Football is about a global community coming together to enjoy the beautiful game, but FIFA are tarnishing this with both their actions and their inaction," he said. He called on FIFA to work more closely with supporters and human rights organisations, including Amnesty International, to ensure all fans can attend major tournaments safely. "We will continue to work with organisations such as Amnesty International to deliver a unified and powerful message about respecting everyone as equal human beings and ultimately holding FIFA to account," he said. "If they don't change course, they run the risk of destroying a wonderful game." ### Russell Tovey models new Pride T-shirt, in support of LGBTQ+ charities akt, Not A Phase and Terrence Higgins Trust URL: https://www.scenemag.co.uk/russell-tovey-models-new-erdem-pride-t-shirt-in-support-of-lgbtq-charities-akt-not-a-phase-and-terrence-higgins-trust/ Last updated: 2026-06-11T09:41:29.000Z Luxury fashion house **ERDEM** has unveiled a limited-edition Pride T-shirt created in collaboration with **Gay’s The Word**, with all profits set to benefit three leading LGBTQ+ charities: **akt**, **Not A Phase** and **Terrence Higgins Trust**. The T-shirt features artwork by the late British artist, filmmaker and activist **Derek Jarman**, whose multidisciplinary practice spanned film, painting, writing, theatre design, gardening and political activism. The featured image is taken from *Bliss*, a zine by Jarman that shared its title with the original working name of *Blue*, his final and most personal film. ![](https://www.scenemag.co.uk/content/images/2026/06/ERDEM---Pride-2026---Russell-Tovey-photographed-by-Erdem-Moralioglu---4.jpg) ERDEM - Pride 2026 - Russell Tovey photographed by Erdem Moralioglu The artwork reflects the closing years of Jarman’s life while living with AIDS, during which his eyesight became increasingly impaired. At times, he described experiencing a “haze of blue” across his vision - a theme that would become central to *Blue*, released in 1993. To mark the launch, ERDEM founder and creative director **Erdem Moralioglu** has photographed British actor **Russell Tovey** wearing the limited-edition T-shirt, highlighting the enduring influence of Jarman’s work on contemporary British culture. ![](https://www.scenemag.co.uk/content/images/2026/06/ERDEM---Pride-2026---Russell-Tovey-photographed-by-Erdem-Moralioglu---1.jpg) ERDEM - Pride 2026 - Russell Tovey photographed by Erdem Moralioglu The project is accompanied by a short film celebrating Jarman’s legacy through rarely seen footage and archive material from *The Garden*. The film has been created by filmmaker and longtime Jarman collaborator **David Lewis** alongside filmmaker **Sara Moralioglu**, Erdem’s sister. It features music by **Simon Fisher Turner**, a close friend of Jarman and composer on many of his films. Priced at £120, the T-shirt will be available exclusively from **11 June** via [ERDEM’s website](https://erdem.com/?ref=scenemag.co.uk), at the brand’s **Mayfair** and **Sloane Street** stores, and at **Gay’s The Word** bookshop in Bloomsbury. All profits from sales of the T-shirt will be donated equally to LGBTQ+ charities **akt**, **Not A Phase** and **Terrence Higgins Trust** ### Cross-party MPs commit to protecting trans people's fundamental rights at evening reception held in Parliament by Trans+ History Week URL: https://www.scenemag.co.uk/cross-party-mps-commit-to-protecting-trans-peoples-fundamental-rights-at-evening-reception-held-in-parliament-by-trans-history-week/ Last updated: 2026-06-11T08:12:35.000Z MPs from **Labour**, the **Green Party** and the **Liberal Democrats** have pledged to support a series of commitments aimed at protecting the rights, dignity and wellbeing of trans+ people, as campaigners warn of an unprecedented rollback of protections across the UK. The commitments were made at a parliamentary reception hosted by **Trans+ History Week**, a trans-led social enterprise, during Pride Month. The event brought together MPs, civil society leaders, business representatives and newly elected trans councillors to celebrate the third year of Trans+ History Week and discuss the challenges facing the community. ![](https://www.scenemag.co.uk/content/images/2026/06/Trans--History-Week-Parliamentary-Reception_42A6308---credit-Trans--History-Week---Henri-T--@documentedbyhenrit-.jpg) Sian Berry MP, right. Credit: Trans+ History Week and Henri T (@documentedbyhenrit) Among those attending were Labour MPs **Kate Osborne**, **Olivia Bailey, Alex Barros-Curtis, Lorraine Beavers, Mary Kelly Foy, Nia Griffith, Kerry McCarthy, Steve Race**, **Martin Rhodes** and **Matt Turmaine**, alongside Green MP **Siân Berry**. The reception coincided with growing opposition to the **Equality and Human Rights Commission**'s proposed **Code of Practice** following the Supreme Court's ruling on the definition of sex in the **Equality Act**. Critics argue the guidance could lead to the segregation of trans people from public spaces and services. More than 120 MPs have signed an Early Day Motion tabled by Labour MP **Nadia Whittome** calling for the Code to be withdrawn. Both the Green Party and Liberal Democrats have also publicly criticised the proposals, describing them as unworkable and harmful. Speaking at the reception, Labour MP **Kate Osborne** said she would continue campaigning for trans and non-binary people facing what she described as "an onslaught of abuse and attack on their rights". She criticised the proposed Code of Practice, arguing it failed to protect trans people and organisations seeking to operate on an inclusive basis. ![](https://www.scenemag.co.uk/content/images/2026/06/Trans--History-Week-Parliamentary-Reception_42A6350---credit-Trans--History-Week---Henri-T--@documentedbyhenrit-.jpg) Credit: Trans+ History Week and Henri T (@documentedbyhenrit) "We must take a stand against discrimination in all of its forms," Osborne told attendees. "Trans people have always existed. Across centuries and across cultures, trans and gender-diverse people have contributed to our communities, our movements, our workplaces, our arts and our politics." Attendees were invited to publicly support a series of policy commitments, including improving access to gender-affirming healthcare, introducing legal recognition for non-binary people, implementing a trans-inclusive ban on conversion practices, ending medically unnecessary interventions on intersex children, teaching trans history in schools, increasing support for trans organisations and opposing the segregation of trans people from public life. Trans+ History Week founder **Marty Davies** framed the current moment as part of a longer history of collective resistance. "Resistance has always looked like this," Davies said. "People facing injustice, getting together, becoming friends and showing up again and again after losses and setbacks. We will win. The story is still being written." ![](https://www.scenemag.co.uk/content/images/2026/06/Trans--History-Week-Parliamentary-Reception_42A6443---credit-Trans--History-Week---Henri-T--@documentedbyhenrit-.jpg) Credit: Trans+ History Week and Henri T (@documentedbyhenrit) Author and broadcaster **Deborah Frances-White** also addressed the reception, highlighting concerns about the impact of recent debates on the daily lives of Trans people. "Our friends and neighbours are scared to use the loo," she said. "Being able to use public facilities without fear is one of the most basic human rights." The event comes amid widening criticism of recent developments affecting trans rights from organisations across healthcare, mental health, disability rights and trade unions. Alongside political discussion, the reception highlighted the historical contributions of trans and gender-diverse people across different eras and cultures. ![](https://www.scenemag.co.uk/content/images/2026/06/Trans--History-Week-Parliamentary-Reception_42A6243---credit-Trans--History-Week---Henri-T--@documentedbyhenrit-.jpg) Olivia Bailey MP (with backpack) speaking with (L-R) Nicole Treanor, Trans+ History Week Public Affairs Director; Marty Davies, Trans+ History Week Founder; and Deborah Frances-White, podcaster and author. Photo credit: Trans+ History Week and Henri T (@documentedbyhenrit). Exhibits and presentations featured stories developed through Trans+ History Week and independent publisher **QueerAF**, including the Gallae priestesses of Ancient Rome, pioneering trans composer **Wendy Carlos**, the origins of Britain's gender identity clinic system and historic protests for bodily autonomy and equality. The event also showcased QueerAF's ***Milestones*** series, a six-part editorial project examining the legal cases, political developments and grassroots campaigns that have shaped the rights of trans, non-binary and intersex people in the UK. New documentary episodes exploring trans history are due to be released throughout Pride season via the QueerAF podcast, beginning with a feature on activist and archivist **Lou Sullivan**, whose work helped shape both trans history and HIV advocacy. ### The Beekeeper of Aleppo Theatre Royal Brighton URL: https://www.scenemag.co.uk/the-beekeeper-of-aleppo-theatre-royal-brighton/ Last updated: 2026-06-10T14:26:27.000Z There are productions that reach inside you and send you back out into the night a slightly different person. *The Beekeeper of Aleppo* is one of these. Adapted by **Nesrin Alrefaai** and **Matthew Spangler**, the dramatist who gave us *The Kite Runner,* from **Christy Lefteri's** internationally bestselling novel, this is a story that may be new to many audiences. It asks only that you show up and allow yourself to feel. Nuri is a Syrian beekeeper; Afra, his wife, a gifted artist. Their life in Aleppo is one of warmth, colour and community, until war obliterates everything they know and love, and they are forced to flee. What follows is their extraordinary, harrowing, and quietly heroic journey towards safety, and towards one another. ![](https://www.scenemag.co.uk/content/images/2026/06/BeeKpr26-030.jpg) **Joseph Long, Farah Saffari, Adam Sina, Alia Lahlou. Photo by Manuel Harlan** **Adam Sina** and **Farah Saffari** anchor this production with performances of emotional intelligence. Sina's Nuri carries both the weight of devastation and a trembling, stubborn tenderness, while Saffari's Afra, psychologically shattered and robbed of her sight by trauma, never collapses into victimhood. Together they create a portrait of a couple navigating almost unbearable loss while still reaching for each other across the darkness. It is compassionate, deeply human work. The production is visually intriguing. **Ruby Pugh**'s set, spare, evocative, suffused with the warmth and light of Syria, works in quiet harmony with **Ben Ormerod**'s lighting design. Images shift from the destroyed streets of Aleppo to the vast, terrifying expanse of the Mediterranean, with projections playing across gauzy, perforated screens that dissolve one world into another. A soundscape that conjures the meditative hum of a beehive becomes something tender: a reminder of what was, and what might yet be. ![](https://www.scenemag.co.uk/content/images/2026/06/BeeKpr26-070.jpg) **Farah Saffari and Adam Sina. Photo by Manuel Harlan** The play moves fluidly between past and present, memory and reality, and it is in this structural restlessness that the full weight of displacement makes itself felt. One of the production's most quietly devastating observations is the contrast between the rare, luminous acts of kindness the couple encounter on their journey through Turkey, across Greece and the cold, bureaucratic indifference that greets them on British soil. Those official interactions are bracing and uncomfortable to witness, and deliberately so. The play refuses to let us off the hook. ![](https://www.scenemag.co.uk/content/images/2026/06/BeeKpr26-113.jpg) ****The cast of The Beekeeper of Aleppo. Photo by Manuel Harlan** As we in the LGBTQ+ community know too well, the experience of being made to feel unwelcome, invisible or inhuman by systems that should protect you is not theoretical. That knowledge gives this production an additional resonance. To watch Nuri and Afra navigate corrupt traffickers, detached officials, and a revolving cast of strangers, some exploitative, some unexpectedly kind, played with considerable skill by the ensemble, is to feel the full, relentless toll of a world that sorts people into deserving and undeserving. It is not comfortable. It should not be. ![](https://www.scenemag.co.uk/content/images/2026/06/BeeKpr26-162.jpg) **Joseph Long. Photo by Manuel Harlan** Ultimately the thread is the tenderness running beneath its urgency. At its heart, this is a meditation on grief and hope, on how all of us, in our own ways and at our own moments, are asked to absorb loss and find a reason to keep moving. The specific cruelties here may be unlike anything most of us will face. But the love, the grief, the desperate need to be held and understood, those belong to every one of us. Go. Superb theatre, and so necessary for us all in the UK right now. *The Beekeeper of Aleppo runs at Theatre Royal Brighton until 13 June 2026* [*More info or to book tickets here.* ](https://www.atgtickets.com/shows/the-beekeeper-of-aleppo/theatre-royal-brighton/?ref=scenemag.co.uk) ### Drag, bingo and big prizes: Shelter Hall's Pride fundraiser is back URL: https://www.scenemag.co.uk/drag-bingo-and-big-prizes-shelter-halls-pride-fundraiser-is-back/ Last updated: 2026-06-10T13:57:21.000Z Shelter Hall is bringing back its sell-out Drag Music Bingo for Pride Month, and this time every penny from ticket sales goes straight to Pride Community Foundation. Taking place on Thursday 18 June, the evening will be hosted by Brighton favourite Alfie Ordinary and promises outrageous singalongs, the biggest prize haul yet, and, if previous form is anything to go by, at least one very enthusiastic conga line. The prize list alone is worth showing up for. Tickets to Brighton Pride on the Park headlined by RAYE, an i360 Pod Ride, Tipsy Afternoon Tea at the Harbour Hotel, a turtle feeding experience for two at the Sea Life Centre, tickets to any show at The Old Market until the end of July, four premier enclosure tickets to Brighton Racecourse, and two tickets to Drag in the Park on 27 June featuring the legendary Dave Lynn and Drag Race UK finalist Kate Butch. All proceeds support Pride Community Foundation, the not-for-profit organisation that funds and supports LGBTQ+ community projects throughout Brighton and beyond. Doors open at 6pm, with bingo kicking off at 7pm. Shelter Hall is at Kings Road Arches, Brighton BN1 1NB. Tickets are available now via Eventbrite. [Book here](https://www.eventbrite.co.uk/e/drag-music-bingo-pride-month-fundraiser-tickets-1987691514828?aff=website&ref=scenemag.co.uk). ### Charli XCX to donate share of tour ticket sales to trans rights charity URL: https://www.scenemag.co.uk/charli-xcx-to-donate-share-of-tour-ticket-sales-to-trans-rights-charity/ Last updated: 2026-06-10T11:47:03.000Z Pop star **Charli XCX** has announced that a portion of ticket sales from her upcoming North American tour will be donated to the **Transgender Law Center**. The singer revealed that charity tickets will be available in the first five rows of every venue on her forthcoming *Music, Fashion, Film Tour*, with 50% of the net proceeds going to the organisation, which advocates for the rights of trans people across the United States. Founded in 2002, the Transgender Law Center is one of the largest trans-led civil rights organisations in the US. The group works on issues including healthcare access, housing, employment discrimination, immigration and legal recognition, while also providing legal support and advocacy for transgender and gender non-conforming communities. The tour, which begins in September, will support Charli XCX’s forthcoming album *Music, Fashion, Film*. Alongside the charity initiative, the artist is also offering a limited number of discounted “Angel Tickets” priced at $20 (£15) in an effort to make the shows more accessible to fans. Announcing the initiative, organisers said proceeds from selected premium seats would directly support the charity’s work defending and advancing trans rights at a time when such issues remain at the forefront of political and legal debate across parts of the United States. Charli XCX has previously been vocal in her support for transgender rights and LGBTQ+ communities. The donation forms part of a wider effort to use the tour to raise both funds and awareness for trans-led advocacy work. The singer’s new album is due for release on **24 July**, ahead of the arena tour later this year. ### Homophobic umbrella attack inspires Linus Karp's most personal Edinburgh Fringe show yet URL: https://www.scenemag.co.uk/homophobic-umbrella-attack-inspires-linus-karps-most-personal-edinburgh-fringe-show-yet/ Last updated: 2026-06-10T11:37:41.000Z When performer and writer **Linus Karp** was struck across the head with an umbrella while walking hand-in-hand with his partner through Soho, London, in July 2024, it was an act of violence that would leave a lasting mark far beyond the immediate shock of the attack. The award-winning theatre-maker, best known for cult Fringe hits including *Diana: The Untold and Untrue Story* and *Gwyneth Goes Skiing*, was targeted in what he describes as a homophobic attack shortly before he was due to appear at the **Edinburgh Festival Fringe**. As Karp and his partner of eleven years, **Joseph Martin**, walked through the capital's historic LGBTQ+ district, a man allegedly approached them without warning, struck Karp with an umbrella and shouted homophobic abuse. Martin chased the attacker, tackled him to the ground and restrained him until police arrived. The man was arrested at the scene. Now, nearly two years later, Karp is bringing the experience to the stage in a new solo show, ***Linus Karp Was Hit With An Umbrella***, which will run at **Underbelly Bristo Square** during this year's Edinburgh Festival Fringe. Rather than focusing solely on the attack itself, the production explores the aftermath: the emotional impact of being targeted for holding hands with a partner, the erosion of confidence in public spaces, and the uncomfortable reality that even areas regarded as safe havens for queer communities can still be sites of hate crime. The show traces the events that followed the assault, including the lengthy legal process and the challenges of returning to public life and performance while processing the trauma. At the time of the incident, Karp was preparing to take *Gwyneth Goes Skiing* to Edinburgh, meaning he found himself stepping in front of audiences just weeks after the attack. Drawing on his own experiences, Karp examines how a single act of violence can reshape everyday behaviour. The production reflects on the anxiety that can accompany simple displays of affection in public, a heightened awareness of personal safety, and the lingering questions that remain long after an incident has passed. In a theatrical twist, the show's final act transforms the stage into a fictional courtroom where Karp reimagines the justice process and confronts questions left unanswered in real life. By placing his attacker on trial in a fictional setting, he explores the limits of legal resolution and the search for closure following a hate crime. Produced by **Awkward Prods**, the company Karp co-founded with Martin, the production represents a significant shift for a creative team known for high-camp comedy, audience participation and irreverent pop-culture satire. While *Linus Karp Was Hit With An Umbrella* retains elements of the company's trademark humour and theatricality, it is their most personal work to date. The show has been developed with dramaturgy from Olivier Award nominee **Haley McGee** and is presented by Awkward Prods alongside Eric Kuhn Productions, Side Hustle Productions and Daddy's Money Productions. 💡 **Linus Karp Was Hit With An Umbrella* runs at Underbelly Bristo Square (Friesian) from 5-30 August, excluding 18 August, at 8.20pm, with work-in-progress performances at Park Theatre, London, from 23–25 July. ### Police appeal to identify three youths after suspected homophobic attack in Newark URL: https://www.scenemag.co.uk/police-appeal-to-identify-three-youths-after-suspected-homophobic-attack-in-newark/ Last updated: 2026-06-10T10:30:55.000Z Police investigating a suspected homophobic assault in **Newark,** Nottinghamshire have released images of three youths they would like to speak to in connection with the incident. The attack happened at around 6.45pm on 10 May in Balderton Gate, shortly after a teenage boy had left **Sherwood Avenue Park**. The victim, who is gay, was reportedly targeted by a group of people in what police believe was an unprovoked assault. During the incident, the teenager was allegedly subjected to homophobic abuse while members of the group took turns punching him. He suffered significant facial injuries and was forced to run for safety as the attack unfolded. Officers believe those involved were aged between 14 and 16 and have been carrying out inquiries since the incident was reported. ![](https://www.scenemag.co.uk/content/images/2026/06/719506698_1512868557545866_4380853691416263587_n-1.jpg) As part of the investigation, **Nottinghamshire Police** have now released images of three individuals they believe may be able to assist with their inquiries. PC Rebecca Skinner said: “This was a horrible and completely unprovoked assault on a teenage boy who was minding his own business when he was targeted. “At this stage, we have strong cause to believe this attack was a hate crime, with the victim reportedly being subjected to homophobic abuse throughout his ordeal. “It really shouldn't need to be said but this incident and the suspected motivations behind it are both completely unacceptable. “We’re determined to track down the people responsible, so on that note, we urgently want to speak to the three people pictured – all of whom we believe could assist our investigation. “While we appreciate these images aren't of the greatest quality, we believe there will be people who recognise them, while those pictured will too. “To anyone who does, we'd urge them to do the right thing and share this information with the police, so we can ask them some questions.” Anyone with information is asked to contact Nottinghamshire Police on 101, quoting incident 576 of 10 May 2026\. Information can also be passed anonymously to Crimestoppers on 0800 555 111. ### 'Love Has No Gender.' Daividh Campbell, singer and radio DJ URL: https://www.scenemag.co.uk/love-has-no-gender-daividh-campbell-singer-and-radio-dj/ Last updated: 2026-06-10T09:25:49.000Z A hat-trick on the LGBTQ+ Music Chart, a neurodivergent artist who'd rather make a noise than make a scene, and one of this summer's most quietly radical Pride anthems. We sat down with [**Daividh Campbell.**](https://daividh-campbell.webnode.co.uk/?ref=scenemag.co.uk) There's a track climbing the LGBTQ+ Music Chart right now *Love Has No Gender* by **Strange World Music** feat. Daividh Campbell. Brighton-based singer and **Trans Radio UK** presenter Daividh Campbell has form here. A number one and a top 20 hit already under his belt, *Love Has No Gender* is the third time he's landed on that chart, and it's currently song of the week. We wanted to know what drives an artist who describes himself as someone who's had "to piece themselves back together after feeling different for a long time." The answer, it turns out, is simpler and more radical than you'd expect. "Honestly, it feels surreal," Daividh says of seeing the track climb. "To have had a top 20, a number one and now *Love Has No Gender* climbing again, it's something I never expected, especially not at this stage of my life." ![](https://www.scenemag.co.uk/content/images/2026/06/438059438_10233171375416651_1633199165702543125_n.jpg) But he's quick to redirect from the numbers to what the numbers mean. "These songs are reaching people. They're being played in safe spaces, in Pride settings, on stations like Trans Radio UK and over 20 European radio stations. That means more to me than anything." **Want to help push it higher?** [Upvote on the LGBTQ Music Chart →](https://lgbtqmusicchart.eu/voting/?ref=scenemag.co.uk) Stream it - Add it to playlists - Request it on LGBTQ+ radio - Share it on socials - Stream the full song on [Spotify](https://open.spotify.com/embed/artist/3tUjQS1kRgs3bFuEqDHxxF?ref=scenemag.co.uk) You've called this track "important", not just a banger. What makes it feel different? "It's not just something to dance to, it's something I needed to say." There's so much noise right now around identity, especially for trans and non-binary people, and Daividh wanted to cut through it with a simple truth: love is love. ![](https://www.scenemag.co.uk/content/images/2026/06/453194595_10233956197476712_7063945723306811926_n-1-.jpg) "If someone hears it and feels seen, or supported, or less alone, then it's done its job."— Daividh Campbell The track is a collaboration, Daividh's honest, personal impulse shaped into a song by writer **Lindsay Jupp** at Odd Paws Records, then produced by **Olli Daffarn** at Blue Dot Studios in Hastings. "He's worked with some pretty big names and has given me my sound," Daividh says. "I feel very comfortable in the studio." It's a creative triangle built on trust. *You're neurodivergent, and visibility can be genuinely hard, yet here you are making Pride anthems. How do you square that?* Daividh doesn't shy away from the contradiction. "I'm not naturally someone who wants to be front and centre all the time. Visibility can feel overwhelming, the noise, the expectations, the social side of it. It can be a lot." But music, he says, offers a different kind of presence. "I can express everything I want to say through the track, without having to shout over everyone in a crowded room." "You don't have to fit a certain mould to be heard. You can be quiet, reserved, neurodivergent, and still create something powerful that travels far beyond you." Daividh Campbell For a community that often celebrates the loudest voices in the room, that's a genuinely radical proposition. *Trans Radio UK has given you a platform. In a community that celebrates the headliners, what do you say to the people working quietly behind the scenes?* "Not everyone is the headline act, and that doesn't make their contribution any less important. A lot of the community is held together by people working quietly behind the scenes." He's emphatic on this: "To anyone out there doing that, you matter. Your support, your creativity, your presence, it all counts. Community isn't just built on big moments. It's built on consistency, kindness, and people showing up in whatever way they can." [Trans Radio UK,](https://transradiouk.com/?ref=scenemag.co.uk) he says, has been something specific and rare. "It genuinely feels like a family, not in a forced way, but in that real sense of people looking out for each other, supporting each other, and creating space for voices that might not always be heard elsewhere. There's a shared understanding there, and that makes a huge difference." ![](https://www.scenemag.co.uk/content/images/2026/06/670918998_10243543457112211_8683385861122146706_n-1.webp) *What do you wish someone had told you?* "You don't have to change who you are to belong in this industry." It's the first thing Daividh says, and the most important. "When you're starting out, especially if you're young or finding your identity, it's easy to feel like you have to fit a mould. To look a certain way, sound a certain way, or become what other people expect." > "Protect who you are. That's where your power is." Daividh Campbell "Take your time. There's no deadline on finding your voice or building something meaningful. I stepped away when things didn't feel right, and coming back on my own terms made all the difference." He closes with the kind of wisdom that sounds simple until you realise how long it takes most people to actually believe it: "Be kind to yourself. This industry can be tough, and rejection is part of it. But your story, your identity, and your creativity all have a place. If you enjoy what you're doing, and it's coming from a real place — that's already success." **Strange World Music feat. Daividh Campbell: *Love Has No Gender*** Available now on all streaming platforms. Stream it, share it, request it. [Trans Radio UK:](https://transradiouk.com/?ref=scenemag.co.uk) LGBTQ+ Music Chart [vote for 'Love has no Gender' here: ](https://lgbtqmusicchart.eu/voting/?ref=scenemag.co.uk) Discover more about the singer on [Daividh Campbell's Official Site](https://daividh-campbell.webnode.co.uk/?ref=scenemag.co.uk) ### Reform UK leader of St Helens Borough Council pulls support for St Helens Pride, claiming event affiliated to "harmful trans ideology" URL: https://www.scenemag.co.uk/reform-uk-leader-of-st-helens-borough-council-pulls-support-for-st-helens-pride-claiming-event-affiliated-to-harmful-trans-ideology/ Last updated: 2026-06-10T09:30:04.000Z The leader of **St Helens Borough Council** has come under fire after announcing the authority will no longer support Pride events, prompting accusations of division and criticism from fellow councillors. **George Woodward**, who took control of the council for **Reform UK** following May's local elections, said on **Tuesday, 9 June** that council officers had been instructed to end their involvement with Pride celebrations in the borough. The decision was announced in a social media post in which Woodward argued that Pride was not an appropriate use of council resources and claimed the event had become linked to what he described as "harmful transgender ideology". His comments quickly drew criticism from residents and political opponents, with many accusing the council leader of misrepresenting both Pride and trans people. Woodward said the council would no longer "support or promote" the annual event and that officers had been told to cease engagement with its organisation. He argued that local authorities should not devote resources to what he characterised as a politically aligned celebration. However, critics said Pride serves a broader purpose, providing visibility, support and a sense of community for LGBTQ+ residents and their families. Among those challenging the move was St Helens councillor **James Dunn**, who said Pride was fundamentally about inclusion rather than politics. ![](https://www.scenemag.co.uk/content/images/2026/06/raphael-renter-raphi_rawr-knPQVYIK7tA-unsplash.jpg) "For many of our LGBT residents, families, young people and allies, Pride is about visibility, safety, history, acceptance and community," Dunn said. He also warned against rhetoric that presents LGBTQ+ inclusion or trans people as a threat, adding that Woodward's views did not reflect those of all elected members. "Trans residents are part of St Helens. Young people working out who they are are part of St Helens and they should know they have allies too," he said. ![](https://www.scenemag.co.uk/content/images/2026/06/patrick-perkins-BDe03WuRo4I-unsplash.jpg) The council leader said private organisations, charities and community groups would remain free to continue supporting Pride independently of the local authority. Several residents responded directly to Woodward's announcement online, with one describing the decision as "pathetic" and another branding the comments "embarrassing". Despite the withdrawal of official council backing, organisers and supporters of Pride are expected to continue events in the borough with support from community groups and local partners. ### More than 100 MPs back bid to block EHRC trans guidance URL: https://www.scenemag.co.uk/more-than-100-mps-back-bid-to-block-ehrc-trans-guidance/ Last updated: 2026-06-09T13:56:03.000Z More than 100 MPs have backed an attempt to block the **Equality and Human Rights Commission**'s (EHRC) controversial draft guidance on single-sex spaces, with support coming from across Parliament. A total of 106 MPs have signed Early Day Motion (EDM) 240, tabled by Labour backbencher and **Women and Equalities Committee** member **Nadia Whittome**. The motion calls on Parliament to reject the EHRC's draft Code of Practice, which critics have described as a "bathroom ban" for trans people. The EDM was submitted with support from Labour, Green and Liberal Democrat MPs and has attracted signatures from almost 50 Labour MPs, representing a significant rebellion against guidance laid before Parliament by Minister for Women and Equalities **Bridget Phillipson**. Under parliamentary procedure, the draft Code will automatically come into force unless either House passes a resolution to disapprove it. While EDMs are rarely debated, campaigners say the motion is currently the principal parliamentary mechanism available to MPs seeking to oppose the guidance. A spokesperson for **Trans+ Solidarity Alliance** said: "More than a hundred MPs have signed and made it clear that this code is unjust, unworkable and unacceptable. Trans people across the country are looking to their MP to join this growing chorus to reject the guidance. "The government must hear the scale of rebellion within the Labour benches on this issue. They are able to withdraw the guidance and fix the mess of trans people's legal protections at any time. A bathroom ban is not how the Equality Act was supposed to work. "We hope this shows the strength of feeling on this in Parliament and that it helps force a rethink on trans equality. There is nothing in the Supreme Court judgment, under any interpretation, forcing people to police each other's gender based on physical appearance as this draft guidance recommends." When announcing the motion last week, Nadia Whittome MP said the draft Code would have serious consequences for trans people. "The Code will exclude trans people from services and facilities that they have long used without issue, putting them at increased risk of harassment and violence, and effectively pushing them out of public life," she said. She added: "The Code represents a profound rollback of rights, which will affect trans people directly and erode the principles of inclusion, dignity and equality upon which all our rights depend." Human rights organisation **Amnesty International UK** has also criticised the guidance, stating on social media that "the government's own assessment admits this guidance will put trans and gender non-conforming people at risk". Among those backing the motion is Labour MP **Ruth Cadbury**, who previously criticised similar legislation in the United States. Responding in 2016 to North Carolina's so-called "bathroom bill", she said such measures were "a solution in search of a problem" and described them as "malicious, misinformed and directly threaten\[ing\] transgender people". The growing opposition comes as the EHRC's chair and chief executive are due to appear before Parliament's Women and Equalities Committee today to answer questions on the draft guidance and its implications. ### Man convicted of hate crime over fatal stabbing of dancer, O’Shae Sibley URL: https://www.scenemag.co.uk/man-convicted-of-hate-crime-over-fatal-stabbing-of-dancer-oshae-sibley/ Last updated: 2026-06-09T13:00:33.000Z A New York man has been convicted of a homophobic hate crime over the killing of a Black gay dancer who was stabbed while voguing to Beyoncé music with friends. **Dmitriy Popov**, 20, was found guilty by a jury in Brooklyn of first-degree manslaughter as a hate crime, as well as charges including menacing, aggravated harassment and weapons possession, in the death of 28-year-old **O’Shae Sibley**. The case, which has been closely followed within LGBTQ+ communities, centres on a fatal incident in July 2023, when Sibley and a group of friends were dancing at a petrol station in Brooklyn after a day at the beach. According to prosecutors, the group had been voguing to Beyoncé when they were confronted by Popov and two others. The men allegedly directed homophobic and racist abuse at the group, telling them to stop. Court proceedings heard that Sibley attempted to defuse the situation, telling those involved they were “just having a good time” and had the same right to be there as anyone else. ![](https://www.scenemag.co.uk/content/images/2026/06/Memorial_for_O-Shea_Sibley_-_Mobil_gas_station_1935_Coney_Island_Ave.jpg) Memorial following the murder of O’Shae Sibley However, prosecutors said tensions escalated, with Popov continuing to antagonise the group. During the confrontation, he allegedly produced a knife and threatened one of Sibley’s friends before stabbing Sibley in the heart. The dancer was taken to hospital, where he later died from his injuries. Brooklyn District Attorney **Eric Gonzalez** said the killing had devastated both Sibley’s loved ones and the wider LGBTQ+ community. “O’Shae Sibley moved to New York to pursue his dream of being a dancer and choreographer, and his life was cut short when he was killed by this defendant, who couldn’t stand the sight of O’Shae and his friends just being themselves and living their lives openly as Black gay men,” he said. Gonzalez added that the verdict, delivered during Pride Month, would help bring “some measure of solace” to Sibley’s family, friends and community. Popov is due to be sentenced on 30 June and faces up to 25 years in prison. ### Hastings Pride to ban national flags from parade to ‘keep focus on LGBTQ+ rights’ URL: https://www.scenemag.co.uk/hastings-pride-to-ban-national-flags-from-parade-to-keep-focus-on-lgbtq-rights/ Last updated: 2026-06-09T11:40:39.000Z **Hastings Pride** organisers have announced a ban on national flags at this year’s parade on **Sunday, 30 August**, saying the move is intended to keep the event focused on LGBTQ+ rights and community solidarity. The **Hastings Pride Committee** confirmed the change in a statement ahead of this year’s celebrations, describing Pride as both a protest and a celebration centred on visibility and liberation. “As we prepare for another incredible Hastings Pride, we want to take a moment to reflect on what makes our event so vital,” the committee said. “Pride is, and always will be, a protest march wrapped in a celebration.” Organisers said the decision followed a review of parade guidelines aimed at ensuring all members of the LGBTQ+ community feel “safe, valued, and united”. Under the updated rules, participants will not be permitted to carry national flags during the parade. Instead, organisers have encouraged attendees to display Pride flags and other symbols representing LGBTQ+ identities and causes. “LGBTQ+ rights and human rights transcend international boundaries, geopolitical conflicts, and national identities,” the statement said. “To ensure our march remains a unified platform dedicated solely to LGBTQ+ liberation, we will not be permitting national flags in the parade this year.” The committee said it wanted to see the streets filled with “the beautiful, diverse array of Pride flags, banners, and symbols” reflecting the community’s history and ongoing fight for equality. The move also comes with a reminder that groups taking part in the parade must demonstrate a “year-round commitment” to supporting LGBTQ+ rights, with messaging firmly rooted in inclusion and equality. Organisers stressed that the change is about maintaining focus rather than excluding individuals, describing Pride as a space for collective advocacy on issues affecting LGBTQ+ people. “Pride is a space where we come together to support and promote change specifically for the benefit of the LGBTQ+ community,” the statement added. Hastings Pride also emphasised its commitment to inclusivity, saying the town’s “diverse, passionate community” remained at the heart of the event. “By keeping our focus on the liberation and safety of LGBTQ+ people everywhere, we can ensure that Pride remains a powerful, inclusive, and transformative space for all of us,” the committee said. The annual event is expected to draw large crowds, with organisers thanking supporters for their continued backing and encouraging turnout for what they described as a “safe, vibrant and unified” celebration. ### South Tyneside Pride organisers prepare for Pride celebrations despite verbal abuse and damaged banners URL: https://www.scenemag.co.uk/south-tyneside-pride-organisers-prepare-for-pride-celebrations-despite-verbal-abuse-and-banners-damaged/ Last updated: 2026-06-09T11:26:10.000Z LGBTQ+ organisers in **South Tyneside** have said they will not be deterred by incidents of vandalism and abuse ahead of Hebburn’s Pride celebrations this weekend. Volunteers behind **Pride in Hebburn** reported that a banner promoting the event was torn down overnight on **Saturday, 6 June**, less than a day after it was put up on Station Road. The group also said members were subjected to verbal abuse from passers-by while attempting to repair the damage. Despite the incidents, organisers and local LGBTQ+ groups have vowed to press ahead with the event as planned. In a statement shared on social media, Pride in Hebburn said: “Yesterday our volunteers put up banners to promote Pride in Hebburn. Less than 24 hours later, some had been torn down, damaged and left hanging from the railings. “Even more disappointing, while volunteers were trying to repair the damage, they received abuse from people passing by.” The group said the incidents underlined the continued importance of Pride events. “This is exactly why Pride still matters. Pride is not about division. It is not about politics. It is not about excluding anyone. It is about creating a community where people feel accepted, respected and free to be themselves.” Organisers stressed they had spent months preparing a free, family-friendly event for the town, including rides, live music and activities for children. “A few damaged banners and some unpleasant comments won’t stop us,” the statement added. “If anything, they remind us why acceptance, kindness and inclusion are so important.” Hebburn’s Pride weekend will take place on **Saturday, 13 June** at Fountain Square. **Peter Durrant**, head of LGBTQ+ organisation **Out North East**, said the incidents were “heartbreaking” but would not derail the event. “For this team of brilliant volunteers to say we’re doing it again, to have that ripped down and to receive homophobic abuse is heartbreaking,” he said. He added that the aim of the Pride events across South Tyneside was to bring people together and improve perceptions of safety in the area. “The whole aim is to bring the community together… and to turn around that image that the town centre wasn’t a safe space, to now show it is,” he said. Durrant said organisers remained determined to go ahead as planned. “It’s a setback, but we still aim for Saturday. Hopefully that’ll send a message that it was an isolated minority group. “It doesn’t set us back - we’ll come back bigger and better.” Organisers also thanked supporters who had backed the event following the incidents, saying “your kindness will always be louder than the negativity of a few”. The Pride team added: “Love Hebburn. Love acceptance. Love community. Love all.” ### Wes Streeting warns of LGBTQ+ rights rollback... but stands by puberty blocker ban URL: https://www.scenemag.co.uk/wes-streeting-warns-of-lgbtq-rights-rollback-but-stands-by-puberty-blocker-ban/ Last updated: 2026-06-09T10:14:30.000Z Former health secretary **Wes Streeting** has warned that progress on LGBTQ+ rights in the UK risks being reversed, as he defended controversial government decisions restricting access to puberty blockers for young trans people. Speaking to **LBC**, the **Labour** MP said rising hostility and prejudice had left him concerned that hard-won gains could be undone. “I thought, we’ve done it, we’ve won,” he said, referring to milestones such as equal marriage. “And now… with rising hatred and prejudice of a range of forms, I do fear the clock being turned back.” Streeting, who is gay, said his fears were shaped by his own experiences growing up during a period when discrimination against gay people was legal in parts of public life. However, his intervention comes as he continues to face criticism from trans campaigners and LGBTQ+ groups over policies introduced during his time as health secretary, particularly the indefinite restriction on puberty blockers for under-18s. The UK government has effectively banned the routine use of puberty blockers for young people with gender dysphoria, following the controversial **Cass Review**. ![](https://www.scenemag.co.uk/content/images/2026/06/thiago-rocha-wwiJE6j8UcA-unsplash.jpg) Unsplash Streeting defended the decision, saying: “I did the right thing based on medical advice and evidence, and I stand by those decisions.” But he acknowledged the deeply negative impact the move had on many within the community, particularly trans young people and their families. “I knew how it would make people feel, and that was hard,” he said, adding that he had personally “wrestled” with the decision. Campaigners and LGBTQ+ organisations have argued the policy represents a major setback for trans healthcare, warning it could leave vulnerable young people without access to gender‑affirming support. The decision to extend the ban, first introduced under the previous Conservative government, was widely criticised at the time by trans activists, healthcare professionals and equality groups. Some organisations have said restricting access to treatment risks worsening mental health outcomes for trans youth, who already face significantly higher rates of distress. Others have described the policy as effectively creating a “de facto ban” on puberty blockers, given the lack of accessible alternatives through the NHS. ![](https://www.scenemag.co.uk/content/images/2026/06/thiago-rocha-WqM6STtMs-w-unsplash.jpg) Unsplash Streeting has also faced direct criticism from within the LGBTQ+ community, with activists accusing him of upholding policies they say contribute to a wider climate of exclusion and hostility. Despite this, he argued the UK remains broadly inclusive, even amid the debate around trans rights. He acknowledged that many trans people feel less supported, saying he did not doubt those experiences, but suggested policymakers were trying to find a compromise in a highly contested area. “One of the things I’ve tried to do is… find a way through that maybe not everyone loves, but everyone can live with,” he said. The latest [**ILGA-Europe Rainbow Map** ](https://rainbowmap.ilga-europe.org/?ref=scenemag.co.uk)datashows just how sharply the UK’s position on LGBTQ+ rights has deteriorated over the past decade, with the country now sitting in 22nd place out of 49 - a dramatic fall from its position as the top-ranked country in Europe as recently as 2015. ### Qween Jean becomes first trans Tony Award winner URL: https://www.scenemag.co.uk/qween-jean-becomes-first-trans-tony-award-winner/ Last updated: 2026-06-09T09:56:18.000Z Costume designer and activist **Qween Jean** has made history after becoming the first openly transgender person to win a **Tony Award**, taking home the prize for *Cats: The Jellicle Ball* at this year’s ceremony in New York. Jean secured the award for **Best Costume Design of a Musical** at the **79th Tony Awards**, held at **Radio City Music Hall**, marking a landmark moment for Broadway and LGBTQ+ representation. The Haiti-born designer accepted the honour wearing a ruffled lavender gown of her own design, opening her speech with a celebratory “Happy Pride!” as she addressed the audience. “This experience has been monumental. We are here for the legacy of queer people, trans people,” she said on stage. “We have to take up space. We have to shift the paradigm.” Jean’s victory is the first time an openly trans person has won a Tony Award in the ceremony’s history, though several non-binary performers have previously been recognised. Her award-winning work came on *Cats: The Jellicle Ball*, a reimagining of **Andrew Lloyd Webber**’s long-running musical, which reinterprets the story through the lens of ballroom culture and queer identity. The production was among the most talked-about of the Broadway season, earning multiple nominations and praise for its bold aesthetic and cultural influences. Jean, who is also the founder of the **Black Trans Liberation** organisation, used her acceptance speech to highlight the broader significance of visibility and community. “We are taking up space in ways we have to take up space,” she said. “The world right now is deeply, deeply combating so many ailments, and we know as a society that when we come together, we can make real, permanent change.” In addition to her winning work on *Cats*, Jean was also nominated in a second category for her costume design on the play *Liberation*, capping a breakthrough year for the designer on Broadway. ### Barnsley Pride criticises Reform UK after Barnsley Council refuses to fly Pride flag URL: https://www.scenemag.co.uk/barnsley-pride-criticises-reform-uk-after-barnsley-council-refuses-to-fly-pride-flag/ Last updated: 2026-06-09T09:04:39.000Z **Barnsley Pride** has criticised the **Reform UK**\-led council’s decision not to raise the Pride flag during **Pride Month**, describing it as a “painful rejection” of the LGBTQ+ community. The decision was taken by **Barnsley Council**’s new Reform UK administration, which took control of the authority following May’s local elections after more than 50 years of Labour rule. In a statement, Barnsley Pride said the refusal went beyond disappointment, arguing it sent a damaging message to LGBTQ+ people in the town. “The refusal by Barnsley Council to raise the Pride flag during Pride Month is more than a disappointing decision - it is a painful rejection of a community that has spent generations fighting simply to be treated with equal dignity and respect,” the statement said. The criticism follows the council’s announcement that it will no longer fly the Pride flag over the town hall, with the Reform-led authority instead opting to display only the Union Flag, St George’s Cross and the Barnsley Council flag as part of a new policy. Barnsley Pride emphasised the symbolic importance of the flag, describing it as more than “a piece of fabric”. It said the banner represents “survival” and honours those who have faced discrimination and injustice. “To refuse to fly that flag during Pride Month sends a message, whether intended or not, that those stories, those sacrifices, and those people matter less,” the group added. The organisation also warned that the absence of visible support could leave LGBTQ+ residents feeling excluded. It said gestures such as raising the flag, while often seen as symbolic, carry significant meaning. “Raising the Pride flag costs nothing, but its absence can speak volumes,” the statement said. “It can leave people feeling unseen, unsupported, and excluded by the very institutions that are supposed to represent and serve them.” Barnsley Pride pointed out that LGBTQ+ people are part of every aspect of life in the borough, including as residents, workers and families, and said they should feel supported by local authorities. “They deserve to know that their council stands with them, not at arm’s length from them,” the group said. The statement described Pride Month as an opportunity for councils and organisations to “celebrate diversity, affirm inclusion, and send a clear message that everyone is welcome”, adding that the decision not to fly the flag was a “missed opportunity” to show leadership and solidarity. Responding to concerns that the issue might be divisive, Barnsley Pride said the flag did not detract from anyone else’s rights. “The Pride flag does not take rights away from anyone. It does not divide communities. It stands for the simple belief that every human being deserves to be treated with respect, regardless of who they are or who they love,” it said. The group added that many people in Barnsley would feel hurt by the decision and question why, in 2026, support for LGBTQ+ residents remained contentious. “A truly inclusive community does not stay silent when people ask to be seen,” the statement concluded. “It raises them up. It stands beside them. And during Pride Month, it flies the flag that says, clearly and proudly: you belong here too.” ### "A weight has lifted": Former NRL player Kane Evans opens up after coming out as gay URL: https://www.scenemag.co.uk/a-weight-has-lifted-former-nrl-player-kane-evans-opens-up-after-coming-out-as-gay/ Last updated: 2026-06-09T08:51:59.000Z Former **National Rugby League** (NRL) forward **Kane Evans** has spoken of a sense of relief and freedom after publicly coming out as gay. Evans, who played at the top level in Australia and later in the UK with **Hull FC**, said he had spent years coming to terms with his identity before deciding to share his story. Now, he says, he feels able to live openly and authentically for the first time. Describing the experience as liberating, Evans said the weight of keeping his sexuality private had been difficult, particularly in a sport traditionally seen as hyper-masculine. “I feel peace within, and I feel like a weight has lifted off my shoulders,” he said. The 34-year-old revealed he had been grappling with his sexuality since his teenage years. “I’ve been fighting a war within since I was about 15 years old and it’s not sustainable,” he said, adding that speaking publicly had brought immediate relief. “Even now I feel a bit more free, just by saying it out loud, I’ve brought it to the light.” Evans’ decision to come out, he added, was motivated in part by a desire to be honest with himself and to help others. “I’ve carried it around my whole life. I’m here today to show people that you don’t have to live like that,” he said. He also acknowledged the fear involved in going public, describing the interview as confronting. “This is definitely my worst nightmare. But I know if I surrender, it’s just going to be a start to a new life,” he said. Evans becomes only the second male player in Australian rugby league history to come out as gay, following **Ian Roberts**, who did so in 1995 while still playing and is widely regarded as a trailblazer in the sport. The scarcity of openly gay male players in rugby league has long been noted, with Evans’ announcement seen as a significant moment for visibility and inclusion. His decision has been welcomed by many within the sport and beyond, with supporters praising his courage. Former teammates and figures in the game have suggested his story could help others facing similar struggles and contribute to changing attitudes. By sharing his journey, Evans hopes to challenge stereotypes and encourage greater acceptance within the game. “I know that there are people who are struggling with the same struggle that I’ve gone through… I’m very blessed that I can come here and talk to you and be able to save a life or two,” he said. While acknowledging the challenges that can come with speaking openly, Evans said the response so far had been overwhelmingly positive - and empowering. “Now I’ve spoken about it, I’ve shattered all those chains. They’ve lost their power,” he added. ### London’s Heaven nightclub backs plea for VAT cut as hospitality costs surge URL: https://www.scenemag.co.uk/londons-heaven-nightclub-backs-plea-for-vat-cut-as-hospitality-costs-surge/ Last updated: 2026-06-08T12:03:05.000Z One of London’s best-known LGBTQ+ venues has warned that rising costs and tax pressures are putting hospitality businesses at risk, as it joins a growing campaign calling for a cut to VAT. **Heaven** nightclub in central London has thrown its support behind the **VAT’s The Problem** campaign, led by chef **Tom Kerridge**, which is urging the government to reduce VAT for hospitality to 10%. In a statement shared on social media, Heaven and its owner **Jeremy Joseph** said the sector was facing mounting financial strain. “VAT is crippling us,” the venue said, adding that it faces an average monthly VAT bill of around £60,000. The club said the tax burden was compounded by a series of rising costs across the industry, including business rates, increases to the minimum wage and National Insurance contributions, and higher rents. “Nightclubs, bars, pubs, restaurants and cafes are all being affected,” the statement said. “We can’t tell you how damaging VAT is to hospitality.” The campaign, which has attracted growing support from venues across the UK, argues that the current 20% VAT rate places British businesses at a disadvantage compared with European countries. Campaign materials note that comparable rates are lower elsewhere, at around 10% in countries such as France, Spain and Italy. Supporters say the hospitality sector plays a central role in local communities, providing jobs and social spaces, but is now under increasing pressure from rising costs. Heaven said it backed the campaign “100%” and called on the government to take action to protect venues. “It’s time for the government to do something,” the statement said. “[Please sign the petition](https://www.vatstheproblem.co.uk/?fbclid=IwY2xjawSTjV5leHRuA2FlbQIxMABicmlkETAyM3plOFNFcTBORGpXSGFSc3J0YwZhcHBfaWQQMjIyMDM5MTc4ODIwMDg5MgABHjKA6cvpOAQUmMNk4GdSSo9UdO3DYpmaTK-pp6jMu2XVL7JxBD7E9CQrvt23%5Faem%5FK-iobdZbAh4lb2zXsXoGRQ&ref=scenemag.co.uk) and not just support, but protect our venues.” The [campaign’s petition ](https://www.vatstheproblem.co.uk/?fbclid=IwY2xjawSTjV5leHRuA2FlbQIxMABicmlkETAyM3plOFNFcTBORGpXSGFSc3J0YwZhcHBfaWQQMjIyMDM5MTc4ODIwMDg5MgABHjKA6cvpOAQUmMNk4GdSSo9UdO3DYpmaTK-pp6jMu2XVL7JxBD7E9CQrvt23%5Faem%5FK-iobdZbAh4lb2zXsXoGRQ&ref=scenemag.co.uk)has already attracted significant backing, with more than 170,000 people signing up in support of calls to reduce VAT for hospitality businesses. Organisers say the aim is to help venues remain viable and continue contributing to the social and economic life of towns and cities across the UK - including LGBTQ+ spaces such as Heaven, which have long played a key role in community life. ### "You will not put us down." Rushden Pride organisers defiant after replacement banner is set alight URL: https://www.scenemag.co.uk/you-will-not-put-us-down-rushden-pride-organisers-defiant-after-replacement-banner-is-set-alight/ Last updated: 2026-06-08T11:51:56.000Z Organisers of a Pride event in Northamptonshire are standing firm after a second promotional banner was destroyed days after replacing an earlier one that had disappeared. **Sapphire Matthewman**, who runs **Rushden Pride**, said the original sign advertising the festival at **The Welcome Inn** went missing on **25 May**. The banner, positioned near an Asda store on Washbrook Road with council permission, is believed to have been deliberately removed. Determined not to be deterred, organisers quickly arranged a replacement with help from local supporters. The new banner, funded with a donation from drag performer **Traya Buns**, was designed to be larger and more eye-catching, with businesses stepping in to help produce and install it in a new location on Bedford Road. But shortly after it was put up, the second banner was attacked and set on fire. Matthewman said the incident had left her heartbroken for a second time and unwilling to commission another replacement. “It’s incredibly upsetting,” she said. “This was something the whole community helped bring together, and to see it destroyed like that is devastating.” ![](https://www.scenemag.co.uk/content/images/2026/06/712684323_122122711251232070_8055099290878784356_n.jpg) She added that the banners were intended to promote a welcoming and inclusive message in the run-up to the town’s Pride celebrations. “It’s meant to be about kindness and bringing people together, which makes what’s happened even more disheartening,” she said. Despite the setbacks, Matthewman said the support shown by local residents and businesses had been overwhelming, with volunteers and donors rallying behind the event following the first incident. Rushden Pride is scheduled to take place from **19 - 21 June** and attracted around 400 attendees last year. While the vandalism has been a blow, Matthewman said she remains focused on making the festival a success. “We wanted to show that we wouldn’t be knocked down,” she said. “Hopefully, something positive can still come from this.” ### Joe Biden honoured with LGBTQ+ ally award at Stonewall Awards brunch in Philadelphia URL: https://www.scenemag.co.uk/joe-biden-honoured-with-lgbtq-ally-award-at-stonewall-awards-brunch-in-philadelphia/ Last updated: 2026-06-08T11:36:17.000Z Former US president **Joe Biden** has been recognised for his long-standing support for LGBTQ+ rights after receiving a top honour at the **Philadelphia Gay News (PGN) Stonewall Awards**. Biden made a surprise appearance at the annual Stonewall Awards brunch on **7 June**, where he was presented with the **LGBT Ally Champion Award**, recognising his record as a political advocate for equality. The awards, held during **Pride Month**, celebrate individuals and organisations who have made a significant impact on LGBTQ+ communities. Organisers said Biden’s recognition reflected his decades of support for equality measures, including backing marriage equality, anti-discrimination protections and the appointment of LGBTQ+ figures to senior government roles. In his acceptance speech, Biden described the fight for equality as central to American values. “There’s nothing more American than the fight for equality,” he told the audience, linking the ongoing struggle to the origins of the country itself. He also paid tribute to early LGBTQ+ activists, acknowledging the risks they took during the Stonewall uprising and beyond. “You risked a hell of a lot… your very lives for the cause of equality,” he said, drawing connections between historic activism and the challenges facing LGBTQ+ people today. Addressing younger members of the community, Biden offered a message of reassurance amid what he described as a difficult political climate. He urged LGBTQ+ youth to embrace who they are, telling them: “Just be you… you’re loved.” The former president’s appearance was introduced by Pennsylvania state representative **Malcolm Kenyatta**, who highlighted Biden’s record in office, including appointing Pete Buttigieg as the first openly gay cabinet member and Rachel Levine as the first openly transgender person confirmed by the US Senate. The PGN Stonewall Awards, founded by activist and publisher **Mark Segal**, are among the longest-running LGBTQ+ honours in the United States, with recipients selected for their contributions to the community and broader equality efforts. Biden’s award was presented alongside other honours recognising local activists and organisations working to advance LGBTQ+ rights and visibility in Philadelphia and beyond. ### Diversity Role Models joins Stonewall to expand support for schools across the UK URL: https://www.scenemag.co.uk/diversity-role-models-joins-stonewall-to-expand-support-for-schools-across-the-uk/ Last updated: 2026-06-08T11:17:26.000Z **Diversity Role Models** has announced it is joining the **Stonewall** family in a move aimed at expanding support for schools and young people across the UK. The agreement will see Stonewall act as the charity’s sole member organisation, providing operational backing, national infrastructure and additional resources to help extend Diversity Role Models’ work in tackling bullying and promoting inclusion in schools. Despite the new arrangement, Diversity Role Models will continue to operate under its existing name, with its programmes, staff and educational approach remaining unchanged. The organisation will carry on delivering its established workshops, volunteer role model scheme and educator training, which have been used by schools for more than 15 years. The partnership is expected to significantly increase the charity’s reach, allowing it to deliver its programmes to more schools and communities, including areas it has not previously been able to serve. Both organisations said the move builds on a shared commitment to improving equality in education and ensuring young people feel safe and valued. Diversity Role Models brings extensive experience in delivering evidence-based programmes in schools, while Stonewall offers national reach and the operational scale needed to support future growth. **Simon Blake,** chief executive of Stonewall, said he had witnessed the impact of Diversity Role Models’ work first-hand. “Diversity Role Models has spent 15 years developing a genuinely human and evidence-based approach to tackling bullying and building empathy in schools,” he said. “We are proud to bring Diversity Role Models into the Stonewall family and to help extend this important work to even more schools and young people across the UK.” The two organisations also have a long-standing connection. Blake previously served as chair of Diversity Role Models during its early years, highlighting what both sides described as a foundation of trust and shared purpose underpinning the partnership. **Christopher Drennen**, chair of Diversity Role Models, said the move would enable the charity to build on its existing work. “Diversity Role Models was founded on the belief that every young person deserves to grow up in a school where they feel safe, valued and able to be themselves,” he said. “Joining the Stonewall family gives us the operational strength, reach and support to bring our programmes to even more young people and school communities in the years ahead.” For schools already working with Diversity Role Models, the organisations said the changes would bring continuity as well as growth, with the same programmes and personnel continuing to deliver support. The partnership reflects a broader ambition shared by both organisations to create school environments where differences are respected, empathy is fostered and every young person feels they belong. ### Brighton Queer Prom to offer inclusive celebration for LGBTQ+ young people URL: https://www.scenemag.co.uk/brighton-queer-prom-to-offer-inclusive-celebration-for-lgbtq-young-people/ Last updated: 2026-06-08T11:01:09.000Z Prom night is set for a makeover in Brighton this summer with the launch of a dedicated LGBTQ+ event aimed at young people who have felt excluded from traditional school celebrations. **Brighton Queer Prom 2026** will take place on **10 July** at **Brighton Museum and Art Gallery**, offering a free, inclusive event for LGBTQ+ people aged 16 to 21\. Organised by **Allsorts Youth Project** in partnership with **Brighton & Hove Museums**, the prom aims to create a welcoming space centred on community, creativity and self-expression. For many LGBTQ+ young people across Sussex, prom season has historically been a difficult experience, with some choosing not to attend or feeling uncomfortable on the night. Organisers say the new event is designed to change that, providing what they describe as “the prom every LGBTQ+ young person deserves”. The museum’s **Central Gallery** will be transformed for the evening into a celebration of queer identity, featuring music, art and a focus on connection and belonging. **Nancy Kelley**, chief executive of Allsorts Youth Project, said the initiative reflects the charity’s broader mission to support LGBTQ+ young people in the region. “At Allsorts we’re on a mission to make sure every LGBTQ+ young person in Sussex can make friends, build community and feel proud of who they are,” she said. “Brighton Queer Prom is all about that - this is a night for LGBTQ+ young people to feel seen, celebrated and surrounded by joy.” **Hedley Swain**, chief executive of Brighton & Hove Museums, said the venue was proud to host the event. “We’re pleased to open the doors of Brighton Museum & Art Gallery for Brighton Queer Prom and help create a space where LGBTQ+ young people can celebrate freely and authentically,” he said. “Transforming the Central Gallery into a place filled with joy, creativity and connection reflects values that are at the heart of both our organisation and the city itself.” The event will run from 6.30pm to 9.30pm, with free tickets available [online](https://www.eventbrite.co.uk/e/brighton-queer-prom-2026-tickets-1989544932450?ref=scenemag.co.uk). ### Hope Starts Here: LGBT Foundation launches nationwide campaign celebrating everyday LGBTQ+ lives URL: https://www.scenemag.co.uk/hope-starts-here-lgbt-foundation-launches-nationwide-campaign-celebrating-everyday-lgbtq-lives/ Last updated: 2026-06-08T09:38:50.000Z The **LGBT Foundation** has unveiled its largest-ever national campaign, *Hope Starts Here*, aiming to spotlight everyday moments of connection, belonging and joy within LGBTQ+ communities across the UK. Launching for **Pride Month** and running throughout 2026, the campaign combines a month-long digital showcase at **Outernet London** with nationwide billboards, social media activity and a summer roadshow. The initiative seeks to bring LGBTQ+ lives into public view at a time when rising hate crime and increasingly polarised debate have left many people feeling vulnerable. At the heart of the campaign is a free immersive digital experience at **Outernet London**, running from **Thursday, 4 June** until **Saturday, 4 July**. Located in central London, the venue is home to what organisers describe as some of the most advanced screens in the world, providing a large-scale platform for sharing personal stories from across the community. Rather than focusing solely on Pride marches or festivals, *Hope Starts Here* highlights how LGBTQ+ pride is lived year-round, often through ordinary relationships, friendships and family life. Campaign organisers say these everyday moments can be transformative, particularly for those who may feel isolated or unsafe. The charity supported more than 50,000 LGBTQ+ people last year, many of whom required help with day-to-day challenges. The new campaign aims to remind audiences that, even in difficult times, a sense of belonging remains possible. ![](https://www.scenemag.co.uk/content/images/2026/06/Hope-Starts-Here-Banner-Zelah-scaled.jpg.webp) The **Outernet** experience will feature a series of personal stories, including that of *Big Brother* series 25 contestant **Zelah Glasson**, who reflects on reclaiming his boyhood through playing football with friends. Also featured is London-based skater Winona Wee, who describes finding joy, calm and community both on and off the board, supported by her husband and family. The campaign also includes appearances from RuPaul’s Drag Race UK star **Dita Garbo**, Manchester-based influencers **Dani and Jodie**, and a range of community role models from cities including Manchester, Liverpool and Birmingham. Each shares their own experiences of connection and resilience. Organisers say the campaign is designed to resonate beyond LGBTQ+ audiences by focusing on shared, recognisable experiences. By doing so, they hope to build empathy and foster greater understanding across wider society. Sir **Ian McKellen**, a patron of the LGBT Foundation, has voiced his support for the initiative, expressing a desire for “pride - which is a wonderful word – to take over”, and highlighting the importance of everyday actions in helping people feel valued and at home. ![](https://www.scenemag.co.uk/content/images/2026/06/imago92795051.jpg) Sir Ian McKellen **Zelah Glasson** said the campaign highlights the importance of visibility and support. “Hope and joy are not abstract ideas — they’re things everyone deserves access to in real, tangible ways,” he said. “For LGBTQ+ people, especially trans people, those can often feel harder to hold onto when you’re constantly being judged and having your existence debated. This campaign is a reminder that community, visibility and support aren’t optional - they’re essential, and they genuinely change lives.” Dr **Paul Martin**, chief executive of the LGBT Foundation, said the campaign builds on previous work while offering a more celebratory perspective. “We’ve made real progress as a society, and that matters. But for many LGBTQ+ people, simply living their day-to-day lives is still questioned or criticised,” he said. “*Hope Starts Here* sits alongside our *Refuse to Be Invisible* campaign - one calls for change, the other celebrates the lives we’re fighting for. Together, they show there is far more that brings us together than pulls us apart.” ![](https://www.scenemag.co.uk/content/images/2026/06/LGBT_Foundation-Hope_BW-7-scaled.jpg.webp) **Scott Neal**, creative director for culture and lifestyle at Outernet, said the partnership felt particularly timely. “At a time when division and negativity can feel overwhelming, this campaign uses the power and scale of our screens to celebrate connection, joy and belonging,” he said. “We’re proud to help amplify everyday LGBTQ+ stories in the heart of London.” Alongside its high-profile digital and outdoor presence, *Hope Starts Here* will also travel around the country through a **Pride Roadshow** later this summer, supported by Barefoot Wine. The LGBT Foundation is [encouraging people to get involved ](https://lgbt.foundation/hope-starts-here/?ref=scenemag.co.uk)by sharing their own stories, supporting the campaign or donating via [its website](https://lgbt.foundation/hope-starts-here/?ref=scenemag.co.uk). ### INTERVIEW: Independent artist SAFIRE is that girl URL: https://www.scenemag.co.uk/interview-safire-exxxtasy-newmusic2026/ Last updated: 2026-06-06T14:34:55.000Z Ladies and gentleman, theys and thems, welcome to the **Brighton & Hove** residents' community corner series celebrating our city’s bold drag artists, boundary breaking performers and a new category unlocked for 2026: Brighton & Hove based queer/LGBTQ+ owned businesses. In 2025 I decided that I wanted to create a series that goes beyond the glam with our legendary, local queer performers (and now queer owned businesses too) so we can all get to know them more because like **Lady Gaga** said on *ARTPOP*, "Do you wanna see the girl who lives behind the aura?" so erm, why not?! If you’re looking to put your hard earned money where your queer mouth is then I think supporting queer/LGBTQ+ owned businesses is a statement of solidarity. These businesses often operate at the intersection of creativity, resilience and community, bringing fresh perspectives while navigating unique challenges. Their success strengthens our community economically and helps pave the way for future queer entrepreneurs. This week though, we’re joined by **SAFIRE**. ![](https://www.scenemag.co.uk/content/images/2026/06/1000060256-1.jpg) 📸 [Alexander Ekholm](https://www.instagram.com/aekhlm?ref=scenemag.co.uk) If you haven’t clocked SAFIRE yet, consider this your official introduction. The Irish/UK artist and songwriter, now based in **Brighton** via **Hackney** is building a bold sonic universe where avant pop meets full throttle club energy. Think drum & bass and hardcore punk colliding with strings, cello and a touch of Gregorian chant. Sounds wild I know but you'll love it. She’s just dropped her brand new single *EXXXTASY* and it’s already doing exactly what it says on the tin: turning the dancefloor into a full on main character moment. At a recent [**Club Revenge**](https://www.instagram.com/revengebrighton?ref=scenemag.co.uk) performance, the crowd was already belting out the lyrics before the track had even been released. Surely this is enough proof that SAFIRE’s connection with her audience is only getting stronger, right?! This release follows her steady rise as an independent artist with previous track *Digital Freak* gaining early momentum and ongoing support from [**BBC Introducing**](https://www.instagram.com/bbcintroducing?ref=scenemag.co.uk). Oh and did I mention she’s also a former **Eurovision** shortlist contender with a reputation for seriously high energy live shows?! Basically, SAFIRE is one to watch and before she gets too famous I caught up with her yesterday on *EXXXTASY* release day for a yap so let’s dive in....head first! DALEYPOP: Oh hey Saf! How are you and what's your day looked like so far?! SAFIRE: Hey Dale, I’m on my way to **London** to see my producer to work on a track today. The sun is out and being in the studio creating music is one of my favourite things to do so I’m happy! DALEYPOP: For our readers who might not have discovered you or your music yet, please can you introduce us to yourself and what kind of music you make? SAFIRE: I’m an independent solo artist and writer. I make music as a form of escapism and emotional release. I’m basically creating high energy avant pop club music at the moment and building in elements that you might not typically hear in that space like violin and cello. I love pop, hardcore punk, metal and drum and bass so you can expect fast paced music from me always with huge subs and fat bass lines. I’ve dabbled in pop, metal and drum and bass in the past and now I’m trying to figure out how all of my musical loves can exist in the same song. At the moment I’m building a sonic world from all of my favourite things to work with. > I studied classical music and history and it’s a bit nerdy, but I love Gregorian chant and Phrygian mode. It just sounds so mysterious. I tend to write a lot in that space. DALEYPOP: Your new single *EXXXTASY* which is finally out today woo, is all about confidence and manifestation, right?! What’s one affirmation from the track you actually catch yourself saying in real life? SAFIRE: Honestly, none of them! That’s why I wrote this song because I feel like whenever I sing it I actually am manifesting energy that I want to call into my life. I love the idea that when people sing this song that they are subconsciously or consciously manifesting beautiful things into their life which is just another layer of lyric writing and spirituality that I put into my songs. > [@safireisking](https://www.tiktok.com/@safireisking?refer=embed&ref=scenemag.co.uk "@safireisking") Repeat after me 💋 [#manifestation](https://www.tiktok.com/tag/manifestation?refer=embed&ref=scenemag.co.uk "manifestation") [#clubmusic](https://www.tiktok.com/tag/clubmusic?refer=embed&ref=scenemag.co.uk "clubmusic") [#newmusic](https://www.tiktok.com/tag/newmusic?refer=embed&ref=scenemag.co.uk "newmusic") [#independentartist](https://www.tiktok.com/tag/independentartist?refer=embed&ref=scenemag.co.uk "independentartist") [#irish](https://www.tiktok.com/tag/irish?refer=embed&ref=scenemag.co.uk "irish") [♬ original sound - SAFIRE](https://www.tiktok.com/music/original-sound-7646143506335025942?refer=embed&ref=scenemag.co.uk "♬ original sound - SAFIRE") DALEYPOP: Well the lyrics are giving full main character energy....do you imagine people strutting down the street like it’s a runway when they’re listening? SAFIRE: Yessss! 100%! I love the idea of someone working out to this or just going about their daily business and feeling hot as fuck! > I love how music has the power to elevate your whole mood or transport you to another place entirely and I love making music that does that for me and sharing it. DALEYPOP: You recently performed *EXXXTASY* at Club RevengeandI'm keen to hear what was going through your mind hearing people sing the lyrics back before the track was even released?! Wild. SAFIRE: It’s a mad thing seeing how memorable the lyrics are for people but what I love is the smiles they had on their faces whilst they were singling them. That’s such a sick experience! > [ View this post on Instagram ](https://www.instagram.com/p/DVZA1VcDAdg/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by SAFIRE (@safireisking)](https://www.instagram.com/p/DVZA1VcDAdg/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) DALEYPOP: *EXXXTASY* marks your third independent single since you stepped back from releasing music for a year and a half. How come you stepped away for so long and how are you finding being an independent artist? SAFIRE: Honestly, I was homeless for almost 2 years. I couldn’t afford to make music. I got sick with long COVID and was in and out of hospital for 6 months and lost all of my income and my home over a period of time and got into so much debt. Studio time and production of tracks costs a lot of money and so does the visuals that help get the songs out there. I was paying for everything with my day job and I just couldn’t manage it anymore. DALEYPOP: I still loveee *Bad Reputation* which I think I've said to you before, gives me **Slayyyter** vibes. Who are your inspirations in music, past or present? SAFIRE: Firstly! Thank you! Oh man, there’s so many so I’ll do my best to limit this! Currently I’m loving Slayyyter's new album, **Pink Pantheress**, **COBRAH**, **DJ\_Dave**, **Namasenda**, **Lolo Zouai**, **Fcukers** and **Starjunk 95**. Past influences are always reappearing in my work whether in the production, vocal deliveries, song writing etc and those are **Michael Jackson**, **Madonna**, **Alexisonfire**, **Tool**, **Deftones**, **The Hope Conspiracy**, **American Nightmare**, **Incubus**, **Aaliyah**, **Mariah Carey**, **N.E.R.D** and **Britney Spears**. ![](https://media.tenor.com/cdUWaHZxUfAAAAAC/slayyyter-ipod-music.gif) DALEYPOP: Was it intentional to create this project with a a queer, trans, non-binary and female led team and how did that shape both the sound and visuals? SAFIRE: Yeahh! That’s my family right there. > I love women and think they are incredible and have to deal with so much and so are trans, queer and non binary people. I grew up really poor and in the care system and was bullied in my home and at school. Kids used to wait for me and throw rocks at me and spit on me because I was poor and my mum took drugs and everyone knew it in our area. I feel a real affinity to anyone that’s had to struggle just to exist or just be themselves and that’s why I try and hire under represented minorities within my professional world. I also just feel like I can be more creative and expressive around them because it feels like a safe space. DALEYPOP: Oh wow, thank you for sharing this with with us, it really does put everything you’re building into perspective. No one should have to go through any of that, especially growing up but it’s inspirational how you’ve turned those experiences into something that drives your work and your values today! Clearly you loveee fashion, you always look so cool so how important is fashion in telling your story as an artist and who are your favourite designers? SAFIRE: I was always feel like the least fashionable person! One of my favourite designers right now is [**Janine Grosche**](https://www.instagram.com/path%5Fby%5Fjaninegrosche?ref=scenemag.co.uk). They make transparent latex pieces that emulate snakeskin in neutral tones and I’m fucking OBSESSED! Ilias at [Ilias Little Shoe Box](https://www.instagram.com/iliaslittleshoeboxuk?ref=scenemag.co.uk) makes incredible fetish inspired footwear and I love [Busted Brand](https://www.instagram.com/bustedbrand?ref=scenemag.co.uk) and [R & M LEATHERS](https://www.instagram.com/r%5Fand%5Fm%5Fleathers?ref=scenemag.co.uk). ![](https://www.scenemag.co.uk/content/images/2026/06/1000060283-1.jpg) 📸 [Alexander Ekholm](https://www.instagram.com/aekhlm?ref=scenemag.co.uk) DALEYPOP: Can you give us a little exclusive tease….maybe something about a **BBC Live Lounge** session in October ahead of a **Halloween** release?👀 SAFIRE: Yassssss! I’m going to be in the Live Lounge in October playing my latest releases and some upcoming tracks. I’ve been working with a violinist for this performance which is a really exciting space to be moving into! DALEYPOP: Do you have upcoming shows that we should know about? SAFIRE: At the moment I only have my BBC live Lounge booked in but I am in discussions with other artist management and I’m definitely looking to play live more! DALEYPOP: Between performances and rising streams....how are you balancing pop star chaos with real world impact? SAFIRE: I’m not massively focused on numbers and metrics at the moment. I’m really interested in making great art and connecting with people on a human level as much as possible. I’m honestly always just focused on the next thing and because I’m independently managing everything myself I feel like I just exist in a bubble where I’m just working all the time to move things forward and to become more creative and put out better art. > [ View this post on Instagram ](https://www.instagram.com/p/DZM9tjDAmZb/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by SAFIRE (@safireisking)](https://www.instagram.com/p/DZM9tjDAmZb/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) DALEYPOP: What does Pride personally mean to you? SAFIRE: A friend of mine is a trans artist from Brighton and she was telling me about her experiences of going to the toilet and how people look at her when she goes in the men’s or women’s toilets and sometimes she just doesn’t know which one to go in to. Listening to her talk about that brought tears to my eyes. I can’t imagine how uncomfortable that must feel when you just need to go to the toilet which is a basic human right! > I think that Pride demonstrates to me how just much further we have to go. When you hear about peoples every day lived experiences, it just makes you really aware of how much more needs to be done so that people can exist freely and safely. DALEYPOP: Where’s your favourite place to grab a bite in Brighton right now, any go to spots you’re loving lately? SAFIRE: I love [**Flint House**](https://www.instagram.com/theflinthouse?ref=scenemag.co.uk) (in the lanes) which made the best roasts ever and there’s an incredible place on **Trafalgar Street** called [O’Shio](https://www.instagram.com/oshiobrighton?ref=scenemag.co.uk)! [**Riddle and Fins** ](https://www.instagram.com/riddleandfinnsbrighton?ref=scenemag.co.uk)have incredible fish dishes and their service is amazing! DALEYPOP: Ok last question I promise, it's a big one....who’s your crush of the day? SAFIRE: I’m gonna say **Ryan Gosling** (with his top off) in the movie *Drive*.... ![](https://www.scenemag.co.uk/content/images/2026/06/1000060266.gif) **EXXXTASY* is available on all streaming platforms now. ### The Saturday Scene: Happy Pride Month URL: https://www.scenemag.co.uk/the-saturday-scene-happy-pride-month/ Last updated: 2026-06-06T07:40:07.000Z _This post is for subscribers only._ ### Stonewall and Dame Kelly Holmes host Rainbow Laces roundtable to tackle LGBTQ+ barriers in sport URL: https://www.scenemag.co.uk/stonewall-and-dame-kelly-holmes-host-rainbow-laces-roundtable-to-tackle-lgbtq-barriers-in-sport/ Last updated: 2026-06-05T11:39:28.000Z **Stonewall** has joined forces with double Olympic champion Dame **Kelly Holmes** to host a **Rainbow Laces** roundtable aimed at breaking down barriers facing LGBTQ+ people in sport and physical activity. The discussion brought together representatives from grassroots sport, higher education and inclusion organisations, alongside LGBTQ+ athletes, to explore how participation can be increased and environments made more welcoming across the sector. The charity said the session created space for attendees to share experiences and identify practical ways to improve access to sport, exercise and movement. Participants left feeling “hopeful and energised”, with Stonewall pledging to share the outcomes of the conversation in the near future. The event forms part of Stonewall’s wider **Rainbow Laces** campaign, which seeks to create what it describes as a “visible network of belonging” in sport. The initiative is built around the message that LGBTQ+ people should feel able to “move with pride” and participate without fear of discrimination. ![](https://www.scenemag.co.uk/content/images/2026/06/716829598_1404638708365614_843995774586668606_n.jpg) Dame Kelly Holmes. Pic Stonewall Facebook Stonewall says there remains a significant disparity in experiences, with LGBTQ+ people more likely to face discrimination while exercising than their non-LGBTQ+ counterparts. The organisation argues that this continues to prevent many from accessing the well-established physical, mental and social benefits of sport and movement. Rainbow Laces, which operates as an “always-on” campaign, encourages clubs, organisations and individuals to demonstrate support in visible ways. Wearing the campaign’s brightly coloured laces has become a widely recognised symbol of inclusion, signalling that LGBTQ+ people are welcome in sporting spaces. The initiative also urges participants to organise inclusive activities, from tournaments and runs to themed fitness classes, in a bid to foster more supportive environments. Fans and spectators are also encouraged to get involved, with resources available to help create inclusive watch parties around major sporting events. Stonewall says these actions are designed to turn expressions of support into tangible change, helping to ensure LGBTQ+ people feel they belong at every level of sport — from grassroots participation to elite competition. The charity is also calling on organisations to formalise their commitment through its **“Proud Pledge”**, which can be displayed in clubs, gyms and community venues as a visible sign of inclusion. Supporters are further encouraged to share their involvement online, helping to build visibility and reinforce the message that sport and physical activity are for everyone. The latest roundtable highlights growing momentum behind efforts to address inequality in sport, with high-profile figures such as Dame Kelly Holmes lending their support. Stonewall said collaboration across sectors would be key to sustaining progress and ensuring that LGBTQ+ people can take part in sport safely and with confidence. ## More info [HERE ](https://www.stonewall.org.uk/get-involved/support-us/rainbow-laces?fbclid=IwY2xjawSPk51leHRuA2FlbQIxMABicmlkETAyM3plOFNFcTBORGpXSGFSc3J0YwZhcHBfaWQQMjIyMDM5MTc4ODIwMDg5MgABHv5c7nq%5FeRjY9sDkjbHD7gaxFk1AAvFlYXtFi3P1jxG%5Fa7sCCdG6ME2YCQJU%5Faem%5F4yn6rcZyM9XmU0ed9WbjBQ&ref=scenemag.co.uk) ### Motha descends on NYC: Grindr and Madonna team up for legendary Times Square performance URL: https://www.scenemag.co.uk/motha-descends-on-nyc-grindr-and-madonna-team-up-for-legendary-times-square-performance/ Last updated: 2026-06-05T11:12:44.000Z **Madonna** delivered a surprise performance in **New York**’s **Times Square** on Thursday night, teaming up with dating app **Grindr** for a high-profile event that drew a large crowd and introduced new material from her forthcoming album. The pop star took to the stage just 30 minutes after the show was announced within the Grindr app, performing three previously unheard tracks from *Confessions II*, due for release on **3 July** via **Warner Records**. She also revisited songs from her 2005 album *Confessions on a Dance Floor*. Wearing a **Dolce & Gabbana** corset, Madonna headlined the open-air set in what organisers described as a reimagining of Times Square as a “global gaybourhood”. The performance was simultaneously live-streamed to users worldwide within the app, marking the first time Grindr has hosted a global broadcast of this kind. ![](https://www.scenemag.co.uk/content/images/2026/06/1--1-.JPG) Madonna. Pic by Alex Antonioni In a statement, Madonna said the collaboration was rooted in her long-standing relationship with LGBTQ+ audiences. “The LGBTQ+ community has been with me from the beginning. We’ve inspired, challenged and stood by each other during both dark and joyful times,” she said. “Partnering with Grindr feels like a celebration of that connection - safety in numbers.” Grindr chief executive **George Arison** said the event reflected the platform’s ambitions to expand beyond digital connections. “Madonna chose to bring *Confessions II* to her fans through Grindr, and tonight Times Square became the global gayborhood,” he said. The performance featured multiple camera angles, live dancers and a branded bus installation, with organisers seeking to create an immersive experience both on the ground and within the app. A recording of the show is set to be made available on Grindr’s YouTube channel. ![](https://www.scenemag.co.uk/content/images/2026/06/M_260603_Edit_V01-13--1--2.JPG) Madonna. Pic by Alex Antonioni The partnership forms part of a broader promotional campaign for *Confessions II*, including exclusive editions of the album on vinyl and in-app content for users. Grindr’s chief marketing officer **Tristan Pineiro** said the collaboration highlighted the influence of LGBTQ+ culture on mainstream trends. “Gay culture has always been at the centre of the conversation,” he said. The one-night event drew thousands to the heart of Manhattan and signalled Madonna’s continued focus on large-scale, community-led performances as she prepares to release her latest music. ### Martin Kemp praised for speaking secret gay language Polari URL: https://www.scenemag.co.uk/martin-kemp-praised-for-speaking-secret-gay-language-polari/ Last updated: 2026-06-05T10:17:06.000Z **Tom Read Wilson** has praised actor and musician Martin Kemp for embracing **Polari**, the once-secret language historically used by Britain’s gay community. The *Celebs Go Dating* star described Kemp as “very special” after hearing him use the coded slang, which was widely spoken among LGBTQ+ people in the mid-20th century as a way of communicating safely at a time when homosexuality was criminalised. Polari, a unique blend of Italianate phrases, rhyming slang and theatrical jargon, fell out of common use following the decriminalisation of homosexuality in England and Wales in 1967\. In recent years, however, it has experienced a resurgence of interest as part of efforts to preserve LGBTQ+ cultural heritage. Speaking about Kemp’s use of the language, Read Wilson said he was delighted to see a mainstream figure engaging with Polari and helping to bring it back into the public conversation. He suggested that such moments play an important role in keeping queer history alive and accessible to new generations. Advocates say Polari is more than just a playful slang, representing resilience and community during a time when LGBTQ+ people often had to conceal their identities. Read Wilson’s praise reflects a broader appreciation for those who help shine a light on that legacy. The renewed attention around Polari comes amid a growing focus on LGBTQ+ history and representation in popular culture, with figures like Read Wilson championing both its preservation and its celebration. ### INTERVIEW: Adam Imber and Ali Najjar on two faiths, one love story and a happy ending URL: https://www.scenemag.co.uk/interview-adam-imber-and-ali-najjar-on-two-faiths-one-love-story-and-a-happy-ending/ Last updated: 2026-06-04T17:19:50.000Z In a world that sometimes still feels deeply divided by religion, culture and identity, some love stories refuse to fit the narrative. This is one of them! Meet **Adam Imber**, 36, a Jewish gay man, and **Ali Najjar**, 45, a Muslim gay man. On paper their relationship sits at the intersection of identities often portrayed as incompatible but it's proof that love doesn’t care about lines drawn by tradition, politics or expectation. Their story unfolds against a backdrop of growing LGBTQ+ acceptance but don’t be fooled huns, the journey wasn’t easy. Both Adam and Ali had to navigate the complicated, sometimes painful overlap of faith, sexuality and heritage. In today’s climate where difference is so often weaponised, their relationship feels quietly radical. Because yesss it might sound cheesy but love is love and during Pride Month that truth hits even harder. Adam’s upbringing was traditional rather than strictly religious but his connection to Judaism ran deep. He attended a Jewish school, leaned into his faith and by his own admission was “more religious” than his parents growing up. So when he realised he was gay at just 11 and being gay wasn’t accepted at school, that tension followed him for years. At 17 though, Adam came out. His mum’s initial reaction was fear, questions, worries and concern about how their community might respond but change came from within the family. His aunt, who had already defied tradition by marrying outside the faith, helped shift that perspective. His dad and sisters? Solid. Unshakeable support. It wasn’t until university though and meeting other queer Jewish students that Adam truly began to feel comfortable in his identity. Ali’s story takes a different turn. Raised in a liberal Muslim household, faith was present but never forced. There were traditions but also space. Space to question, to grow and ultimately, to be himself. Fast forward to May 2022 in **Central Park**, **New York**. Adam proposes. Then in August 2023, **Braxted Park** in **Essex**. 160 guests. Two cultures, two families and one massive celebration of love. I sat down with Adam and Ali for a yap that was deep, honest and sometimes funny too so let’s dive in....head first! --- DALEYPOP: Hi boys, how are you both and how's your day going?! Oh and how was **Barbados**? ALI: We are fabulous thank you! We have just celebrated our ninth year together and have been looking through old photos taking a trip down memory lane when we first met. I looked so different, I think I mature like cheese! Barbados was just amazing! It’s definitely become one of our happy places. It’s our third time to the tropical island and each time we have been it just gets better and better! > [ View this post on Instagram ](https://www.instagram.com/p/DX6l9nODFFe/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Ali Najjar (@husbands\_ali\_adam)](https://www.instagram.com/p/DX6l9nODFFe/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) ADAM: The food, the people, the music, the slower paste of life which we love to experience as our schedules in the **UK** are just crazy! It’s the magical island that everyone must visit at least once. As tourists we do feel incredibly safe as a same sex couple, however we do recognise that the experience that the LGBTQ basins vane be more challenging. DALEYPOP: I'm adding Barbados to my bucket list right....NOW! Growing up in large Jewish and Muslim families, how old were you when you first become aware that you were gay nd how did that shape your sense of identity? ALI: Between us, we come from very big families with parents, step parents, 18 aunts and uncles, around 40 first cousins and five sisters. We never needed to watch **The Kardashians** or **Jerry Springer** because our sisters brought all the drama, entertainment and chaos we could ever need. The biggest source of entertainment has always been the children, with ten nieces and nephews between them, **Christmas**, **Eid**, and **Hanukkah** are always loud, loving, and very expensive! Our childhoods were hectic but full of love and laughter. We both share memories of busy households, close relationships with our grandparents and that quiet feeling inside that told us we were somehow different from everyone else. Adam’s upbringing was traditional but progressive rather than deeply religious, although attending a Jewish school gave him a strong connection to his faith. ![](https://www.scenemag.co.uk/content/images/2026/06/1000059383-1-1.jpg) In many ways, due to his schooling Adam was actually more religious than his parents growing up. He first realised at around 11 or 12 that something waso different, however not knowing much about being gay he couldn’t put a label on it. At around 14 he realised the word for this different was gay but told himself it was just a phase. At around 16 Adam realised this feeling wasn’t going anywhere so he struggled deeply with both his sexuality and his faith. > At school, homosexuality was not spoken about and the expectation was that people would marry someone Jewish of the opposite sex and have a large family. In 2007 at the age of 17, Adam came out to his parents and sisters. His mum was upset and worried asking many questions and fearing how the close knit local community would react. It was Adam’s aunt who helped reassure her, as she herself had broken tradition by marrying a Catholic man despite expectations that Jewish people should marry within their faith. Adam’s dad and sisters were supportive from the beginning and always stood by him. Despite this Adam had challenges in accepting himself and felt he had to choose between religion and sexuality, however he found a group of other queer Jewish people who helped him finally begin to accept and embrace both his sexuality and religion. My family on the other hand, were very liberal. Although I grew up in a Muslim household where certain traditions were practiced, religion was never strictly imposed on me. I realised I was gay from a very young age, around six years old. ![](https://www.scenemag.co.uk/content/images/2026/06/1000059384-1.jpg) Even as a child I knew I was different. At school when the boys chased the girls in the playground, I was always on the girls team being chased by the boys! Playing with cousins was another reminder. They never understood why I wanted to play with the pink convertible car with **Barbie** and **Ken** inside it and I never understood why they preferred the horrible brown car with no handsome blonde man sitting in it. I was fascinated by my mum’s glamour. Her huge 80s curly hair, shoulder pads and high heels. Looking back, I now realise that glam and glitz would always become a huge part of my personality and life. > Growing up gay without support or education was incredibly difficult. At school, nobody spoke about being gay and because I came from a Muslim background, there was an overwhelming fear that I could never come out to my family. I remember hearing conversations where people openly said that being gay was wrong and forbidden. > The HIV/AIDS adverts on television terrified me. As a child, I genuinely believed that every gay person was born with AIDS and as I got older I feared I was going to die simply because I was gay. DALEYPOP: Oh wow it sounds like both of had very emotional and complicated coming out experiences then. Looking back now, what moments stand out as turning points in your families acceptance? ALI: Mine would definitely be our wedding day. My mum turning up and being so proud of me. Mum really struggled with me being gay. It was more to do with what would the community say. The gossip. > Adam was the first boyfriend I ever brought home and I just knew he was the one. Before him, I had spent years living two separate lives. Time after time relationships broke down because they were never part of my full circle. It was exhausting constantly lying, ducking and diving whenever I went out or did something my family couldn’t know about. When I met Adam I knew things had to be different. I made the decision to make our relationship public and face whatever consequences came with that. Mum was not happy and incredibly unsupportive. In fact we didn’t speak for a very long time and it really affected my mental health. I was angry and heartbroken that my mum, the person I loved most and had always been so close to seemed embarrassed and ashamed of her own son. Talking openly with family and friends helped me through it. Adam and his family were amazing and I was honest with everyone. I kept saying, “It’s not you she’s angry with, it’s me.” Over time, I also learned that some things simply take longer to heal. Every milestone for Adam and me seemed to be another huge hurdle for mum. We started dating, moved in together, bought a house and then got married. Then, in December 2018 everything finally began to change. Mum invited Adam and me to her house for **Christmas Eve**. We were so excited, I could hardly believe it was finally happening. But my sister’s timing couldn’t have been more dramatic: she went into labour and gave birth on Christmas Eve instead! We did eventually all come together and from that point on we stopped looking back and only looked forward. Sadly, my dad passed away in 2011. ADAM: I had instant acceptance from my sisters and my mum very quickly accepted that I was still Adam and her little boy and nothing changed. We were all very nervous about telling my dad as he was more traditional in his thinking, however straight away he took a very protective and accepting stance. A year or two later I heard a clip of him calling in to **LBC** where they having a debate about same sex marriage and it made me so emotional and accepting to hear him call in and say in a public space I have a gay son and express his support for equality for the community. > Our wedding day standing at the front and looking at all our family and friends there and seeing the joy on peoples faces was a moment neither of us thought we would see. That was very special. DALEYPOP: Adam, you once felt that you had to choose between being Jewish and being gay and Ali you faced fear around being a gay Muslim. How do you both reconcile faith and sexuality today? ADAM: Outside of the ultra Orthodox community and some of the traditional institutions, the Jewish community in the UK is generally very progressive and accepting of the LGBTQIA community. Because of that I now feel that there isn’t a choice to be made. In this day and age there are so many different ways to be Jewish, some people follow the rules in every detail, others choose some parts and not others, neither make you any less Jewish. I am not traditionally religious but religion is extremely important to me and my identity, we celebrate festivals with my family and I fast on our holiest day but I don’t attend synagogue. I would like to but the local ones in our area are very traditional so cue lots of questions from a Rabbi. Are you married? Do you have kids? Do you want me to arrange a nice girl to meet? I am very proud of who I am and hold on to some of the traditions that have been passed on for thousands of years. I do pray and am spiritual but I have found my own way to do this outside of the formal religious institutions. At our wedding we had a liberal Rabbi (a woman Rabbi who did my Bar Mitzvah 20+ years before) conduct a blessing ceremony and we had Jewish wedding customs like standing under a Chuppah, smashing the glass and our own interpretation of a marriage contract (Ketubah). I also wore a Tallis (prayer shawl) and Kippah (head covering) which was important to me. Whilst I wasn’t having a Jewish wedding, my faith and traditions were still a part of my wedding day. For Ali it was also important that his faith and background were a part of the day as well and we had Turkish blessings read by his sisters, as well as being welcomed into the dinner by traditional Turkish drummers who really got the party started! ALI: I’m not a practising Muslim and I never really have been. I think a lot of the stress came from worrying about what people would say. From a young age I knew being gay was not accepted within the Muslim faith but that didn’t stop me from being myself. It just meant I lived a separate life away from my family which is really sad to think about now. I had a secret past where I built some amazing moments and memories with friends who I’m still incredibly close to today. > My queer community is my second family. At the same time, that didn’t stop me from going to Mosque or praying to God every day. I believe there is one God, and that people are ultimately praying to the same God, whatever their faith or reason for praying may be. My dad always knew I was gay even though I never formally came out to him. Sadly he passed away when I was 30 and I never brought a girlfriend home. We had a fantastic relationship and I miss him every single day. I often wonder how this chapter of my life would have unfolded if my dad were still alive but I know he loved his children no matter what. Sometimes I play out a version in my head where he’s still here, popping over to see me and Adam with my mum and that thought brings me comfort. DALEYPOP: Ali, you’ve spoken about bullying, workplace assault and navigating life without support. I'm so sorry to hear that, that's awful. How have those experiences influenced the man you are now? ALI: Thanks Dale. From a young age I always knew I was different. That feeling was reinforced every single day throughout my childhood and into adulthood. The verbal and physical attacks I experienced still haunt me to this day. It makes me incredibly sad that as a child, I was treated so badly simply for being different. I was punched, kicked and spat at. There were weeks when I stopped going to school altogether because I was terrified of what might happen to me. The school knew exactly what was happening yet nothing was done to protect me. I couldn’t even go home and tell my parents because I was hiding a life changing secret about who I was. It was such a dark and isolating period in my life that even now I sometimes feel the need to block parts of it out. Those experiences still live within me today. My education suffered greatly as a result and later in life I had to re-educate myself because so much had been taken away from me at such a young age. But I refused to let those experiences define me. I bounced back and threw myself into working with charities, schools and LGBTQIA+ organisations because I never want another young Ali to go through what I did. Later in life I was sexually assaulted at work by another man. When it came to light, once again, nothing was done. Looking back now I feel angry and deeply hurt that I had nobody to turn to for support. At that time I still wasn’t out to anyone so I had to carry that pain alone as well. I did turn to **Switchboard** for support and I can honestly say that was a gamechanger for me. ![](https://www.scenemag.co.uk/content/images/2026/06/1000059845-1.jpg) DALEYPOP: From swiping right in 2017 to moving in together within months, what made your connection feel so immediate and undeniable? ALI: The connection between Adam and me was electric from the start. The food, the culture and the strong sense of family only brought us closer together. We had so much in common and we made each other laugh and smile every single day. > With Adam, I felt safe. For the first time in my life, I could truly be myself. I didn’t have to hide or lie about who I was with or make excuses about my family. ![](https://www.scenemag.co.uk/content/images/2026/06/1000059836.jpg) ![](https://www.scenemag.co.uk/content/images/2026/06/1000059840.jpg) ![](https://www.scenemag.co.uk/content/images/2026/06/1000059838.jpg) ![](https://www.scenemag.co.uk/content/images/2026/06/1000059839.jpg) ![](https://www.scenemag.co.uk/content/images/2026/06/1000059841.jpg) ![](https://www.scenemag.co.uk/content/images/2026/06/1000059837.jpg) I was honest from day one and that honesty set the tone for everything that followed. I had never openly lived with a boyfriend before so it was incredibly exciting to finally reach a point in my life where I could. We moved into Adam’s flat in **Romford** and it was perfect for us. It was such a cosy little flat and together we made it our home until we bought our house together in 2019. DALEYPOP: Your wedding beautifully combined Turkish, Arabic and Jewish traditions which I LOVE! What did it mean to you both to create a ceremony that honoured both cultures on your own terms and was it hard trying to combine them or was it easier than expected? ADAM: Our fairytale and truly unique inclusive ceremony was led by **Rabbi Rebecca** who beautifully honoured both of our cultures throughout. The ceremony included Turkish readings and Hebrew blessings, spoken in both Turkish and Hebrew before being translated into English which made it feel deeply personal and meaningful for everyone there. > Ali did ask for an Imam to be present to jointly conduct the ceremony but unfortunately he refused. Here’s hoping one day this will change. A beautifully dressed Chuppah sanctified both families as they joined beneath it before lighting candles and saying blessings together. We also created our own marriage contract, taking elements from the Ketubah alongside Turkish blessings that reflected our shared values and the life we wanted to build together. After the ceremony, we gathered with family and friends holding rainbow coloured smoke bombs, with us leading at the front, creating the most beautiful photographs celebrating both love and pride. > [@husbands\_ali\_adam](https://www.tiktok.com/@husbands%5Fali%5Fadam?refer=embed&ref=scenemag.co.uk "@husbands_ali_adam") Two stories. Two cultures. Two hearts. One extraordinary love 🏳️‍🌈 [#muslim](https://www.tiktok.com/tag/muslim?refer=embed&ref=scenemag.co.uk "muslim") [#jewish](https://www.tiktok.com/tag/jewish?refer=embed&ref=scenemag.co.uk "jewish") [#husbands](https://www.tiktok.com/tag/husbands?refer=embed&ref=scenemag.co.uk "husbands") [#lgbtq🌈](https://www.tiktok.com/tag/lgbtq%F0%9F%8C%88?refer=embed&ref=scenemag.co.uk "lgbtq🌈") [#interfaith](https://www.tiktok.com/tag/interfaith?refer=embed&ref=scenemag.co.uk "interfaith") [♬ original sound - Husbands\_ali\_adam](https://www.tiktok.com/music/original-sound-7646537450759719702?refer=embed&ref=scenemag.co.uk "♬ original sound - Husbands_ali_adam") We then entered the wedding breakfast pavilion to the thunderous, electrifying rhythm of Turkish drums which immediately had guests on their feet dancing to celebratory Turkish and Arabic music. Later in the evening, we were lifted onto chairs during the Horah, bringing an incredible energy into the room that we know everyone will remember for years to come. The Turkish drummers then returned and completely brought the house down once again. > Creating a ceremony that honoured both of our cultures meant everything to us. It was important that the day reflected who we are rather than following a traditional template. Of course there were moments where combining traditions felt challenging, especially when there isn’t really a guidebook for interfaith and intercultural weddings like ours, but overall it was far easier and more natural than people might think. We realised there’s no textbook, you simply create a celebration that feels authentic to you both. > Our wedding was everything and more than we ever dreamed possible, especially as there was a time we never thought a day like this could happen for us in our lifetime. Two religions and cultures can absolutely work beautifully together. > [ View this post on Instagram ](https://www.instagram.com/reel/DT76kXIDHB-/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Avoiding My Anxiously Attached Boyfriend (@amaabf)](https://www.instagram.com/reel/DT76kXIDHB-/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) DALEYPOP: Have you had many messages from LGBTQ+ Muslims and Jews who see themselves in your story? I assume you must have?! What has been the most meaningful response so far? ALI: We receive messages every day from people within the Jewish and Muslim queer communities, as well as from many others outside those communities too. The messages we receive are incredibly meaningful and it has been such an honour to support people who are navigating experiences similar to those we once faced ourselves. We’ve listened to and connected with so many individuals and every story is unique. Each message carries its own meaning and purpose and we never take that for granted. Of course we have also received hate mail, death threats and seen countless **TikTok** videos made about us. But we simply block, delete and move on. We genuinely do not care for negativity or hateful energy. We are happy, positive people and we choose to surround ourselves only with love, good vibes and authenticity. DALEYPOP: You’ve been featured in major LGBTQ+ platforms like **Attitude**, **Pink News**, **Gaydio**, **Daily Star**, **Pride in London**, **Rock My Wedding** and now **Scene** yay! What motivated you to share your story so publicly and how has that visibility changed your lives? Have either of you thought or said to each other “We've shared too much. Should we have stayed private?” ALI: The only way to break barriers and support one another is by sharing our journeys and experiences. We know we are not the only gay Muslims or Jews. There are so many other queer Muslims and Jews out there who need to hear stories like ours. Stories that can offer hope, understanding and a sense of acceptance. Growing up, we didn’t have that kind of representation to guide us. We had to navigate everything blindly and if we’d had that support or visibility, life could have felt a little less isolating and a little easier. We’re obviously not A-listers but we do get recognised within the queer community from time to time and people are always incredibly kind and supportive of our journey. > We also want to acknowledge what is happening in the Middle East. We do not support the violence or suffering taking place. Palestinian people are suffering and dying every day and we continue to show our support and join marches calling for an end to this. At the same time, the rise in both Islamophobia and antisemitism is deeply concerning. > People need to understand that blaming or attacking all Muslims or all Jews is not the answer. Hatred towards entire communities only creates more division and pain. DALEYPOP: I 100% agree. Do you have any advice for young LGBTQ+ people who feel they must choose between their culture, their religion and their sexuality? ALI: Young LGBTQ+ Muslims and Jews are often told they must choose between faith, culture, family and sexuality. In reality, many people find ways to hold all of those parts of themselves together over time. We have certainly done that. Feeling conflicted does not mean you are broken or dishonest. > Islam and Judaism are not single, unanimous voices; there are LGBTQ+ Muslims, Jews, scholars, rabbis, and imams who believe faith and queerness can coexist. ADAM: You do not have to rush into defining your identity, coming out or deciding your relationship to religion. If openness would threaten your safety, housing or wellbeing, it is okay to move carefully. Finding community matters. Even one affirming person can make a huge difference. ![](https://www.scenemag.co.uk/content/images/2026/06/1000059846-1.jpg) DALEYPOP: I know you're both keen to speak at more events and even march at **Brighton Pride**, right? Have you contacted Brighton Pride and what’s next for you both as advocates for interfaith LGBTQ+ love? ALI: This year we’ve been approached by so many Pride events and things are really ramping up for us. We’ve already filmed several podcasts that are now available to watch and we have many more exciting projects in the pipeline including podcasts, articles, London Pride, **Manchester Pride** and **Cambridge Pride**. Maybe Brighton Pride next? We’re also incredibly proud to announce that we are now ambassadors for **Rainbow Minds**, a charity that is very close to our hearts. > [ View this post on Instagram ](https://www.instagram.com/reel/DYzHI0XMLpc/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Ali Najjar (@husbands\_ali\_adam)](https://www.instagram.com/reel/DYzHI0XMLpc/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Mental health is real, mental health matters and we’re honoured to be part of their journey and support them in any way we can. > Recently, Adam was diagnosed with ADHD. For years we joked about certain behaviours. His forgetfulness, how fidgety he was and how he could never sit through a TV show without getting up a thousand times, never realising there was an underlying reason for it all. There was also another side to it. Adam struggled with feeling low, depressed, and dealing with major anxiety. His mind often felt like a constant washing machine endlessly spinning and for years he battled with it. Sometimes silently, sometimes openly with me. During those moments I would step in to support him, comfort him, rethink our plans and help minimise situations when everything simply felt too overwhelming. Adam has now been on ADHD medication for two months and the difference has honestly been incredible. He’s spoken openly about his journey and we’d encourage anyone to watch his videos and hear his story. He’s more focused, happier, more present and able to concentrate. A new version of Adam, while still keeping the same habits and personality we love! We’re also currently working with several more organisations to become ambassadors and we couldn’t be happier about what’s ahead. > We are passionate advocates for our queer community and we’ll continue using our platform, our voices, and our visibility to show up, speak out, and stand in solidarity with the LGBTQ+ community. DALEYPOP: Ali, now that you’ve lived the **Essex** dream and the **North London** life, which one wins for drama, glam and good gossip? ALI: Wouldn’t change *The Only Way Is Essex* for nothing babes! DALEYPOP: I knew you'd mention **TOWIE**! Adam, I know you’ve both been on loads of holidays and travelled a lot together, what’s the funniest or most chaotic thing that’s happened on holiday that you can actually admit publicly? ADAM: I think the most chaotic moment and one where Ali may have been close to killing me off was in **Athens**. We were there for a friends wedding which was about 45 minutes out of the city so they laid on coaches at 12am, 1am and 3am we decided as we had an early flight the next day to be sensible and take the 1am. Feeling proud of ourselves for dragging ourselves away from the party we returned to our hotel at 2am to get some sleep. It was a small hotel so on arrival we found that the doors were locked at night and you needed a key card to enter, cue Adam who put the key card in has wallet finding himself with no key! We frantically searched for it but no luck, there was no reception and the doors were of course locked so called the emergency number on repeat, many many times, no answer. At this point it was 3am in Athens city centre and we camped outside a hotel with lots of sketchy characters around. At the time it was scary rather than funny. We walked down the road to the bigger, posher hotel some guests were staying at to see if they can help and whilst very helpful, they sadly had no rooms. I even asked if we could sleep on a sunbed. To top if off they told us Greek law means we would need ID and a physical credit card to get a room anyway which we didn't have on us (the digital age of having everything on your phone isn’t always great)! They had an idea to help and called a "by the hour hotel" who were able to help. A 5 minute walk took us to the sketchiest of hotels going. It was like a 1970s motel complete with old fashioned TV and a man on reception smoking. Thankful to have a bed for a few hours we took the room, which itself was like something from a horror movie. Chairs were stacked against the door for safety and I had to sleep in contact lenses which fell out in the night. 7am next morning Ali was guiding me to our hotel to get showered and get ourselves together for our flight. It was a chaotic, scary and stressful night but looking back we will always remember it and have to laugh! DALEYPOP: Oh my god that sounds like the plot of a comedy horror film! By the way I can't get over that you both have ten nieces and nephews, that's wild. I've only got one (hey **Annelise**). Do you keep a spreadsheet for birthdays and holidays?! ALI: We wish we were this organised! What usually happens with the littler ones is we get excited by seeing cute things and order them as we go which are then hidden away in a cupboard so come present wrapping time we forget what we bought and they end up with double presents! They're gradually all moving to teenager ages now so the ask is either an **iPad** or a phone which we will leave to the parents or cold hard cash for driving lessons! DALEYPOP: Last question, if **Hollywood** made a film about your love story, which actors would play each of you and who would insist on approving the casting? ALI: Now that is a tricky one! We would both need to be in the audition room, that’s a given! The choices are endless, I think we should put this out to the readers.... ![](https://www.scenemag.co.uk/content/images/2026/06/1000059382-1-1.jpg) Who would YOU cast to play Adam and Ali on the big screen? Let us know and don't forget to make room for a dramatic Athens hotel lockout scene, it sounds destined to become the film's standout moment. ### Hampstead Heath’s Bathing Ponds to remain trans inclusive spaces as City Corporation agrees future access policy URL: https://www.scenemag.co.uk/hampstead-heaths-bathing-ponds-to-remain-trans-inclusive-spaces-as-city-corporation-agrees-future-access-policy/ Last updated: 2026-06-04T16:41:11.000Z **Hampstead Heath**’s **Bathing Ponds** will continue to operate as trans inclusive spaces under a future access policy agreed by elected Members of the **City of London Corporation** today. It means that ALL women will continue to use the **Kenwood Ladies’ Pond**, and ALL men will continue to use the **Highgate Men’s Pond**. The **Hampstead Mixed Pond** is open to everyone. This marks a continuation of access arrangements that have successfully been in place for a number of years. The decision follows an extensive public consultation, in which more than 38,000 respondents took part. A clear majority (86%) favoured retaining the Ponds’ existing trans inclusive arrangements. Feedback from independently run focus groups involving regular pond users supported the same approach. The decision-making process followed the City Corporation’s formal governance arrangements, including input from the Hampstead Heath Consultative Committee, which represents local stakeholder groups and organisations with an interest in the Heath. Members of the City Corporation’s **Hampstead Heath, Highgate Wood & Queen’s Park Committee**, and **Policy & Resources Committee**, carefully considered the consultation findings alongside their legal duties, equality impact assessments, safeguarding responsibilities, and operational requirements. They also agreed to a series of improvements across all three Bathing Ponds, including upgrades to toilet and shower facilities. The proposed changes would enhance the visitor experience and provide greater privacy for swimmers through the addition of more private cubicles. **Chris Hayward**, City of London Corporation Policy Chairman, said: “It’s clear how much these Bathing Ponds mean to the communities who swim here. Many people told us how they value them as calm, safe and welcoming spaces with a strong sense of inclusion and belonging. “Although our consultation was never a referendum, the message from regular swimmers and the wider community was clear – people want these Ponds to remain safe, respectful and inclusive. “Whilst the Supreme Court judgment confirmed the legal definition of ‘sex’, it did not decide that all trans inclusive services must become single-sex services. “We have continued to listen and take detailed legal advice throughout this process. The approach agreed today protects the character and unique spirit of the Ponds while ensuring they remain welcoming to all.” The City of London Corporation manages Hampstead Heath as a registered charity, at no cost to council taxpayers, investing nearly £12million of its own funds in the last financial year. It is a **Site of Metropolitan Importance for Nature Conservation** and forms part of the 11,000 acres of open space owned and protected by the City Corporation across London and southeast England. It attracts around 8.1 million visits every year and has won a Green Flag Award every year since 1997. ### Russell T Davies’ Tip Toe hailed as ‘natural legacy’ of It’s A Sin URL: https://www.scenemag.co.uk/russell-t-davies-tip-toe-hailed-as-natural-legacy-of-its-a-sin/ Last updated: 2026-06-04T11:51:50.000Z **Russell T Davies** has described his new **Channel 4** drama *Tip Toe* as a “natural legacy” of his critically acclaimed series *It’s A Sin*, as leading HIV charities welcomed its up‑to‑date portrayal of life with the condition. Davies’ 2021 hit *It’s A Sin*, set during the height of the AIDS crisis in 1980s London, became Channel 4’s most‑watched drama series and was widely credited with transforming public understanding of HIV in the UK. The series followed a group of young gay men and their friends, capturing the exuberance of the early 1980s before charting the devastating toll of the epidemic. However, the story concluded in 1991, at a time when an HIV diagnosis was still widely seen as a death sentence, before effective treatments became available. Speaking about the connection between the two shows, Davies said *Tip Toe* continues that story into the present day. ![](https://www.scenemag.co.uk/content/images/2026/06/imago475439377.jpg) Russell T Davies. Credit ****IMAGO / Newscom World** “It’s an honour to portray **Alan Cumming**’s character, Leo Struthers, as a man living with HIV since 1994,” he said. “It feels like the natural legacy of *It’s A Sin*. There wasn’t the time in that show to tell the long‑term story - that medications were found which saved so many lives - so this feels like a right and proper continuation.” Davies, who is a patron of **George House Trust** and a long‑time supporter of **Terrence Higgins Trust**, said charities had encouraged him to reflect modern realities. “I’ve often been asked by people in both organisations to show modern‑day characters who are HIV positive and living straightforward, happy lives,” he said. “It’s an honour to do so in *Tip Toe*.” He added that the series would also confront ongoing stigma and misinformation. “There’s some contentious stuff in there too, as the age‑old problem of stigma raises its head, as well as the problems of HIV denial. The fight never ends, but Leo’s ready on the front line.” *It’s A Sin* had a measurable impact on HIV awareness when it aired during **National HIV Testing Week** in 2021\. On the first day of the campaign, a record 8,207 HIV test kits were ordered — far exceeding the previous high of 2,709. The series also drove a surge in online searches about HIV and AIDS, including a 3,100% increase in queries about why AIDS was so deadly in the 1980s, and a 2,150% rise in searches asking whether women can contract AIDS. Terrence Higgins Trust reported a 30% increase in calls to its **THT Direct helpline** in the day after the first episode aired, highlighting the show’s role in prompting public engagement with sexual health information. ![](https://www.scenemag.co.uk/content/images/2026/06/9345920d-74c2-4407-898a-55082e40cbb0.jpg) It's a Sin **Richard Angell** OBE, chief executive of **Terrence Higgins Trust**, said few programmes had had such a profound impact. “No TV series has done more to engage and re‑engage the public in the fight against HIV than *It’s A Sin*,” he said. “It reminded us of the devastation of the AIDS crisis and how fortunate we are to live at a time when there are highly effective ways to prevent, test for and treat HIV.” He praised *Tip Toe* for showing how treatment has transformed life with HIV. “We thank Russell for doing what he couldn’t in *It’s A Sin* \- including showing Leo taking one pill a day and living well with HIV three decades on from his diagnosis. “That single pill keeps his HIV in check and means he cannot pass the virus on to sexual partners. HIV is a tiny part of his life, leaving him with plenty of time to run his bar, spend time with friends and even feud with his neighbour.” **Darren Knight**, chief executive of **George House Trust**, said accurate representation remains key to tackling stigma. “Only when people know the facts about HIV will we truly tackle the stigma and discrimination that still persists,” he said. “Through representation, inclusion and truth, Russell’s writing helps us reach and educate more people. “*Tip Toe* is another strong example of bringing those facts into people’s living rooms - challenging prejudice and giving audiences the knowledge they need about HIV in 2026\. We thank everyone involved for helping to build a world where HIV holds no one back.” ### US support for same‑sex marriage dips after decades of growth URL: https://www.scenemag.co.uk/us-support-for-same-sex-marriage-dips-after-decades-of-growth/ Last updated: 2026-06-04T11:22:46.000Z Support for same‑sex marriage in the United States has stalled after more than two decades of steady growth, with a slight decline recorded in a new **Gallup** poll. The survey, conducted in May, found that 65% of US adults believe same‑sex marriage should be legal, down from 71% in both 2022 and 2023. The shift appears to be driven largely by changing views among Republicans. Just 37% of Republican respondents said same‑sex marriage should be legally recognised, while 35% described gay and lesbian relationships as “morally acceptable”. By contrast, opinion among Democrats and independents remains broadly unchanged, with clear majorities in both groups continuing to support marriage equality and view same‑sex relationships as morally acceptable. The findings highlight a widening political divide on LGBTQ+ issues in the US, which is increasingly reflected in policy debates - particularly around transgender rights - and in renewed efforts in some states to restrict same‑sex marriage. Although the drop in support is relatively small, it marks a notable shift after decades of rapid change. In 1996, only 27% of Americans supported legal same‑sex marriage. Support rose consistently over the following years, peaking at around seven in 10 adults in the early 2020s. Attitudes towards the morality of same‑sex relationships have followed a similar trajectory. Around 40% of US adults said such relationships were morally acceptable in 2001, rising by nearly 30 percentage points over two decades. However, Gallup’s most recent data suggests a modest reversal. The proportion of Americans who consider gay and lesbian relationships morally acceptable now stands at 62%, down from 71% in 2022. Same‑sex marriage has been recognised nationwide since a landmark **US Supreme Court** ruling in 2015, which followed a series of state‑level decisions establishing legal recognition in most parts of the country. More than 800,000 same‑sex couples were married in the US by last year, according to data from the **Williams Institute** at the **University of California**, Los Angeles. Despite this, opposition has persisted. Last year, an appeal urging the Supreme Court to revisit its 2015 ruling was rejected without comment, though some conservative figures have continued to call for it to be overturned. At state level, lawmakers in at least 11 states have recently introduced measures seeking to restrict or ban same‑sex marriage, although most have not progressed. In Tennessee, one proposal aimed to allow private individuals and organisations to refuse recognition of such unions, while lawmakers in Idaho passed a resolution urging the Supreme Court to reverse its earlier decision. In parallel, several states have introduced legislation designed to safeguard marriage equality. The new poll also indicates shifting attitudes towards transgender issues. Around four in 10 Americans now say changing one’s gender is morally acceptable, down from nearly half in 2021. Trans rights have become a major political flashpoint in recent years, with many Republican‑led states introducing laws restricting gender‑affirming care for minors, limiting access to school facilities and barring trans athletes from certain competitions. At federal level, similar policies have been pursued, though some have faced legal challenges. This week, a court ruled that a ban on transgender people serving in the military was unlawful. The Gallup poll surveyed 1,001 US adults between 1 and 17 May. It has a margin of error of plus or minus four percentage points. ### Gay porn star Drake Von arrested on domestic violence charges in Las Vegas URL: https://www.scenemag.co.uk/gay-p-star-drake-von-arrested-on-domestic-violence-charges-in-las-vegas/ Last updated: 2026-06-04T10:57:09.000Z Gay porn star **Drake Von** has been arrested in Las Vegas and charged in connection with an alleged domestic violence incident involving his partner. The 23‑year‑old, whose real name is **Dawson Bacon**, was taken into custody on Tuesday 2 June, according to court records cited by US media. He faces two felony charges - domestic battery by strangulation and coercion constituting domestic violence involving the threat or use of physical force - as well as a misdemeanour charge of domestic battery. Police allege that Von attempted to strangle his partner at a residential property in Las Vegas. Authorities have not released further details about the incident, and no information about the alleged victim has been made public. Von is currently being held in custody with bail set at just over $25,000 (around £19,000), according to reports. The performer, who entered the adult industry at the age of 18, has gone on to build a large following and win a number of industry awards, including honours at the **GayVN Awards**. He first rose to prominence alongside his identical twin brother, with whom he co‑created content under the name “The Baconator Twins”, before establishing a solo career. In recent months, Von has attracted attention beyond the industry, including a viral appearance discussing his relationship with fellow adult performer **Mark LAX**. He has also generated headlines for proposing a controversial stunt involving “one top versus 1,000 bottoms”, which he initially described as a joke but later suggested he was exploring further. ### LGBTQ+ documentary ‘Legendary Children’ fetches new audience with dog‑friendly Pride 2026 screening URL: https://www.scenemag.co.uk/lgbtq-documentary-legendary-children-fetches-new-audience-with-dog-friendly-pride-2026-screening/ Last updated: 2026-06-04T09:01:20.000Z A landmark LGBTQ+ documentary is set to welcome an unexpected new crowd this Pride season - four‑legged film fans. *Legendary Children (All of Them Queer)*, the Pride 50 film chronicling the history of the movement, will be screened in a special dog‑friendly performance at London’s LGBTQ+ cinema **The Arzner** on **Saturday, 13 June**. The event follows the nearby **Pride Dog Show**, inviting audiences to bring their pooches along for an afternoon of cinema, community and celebration. The **Bermondsey Square** venue will unveil a brand‑new 4K theatrical print of the critically acclaimed film, which has already been shown in cinemas across four countries and picked up an **Audience Award** at the **Palm Springs LGBTQ+ Film Festival** in California. The documentary is also currently available to stream on Amazon Prime and Apple TV. Adding to the occasion, director **Rob Falconer** will appear for a live Q&A alongside members of the cast, many of them pioneers in the fight for LGBTQ+ rights. The film features contributions from leading figures including **Peter Tatchell, Dame Angela Mason, Roz Kaveney, Stuart Feather, Tom Robinson, Neil Bartlett, Sue Sanders** and **Rainer Schulze**, offering first‑hand reflections on key moments from Pride events in London, Manchester and beyond, as well as Winter Pride in Spain. ![](https://www.scenemag.co.uk/content/images/2026/06/LegendaryChildren-WinterPride3-insta.jpg) The screening will also showcase the film’s official music video on the big screen, featuring a special guest artist and a remix by scene favourites **AMYL**, known for their work with venues and nights including **Eagle London**, **Beef Mince**, **Brut** and **DILF**. The Arzner’s dog‑friendly screenings have become a popular fixture, with the cinema providing treats to ensure canine companions are as welcome as their human counterparts. For Pride weekend, organisers are encouraging attendees to embrace the spirit of the event in style - whether that means a polished look for people or a fashion‑forward moment for their pets. Alongside dog lovers, the screening extends a playful nod to London’s queer subcultures, with all attendees - including those who identify with the city’s ‘pup’ scene - invited to take part in the celebratory atmosphere. Bookings can be made via [The Arzner Cinema website](https://thearzner.com/?ref=scenemag.co.uk). ### The Spy Who Came in from the Cold Theatre Royal Brighton URL: https://www.scenemag.co.uk/the-spy-who-came-in-from-the-cold-theatre-royal-brighton/ Last updated: 2026-06-03T17:09:01.000Z Brighton knows a thing or two about double lives. About the performative and the hidden, the public face and the private truth. This quietly accomplished production of David Eldridge's adaptation of John le Carré's classic Cold War novel echo's here, in a city built on the idea that identity is layered, and that survival often demands concealment. Le Carré's world is one where nobody is entirely who they claim to be, where allegiance is a costume and ideology a disguise. For queer audiences, that existential hall of mirrors carries its own particular resonance. To live in the shadows, to deploy a cover story, to serve a system that may not deserve your loyalty, these are not merely spy novel tropes. They are lived experiences. Eldridge's adaptation, while not trafficking in explicit queer subtext, creates a bleak moral landscape where questions of identity, betrayal and survival feel urgently personal. ![](https://www.scenemag.co.uk/content/images/2026/06/Spytour2026-01886-Edit.jpg) photo credit Johan Persson **Ralf Little** anchors the production with considered, controlled work as Alec Leamas, a man hollowed out by service and subterfuge. Little communicates the grinding tension of a character who has spent so long wearing his world-weariness as armour that he can barely locate what lies beneath it. The ensemble around him is solid and well-matched. a company that understands the rhythms of this story and resists the temptation to overplay in a text that demands restraint. But Little, who is rarely off stage, is compelling. ![](https://www.scenemag.co.uk/content/images/2026/06/Spytour2026-00624-Edit.jpg) And restraint is very much the production's operating principle. The staging is spare, almost austere. a deliberate choice that pays dividends. The bare central space forces attention onto language and performance, but the design works best in transitions between scenes. **Azusa Ono's** lighting is atmospheric, filling the stage with the kind of sharp-edged shadows and bruised half-light that speak directly to the GDR's surveillance paranoia and the permanent psychological twilight of the Berlin Wall era. Coloured light bars flicker and pulse to externalise Leamas's inner world, with George Smiley looming through them as a haunting, near-omnipresent presence in his mind, an interesting, if occasionally opaque, directorial choice. The Wall itself looms at the rear of the stage throughout, enormous and unyielding, an effective piece of visual rhetoric. ![](https://www.scenemag.co.uk/content/images/2026/06/Spytour2026-00474-Edit.jpg) photo credit Johan Persson Sound design from **Elizabeth Purnell** complements the lighting to create an atmosphere that is immersive, and for a moment during the evening when a brief technical interruption paused proceedings, I felt keenly how much that atmospheric envelope was doing. The spell broke, then was patiently rewoven. A minor stumble, handled professionally by company and audience alike. The production's chief limitation is inherent to the material. Condensing le Carré's intricate plotting into roughly two hours inevitably produces passages of heavy expository dialogue; the story must be told, even when it might be better shown. The result is a production that is more frequently admired than viscerally gripped. The bleakness, which is entirely faithful to le Carré, is also occasionally exhausting. ![](https://www.scenemag.co.uk/content/images/2026/06/Spytour2026-02029-Edit.jpg) photo credit Johan Persson Yet the moral questions it raises never feel dusty. Homophobia, antisemitism, the grinding machinery of ideology, these are not period details here; they land with uncomfortable contemporary weight. Who are the good guys? Do ends justify means? Can pragmatism and principle occupy the same soul? Brighton, of all places, deserves to sit with those questions a while. Crafted, atmospheric, and honourably serious, if not quite incendiary. *The Spy Who Came in from the Cold runs till Sat June 6th at Theatre Royal Brighton* [*more info, full cast and creative and tickets here.*](https://www.atgtickets.com/shows/the-spy-who-came-in-from-the-cold/theatre-royal-brighton/?ref=scenemag.co.uk) ### Pride in Luton to continue under new community-led model after charity wind-down URL: https://www.scenemag.co.uk/pride-in-luton-to-continue-under-new-community-led-model-after-charity-wind-down/ Last updated: 2026-06-03T14:58:42.000Z A grassroots movement has stepped in to secure the future of **Pride in Luton** following the decision to wind down the registered charity due to organisational capacity challenges. The group, originally founded to improve LGBTQ+ visibility and create safe spaces in the town, will now continue under a new structure - transitioning into a **Community Interest Company (CIC)** aimed at ensuring long-term sustainability while remaining rooted in the local community. Pride in Luton began with a single email to arts venue **The Hat Factory**, calling for greater LGBTQ+ representation. What followed was a film night that quickly evolved into a wider movement. By 2022, the organisation had launched Luton’s first Pride festival, drawing more than 2,000 attendees. Since then, it has grown into a key voice for equality in the area, hosting support groups, social events and family-friendly celebrations. Supporters say the strong public response to the charity’s closure highlighted just how important those spaces have become. The newly formed CIC will be led by Chair **Natalie Ryan**, a former trustee, alongside Deputy Chairs **Michael Nanton-Knight**, who co-chaired the organisation between 2021 and 2023, and newcomer **Hayley Richards**. Natalie said the group is rebuilding with renewed energy. “We are not starting from scratch - we are picking up the baton with renewed energy and love for our town,” she said. “The community’s call was impossible to ignore. The CIC model gives us stability and flexibility to build something sustainable and reflective of Luton’s resilience.” She added that lessons had been learned from previous challenges, with a focus on strengthening leadership and safeguarding the organisation’s future. Michael Nanton-Knight described his return as an honour, adding: “Pride has always been about people coming together when it matters most. We now move forward with pride and purpose.” Hayley Richards said the new structure represents “a moment of hope and unity”, adding: “We’re building something that belongs to everyone - open, inclusive and built to last.” Rather than hosting a large-scale festival this year, Pride in Luton will deliver a programme of smaller, accessible events throughout 2026. Planned activities include participation in the town’s carnival, an annual vigil, a picnic in the park and regular Sunday social gatherings. Organisers have also announced a collaboration with **The Bricklayers Arms** on a special ale, produced by **Vale Brewery** in Buckinghamshire. The committee is inviting local people to get involved as the organisation enters its next phase, whether by joining the committee, attending a town hall or contributing in other ways. Organisers say the shift to a community-led CIC reflects a wider need for inclusive, grassroots LGBTQ+ spaces - particularly at a time when many people continue to feel uncertain. They hope the new structure will ensure Pride in Luton remains a vital and lasting part of the town’s social and cultural life. ## More info on Pride in Luton [HERE](http://www.prideinluton.org/?ref=scenemag.co.uk) ### Growth of the 'gender critical' movement has been supported by the UK media, Amnesty report concludes URL: https://www.scenemag.co.uk/growth-of-the-gender-critical-movement-has-been-supported-by-the-uk-media-amnesty-internationreport-finds/ Last updated: 2026-06-03T13:48:34.000Z **Amnesty International** has [published a report](https://www.amnesty.org.uk/knowledge-hub/all-resources/like-a-snowball/?ref=scenemag.co.uk) analysing the coordinated 'gender critical' movement that has gained prominence and influence in the UK since 2017. The report argues that "media coverage of issues about trans people has been excessively high compared to the size of the trans population, their role in society, and public interest in these topics". The report analyses the output of four media outlets (the *Guardian*, the *Sun*, the *Telegraph* and the *Times & Sunday Times*) and finds that a total of 17,000 articlescovering trans issues were published between January 2020 and April 2025, which is nine per day. The report finds that most media reports about trans people have a negative sentiment, and that the perspectives and voices of trans individuals are hardly ever included in the stories. When trans people do appear in stories it is as criminals or murder victims. While the voices of trans people are absent, the report finds that the UK Prime Minister, the leader of the opposition, and the Scottish First Minister appear consistently in media reports, "suggesting that issues of 'sex' and 'gender' have been elevated to top political priorities". This contrasts the fact that ahead of the 2024 General Election, issues related to trans rights or ‘sex’ and ‘gender’ did not figure in the top 16 concerns of voters. Despite this, issues of sex, gender and sexuality were by far the most reported amongst ‘culture war’ issues in the four weeks ahead of the 2024 election, according to [research conducted by Loughborough University](https://www.lboro.ac.uk/news-events/general-election/report-4-2024/?ref=scenemag.co.uk). 'Gender critical' framing has become common in the UK media in this time period, in step with a snowballing growth in the influence of the 'gender critical' movement. Since 2017, the 'gender critical' movement has developed as a diverse and coordinated force: of the [51 formal and informal organisations](https://media.amnesty.org.uk/documents/Like%5Fa%5Fsnowball%5Ftechnical%5Fexplainer%5F.pdf?ref=scenemag.co.uk) that the report maps, only three were established before 2017\. The report identifies three groups that are registered charities: **FiLiA**, **Sex Matters** and **LGB Alliance**. Analysis of their available accounts from 2019 to 2024 shows a combined expenditure of£3.6million. The 'gender critical' movement gained prominence following an effort in 2017 to push back against proposals to reform the Gender Recognition Act, which would have enabled a trans person to be able to legally change their gender through a statutory declaration. This effort ultimately resulted in the reforms being shelved. Following this, the movement shifted focus to the use of the terms 'gender' and 'sex' in policy and lawmaking. This eventually led to the **Supreme Court** judgment in April last year, which ruled that a trans person with a Gender Recognition Certificate is not to be considered as their correct gender in the eyes of the law when considering cases under the **Equality Act** (2010). This has led to a rollback in rights for trans people in the UK. ## Read the full report [here](https://media.amnesty.org.uk/documents/Like%5Fa%5Fsnowball%5Ffinal%5F.pdf?ref=scenemag.co.uk). ### REVIEW: 'A Few Feet Away' (2026) URL: https://www.scenemag.co.uk/review-a-few-feet-away-2026/ Last updated: 2026-06-03T12:48:53.000Z Hello cinema lovers. Director **Tadeo Pestaño Caro**'s debut feature, ***A Few Feet Away***, is a low-key but stern study of what happens when desire is fuelled primarily by a digital app. A timely tale in the modern world of Grindr and Scruff micro-aggressions and hook-ups. ![](https://www.scenemag.co.uk/content/images/2026/05/A-Few-feet-Away---image-4.jpg) image provided Santiago (**Max Suen**) is a listless and restless twenty-year-old working a dead-end job at a call centre in Buenos Aires. He spends virtually every available moment scrolling through Grindr in search of connection. Suen plays him with an almost dead-eyed passivity, which is an interesting artistic choice. Santiago does not know what he wants; is it sex? Is it love? The director would have us believe that what he yearns for is a genuine connection. Spoiler alert, he's looking in the wrong place for that, and many queer people in the modern world will recognise this particular feeling of alienation. ![](https://www.scenemag.co.uk/content/images/2026/05/A-Few-Feet-Away----image-3.jpg) image provided The film is mostly set around a single restless hot night. Santiago moves through prospective dates and hookups that go nowhere; he strives to get into a local gay club filled with hot guys, and he makes up fantasies about sexual escapades. Co-worker Karen (**Jazmín Carballo**) is the film's emotional touchstone. She is warm and entirely real. The big-sister dynamic between Karen and Santiago gives Suen's aloof performance the grounding it needs. When she tells Santiago that life is the song you dance rather than the people you make out with it feels like the message of the movie wrapped up in a nutshell. Director Caro shoots Buenos Aires as a city alive with energy and chaos. He captures the tragedy of being surrounded by vibrant crowds while staring blankly at a screen. The pace of the movie is slow at times. The tedious nature of the hook-up app is related really well here, the endless waiting, the time-wasters, the dick pics and the profiles that go silent. All of it is put up on the screen with an honesty that feels like it comes from personal experience. Caro has spoken about drawing on his own life experiences while making this movie. It shows. A sex club sequence in the final act is filmed with realism and without judgment. The hedonism and hornyness is all front and centre and is quite a pleasure to watch. Several handsome gay men are shown on screen writhing against each other in various sex acts. Movies like *Shortbus* and *Rotting in the Sun* showcase explicit sex and hook-up culture pretty well, and those elements are definitely echoed here. ![](https://www.scenemag.co.uk/content/images/2026/05/A-Few-Feet-Away---image-7.jpg) image provided Santiago participates eagerly and seems to learn lessons from the experience. This is real flesh and real touch rather than an app image filled with slight promise. That distinct difference is shown without judgment but noted by the viewer, and is where the film makes another strong statement. However, the film struggles in the script's failure to give Santiago an interior life beyond his addiction to the app. We are given relatively little knowledge of who Santiago is when the phone is put down. His self-sabotaging antics feel authentic, but he feels too aloof and self absorbed a character to make you care. It is only in the final sequences of the film, at the end of the night, when Santiago's internal desolation is revealed on screen, that this character feels more well-rounded. Maybe that's deliberate. ![](https://www.scenemag.co.uk/content/images/2026/05/A-Few-Feet-Away---image-5.jpg) image provided This is nonetheless a competent debut from a talented director. The Buenos Aires gay scene is shown with flair and affection. The film's central argument, that the conflict for many a young gay man today is how to build self-esteem when rejection is one tap away, feels timely and should be watched far and wide in the queer community. The dangers of addictive digital desire are never far away and can have a cost. A recommended but poignant movie. ***A Few Feet Away*** is available now on Amazon Prime, Apple TV, Google Play, Tubi, and Pluto. ### Essex libraries banned from promoting LGBTQ+ and Pride events under new Reform UK leadership URL: https://www.scenemag.co.uk/essex-libraries-banned-from-promoting-lgbtq-and-pride-events-under-new-reform-uk-leadership/ Last updated: 2026-06-03T12:41:33.000Z Libraries across **Essex** have been instructed not to promote LGBTQ+ and Pride events following a decision by the county council’s new **Reform UK** leadership. The move, which comes at the start of **Pride Month**, has been described by campaigners as “disturbing”, warning it could have wider implications for inclusion and local engagement. A spokesperson for campaign group **Save Our Libraries Essex** criticised the policy, questioning why Pride-related materials should be excluded from library spaces. “This is very disturbing and alarming news,” they said. “What possible reason is there not to display Pride promotional material? It’s not as if it’s costing the library service anything.” They added that the move could also have an impact beyond representation, arguing that Pride events bring economic benefits to local areas. “It’s not just bigotry, it’s anti-business. Pride gets people out and spending money in our towns and cities,” the spokesperson said. **Shaun Marchant**, the Green Party candidate for the Braintree division in the May local elections, raised concerns about the potential wider implications of the policy. “What’s next, removal of books?” he said, calling on Reform UK and **Essex County Council** to explain the reasoning behind the move. The issue gained traction online after a social media post questioning the need for a Pride event in Chelmsford sparked hundreds of comments and shares, with some users arguing that promotional material should be removed. Defending the decision, **Cllr Chris Hossack**, Essex County Council’s cabinet member for residents and community services, said libraries should remain neutral spaces. “Our libraries are spaces for everybody, for reading, learning and enjoyment in unity,” he said, adding that the service aims to reflect a wide range of authors, books and subjects. “With this in mind, we need to be careful not to highlight any particular groups or themes,” he said. “Unless the activity is specific to libraries, we have taken a decision to pause promotion of such events via the council’s public-facing communication channels, including social media.” ### BBC documentary explores claims King James I was Britain’s ‘first gay monarch’ URL: https://www.scenemag.co.uk/bbc-documentary-explores-claims-king-james-i-was-britains-first-gay-monarch/ Last updated: 2026-06-03T12:01:48.000Z A new BBC documentary is set to revisit the private life of **King James I**, raising fresh questions about whether he could be considered 'Britain’s first gay monarch'. *Queen James*, airing on **BBC Two** and **iPlayer** on **18 June** at **9pm** as part of **Pride Month**, delves into the relationships and personal history of the Jacobean ruler, who reigned over England, Scotland and Ireland in the early 17th century. Presented by historian **Gareth Russell**, the programme examines what he describes as “mountains of firsthand evidence” suggesting the king had romantic and sexual relationships with men - evidence long overlooked or downplayed by historians. The documentary draws on a collection of newly highlighted letters in which James expresses affection for a number of male favourites, including the **Duke of Buckingham**, whom he referred to in intimate terms. Russell argues that the language used in the correspondence challenges the long-held view that such relationships were purely platonic. “For centuries, historians chose not to publish or engage with these letters,” he says in the programme, adding that attitudes during the Victorian era led to key details of the king’s life being suppressed. James I is best known for commissioning the *King James Bible*, patronising the arts, and ruling during events such as the Gunpowder Plot. However, *Queen James* seeks to widen the understanding of his legacy by examining the influence of his personal relationships on his court and political life. The documentary also explores how his inner circle was shaped by a succession of male favourites, whose influence often extended into matters of governance. Despite this, his wife, **Queen Anna**, remained a central public figure, with historians suggesting the king’s relationships did not challenge her position in the same way a female rival might have done. Interest in James’s private life has grown in recent years, fuelled by new research and cultural portrayals of the period. Russell says surviving letters - discovered across archives in Britain and Ireland - offer a more complete picture of the monarch, arguing they should be seen as an integral part of his story rather than something to be hidden. ### Paul Mescal issues first public statement on trans rights ahead of London Trans+ Pride URL: https://www.scenemag.co.uk/paul-mescal-voices-support-as-london-trans-pride-returns-with-urgent-call-for-action/ Last updated: 2026-06-03T11:38:57.000Z Actor **Paul Mescal** has issued his first public statement on trans rights as London Trans+ Pride prepares to return to the capital this summer, with organisers warning that this year’s march comes at a critical moment. London Trans+ Pride will take place on **Saturday, 25 July 2026**, marking its eighth year. The 2026 theme, *“Our Future, Our Fight”*, reflects what organisers say is a growing sense of urgency for the trans+ community to defend its rights. Mescal, speaking out publicly on the issue for the first time, said: “I’m incredibly proud to stand in support of my trans friends and the wider trans community.” He added: “Given the political climate at the moment it feels more and more pressing that we make our voices heard. This is a moment for respect, safety and recognition. Trans rights are human rights.” ![](https://www.scenemag.co.uk/content/images/2026/06/IMG_1907.jpg) Pic by Fox Fisher Mescal joins a wide-ranging group of high-profile figures backing this year’s march, including **Mel B**, **Michaela Coel**, **Jameela Jamil**, **Jessie Ware**, **Munroe Bergdorf** and **Jeremy Corbyn**. **Mel B** described the event as a vital moment to stand visibly with the community. “London Trans+ Pride is a moment to show up loud and proud - because every single person deserves to live freely and be exactly who they are,” she said. Mayor of Hackney **Zoë Garbett** added that the march comes at a time of heightened concern. “When trans people are facing so much hostility and uncertainty, it matters more than ever that communities come together to affirm that trans people are entitled to safety, dignity and freedom,” she said. ![](https://www.scenemag.co.uk/content/images/2026/06/Trans_Pride_in_London_13-1.jpg) Wikimedia Meanwhile, actor and writer **Michaela Coel** offered a succinct message of solidarity: “I’m riding for you.” Last year’s event drew more than **100,000 people**, making it the largest trans pride event in history. Organisers believe turnout could rival - or exceed - that figure in 2026. The march has rapidly become a focal point in the UK’s Pride calendar, combining protest with visibility and celebration, while centring trans-led voices. This year’s event is being held against what organisers describe as a stark political backdrop. They point to recent changes including a **Supreme Court** ruling on the definition of “biological sex”, alongside guidance from the **Equality and Human Rights Commission** which critics argue could lead to the exclusion of trans women from single-sex services. Campaigners have also raised concerns about restrictions affecting trans young people and changes to school inclusion guidance. The UK has fallen to 22nd place on **ILGA-Europe’s Rainbow Map**, having previously ranked first in 2015 - a shift organisers say highlights the need for continued mobilisation. Founding member **Lewis G. Burton** said the march remains focused on the lived reality of trans people, rather than political rhetoric. ![](https://www.scenemag.co.uk/content/images/2026/06/IMG_1904.jpg) Pic by Fox Fisher “We are not headlines or culture war talking points,” they said. “We are teachers, carers, artists, parents, neighbours and friends who simply want to live safely and peacefully in our communities.” Organisers are urging allies to join the march in greater numbers this year, echoing calls for more active support. **Dani St James** of the charity **Not A Phase** said: “Shelve passive allyship and step into active advocacy. Show up on the streets - and take that same energy into your workplace, your communities and your daily life.” For organisers, *“Our Future, Our Fight”* is both a response to current challenges and an expression of long-term resilience. Event manager **Stephanie Lynnette** said: “They’ve thrown everything they’ve got at us and here we still stand, arm in arm, marching together and thriving.” Organiser **EM Williams** added: “Why do we keep fighting? Because there is hope… a belief in empathy and the desire for everyone to be treated with dignity, equality and respect.” ### TRUE PRIDE festival to launch in Manchester with fully queer‑curated line-up URL: https://www.scenemag.co.uk/true-pride-festival-to-launch-in-manchester-with-fully-queer-curated-line-up/ Last updated: 2026-06-03T10:09:45.000Z A new Pride festival centring LGBTQ+ artists, voices and audiences is set to launch in **Manchester** this summer. **TRUE PRIDE**, an exclusively queer-curated event spanning music, performance, film and community, will take place at Hidden on **Saturday, 1 August**, with tickets now on sale. The inaugural festival will bring together a diverse programme running from late afternoon through to the early hours, featuring live music, DJs, comedy, talks, film screenings, wellness activities and performance across multiple spaces. Organisers say TRUE PRIDE has been created in response to what they describe as the underrepresentation of queer artists in mainstream Pride programming. Founded by a team of LGBTQ+ curators - including musician Jamie Irrepressible alongside Manchester-based DJs **Bollibubbles & Sandra D**, **Liam Walsh & Sally McFerran** \- the festival aims to place queer creativity firmly at the forefront. The team behind the event said Pride should prioritise LGBTQ+ voices and experiences, adding that the festival seeks to reclaim space for artists to “speak for ourselves, create for ourselves, and refuse to be sidelined”. The event will take place across several themed areas within the venue, including an **Indie Room**, a seated acoustic space, an electronica basement and an outdoor area titled *Groove is in the Joy*. > “TRUE PRIDE is about creating a space where queer artists, audiences and stories are not on the sidelines but at the centre.” Further programming includes an art-house queer film room and an **Arts Lounge** hosting interviews, talks, avant-garde pop performances, a live string quartet and dedicated wellness sessions. From midnight until 2am, the festival will transform into a late-night celebration, with queer DJs playing exclusively queer music across all three floors. Artists confirmed so far include **Planningtorock**, **Jasmine.4.t**, **The Irrepressibles**, **The Hidden Cameras**, **DJ Bollibubbles**, **Leo Chadburn**, **DJ Sandra D**, **Kerry Leigh**, **Ollie Becker**, **Run Remedy**, **Alabaster Queen** and **Jamie Irrepressible** performing a PA/DJ set. Organisers say the line-up reflects a commitment to showcasing both established names and emerging talent from across the LGBTQI+ community, with further acts still to be announced. Jamie Irrepressible said the festival is about building a space where queer culture is fully represented. “TRUE PRIDE is about creating a space where queer artists, audiences and stories are not on the sidelines but at the centre,” he said. “It’s about building something celebratory, representative and genuinely exciting - a platform for both emerging voices and established artists across the community.” Alongside the festival, organisers have launched the **OND Fund**, a new bursary supporting queer songwriters from disadvantaged backgrounds. Run by **Of Naked Design**, the fund will award **two UK musicians £2,000 each** annually to support projects such as recording an EP or single, funding a mini-tour or staging a launch event. Successful applicants will also perform at TRUE PRIDE. Jamie Irrepressible said the initiative aims to address a lack of support for queer artists in the industry. “It has always been an aspiration of mine to help musicians like myself who have struggled as queer musicians, especially those from a working-class background,” he said. “It’s getting easier for queer musicians, but there is still little support in popular music.” TRUE PRIDE will take place at **Hidden**, 16–18 Mary Street, Manchester, and is open to those aged 18 and over. Organisers say the festival is designed to be a bold, inclusive and community-driven alternative within the Pride calendar - one that is “unmistakably representative of the whole community”. ## [TICKETS AVAILABLE HERE ](https://link.dice.fm/Zd4a812d2782?ref=scenemag.co.uk) ### Peter Tatchell Foundation supporter wins £25,000 Rainbow Lottery jackpot URL: https://www.scenemag.co.uk/peter-tatchell-foundation-supporter-wins-25-000-rainbow-lottery-jackpot/ Last updated: 2026-06-03T09:51:43.000Z A supporter of the **Peter Tatchell Foundation** has won the **Rainbow Lottery**'s top prize of £25,000. The supporter, who recently signed up through the Peter Tatchell Foundation, landed the Lottery's jackpot in Saturday night's draw, becoming the latest winner to benefit, while helping raise vital funds for LGBTQ+ organisations across the UK. The winner has chosen to remain anonymous. The win comes at a landmark moment for the Rainbow Lottery, which recently celebrated the sale of its one millionth ticket and has now raised more than £500,000 for over 200 LGBTQ+ charities, community groups and good causes nationwide. **Tom Gattos**, Co-Founder of the Rainbow Lottery, said: "Everyone at the Rainbow Lottery is absolutely thrilled for the winner. One of the things that makes this Lottery so special is that every ticket helps support LGBTQ+ causes while giving players the chance to win life-changing prizes. "As we head into Pride Month, this win is a wonderful reminder that when you play, everybody wins." **Peter Tatchell**, Director of the Peter Tatchell Foundation, added: "We are delighted that one of the people who recently signed up to the Rainbow Lottery via the Peter Tatchell Foundation has won the big jackpot. I am very grateful to our winning supporter and to all the other players. “By playing the Rainbow Lottery, they are having a fun flutter while also helping to fund our work and the work of other LGBTQ+ charities. The Rainbow Lottery and its players are a huge asset to the LGBTQ+ community." The Peter Tatchell Foundation campaigns for human rights, democracy and global LGBTQ+ equality. The Rainbow Lottery was launched in 2021 to create a sustainable source of funding for LGBTQ+ causes. Today it supports more than 200 LGBTQ+ charities, community groups and good causes across the UK. Players can support the cause of their choice for just £1 per week, with 50p from every ticket going directly to that cause. ### “Our Future, Our Fight”: Trans+ Pride London to return to the capital in July URL: https://www.scenemag.co.uk/our-future-our-fight-trans-pride-london-to-return-to-the-capital-in-july/ Last updated: 2026-06-03T09:27:53.000Z One of the world’s largest Trans Pride events, **London Trans+ Pride**, is set to return to the capital this summer, on **Saturday, 25 July**, with the march beginning at **1pm** from **Langham Place**. This year’s theme, ***“Our Future, Our Fight”***, reflects a growing determination within the community to take ownership of its future. Participants are being encouraged to march together in a show of unity, bringing signs, wearing flowers and using masks as part of the demonstration. The annual event, which has grown into one of the largest of its kinds globally, is expected to draw thousands of attendees in support of trans, non-binary and gender-diverse people. The 2026 theme underscores both celebration and activism, with organisers emphasising the importance of collective action at a time of heightened public and political debate around trans rights. Since its inception, London Trans+ Pride has expanded rapidly, becoming a key date in the UK’s Pride calendar and a focal point for trans-led activism. Organisers say the event remains committed to creating a space that centres trans voices while welcoming allies, with the march providing both a platform for protest and a moment of celebration. More information about the march, including accessibility details and updates, is expected to be shared in the lead-up to the event. ### Kent Pride Games to unite LGBTQ+ communities in county first URL: https://www.scenemag.co.uk/kent-pride-games-to-unite-lgbtq-communities-in-county-first/ Last updated: 2026-06-03T08:46:06.000Z A new sporting event celebrating LGBTQ+ pride and inclusivity is set to bring communities together from across Kent later this month. The inaugural **Kent Pride Games**, founded by **Jordan Chan** of **Queer Kent Life**, will take place at the **Julie Rose Stadium** in Ashford on **27 June**, with local Pride organisations competing in a day of sports and entertainment. The event will see teams from Sheppey, Herne Bay, Ramsgate, Maidstone, Broadstairs, Margate and Medway go head-to-head in traditional sports day activities, all competing for the coveted **Rainbow Cup** and a £250 prize for their Pride organisation. Alongside the competition, the day will feature drag performances, DJs, singers, stalls and family-friendly attractions, including a bouncy castle. Two-time Olympic champion **Dame Kelly Holmes** will also be in attendance, judging the games. [Tickets for the event are available online via the Julie Rose Stadium website.](https://www.freedom-leisure.co.uk/centres/julie-rose-stadium/latest-news/the-kent-pride-games/?ref=scenemag.co.uk) ![](https://www.scenemag.co.uk/content/images/2026/06/IMG_0142.jpeg) Jordan Chan **Jordan Chan**, founder of **Queer Kent Life**, said the idea for the games was born out of a desire to bring together Prides across the county in a spirit of unity and fun. “The idea came to unite and bring Prides from across Kent together and show a united Kent,” Chan said. “Prides work so hard all year round, and this event allows them to let their hair down, have fun, and have the chance to win the Rainbow Cup and £250 for their Pride.” He also praised the venue’s role in bringing the event to life. “The Julie Rose Stadium has been vital in making this possible and has been a dream to work with to make this idea a reality,” he added. The Kent Pride Games also aim to tackle long-standing issues around inclusivity in sport for LGBTQ+ people. Jordan spoke candidly about his own experiences, describing how sport often felt unwelcoming in his younger years. “Sport is often inaccessible, or LGBTQ+ people don’t feel safe or comfortable getting involved,” he said. “From my own experience, it was often a place where I found ridicule - from being the last picked at school to not being invited into teams later on.” ![](https://www.scenemag.co.uk/content/images/2026/06/3d31234529ee8fa92962da4bf13207e05dce7670.jpeg) He explained that his outlook changed after getting involved in cricket and tennis, where he is now Kent’s first ambassador for both. “I’ve learned that it wasn’t sport I didn’t like - it was the environments I found myself in,” he said. “I’ve made it my mission to create safe and inclusive spaces for sport across Kent.” Jordan hopes that seeing local Pride teams taking part will encourage others in the community to get involved. “Visibility is key,” he added. “The more our community is visible and involved in sport, the more it will inspire future generations.” The event is expected to be the largest gathering of Pride organisations ever seen in Kent - something Jordan describes as both emotional and deeply rewarding. “It makes me feel really proud and a little emotional,” he said. “Over the last few years I’ve worked really hard building relationships with Prides, venues, groups and charities across Kent, so seeing so many Prides get involved is really special.” “This will be the single biggest collection of Prides Kent has ever seen - showing that we are stronger together.” ![](https://www.scenemag.co.uk/content/images/2026/06/IMG_0168.jpeg) Jordan Chan The involvement of Dame **Kelly Holmes** adds further significance to the event, bringing national sporting recognition to a grassroots LGBTQ+ initiative. “It’s a huge honour,” Jordan said. “We’re thrilled to have Kelly involved. Having such a high-profile sports star - and someone who is part of the community - helps spread awareness around inclusive sport.” He added that her presence could inspire the next generation of athletes. “We hope it inspires young people, or those who haven’t yet discovered their talent, to get involved in sport too.” While the Rainbow Cup is at stake, organisers say the event’s wider impact is just as important as the competition itself. “I’m hoping it inspires more of our community to get involved in sport, shows a united LGBTQ+ community across Kent, and reminds people that we are stronger together,” Jordan said. “In an ever-changing political landscape, it’s also about being proud - and always being yourself.” [Tickets for the event are available online via the Julie Rose Stadium website.](https://www.freedom-leisure.co.uk/centres/julie-rose-stadium/latest-news/the-kent-pride-games/?ref=scenemag.co.uk) ### Rail operator Lumo named Best Small Employer at national Proud Scotland Awards URL: https://www.scenemag.co.uk/rail-operator-lumo-named-best-small-employer-at-national-proud-scotland-awards/ Last updated: 2026-06-02T16:21:22.000Z Rail operator [**Lumo**](https://www.lumo.co.uk/?ref=scenemag.co.uk) has been recognised as the ‘Best Small Employer' at the annual **Proud Scotland Awards**, Scotland’s national LGBTQ+ celebration of the individuals and businesses that champion diversity and equality. The positive news comes at the start of **Pride Month**, with Lumo this week announcing that it will be supporting more Prides this year than ever before. The company is proudly partnering with **Glasgow Pride**, **Stirling Pride,** **Pride Edinburgh** and **Pride in Gateshead**. Lumo is also a headline partner for the Proud Scotland Awards. As part of a commitment to creating an inclusive place of work for everyone, Lumo introduced gender-neutral uniforms for Customer Experience Ambassadors on its **East Coast Main Line** services last year. Trains on the route link **Glasgow**, **Falkirk** and **Edinburgh** with the North East of England and **London**. The company also created around 100 new jobs with the launch of its new **West Coast Main Line** service in May, which connects **Stirling** with **London Euston**. ![](https://www.scenemag.co.uk/content/images/2026/06/Lumo---Image-2.jpeg) Members of the Lumo team collect the award at the ceremony in Glasgow The new route also calls at **Larbert**, **Greenfaulds**, **Whifflet**, **Motherwell**, **Lockerbie**, **Carlisle**, **Preston**, **Crewe**, **Nuneaton** and **Milton Keynes**. As part of the launch celebrations, Lumo partnered with **Pride Radio**, an inclusive station broadcasting across the UK. The radio station’s Breakfast Show was broadcast live from a special **‘Rail Roadshow’** at **Stirling Station**, giving listeners the chance to win a range of prizes and find out more about the new service. The bus has since visited Carlisle and **Durham**. **Jen Clare**, Service Delivery Director at Lumo, said: “We’re genuinely honoured to have been recognised for our commitment to equality and diversity, two things that we’re incredibly passionate about as an employer in Scotland. This year is a particularly special one for us, as we continue to expand with new routes and new opportunities to stand proudly in support of LGBTQ+ communities and welcome everyone onboard.” **Peter Ferguson**, Event Director at the Proud Scotland Awards, added: “Lumo’s support of the Proud Scotland Awards 2026 was instrumental in helping us deliver one of our most successful and impactful celebrations to date. As a brand that champions connectivity, accessibility and positive change, Lumo was a natural partner for an event dedicated to recognising excellence, courage and inclusion “Their involvement demonstrated a genuine commitment to supporting Scotland’s diverse communities, and we are incredibly proud to have had them alongside us as we celebrated the outstanding achievements of this year’s finalists and winners.” ### Millwall Romans and Zander Murray urge clubs to adopt and fund dedicated LGBTQ+ football teams URL: https://www.scenemag.co.uk/millwall-romans-and-zander-murray-urge-clubs-to-adopt-and-fund-dedicated-lgbtq-football-teams/ Last updated: 2026-06-02T16:11:25.000Z Former professional footballer **Zander Murray** has joined calls for urgent change across English football, as **Millwall Romans** launched a new campaign urging **Premier League** and **EFL** clubs to adopt and fund dedicated LGBTQ+ teams. The initiative, led by **Millwall FC**’s LGBTQ+ side, is backed by new research suggesting strong support among fans for greater inclusion. More than 41% of UK supporters believe clubs in the top four leagues should have an LGBTQ+ team, rising to 83% among LGBTQ+ fans. Murray, who made headlines in 2022 when he became one of the UK’s first openly gay senior male professional footballers, said the figures underline both the importance of visibility and the barriers that still exist within the game. “Coming out as a professional player, I’ve seen the power of visibility, but I’ve also seen the barriers that still exist for LGBTQ+ people in this sport,” he said. “It is startling that so many fans still witness homophobia, and even more so that Millwall stands alone as the only club to fully integrate an LGBTQ+ team.” ![](https://www.scenemag.co.uk/content/images/2026/06/Millwall_Pride-Playbook.png) Pride Playbook His intervention comes as the research found 81% of LGBTQ+ fans have experienced or witnessed homophobic behaviour in or around football stadiums, reinforcing calls for clubs to move beyond symbolic gestures. At the centre of the campaign is the **Pride Playbook**, a practical framework developed by Millwall Romans to help clubs formally integrate and support LGBTQ+ teams. The initiative, backed by the team’s lead sponsor **The Romans**, will also include a series of billboards and a panel event aimed at bringing together clubs, scouts and community leaders. Murray said the campaign represents a meaningful step towards structural change. “By calling on top-flight clubs to officially adopt and fund teams, we aren’t just making a statement - Millwall Romans are building a blueprint for a future where every player, at every level, knows they have a permanent home in the game,” he said. ![](https://www.scenemag.co.uk/content/images/2026/06/Millwall-Romans_Manchester-Hotel-Football-Billboard_2.jpg) Millwall FC is currently the only club to fully embed an LGBTQ+ team within its structure, with Millwall Romans integrated into the club’s Community Trust alongside **Millwall Pride**. Despite this, around 70% of LGBTQ+ fans and allies believe several clubs already have similar teams in place, highlighting what campaigners describe as a gap between perception and reality. **Paul Loding**, chairman and manager of Millwall Romans, said the case for change is clear. “There is no question that inclusive teams are vital to the future of football. It is important to adopt a culture where players and fans feel a genuine sense of safety and belonging,” he said. “When a club fully integrates an LGBTQ+ team, it sends a powerful message that the game is truly for everyone.” He added that long-term commitment is essential. “We need this level of commitment across the board to ensure that inclusion isn’t just a one-off event, but a permanent, protected part of the footballing community,” Loding said. ![](https://www.scenemag.co.uk/content/images/2026/06/Millwall-Romans-2.jpg) Millwall Romans Campaigners also point to a potential financial incentive. Analysis suggests improving LGBTQ+ inclusion could unlock up to £428 million in additional matchday revenue each season, with around 65% of LGBTQ+ adults saying they would be more likely to attend matches if clubs introduced visible initiatives. **Jon Holmes**, from **Football v Homophobia**, said the Pride Playbook provides a route for clubs to translate intent into action. “It offers a clear framework for integrating LGBTQ+ inclusive teams into club structures and creating environments where inclusion is embedded, not occasional,” he said. “Millwall FC has shown how this can be achieved, and now it’s time for other clubs to follow.” The campaign, supported by The Romans agency, aims to scale the Millwall model across the professional game, with organisers arguing that visibility alone is no longer enough without meaningful structural backing. ## [More info on Pride Playbook HERE ](https://prideplaybook.co.uk/?ref=scenemag.co.uk) ### I cannot wait for Heartstopper to finally be over URL: https://www.scenemag.co.uk/i-cannot-wait-for-heartstopper-to-finally-be-over/ Last updated: 2026-06-02T14:06:33.000Z Look, I get it - it's a cute story about a twink and the twunk falling in love, fighting homophobia together, and have an awkward shag. But by Christ, it's getting boring. I cannot wait for it to be over. The final instalment of 'Heartstopper' is due to release this summer in the shape of a Netflix film and will wrap up the existing three seasons, twenty four episodes, and far too much of my time. The film, 'Heartstopper Forever', will release on the 17th of July 2026, and queer people across the world are already bulk-buying the Kleenex. And can I just add, it's a really cringey name for a film. Based on the graphic novels by Alice Oseman started in 2016, Heartstopper stars Joe Locke and Kit Conner, and had small cameos from Olivia Coleman, Stephen Fry, and Jonathan Bailey. Despite those huge names, it remains one of the most insufferable shows I have ever seen. As a late-twenties, political, overweight and disabled gay man, I do not see myself in any of the characters within this story. In fact, the only representation that even comes close comes in the shape of a character called Isaac (played by Tobie Donovan) who is who is aromantic and asexual, but most of the time he's just sat in the background reading a book barely saying anything. The show touches on some important topics such as homophobia, bullying and eating disorders, but generally bored the life out of me. It is the most stereotypical rubbish I have ever seen - the twink and the rugby jock fall in love, defeat the odds, and have an uncomfortable fumble. But there's also something darker about Heartstopper, and that's the fanbase that is has drawn in. When you boil it down, this is a story of two very, very young queer teenagers. If I am not mistaken, the story starts with the characters being under the age of 16\. Yet when the first series launched, I was seeing people sharing erotic fanfiction and people losing their minds at the thought of them having sex in a later season. To me, that's really, really weird. And when you look at the overall design of Heartstopper - the hand-drawn leaves and the boyish appearance of the characters, are we not further infantilising characters that are already written as children? So, and I have no way to ask this politely: Why in God's name is Oseman writing sex scenes about children? Here in the UK, it is illegal to produce or distribute pornography which depicts under 18s, but apparently, it's perfectly fine to create a mental image about two young gay teenagers. I have no idea what Oseman was thinking. And I want to know why it hasn't been challenged. I think it is fantastic that every generation of queer people in modern times has had some sort of queer representation on the television. Whether it was 'Queer as Folk', 'It's a Sin', or 'Love, Simon'. For me, it was Russell T Davies' 2015 shows 'Cucumber', 'Banana', and 'Tofu'. They were three different shows which interlinked, and included vast queer representation - gay, bi, trans, disabled, Black, and more. And more than that, it included some really important topics such as paedophilia, poverty, human trafficking, and the 'gay panic' defence. They are pretty dark and grim topics, but absolutely vital to talk about. Now, I'm not saying that Heartstopper doesn't cover important topics. Of course eating disorders, bullying, transphobia and homophobia are things that affect the LGBTQ+ community. But strip that back, and it's just a story about two stereotypical white boys, and I'm bored of that. People like me who are marginalised within the queer community deserve better representation. I know that I am just screaming into a void here, but if you are reading this and can take something away from it, just think about how creepy Heartstopper actually is when you strip away the excitement of having yet another queer white boy story to fawn over. ### Waltham Forest Pride to launch as new borough-wide LGBTQ+ festival URL: https://www.scenemag.co.uk/waltham-forest-pride-to-launch-as-new-borough-wide-lgbtq-festival/ Last updated: 2026-06-02T11:07:19.000Z A new community-led LGBTQ+ festival is set to launch across **Waltham Forest** this July, with organisers aiming to establish it as a lasting annual fixture in the borough’s cultural calendar. **Waltham Forest Pride 2026** will run from **6 - 18 July**, bringing together local venues, artists, charities and residents for a two-week programme celebrating queer culture, creativity and community. Events will take place across **Walthamstow**, **Leyton**, **Leytonstone**, **Highams Park** and **Chingford**. The initiative is being led by the **Waltham Forest Pride Collective** in partnership with **Walthamstow Trades Hall** and a range of local organisations including **ELOP**, **CADOS**, **Walthamstow Wetlands** and **Forest Cinemas**, alongside independent venues, artists and community groups. Organisers say the festival has been designed as a grassroots, neighbourhood-focused alternative to larger, centralised Pride events, with an emphasis on accessibility, inclusivity and local participation. The programme will feature a wide mix of activities, from workshops and exhibitions to film screenings, drag, cabaret and community discussions, alongside family-friendly events and nightlife. ![](https://www.scenemag.co.uk/content/images/2026/06/Poster-for-this-year-s-Pride.png) Highlights include opening and closing celebrations at Walthamstow Trades Hall, a queer botany walk at **Walthamstow Wetlands** and a series of zine-making, art and spoken word sessions. A range of LGBTQ+ film screenings, live performances and community workshops are also planned throughout the fortnight. A central feature of the festival will be a community-led photography and storytelling exhibition, aimed at showcasing the diversity and lived experiences of LGBTQ+ people across the borough. Residents and photographers have been invited to submit work capturing local queer life, with selected images to be displayed in venues across Waltham Forest. The submission deadline is **30 June**, with further details available on[ the festival’s website](https://wfpridecollective.co.uk/?ref=scenemag.co.uk). **Filip Glatz**, from the Waltham Forest Pride Collective, said the project had been designed to reflect the character of the borough. “We wanted to create something that genuinely reflects Waltham Forest - local, community-oriented, creative and inclusive,” he said. “This initiative is about celebrating LGBTQ+ culture across the borough, while providing spaces for thoughtful and constructive dialogue around current issues affecting our communities.” He added that the festival also aims to support local venues and artists while building long-term connections within the community. “We hope to support local venues, artists and communities and mark the beginning of something long-term for Waltham Forest,” he said. Waltham Forest Pride 2026 is supported by the council’s **Fellowship Fund**. Walthamstow Trades Hall, one of the festival’s key venues, has recently gained recognition as one of the UK’s leading independent music spaces, with the historic non-profit social club ranked among the country’s top venues. 💡 Further programme announcements will be published throughout June 2026 on Waltham Forest Pride Collective’s Instagram page (@wfpridecollective) and [website](https://wfpridecollective.co.uk/?ref=scenemag.co.uk). ### “Last chance for love”: Privy Council to rule on landmark Caribbean anti‑gay laws appeal URL: https://www.scenemag.co.uk/last-chance-for-love-privy-council-to-rule-on-landmark-caribbean-anti-gay-laws-appeal/ Last updated: 2026-06-02T10:40:29.000Z The **UK Supreme Court** judges sitting as the **Judicial Committee of the Privy Council** (JCPC) are set to hear a landmark appeal next month that could pave the way for the decriminalisation of same-sex relationships in **Trinidad and Tobago** and across parts of the **Commonwealth**. The case has been described by campaigners as a once-in-a-generation moment for LGBTQ+ rights, with a ruling expected to have far-reaching implications for up to 11 Caribbean nations and 34 Commonwealth countries where same-sex intimacy remains illegal. The appeal, brought by British Trinidadian campaigner **Jason Jones**, challenges colonial-era “buggery laws” that criminalise consensual same-sex activity between adults. The legislation dates back to British rule and continues to shape legal systems across the Caribbean. Mr Jones, who left Trinidad and Tobago in 1996 following homophobic violence and discrimination, will have his final appeal heard in London on **8 July**. The hearing marks the culmination of a decade-long legal battle. He first secured a landmark victory in 2018, when Trinidad and Tobago’s High Court ruled the laws unconstitutional. That judgment was subsequently cited in similar cases across countries including India, Antigua and Barbuda and St Lucia. However, the nation’s Court of Appeal partially overturned the decision in March 2025, citing the so-called “savings clause” in the constitution. The provision shields laws enacted before independence from legal challenge, even if they conflict with later human rights protections. Similar clauses remain in place in several former British colonies. Campaigners argue the Privy Council, as the final court of appeal for Trinidad and Tobago, now has a historic opportunity to dismantle a legal framework rooted in the legacy of empire. “This is the last human identity to be criminalised anywhere in the world,” Mr Jones said. “On 8 July, a court in London will decide whether that changes for millions of LGBTQ+ individuals not just in the Caribbean, but across the globe.” He urged supporters to contact MPs and demonstrate outside the Privy Council on the day of the hearing, describing the case as “our last chance” for widespread decriminalisation. ![](https://www.scenemag.co.uk/content/images/2026/06/Photo-5-14-26--11-59-05.jpg) The hearing will mark the first time the JCPC has considered a case directly addressing the criminalisation of homosexuality. A ruling in Mr Jones’s favour would immediately decriminalise same-sex intimacy in Trinidad and Tobago and could set a legal precedent for reform in other jurisdictions with similar constitutional protections. Conversely, campaigners warn that an adverse judgment could entrench existing laws and influence future legal challenges, including in British courts. Support for the case has been building in the UK ahead of the hearing. TV personality **Amber Rose Gill** and Labour MP **Bell Ribeiro-Addy** are among figures backing the campaign. Speaking during Pride Month, Ms Gill said the case was about “whether your cousin, your neighbour or your child can live safely and openly as who they are”. “As a member of the LGBTQ+ community with Trinidadian roots, this case is deeply close to my heart,” she added. Ms Ribeiro-Addy, who recently hosted a parliamentary reception in support of the appeal, said Britain must confront the enduring impact of its colonial laws. “It is difficult to stand in Parliament during Pride Month and call Britain a champion of equality when colonial laws left by the British Empire are still sending people to prison simply for who they are,” she said. “The hearing on 8 July is a chance for the UK to confront that legacy.” Across the Commonwealth, campaigners estimate that millions of LGBTQ+ people remain affected by laws inherited from British rule. Public health organisations have also warned of the wider consequences of criminalisation. UNAIDS has found that HIV prevalence among gay men is five times higher in countries where same-sex relations are criminalised than in those where they are not. As momentum builds, activists are calling for greater public awareness and political support. A fundraiser will be held in Victoria on **9 June**, followed by a rally at **Pride in London** in Trafalgar Square on **4 July**. Campaigners are also urging supporters to gather outside the Privy Council on the day of the hearing, in what they describe as a pivotal moment for LGBTQ+ rights in the Commonwealth. ### “We won’t disappear”: LGBTQ+ travel brand fights back against Boy Scouts of America lawsuit URL: https://www.scenemag.co.uk/we-wont-disappear-lgbtq-travel-brand-fights-back-against-boy-scouts-of-america-lawsuit/ Last updated: 2026-06-02T10:29:04.000Z An LGBTQ+ travel company has hit back at legal action brought by the **Boy Scouts of America**, arguing the case raises wider questions about visibility, trademark enforcement and political pressure around inclusion. **Queer Scout** and its parent company, **OUT in Colombia**, confirmed on **1 June** \- the first day of **Pride Month** \- that they had formally responded to the lawsuit in a US federal court, seeking to have the case dismissed. The Boy Scouts of America, which now operates publicly as **Scouting America**, launched legal action in February, alleging trademark infringement over the use of the word “scout”. The claim centres on whether Queer Scout’s branding could cause confusion with the long-established youth organisation. However, the defendants have strongly rejected that argument, pointing to the distinct nature of their business. Queer Scout offers LGBTQ+-focused travel experiences, including cultural tourism and nightlife activities, aimed at adults in Colombia. ![](https://www.scenemag.co.uk/content/images/2026/06/Medellin-Coffee-Farm-Tasting-3.jpg) ****OUT in Colombia** **Sam Castañeda Holdren**, founder of both OUT in Colombia and Queer Scout, said the dispute went beyond a conventional legal disagreement over naming rights. “This case is about more than a name,” he said. “It is about visibility. It is about whether LGBTQ+ businesses are allowed to exist openly and proudly in public life without intimidation.” He added that launching their response on the first day of Pride Month was deliberate. “Pride has always been about refusing to disappear - and today, we are choosing visibility over silence,” he said. The company’s legal team, led by **David G Bray** of the US law firm **Dickinson Wright**, argued the lawsuit attempts to extend trademark protections too far, particularly over a commonly used word. “Scouting America has filed a federal lawsuit seeking to significantly expand the scope of its trademark rights in the common term ‘scout’ and its ability to control who can and cannot use it,” Bray said. He added that the defence disputes any suggestion that “reasonable consumers would confuse a gay travel company serving adults in Colombia with a youth scouting organisation”. ![](https://www.scenemag.co.uk/content/images/2026/06/Gay-Picnic---Graffiti-Tour-2.JPG) Queer Scout The response also challenges the decision to bring the case in Texas, raising questions about jurisdiction as well as the legal basis of the claims. The case has attracted attention in part because of the contrast between the parties involved. Holdren described it as “not a dispute between two giant corporations”, but rather a small business confronting a powerful, long-established organisation. “I am an openly gay small-business owner standing up and saying: we have a right to exist openly, too,” he said. The legal action has also unfolded against a backdrop of heightened debate over diversity and inclusion policies within Scouting America. The company said the lawsuit escalated during a period of political scrutiny, noting reports that the organisation’s relationship with the **US Department of Defence** had come under pressure in early February over its approach to LGBTQ+ inclusion. Holdren said the timing had raised wider concerns. “People are naturally going to ask questions when an openly LGBTQ+ company becomes the target of aggressive federal litigation during a period of escalating political pressure surrounding LGBTQ+ visibility and inclusion,” he said. Legal representatives for Queer Scout have also pointed to the broader context of trademark use in the United States, noting that a number of registered trademarks containing the word “scout” coexist across different industries. They argue this raises questions about consistency and fairness in enforcement. ![](https://www.scenemag.co.uk/content/images/2026/06/Sunset-Catamaran-Dinner-Party-3.jpg) ****OUT in Colombia** Bray said the case could have implications beyond the immediate dispute. “Trademark law has limits,” he said. “This case raises important questions about fairness, due process, and the scope of trademark rights when common language is used in unrelated industries and contexts.” The defence effort is being supported by a fundraising campaign, which Holdren said had enabled the company to assemble a legal team and challenge the claim publicly. “Many small businesses never get the opportunity to meaningfully defend themselves when faced with this kind of pressure,” he said. “This fight has only been possible because people across the LGBTQ+ community and beyond recognised that this case is bigger than us.” As Pride Month begins, Holdren said the company intends to continue the case as a broader statement about representation. “Pride Month exists because visibility matters,” he said. “We are here. We are visible. And we are not going away.” 💡 Community members and allies have continued to support Queer Scout’s legal defense and advocacy efforts [through a public fundraising campaign. ](https://www.gofundme.com/f/stand-with-queer-scout?ref=scenemag.co.uk) ### Backlash as minister's comments on gender guidance criticised at start of Pride Month URL: https://www.scenemag.co.uk/backlash-as-ministers-comments-on-gender-guidance-criticised-at-start-of-pride-month/ Last updated: 2026-06-02T09:56:35.000Z Campaigners have accused a government minister of making “inflammatory and dangerous” remarks after comments in **Parliament** about single-sex spaces, as international organisations warn new guidance could lead to increased exclusion of trans people in the UK. **Seema Malhotra**, the Parliamentary Under-Secretary of State for Equalities, told MPs that “most people have the common sense to step in when necessary, for example when a person of the opposite biological sex enters a single sex facility in error - and when to alert a member of staff”. > “Her statement in Parliament is an extraordinarily inflammatory and dangerous contribution." Her intervention comes amid growing debate over a draft **Code of Practice** under the **Equality Act 2010**, which has been updated by the **Equality and Human Rights Commission** following the **Supreme Court**’s ruling in the *For Women Scotland* case on the definition of “woman”. Responding, a spokesperson for **Trans+ Solidarity Alliance** said the minister’s comments risk fuelling hostility and discrimination. “Her statement in Parliament is an extraordinarily inflammatory and dangerous contribution. This risks a dark era of people being challenged for their compliance with gender stereotypes,” they said. ![](https://www.scenemag.co.uk/content/images/2026/06/Seema_Malhotra_official_portrait-_2024_-cropped-.jpg) ****Seema Malhotra** “This comes just after the UK was roundly condemned by international LGBTQ+ rights bodies for encouraging ‘cruel and inhumane’ gender policing. “This coming on the first day of Pride Month contributes to a sense that this Labour government see trans equality and safety as disposable.” The remarks follow a joint statement from a coalition of European and international LGBTQ+ organisations - including **TGEU**, **ILGA-Europe** and **IGLYO** \- raising “deep alarm” over the draft Code. In their statement, the groups argue that the proposals could result in trans people being excluded from services aligned with their gender identity. [Joint statement: New UK draft Code of Practice intensifies exclusion of trans people - TGEU - Trans Europe and Central AsiaTGEU, ILGA-Europe, IGLYO, OII Europe, EL\*C, Rainbow Cities Network, the European Pride Business Network and the European Forum of LGBTI+ Christian Groups are deeply alarmed by the draft Code of Practice under the UK’s Equality Act 2010.![](https://www.scenemag.co.uk/content/images/icon/apple-touch-icon-bd03a375a4e2ee88077d16060c53ad89e397c13f5e544c3b40e610d1ad5d2356.png)TGEU - Transgender EuropeTGEU![](https://www.scenemag.co.uk/content/images/thumbnail/pexels-axp-photography-500641970-18729241-1024x683-786535ade7327106258f68ff9644df7896fa1c6b6cf4b5a98feaf01797f1f90a.jpg)](https://tgeu.org/joint-statement-new-uk-draft-code-of-practice-intensifies-exclusion-of-trans-people/?ref=scenemag.co.uk) They warn the guidance risks “cruel and inhumane assessments and outcomes”, including situations in which individuals could be questioned about their sex based on appearance or behaviour. The organisations also raised concerns about privacy, data protection and the potential for people to be “outed” without consent. Under the draft Code, service providers may in some circumstances restrict access to single-sex services, which critics say could lead to trans people being unable to use facilities such as bathrooms, changing rooms and support services. The joint statement argues the measures could result in broader exclusion from public life and increase the burden on both individuals and service providers. A number of Labour MPs have also expressed concerns about the proposals during parliamentary discussions. The intervention and subsequent backlash come at the start of Pride Month in the UK, a period typically marked by celebrations of LGBTQ+ equality and visibility. Campaigners say the timing has heightened unease within parts of the community about the direction of government policy. [Rainbow MapEurope’s LGBTI Rights Rankings 2026![](https://www.scenemag.co.uk/content/images/icon/apple-touch-icon-0c668eea68c17b63ca79113d3addd28d9d7b05dfa1544da6d6b51018f39fd649.png)Rainbow Mapkobuadmin![](https://www.scenemag.co.uk/content/images/thumbnail/rainbow-map-2026-b432e8cec8764df03a4e0fc825f6e6de85dfc596b5dbf446ea8b50194cab04b8.png)](https://rainbowmap.ilga-europe.org/?ref=scenemag.co.uk) The UK was previously regarded as a leading country for LGBTQ+ rights but has fallen in recent years in **ILGA-Europe**’s **Rainbow Map** rankings, which assess legal protections and equality measures across the continent. The draft Code of Practice is expected to proceed through Parliament under the existing procedure, with campaign groups continuing to urge ministers to reconsider its provisions and clarify how trans people’s rights will be protected in practice. ### Exploration of lesbian fashion history by University of Brighton researcher Eleanor Medhurst is reaching new audiences URL: https://www.scenemag.co.uk/exploration-of-lesbian-fashion-history-by-university-of-brighton-researcher-eleanor-medhurst-is-reaching-new-audiences/ Last updated: 2026-06-02T09:42:24.000Z An exploration of lesbian fashion history by **University of Brighton** researcher **Eleanor Medhurst** is reaching new audiences following the release of its first paperback edition this month. ***Unsuitable: A History of Lesbian Fashion***, published by **Hurst Publishers**, traces centuries of queer history through clothing, uncovering how fashion has been used to express identity, build community, and navigate visibility across generations of lesbian lives. Written by **Eleanor Medhurst**, a queer fashion historian, author of the **Dressing Dykes** platform, and PhD researcher at the University of Brighton, the book has been praised for bringing overlooked histories into public conversation. ![](https://www.scenemag.co.uk/content/images/2026/06/7EB1F6C8-9E64-4B85-AA5B-820C55828759.jpg) Spanning stories from nineteenth-century Yorkshire and seventeenth-century Sweden to contemporary queer communities and online culture, the book explores everything from suffragettes and drag kings to butch/femme bar culture, customised t-shirts, and TikTok trends. Eleanor first began developing the ideas behind *Unsuitable* while studying for her MA in History of Design and Material Culture at the University of Brighton, after recognising how little lesbian history had been represented within mainstream fashion scholarship. She is now undertaking doctoral research at Brighton exploring textile craft and oral history within British lesbian communities between 1963 and 2003\. Eleanor said: “*Unsuitable: A History of Lesbian Fashion* is the product of thoughts that first started forming during my master's at the University of Brighton, when I noticed just how little was written about lesbians within fashion history. “Clothes can tell us so much about the past - we all get dressed, and the way that we present ourselves is tied to our identities, communities, and social context. Lesbian fashion history is a way to learn about hidden or erased queer lives. “It's really important to me that research is accessible, which is why I post about my work online. I hope that the new paperback edition of Unsuitable will help the book reach more people who might resonate with and learn from the stories told within its pages.” ![](https://www.scenemag.co.uk/content/images/2026/06/IMG_0824.jpg) Longlisted for the **2025 Bread and Roses Award** **for Radical Publishing**, *Unsuitable* has attracted attention for its exploration of queer identity, fashion, and cultural history, with coverage in publications including *Vogue* and *The Guardian*. Alongside her writing and research, Eleanor has contributed to exhibitions including *Queer Looks* and *Queer the Pier* at **Brighton Museum** and regularly speaks on queer fashion history and LGBTQ+ representation in design. Her current PhD research focuses on the role of handmade textile crafts within lesbian communities, examining banners, knitted garments, customised clothing, and other crafted objects as forms of activism, identity, and self-expression. Through oral history interviews and archival research, the project seeks to preserve stories that have often been overlooked or excluded from mainstream historical records. Speaking about the importance of queer perspectives within design history, Eleanor said: “Design has so often been a way to express identity or connect with community, or to make a political impact. I think that it’s important to consider queer stories within design history, whether looking at landmark queer designs like the rainbow flag or smaller, personal designs made and used in specific contexts.” 💡 [**Unsuitable: A History of Lesbian Fashion*](https://www.hurstpublishers.com/book/unsuitable/?ref=scenemag.co.uk) is available now in paperback through Hurst Publishers. ### Two months till liftoff: countdown begins for Brighton & Hove Pride 2026 URL: https://www.scenemag.co.uk/two-months-till-liftoff-countdown-begins-for-brighton-hove-pride-2026/ Last updated: 2026-06-02T09:04:47.000Z **Brighton & Hove Pride**, supported by **Hayu**, will return on **1 and 2 August 2026**, with organisers marking exactly two months to go until the city’s biggest annual celebration. Now in its 35th year, the event will be themed *The Power of Love* and promises a packed weekend of entertainment across multiple stages and venues. Headlining **Pride On The Park** will be a line-up featuring global icon **Diana Ross**, chart-topping singer **RAYE**, and **Frankie Goes To Hollywood** frontman **Holly Johnson**, alongside **Melanie C**, **Leigh-Anne**, **Jessie J** and **Self Esteem**. **RuPaul** and **Paris Hilton** will appear in the festival’s “Icons” slot. ![](https://www.scenemag.co.uk/content/images/2026/06/Holly-Johnson-2023-1.jpg) Holly Johnson The main Pride On The Park event will take place across both Saturday and Sunday, while the weekend will open with the city’s annual LGBTQ+ Community Parade. Setting off from **Hove Lawns**, the parade will celebrate 35 years of Pride in Brighton & Hove under this year’s theme, *The Power of Love*. More than 125 groups are expected to take part, showcasing protest, unity, freedom and inclusivity. Music will remain at the heart of the celebrations, with the popular **Dance Arena** again a focal point. Hosted by **State of Us**, the space will feature a wide-ranging DJ line-up, including Saturday headliner **Purple Disco Machine** and Sunday headliner **Armand Van Helden**. Other artists set to appear include **The Blessed Madonna**, **HAAi**, **Daniel Avery**, **Girls Don’t Sync** and **I Jordan**. ![](https://www.scenemag.co.uk/content/images/2026/06/armand-van-helden---photo-credit-karol-makurat.JPG) ****Armand Van Helden** Beyond the main stages, Pride organisers are promising a broad programme of performances, installations and community spaces across the park. These will include returning favourites such as **Legends Cabaret**, **The Cocoa Butter Club**, **Queer Town** and **Party Bag**, as well as new additions for 2026 including **Bears In The Woods**, **Queer Soap Box** and **Outro**. Family-friendly areas will also be available throughout the weekend. ![](https://www.scenemag.co.uk/content/images/2026/06/sunday-pvp-ppg_cjp3538.jpg) Meanwhile, the **Kemptown Street Party** will again take over Marine Parade, celebrating Brighton’s LGBTQ+ venues with multiple stages, cabaret and music zones. The line-up there will feature **Gok Wan**, **Bimini**, **Freemasons**, **Bailey J Mills** and **Woody Cook**, among others. With two months to go, organisers say this year’s event will be one of the most ambitious yet, combining major headline acts with community-led celebrations across the city. 💡 Pride has raised over £1.5million for local good causes through the **Pride Social Impact Fund**, ****Pride Cultural Development Fund** and ****Pride Solidarity Fund**. The Pride Social Impact Fund benefits local causes giving grants to a range of local groups. ### CRUDI DENCH: SOMEONE HELP HER! WundaBarn @ Brighton Fringe URL: https://www.scenemag.co.uk/crudi-dench-someone-help-her-wundabarn-brighton-fringe/ Last updated: 2026-06-01T15:57:59.000Z There is a particular kind of drag that operates like a heat-seeking missile locked onto joy, loud, shameless, gloriously weaponised warmth and [**Crudi Dench** ](https://www.instagram.com/crudidench?ref=scenemag.co.uk)has it in abundance. Part delusional diva, part forensically honed performer, part something altogether harder to name, she arrives at the WundaBarn like a cabaret show glimpsed through a kaleidoscope after three espresso martinis, all charisma and catastrophe, the whole enterprise careening with magnificent purpose toward its own spectacular unravelling. The conceit is delicious: Crudi is taping the pilot of her very own television spectacular, in the grand tradition of a certain Scouse national treasure, a light entertainment queen-of-the-people who made ordinary folk feel seen and celebrated. Crudi's Northern roots do exactly this heavy lifting, they position her instantly as that woman your mother always watched on ITV. The one with all the gossip. The one you trusted completely despite every available warning sign. Her celebrity guests, she explains, are scattered throughout the audience, and she will need their help. The audience, for their part, looks both thrilled and faintly terrified. The phone rings randomly with a person requesting help, Crudi is ready! The audience interaction threatens to draw blood and then, consistently, refuses to. What looks momentarily like it might curdle into cruelty pivots, every time, into something generous. People are pulled into Crudi's orbit and leave it grinning. She is overly familiar in the way of a particularly fabulous auntie, all invasive warmth and unsolicited opinions, and her occasional plunges into full-throttle vulgarity land with the precision of a knowing wink, deployed not from desperation but from choice, as if to remind you she could go there any time she likes, and isn't it fun that she just did. It is a tease. It is extremely good. ![](https://www.scenemag.co.uk/content/images/2026/06/WhatsApp-Image-2026-06-01-at-9.27.22-AM.jpeg) But *Someone Help Her!* is considerably more interesting than it first declares itself to be. Running beneath the glitter is a persistent structural joke; Crudi's constant, slightly panicked references to *her producer*, to *the man behind her,* that begins to accumulate weight as the hour progresses. The show pivots, then pivots again, moving out of familiar drag territory into something genuinely meta, the fourth wall dissolving until Crudi is addressing her creator directly, and he, in a moment of theatrical courage, is addressing her back. It emerges that **Matt Stallworthy**, the performer behind the mouth of Crudi, is the one who has been making all the calls for help, a creator who built something enormous and now finds himself speaking through it, searching for a way back to himself. The show delves with real seriousness, on the mental health pressures that brought Crudi into being, a breakdown as birthplace and breakthrough, and asks, pointedly, whether the drag creation that saves you might also be the thing that consumes you. This is bold territory, and the ambition deserves recognition alongside the honest note that the stitching between Crudi's glittering surface and these deeper currents is still visible in places. The tonal gear-changes are occasionally abrupt; the serious reflective passages and the sequined chaos haven't yet found the seamless conversation they're reaching for. There is work still to do here, and the potential to do it is absolutely present. This is a generous show with a profound heart, and the audience responds accordingly. The jokes land. The audience leaves happy. The show earns its huge applause completely. And yet. When we file out into the Brighton night, we leave Crudi behind, alone, in a big empty tent, the lights dimming around her. She was made to help. She was made, perhaps, to be needed. The thought stayed with me as long as the laughter did. She needs us. Someone help her. *Sequins, sabotage, and a small existential crisis; Brighton's most dangerous diva delivered.* *Full details of the show* [*via Fringe website* ](https://www.brightonfringe.org/events/crudi-dench-someone-help-her/?ref=scenemag.co.uk)*and upcoming shows from* [***Crudi c***](https://bsky.app/profile/crudidench.bsky.social?ref=scenemag.co.uk)*an be* [*seen here.* ](https://crudidench.com/?ref=scenemag.co.uk) ![](https://www.scenemag.co.uk/content/images/2026/06/BRIGHTONFRINGE-LOGO-2026-PURPLE-website.png) ### London 1 URL: https://www.scenemag.co.uk/london-1/ Last updated: 2026-06-01T12:16:30.000Z In October 1982, Jonathan Blake walked into the Middlesex Hospital and was given a number, London 1, and a diagnosis that didn't yet have a name. He was told he had between three and nine months to live. He is 76. This is his story. _This post is for paying subscribers only._ ### New Health Secretary James Murray says he would no longer use the phrase “trans women are women” URL: https://www.scenemag.co.uk/new-health-secretary-james-murray-says-he-would-no-longer-use-the-phrase-trans-women-are-women/ Last updated: 2026-06-01T11:41:09.000Z New Health Secretary **James Murray** has said he has “changed” how he speaks about trans issues, telling **BBC Radio 4**’s *Today* programme that he would no longer use the phrase “trans women are women”, a position he had previously supported earlier in his political career. Asked directly about the change, Mr Murray, who replaced **Wes Streeting** last month, said: “I have changed what I would say. I wouldn’t say that phrase any more." He stressed that his position reflects the Supreme Court’s 2025 judgment, which determined that the terms “woman” and “sex” in the Equality Act 2010 refer to biological sex. The ruling has significant implications for how public bodies and organisations operate single‑sex services such as hospital wards, sports categories and changing facilities. Mr Murray said the government and the NHS would need to follow that legal framework, while also maintaining a commitment to trans people’s safety and dignity. > "You’ve said in the past ‘trans women are women’. Have you changed your mind?"[@JustinOnWeb](https://x.com/JustinOnWeb?ref%5Fsrc=twsrc%5Etfw&ref=scenemag.co.uk) asks new Health Secretary James Murray if he’s shifted his position like predecessor Wes Streeting. [pic.twitter.com/vRD5Mg4duN](https://t.co/vRD5Mg4duN?ref=scenemag.co.uk) > > — BBC Radio 4 Today (@BBCr4today) [June 1, 2026](https://x.com/BBCr4today/status/2061372258560487643?ref%5Fsrc=twsrc%5Etfw&ref=scenemag.co.uk) “I believe that single-sex spaces should be protected on the basis of biological sex, whilst at the same time believing in dignity for trans people,” he said, highlighting the distinction between legal definitions and personal identity. The Health Secretary’s comments place him within a broader shift in policy across government, following the publication of updated guidance by the **Equality and Human Rights Commission** (EHRC), which sets out how the Supreme Court ruling should be applied in practice. That guidance confirms that organisations may, in certain circumstances, restrict access to single‑sex services on the basis of biological sex, although trans people retain protection from discrimination under the Equality Act’s provisions relating to gender reassignment. The issue remains highly contested, with campaigners and advocacy groups raising concerns about how the ruling and subsequent guidance could affect trans people’s access to services and public life. Critics argue that restrictions on single‑sex spaces risk increasing exclusion. Advocacy groups have repeatedly stressed that any implementation of the ruling must ensure trans people can continue to access services safely and without discrimination, particularly within healthcare settings where issues of dignity and privacy are paramount. ### ‘It’s about celebrating people’: Inside Fetish UK, the inclusive new title reshaping the scene URL: https://www.scenemag.co.uk/its-about-celebrating-people-inside-fetish-uk-the-inclusive-new-title-reshaping-the-scene/ Last updated: 2026-06-01T10:56:55.000Z A new national title is launching this summer with an ambitious aim: to change how the UK’s fetish, kink and BDSM communities see themselves - and who gets to represent them. **Fetish UK**, which debuts at London's **Royal Vauxhall Tavern** on **Saturday, 11 July**, is positioning itself as a more inclusive alternative to traditional contest formats that have long defined the international fetish scene. Events such as Mr Leather, Mr Rubber and Mr Puppy have carved out distinct identities around specific subcultures, often with clearly defined - and sometimes restrictive - categories. Fetish UK is taking a different approach. The contest removes the traditional “Mr” label entirely, opening participation to people of all genders, sexualities and identities, regardless of their particular fetish or place within the scene. The result, organisers say, is a broader and more representative platform that reflects the diversity of modern queer communities. For **Emrys**, also known as **Mr Fetish Gran Canaria** and the driving force behind the initiative, that shift is long overdue. ![](https://www.scenemag.co.uk/content/images/2026/06/IMG-20260324-WA0003-1-.jpg) “Fetish UK is a community-focused title that celebrates the people who make the UK’s fetish, kink and BDSM communities such vibrant, welcoming and diverse spaces,” he says. “It’s about recognising the individuals who give their time, energy and passion to supporting others, building connections and helping our communities thrive.” At its core, the new title is less about crowns and competition, and more about contribution. While traditional fetish titles have often celebrated visibility and personal presence, Fetish UK aims to spotlight the work happening behind the scenes - from event organisers and volunteers to mentors, educators and activists. “What matters isn’t who you are or how you identify, but the positive impact you have on the people and communities around you,” Emrys says. That ethos runs throughout the structure of the contest. Confidence, personality and self-expression remain important, but they are not the sole focus. Instead, judges and organisers are looking for people who actively support others and strengthen the community. “Whether that’s organising events, mentoring newcomers, supporting charities or simply being a positive and supportive presence, Fetish UK aims to celebrate those who help bring the community together,” Emrys explains. The initiative is also firmly rooted in accessibility. By removing gendered titles and category boundaries, Fetish UK opens the door to participants who may previously have felt excluded or overlooked. “The fetish community is made up of people from all backgrounds, identities and experiences, and Fetish UK reflects that diversity,” Emrys says. “Open to people of all genders, the title creates a space where everyone can take part, be represented and be recognised.” That inclusivity extends beyond the contestants themselves. Organisers are keen to stress that the titleholder will not be elevated above the community, but will instead act as part of it – a visible representative rather than a figure apart. ![](https://www.scenemag.co.uk/content/images/2026/06/UK_FETISH_A3.jpg) “Rather than placing one person above everyone else, Fetish UK is designed to highlight the strength of the community as a whole,” Emrys says. “The titleholder is part of that community, not separate from it.” The launch comes at a time when the fetish scene in the UK – like many LGBTQ+ spaces – is evolving. As communities grow and diversify, there is increasing demand for spaces and platforms that reflect a broader range of experiences. Fetish UK is also responding to ongoing conversations about visibility and public understanding. For Emrys, education plays a crucial role in shaping both internal community culture and external perception. “By encouraging conversations around consent, communication, safety and inclusion, the title helps promote a better understanding of fetish and kink both within the community and beyond it,” he says. “It’s an opportunity to challenge stereotypes and show the positive impact that strong, supportive communities can have.” The contest will also operate as a not-for-profit initiative, with organisers pledging that any proceeds will be reinvested directly into the community through future events, outreach projects and support initiatives. That commitment reflects a wider philosophy underpinning the project: that the fetish scene is not just about self-expression, but about collective care and shared responsibility. ![](https://www.scenemag.co.uk/content/images/2026/06/Social-Media-Banner.png) “Ultimately, Fetish UK is about celebrating people,” Emrys says. “It’s about recognising those who show up, get involved, support others and help create the welcoming and diverse community that so many of us value.” It is also, he adds, about recognising the vast spectrum of identities and interests that make up the fetish world. “From leather, rubber and latex to BDSM, puppy play and countless other forms of expression, there is no single way to be part of the fetish scene. Everyone’s journey is different.” As the contest prepares to launch, organisers hope it will become more than just a new title – instead acting as a platform for connection, collaboration and visibility across the UK. For those involved, the message is simple: if you care about your community, there is a place for you. “No matter your background, identity or interests,” Emrys says, “if you’re passionate about community and committed to making a positive difference, Fetish UK is a place where those contributions can be recognised and celebrated.” ## For more info, [CLICK HERE](https://www.fetishuk.co.uk/?ref=scenemag.co.uk) ### East Midlands event to celebrate queer histories and culture in Lincoln URL: https://www.scenemag.co.uk/east-midlands-event-to-celebrate-queer-histories-and-culture-in-lincoln/ Last updated: 2026-06-01T10:34:43.000Z An evening celebrating LGBTQ+ history and contemporary queer life in **Lincolnshire** is set to take place later this month, bringing together music, performance and community storytelling. *Place, Pride, People: A Celebration of Lincoln’s Queer History and Culture* will be held on **26 June** at **The Blue Room** at **The Lawn** in Lincoln. The event forms part of the ***Reimagining Lincolnshire Community Engagement Programme***, supported by the **National Lottery Heritage Fund**. ![](https://www.scenemag.co.uk/content/images/2026/06/1000025404-1.jpg) House of Pixi Organised by **Threshold**, the evening will explore queer lives past and present through a mix of live performances, talks and discussion, with a focus on preserving regional LGBTQ+ histories and amplifying local voices. The programme will feature a musical performance from **OUTLoud Lincoln**, alongside a talk from drag performer **Arran Hart**, also known as **Celine Begone**, on his experiences of performing and working as a drag artist in the city. Poet **Cas Potterton** will also present a new piece written especially for the event, reflecting on identity, belonging and queer life in Lincoln today. ![](https://www.scenemag.co.uk/content/images/2026/06/Listening-Lines---Colour-Photo-2.JPG) **Listening Lines* \- ****Rebecca Smith** Historian and archivist **CJ DeBarra** is set to share insights from their work documenting LGBTQ+ histories, with a particular focus on community-led archiving and uncovering overlooked stories from Lincoln and the surrounding area. The evening will also include a discussion on burlesque, identity and expression with performers **Honey B Lovelace** and **Pixi** from **House of Pixi**, as well as the launch of a new LGBTQ+ sound trail. *Listening Lines*, created by artist **Rebecca Smith** in collaboration with local participants, will invite attendees to explore queer stories connected to the city through an audio experience in **Dawber Garden** following the event. Organisers say the project aims to provide a space for reflection, connection and celebration, highlighting stories that are often marginalised or hidden. ![](https://www.scenemag.co.uk/content/images/2026/06/44-IMG_7313.jpg) OUTLoud Choir **Tanya Akrofi**, Community Engagement Producer at Threshold, said: “This event is about celebrating the rich, vibrant, and often hidden stories of LGBTQ+ lives in Lincolnshire. Through performance, storytelling, and creative conversation, we’re creating a space to reflect, connect, and celebrate our shared histories and contemporary experiences.” The Reimagining Lincolnshire programme is designed to engage local communities with heritage in new ways, particularly by centring voices that have historically been underrepresented. Organisers say the event offers an opportunity to bring queer history into the present day, while fostering dialogue about identity, culture and community in Lincolnshire. The event will run from 6 - 8pm, with[ tickets available online.](https://www.eventbrite.co.uk/e/place-pride-people-a-celebration-of-lincolns-queer-history-and-culture-tickets-1990503437364?aff=oddtdtcreator&ref=scenemag.co.uk) ### East London Pride unveils summer season centred on trans visibility and community voices URL: https://www.scenemag.co.uk/east-london-pride-unveils-summer-season-centred-on-trans-visibility-and-community-voices/ Last updated: 2026-06-01T10:08:31.000Z **East London Pride** has announced its **2026 Summer Season**, pledging a renewed focus on trans visibility, queer storytelling and the amplification of marginalised voices across the capital. The grassroots organisation, which provides affordable and accessible events for LGBTQ+ people and allies, said this year’s programme would be guided by the theme **“Infinite Diversity in Infinite Combinations”**. Organisers described it as a celebration of community, creativity and inclusion at a time when accessible queer spaces are increasingly under pressure. Running from June to August, the programme will combine live performance, community events, fundraising initiatives and cultural showcases across East London, with a strong emphasis on collaboration and grassroots engagement. The centrepiece of the season will be the **East London Pride Weekend**, taking place on **20 June** and **21 June** at **London City Island**. The free event will feature performance, drag, art and community activities, with organisers aiming to showcase and uplift trans voices. Fundraising during the weekend will support LGBTQ+ charities **Not A Phase** and **Stonewall Housing**, while **Positive East** will offer free testing and support services for people living with HIV. ![](https://www.scenemag.co.uk/content/images/2026/06/ELP2-1.jpeg) Later in June, East London Pride will host a fundraising collaboration with **HunkDown** at **Chats Palace** in **Homerton**, with proceeds supporting access to gender-affirming care. Tickets will be available on a sliding scale, with lower-cost options offered without means testing to ensure accessibility. A Pride picnic and live music event, **East London Bandstand**, will take place in **Victoria Park** on **28 June**. Delivered in partnership with **ELOP**, **Tower Hamlets Council** and Positive East, the event aims to bring together the local LGBTQ+ community in a relaxed and inclusive public space. In July, the organisation will turn its attention to storytelling, teaming up with the **East London LGBTQ+ Film Festival** to present a programme of queer cinema. Screenings will include the BAFTA-winning *Two Black Boys in Paradise*, alongside films from collectives such as **Kaleidoscope** and **My Genderation**. Organisers said the event reflects the importance of lived experience and storytelling in building understanding and solidarity across communities. The summer programme will conclude in August with a month-long photography exhibition at Chats Palace, curated by **R.A.G.E**. The exhibition, titled *Taking Up Space*, will highlight the experiences of Black and Brown queer communities through photography, alongside a wider programme of poetry, writing, workshops and an art market. A dedicated evening for LGBTQ+ asylum seekers and refugees is also planned as part of the exhibition’s outreach. Organisers said the 2026 season represents a deliberate effort to foreground voices that are often underrepresented, while creating spaces that are open, safe and welcoming. ![](https://www.scenemag.co.uk/content/images/2026/06/ELP3-1.jpeg) “As queer spaces continue to disappear, especially accessible ones, we are committed to creating environments where people feel able to take part and be themselves,” the organisation said. “We don’t want to shy away from difficult conversations - we want to have them together.” East London Pride has positioned accessibility as a central priority, encouraging attendees to raise any barriers they encounter, whether financial, physical or sensory. The group said it would make every effort to accommodate individual needs. The organisation measures its success not only in attendance but in its wider impact on the community. Over the past three years it has raised more than £8,000 for Stonewall Housing, while hosting events including a Sapphic zine social and the *Trans R.A.G.E Prom*. As preparations continue, East London Pride has also issued an open call for artists, performers, venues and community partners to take part in future events, emphasising its commitment to collaboration. Email hi@eastlondonpride.org. Announcing the theme, organisers said “Infinite Diversity in Infinite Combinations” reflects a belief that the LGBTQ+ community is strongest when all voices are recognised and celebrated. With a programme spanning performance, activism and culture, this year’s season aims to bring that ethos to life across East London, offering a space where people can connect, celebrate and take part in Pride on their own terms. ### ‘Blurry gym selfies on borrowed time’ as Grindr study reveals new rules of the thirst trap URL: https://www.scenemag.co.uk/blurry-gym-selfies-on-borrowed-time-as-grindr-study-reveals-new-rules-of-the-thirst-trap/ Last updated: 2026-06-01T09:50:42.000Z Blurry gym selfies and heavily filtered profile pictures could soon be a thing of the past, according to new research from dating app **Grindr**, which suggests Britons are increasingly favouring authenticity and personality in their online photos. A survey of UK dating app users found that more than four in five people (83%) believe the best profile pictures reveal something about a person’s character, rather than simply highlighting their physical appearance. The findings point to a shift in how so‑called “thirst trap” images are used, with users placing greater value on confidence, playfulness and individuality. The research comes as Grindr rolls out new features designed to encourage self‑expression, including expanded options for sharing more revealing or “not safe for work” images within its platform. ![](https://www.scenemag.co.uk/content/images/2026/06/PINPEP_GRINDR_BUS_007.JPG) ****Keegan Hirst** While provocative or eye‑catching images remain popular, the study suggests users are becoming more discerning about how they are presented. Rather than staged or overly polished photos, there is a growing appetite for pictures that feel natural and engaging. Grindr says the modern thirst trap is less about explicit content and more about projecting personality and intent. According to its findings, users often interpret these photos as signals of self‑confidence and sociability, with many associating them with a “here for a good time” attitude or a sense that the person “knows they’re hot”. The platform also found that such images continue to play a central role in online interaction. Nearly three quarters of users surveyed said they were more likely to start a conversation with someone who includes a thirst trap in their profile, while more than half admitted they had retaken their own pictures after being inspired by others. Certain settings remain particularly popular for profile shots. Bedroom mirrors topped the list, followed by gym changing rooms and bathroom selfies, suggesting that a simple mirror and good lighting can still be key ingredients for a successful image. ![](https://www.scenemag.co.uk/content/images/2026/06/PINPEP_GRINDR_BUS_004.JPG) ****Keegan Hirst** To mark the research, Grindr has enlisted former professional rugby player and model **Keegan Hirst** as a “thirst trap coach”, aiming to encourage users to refine their approach to profile photos. Hirst is fronting a **“Thirst Trap Boot Camp”** at **Mighty Hoopla** in London, where attendees can take professionally shot pictures inside the app’s travelling “Grindr Bussy”. The activation forms part of the company’s wider Pride‑season campaign, which will tour several European cities. Speaking about the initiative, Hirst said the most effective photos are those that strike a balance between confidence and authenticity. “Thirst traps have always been about confidence, but the best ones aren’t trying too hard – they show a bit of personality and attitude, and leave people wanting more,” he said. “Refreshing your profile pictures can be a real confidence boost, and that can be the difference between getting a tap and starting a proper conversation.” ![](https://www.scenemag.co.uk/content/images/2026/06/PINPEP_GRINDR_BUS_010.JPG) ****Keegan Hirst** Grindr’s chief marketing officer, **Tristan Pineiro**, said profile images remain at the heart of how users connect on the app. “For our community, a snap on the grid is never just a photo,” he said. “It’s a first impression, a statement of confidence and sometimes the beginning of something meaningful.” The company’s festival presence is part of its broader **“Grindr Rides Europe”** tour, which aims to bring the online experience into physical spaces through events, performances and social activities during Pride season. ### Clinicians warn NHS over ‘flawed’ evidence behind trans youth hormone policy URL: https://www.scenemag.co.uk/clinicians-warn-nhs-over-flawed-evidence-behind-trans-youth-hormone-policy/ Last updated: 2026-06-01T09:37:24.000Z More than 80 clinicians, researchers and academics have warned **NHS England** that its recent restrictions on gender‑affirming care for young people are based on flawed evidence and risk denying appropriate treatment to trans patients. In an open letter sent to the National Medical Director for Specialised Services, Professor **James Palmer**, 85 signatories raise concerns about the evidence reviews used to underpin a new prescribing policy for gender‑affirming hormone therapy (GAHT) for under‑18s. The intervention follows changes introduced earlier this year, when NHS England launched a 90‑day public consultation on revised guidance for the prescribing of masculinising and feminising hormones to children and adolescents. Under the proposed policy, gender‑affirming hormones would no longer be routinely available to anyone under 18\. The move extends a series of restrictions on youth gender services in England. Puberty blockers are already subject to a national ban for under‑18s, and a proposed clinical trial investigating their use has been paused. In March, NHS England also halted new referrals for hormone therapy for patients aged 16 and 17, citing insufficient evidence on benefits and risks. Signatories to the open letter argue that the evidence reviews informing the latest policy change are deeply problematic. They claim the reviews lack a clear rationale, fail to take account of previous and ongoing research commissioned by NHS England and do not meet typical standards of peer‑reviewed research. The group also alleges that the methodology underpinning the reviews is flawed and that key findings have been misreported, leaving the decision to withdraw treatment unsupported by robust evidence. As a result, they say the move to restrict access to hormone therapy amounts to an “urgent” policy decision without sufficient evidential basis. The letter draws on wider criticism of the **Cass Review**, the independent government‑commissioned report on children’s gender services published in 2024, which has informed changes to NHS policy. The **British Medical Association** has raised concerns about how the review’s recommendations have been interpreted and implemented, warning of a disconnect between the report and subsequent policy decisions. The signatories say the latest policy reflects a broader pattern of overreach, with clinical decisions increasingly influenced by political considerations rather than evidence‑based medicine. They also argue that the removal of hormone therapy for under‑18s, alongside earlier restrictions on puberty blockers, represents a “blanket withdrawal” of gender‑affirming care for young people, with potentially serious implications for patient wellbeing. Evidence reviews commissioned by NHS England have previously concluded that the available research on hormone treatment for adolescents is limited and does not clearly demonstrate benefits or harms, prompting a more cautious approach to prescribing. However, critics say this interpretation fails to reflect the wider body of international research and clinical practice. In their letter, the clinicians call on NHS England to halt the implementation of the new policy and reconsider its approach. They urge the health service to take into account existing and ongoing research, ensure any guidance reflects established international best practice and incorporate input from both clinicians and patients in decision‑making. They also stress the importance of transparent, evidence‑based policymaking, warning that excluding clinical expertise and patient experience risks undermining both trust in the NHS and the quality of care provided to trans young people. NHS England has said it will consider feedback from the consultation before finalising its policy, which is expected later this year. ### Ghana parliament approves anti‑LGBTQ bill amid international criticism URL: https://www.scenemag.co.uk/ghana-parliament-approves-anti-lgbtq-bill-amid-international-criticism/ Last updated: 2026-06-01T09:08:40.000Z **Ghana**’s parliament has approved a controversial new bill that would significantly expand the criminalisation of LGBTQ+ people and their supporters, drawing sharp condemnation from human rights organisations and international observers. The **Human Sexual Rights and Family Values Bill,** passed on **29 May**, proposes prison sentences of up to three years for people who identify as LGBTQ+, as well as for those who engage in same-sex relationships. The legislation also targets advocacy and support networks, introducing penalties for the “promotion, sponsorship or support” of LGBTQ+ activities and establishing a legal requirement for citizens to report suspected offences to the authorities. The bill must now be ratified by President **John Dramani Mahama** before it can become law. Religious and conservative groups have pushed for tougher anti-LGBTQ measures since his return to power, and he has previously indicated support for legislation reflecting what he describes as traditional values. Supporters say the new law is needed to protect Ghanaian culture. Reverend **John Ntim Fordjour**, the bill’s sponsor, told parliament the measures would make existing legislation “more robust, more encompassing and more stringent” in addressing LGBTQ+ practices. However, the proposals have been met with strong international criticism. **Human Rights Watch** has warned the bill could endanger lives and undermine fundamental freedoms, while critics say the reporting requirement risks encouraging surveillance and denunciation among citizens. The legislation includes exemptions for certain professionals. Journalists, lawyers and healthcare workers would not face prosecution for reporting on LGBTQ+ issues, providing legal representation or delivering medical care. Ghana already bans same-sex relationships under a law dating from the British colonial era, although prosecutions have been rare. Campaigners say the new bill dramatically broadens existing restrictions by criminalising identity itself and extending penalties to allies and supporters. The measure revives a previous version of the bill passed in 2024, which never became law after former president **Nana Akufo-Addo** declined to sign it amid legal challenges. Ghana’s move comes amid a wider trend across parts of Africa, where several countries have tightened laws affecting LGBTQ+ people in recent years. Senegal approved legislation in March increasing prison terms for same-sex acts to up to 10 years, while Uganda introduced some of the world’s harshest measures in 2023, including the death penalty for certain offences. ### Sir Ian McKellen leads ‘Commonwealth Walk of Shame’ protest against anti-LGBTQ+ laws URL: https://www.scenemag.co.uk/sir-ian-mckellen-leads-commonwealth-walk-of-shame-protest-against-anti-lgbtq-laws/ Last updated: 2026-06-01T08:48:54.000Z Sir **Ian McKellen** joined campaigners in central London to protest against the continued criminalisation of LGBTQ+ people across the **Commonwealth**, leading a high-profile “Walk of Shame” organised by the **Peter Tatchell Foundation**. The veteran actor and activist helped launch the march on Saturday, 30 May which aimed to highlight what organisers describe as decades of inaction by Commonwealth leaders on LGBTQ+ equality. The demonstration began outside the **Nigerian High Commission** before moving on to other diplomatic missions, drawing attention to countries where same-sex relationships remain illegal under laws originally imposed during British colonial rule. Campaigners say 29 Commonwealth countries still criminalise homosexuality, with penalties including life imprisonment in six nations and the death penalty in others. Addressing the crowd, Sir Ian described the situation as “appalling”, urging Commonwealth governments to repeal what he called outdated laws. He said many of the statutes still in force were “relics of the British Empire” that the UK itself has long since abandoned. “ No one should face prison, violence or death simply for being themselves and loving another person,” he said, adding that Britain had a responsibility to stand in solidarity with those campaigning for change. The protest, billed as the **#CommonwealthWalkOfShame**, forms part of a wider campaign to put LGBTQ+ rights on the agenda of the Commonwealth, which activists say has “refused to recognise or even discuss” the issue throughout its 77-year history. Participants included LGBTQ+ refugees and activists who have fled persecution in Commonwealth nations, alongside groups such as **Out and Proud Africa LGBTI**, **Let Voice be Heard Bangladesh** and the **African Equality Foundation**. Marchers stopped outside the high commissions of eight countries — including Uganda, Ghana, Jamaica and Trinidad and Tobago - where laws criminalising same-sex relationships remain in force. **Peter Tatchell**, the veteran human rights campaigner behind the event, said Commonwealth leaders had for decades failed to act on what he described as systemic persecution. He urged the organisation’s new Secretary‑General, **Shirley Ayorkor Botchwey**, to show “moral leadership” by publicly condemning anti‑LGBTQ+ discrimination. Organisers argue the continued criminalisation of same-sex intimacy across the Commonwealth has profound consequences, forcing millions into hiding, fuelling violence and denying basic rights. Despite presenting itself as a global advocate for democracy and equality, the Commonwealth has faced mounting criticism for its silence on the issue. Campaigners say the London protest is intended to challenge that record and amplify calls for reform. Sir Ian acknowledged the demonstration was relatively small, but said he hoped its message would reach those living under restrictive laws. “This is a heartfelt demonstration,” he said. “I hope word will get back to people who are living in fear … that they are supported.” ### The gay man behind Athena’s Man and Baby URL: https://www.scenemag.co.uk/the-gay-man-behind-athenas-man-and-baby/ Last updated: 2026-06-01T08:02:50.000Z This year marks 40 years since the iconic **Athena** poster of a topless man in jeans holding a baby appeared on our highstreets and adorned countless bedroom walls. It became the best-selling poster in British history, with a massive cultural impact across the USA and Europe. Part of its success was down to capturing the developing concept of the ‘new man’ – masculine but sensitive. You could even trust him with a baby! It was also sexy, in a stone-washed denim, slicked back hair, totally '80s kinda way. ![](https://www.scenemag.co.uk/content/images/2026/06/lenfant-spencer-rowell.jpg) **L’Enfant* \- ****Spencer Rowell** Athena art director **Paul Rodriguez** commissioned that image, formally entitled *L’Enfant* but known to everyone as *Man and Baby*, from photographer **Spencer Rowell** in 1986\. It was one of many successful collaborations between the pair. A less well-known fact about the man who had the idea for the ‘man and baby’ image, is that Paul Rodriguez was gay (shocker!). Spencer Rowell: “We met around ’82\. We did mainly males, not exclusively, but I was known for shooting males. That was quite unusual. I think the assumption was that I was gay. He was an attractive man, very skinny, tall. You would know he was gay, just from his posture and his voice. He was quite camp. “I used to have long hair, earrings, swanning about being arty. I was very interested in style, with an interesting wardrobe. I didn't wear the red handkerchief. But it shows how naive I was. I said to Paul once, your handkerchief’s falling out of your back pocket. And he looked at me in this way that Paul always did: This is important to what I’m saying to the world, Spencer!” Spencer says he still has no idea what that meant. If that’s you as well – Google ‘gay hanky codes’. ![](https://www.scenemag.co.uk/content/images/2026/06/paul-rodriguez-spencer-rowell.jpg) Paul (L) with Spencer ### **Homoeroticism on the high street** Paul Rodriguez was also an illustrator in his own right, and before the success of *L’Enfant* he had produced a series of air-brushed images for Athena, almost exclusively of men. These were very particular men: tanned, slim, athletic, with short dark hair and a moustache. This was the clone look. An American style adopted by many gay men in the '80s and '90s, which emphasised a masculine aesthetic, and as the name suggests it made everyone look very similar. What was remarkable about these images is that they were for sale as posters / cards / postcards in your local Athena shop. Amidst all the other images, such as the female tennis player showing a cheeky rear cheek (produced by Athena in 1977), were these illustrations of moustached men. They were easy to overlook, but to those of a certain persuasion they were beacons of desire. > "I remember seeing these cards in the early '80s. They seemed to symbolise hope and a yearning for tenderness in a largely homophobic Britain. Beautiful images." Mike McAsey Having images of identifiably gay men in such a mainstream setting was a revelation. Outside of specialist shops or magazines, men had not been seen in public quite like this before. In a pre-internet age, images of such men were hard to access, connecting the viewer to a world that spoke of such desires without judgement. ### **After the success** Spencer Rowell: “We had a great time. It was fucking heaven, fantastic to be working in that time. Then he got poorly. “I said: 'Have you had a test?' He said: 'Well, I've made the decision that if I think about it more than 50% of the time, I'm going to go and have a test.' And we never spoke about it after that.” Spencer recalls going to see *Star Trek VI: The Undiscovered Country* with Paul in the spring of 1992 at Leicester Square. ![](https://www.scenemag.co.uk/content/images/2026/06/never-forget-1000.jpg) Never Forget “He’d started smoking spliff. It took the edge off the distress more than anything. I had no interest in *Star Trek* whatsoever. He loved it. It was quite the odd couple sitting at the back of the cinema. He was sitting there stoned, really enjoying the film. Anything except think about what was actually going to happen, I guess.” They had one final work trip together to the Turks and Caicos Islands. “I was going off shooting the dolphins, shooting the models. Normally the art director would be on the boat standing right beside you. He wasn’t. I’d go back to the hotel room and he’d be perky enough, then I would just glance across and his dressing table was just full of pill bottles. He was in darkness. “We came back from that trip. I was doing the retouching, the postproduction. Paul was overseeing stuff but he was tired. Anyway, it was normal not to talk for a while. I called him at his home to see how he’s doing and someone else picked the phone up. It was his boyfriend I believe. And that’s the last… he’d gone. “When I went round there, his mum was there, I just fucking lost it. His mum was very gentle. I think she was a Buddhist. “The Order of Service \[at the funeral\] was a very flash one, like a little cataloguey thing, lots of his pictures in it. He designed it. Typical Paul, all designed before his death. A lovely picture on the front cover of him in Thailand, not when he was with me, but because his dad was Thai, I think.” Paul died from an AIDS-related illness in London on 18 December 1992, aged just 31. Spencer Rowell and Athena Art have marked the 40-year anniversary of *L’Enfant* with an exhibition of images in **Ramsgate**, **13-31 May 2026**. There is a panel dedicated to the memory of Paul Rodriguez. ### #DALEYPOP X JUNE 2026 URL: https://www.scenemag.co.uk/daleypop-x-june-2026/ Last updated: 2026-07-05T16:53:28.000Z Music has been embedded in my life ever since I was in the womb, my mum and dad basically raised me on music, especially POP music! I grew up listening to **Madonna**, **Mariah Carey**, **Kylie Minogue**, **Spice Girls**, **Britney Spears** and even **AQUA** and I’ve always been obsessed with pop culture and **Eurovison**! I love yapping about my favourite songs and album of the month every month with the world from **Scene HQ**! ### ZEE MACHINE and Bonnie McKee - HEAVEN IS A GAY BAR Happy Pride Month! **ZEE MACHINE** and **Bonnie McKee** have dropped the perfect Pride Month anthem. The upbeat synthpop and dance track serves as a celebration of queer joy, community and free love. > [ View this post on Instagram ](https://www.instagram.com/reel/DZIkwp4tvKr/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by ZEE MACHINE (@zeemachine)](https://www.instagram.com/reel/DZIkwp4tvKr/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) ZEE says the track was born out of something bittersweet, the slow disappearance of real world queer spaces. It’s his love letter to the clubs and bars that first gave him permission to be fully, unapologetically himself. The sweaty, glittery sanctuaries where identity clicks into place on the dancefloor. Meanwhile, Bonnie McKee was instantly all in. Pop has given us plenty of love songs, heartbreak anthems and late night confessionals but almost never one that focuses on the pure magic of a gay bar. The safety, the joy, the electric sense of belonging and that’s exactly what makes this one hit different. ### Ariana Grande - that that i made you love me Three-time Grammy Award winner **Glinda** I mean **Ariana Grande** is back in full pop deity mode with her highly anticipated new single, *hate that i made you love me*. The track marks the first taste of her upcoming eighth studio album, *petal* which isset to bloom next month (31st July) via **Republic Records**. With expectations sky high and her post **Wicked** era glow in full effect, *hate that i made you love me* signals a fresh, emotionally charged chapter for Ari, one that’s already got us collectively levitating. The track is a powerhouse collaboration, co written and produced by Ariana herself alongside longtime hitmaker **ILYA** and the ever iconic **Max Martin** aka pop’s ultimate architect, making it a sleek and high gloss meeting of minds that practically guarantees chart domination. ### Cara Delevingne - I Forgot/Out of my Head Wait since when did **Cara Delevingne** make music?! How come we're just now getting two singles at once complete with full on visuals? The multihyphenate model turned actress has officially entered her pop girl era and it works. Both tracks come dripping in moody, confessional energy, think glossy darkness with a raw edge, very **Tove Lo** coded in the best way possible. Between the honesty, the aesthetic and the emotional punch, Cara might’ve just stumbled into a whole new lane and it’s kind of a serve. Cara revealed the songs are deeply personal, shaped by her journey through sobriety and the mental health struggles she’s faced along the way. One of the tracks taps into the chaos of modern life, her take on a world where everyone’s talking but no one’s actually saying anything real. “We changed the chorus to ‘out of my head,’” she explained, “because I think that’s something I have to do every day-to escape my overthinking.” Relatable queen. Her other track, *I Forgot*, leans even further into vulnerability built to capture the messy, unpredictable landscape of mental health. The heaviness, the rawness, the moments that don’t tie up neatly. And in perhaps the most British confession ever, Cara summed it all up perfectly. She’s not exactly one for confrontation or expressing anger….so this is her outlet. Her therapy. Her way of finally letting it all out. ### Kesha - ORIGAMI! “Turn me into your pretzel!”-**Kesha** is fully in her liberated, unfiltered era and it’s a joy to watch and to be an Animal right now. With *ORIGAMI!* she’s radiating confidence, chaos and that signature wink to camera energy clearly revelling in her creative freedom exactly as she should. The track itself is a playful, cheek to cheek pop banger that leans all the way into self expression and uninhibited joy. The official music video was co-directed by Kesha herself alongside **Brett Loudermilk** (omg why do I love the name Loudermilk? **Dale Loudermilk**....I like it) and **Zain Curtis** matches that spirit perfectly, pairing sculptural, body bending formations from the dancers with slick, high energy choreography from **Robbie Blue**. It’s vibrant, campy and completely on brand. ![](https://www.scenemag.co.uk/content/images/2026/06/image-7.png) Speaking about the song, Kesha described *ORIGAMI!* as “a celebration of freedom and self-love, wherever and however you choose to express it” and that ethos runs through every beat. It’s carefree, it’s confident and it’s Kesha doing what she does best, turning personal empowerment into an unapologetic pop moment. “I’ve been fighting for this kind of sovereignty-this ownership over myself-for a long time,” Kesha says, and you can hear that hard-won freedom all over *ORIGAMI!*. She wrote the track at a turning point-newly liberated, newly in control and reconnecting with parts of herself that had been on pause. “When I got the rights to my voice back, I got my spark back,” she’s essentially declaring and the result is a full on creative reawakening, equal parts cheeky, confident and totally uninhibited. She’s even joked about being in a reflective, mostly celibate era with a few very specific exceptions which just adds to the layered, playful contradiction that makes this rollout so her. There’s self awareness, there’s humourand there’s a clear sense that she’s calling the shots now. P.s. why is no one talking about **Reno Gold** being in the video?! Well Mr Gold is but still.... > [ View this post on Instagram ](https://www.instagram.com/p/DYsXpn9D7SW/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Reno Gold (@reno\_gold)](https://www.instagram.com/p/DYsXpn9D7SW/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) ### Lola Leon - T Shirt Not even **Lourdes Leon** aka **Lola Leon** born under a paparazzi flashbulb in 1996 when **Madonna** quite literally delivered her into pop mythology is spared the emotional carnage of a bad romance. Lola Leon formerly known as **Lolahol** knows how to spin pain into poetry where there’s wreckage. Where others spiral, she composes channeling chaos into something sharp edged and self possessed. While the internet is eager to brand every move a new era, Lola’s not quite buying into the reinvention narrative. As she puts it: “People keep saying, ‘This is a new era, this is a new era’-I don’t know where that came from!” Instead, what she’s doing feels more grounded, more intentional. Like a return, not a reset. A reconnection with her roots, her history and the people who’ve watched her evolve in real time. ![](https://www.scenemag.co.uk/content/images/2026/06/image-9.png) Lourdes isn’t just Madonna’s daughter, she’s stepping firmly into her own spotlight very much the leading lady of her own story. Like her mother before her, she has that instinctive ability to turn chaos into something compelling (and of course, make it look effortlessly chic while doing it). Enter *T Shirt*, her latest single. A moody, stripped back confessional that trades spectacle for intimacy. It’s raw but controlled, vulnerable yet guarded, delivered with that signature cool girl detachment that makes every line land just a little harder. There’s an understated confidence in the restraint, like she’s letting you in….but only just enough to keep you wanting more. Released alongside a haunting, intimate video shot by cinematographer **Eric Yue**, it trades glossy spectacle for something far more piercing. An emotional autopsy laid bare. “It’s pretty straightforward,” Lourdes says, almost shrugging off the weight of it. There are no metaphors to soften the blow, just the raw, slightly mortifying truth of being caught up in a love that’s quietly wrecking you. Messy, a little humiliating, and painfully familiar….because, let’s be honest, we’ve all been there, right?! ### Kylie Minogue - Light Up If you haven’t dived into **Kylie Minogue**’s new **Netflix** documentary yet….what are you waiting for?! *Light Up* lifted straight from the docuseries feels like one of its most heartfelt moments, an emotional centerpiece wrapped in soft, glowing pop. Co written with **Chris Martin** of **Coldplay**, the track carries a gentle, almost cinematic warmth. Kylie describes it as a song about unconditional support, the kind of love that catches you when you’re at your lowest and reminds you who you are. “It’s about that love that your parent, or someone who cares for you, can give you when you’re lost, confused, lonely, distressed,” she explains. “Someone who loves you can look into your eyes and see a world of potential.” ![](https://www.scenemag.co.uk/content/images/2026/06/image-10.png) It’s tender, affirming, and quietly powerful. The kind of song that sneaks up on you and lingers long after it ends. In true Kylie fashion, it glows rather than shouts offering a moment of comfort and connection that feels as timeless as it does deeply personal. ![](https://www.scenemag.co.uk/content/images/2026/06/KaseyMusgraves_56772811489611.webp) ## AOTM: Kacey Musgraves Middle Of Nowhere I cannot believe it’s taken me six albums to get into **Kacey Musgraves**….where have I been?! **Spotify** randomly served me *Dry Spell* out of nowhere and I was instantly hooked. Those lyrics had me actually laughing out loud and don’t even get me started on the music video….very that girl. I had to investigate further and when I realised it was Kacey I immediately threw on *Middle of Nowhere* and it's a masterpiece! Every track just hit. Witty, warm, a little bit heartbreaking and ridiculously sharp in its storytelling. Honestly, if you’re going through a dry spell of your own, this whole era is weirdly comforting. It doesn’t take itself too seriously but it still says something real. I’m equal parts obsessed and slightly devastated that I’ve slept on her for this long….but also? Kind of thrilled, because now I’ve got a whole discography to deep dive into head first! I totally get how and why *Middle of Nowhere* received critical acclaim and I'm gutted that I've missed out on Kacey's music all this time but now I'm a fan and have seven whole albums to catch up on yay. I love discovering new music! > [ View this post on Instagram ](https://www.instagram.com/p/DZGmExsiRWo/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Kacey Musgraves (@spaceykacey)](https://www.instagram.com/p/DZGmExsiRWo/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Eight time Grammy Award winner Kacey's sixth studio album really is made for two-stepping though. The collection draws from a love of **Texas** dancehall classics, humorous takes on the human condition and the space where traditional country borders many sounds including Norteño and even zydeco. Fresh yet familiar, honest, fearless, immersive and always ready to wink at life’s twists and turns. ![](https://www.scenemag.co.uk/content/images/2026/06/image-12.png) My favourite tracks on the album are *Mexico Honey*, *Dry Spell*, *Rhinestoned*, *Horses and Divorces*, *I Believe in Ghosts*, *Coyote*, *Middle of Nowhere*, *Loneliest Girl*, *Everybody Wants to Be a Cowboy*, *Back on the Wagon*, *Uncertain TX* and *Hell on Me*. ![](https://www.scenemag.co.uk/content/images/2026/06/image-11.png) So Musgrats or Spaceys....let me know what Kacey album I should dive head first into next?! Stream the #DALEYPOP X June 2026 playlist [HERE](https://open.spotify.com/playlist/1O9YXVWRN5rKt3YgDhEP9e?si=LfH3x2JKTiu-x8tEMQKi8g&ref=scenemag.co.uk) and follow the official Scene Spotify [HERE](https://open.spotify.com/user/31yhhvqrnncziyslp6w3lcq5haym?ref=scenemag.co.uk).🎧✨ ### The Future of Jewish Pride: Dave Lynn on drag, identity and a life on stage URL: https://www.scenemag.co.uk/jewish-pride-dave-lynn-drag-queen/ Last updated: 2026-06-02T13:16:09.000Z There’s a particular kind of energy backstage just before a drag show begins. It’s not loud. Not yet. It hums quietly in the background - in the rustle of costumes, the last-minute checks, the music waiting to start. It’s the kind of moment that holds both calm and anticipation at the same time. That’s where I find Dave Lynn, getting ready to step on stage at Legends Bar. No rush, no chaos - just a steady presence built from decades of doing exactly this. And yet, even after more than fifty years in drag, the nerves are still there. *“I still get nervous",* Dave tells me. “Not ill nervous, excited nervous". It’s not something you necessarily expect to hear from someone so established, so deeply woven into Brighton’s drag scene. But the more we talk, the more it makes sense. The nerves haven’t disappeared - they’ve evolved. They’ve become part of the connection between performer and audience, the spark that keeps each show alive. **Click below to watch part 1 of our interview with Dave Lynn:** 0:00 /7:14 1× ****Liran Notik in an interview with Dave Lynn,** Part 1 ### A Career Built on Change One thing becomes clear almost immediately: Dave Lynn does not stand still. In a world where many performers rely on the same routines night after night, Dave has taken a different path. Each show is shaped, adjusted, refreshed. New songs come in. Old ones are reimagined. Costumes change. The tone shifts depending on the audience, the moment, the mood. *“If I didn’t change it, I think I’d lose interest in it"*, Dave says. That might sound simple, but it’s the foundation of a career that has lasted decades. Reinvention isn’t a strategy - it’s a necessity. And it’s not just about keeping things interesting for the audience. It’s about staying engaged as a performer. *“You’ve got to enjoy what you’re doing"*, Dave adds. *“If you don’t enjoy it, they won’t enjoy it".* That relationship between performer and audience - that exchange of energy - is something Dave clearly understands on a deep level. Like many performers, Dave’s journey into drag didn’t start with a grand plan. It began with curiosity, creativity, and a willingness to explore. *“I used to dress up at home"*, Dave recalls*. “Try things on, see how it felt".* There’s something almost comforting about that image - the idea that even someone with such a long and visible career began in a private, personal space. No audience. No expectations. Just exploration. And then came the moment of telling family. *“I think I told my parents I was going to do drag before I told them I was gay".* ![](https://www.scenemag.co.uk/content/images/2026/05/1-3.jpeg) Dave Lynn with his parents It’s a line that carries both humour and truth. But what follows is what really matters. *“My mother said, I don’t care what you are, who you are. I love you".* That acceptance - immediate, unconditional - shaped everything that came after. For many LGBTQ people, those conversations don’t go that way. But for Dave, that foundation of support created something powerful: freedom. The freedom to explore identity without fear, to build a career without hiding, to step onto a stage as a full version of himself. *“That was all I needed"*, Dave says. **Click below to watch part 2 of our interview with Dave Lynn:** 0:00 /7:07 1× ****Liran Notik in an interview with Dave Lynn,** Part 2 ## A Jewish Identity on Stage — Without Compromise What makes Dave Lynn’s performances stand out isn’t just the longevity or the polish. It’s the honesty. There’s no separation between who Dave is and what appears on stage. The performance isn’t a mask - it’s an extension. And a big part of that identity is Dave’s Jewish heritage. *“I love being Jewish”*, Dave says. *“I come from a really happy, warm Jewish upbringing”.* That warmth is something you can feel in the way Dave speaks about family, culture, and tradition. It’s not presented as a statement or a theme - it’s simply part of the fabric of the show. Songs like 'Hava Nagila' aren’t included for novelty. They’re included because they belong. *“I’m going to keep singing the song", Dave says. “It’s a happy song".* There’s something quietly powerful in that choice. In a time where identity can often feel politicized or scrutinized, Dave’s approach is refreshingly simple: celebrate it. *“Be proud of who you are and everything about you".* It’s not delivered as a speech. It’s just how Dave lives - and performs. ### The Emotional Layer of Performance While Dave’s shows are filled with humour, music and interaction, there’s another layer that runs underneath - something more reflective. Years of performing, of connecting with audiences, of living through different eras of LGBTQ life, have created a perspective that goes beyond entertainment. *“You’ve got to have a heart"*, Dave says*. “That will keep you working longer than anything".* It’s a line that stays with me. Because it speaks to something deeper than talent or technique. Heart is what allows a performer to connect. To adapt. To remain relevant not by chasing trends, but by staying real. And it’s what audiences recognize, even if they can’t always put it into words. Away from the stage, Dave’s life story continues to challenge assumptions. Married to partner Tamzin for over twenty years, the relationship doesn’t fit into easy definitions - and that’s exactly what makes it work. *“We are still the best of friends",* Dave says. *“She's my soulmate".* There’s a calm certainty in the way Dave speaks about her. No need to explain, justify or label. Just a recognition of connection. It’s a reminder that love, like identity, doesn’t always follow the paths people expect it to. And perhaps that openness - that refusal to be boxed in, is part of what has allowed Dave and Tamzin to navigate both life and careers with such resilience. ![](https://www.scenemag.co.uk/content/images/2026/05/11.jpeg) Dave with his partner, Tamzin Lynn ### The Future of Pride and Community As the conversation turns towards Pride and the wider LGBTQ community, Dave reflects on how much has changed - and how much still needs to evolve. There’s an awareness that different parts of the community sometimes move in separate directions. Different identities, different experiences, different priorities. But Dave’s hope is simple. *“I’d like us all to be together. All minorities, everything".* It’s not about ignoring differences. It’s about recognizing shared ground. And alongside that comes a message for those who may still be figuring things out - those who might feel unsure, hesitant, or not quite ready to step into visibility. *“Be proud of yourself",* Dave says. *“Don’t hide things".* There’s a pause before Dave adds: *“I did that when I was young, and that’s quite painful".* It’s one of the few moments in our conversation where the tone shifts slightly - not heavy, but honest. A reminder that even someone as confident and established as Dave has experienced that journey. Back in the venue, Legends Bar, the atmosphere begins to shift. The audience is arriving, drinks in hand, conversations building. The energy is rising, and for Dave, this is where everything comes together. The preparation, the experience, the nerves - they all lead to this moment of connection. Because for all the talk of costumes, songs and routines, what Dave Lynn really offers is something else entirely. A shared space. A place where people can come together, laugh, recognize parts of themselves, and feel - even briefly, that they belong. That’s not something you can script. It’s something you build over time. Over years. Over decades. As I watch Dave prepare to take the stage, it becomes clear that this isn’t just about performance. It’s about presence. It’s about showing up, consistently, as yourself - and allowing others to do the same. Dave Lynn doesn’t try to be everything to everyone. There’s no attempt to fit into trends or chase relevance. Instead, there’s a quiet confidence in simply being. And that, perhaps, is what has kept audiences coming back for so long.Not just the humor. Not just the music. But the honesty. As the lights dim and the music begins, the room shifts into performance mode. The anticipation gives way to energy, to laughter, to applause. And just before stepping on stage, there’s that moment again - the nerves, the excitement, the spark. *“I still get nervous".* After fifty years, that hasn’t changed. And maybe it shouldn’t. Because it’s that feeling - that connection between fear and excitement, that keeps the performance alive. That keeps it human. That keeps it real. Dave Lynn isn’t just part of Brighton’s drag history. Dave is part of its present - and very much its future. And as long as that stage is there, and that audience is waiting, it’s safe to say one thing: The show is far from over. ### "If they come for one of us, they come for all of us": Siân Berry MP on Pride, trans rights and the battle ahead URL: https://www.scenemag.co.uk/if-they-come-for-one-of-us-they-come-for-all-of-us-sian-berry-mp-on-pride-trans-rights-and-the-battle-ahead/ Last updated: 2026-06-02T13:34:33.000Z _This post is for paying subscribers only._ ### Visible in Britain, Invisible in Mauritius: Why pride is so important URL: https://www.scenemag.co.uk/visible-in-britain-invisible-in-mauritius-why-pride-is-so-important/ Last updated: 2026-06-08T13:15:18.000Z To be queer is one thing. To be queer and from a Black and Minority Ethnic background is another but to be queer, BME and descendant from another country where your love is still debated, denied, passed judgement on or erased that is a whole different kind of existence. _This post is for paying subscribers only._ ### What The F***? URL: https://www.scenemag.co.uk/what-the-f/ Last updated: 2026-06-08T13:09:49.000Z A lifelong vexillophile (one who has a deep interest in the history, symbolism, and design of flags), Chris Jepson interrogates what colours we fly and why. Spoiler alert: It’s (not) just a flag _This post is for paying subscribers only._ ### Queer Elders: Our Living Record URL: https://www.scenemag.co.uk/queer-elders-our-living-record/ Last updated: 2026-06-08T13:06:32.000Z Chris Jepson has spent thirty years photographing queer lives. His new project turns the lens on those who came first. We sat down with the award-winning photographer to talk about Queer Elders, urgency, and why this might be his most important work yet. _This post is for paying subscribers only._ ### The Road to Equal URL: https://www.scenemag.co.uk/the-road-to-equal/ Last updated: 2026-06-03T09:42:12.000Z _This post is for paying subscribers only._ ### INTERVIEW: Manchester's Young Queer Activists want more from Pride URL: https://www.scenemag.co.uk/interview-manchesters-young-queer-activists-want-more-from-pride/ Last updated: 2026-06-02T15:07:20.000Z Two Manchester University students spoke to Hannah Simpson about what Pride means to them, how their queer identities shape their activism, and what they want from the movement going forward. _This post is for paying subscribers only._ ### Sister Roma: Nearly Half a Century in the Habit URL: https://www.scenemag.co.uk/sister-roma-nearly-half-a-century-in-the-habit/ Last updated: 2026-06-02T15:01:20.000Z _This post is for paying subscribers only._ ### 2026 should be the year we talk about bisexual regret URL: https://www.scenemag.co.uk/2026-should-be-the-year-we-talk-about-bisexual-regret/ Last updated: 2026-06-08T13:17:16.000Z _This post is for paying subscribers only._ ### Not all of us vote the same way. And the people trying to weaponise that fact know exactly what they’re doing. URL: https://www.scenemag.co.uk/not-all-of-us-vote-the-same-way-and-the-people-trying-to-weaponise-that-fact-know-exactly-what-theyre-doing/ Last updated: 2026-06-02T14:36:45.000Z _This post is for paying subscribers only._ ### Pride lives in everyday moments – and that still matters URL: https://www.scenemag.co.uk/pride-lives-in-everyday-moments-and-that-still-matters/ Last updated: 2026-06-02T14:26:44.000Z _This post is for paying subscribers only._ ### Musa Francis, Founder Of Blooming Queer, Shares His Tips On Surviving Pride Season URL: https://www.scenemag.co.uk/musa-francis-founder-of-blooming-queer-shares-his-tips-on-surviving-pride-season/ Last updated: 2026-06-08T13:17:56.000Z _This post is for paying subscribers only._ ### Fringe Benefits URL: https://www.scenemag.co.uk/fringe-benefits/ Last updated: 2026-06-02T13:32:45.000Z Edinburgh in August continues to be an exciting – and generally safe – place for LGBTQ+ people to express and see themselves in the performing arts as Paul Fisher Cockburn – born and raised in the Scottish capital – explains. _This post is for paying subscribers only._ ### Not all of us vote the same way, and that’s the point URL: https://www.scenemag.co.uk/not-all-of-us-vote-the-same-way-and-thats-the-point/ Last updated: 2026-06-02T13:37:10.000Z _This post is for paying subscribers only._ ### Hope and caution in Hungary: what Magyar’s victory really means URL: https://www.scenemag.co.uk/hope-and-caution-in-hungary-what-magyars-victory-really-means/ Last updated: 2026-06-02T13:39:37.000Z _This post is for paying subscribers only._ ### Gender Outlaws: Pride & Protest URL: https://www.scenemag.co.uk/gender-outlaws-pride-protest/ Last updated: 2026-06-02T13:40:35.000Z _This post is for paying subscribers only._ ### It’s (queer) music to our ears URL: https://www.scenemag.co.uk/its-queer-music-to-our-ears/ Last updated: 2026-06-02T13:42:28.000Z _This post is for paying subscribers only._ ### The Hidden Price Tag of Pride: Who Gets Left Out? URL: https://www.scenemag.co.uk/the-hidden-price-tag-of-pride-who-gets-left-out/ Last updated: 2026-06-02T13:43:25.000Z _This post is for paying subscribers only._ ### Stomping Ground. The History of Dyke Pride URL: https://www.scenemag.co.uk/stomping-ground-the-history-of-dyke-pride/ Last updated: 2026-06-02T13:45:15.000Z _This post is for paying subscribers only._ ### ALL MY EX LOVERS ARE DEAD Brighton Fringe URL: https://www.scenemag.co.uk/all-my-ex-lovers-are-dead-brighton-fringe/ Last updated: 2026-05-30T13:03:24.000Z There is a passage in Elizabeth Smart's *By Grand Central Station I Sat Down and Wept,* that fever-dream prose poem of devastating romantic obsession, where the narrator describes love not as arrival but as permanent, irreversible alteration: to have loved is to have been geologically changed, the landscape of the self rearranged without consent and without possibility of restoration. It is a book that refuses the categories of before and after, insisting instead on the continuous present tense of longing. *All My Ex Lovers Are Dead* is a less operatic piece than Smart's incandescent novella, considerably less operatic, in fact, and frequently and deliberately funnier, but it shares something essential with it: the understanding that the people we have loved do not leave. They become structural. They become weather. There is also, elsewhere in the tradition, e.e. cummings, that most tenderly anarchic of American poets, whose love lyrics operate through a similar dissolution of the self-and-other boundary. Where Smart burns, cummings aches with a trembling, specific vulnerability. His beloved is never entirely fixed, never entirely resolved into a stable gender or a stable category. The emotional register of this solo show from [**Dara Beth**](https://thefuriesco.wixsite.com/darabeth?ref=scenemag.co.uk) carries something of that quality: a love story told in soft focus, its subjects gently unspecified, its grief belonging to no single orientation but radiating outward to anyone who has ever stood in the wreckage of something that mattered. Queerness here is atmospheric. It lives in the texture of the telling, and in this production, that texture is predominantly comic. This is a show that earns its tender moments because it has spent the preceding minutes making you gently laugh. The telling, at its best, is genuinely accomplished. The show delivers a full hour of confessional storytelling, threading together romantic memories, the particular comedy of bad decisions made in good faith, and the quiet desolation of being the last person left in a room you once shared. The humour is structural rather than decorative, the mechanism by which more painful recollections become survivable, and the performer wields it with assurance. Wit and vulnerability are kept in productive tension throughout, each sharpening the other. That is precisely where solo performance of this kind should aspire to operate. ![](https://www.scenemag.co.uk/content/images/2026/05/687711045_945305808265109_4756451479281363354_n.jpg) Dara Beth. Photo Credit D Beth What the show did not need was an annoying electrical fan, cutting in at irregular intervals like an overheated laptop in its terminal throes. In a show so reliant on accumulated atmosphere, it landed most reliably during the quieter, more intimate passages. The comedy, being more robust, survived these incursions more easily than the vulnerability did. There was also the matter of the Polaroid camera. At several points across the hour, the performer produced a small instant camera and snapped photographs of apparently randomly selected audience members. The images emerged in miniature, were briefly regarded, and then...nothing. No return to them. No pay-off. I waited, with genuine interest, for the images to mean something. They did not, or at least not visibly so. It is a gesture that asks a question the performance declines to answer, and in a show otherwise so committed to following through on its emotional logic, it registers as a curious loose thread. Where the show is additionally less sure-footed is in its cultural register. The piece occasionally feels composed somewhere considerably further than England, its emotional vocabulary shaped by a sensibility that sits at a slight transatlantic remove. A handful of Brighton gestures are folded in, a nod to a local landmark, but they have the quality of performed local knowledge: affectionate, unconvincing, souvenirs purchased rather than retrieved from memory. The accent is a small geographical adventure in itself; setting out in the vicinity of Received Pronunciation, migrating mid-Atlantic, making a warm and distinctly audible detour through Durban (?) before drifting back again, a marble on a slightly tilted table, adding an unintended but oddly resonant layer of displacement to a show already preoccupied with the things we carry from one life to the next. It is the one element of the production that rivals the fan for restless movement. None of which ultimately diminishes what the performance is reaching for, and in large part achieving. Brighton has long understood that the most interesting work about the heart happens in small rooms, without scenery, by someone willing to stand in the light and say: *this happened, and I have not entirely recovered, and I am not certain I want to.* Smart's narrator would recognise that posture. So would cummings' trembling lover, refusing grammar, refusing resolution. For adult queer audiences, those of us who have assembled our own private archaeology of former selves and former lovers, and who have learned to laugh at the catalogue even while mourning it, this show offers the specific consolation of recognition, and I rather enjoyed it. The fan will stop. The Polaroids may yet find their meaning. The tender vulnerable comedy delivered touch perfect by writer/actor [Dara Beth](https://www.instagram.com/dara.bee/?ref=scenemag.co.uk), in the meantime, carries the night. --- *All My Ex Lovers Are Dead plays as part of Brighton Fringe 2026\.* [*Full info, cast and creative credits via brightonfringe.org*](https://www.brightonfringe.org/events/all-my-ex-lovers-are-dead/?ref=scenemag.co.uk) ![](https://www.scenemag.co.uk/content/images/2026/05/BRIGHTONFRINGE-LOGO-2026-PURPLE-website-6.png) ### A definitive ranking of every MARINA x Marina and the Diamonds album URL: https://www.scenemag.co.uk/a-definitive-ranking-of-every-marina-marina-and-the-diamonds-album/ Last updated: 2026-06-29T22:53:56.000Z Fellow Diamonds! I've been wanting to sit down and rank every **MARINA** album for a while now and after seeing her on Friday night at **Alexandra Palace**, I left that show feeling inspired, emotional and honestly a little bit in awe so this felt like right now is the perfect moment to do. Fresh off a completely sold out North American leg, Marina brought the **Princess of Power Tour** to **Ally Pally** and it wasn’t just another stop on the tour. At one point, she got visibly emotional sharing that this was the biggest venue she’s ever played in **Europe**. She said, “18 years ago, I signed my record deal on the steps outside Ally Pally…” and “…so this feels like a real full circle moment, like I’m closing a chapter tonight, here with all of you.” I’ll admit, I got a bit nervous when she said that, only because I was thinking pleeease don’t be retiring hun but thankfully that wasn’t the case! I’ve been a fan of Marina since day one, and this was my FIFTH time seeing her live so at this point she's become a part of my personality. She’s now my second most seen artist, according to my [**Concert Archives**](https://www.concertarchives.org/dale-melita?ref=scenemag.co.uk) profile. Feel free to give me a follow on there if you’d like! It's a really good app to keep track of the concerts you've been to and concerts you have planned in the future and kind of like a social network for concert lovers to connect with each other. Not a sponsor or anything by the way, I'm just a pop music nerd. > [ View this post on Instagram ](https://www.instagram.com/p/DY9XsbJjEUI/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by MARINA (@marinadiamandis)](https://www.instagram.com/p/DY9XsbJjEUI/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Also….thank you MARINA, just for existing to be honest. Like actually, thank you for being Ü. For every lyric that’s hit a little too close to home, every era that somehow showed up exactly when we needed it, and for making a space where Diamonds can be dramatic, highly emotional people and fully, unapologetically ourselves. You’ve basically been the soundtrack to my life. Every high, every low, every in between moment. Basically growing up with your music means more than I can put into words. Hopefully this doesn't sound weird! Following your journey all this time and then standing in that Ally Pally crowd though just felt different. Good different though don't worry. So thank you one more time for sharing your art, your talent and your heart with us Diamonds all around the world. WE <3 YOU! Now….let’s dive into the ranking head first! ## 6.Love + Fear (2019) ![](https://www.scenemag.co.uk/content/images/2026/05/image-30.png) I still don’t get why *Love + Fear* got dragged so much, Marina was really in her reflective era giving us polished pop and actual thoughts about identity and relationships at the same time. It’s lowkey one of her most relatable vibes, she was just being honest and we were all living it with her. *Handmade Heaven* is just so pretty and *To Be Human* and *Orange Trees*? Yeah, those are MY girls too. One for the feels, one for the sunshine mood. I was in **Seville** earlier this month and *Orange Trees* kept popping in my head every time I saw an orange tree! I love *Superstar* too and don’t even get me started. *You*, *Enjoy Your Life*, *End of the Earth*, *Life Is Strange*, *Emotional Machine*, *Karma*, *True* and of course *Baby*….like she did NOT need to go that hard on one album. Love + Fear is such a solid body of work. And the line “Be happy with the body that you're in, being who you are don't cost a thing” in *True* hits me every time. ## 5.Ancient Dreams In A Modern Land (2021) ![](https://www.scenemag.co.uk/content/images/2026/05/image-32.png) First of all....can we talk about the *Ancient Dreams in a Modern Land* artwork? It’s gorgeous, she really said main character energy only. The album itself is a bright, bold pop album with a side of feminist rage and I’m absolutely here for it. *Purge the Poison* and *Venus Fly Trap* are such standouts for me, they just drip confidence like Marina knows exactly who she is and she’s not asking for permission anymore. The albumfeels empowering and unapologetic, celebrating individuality and change. *Man's World* is an anthem and typical Marina delivering powerful lines about inequality and empowerment with a wink. ## 4.The Family Jewels (2010) ![](https://www.scenemag.co.uk/content/images/2026/05/image-31.png) This is the one where becoming a Diamond officially began! *The Family Jewels* is such a bold debut, she really came in with her quirky chaos, sharp lyrics and full theatrical flair right from the start. Indie pop but make it slightly unhinged (in the best way). *Hollywood* is literally one of my all time faves and *I Am Not a Robot* and *Oh No!* are just so Marina, showing off that unique voice and calling out identity, fame, and expectations. She knew exactly what she was doing from day one. The Family Jewels still sounds fresh too, it could be released today and still sound really good, it really is a captivating and distinctive debut that instantly set her apart. ## 3.Princess Of Power (2025) ![](https://www.scenemag.co.uk/content/images/2026/05/image-33.png) *Princess of Power* is Marina in full technicolour, an explosive rush of glimmering pop, attitude and unapologetic self mythology, channelling flashes of *Electra Heart*. Tracks like *Cuntissimo* (I still can't get over Cuntissimo), *Princess of Power* and *Final Boss* hit with fierce confidence. The official video for *I <3 YOU* is one of my favourite Marina videos ever (and the song too). . The whole album feels electric, theatrical, and deliciously self aware. It’s a dazzling, high drama pop statement that proves Marina still reigns in her own universe. ## 2.Electra Heart (2012) ![](https://www.scenemag.co.uk/content/images/2026/05/image-34.png) *Electra Heart* has to be one of my favourite pop albums ever. I love a concept driven pop masterpiece. Tracks like *Primadonna*, *Teen Idle*, *Homewrecker*, *Lies* and *Bubblegum Bitch* are iconic, saying that though, the whole album is. I need to mention the *How To Be A Heartbreaker* official video....this video contributed to my gay awakening, anyone else?! Radioactive is super slept on too! ## 1.Froot (2015) ![](https://www.scenemag.co.uk/content/images/2026/05/image-35.png) *Froot* is easily my number one Marina album! Entirely self written and I remember Marina rolling out one track per month before its release, it'll remain one of the most fun and unconventional album campaigns. The record itself feels like a true masterpiece, 12 beautifully crafted, impeccably produced songs delivered with so much emotion. For me, it’s her strongest work, though I understand why fans rank her discography differently because every album is consistently strong. Still, *Froot* for me stands as a timeless classic with lyrics that feel just as sharp today as they did over 10 years ago (omg I'm old) and a sound that captures a real high point in modern pop. I love how Marina basically turns fruit into a whole personality on *Froot* serving growth, timing and knowing your worth all at once. She’s out here talking about being ripe and patient like love is a perfectly timed snack and she’s not wrong. It’s fun and too relatable, like yesssss I am plump and ripe and pinker than shepherd's delight thank you! Fun fact: Marina premiered this song on her 29th birthday by the way oh oh and *Froot* is a deliberate misspelling of fruit because Marina didn't want the name of the album to hold any previous connotation. On *Forget* Marina turns frustration into empowerment, rather than dwelling on being misunderstood she shrugs it off and leans into growth. It's catchy and bright on the surface but underneath it's about reclaiming identity and refusing to be defined by others' perceptions. It's a bop! Oh *Blue* is that song, you’re dancing a bit but also side eyeing your own feelings. It’s all bright and synthy while casually unpacking emotional avoidance and that weird post breakup vibe where you’re finally free but also a tiny bit sad. We’ve all been there. On *Immortal* she really said let me spiral, but make it gorgeous. It’s deep, a little existential and very much Marina wondering if she’s gonna leave a legacy or just vanish into the void (again, relatable). It’s haunting but in a pretty, dramatic way, like staring out a window thinking about your life for a bit too long. Stunning though and one of my faves. > [ View this post on Instagram ](https://www.instagram.com/p/DR-9eqFkbjR/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by MARINA (@marinadiamandis)](https://www.instagram.com/p/DR-9eqFkbjR/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Marina's **Princess Of Power Tour* continues tonight in ****Manchester** and you can get tickets [HERE](https://www.marinaofficial.co.uk/tour?ref=scenemag.co.uk). All of Marina's albums are on all streaming platforms. ### Twins - A Split Bill @ Brighton Fringe URL: https://www.scenemag.co.uk/twins-a-split-bill-brighton-fringe/ Last updated: 2026-06-01T22:09:17.000Z Standing on a stage beside the person who shares your DNA and saying look how differently we turned out is the animating logic behind *Twins – A Split Bill*, the joint venture from brothers Chris and Matthew Ali. The billing promises two individual sets followed by a double-act section, and the first half delivers; both men working their own material with genuine assurance. They grew up together in a tough part of London, in a single-parent household, and that shared biographical raw material becomes a kind of dramatic irony: identical origins, divergent lives. Chris is straight. Matthew is gay. The same womb, the same table, the same streets, but two distinct and fully-formed comic sensibilities. What is perhaps unintentionally revealing is that Chris mines a bit more material from having a gay twin than Matthew extracts from having a straight one. There's something there: the queer experience rendered, as the more generative disruption, the thing that requires explanation and narration. Matthew, to his credit, is working in a different register entirely, his own set is warm, confident, and self-possessed, the voice of someone who has long since made peace with his story and is simply having a good time telling it. A football joke sailed cleanly over the heads of everyone in the room, met with a silence that was, in its own way, funnier than a punchline. These moments of accidental comedy are fringe gold. ![](https://www.scenemag.co.uk/content/images/2026/05/02-26-2026-113006-1298.jpg.jepg.webp) The show ventures into deeper water when it addresses the twins' experience of racism; specifically an incident in Venice, on holiday with their mum where, as they tell it, their Britishness became the reason they're refused a restaurant reservation, only for Matthew's gayness to somehow trump it in the hierarchy of otherness. It is the kind of anecdote that captures the lived absurdity of intersecting identities with more precision than most academic frameworks manage, and it lands with the specificity of something that could only have happened to these two particular people. The promised double-act, however, proves to be something rather different from what the billing implies. Rather than scripted interplay, the twins invited audience members to submit questions on slips of paper, which they then drew at random and answered together, a format that, is catnip for a Fringe crowd, and they play it with easy charm with the foot on the roasting pedal. Both men are genuinely funny, individually and at ease. As an exercise in mapping intersections, queerness, Blackness, brotherhood, class, identity - *Twins* is a fascinating and often delightful hour. What it is still becoming is a show in which the twin conceit does more structural and thematic work: the connective tissue between the two halves, the sense that the whole is consciously greater than its parts, is still being written. Both nights sold out, which suggests the audience already senses what this show might grow into. Worth watching now. Worth watching again when they've found the seam that runs between them. Twins @ The Southern Belle , [Brighton Fringe for full show details. ](https://www.brightonfringe.org/events/twins-a-split-bill/?ref=scenemag.co.uk) ### Boy George receives lifetime achievement award at British LGBT Awards URL: https://www.scenemag.co.uk/boy-george-receives-lifetime-achievement-award-at-british-lgbt-awards/ Last updated: 2026-05-29T11:27:00.000Z **Boy George** has received a lifetime achievement award at the **British LGBT Awards**, in recognition of a decades‑long contribution to British music and culture. The **Culture Club** singer was presented with the surprise honour by French fashion designer **Jean Paul Gaultier** at a ceremony held in central London. Awards organisers said the accolade celebrated Boy George’s “significant contribution to British musical culture”. It was a successful evening for the 64‑year‑old artist, who also won music artist of the year, beating nominees including **Charli XCX** and **Doja Cat**. Speaking to the BBC after the ceremony, Boy George said the award had come as “a genuine surprise”. “I feel so emotional. I was sitting there with my best friends and I can’t even tell you how beautiful it was,” they said. “To be presented by Jean Paul Gaultier is very special. They have always been there for me, whether I’ve been big or small in my career.” The recognition follows disappointment earlier this year at the Eurovision Song Contest, where Boy George appeared as a guest performer on San Marino’s entry, which failed to qualify for the final. Speaking before the awards, Boy George said they would prefer to write the UK’s Eurovision entry rather than perform it. “I think the emphasis should be on the song,” they said. “Write the song first, then find the singer. You need someone with an amazing voice - a big European, belt‑it‑to‑the‑sky voice. And the song should be a ballad pretending to be disco, pretending to be Irish, but a bit gay. That’s so Eurovision.” The British LGBT Awards, first held in 2014, are among the most prominent events celebrating LGBTQ+ people and allies in the UK. This year’s ceremony was hosted by **Ruby Wax** and **Tom Read Wilson**. Other winners included **Kate Winslet**, who received an advocate award via video message, and **Stephen Libby**, who won media moment of the year after jointly winning series four of *The Traitors*. Previous recipients have included **Ian “H” Watkins**, **Adele Roberts**, **Tom Daley** and *Doctor Who* actor **David Tennant**. ### Legal challenge launched after hospital "refused to operate on a woman just because she’s trans" URL: https://www.scenemag.co.uk/legal-challenge-launched-after-hospital-refused-to-operate-on-a-woman-just-because-shes-trans/ Last updated: 2026-05-29T11:16:40.000Z The **Good Law Project** (GLP)has launched legal action against an **NHS** hospital after it, GLP says, "refused to operate on a woman just because she’s trans", arguing the decision amounted to unlawful discrimination. The case centres on **Lisa\***, who was scheduled to undergo surgery in May 2025 to have her testes removed to alleviate ongoing pain. However, a week before the operation was due to take place, the hospital contacted her to say the procedure had been cancelled. According to GLP, the hospital said it could not proceed because the surgery was classed as gender‑affirming care. The organisation disputes this, arguing the procedure was clinically necessary to treat pain and was unrelated to gender transition. GLP says refusing treatment on the basis of gender identity breaches the **Equality Act 2010**, which protects people from discrimination on the grounds of gender reassignment. It is bringing a claim on Lisa’s behalf alleging direct discrimination. The GLP also criticised the hospital for failing to provide any alternative treatment plan. Instead, Lisa was referred to a gender identity clinic, where waiting times for treatment are currently estimated at up to six years. In a statement, the organisation said the decision to cancel surgery represented “a shocking failure of medical ethics” and left a patient in significant pain without appropriate care. It added that the case raises wider concerns about how trans patients are treated within the NHS. “This isn’t just about one cancelled operation,” GLP said. “It’s about a system in which trans people are too often viewed through a political lens rather than treated as patients with medical needs.” **Charlene Pink**, a campaigns manager at GLP, said the case reflected a broader pattern affecting trans people across the UK. “This appalling treatment isn’t a blip or an accident,” Pink said. “With the rollback of trans rights in full swing, it’s the predictable outcome of systems that treat trans people as something less than people.” ### INTERVIEW: Italian singer-songwriter Alex Palmieri returns to music with Pay To Play merging pop, pride, vulnerability and OnlyFans URL: https://www.scenemag.co.uk/interviewwithalexpalmieri-newmusicfriday-paytoplay/ Last updated: 2026-05-29T09:19:42.000Z Meet **Alessandro Palmieri** aka **Alex Palmieri**, the moment my **YouTube** algorithm finally did something right! One scroll, one click and suddenly *Pay To Play* was blasting through my speakers with a full blown early 2000s pop fantasy. I genuinely sat there thinking, who is this man and where has he been all of my life?! Yesss he’s obviously striking on screen but it was the unapologetic pop nostalgia that hooked me instantly. I reached out to see if he’d be up for a yap with me.... After all, sharing top-tier pop music from **Scene HQ** is essentially a public service, right? Throughout his diverse career, [**Grabby Awards**](https://www.instagram.com/grabbysevents%5F?ref=scenemag.co.uk) winner Alex Palmieri has toured across **Italy** and **Europe**, represented Italy at [**EuroPride**](https://www.instagram.com/europride.info?ref=scenemag.co.uk)in 2019, and appeared on several major Italian television programs, including a live performance on [**Canale 5**](https://youtu.be/B7ejUt8lmhU?si=stV7fSFTCNFlU2mg&ref=scenemag.co.uk) alongside [**Barbara D’Urso**](https://www.instagram.com/BARBARACARMELITADURSO/?ref=scenemag.co.uk) and participation in the reality show **Social King** on **Rai 2** and **Rai Gulp**. He opened up massively in a [**Vanity Fair**](https://www.vanityfair.it/article/alex-palmieri-ho-iniziato-a-prostiturmi-per-pagare-mia-musica-grazie-a-onlyfans-ho-comprato-casa-oggi-non-ho-piu-sogni-vivo-giorno-per-giorno?ref=scenemag.co.uk)featurein 2024 which covered his unconventional path through music and the adult entertainment industry too. Basically....Mr Palmieri is kind of a big deal. During my interview with Alex, the conversation became candid, funny and unexpectedly vulnerable. He opens up about fame, identity, sexuality and reinvention offering a tiny glimpse into the ambition, loneliness, desire and grit behind his new era. Oh and I couldn’t resist asking the most dramatic question ever, the one that defines an Italian: pizza or pasta?! ![](https://www.scenemag.co.uk/content/images/2026/05/image-28.png) 📸 Paolo Caporossi From [**Sanremo**](https://www.instagram.com/sanremorai/?ref=scenemag.co.uk) dreams to navigating [**OnlyFans**](https://onlyfans.com/alexpalmieri?ref=scenemag.co.uk) boundaries, from boyband era pop references to the complexities of queer visibility, *Pay To Play* isn’t a comeback (I forgot to mention this is his first taste of new music in six whole years btw),it’s a statement of intent, I reckon. Alex became one of the first Italian creators to launch an OnlyFans account, quickly turning into one of the platform’s most viewed and requested performers. Soon after, he was called to work with major American studios and starred in numerous adult productions. Balancing eroticism and vulnerability, Alex brings into pop music something rarely told honestly: what it feels like to be desired by millions of people….yet never truly seen. The official *Pay To Play* music video pushes this duality even further: performances, bodies, choreography by **Daniele Galassi** and direction by [**Stefano Taccucci**](https://www.instagram.com/stefanotaccucci/?ref=scenemag.co.uk) blending visual power with emotional tension. Sexy. Direct. Unapologetic. Let's dive in....head first! DALEYPOP: Hey Alex! For our readers who might not be familiar with you (yet), can you tell us a little bit about who you are, your career and your current project. ALEX PALMIERI: Hello! I’m Alex Palmieri, an Italian singer, performer and adult creator. Music was actually my first love long before the adult industry. I started releasing pop music independently in 2011 and spent years chasing that dream. At a certain point, life took me somewhere unexpected. > I entered the adult industry, built a completely different career, and eventually became one of the most recognised Italian names in gay adult entertainment and OnlyFans. Winning a Grabby Award was definitely one of those surreal moments where I stopped and thought “Wow… this really happened.” Now I’m reconnecting the two sides of my life instead of keeping them separate. My new single *Pay To Play* is exactly about that intersection: performance, desire, ambition, loneliness and validation, all mixed together in a very pop way. DALEYPOP: You mentioned the adult industry so I feel like I need to ask, who or what inspired you to enter the adult industry and how did the people close to you react? ALEX PALMIERI: Honestly, it wasn’t some glamorous master plan. At first it was survival mixed with curiosity and ambition. I had invested so much time, energy and money into music and I needed a way to support myself and keep creating. At the beginning, adult work felt almost like a side road. Then suddenly that road became huge! The reactions around me were very mixed to be honest. Some people judged me immediately, some disappeared and others surprised me with how supportive they were. > Over time I learned that people often project their own fears onto sexuality. Once I stopped apologising for my choices, the energy around me changed. DALEYPOP: What did you do before the adult film industry and music? ALEX PALMIERI: Music has honestly been part of my identity for so long that it almost feels weird separating it from the “before.” But before adult entertainment became my full time reality, I was basically doing everything possible to survive while trying to build a music career independently. I’ve always been a performer at heart. Even before any visibility, followers or awards, I had this obsession with creating, entertaining and being on stage somehow. > [@alexpalmieriofficial](https://www.tiktok.com/@alexpalmieriofficial?refer=embed&ref=scenemag.co.uk "@alexpalmieriofficial") I chased pop. Life took me somewhere else and now they call me “p0rnstar”. Now I’m back on the mic. Here is where my two worlds connecting. “Pay To Play” was born here. No filters. No pretending. [#alexpalmieri](https://www.tiktok.com/tag/alexpalmieri?refer=embed&ref=scenemag.co.uk "alexpalmieri") [♬ audio originale - Alex Palmieri](https://www.tiktok.com/music/audio-originale-7637155450722585366?refer=embed&ref=scenemag.co.uk "♬ audio originale - Alex Palmieri") DALEYPOP: You’ve been making music since 2011, right? Have you ever thought about Sanremo? I watch every year and can absolutely picture you on that stage? ALEX PALMIERI: First of all, thank you! That’s honestly such a compliment because Sanremo is sacred in Italy. Yes, of course I’ve imagined it. Like I said, I started releasing music in 2011 and growing up in Italy you can’t really escape the influence of Sanremo. It’s part music competition, part national ritual, part chaos. Very Italian. Would I do it? Absolutely. If the right song arrived at the right moment. I think bringing someone with my background onto that stage would definitely create conversation, but maybe that’s exactly the point. Art gets interesting when it challenges the categories people put you in. DALEYPOP: I love that you release music in English, but why not in Italian too? ALEX PALMIERI: I naturally write in English when I make pop music. The melodies, rhythms and references that shaped me growing up were mostly international pop acts, so emotionally it comes out that way. English also gives me a certain freedom. Sometimes Italian feels more intimate and exposed, almost too real. Maybe one day I’ll release something in Italian when I’m ready to be that emotionally naked in a different way. Never say never! DALEYPOP: Tell us about your new single Pay To Play: the story behind it, the writing process, everything…. ALEX PALMIERI: *Pay To Play* is one of the most autobiographical songs I’ve ever released (even though it’s hidden behind a glossy pop production). The title works on multiple levels. Obviously people will connect it to sexuality, OnlyFans and the adult world and that’s intentional, but it’s also about the emotional side of performance culture. The feeling that attention, validation, affection and even visibility often come with a price. I wrote it from a place where I was reflecting on fame, loneliness, desire and the strange transaction that can happen between performer and audience. People think visibility automatically fills emotional gaps, but sometimes it amplifies them. Musically I wanted it to feel nostalgic and modern at the same time: dramatic pop energy, sexy visuals, choreography but with a little sadness underneath everything. DALEYPOP: Welllll you 100% understood the assignment! Was the **Backstreet Boys**/**NSYNC** vibe an intentional throwback or did it just happen naturally and who are your ultimate pop idols, past or present? Do you go to many concerts by the way and if you do, what was the best concert you’ve ever been to? ALEX PALMIERI: Oh, it was definitely intentional. I grew up during that era so those references are burned into my brain. Big choruses, synchronised choreography, pop stars serving drama with absolute sincerity….I miss that energy sometimes. > I love artists who fully commit to performance worlds. Madonna, Britney Spears, Michael Jackson, Lady Gaga….artists who understand that pop music is not just audio, it’s mythology. I love going to concerts because they remind you why pop culture matters emotionally. One of my favourite concerts was **Little Mix**. They really know how to put on a proper pop show: vocals, choreography, energy, everything. I think the **UK** has always had a special relationship with pop music and performers who fully commit to entertaining people. DALEYPOP: What can you tell us about bringing the *Pay To Play* music video to life? The choreography is so tight and you and the dancers look incredible. Are they friends of yours or longtime collaborators or did you build a whole new little dance family for this project? > [ View this post on Instagram ](https://www.instagram.com/reel/DYcCIS4zOVC/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Alex Palmieri (@alexpalmierireal)](https://www.instagram.com/reel/DYcCIS4zOVC/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) ALEX PALMIERI: Thank you! I really wanted the video to feel like a proper pop moment, not just “an influencer making a music video.” I like to think that I'm detail oriented with visuals, movement and atmosphere. The dancers were amazing because they understood the energy immediately: sexy, sharp, confident but still emotional underneath. Some of them I already knew, others came together specifically for this project so it became this temporary little family created around rehearsals, sweat and very little sleep. > I also wanted the choreography to feel masculine and vulnerable at the same time instead of overly polished. There’s something hotter about imperfections when they’re real. DALEYPOP: Is more music on the horizon? Are we talking singles, a full album, more visuals? Basically, what should we be getting excited for next? ALEX PALMIERI: Definitely more music. *Pay To Play* is not a one off comeback moment. It’s the beginning of a new chapter. I want to release more singles, more visuals, more performances and continue building this world where sexuality and pop music coexist openly instead of pretending they’re separate universes. I spent years feeling like I had to choose one identity or the other. Now I’m more interested in blending everything honestly. DALEYPOP: You say that people can “buy the body, not the person.” Has visibility in both music and adult work changed how you think about connection then? ALEX PALMIERI: Completely. Visibility creates the illusion of intimacy very quickly. People can consume your image, your body, your voice and your content every day and feel emotionally connected to you without actually knowing you as a human being. That can be beautiful sometimes, but also emotionally confusing. > I think working in both music and adult entertainment taught me that attention and connection are not the same thing. One can look a lot like the other from far away. DALEYPOP:Forgive the silly question but what does your Grabby Award stand for and what did winning it mean to you? I’m dying to know too, is it proudly out in the open at home like a little trophy that greets you every morning? ALEX PALMIERI: Not silly at all. **The Grabby Awards** are among the biggest awards in the gay adult industry, so winning one was honestly surreal. For someone who spent years feeling underestimated or “too unconventional” for certain spaces, that moment felt emotional not just professionally but personally too and yes….it’s visible at home. I paid emotionally for that trophy so I’m absolutely displaying it. It earned its spot. > [ View this post on Instagram ](https://www.instagram.com/p/DXm1eTokWo5/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Alex Palmieri (@alexpalmierireal)](https://www.instagram.com/p/DXm1eTokWo5/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) DALEYPOP: So from EuroPride to adult film sets: queerness has been a constant in very different spaces for you. Where have you felt most seen and where have you felt most misunderstood? ALEX PALMIERI: I feel most seen in spaces where people don’t expect perfection from queer people. Where there’s room for contradiction, sensuality, vulnerability and messiness. Ironically, I’ve sometimes felt more accepted in very explicit environments than in more “respectable” spaces where people quietly judge you while pretending to be progressive. I think queer people are often accepted conditionally. People love authenticity until it becomes uncomfortable or impossible to package neatly. DALEYPOP: Well how do you handle emotional boundaries on OnlyFans when subscribers feel close to you, even though the relationship is professional? Also, what’s the most wild or most unexpected request you’ve ever received on OnlyFans (that you don’t mind sharing)? ALEX PALMIERI: Boundaries are honestly one of the hardest parts of this work because the platform itself is built around intimacy. People aren’t just subscribing to content, they’re subscribing to access and emotional attention. I try to stay genuine without creating false promises. I never want someone to feel mocked or manipulated, but at the same time I’ve learned that you can’t emotionally belong to thousands of people at once. As for the weirdest requests… human imagination has no limits. Let’s just say I’ve received requests involving very specific roleplay scenarios, highly detailed voice notes and extremely unexpected objects that definitely were not designed for sexual purposes. DALEYPOP: Oh wow, what does Pride mean to you on a personal level? ALEX PALMIERI: To me, Pride means existing without shrinking yourself first. Not just sexuality, but the freedom to stop editing your personality to make other people comfortable. Growing up queer changes you. Even confident queer people usually spend part of their life monitoring themselves constantly. Pride is the opposite of that feeling. ![](https://www.scenemag.co.uk/content/images/2026/05/image-27.png) 📸 Paolo Caporossi DALEYPOP: What is life like for a queer person in Italy? Being half Italian, I’ve always been curious and desperate to visit **Sicily** in particular because that's where my grandad was from. ALEX PALMIERI: Italy is complicated because it’s emotionally warm but culturally contradictory at the same time.You can absolutely find queer community and freedom here, especially in **Milan** but there’s still a strong conservative mentality underneath parts of society and politics. That said, Sicily is stunning and full of personality. > Italians can be dramatic, judgemental and incredibly loving all at once. DALEYPOP: Milan is famous for being one of the world’s fashion capitals but is it worth the hype? ALEX PALMIERI: Milan absolutely deserves the hype if you love fashion, nightlife, design and ambitious energy. It’s not the most relaxing Italian city, but that’s part of its identity. Milan feels fast, aspirational and slightly emotionally unavailable….which honestly makes it very fashionable. DALEYPOP: What’s your go to place to eat in Milan, the spot you’d send someone to without hesitation? ALEX PALMIERI: I’m going to sound very Italian now but honestly sometimes the best experiences are the less **Instagram** perfect ones. If someone comes to Milan, I’d tell them to eat properly, take their time and avoid tourist traps. Milan hides amazing food in very unexpected places. DALEYPOP: I'm not proposing to you by the way but can you imagine yourself getting married one day? With Italy’s laws still evolving, how do you feel about the state of LGBTQ+ rights in Italy right now? ALEX PALMIERI: I can imagine it emotionally more than ceremonially, if that makes sense. > As for LGBTQ+ rights, Italy still has progress to make. Sometimes it feels like society moves faster than politics here. But visibility matters. Conversations matter. Representation matters. Even existing openly in industries where people expect shame can become political without you planning it. ![](https://www.scenemag.co.uk/content/images/2026/05/image-29.png) 📸 Paolo Caporossi DALEYPOP: What’s one unexpected thing about you, like a habit, a talent, a fear, anything that people would never guess? ALEX PALMIERI: People assume I’m extremely extroverted all the time, but actually I recharge alone. I can perform in front of cameras, crowds or on stage, then go home and disappear socially for days because my brain feels overloaded. I think a lot of performers secretly live that contradiction. DALEYPOP: To wrap up: who’s your crush of the day, what’s your star sign, and will the UK be graced with your presence anytime this year? Oh and most importantly… pizza or pasta?! ALEX PALMIERI: My crush of the day changes every twelve minutes so asking me to choose is cruel. I’m a Capricorn, which probably explains why I can be both extremely ambitious and emotionally complicated at the same time. I’d honestly love to come back to the UK. I performed in **London** during Pride back in 2017 and I have really good memories of that experience. The UK has always had an amazing relationship with pop culture, nightlife and queer audiences so hopefully I’ll be back very soon. For the final impossible question….pizza wins emotionally, pasta wins spiritually. I refuse to betray either one publicly. **Pay To Play* is on all streaming platforms now. Click [HERE](https://linktr.ee/alexpalmieri?ref=scenemag.co.uk) to follow Alex Palmieri's socials. ### Brighton & Hove council leader, Bella Sankey, raises concerns over EHRC guidance on single-sex spaces URL: https://www.scenemag.co.uk/brighton-hove-council-leader-bella-sankey-raises-concerns-over-ehrc-guidance-on-single-sex-spaces/ Last updated: 2026-05-28T13:30:49.000Z The leader of **Brighton & Hove City Council** has raised concerns about new guidance issued by the **Equality and Human Rights Commission** (EHRC) on single-sex spaces, warning it could create uncertainty for both trans people and service providers. Councillor **Bella Sankey** issued a statement following the publication of the guidance last week, saying it had caused “confusion and concern” and risked undermining the rights and dignity of trans people. Councillor Sankey said the guidance appeared to suggest that trans people may not be able to use facilities aligned with either their sex at birth or their gender, describing this as “deeply confusing” and “deeply unfair”. According to the council leader, trans and non-binary residents in Brighton & Hove have already reported a “chilling effect”, with some avoiding public services, including healthcare settings, for fear of being challenged or discriminated against. The statement also highlighted concerns for businesses and service providers, with Councillor Sankey saying the guidance failed to provide the clarity organisations need when managing access to facilities. They added that women and men who do not conform to traditional gender stereotypes could also face questioning or be wrongly denied access to spaces they are entitled to use. Calling for urgent action, Councillor Sankey said the guidance should be withdrawn and urged Parliament to legislate to clarify the rights of trans people to participate in everyday life in an inclusive way. The statement also reaffirmed the council’s commitment to its Trans, Non-Binary and Intersex (TNBI) residents and visitors, saying they make a significant contribution to the city’s character and culture. Councillor Sankey said Brighton & Hove City Council remained committed to ensuring its LGBTQIA+ staff, including trans and non-binary employees, feel valued, respected and safe at work, adding that dignity, equality and equity under the law should apply to everyone. [Statement in full HERE ](https://www.brighton-hove.gov.uk/news/2026/council-leaders-statement-following-ehrc-guidance-single-sex-spaces?ref=scenemag.co.uk) ### GODZ: Brighton Fringe. Head First Acrobats URL: https://www.scenemag.co.uk/godz-brighton-fringe-head-first-acrobats/ Last updated: 2026-05-28T13:16:40.000Z Let's be honest: [Head First Acrobats ](https://www.headfirstacrobats.com/?ref=scenemag.co.uk)always know exactly who fills their seats. They've been returning to Brighton Fringe for years now, touring the world in between, collecting awards like Hercules collects admirers, effortlessly and in abundance. And with **GODZ**, their riotous, gloriously sweaty romp through the pleasures of Mount Olympus, they don't just know their audience. They *worship* us right back. With interest. The premise, a full-throttle, hedonistic plunge into ancient Greek mythology, is just an excuse, and a magnificent one at that. Hermes, Apollo, Hercules, Dionysus and Cupid descend upon the Spiegeltent and proceed to throw the kind of party that would make Zeus loosen his toga. There's a narrative threading through it all, technically, but GODZ has the admirable self-awareness to treat plot as merely the thin gold cord holding together ninety minutes of jaw-dropping physical theatre, comedy, and; let's not be coy here, weaponised, industrial-grade thirst. ![](https://www.scenemag.co.uk/content/images/2026/05/GODZ_TPG_20230205GODZ_14-min1-scaled.jpg) Thomas Gorham – Apollo Credit Heads First & Beck Stone This is Boylesque for the ages. Performative masculinity cranked up to eleven, dripping in knowing irony, flexed biceps and enough homoerotic charge to power the whole of Kemp Town. Not just stunning acrobats though Lord knows, they are that, bodies moving with a precision and power that amaze, they are also the festival circuit's most magnificently self-aware thirst traps. They know it. And crucially, they make absolutely certain you know they love it. Every held gaze, every slowly raised eyebrow, every apparently accidental wardrobe situation is choreographed to within an inch of its life, and the audience, a gloriously transfixed congregation somewhere between the Vauxhall Tavern on a Saturday night and a very sophisticated Magic Mike hen do, absolutely lapped it up. Tongues were, genuinely, hanging out. ![](https://www.scenemag.co.uk/content/images/2026/05/GODZ_TPG_20230205GODZ_47-min1-scaled.jpg) Photo Credit Heads First & Beck Stone Part of the show unfolds in a state of cheerful, matter-of-fact nudity, teased but daft and carried off with exactly the kind of confidence you'd expect from men who have clearly made peace, very thoroughly, with what they're working with. The acrobatics arrive backlit under sheets; if anything this intensify the nudity. Queer-coded moments accumulate throughout with gleeful, relentless purpose, looks held a beat too long, lifts that are technically impressive and also extremely something else, physical comedy that lands with the precise frequency of an audience who *gets it*, who has always got it, who came here specifically to get it. Technically brilliant and seriously funny. ![](https://www.scenemag.co.uk/content/images/2026/05/02-10-2026-132042-5072.jpg.webp) Photo Credit Credit Heads First & Beck Stone The nuns scene, yes, there are nuns, keep up, tips the whole glorious enterprise into the kind of gleefully profane, transgressive territory that queer audiences savour. It's camp in the most rigorous, theological sense of the word. It's completely and magnificently unhinged. The whole venue lost its mind, in the best possible way. [**Thomas Gorham**](https://www.instagram.com/thomas.gorham/?ref=scenemag.co.uk)**'**s Apollo shimmers with easy charisma. [**Callan Harris**](https://www.instagram.com/cal.eastwood.harris/?ref=scenemag.co.uk) as Hercules is, predictably, built like a small classical monument and twice as commanding. [**AJ Saltalamacchia's** ](https://www.instagram.com/ajsalta/?ref=scenemag.co.uk)Dionysus brings an anarchic, delicious looseness to proceedings. [**Liam Dummer** ](https://www.instagram.com/liamdummer/?ref=scenemag.co.uk)as Cupid is mischief incarnate. But. But. Allow us a moment for [**Mat Piva**,](https://www.instagram.com/pvmatt/?ref=scenemag.co.uk) joining the company this year as Hermes, and what an entrance into the fold. Baby-faced, wide-eyed, projecting an air of absolute innocence that fools approximately nobody, Piva arrives packaged an architecturally ambitious body. Huge. Thighs. Biceps. A presence disproportionate to his cherubic expression. He is beguiling in a way that made the room collectively forget what city they were in, and his acrobatic talent is extraordinary, if anyone in the audience could concentrate long enough to fully appreciate it. They mostly could not. He is, to put it plainly, an absolute menace, and we are here for every second of it. ![](https://www.scenemag.co.uk/content/images/2026/05/20260526_211849.jpg) GODZ Liam Dummer, Matt Piva, Callan Harris GODZ is that rare thing: a show that has mastered the art of the tease, giving you everything and making you feel like you've been exquisitely denied more. It's funny, filthy in spirit, ferociously talented and thoroughly, unashamedly queer & women friendly. Almost every performance has sold out but the gods have smiled upon the desperate and the thirsty: **a special late-night extra show has been added on Saturday 30th May at 10:45pm.** That's your last chance, your one remaining opportunity, your final act of self-care for the season. Tickets are on sale now. Do not think about it. Do not discuss it with your friends. Simply buy the ticket, bring a hand fan and your best poker face, and thank us later. They also have a family friendly show, ALL STARS, running till 31st May, [check out the Scene review here. ](https://www.scenemag.co.uk/all-star-circus-head-first-spiegel-gardens-fringe/) GODZ — Head First Acrobats. Spiegeltent at the SpiegelGardens. Saturday 30th May, 10:45pm — [FINAL PERFORMANCE. Tickets: brightonfringe.org. ](https://www.brightonfringe.org/events/godz/?ref=scenemag.co.uk) 18+. 90 mins with interval. Content warnings: nudity, strong language, strobe lighting, adult themes, and a dangerously attractive new Hermes. ### REVIEW: Pink Narcissus (1971) URL: https://www.scenemag.co.uk/pink-narcissus-1971-re/ Last updated: 2026-05-28T11:48:22.000Z Hello cinema lovers. Director **James Bidgood**'s ***Pink Narcissus*** is the kind of movie that refuses to be categorised. You may have never heard of it before, for good reason; it's an odd, obscure, but compelling piece of queer cinema. James Bidgood's 68-minute homoerotic fantasy jerk off, shot painstakingly inside his own New York apartment between 1963 and 1970\. It's received a 4K restoration on Blu-ray courtesy of BFI, inviting a new generation to sit with one of the strangest yet alluring works in the queer cinematic canon. Take a walk on the wild side. ![](https://www.scenemag.co.uk/content/images/2026/05/pink-narcissus-01-1-1.jpeg) image provided The film stars **Bobby Kendall** as an unnamed male hustler, who is beautiful and totally self-absorbed, as the movie's title suggests. He drifts between erotic fantasy sequences while alone in his sickly pink-lit apartment. He pictures himself as a matador, his bull a leather-jacketed motorcyclist. He imagines himself a Roman slave offered to an emperor. He presides over an Arabian harem. He fumbles around in a public toilet, pushing down an eager recipient to give him head. There is no dialogue here, no real narrative; the viewer is left to ponder what this film is all about. What the film does provide is the most vibrant of colours. Various close-ups of surfaces, skin, chiffon and golden objects. The camera lustily leers over Kendall's muscular body in a series of extended sequences showcasing the bloom of youth. Kendell shows that impressive body off with great pride, his perfect ass front and centre wherever possible. At times it feels like a precursor to the french porn movies of Jean Daniel Cadinot. ![](https://www.scenemag.co.uk/content/images/2026/05/PinkNarcissus_02_16x9.png) image provided Director Bidgood was primarily a photographer but also a drag queen, costume designer, and physique photographer. He constructed elaborate fantasy worlds inside a single cramped apartment. What he achieved here with minimal resources is ambitious. It doesn't always come together, but as later micro budget gems like *Tangerine* and *The Watermelon Woman* would show, extreme constraint in service of extreme subjectivity can give dividends. This particular restoration is important because of what happened to the original. Bidgood lost the final cut. He refused credit. In 1971, the film went out under "Anonymous" as producer, writer and director, and for years the question of who actually made it circulated as rumour. Only in later years did the director take credit for his work. Bidgood lived to 88, sadly dying of COVID in 2022, and *Pink Narcissus* remained his only completed feature. This release serves as a tribute to a talented director who should have had a bigger career. ![](https://www.scenemag.co.uk/content/images/2026/05/Pink-Narcissus_iiif_bfi-00n-816.jpg.jpg) image provided This is a film all about gay desire. The project began before the Stonewall riots and the release came afterwards; it shows pre-liberation gay life in New York and the emergence of something more open and joyful. Kendall's hustler is confined, almost locked away; his fantasies seem to come from a place of boredom. Street signs in one sequence read "chicken," "going out of business," "get 'em while you're hot". a cynical commentary on the economy of youth and beauty and the dread of ageing that some gay men carry to this very day. This film drew directly on some of the more homoerotic works available in the 1960s; *Barbarella* (1968) strongly comes to mind, as does *Midnight Cowboy* (1969). Its influence, in turn, is felt with Fassbinder's *Querelle* (1982), which definitely owes a debt to Bidgood, as does William Friedkin's *Cruising* (1980). *Pink Narcissus* is not easy viewing. It is repetitive and dreamlike and sometimes a little dull. It's 68 minutes that feel longer than it should; the lack of dialogue hurts the final product. However, as a document of queer desire and the need to create an interior universe when the outside world hates you in the pre-Stonewall world its well worth checking out. Just don't expect too much. ![](https://www.scenemag.co.uk/content/images/2026/05/MV5BYzMwNTNjNmUtNjdmNS00YzBmLTgwYjYtNmRhZDZhYTMzNjM0XkEyXkFqcGc@._V1_QL75_UX432_-2-1.jpg) image provided ![](https://www.scenemag.co.uk/content/images/2026/05/IMG_1942-1-1.jpeg) The BFI Blu-ray release *for Pink Narcissus* (1971) will be 15 June 2026 in the UK. ### 'One of the greatest honours of my life': Gay darts referee Huw Ware named as EuroGames Cardiff 2027 ambassador URL: https://www.scenemag.co.uk/one-of-the-greatest-honours-of-my-life-gay-darts-referee-huw-ware-named-as-eurogames-cardiff-2027-ambassador/ Last updated: 2026-05-28T11:37:37.000Z Gay professional darts referee **Huw Ware** has been officially named as the latest ambassador for [**EuroGames Cardiff 2027**](https://cardiffeurogames2027.cymru/?ref=scenemag.co.uk). The annual multi-sport event, which will take place from **14-17 July 2027**, is the largest of its kind in Europe for LGBTQ+ athletes and allies. Next summer's edition in the capital of Wales will make history as the first EuroGames ever to be held in the UK. Ware, a proud Welshman who made history in 2025 as the first out gay man to referee a **PDC World Darts Championship** final, says the appointment is "one of the greatest honours of my life." The 32-year-old joins Olympic hockey medalist **Sarah Jones** and Wales football legend **Jess Fishlock** as the third official ambassador for EuroGames 2027\. Ware moved to Cardiff at the age of 19, where he says the city's welcoming LGBTQ+ scene gave him the confidence to eventually come out within the professional darts world. “I can tell you from my own personal experience that this is a city that will welcome all athletes," Ware said. "It will give you a safe space to compete and to enjoy yourselves in equal measure.” The announcement comes just a few days after registration opened in the majority of the sports competitions for EuroGames 2027\. Recent **YouGov** data shows that more than a third of LGBTQ+ people have faced discrimination while exercising or trying to exercise. To help address and break down these barriers, EuroGames Cardiff 2027 is focusing on inclusion. Participants can sign up for the gender category they feel most comfortable with. Thanks to Ware's involvement and the sport's massive popularity, darts is expected to be a major draw. The competition is being run by **Out on the Oche**, the official LGBTQ+ darts group supported by the PDC. "The beauty of darts is that it doesn’t matter who you are, what your background is, or where you are from," Ware added. “Both players have three darts in their hand, and it’s about who throws them better - that’s it. I encourage as many people as possible to enter, whether you are a beginner or have lots of experience.” ### Viral M&S video highlights clash over trans‑inclusive changing rooms URL: https://www.scenemag.co.uk/viral-m-s-video-highlights-clash-over-trans-inclusive-changing-rooms/ Last updated: 2026-05-28T11:30:01.000Z A **Marks & Spencer** employee asked a customer to leave a store after an argument over the retailer’s changing room policy, following an incident that has since gone viral on social media. The video, filmed at an M&S branch in Colchester, shows a woman confronting a shop floor worker and repeatedly questioning the store’s use of inclusive changing facilities. In the footage, the customer claims the policy is “breaking the law” and says the store is “not safe for women”. The employee is seen calmly responding that the issue relates to company policy and advising the customer to raise concerns directly with Marks & Spencer. As the exchange continues, the worker reiterates that the facilities are safe and ultimately asks the woman to leave the store, citing abusive behaviour. The video, which has been widely shared online, appears to show few other customers present in the changing area at the time of the confrontation. Marks & Spencer has not commented directly on the individual incident, but the retailer has previously stated that many of its stores provide unisex changing rooms with individual cubicles. Similar arrangements are used by other high street chains, including Primark. > Colchester [@marksandspencer](https://x.com/marksandspencer?ref%5Fsrc=twsrc%5Etfw&ref=scenemag.co.uk) I asked where the women’s changing room was to try on swimwear. Manager Andrew (he/ his /him) says gender neutral changing areas are “completely safe” for women and girls. For asking him this question, he told me to leave the store. [@SexMattersOrg](https://x.com/SexMattersOrg?ref%5Fsrc=twsrc%5Etfw&ref=scenemag.co.uk) [pic.twitter.com/MuZXo6coQN](https://t.co/MuZXo6coQN?ref=scenemag.co.uk) > > — Abouterf (@Abouterf197543) [May 26, 2026](https://x.com/Abouterf197543/status/2059186825143455841?ref%5Fsrc=twsrc%5Etfw&ref=scenemag.co.uk) According to guidance from the **Equality and Human Rights Commission** (EHRC), sex-based provisions apply to single-sex spaces, while businesses may lawfully operate gender-neutral or unisex facilities where appropriate. Retailers offering individual cubicles open to all customers are not prohibited from doing so under the Equality Act. Following the video’s circulation, reports emerged online claiming the employee involved had been targeted on social media, with personal details shared publicly. These claims have not been independently verified. The incident comes amid ongoing public debate around gender identity, single-sex spaces and the interpretation of equality law, particularly following recent legal rulings clarifying the definition of “woman” in specific contexts under the Equality Act. M&S has previously said it aims to ensure all customers feel welcome and safe in its stores, and that staff are trained to manage difficult situations in line with company policy. ### Brighton Fetish Week straps in for September return and a bigger 2026 URL: https://www.scenemag.co.uk/brighton-fetish-week-straps-in-for-september-return-and-a-bigger-2026/ Last updated: 2026-05-28T11:03:24.000Z **Brighton Fetish Week** will return in 2026 from **Thursday, 9 September** to **Monday, 14 September**, bringing five days of fetish-focused events, community connection and fundraising to Brighton. Following the success of its 2024 debut, organisers are evolving the festival experience with a more focused programme, new entertainment offerings, and a renewed emphasis on inclusivity. 2024 also saw the return of **Subline**, which has become a sell-out success with bi-monthly events at **Nautilus Lounge**. The 2024 launch established Brighton Fetish Week as a visible and exciting addition to the city’s LGBTQ+ calendar, with major promotion across Brighton Pride. Organisers say the strong response from attendees and venues has helped shape plans for 2026. ![](https://www.scenemag.co.uk/content/images/2026/05/7.png) Festival Director **Ethan Rick** said: “We’re incredibly excited to bring Brighton Fetish Week back for 2026\. The feedback from our first year gave us a clear vision of what the community wants, and we’re building on that foundation to create something even more impactful. Brighton has always been a city that celebrates individuality, and we want this week to reflect that spirit.” The 2026 festival will feature a streamlined programme designed to improve accessibility and affordability for visitors, with plenty of free and pay what you can events. Organisers are also inviting a wider range of venues to participate, helping improve step-free access and reflect the diversity of the fetish community. ![](https://www.scenemag.co.uk/content/images/2026/05/11.png) The line-up will include club nights, socials, performances, games, and community-led events, with more fetish-specific programming planned across participating venues. Brighton Fetish Week also continues its partnership with **Terrence Higgins Trust**, raising funds throughout the festival through venue collections and key fundraising events. The charity works to end new HIV cases in the UK by 2030 while supporting people living with HIV through advocacy, education, and community programmes. Further event announcements, venue partners, and programme details will be released in the coming months. 💡 For updates and announcements, follow @BrightonFetishWeek ### Sir Ian McKellen to lead protest against anti-LGBTQ+ laws in Commonwealth countries URL: https://www.scenemag.co.uk/sir-ian-mckellen-to-lead-protest-against-anti-lgbtq-laws-in-commonwealth-countries/ Last updated: 2026-05-28T10:55:18.000Z Actor and activist Sir **Ian McKellen** is set to lead a protest in central London on **Saturday, 30 May** highlighting the criminalisation of LGBTQ+ people across much of the **Commonwealth**. The demonstration, organised by the **Peter Tatchell Foundation** and the **Out and Proud African LGBTI Network**, will draw attention to laws in 29 Commonwealth countries where same-sex relationships remain illegal. In six of those countries, LGBTQ+ people face life imprisonment, while three retain the death penalty. The protest, described by organisers as a “Commonwealth Walk of Shame”, will begin at noon outside the **Nigerian High Commission** on **Northumberland Avenue**. McKellen will formally launch the march before participants walk to the **High Commissions of Uganda**, **Papua New Guinea**, **Trinidad and Tobago**, **Ghana**, **Jamaica**, **Bangladesh** and **Sri Lanka**. Organisers say the protest aims to challenge what they describe as the Commonwealth’s long-standing failure to recognise LGBTQ+ human rights. They argue that many of the laws now used to prosecute LGBTQ+ people were introduced during British colonial rule and continue to be enforced decades later. “The Commonwealth is an association of nations that were formerly part of the British Empire,” organisers said. “Britain exported its homophobic laws to these countries, and many still retain and enforce them.” They added that Commonwealth leaders have repeatedly refused to address LGBTQ+ rights at biennial summits, despite pressure from activists. McKellen, who recently turned 87, has been a long‑standing supporter of LGBTQ+ rights and is expected to play a symbolic leadership role in the march. Organisers have said there will be a group photograph with the actor but no individual photo opportunities, so that the focus remains on the protest itself. The walk is expected to conclude at around **4pm**, with a short break in **Hyde Park** where refreshments will be provided by Out and Proud African LGBTI. Organisers said they hope the protest will amplify the voices of LGBTQ+ activists living under repressive laws and provide moral support to campaigners in countries including **Uganda**, **Nigeria**, **Sri Lanka** and **Jamaica**. The groups behind the demonstration are also encouraging donations to support their Commonwealth campaign, which includes funding an underground LGBTQ+ support centre in Uganda for young people facing family rejection, violence and police harassment. ### Brighton surf club launches LGBTQ+ inclusion sessions URL: https://www.scenemag.co.uk/brighton-surf-club-launches-lgbtq-inclusion-sessions/ Last updated: 2026-05-28T09:23:46.000Z **Brighton Surf Life Saving Club** (BSLSC) is running two LGBTQ+ inclusion sessions this summer as part of efforts to promote sea safety and make the club more accessible to the wider community. The sessions are designed to break down perceived barriers to joining the club, encourage participation from LGBTQ+ residents, and provide an opportunity to learn essential lifesaving skills in a relaxed and welcoming environment. All equipment will be provided, and the club says the sessions are intended to be enjoyable as well as informative. BSLSC trains beach lifeguards and lifesavers of all ages, and also offers opportunities to take part in lifesaving sport. While those qualifying as surf lifeguards undertake rigorous training, the club says many adult members choose to train at their own pace, valuing the camaraderie and practical skills involved in learning how to save lives. The club said it is keen to promote membership to everyone in Brighton & Hove and hopes the introductory sessions will help attract a broader and more diverse group of members. It has also invited questions and suggestions from the local LGBTQ+ community on how best to improve inclusion. The sessions will take place on the beach near **Sea Lanes** on Madeira Drive on **Saturday, 20 June** and **Saturday, 19 July**, both running from noon until **1.30pm.** Further information and free booking details are available via the club’s website at **Rainbow Beach – Brighton Surf Life Saving Club**, [using the contact form.](https://www.brightonslsc.org/rainbow-beach/?ref=scenemag.co.uk) ### Outdoor clothing company Patagonia sues eco drag queen Pattie Gonia over trademark dispute URL: https://www.scenemag.co.uk/outdoor-clothing-company-patagonia-sues-eco-drag-queen-pattie-gonia-over-trademark-dispute/ Last updated: 2026-05-28T09:16:46.000Z Outdoor clothing company **Patagonia** has filed a trademark infringement lawsuit against environmentalist drag queen known **Pattie Gonia**, prompting accusations that the brand is attempting to “erase an activist”. Pattie Gonia, real name **Wyn Wiley**, has built a large online following through environmental advocacy and fundraising, raising almost $4 million for non-profit organisations. Last year, they raised $1 million by hiking 100 miles in full drag from **Point Reyes National Seashore** to San Francisco. Patagonia filed the lawsuit on 21 January in a federal court in Los Angeles. The company is seeking nominal damages of $1, along with legal fees, after Wiley applied in September to trademark the name Pattie Gonia for the sale of clothing and the promotion of environmental activism. > [ View this post on Instagram ](https://www.instagram.com/p/DY2M4qmlL7M/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Pattie Gonia (@pattiegonia)](https://www.instagram.com/p/DY2M4qmlL7M/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Patagonia, whose name is derived from the geographical region spanning parts of Argentina and Chile, said the trademark application could “irreparably harm” its brand. “While we wish we didn’t have to do this – and actively engaged with Pattie for several years to avoid this – it has become necessary to protect the brand we have spent the last 50 years building,” the company said in a statement issued in January. “We want Pattie to have a long and successful career and make progress on issues that matter – but in a way that respects Patagonia’s intellectual property and ability to use our brand to sell products and advocate for the environment.” On Wednesday, Wiley responded publicly to the lawsuit for the first time, posting a video on Instagram and sharing a letter sent to Patagonia’s board of directors calling for the legal action to be dropped. “This is a betrayal of Patagonia’s core mission,” Wiley said. “If they’re ‘in business to save the home planet’, why are they suing a climate activist?” Wiley said that efforts had been made over several months to resolve the dispute without going to court, but claimed the lawsuit threatened not only the Pattie Gonia name but also the wider advocacy work and community built around it. Although Patagonia is seeking only $1 in damages, Wiley said the cost of defending the case would be far higher. “This is not a brand conflict,” Wiley said. “This is a corporation trying to erase an activist. This is how corporations bully individuals who cannot match their resources.” Wiley acknowledged that merchandise associated with Pattie Gonia had included “playful parody” of Patagonia, but denied using the company’s branding, logo or font. “Drag is built on parody, puns and jokes,” Wiley said. Patagonia’s social media accounts have since been flooded with comments from supporters of Pattie Gonia calling on the company to drop the lawsuit. In a statement, Patagonia said it had made repeated attempts to reach an agreement. “Over the past several years, we’ve tried to find a path forward that would allow Pattie Gonia to continue their work while also protecting the Patagonia trademark,” the company said. “This matter is not about seeking financial gain, nor is it about challenging anyone’s identity or right to advocacy, protest or creative expression. The last thing we wanted was a legal fight with someone who shares our values, but we must protect our business and employees.” In 2022, Patagonia’s founder, **Yvon Chouinard**, transferred ownership of the company to a specially structured trust and non-profit organisation designed to direct all profits towards environmental causes. “As of now, Earth is our only shareholder,” the company said at the time. ### Rome Pride bans Jewish LGBTQ+ groups from this year's parade URL: https://www.scenemag.co.uk/rome-pride-bans-jewish-lgbtq-groups-u/ Last updated: 2026-05-28T08:57:57.000Z **Rome Pride** has announced Jewish LGBTQ+ groups are banned from walking in year’s parade unless they publicly condemn Israel over the war in Gaza. The organisers announced that **Keshet Italia** and **Keshet Europe** would not be allowed to participate in the 20 June march with an official float, saying the groups had failed to “distance themselves” from what Rome Pride described as the “ongoing genocide in Gaza”. In a public statement, Rome Pride said participation in the parade “presupposes a clear and unequivocal stance condemning the genocide perpetrated by the Israeli government”. The decision sparked immediate backlash from Jewish organisations across Europe, with critics accusing Rome Pride of imposing political conditions on Jewish participants that are not applied to other minority groups. **Shannon Seban**, director of European affairs at the **Combat Antisemitism Movement**, described the move as “a blatant act of antisemitic discrimination”. “When Pride excludes Jews, it betrays the very principles upon which the movement was built,” Seban said. “No other minority community is routinely asked to publicly denounce its homeland, distance itself from fellow members of its people, or adopt approved political positions simply to participate in civic life. Yet increasingly, Jews are being treated as conditional participants in public spaces.” Seban added that Jewish LGBTQ people “should never be forced to choose between their sexual identity and their Jewish identity”, warning that parts of Europe were seeing “the normalisation of anti-Jewish exclusion under the banner of a fake and hypocritical social justice”. “The weaponisation of Pride spaces against Jews is unacceptable,” Seban said. “Antisemitism has no place in the LGBTQ movement.” Keshet Italia, the only Italian Jewish LGBTQ organisation, also criticised the decision, accusing parade organisers of failing to respond to alleged antisemitic incidents directed at Jewish participants during last year’s event. The controversy comes amid growing concern about rising antisemitism in Italy and across Europe since the outbreak of the Israel–Hamas war. Over the past year, monitoring groups have reported an increase in incidents targeting visibly Jewish individuals, Jewish institutions and pro-Israel organisations in several European countries. ### Anti‑LGBTQ+ bullying remains widespread in UK schools, data shows URL: https://www.scenemag.co.uk/anti-lgbtq-bullying-remains-widespread-in-uk-schools-data-shows/ Last updated: 2026-05-27T11:36:40.000Z Anti‑LGBTQ+ bullying remains widespread in UK schools and is increasing, according to a new **BBC** analysis of school exclusion data, prompting renewed calls for stronger support for young people. The research, based on **Department for Education** figures, shows that **13,065 pupils** were suspended or excluded between the 2020/21 and 2024/25 school years for bullying others because of sexual orientation or gender identity. The number of such exclusions rose by 25% over four years. LGBTQ+ youth charity **Just Like Us** said the figures were likely to understate the true scale of the problem, as suspensions and exclusions are used only in the most serious cases of bullying. Broadcaster **Annie Mac** said the findings were “genuinely shocking”, adding that anti‑LGBTQ+ bullying “happening right now, in our kids’ schools, is not okay”. Mac said the charity had been an important resource for parents trying to understand what young people are experiencing. Writer and comedian **Sandi Toksvig** also described the figures as “shocking”, saying that while LGBTQ+ people were often invisible when growing up decades ago, “today’s young people deserve so much better”. Just Like Us warned that bullying and unsupportive school or home environments can have long‑term consequences. In the short term, young people may experience poor mental health, lower confidence and reduced school attendance. In later life, the charity said, some LGBTQ+ people feel forced to hide their identity again, with around a quarter of LGBTQ+ young adults going back into the closet when entering the workplace. The charity works with schools across the UK to provide training, resources and youth programmes aimed at tackling homophobia, biphobia and transphobia. **Liz Soulby**, PSHE lead at **Charlton School**, said the charity’s work had helped staff explain why anti‑LGBTQ+ language is harmful and had led to “a real difference” in school culture. **Scout**, an LGBTQ+ young person supported by the charity, said growing up involved being bullied “for being different in every way imaginable”. Joining Just Like Us was described as life‑changing, providing understanding and community that had previously been missing. Just Like Us said the latest data underlined the need for continued investment in inclusive education and anti‑bullying programmes. “There is still work to do to ensure all young people feel safe, supported and able to thrive at school,” the charity said. ### Pride music night in Hertfordshire called off after repeated vandalism URL: https://www.scenemag.co.uk/pride-music-night-in-hertfordshire-called-off-after-repeated-vandalism/ Last updated: 2026-05-27T11:25:54.000Z Plans for a new Pride music night in **London Colney**, Hertfordshire have been abandoned after organisers said repeated acts of vandalism raised concerns about safety. The **Loud & Proud** event, due to be held at **Shirley’s Roadhouse** on **20 June**, was intended to be a small-scale celebration of LGBTQ+ pride, featuring tribute performances to pop stars including Christina Aguilera, Elton John and Britney Spears. However, organisers said promotional banners for the event were torn down twice outside the venue. Councillor **Liz Needham**, who helped organise the event, said the damage appeared to be targeted. Replacement banners were removed while signage for other events remained in place, she said, leaving organisers with little confidence the event could go ahead safely. “I genuinely thought we’d moved past this,” Needham said. “This was meant to be a welcoming, family-friendly celebration, but the actions of a few people have made that impossible.” In a statement shared online, organisers said the decision to cancel had been made reluctantly, citing the need to protect staff, performers and ticket-holders. They said the cost of additional security needed to mitigate the risk would have made the event financially unviable. Needham said the cancellation sent a worrying message to LGBTQ+ residents in the area. “It’s upsetting to think that an event celebrating people’s lives and identities can’t take place because of hostility,” she said, adding that many messages of support had been received since the announcement. The incident comes amid a number of recent reports of Pride-related vandalism elsewhere in the country. Despite the setback in London Colney, organisers confirmed that **Herts Pride** will still go ahead as planned at **Cassiobury Park** in **Watford** on **22 August**. ### Actor Thora Birch comes out as bisexual while attending 35th anniversary of iconic West Hollywood venue The Abbey URL: https://www.scenemag.co.uk/actor-thora-birch-comes-out-as-bisexual-while-attending-35th-anniversary-of-iconic-west-hollywood-venue-the-abbey/ Last updated: 2026-05-27T09:52:24.000Z Actor **Thora Birch** has publicly come out as bisexual, speaking about the importance of community, solidarity and LGBTQ+ spaces while attending the 35th anniversary celebrations of iconic West Hollywood venue **The Abbey**. The *Hocus Pocus* and *Ghost World* star, 44, made the comments during interviews at the landmark LGBTQ+ bar, where they reflected on growing up nearby and the influence the queer community has had on their life and sense of self. “As a hometown girl, I’m always here to show my support for the community, which shaped so much of who I am and my identity as well, being a bi person,” Birch said. The actor went on to urge people to seek out and stand by their communities during what they described as increasingly divisive times. “I don’t want to get too political, but find your community where you can, and stand with them, and stick with them, and share that love you have together and reach it towards others,” Birch said. “That’s the only way we’re going to get through all this madness - by embracing one another. We have to stop fighting.” Birch’s representative said the venue has long felt like a home for the actor, who grew up within walking distance of The Abbey, which has been a central part of West Hollywood’s LGBTQ+ scene since the early 1990s. The announcement has been warmly received by fans, many of whom grew up watching Birch in a string of influential films during the 1990s and early 2000s, including *Now and Then*, *American Beauty* and *Ghost World*. Birch rose to fame as a child actor and has since spoken candidly about the pressures of growing up in the public eye. Birch is married to film-maker and talent manager **Michael Benton Adler**, whom they wed in 2018\. Speaking publicly about their bisexuality years after marriage, Birch joins a growing number of public figures who have spoken openly about sexuality later in life, challenging assumptions about identity and relationships. During the same interviews, Birch also reflected on their long career and said they would be open to revisiting some of their most beloved screen roles. “I feel like so many fans wonder what happened to some of those characters,” Birch said, referencing roles including Dani in *Hocus Pocus* and Enid in *Ghost World*. “It would be intriguing to see what they’re up to now - but there’s also something nice about leaving them encapsulated.” ### RuPaul’s Drag Race icon and All Stars winner Trinity the Tuck announced for Bristol Pride 2026 URL: https://www.scenemag.co.uk/rupauls-drag-race-icon-and-all-stars-winner-trinity-the-tuck-announced-for-bristol-pride-2026/ Last updated: 2026-05-27T09:22:04.000Z *RuPaul’s Drag Race* icon and *All Stars* winner **Trinity the Tuck** has been announced for **Bristol Pride 2026**, appearing on the Cabaret Stage on **Pride Day, Saturday, 11 July**, organisers have confirmed. One of the most celebrated performers in *Drag Race* history, Trinity the Tuck rose to fame on season nine of *RuPaul’s Drag Race* before winning *All Stars 4* alongside **Monét X Change**. Known for polished glamour and sharp comedy, the drag superstar joins a headline line-up that already includes **Sister Sledge**, **Jason Donovan** and **Catrin Feelings**. Trinity the Tuck replaces previously announced performer **Myki Meeks**, who has withdrawn due to filming commitments following a recent *Drag Race* win. ![](https://www.scenemag.co.uk/content/images/2026/05/Aerial-Bristol-Pride-main-stage---Credit-Ollie-Ley.jpg) Bristol Pride main stage - Credit Ollie Ley The Cabaret Stage will also feature *RuPaul’s Drag Race UK* finalist **Catrin Feelings** and more than 30 drag and cabaret performers from Bristol and across the UK, alongside immersive performances from **Pom Pom’s Playhaus**. Beyond Pride Day, Bristol Pride’s **two-week festival**, running from **27 June to 12 July**, will host more than 45 events across the city, with further announcements still to come. Highlights include **Pride Circus Night** at Circomedia, the return of the **Bristol Pride Ceilidh** at Bristol Beacon, and a special 30th anniversary screening of cult film *The Birdcage* as part of the Queer Vision Film Festival. On Pride Day itself, celebrations at **The Downs** will feature multiple stages, including the Circus Tent, Dance Stage and dedicated Family, Youth and Community areas, alongside a Sensory Calm Space. The day begins with the Pride Parade through the city centre before continuing with live performances across the site. **Daryn Carter** MBE, Director of Bristol Pride, said the addition of Trinity the Tuck strengthened an already diverse programme. “This year’s line-up brings together international stars, drag icons and community-led events across the city,” Carter said. “Bristol Pride continues to be a space for celebration, visibility and joy.” Tickets start from **£18.50**, with concessions available to keep the festival accessible. Full programme details and tickets are available [HERE](https://bristolpride.co.uk/?ref=scenemag.co.uk) ### More gay and bisexual men donating blood after rule changes, new analysis shows URL: https://www.scenemag.co.uk/more-gay-and-bisexual-men-donating-blood-after-rule-changes-new-analysis-shows/ Last updated: 2026-05-27T08:47:49.000Z When **Thomas Yates** rolled up his sleeve to give blood for the first time in 2021, it marked the end of a long and emotional wait. The gymnastics coach from **Westhoughton** in **Greater Manchester** had wanted to donate since he was young, inspired by parents who were regular donors and by his grandfather, who relied on weekly blood transfusions during treatment for leukaemia. But for years, rules governing blood donation meant he was not eligible. “I went to donate in 2018 knowing I wasn’t able,” Thomas said. “Even though I was tested and had no infections, morally I couldn’t go through with it. I was left incredibly upset. I felt it was another way queer people are marginalised.” ![](https://www.scenemag.co.uk/content/images/2026/05/5816D593-263F-4455-A80A-A0ACA62E5462.JPG) Since the rules changed, Thomas has donated blood 16 times. His experience reflects a wider shift revealed by new analysis showing a large increase in the number of gay and bisexual men donating blood in England over the past decade. A survey carried out by the **For the Assessment of Individualised Risk** (FAIR) steering group found that 7.5% of male blood donors now report their sexual orientation as bisexual, gay, pansexual, queer, bicurious or sexually fluid. The survey included 8,744 male donors. That compares with a similar survey in 2014, when only 1.8% of male donors reported ever having had sex with men. While the two surveys used different methodologies, FAIR researchers believe the findings provide strong evidence that more gay and bisexual men are donating blood following changes to eligibility rules. ![](https://www.scenemag.co.uk/content/images/2026/05/_KLG3519-1.JPEG) ****Thomas Yates** In 2014, men were barred from donating blood if they had had sex of any kind with another man within the previous 12 months. That restriction was reduced to three months in 2017\. In 2021, the rules changed again, introducing an individualised risk-based assessment. Under the current guidelines, people of all genders cannot donate if they have had anal sex with a new or multiple partners in the last three months, based on evidence of risk rather than sexual orientation. The work underpinning the 2021 change was carried out by the FAIR steering group, which was established at the direction of the Government. The group reviewed scientific evidence and gathered new data to assess whether donor screening could be made more personalised without compromising safety. Its recommendations were accepted by the Government and introduced by **NHS Blood and Transplant** (NHSBT) in June 2021. **Su Brailsford**, Consultant in Epidemiology and Health Protection at NHSBT and chair of FAIR, said the data was encouraging. “FAIR gave us the evidence to move to a more individualised donor check,” they said. “Donation became more inclusive but safety remained the priority. The survey statistics indicate more gay and bisexual men are now donating, which is very encouraging to see.” NHSBT collects around 1.5 million blood, plasma and platelet donations each year and needs nearly 200,000 new donors annually to maintain supplies. **Katy Davison**, Principal Scientist in Epidemiology at the **UK Health Security Agency** and a member of FAIR, said blood safety had not been affected by the changes. ![](https://www.scenemag.co.uk/content/images/2026/05/DF850794-6050-4536-AC77-01559438FDC6-1.JPEG) Thomas Yates (R) with Ashton David Hall (L) “The annual NHSBT and UKHSA blood safety report shows no impact on blood safety since the more individualised assessment was introduced,” they said. For Thomas, the impact has been deeply personal. “I booked my first donation almost as soon as the rules changed,” he said. “I felt elated afterwards - proud, happy, overjoyed. Even speaking about it now, I’m getting a little teary.” Now engaged to **Ashton David Hall**, Thomas donates regularly at the **Plymouth Grove** donor centre in Manchester and encourages others to do the same. “It’s so easy to donate,” he said. “You’re literally saving someone’s life with one hour of your time. I’m pleased the surveys show more queer people are donating - I think it helps change perspectives.” [People can register to donate blood HERE](https://www.blood.co.uk/?ref=scenemag.co.uk) ### Australian drag superstar Courtney Act announced as star of Brighton Family Panto URL: https://www.scenemag.co.uk/australian-drag-superstar-courtney-act-announced-as-star-of-brighton-family-panto/ Last updated: 2026-05-27T08:30:26.000Z Celebrity Big Brother winner and Australian drag superstar **Courtney Act** is the exciting star of the **Brighton Family Panto**'s 10th Birthday show. Producer and Director **David Hill** says this is his biggest coup in ten years of bringing panto to the city each December. Courtney is coming from Australia to play the Genie of the Ring and her twin sister the Genie of the Lamp in Aladdin, running from **22-30 December** at **Doubletree** by **Hilton Brighton Metropole** on the seafront. She flew into Brighton on Tuesday for a costume fitting and panto photo shoot. David said: "This is fantastic news for Brighton - first, that we are celebrating ten years of panto in Brighton, and second that I have managed to secure Courtney, famous across the world and coming to Brighton this Christmas. It's amazing for the city." ![](https://www.scenemag.co.uk/content/images/2026/05/DSC_5692.JPG) Courtney Act (left) with David Hill Courtney says that Brighton has always held a special place in her heart. She said: "I've had little dalliances with Brighton over the years, but this Christmas I'm fully committing for a cozy winter romance. "There is nowhere more vibrant and full of life in the UK, and I cannot wait to bring a little magic to the stage as Genie in Aladdin. "I've got my winter coat and Uggs, Brighton, and I'm ready for a gorgeous panto season." It's been ten years since E3 Events started panto in Brighton with its original production of *Cinderella* at The Hilton. ![](https://www.scenemag.co.uk/content/images/2026/05/DSC_5715.JPG) Owner David said: "Over this period, we have worked so hard to deliver a bigger and better show each year, and Aladdin will be our most ambitious and spectacular production to date. "We are thrilled that Courtney is joining the cast, playing not one but two genies. You can expect thrills, plenty of spills and barrels of laughter and silliness. "It's a milestone year so we are pulling out all the stops." Just like Aladdin, tickets are flying and our Early Bird offer ends at midnight on the 1 June so grab them now! Go to [Aladdin 2026 - Brighton's GIANT Family Panto](https://www.brightonfamilypanto.com/?ref=scenemag.co.uk) ### Grindr's iconic ‘Bussy’ returns for Pride 2026 URL: https://www.scenemag.co.uk/grindrs-iconic-bussy-returns-for-pride-2026/ Last updated: 2026-05-26T11:30:01.000Z **Grindr** is set to roll out a series of Pride‑focused events across Europe in 2026, beginning with a major presence at London’s **Mighty Hoopla** festival before continuing to Pride celebrations in cities including **Brighton**, **London**, **Amsterdam** and **Madrid**. The dating app’s **“Grindr Rides Again”** European tour will run throughout Pride season, aiming to create in‑person spaces for LGBTQ+ people to connect, celebrate and take part in community‑led experiences beyond the app. The tour marks Grindr’s third year running globally and its second across Europe. Mighty Hoopla will host the opening stop of the tour, with festivalgoers invited to explore Grindr’s large‑scale activation, described as a real‑world version of its “Global Gayborhood”. Across the weekend, visitors can expect DJs, drag queen guest appearances, interactive games, merchandise and subscription giveaways. ![](https://www.scenemag.co.uk/content/images/2026/05/250531-GRINDR-RIDES-EUROPE-LONDON-2025-QUEERGARDEN_6758.jpg) A centrepiece of the activation will be the return of Grindr’s branded installation, alongside a professional photo booth offering high‑quality portraits designed for social sharing during Pride season. Organisers said the experience is intended to reflect the playful, celebratory spirit of Pride while offering a welcoming space for self‑expression. Following Mighty Hoopla, Grindr’s Pride programme will continue at events and celebrations in **London, Cannes, Amsterdam, Brighton** and **Madrid**, aligning with Pride festivals across Europe and expanding opportunities for queer visibility and connection throughout the summer. Mighty Hoopla, one of the UK’s most prominent pop and LGBTQ+‑friendly festivals, provides a high‑profile launchpad for the tour, which Grindr said is focused on supporting Pride events and celebrating LGBTQ+ culture across multiple cities. ### The Shape of Things Undone Audio monologue @ Brighton Fringe URL: https://www.scenemag.co.uk/the-shape-of-things-undone-audio-monologue-brighton-fringe/ Last updated: 2026-05-26T10:06:48.000Z There are moments in performance when the world outside ceases to exist, when whatever patch of pavement you happen to be standing on, whatever kitchen you are drifting through, becomes unexpectedly, the only room that matters. **Lita Doolan's** *The Shape of Things Undone* does exactly that. I listened walking along the seafront, wind in my ears, and within minutes I had forgotten the sea entirely. This 33-minute audio monologue is, on the surface, deceptively modest: one woman, one voice, one night shift. Christine; performed with extraordinary emotional intelligence by **Julie Broadbent,** is clearing a room at a care home being decommissioned. What unfolds is quiet, an accumulating weight of her narration, Doolan constructs a profound inquiry into what medicine risks discarding in its headlong rush toward the quantifiable: the mug someone always reaches for first, the particular way a person likes to be addressed, the knowledge, held only in a carer's body, of how someone is. What moved me most was the humanity Doolan locates in the act of witnessing. "My job wasn't to correct him," Christine reflects of her father. "It was to sit there like a paperweight and go, I see you, I'm here. You're still a person, even if you mislaid my name." For those of us who have loved someone whose memory has become a shifting thing, this lands with precision. For those of us in communities that have historically been erased, misnamed, or simply not seen it resonates somewhere even deeper. Broadbent's performance is a sustained act of restraint and revelation. She inhabits Christine's wry, exhausted, tenderly observational consciousness with such specificity that the character feels present, breathing in the same moment you are. The play is, as Doolan intended, site-responsive: you bring your own geography to it, your own light, your own associations. I found myself thinking about care in its broadest sense, who gives it, who receives it, who society decides is worth the resources, who gets classified as "high risk" and handed a piece of paper that makes their hands shake. There is nothing flashy here. No spectacle, no score demanding emotional cues. What there is instead is rigorous, beautiful writing operating at the intersection of the intimate and the systemic, asking, as Doolan herself puts it, "what progress needs to remember." Released during [**Dementia Action Week,**](https://www.alzheimers.org.uk/get-involved/dementia-action-week?ref=scenemag.co.uk) the timing is pointed without being didactic. The play does not lecture. It trusts you. Download it. Listen to it wherever you are. Let it make wherever you are feel important. [*Available free at brightonfringe.org*](https://www.brightonfringe.org/events/the-shape-of-things-undone/?ref=scenemag.co.uk) **The Shape of Things Undone** *Audio monologue | Brighton Fringe 2026 | Free on demand until 31 May* ![](https://www.scenemag.co.uk/content/images/2026/05/03-20-2026-095006-1310.jpg-1.webp) ### Worthing Pride 2026 to raise funds for trans charity, Not A Phase URL: https://www.scenemag.co.uk/worthing-pride-2026-to-raise-funds-for-trans-charity-not-a-phase/ Last updated: 2026-05-26T09:45:17.000Z **Worthing Pride** has unveiled its entertainment line‑up for 2026, with organisers confirming the two‑day festival will raise funds for charity partner **Not A Phase**, which supports trans and gender‑diverse people across the UK. The event will return to **Steyne Gardens** on **Worthing seafront** on **Saturday, 4** and **Sunday, 5 July**, featuring what organisers have described as the festival’s biggest programme to date. Sponsored by **Bennett Griffin Solicitors** and **British Airways**, the weekend will bring together live music, DJs, drag performers and community celebrations, with thousands of visitors expected from across Sussex and beyond. Saturday’s programme, running from **12 - 11pm**, will focus on pop and dance music, with headline appearances from **Una Healy** of The Saturdays, international DJ **Sammy**, and dance act **Phats & Small**. Performers will also include **Bones**, winner of *RuPaul’s Drag Race UK* series seven, alongside **Black Peppa**, **Sweet Female Attitude**, and dance troupes **Homoparody** and **Bolly Queer**. Additional acts announced include **Jaymi Hensley**, **Donna Marie as Lady Gaga** and **Absolute Britney**. ![](https://www.scenemag.co.uk/content/images/2026/05/DSC07259.jpg) Celebrations continue on **Sunday, 5 July**, from **12 - 9pm**, with a line‑up featuring club and dance favourites **Phats & Small**, **Love Inc.** and **Rozalla**, as well as queer club brands **BeefMince**, **UOK HUN?** and **Polyglamorous**. The bill also includes **Wildblood & Queenie**, **Alex Ryan**, **Lizzie Curious** and **Gary Scott**. Organisers said fundraising for **Not A Phase** will be central to the 2026 festival. The charity provides vital support, advocacy and resources for trans communities, with Pride organisers highlighting the importance of visibility and financial backing at a time of growing pressure on trans services. **Harrii**, community lead at Worthing Pride, said: “We’re incredibly proud of this year’s line‑up and what it represents for Worthing Pride. We wanted to create a weekend that celebrates queer joy, diversity, music and community in a way that is accessible, exciting and unforgettable. We are especially proud to be raising vital funds for Not A Phase and the work they do supporting our trans community.” ![](https://www.scenemag.co.uk/content/images/2026/05/A7409093.jpg) Worthing Pride has grown rapidly in recent years, becoming one of the South Coast’s largest LGBTQ+ events, combining headline entertainment with family‑friendly activities and local partnerships. Tickets for Worthing Pride 2026 are on sale now, with day tickets starting from **£10** and a low‑income support scheme available. More information is available [HERE ](https://worthingpride.com/?ref=scenemag.co.uk) ### Man arrested after Pride flags pulled down from Bristol youth venue URL: https://www.scenemag.co.uk/man-arrested-after-pride-flags-pulled-down-from-bristol-youth-venue/ Last updated: 2026-05-26T08:41:00.000Z Police have arrested a man following an incident in which Pride flags were allegedly pulled down from an after‑school club in **Bristol**, prompting a hate crime investigation. **Avon and Somerset Police** said officers were called to **Ashton Gate Road** on Friday evening after reports that a man had removed three Pride flags from a display and made homophobic remarks. The flags formed part of a broader collection of international and community flags outside the venue. The incident, which took place at around 7pm, was reported by multiple members of the public. Police confirmed they are treating the matter as a hate crime due to the language allegedly used during the incident. A suspect in their 30s was arrested in the Bedminster area on Monday on suspicion of theft and criminal damage. Officers later made additional arrests on suspicion of drugs and weapons offences after cocaine and other items were discovered during a search of an address, the force said. Police are appealing for anyone who witnessed the incident or has relevant information to come forward. The case comes amid continued concern about hate crime across Bristol and the wider Avon and Somerset area. Police data shows that offences motivated by hostility towards sexual orientation are recorded in significant numbers each year, with reports of transphobic hate crime also increasing in recent years. Bristol consistently records the highest volume of such offences within the force area. Community groups have warned that many incidents go unreported, particularly those involving verbal abuse or intimidation, and have urged victims to contact police. ### Beartooth frontperson Caleb Shomo comes out as gay URL: https://www.scenemag.co.uk/beartooth-frontperson-caleb-shomo-comes-out-as-gay/ Last updated: 2026-05-26T08:12:38.000Z Fans of US metalcore band **Beartooth** have rallied around frontperson **Caleb Shomo** after the musician publicly came out as gay, prompting an outpouring of support across social media. Shomo, who founded the Ohio-based band in 2012 and has been its sole constant member, shared the announcement with followers earlier this week. The post was met with thousands of messages from fans and fellow musicians, many of whom described the move as “brave” and thanked Shomo for being open within a genre not always associated with LGBTQ+ visibility. Beartooth, best known for songs including *In Between*, *The Lines* and *Might Love Myself*, has built a global following with music that often explores themes of mental health, self-doubt and personal struggle. Supporters said the revelation added further weight to lyrics that have long resonated with listeners dealing with their own identity and wellbeing. Comments beneath the post praised Shomo for helping to challenge stereotypes within heavy music, with fans noting that representation from high-profile artists can make a significant difference to younger listeners. Others said the announcement would encourage greater openness and acceptance within the rock and metal community. ![](https://www.scenemag.co.uk/content/images/2026/05/Beartooth_-_Rock_am_Ring_2019-2922.jpg) Beartooth Several musicians and industry figures also voiced their backing, highlighting the importance of visibility in alternative music scenes. While metal has historically been viewed as a conservative or macho space, recent years have seen a growing number of artists speaking openly about sexuality, mental health and vulnerability. Shomo has previously been candid about personal struggles, including battles with addiction and depression, themes that have been central to Beartooth’s songwriting across multiple albums. Fans said the latest announcement felt consistent with a long-standing commitment to honesty and self-reflection. Beartooth is currently active following the release of recent material and continues to tour internationally. ### Brighton & Hove Rainbow Run returns to Hove Park for fifth year as part of Pride weekend URL: https://www.scenemag.co.uk/brighton-hove-rainbow-run-returns-to-hove-park-for-fifth-year-as-part-of-pride-weekend/ Last updated: 2026-05-26T07:41:49.000Z **Brighton & Hove** will once again be awash with colour this summer as the **Brighton & Hove** **Rainbow Run** returns to **Hove Park** for its fifth year on **Friday, 31 July**. Now firmly established as part of the city’s summer running calendar and the Brighton & Hove Pride weekend, the **5K Rainbow Run** will begin at **7pm**, raising funds for local LGBTQ+ mental health charity **MindOut**. Organisers say this year’s event promises to be “bigger, better, louder and prouder” than ever. The run is organised by **Brighton & Hove Frontrunners**, the local LGBTQ running club, and is expected to welcome up to **500 runners**. Participants are encouraged to embrace the carnival spirit by donning colourful festival outfits, with prizes awarded for the best corporate and non‑corporate group entries. ![](https://www.scenemag.co.uk/content/images/2026/05/RBOWrunBTN1182.JPG) PIC BY LOUISE PATMORE First held in 2022, the Rainbow Run has grown steadily and is now a fully timed event registered with **England Athletics**. Awards will be presented to the top male, female and non‑binary runners, with full results published online after the race. The minimum age to take part is 14. All runners, joggers and walkers will receive a bespoke Rainbow Run medal and a goodie bag featuring gifts from local businesses. Entertainment will be provided throughout the evening, with DJs from **Gaydio** setting up in the park and local drag performers returning to host the event. This year’s chosen charity is **MindOut**, an LGBTQ mental health service run by and for lesbian, gay, bisexual, trans and queer people. MindOut provides peer‑led, inclusive and accessible support services and has been nominated as charity of the year by Brighton & Hove Frontrunners. ![](https://www.scenemag.co.uk/content/images/2026/05/RBOWrunBTN1037.JPG) PIC BY LOUISE PATMORE Entry costs **£19 per person**, or **£17** for England Athletics members, with a limited number of places available on the day if not sold out in advance. All proceeds will go directly to MindOut. Organisers are also appealing for volunteers and run makers to help on the day. Anyone interested is asked to email **info@brightonrainbowrun.co.uk**. Further information, including entry details and official merchandise, is available [HERE](https://brightonrainbowrun.co.uk/?ref=scenemag.co.uk) ### All Star Circus: Head First Spiegel Gardens, Fringe URL: https://www.scenemag.co.uk/all-star-circus-head-first-spiegel-gardens-fringe/ Last updated: 2026-05-24T22:00:00.000Z Brighton Fringe never has a shortage of circus on offer, *All Star Circus* from the multi-award-winning Head First Acrobats earns its place at the top of the pile for families looking for something genuinely exciting. The Spiegeltent is an experience. Its mirrored interior and circus-tent canopy carry an atmosphere that whispers of a long tradition of travelling performers, outsiders, and artists who have always made space for anyone. It is a place where belonging feels baked and *All Star Circus* deepens that feeling. The ensemble packs an range of disciplines into sixty minutes: backflips of vertiginous precision, one-arm handstands that drew audible gasps from the adults and screams of delight from the children, hypnotic hula hoops that seemed to defy the most basic negotiations between gravity and ambition, and performers spinning upside down on straps and trapeze with the casual confidence of people for whom the extraordinary is simply Tuesday. The sheer physical generosity of the cast is infectious. Comedy is the thread linking into every act. Fart jokes land with the precision of a trained acrobat (the five-year-old in our group very nearly lost their mind with joy), skateboard sequences draw grins, and hula hoop work that seems impossible is made to look effortless. The slapstick is timed with a craftsman's care, broad enough for the youngest in the room, layered enough for the adults who think they are merely supervising. I found myself laughing before I had entirely registered why. The host deserves particular praise. Warm, high-energy, they kept the audience on a knife-edge between anticipation and laughter throughout. But what stayed with me, and what I suspect will stay with the children who were present long after the sequins have faded from memory, was the sincerity with which they spoke directly to the young people in the audience. The message was simple and offered without condescension: these extraordinary things you are watching? They are available to you. Not as fantasy, but as possibility, through dedication, through training, through the hard and joyful work of practising something until it becomes beautiful. In a world that frequently tells young people what they cannot be, watching a performer look a child in the eye and say *you could do this* is quietly radical, and moving. Audience interaction is woven in with a light but confident touch, volunteers are treated with warmth and dignity, which tells you everything about the culture this company has built. There is a genuine joy in this show that feels inclusive in the deepest sense: not as a marketing gesture, but as a lived commitment to making everyone in the room feel seen and welcome. Families of every configuration, from every walk of life, will find something here brings out the grins. The combination of comedy and thrilling physical performance is, ultimately, this show's greatest achievement. Neither element overwhelms the other; they breathe together, giving the audience a moment to release tension through laughter before the next act pulls the floor from under them again. It is masterfully calibrated entertainment, old-fashioned in the best possible sense, which is to say timeless, these Folx know what they're doing. The five-year-old has not stopped talking about it since. That is, I suspect, the most honest review any circus show will ever receive. All Star Circus is a joyful, generous, and genuinely thrilling choice for fringe families. **All Star Circus** runs until May 31st, every day 11:30am. More info or to book tickets at[ Brighton Fringe.](https://www.brightonfringe.org/events/all-star-circus/?ref=scenemag.co.uk) ![](https://www.scenemag.co.uk/content/images/2026/05/BRIGHTONFRINGE-LOGO-2026-PURPLE-website-5.png) ### The Saturday Scene: The EHRC code of practice, the Amnesty report, and a decade of bathroom politics URL: https://www.scenemag.co.uk/the-saturday-scene-4/ Last updated: 2026-05-24T11:40:45.000Z _This post is for subscribers only._ ### SADOMUSICAL @ The Actors Theatre URL: https://www.scenemag.co.uk/sadomusical-the-actors-theatre/ Last updated: 2026-05-24T08:56:58.000Z Let's get one thing straight, although in Brighton, very little is. *Sadomusical* is the kind of show that grabs you, ties you down, and absolutely refuses to let you leave without a grin stapled to your face. From [**Similar River**](https://www.instagram.com/asimilarriver/?ref=scenemag.co.uk) part of the award-winning team behind *CSI: Crime Scene Improvisation*,[**Lee Apsey** ](https://www.instagram.com/leeapsey/?ref=scenemag.co.uk)and [**Jayda Fogel** ](https://www.instagram.com/jaydashda/?ref=scenemag.co.uk)arrive at The Actors Theatre armed with electric shock prods, mousetraps, bamboo canes, elastic bands, and reckless creative ambition that ought to come with a safe word. The premise is simple, deranged, and, once you've submitted to it, completely irresistible. Two virtuoso musical improvisers take turns inflicting genuinely real punishment on each other while the other attempts to remain funny, melodically coherent, and artistically alive. They alternate between torturer and artist with the practiced ease of people who have clearly given this dynamic a great deal of thought, and possibly a great deal of practice. The suffering is not simulated. The songs that emerge from it, remarkably, are funny. ![](https://www.scenemag.co.uk/content/images/2026/05/1000243635-1.jpg) ****Lee Apsey** and ****Jayda Fogel** Photo E Page Pain, it turns out, is merely the raw material, what *Sadomusical* manufactures, in quantities that catch you entirely off guard, is joy. This is a show that beats you about the head with its own generosity, dunks you in its warmth, and zaps you repeatedly with something that feels like euphoria. If that's wrong. none of us want to be right. Apsey and Fogel are a gloriously well-matched pair, complementary, combative, and clearly bound together by something deeper than mere professional respect. Their improvisational chemistry has the quality of a relationship that has been thoroughly road-tested: elastic enough to stretch to snapping point, yet always springing back into shape. They are, in the very best sense, each other's willing victims. Supporting them throughout with understated brilliance are their musicians, a keyboard player of quietly devastating precision, and a trumpet and percussion player, together forming a musical backbone that holds its shape even as everything around it is being electrocuted. ![](https://www.scenemag.co.uk/content/images/2026/05/1000243632-1.jpg) ****Lee Apsey** and ****Jayda Fogel** photo E Page The songs themselves are the show's most impressive pleasure. Forged under conditions that would break most performers, mid-shock, mid-wince, mid-bamboo-caning, they are genuinely good. Funny, sharp, occasionally tender. Brighton queer culture has always known how to make something luminous inside constriction, how to find the pleasure folded inside the pain. *Sadomusical* lives it, loudly and joyfully, for sixty magnificent minutes. Audience participation delivers its own exquisite torments. The room, gasping, cackling, wincing in collective sympathy, joining in with the abandon of people who came for a Saturday night fringe show is itself part of the instrument. One hapless straight couple, had their nascent romance reconstructed live on stage before them. Invited to contribute by enthusiastically whacking pool noodles on the performers, they wilted under the pressure. Bless them. Apsey and Fogel, to their immense credit, extracted comedy from the ruins with the practised ease of people who have absolutely been in tighter spots, and have the marks to prove it. There is something about *Sadomusical* that feels, at its irreverent, anarchic heart, deeply queer. Not in its content, the kink is gestured at rather than belaboured, but in its sensibility: the radical generosity of making yourself genuinely vulnerable in front of strangers, the refusal to separate pleasure from difficulty, the insistence that the most honest art is made not in spite of pain but sometimes, gloriously, because of it. Take someone you adore. Prepare to be bound, beaten and thoroughly delighted. [*Sadomusical till May 24th @ The Actors Theatre, Brighton Fringe. Age 18+. Tickets from £7\.* ](https://www.brightonfringe.org/events/sadomusical/?ref=scenemag.co.uk) *Content warnings: audience interaction, strong language, loud noises, and a distressing number of mousetraps.* ### “This is exactly why Pride still matters”: York Pride organisers vow event will go ahead after homophobic letter URL: https://www.scenemag.co.uk/this-is-exactly-why-pride-still-matters-york-pride-organisers-vow-event-will-go-ahead-after-abusive-letter/ Last updated: 2026-05-22T10:41:47.000Z Organisers behind this year’s **York Pride** say the event will continue as planned despite receiving an offensive letter from a local resident objecting to the celebrations. **Greg Stephenson**, York Pride’s chair and managing director, said the correspondence was sent in response to notices delivered to households near the **Knavesmire** warning of temporary road closures and increased activity during the festival weekend. The letter contained anti-LGBTQ+ remarks and abusive language, according to Mr Stephenson, who described the contents as deeply upsetting. He said the matter would be passed to **North Yorkshire Police**. Speaking ahead of the event on **Saturday, 30 May**, Mr Stephenson said the incident underlined why Pride celebrations remain important. “People still question whether Pride is needed,” he said. “This shows exactly why it still matters.” Mr Stephenson, who has helped organise Pride events for more than 12 years, said it was the first time he had received such a hostile response from a resident. ![](https://www.scenemag.co.uk/content/images/2026/05/488188338_1184795970316719_8257264456272406114_n.jpg) York Pride Among the comments included in the letter were claims that LGBTQ+ people were “not normal” and references to how “people like you” were once arrested. It also warned that “not all residents support this”, alongside several expletives. While condemning the message, Mr Stephenson said attitudes had improved significantly in recent years and stressed that those views were not representative of the wider community. Thousands are expected to attend York Pride, which will feature live music across three stages, a family-friendly area and a funfair on the Knavesmire. Last year’s parade drew large crowds through the city centre, travelling from Parliament Square to the festival site. ### Trans people face exclusion from single-sex spaces, including toilets, under new EHRC guidance URL: https://www.scenemag.co.uk/trans-people-face-exclusion-from-single-sex-spaces-including-toilets-under-new-ehrc-guidance/ Last updated: 2026-05-22T08:20:45.000Z Single-sex toilets and changing rooms across England, Wales and Scotland must exclude transgender people under new draft guidance issued by the equalities watchdog, prompting alarm from trans rights groups who warn it could drive many people out of public life. The updated code of practice from the **Equality and Human Rights Commission** follows the UK supreme court’s 2025 ruling that “sex” in the Equality Act refers to biological sex. The guidance states that if organisations allow trans people to use facilities matching their gender identity, those spaces can no longer be classed as single-sex and may face legal challenge. However, the draft code also says employers, businesses and public bodies should consider practical alternatives, including gender-neutral toilets and private facilities, to ensure trans people are not left without safe access to services. The 340-page document covers a wide range of services, including healthcare, hospitality, leisure centres and community organisations. In healthcare settings, where mixed-sex wards are unavailable, trans patients must generally be placed according to their biological sex. Yet the code also states that excluding a trans man from gynaecology or obstetrics outpatient care because of objections from other patients would not be proportionate. The guidance suggests some organisations may still be able to remain trans inclusive by widening eligibility criteria. Clubs and associations, for example, could define membership around multiple protected characteristics rather than sex alone. > “The newly published EHRC Code of Practice leaves trans people in the UK today with less rights than they had prior to last year’s Supreme Court ruling." The government’s own equality impact assessment accompanying the draft acknowledges the changes are likely to have a “negative” impact on transgender people. It argues that impact could be reduced through “third-space” provision such as gender-neutral toilets or self-contained facilities. **Mary-Ann Stephenson**, chair of the EHRC, said the supreme court judgment was clear that separate male and female toilets must be organised on the basis of biological sex. She called for a broader conversation about how public services can meet different needs, including through more flexible accommodation and facilities. Trans groups said the proposals would intensify fear and uncertainty. **TransActual** said: “The newly published EHRC Code of Practice leaves trans people in the UK today with less rights than they had prior to last year’s Supreme Court ruling. "Not only does this new guidance fail to protect the rights and dignity of transgender people, but appears to have weakened protections for the LGBTQ+ community as a whole. Rather than engage with our community with respect, the Government has instead withheld publishing its new Code of Practice until as late as possible. "TransActual will continue to fight for equal access to public life for all trans people, and will publish our full thoughts on the new Code once we have had the time to properly scrutinise it – something that the Government seems keen to avoid." Businesses and disability rights campaigners have also raised concerns about how the rules will work in practice. The guidance includes examples of shopping centres installing fully enclosed gender-neutral toilets and advises organisations using accessible toilets for trans users to monitor any impact on disabled people. The code states that questioning people using toilets or changing rooms about their sex is unlikely to be appropriate in most situations. However, it says intervention may be justified if concerns are raised about a person’s appearance or behaviour by other users. The draft code was laid before parliament on Thursday by equalities minister **Bridget Phillipson**. MPs have 40 days to review the document before ministers decide whether to bring it into force across England, Scotland and Wales. ### Brighton & Hove welcomes new mayor at annual council URL: https://www.scenemag.co.uk/brighton-hove-welcomes-new-mayor-at-annual-council/ Last updated: 2026-05-21T16:39:08.000Z Councillor Theresa Fowler was today appointed Mayor of Brighton & Hove at the Annual Meeting of the Council, held at Brighton Town Hall on 21 May 2026. A Labour councillor first elected in 2019 to represent Hollingdean and Stanmer, and re-elected in 2023 for the newly formed Hollingdean and Fiveways ward, Fowler takes over from Councillor Amanda Grimshaw, whom she served alongside as deputy mayor. Born in Hong Kong to a British Army family, Fowler grew up in Hollingdean and attended local schools before returning to the area to raise her family and, in 2010, open Fiveways Arts and Crafts. She joined the Labour Party in 2015 and has focused her council work on housing, road safety, environmental protection, and support for children and young families. She is perhaps best known for her successful campaign to ban sky lanterns and balloon releases on public land, now embedded in the council's Public Space Protection Orders. During her mayoral year, Councillor Fowler will support two charities: *Forward Facing*, a Sussex-based charity supporting families affected by childhood cancer, life-limiting conditions and bereavement; and *Whoopsadaisy*, a Brighton charity helping children with cerebral palsy and other motor disorders through Conductive Education and Occupational Therapy. Cllr Fowler will attend LGBTQ+ community events during her mayoral year. ### Memorial to Mark Ashton, co-founder of Lesbians and Gays Support the Miners, delayed by council URL: https://www.scenemag.co.uk/memorial-to-mark-ashton-co-founder-of-lesbians-and-gays-support-the-miners-delayed-by-council/ Last updated: 2026-05-21T11:20:21.000Z Plans to honour LGBTQ+ and trade union activist **Mark Ashton** have been delayed by **Causeway Coast and Glens Borough Council**, sparking criticism from councillors and concerns over possible political pressure behind the decision. Born in **Portrush**, Northern Ireland, Ashton became one of the leading figures linking gay rights activism with the labour movement during the 1984-85 miners’ strike. After moving to London in the late 1970s, he helped found the **Lesbians and Gays Support the Miners** (LGSM) campaign, which raised money for striking mining families while challenging homophobia within wider society. He died from an AIDS-related illness in 1987, aged 26. Councillors had been expected to approve a commemorative plaque for **Portrush Town Hall** at Tuesday’s **Leisure and Development Committee** meeting. Instead, members were told at the start of proceedings that the proposal had been removed from the agenda and deferred until June. The move prompted frustration across parties, with several councillors saying they had received no advance warning or explanation. **Sinn Féin** councillor **Cara McShane** criticised the handling of the issue, warning the council risked setting “a dangerous precedent” if agreed proposals could be delayed because of unspecified outside pressure. Efforts to commemorate Ashton have been ongoing for years. In 2021, councillors backed a motion recognising his contribution to LGBTQ+ equality and workers’ rights, while a public petition supporting a memorial attracted almost 29,000 signatures. ![](https://www.scenemag.co.uk/content/images/2026/05/Mark_Ashton_1985.jpg) Mark Ashton 1985 The council’s **Memorial Advisory Group** later considered proposals for both a plaque at Portrush Town Hall and a mural with a small memorial garden at Antrim Gardens. **Pat Mulvenna**, the council’s director of leisure and development, said chief executive **David Jackson** had received “additional information” following the latest Advisory Group meeting and recommended postponing the decision while it was reviewed. Councillors were told the material could not yet be shared with committee members. Alliance councillor **Peter McCully** and SDLP councillor **Ashleen Schenning** also expressed disappointment at the delay, while DUP councillor **Darryl Wilson** said members were “left guessing” about whether the issue related to legal concerns or external objections. Ashton’s legacy later reached an international audience through the acclaimed 2014 film *Pride*, which chronicled the alliance between LGBTQ+ activists and striking miners during one of the most divisive periods in modern British history. ### First openly gay couple become Lord Mayor and Consort of Leeds URL: https://www.scenemag.co.uk/first-openly-gay-couple-become-lord-mayor-and-consort-of-leeds/ Last updated: 2026-05-21T10:47:06.000Z Councillor **Stephen Holroyd** and his consort, **Simon Mapals**, yesterday became the first openly gay couple to hold the office of **Lord Mayor** and **Lord Mayor’s Consort of Leeds**. Councillor Holroyd was confirmed as the 132nd Lord Mayor of Leeds yesterday following **Leeds City Council**’s annual general meeting, replacing Councillor **Dan Cohen** in the role. Councillor Holroyd will be joined throughout his mayoral year by his partner, Simon Mapals, who will serve as the Lord Mayor’s consort. Born and raised in Wakefield before moving to Leeds in 2014, Councillor Holroyd developed a strong sense of community that continues to guide his public service. Before he was elected to the council in 2023 for the **Ardsley and Robin Hood** ward, most of Councillor Holroyd’s career was spent in the hospitality sector, where he built extensive experience in customer service, leadership, and community engagement. He later moved into the financial sector, supporting people from Leeds and beyond. Alongside his council duties, Councillor Holroyd serves as a governor at Thorpe Primary School, supporting the education and wellbeing of local children. A committed fundraiser, he has taken on several charitable challenges, including completing the **Yorkshire Three Peaks** in support of **Macmillan**. ![](https://www.scenemag.co.uk/content/images/2026/05/f58f5c34553240e2918ed6ef23937515.jpeg) **The Lord Mayor of Leeds, Councillor Stephen Holroyd, with the Lord Mayor's Consort, Simon Mapals. (Picture: Leeds City Council)* Simon Mapals, the Lord Mayor’s Consort, was born and brought up in Leeds and has worked in the hospitality industry since the age of thirteen. Today, he manages one of the most established and well-recognised LGBTQ+ venues in the city. As is traditional for a new Lord Mayor of Leeds, Councillor Holroyd has nominated two charities to fundraise for during his term of office, selecting **MESMAC** and **St Gemma’s Hospice**. MESMAC has stood as the backbone of the LGBTQ+ community for over 35 years. More than just a sexual health service, MESMAC is a safe space for marginalised communities, built on the principle of by us, for us. From HIV support and rapid testing to mental health advocacy and social groups, they meet you where you are, without judgment, without barriers, without exception. The Lord Mayor of Leeds, Councillor **Stephen Holroyd**, said: “I’m honoured to become the 132nd Lord Mayor of Leeds, especially as we continue to celebrate the 400th anniversary of the Royal charter creating our city throughout 2026. “Leeds is an incredibly diverse city, and I’m looking forward to getting out into our communities and meeting as many people as possible, making new friends and drawing people together through celebrating our differences while embracing what binds us together as a city. ![](https://www.scenemag.co.uk/content/images/2026/05/c39a0ff810e44fa9a4d083545e888be1.jpeg) **The Lord Mayor of Leeds, Councillor Stephen Holroyd, with the Lord Mayor's Consort, Simon Mapals (Picture: Leeds City Council)* “I’m equally honoured to be representing two incredible Leeds charities in MESMAC and St Gemma’s Hospice, who I hope to be able to raise much-needed funds to support their important work.” The new Lord Mayor’s Consort, **Simon Mapals**, said: “I’m very honoured to become the Lord Mayor’s Consort and to support Stephen in his mayoral duties throughout the coming year. “I really look forward to meeting the incredible and diverse communities of our city and making new friends along the way.” ### Trans women banned from competing in women's category at University of Oxford URL: https://www.scenemag.co.uk/trans-women-banned-from-competing-in-womens-category-at-university-of-oxford/ Last updated: 2026-05-21T09:13:09.000Z Trans women have been barred from competing in the women’s category at **University of Oxford** rowing clubs following a policy change aligned with **British Rowing** regulations. Under the updated rules, trans women are no longer eligible to race in female rowing categories. However, British Rowing states that trans and non-binary athletes may still compete in an “open” category. Previously, trans women were permitted to participate in women’s events provided their testosterone levels remained below a specified threshold for a sustained period. Oxford colleges with affiliated boat clubs have been instructed to update their Rules of Racing in line with the governing body’s requirements, with the university overseeing the process. A spokesperson for the university said: “The University of Oxford remains committed to being an inclusive institution where everyone is treated with dignity, respect and consideration. “In competitive sport, university sports clubs and committees are required to follow the eligibility criteria and policies set by the relevant national governing bodies. The university has engaged with students throughout this process and will continue to support clubs in meeting their obligations under the law and sporting regulations.” The changes have prompted concern and disappointment among some students and rowing clubs, who argue the move undermines efforts to create inclusive sporting spaces for transgender athletes. **Somerville Boat Club** said the policy shift “threatens our long-standing values of inclusivity and friendship”, while the president of the university’s LGBTQ+ society said they were “personally investigating the matter”. **Wadham College Boat Club** also criticised the decision, saying it was “deeply saddened” that transgender women were being excluded from women’s competition. The debate follows similar developments at University of Cambridge, where trans rowers were also reportedly barred from women’s events last year. ### Scottish Parliament removes option to search for MSPs by gender following election of first trans MSPs URL: https://www.scenemag.co.uk/scottish-parliament-removes-option-to-search-for-msps-by-gender-following-election-of-first-trans-msps/ Last updated: 2026-05-21T09:07:15.000Z The **Scottish Parliament** has removed the option to search for MSPs by gender on its website following the election of its first trans MSPs. The change comes after the election of Scottish Greens MSPs **Iris Duane** and **Q Manivannan**, marking a milestone for trans representation in Scottish politics. It is understood parliamentary officials had initially added a non-binary category alongside male and female to accommodate Manivannan. Questions were later raised over how Duane should be categorised within the existing system, leading Holyrood to remove the gender filter altogether while a wider review is carried out. ![](https://www.scenemag.co.uk/content/images/2026/05/Official_portrait_of_Iris_Duane_MSP_-cropped--1.jpg) ****Iris Duane** The Scottish Parliament said the online search tool was part of a “legacy system” and that its removal forms part of an ongoing Inclusive Parliament Review examining how members’ information is published. Trans rights advocates have long argued that official systems built around rigid gender categories can exclude or misrepresent trans and non-binary people, particularly as public institutions seek to become more inclusive. A spokesperson for the Scottish Parliament said: “As part of the Inclusive Parliament Review, our systems and processes are currently under review. “The online filter function on our website is a legacy system and we have taken steps to remove it. “The review will also consider what personal information on members we need to publish and in what format.” ### 7-7-7: Colin Rayner @ The Actors URL: https://www.scenemag.co.uk/7-7-7-colin-rayner-the-actors/ Last updated: 2026-05-21T09:06:23.000Z Brighton Fringe shows sometimes shake something loose. [**Colin Rayner's** ](https://www.instagram.com/colin%5Frayner/?ref=scenemag.co.uk)solo work arrives trailing smoke, strobe light, bloodshed and some genuinely uncomfortable questions about guilt, agency and whether any of us ever had a say in who we became. It's also, unexpectedly, something closer to contemporary dance than the theatre listing might lead you to anticipate. The piece positions itself as part confessional autobiography, part philosophical séance, but the body is doing as much philosophical work here as the words. Rayner narrates, yes, but the narration feels like a libretto for the movement, a frame around the real event happening in his physicality. The movement vocabulary is rooted in contemporary dance: fluid contractions folding the torso inward as though the weight of existence is becoming literally unbearable, followed by releases that send energy cascading outward. Rayner has a visceral relationship with the floor; surrendering to gravity in heavy, deliberate drops, only to rebound upward with explosive, defiant verticality. That push and pull between collapse and flight mirrors the work's central obsession: the *soul* dragged down into another unwanted life, flung upward again into the cycle. And these are not gentle lives. Violence and bloodshed run throughout *7-7-7* as recurring, unflinching motifs, depicted with enough explicitness to make clear that Rayner is not interested in sanitising the human experience he's cataloguing. The accumulation of brutal imagery is the point: each assigned incarnation carries its share of suffering, inflicted and received, and the body registers all of it. The content warnings on the listing, violence, sexual abuse, self-harm, are not precautionary; they are accurate. The structure is deliberate and accumulative; lives stacked upon lives, each cycle accelerating, the floorwork growing more desperate, the rebounds less graceful and more like something escaping. This isn't reincarnation as spiritual liberation; it's reincarnation as imposition. Someone, or something, is doing the allocating. Rayner's vision suggests a universe of directed cruelty, lives dispensed by an indifferent, unknowable force. Think less karma, more Cthulhu: a vast ancient intelligence glimpsed through a crack in the wall, offering no explanation, no mercy, just eyes. Always eyes. ![](https://www.scenemag.co.uk/content/images/2026/05/02-11-2026-122117-9626.jpg) Photo credit Colin Rayner It's a genuinely unsettling image, and a shame the work doesn't cast its net wider. The depictions skew heavily toward heterosexual experience, the big questions here, did you choose your desires, your family, your capacity for harm? land with particular charge for queer audiences who have had those very questions weaponised against them. Rayner doesn't go there, and the work is narrower for it. This didn't feel like comedy, not even in the bleakest most Beckettian sense. There was little laughter in the room. The intensity of the performance is unquestionable; Rayner commits fully to wherever he finds himself on stage, and that commitment is never in doubt. If you're hoping for genuine ritual performance, be warned: the portal here is primarily chemical, which keeps the work at arm's length from the deeper traditions it reaches toward. The dancing, though, that is the ritual. That is where *7-7-7* is genuinely alive. The Actors Theatre is always cosy, a perfect fringe space, and that intimacy places you close enough to feel the performance shift register around you. Ambitious, flawed, physically fearless and not easily forgotten. ***7-7-7 continues at the Grania Dean Studio 23rd, 24th and 25th May (Lantern Theatre @ ACT). Tickets £11 / £8 concession.*** ***More info or to book see the*** [***Fringe website.*** ](https://www.brightonfringe.org/events/7-7-7/?ref=scenemag.co.uk) ![](https://www.scenemag.co.uk/content/images/2026/05/BRIGHTONFRINGE-LOGO-2026-PURPLE-website-4.png) ### Barney Frank, one of the first openly gay members of Congress, has died aged 86 URL: https://www.scenemag.co.uk/barney-frank-one-of-the-first-openly-gay-members-of-congress-has-died-aged-86/ Last updated: 2026-05-21T08:55:08.000Z Former US congressman **Barney Frank**, a pioneering Democrat who became one of the first openly gay members of Congress, has died aged 86. Frank, who represented southern Massachusetts in the **House of Representatives** for more than three decades, had been receiving hospice care at his home in Maine since April. A leading figure in the **Democratic Party**, Frank was widely recognised for his advocacy of LGBTQ+ rights and for helping to reshape US financial regulation following the 2008 financial crisis. He made history as the first member of Congress to enter into a same-sex marriage while in office and was a prominent supporter of ending the US military’s “don’t ask, don’t tell” policy, which barred gay and lesbian personnel from serving openly. Frank also campaigned for legislation to ban workplace discrimination against LGBTQ+ employees. “He was, above all else, a wonderful brother. I was lucky to be his sister,” his sister, **Doris Breay**, told NBC Boston. **Jim Segel**, Frank’s former campaign manager, told Axios: “He notified everybody that he was in hospice, so it was just a matter of time. He was certainly at peace with himself.” He added: “He certainly left a mark, and he was a leader on civil rights, on gay rights, on leading other marginalised communities, and then he helped the country get through the 2008 financial crisis, which was the most significant recession, depression, almost since 1930.” Frank served in Congress from 1981 until 2013 and became one of the principal architects of the **Dodd-Frank Act**, the landmark banking reform introduced after the global financial crash. The legislation, named after Frank and Democratic Senator **Chris Dodd**, created new regulatory bodies and imposed tighter oversight on banks in response to the subprime mortgage crisis that helped trigger the recession. Former House Speaker **Nancy Pelosi** paid tribute to Frank on X, describing him as “an exceptional legislator, whose name is synonymous with the strongest consumer financial protections in history and whose advocacy helped forge a fairer future for all of our children”. Even during hospice care, Frank continued to comment publicly on politics and his life’s work. Earlier this month, he told CNN presenter **Jake Tapper**: “I’m filled with disgust at the current state, but optimism that it’s going to get better.” ### Sharp rise in anti-LGBTQ+ violence reported across Israel URL: https://www.scenemag.co.uk/sharp-rise-in-anti-lgbtq-violence-reported-across-israel/ Last updated: 2026-05-20T15:10:33.000Z **Israel**’s LGBTQ+ community is facing an increasingly hostile climate marked by rising violence, organised attacks and widespread online abuse, according to a new report released by **The Aguda - The Association for LGBTQ+ Equality in Israel**. The annual study, compiled by the **Nir Katz Centre** **for Violence, Discrimination and Homophobia Reporting**, warns that members of the community are experiencing a growing sense of insecurity, with campaigners pointing to a surge in physical assaults and intimidation over the past year. Particular concern has centred on a series of premeditated attacks allegedly carried out through dating applications. Researchers said offenders created fake profiles on LGBTQ+ platforms to lure victims into meetings before ambushing them in groups, often with weapons. More than 20 serious incidents linked to dating apps were recorded between late 2024 and the end of 2025, according to the report. Many victims required hospital treatment after being beaten in what campaigners described as hate-fuelled assaults targeting gay men. The report documented 322 direct complaints of homophobic incidents during 2025, alongside a further 110 legal enquiries. It also highlighted a sharp rise in abuse online, including thousands of hostile comments and more than 1,300 pieces of homophobic content identified across social media. Violence in public places has become increasingly common, researchers found. Around half of all incidents reported in public spaces involved physical attacks, a substantial increase on the previous year. There was also a notable rise in cases involving threats, blackmail and intimidation, suggesting what the report described as a broader escalation in anti-LGBTQ+ hostility. Transgender people were disproportionately affected, accounting for more than half of all reports received by the centre this year. Alongside the annual figures, a separate nationwide survey conducted by the **Israeli Institute for Gender and LGBTQ Studies** found homophobia remains deeply embedded across many areas of daily life in Israel. More than nine in 10 respondents said they had experienced homophobia to some extent, while large numbers reported abuse in schools, public spaces, on social media and in dealings with state institutions. Nearly half of participants said they regularly encountered severe or persistent forms of homophobia - a significant increase compared with previous research. Campaigners also warned that growing numbers of LGBTQ+ people are reluctant to report incidents to police, amid fears they will not be taken seriously or adequately protected. **Nimrod Gorenstein**, chairman of The Aguda - The Association for LGBTQ+ Equality in Israel, said the findings reflected a wider deterioration in public discourse and personal safety. He said the experiences documented in the report showed many LGBTQ+ Israelis were being subjected to discrimination, harassment and violence simply because of their identity, adding that the organisation remained committed to challenging what it described as the “dehumanisation” of the community. ### DENTATA @ The Actors Theatre, Brighton Fringe. URL: https://www.scenemag.co.uk/dentata-the-actors-theatre-brighton-fringe/ Last updated: 2026-05-20T13:34:11.000Z There is a particular kind of performance that you carry home inside your ribcage, not quite digested, not quite gone, lodged somewhere between your funny bone and solar plexus. **Julia VanderVeen's** *DENTATA* is that kind of show. Wildly funny, genuinely strange, and pointed as a witch's hatpin, it is the most beguiling, bewildering, and outright *odd* thing I've seen at this year's Brighton Fringe. So far. But I'd wager that caveat won't be tested. Let's begin with reclamation, because that is where VanderVeen anchors her show. The witch. The monster. The body itself, the anatomy that polite society has spent centuries either worshipping, legislating, fearing, or laughing away. In *DENTATA*, all of that accumulated dread and dismissal gets turned inside out through the darkly gleeful French theatrical tradition of Bouffon: a form rooted in grotesque mockery, in the power of the outsider who scoffs back at the powerful. For those unfamiliar, imagine clown stripped of its innocence and given a philosophy degree and a grudge, transgressive, carnivalesque, and feral in the most intoxicating way. VanderVeen doesn't so much perform Bouffon as *unleash* it. This is not theatre that sits politely in its seat. ![](https://www.scenemag.co.uk/content/images/2026/05/DENTATA_155.jpg) Photo Credit @ Izidor Peterson Her cast of reclaimed archetypes is magnificent. Linked together with the host character - Betsy - a sweet needy blonde North Carolina wanna-be beauty pageant winner lost in a loveless marriage. A teenage Medusa, awkward, misunderstood, just hoping someone will ask her to prom, lands with both comic perfection and genuine pathos. The Three Weird Sisters of *Macbeth* get a long-overdue reappraisal, conjured through extraordinary physical discipline and something approaching ritual, feral energy coiling beneath every syllable. A bonkers reworking of Odysses and the Sirens, and at the pinnacle of it all, a giant, operatic vagina puppet. Yes. You read that correctly. Theatrically audacious and somehow as completely *right* as that sentence sounds. The puppetry, designed by Eva Lansberry turns simple materials into startling imagery. There were moments of pure WTF wonder that had the audience suspended between laughter and awe, not entirely sure which way to fall. ![](https://www.scenemag.co.uk/content/images/2026/05/DENTATA_193.jpg) Photo Credit @ Izidor Peterson This is a show that knows exactly how to hold a room, which makes it all the more impressive that it also knows how to unsettle one. [VanderVeen's ](https://www.juliavanderveen.com/?ref=scenemag.co.uk)connection with her audience is exceptional: warm without being cloying, feral without tipping into alienation. Hypnotic trembling rage with a wink. There's a looseness to her stage presence, a quality of something that hasn't been entirely tamed and isn't pretending to be. And when the props, bless them, decided to pursue their own agenda mid-performance, her improvisational instincts kicked in with such deftness that it was hard to tell where the chaos was planned and where she was simply, brilliantly, flying. The answer, I suspect, is: both. For queer audiences in particular, *DENTATA* speaks in a register we know deeply, the reclamation of bodies and identities that have been pathologised, mythologised, made monstrous by those who feared them. Medusa doesn't need your sympathy; she needs her own story back. The Weird Sisters aren't cautionary figures; they're a coven. The anatomy that gives the show its name has been weaponised against women and queer bodies alike for centuries; VanderVeen plants her flag in it and sings. There is something profoundly political in refusing to be domesticated, in insisting that the feral self, the excessive self, the self that takes up too much room and makes too much noise, is not a problem to be managed but a force to be celebrated. In a political moment where women's bodily autonomy is being dismantled with alarming legislative efficiency, and where queer existence is once again being framed as threatening and dangerous, *DENTATA* feels like a war cry dressed in a clown's costume. ![](https://www.scenemag.co.uk/content/images/2026/05/DENTATA_244.jpg) Photo Credit @ Izidor Peterson The production is leanly constructed, [VanderVeen,](https://www.instagram.com/julesvandie/?ref=scenemag.co.uk) an award-winning performer who made her name in New York and now works from Amsterdam, brings a decade of accumulated rigour and wildness to a show that feels both deeply personal and fiercely universal. [*DENTATA* ](https://en.wikipedia.org/wiki/Vagina%5Fdentata?ref=scenemag.co.uk)is daft in the most beguiling sense of the word, disturbing in the ways that linger, and frequently so funny it shortcircuits your better judgement entirely. This is real laugh out loud funny. It is feral in the way that the best fringe theatre always is, uncontained, alive, and unbothered by your discomfort. Exactly the kind of ferocious, strange, necessary work that Brighton was made for and adores. ***DENTATA: Tonight, May20th @*** ***The Actors Theatre, 4 Prince's Street. Tickets from £10 at brightonfringe.org. Age 18+. Contains strong language, nudity, audience interaction, and strobe lighting.*** ***More info or to book see the*** [***Fringe Website here:*** ](https://www.brightonfringe.org/events/dentata/?ref=scenemag.co.uk) ### West Midlands Ambulance Service pulls out of Birmingham Pride citing "political impartiality" concerns URL: https://www.scenemag.co.uk/west-midlands-ambulance-service-pulls-out-of-birmingham-pride-citing-political-impartiality-concerns/ Last updated: 2026-05-20T12:01:41.000Z **West Midlands Ambulance Service** (WMAS) has withdrawn from **Birmingham Pride** this weekend after receiving legal advice that taking part could breach rules on "political impartiality". In a statement issued by its executive board, the trust said the decision had not been taken lightly but warned that participation by a public body could create a “reasonable perception” of support for specific political views, which could conflict with the protected beliefs of others. The move follows a decision by Birmingham Pride organisers last year to bar some political parties from the event after a Supreme Court ruling that the legal definition of a woman is based on biological sex. Birmingham Pride has described itself as an ongoing protest until full equality for LGBTQ+ people is achieved. A WMAS staff member, who asked not to be named, said the decision had left some colleagues feeling “isolated and unsupported”, adding that participation in Pride had been seen by many as a commitment to inclusion rather than a political act. A WMAS spokesperson said the trust had to balance support for staff and communities with its legal obligations as a public body, despite guidance from the **Association of Ambulance Chief Executives** suggesting ambulance services could continue to take part in Pride events. WMAS said it remained supportive of LGBTQ+ staff and would keep the decision under review. ### Govia Thameslink Railway confirms enhanced rail services for Brighton Pride 2026 URL: https://www.scenemag.co.uk/govia-thameslink-railway-confirms-enhanced-rail-services-for-brighton-pride-2026/ Last updated: 2026-05-20T10:28:53.000Z **Govia Thameslink Railway** (GTR) has confirmed it will operate an enhanced train service for **Brighton Pride 2026**, supporting one of the UK’s largest and most established Pride events as it returns on **Saturday, 1** and **Sunday, 2 August**. The operator, which runs **Southern, Thameslink** and **Gatwick Express** services in and out of Brighton, says the strengthened timetable is designed to provide additional capacity and support the safe movement of large crowds expected to travel to the city over the Pride weekend. The enhanced offering will include longer trains on key routes, boosting capacity on services to and from **London Bridge** and **London Victoria**, as well as on **coastal routes in and out of Brighton** on Saturday 1 August. GTR will also run extra services at the busiest times of the day, helping passengers travel safely and efficiently during peak demand. Brighton Pride is celebrating its 35th year in 2026 and is expected to attract visitors from across the UK. This year’s event will see **Raye** headline on Saturday, 1 August, followed by **Diana Ross** on Sunday, 2 August, alongside the annual Pride Parade through the city and a mix of free and ticketed entertainment. ![GTR Staff celebrating Pride](https://www.railtechnologymagazine.com/sites/rtm/files/inline-images/peteralvey.com_2025-08-02-92.jpg) GTR With demand for rail travel expected to be significantly higher than normal, GTR is urging customers to begin planning their journeys early. Passengers are advised to use the **Journey Planner** tools available across the **Southern, Thameslink** and **Gatwick Express** websites, with more detailed travel advice to be published closer to the event. **Jenny Saunders**, Customer Services Director at GTR, said: “We’re excited to be working with event organisers and other local partners for the 35th anniversary of Brighton Pride. We will have plenty of services running throughout the day on Saturday, 1 August to help people get to and from the event, but would advise leaving plenty of time to get there as some of our services will be much busier than usual. "As per previous years, we’ll have a queueing system in place at Brighton station to manage crowds and ensure people leaving the city can do so safely. We look forward to welcoming people on board!” **Paul Kemp**, Managing Director Brighton Pride, added: “We welcome the news that GTR will again be providing additional train services over the Pride weekend. We work closely with GTR to meet our shared aim for people coming to our city to have an enjoyable visit. "We continue to be grateful to the whole GTR team for planning the best possible services over the anticipated busy Pride weekend this summer. Train services into our city are essential for tourism all year round. And Pride brings people into the city who often stay and return, helping shape, support and celebrate our diverse LGBTQ+ communities for the good of all.” ### Andy Burnham pro trans comments surface ahead of Makerfield by-election URL: https://www.scenemag.co.uk/andy-burnham-pro-trans-comments-surface-ahead-of-makerfield-by-election/ Last updated: 2026-05-20T10:44:18.000Z A video of **Andy Burnham** supporting a more inclusive approach towards trans women using female toilets has surfaced ahead of the Makerfield by-election. The footage shows the Greater Manchester Mayor arguing that debates around trans rights should be approached with “sensitivity and respect” rather than hostility. In the recording, Burnham said: “Clearly there is a group of people who feel toilets should be a safe space only for women,” while also indicating trans women should not automatically be excluded from women’s facilities. The Labour leadership hopeful, who is hoping to win the Makerfield by-election, said in 2019 that trans people should not have to get a sign-off from two doctors before changing gender. He said the rules led to the “marginalisation of trans and non-binary communities”. Burnham previously criticised government guidance stating that biological men should be barred from women’s toilets, describing it as “confusing” for trans people. Opponents, including **Reform UK** activists, have attempted to seize on the remarks as part of a broader culture war debate around gender identity and single-sex spaces. But Burnham supporters say the controversy is out of step with what most voters care about. One Labour source close to the campaign said: “Andy’s priority is rebuilding communities, improving transport and raising living standards. He believes people should be treated with dignity and respect, not turned into political punchbags.” The dispute comes amid continuing fallout from last year’s Supreme Court ruling clarifying that the **Equality Act** definition of “sex” refers to biological sex, a decision that intensified national arguments over access to toilets, changing rooms and other single-sex spaces. LGBTQ+ campaigners have criticised what they see as the politicisation of transgender people during election campaigns, warning that debates around toilets are often used to inflame tensions rather than address practical realities. One equality campaigner said: “Trans people are a small and often vulnerable minority. Most people simply want everyone to be treated fairly and safely.” Burnham has not publicly repudiated the comments in the leaked footage and allies insist his broader political focus remains on economic reform rather than divisive social issues. The Makerfield contest was triggered after Labour MP **Josh Simons** stepped aside to allow Burnham a path back to Westminster, fuelling speculation about a future leadership role. ### Man who led conversion therapy ministry arrested in child sex investigation URL: https://www.scenemag.co.uk/man-who-led-conversion-therapy-ministry-arrested-in-child-sex-investigation/ Last updated: 2026-05-20T09:30:26.000Z A former head of a US Christian organisation known for promoting conversion therapy has been arrested in Florida amid allegations that the individual attempted to engage a teenage boy in sexual activity through social media. **Alan Chambers**, 54, was detained during a traffic stop following a four‑month undercover investigation by the **Orange County Sheriff’s Office**. Detectives said an officer posed online as a 14‑year‑old boy and communicated for several months with an account they believe was operated by Chambers. Chambers previously served as president of **Exodus International** \- a controversial ministry that advocated counselling aimed at changing sexual orientation. ![](https://www.scenemag.co.uk/content/images/2026/05/6a0cf6ae773a1.image.jpg) Authorities said Chambers faces multiple charges, including solicitation of a minor, sending harmful material to a child and the unlawful use of a two‑way communication device. Investigators allege the online account sent sexually explicit images and repeatedly expressed a desire to meet and have sex with someone believed to be under the age of 16\. Chambers was arrested on 18 May after detectives concluded their enquiries. Chambers led Exodus International from 2001 until the organisation closed in 2013\. The ministry was widely criticised for promoting so‑called conversion therapy. Chambers has authored several books on the subject, including *My Exodus: From Fear to Grace*. In previous media interviews, Chambers defended the organisation’s work, stating it offered alternatives for people seeking to leave homosexuality. Detectives said they are investigating whether additional minors may have been involved. ### DARLING — Pivot Point Circus Spiegeltent at the SpiegelGardens, Brighton Fringe URL: https://www.scenemag.co.uk/darling-pivot-point-circus-spiegeltent-at-the-spiegelgardens-brighton-fringe/ Last updated: 2026-05-20T09:08:34.000Z There is something irresistible about a Regency ball descending into the Spiegeltent. The mirrored walls, the warm amber light, the faint whiff of sawdust and sequins, the venue does half the work before a single performer has taken to the air. And when [**Pivot Point Circus** ](https://pivotpointcircus.com/?ref=scenemag.co.uk)arrive, they make good use of what that room offers. [*Darling* ](https://www.instagram.com/pivot.point.circus/?ref=scenemag.co.uk)wears its *Bridgerton* influences openly, and why not; the 'ton is currently very much in fashion. A colourful court assembles beneath a watchful queen (**Xélia Froidevaux** ) love is sought, status is performed, and propriety, as it always must, begins to crack at the seams. It is a premise brimming with queer potential: what, after all, is the history of high society if not a long elaborate performance of compulsory heterosexuality, with desire routed underground and expressed in glances, in touch, in the body's own insistent language? Circus, of all art forms, is perfectly placed to excavate that tension. ![](https://www.scenemag.co.uk/content/images/2026/05/untitled-7117-1.webp) Photo Credit: ****Pivot Point Circus** Where *Darling* is most triumphant is precisely there, in the body. This is an almost entirely female ensemble of recent graduates from the National Centre for Circus Arts, and their physical intelligence is the evening's true text. The hula hoop (**Ellie Beale)** is a genuine highlight: a cheeky, brilliantly conceived riff on Regency propriety and the hoops women were quite literally required to wear. A duo on the Lyra makes the hoop becomes something else entirely, a tool of subversion, of pleasure, of athletic authority. ![](https://www.scenemag.co.uk/content/images/2026/05/20260519_194405-1.jpg) Photo E Page The chain work, delivered by **Amelia Laughlin** in a stunning pink costume was muscular power and precision, bringing a completely different register, less decorative, more forceful, the silk-and-lace aesthetic suddenly giving way to something rawer and more insistent. It's a wonderful tonal shift, and the audience, who are warm and engaged throughout, respond accordingly. The aerial silks and lyra work from **Emma Moon** across the evening are consistently accomplished with plenty of wow factor, some seriously impressive flying strap work from **Willow Hippley** drawing gasps from the audience, but each act finding its own personality within the shared visual language of the production. ![](https://www.scenemag.co.uk/content/images/2026/05/11-24-2025-010056-1939.jpg) Photo Credit: ****Pivot Point Circus** **Tomas Elian Briones Rojas,** the sole male performer, brings a sweet foppish charm as the company's romantic foil, a softly drawn Latin lover and gentle fool, but he's got the dance moves and flips. The same-sex coding that runs through the ensemble dynamics, meanwhile, is legible enough, the intimacy between the women, the rivalry that tips into something warmer, but it remains, perhaps frustratingly for a Brighton Fringe audience primed for it, mostly unengaged with by the performers themselves. They play it straight, in every sense. For a show whose entire dramatic architecture is built on concealed desires and the performance of social expectation, a little more conscious queering of that subtext would not go amiss. **Chrys Shipley's** swagger before their rope work may have leant into that, but the vigorous twists and falls soon, rightly, overpower that narrative. ![](https://www.scenemag.co.uk/content/images/2026/05/untitled-4400-1.webp) Photo Credit: ****Pivot Point Circus** The production is self-directed, which speaks to the collective's ambition and confidence, and much of it lands beautifully. The rousing classical music choices give the acts room to breathe and resist the temptation to chase easy pop-culture shorthand, the regency costumes adding some geometric texture and rococo glamour to the acrobatics. The Spiegeltent's own vintage glamour layers over everything like a second costume. If there is a structural note to offer, it is that the narrative connective tissue occasionally struggles to hold the room between acts. Head mic's would lift the dynamic, allowing character and comedy to land with the same force as the acrobatics. ![](https://www.scenemag.co.uk/content/images/2026/05/untitled-3786-1.webp) Photo Credit: ****Pivot Point Circus** But these are refinements, not objections. *Darling* is the work of a young company with style, genuine physical virtuosity, and distinctive voice. The eyes, ultimately, always return to the performers, and that is exactly where they should be. ***Darling plays the Spiegeltent at the SpiegelGardens on 19 and 20 May. Tickets from £10.*** ***More info or to book via the*** [***Fringe website:*** ](https://www.brightonfringe.org/events/darling/?ref=scenemag.co.uk) ### “I Didn’t Want to Be Here”: Drag performer left terrified after image appeared on “paedophile hunter” sites URL: https://www.scenemag.co.uk/i-didnt-want-to-be-here-drag-performer-left-terrified-after-image-appeared-on-paedophile-hunter-sites/ Last updated: 2026-05-19T14:58:43.000Z A drag performer has spoken publicly for the first time about the personal toll of a row over a children’s library event, revealing he feared for his safety after his photograph was circulated on websites linked to vigilante “paedophile hunter” groups. **Marcus Hunter-Neill**, who goes by stage persona **Lady Portia Di’Monte**, said the backlash following a protest outside a storytelling session left him traumatised and struggling to cope. The controversy escalated after **TalkTV** aired footage from the demonstration and repeated allegations which the broadcaster has since accepted were baseless. The channel later issued an apology, withdrew the claims and agreed to pay substantial damages. [TalkTV pays ‘substantial damages’ to drag artist after children’s storytime rowTalkTV has apologised and agreed to pay “substantial damages” to a Northern Ireland drag performer following a defamation claim linked to a row over a children’s storytime event. The case centres on Belfast-based actor Matthew Cavan, who performs as drag artist Cherrie Ontop. He had been taking part in![](https://www.scenemag.co.uk/content/images/icon/S-Logo-19.png)Scene MagazineGraham Robson![](https://www.scenemag.co.uk/content/images/thumbnail/cherrie-ontop-main.jpg)](https://www.scenemag.co.uk/talktv-pays-substantial-damages-to-drag-artist-after-childrens-storytime-row/) Speaking to **BBC News NI**, Hunter-Neill described the experience as emotionally overwhelming. “At one stage, I genuinely didn’t want to be here any more,” he said. “It became unbearable.” The event at the centre of the dispute formed part of the **Eastside Arts Festiva**l in east Belfast in August 2025\. The session, which included British Sign Language interpretation, featured two drag performers reading stories and interacting with children at **Holywood Arches Library**. Police escorted the performers from the building after demonstrators gathered outside, and videos from the protest quickly spread online. Organisers have since decided not to hold the event this year because of concerns about security. Hunter-Neill said he was stunned by the reaction, particularly as similar sessions had been held for a decade without incident. Rather than avoid the protesters, he approached some of them to hear their concerns directly. ![](https://www.scenemag.co.uk/content/images/2026/05/93470393_1754658808165473_r.jpeg) ****Lady Portia Di’Monte** “I wanted to know what they believed was happening inside,” he explained. “People only change their views through conversation.” He said many demonstrators appeared convinced something harmful was taking place, despite the event itself being relatively ordinary. “We played games, read stories and taught a few basic phrases in sign language. That was the extent of it.” The aftermath, however, left him shaken. He recalled the surreal experience of leaving the venue in a police vehicle after arriving there earlier on foot, greeting local shopkeepers along the way. “One minute I’m walking through my own neighbourhood as normal, and the next I’m sitting in the back of a police car unable to think straight,” he said. “I couldn’t even remember my address.” The ordeal unfolded while Hunter-Neill’s family was already facing a major personal crisis. His father Billy had recently been diagnosed with terminal cancer and was beginning chemotherapy treatment as the controversy intensified. Hunter-Neill said the stress became all-consuming. “I was trying to support my dad and keep things together for my family, while at the same time being frightened to leave my own house.” His father, a former prison officer who worked at the Maze Prison during the Troubles, died in December. Hunter-Neill said one of their final meaningful conversations centred on the fallout from the library event. “That’s what we ended up talking about near the end of his life, which is heartbreaking when I think about it now.” ### Influencer Ankush Bahuguna reveals he was subjected to homophobic abuse while walking through London in a bright pink suit URL: https://www.scenemag.co.uk/influencer-ankush-bahuguna-reveals-he-was-subjected-to-homophobic-abuse-while-walking-through-london-in-a-bright-pink-suit/ Last updated: 2026-05-19T11:42:00.000Z Indian influencer **Ankush Bahuguna** has revealed he was subjected to homophobic abuse while walking through London in a bright pink suit during a recent visit to the city. Bahuguna, who is widely known for challenging stereotypes around men wearing make-up, shared a video on Instagram documenting the incident. The footage showed a group of suited men mocking him in the street, shouting comments including, “Welcome to the parade”, alongside whistles, laughter and jeering. The creator had travelled to London to attend an event hosted by **Huda Beauty** and had dressed in a tailored hot pink suit to match the occasion’s theme. However, he later said the hostile reaction from strangers quickly overshadowed the experience. > [ View this post on Instagram ](https://www.instagram.com/reel/DYcf4eOh7Aq/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Ankush Bahuguna (@ankushbahuguna)](https://www.instagram.com/reel/DYcf4eOh7Aq/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) In the now-viral clip, Bahuguna admitted he had expected the British capital to be “more progressive, more open-minded, more modern”, before adding: “Clearly not.” He also revealed that the confrontation shown online was not an isolated moment. “This wasn’t even the first incident that morning,” he explained, saying he had faced repeated remarks and stares while moving around the city. While many women complimented his outfit, he claimed groups of men reacted very differently. “Some were hooting, some were laughing, some were passing comments,” he said, adding that even younger boys appeared to join in. Addressing why he chose not to respond directly to the abuse, Bahuguna said the atmosphere felt threatening. “There were too many of them,” he explained. “I was alone, in a different country, and honestly, I just wanted to make sure I stayed safe.” The video triggered a wave of support from fellow creators and actors across social media. Content creator **Kusha Kapila** suggested the abuse reflected narrow ideas of masculinity, writing: “Most of these men have probably never allowed themselves the freedom to wear what they truly want.” Author and educator **Seema Anand** described the behaviour as “horrid”, while actor **Kubbra Sait** said the influencer’s discomfort was impossible to miss. “You could actually see the fear in your eyes,” she commented online. ![](https://www.scenemag.co.uk/content/images/2026/05/703055706_18591415540012404_5614331226574331748_n.jpg) Instagram Support also came from actors **Swara Bhasker** and **Shibani Dandekar Akhtar**, both of whom praised Bahuguna for continuing to express himself confidently despite the experience. The incident has since fuelled wider conversations online about harassment in public spaces and the pressure many men face to conform to traditional expectations of masculinity. Reflecting on the episode, Bahuguna concluded with a pointed message aimed at his critics: “If someone simply existing and dressing differently makes you uncomfortable, maybe the problem isn’t with them.” ### REVIEW: The Mysterious Gaze of the Flamingo (2025) URL: https://www.scenemag.co.uk/review-the-mysterious-gaze-of-the-flamingo-2025/ Last updated: 2026-05-19T10:52:07.000Z Hello cinema lovers. Director **Diego Céspedes**'s ***The Mysterious Gaze*** ***of the Flamingo*** is one of the most tender yet defiant queer films in years, and it arrives on UK screens with quite a lot of awards buzz. It was both nominated and awarded at the **2025 Cannes Film Festival**. It stands alongside trans cinema classics like *Tangerine* as a strong debut feature by a talented director with a bright future. ![](https://storage.ghost.io/c/76/17/761769e0-ca22-447c-8c57-2282b5e9b29b/content/images/2026/05/TMGOTF_1.jpg) image provided Set in the northern Chilean desert in 1982, the film follows Lidia (**Tamara Cortés**), a 12-year-old girl living with her found family: a close-knit community of trans women who run a cantina at the edge of a mining town. An unnamed illness has begun to spread, one that the townspeople call the Plague. The locals are convinced it passes through the gaze of those who fall in love with the cantina residents. To combat this, the townsmen hide their faces when the women are around. These women face not only sickness but organised hatred. The Plague is clearly a vehicle for the AIDS crisis. Céspedes shows this plight with respectful care, mixing a dusty magic with real-life tragedy. ![](https://storage.ghost.io/c/76/17/761769e0-ca22-447c-8c57-2282b5e9b29b/content/images/2026/05/TMGOTF_2.jpg) image provided Cortés, in her screen debut, plays Lidia with a grounded air that anchors the film's more flighty scenes. She never overplays her grief or her situation. This is a remarkable achievement in a film that asks this young actor to carry a huge emotional weight. Flamingo (**Matías Catalán**), the beautiful woman at the centre of the movie's story arc, is portrayed with warmth and ferocity. Boa (**Paula Dinamarca**) is the mother of the cantina community. She bristles with authority, but she's also warm and incredibly sincere. ![](https://storage.ghost.io/c/76/17/761769e0-ca22-447c-8c57-2282b5e9b29b/content/images/2026/05/TMGOTF_3.jpg) image provided The movie's direction is assured and confident. The cinematography is stunning, with intense light, desert colours, and faded furniture. There is a particular scene early on during a cabaret performance that descends into violence. that kind of tension that is hard to achieve. think Latin American vibes crossed with *Pose*. The music feels like a spaghetti-western soundtrack at times. The very best movies refuse to sanitise their politics, and that comes across in this queer drama. The trans women here are vulnerable and funny but also scared and fierce, sometimes all in the same scene. Their community is shown with the kind of strength and resolve that so many films about LGBTQ+ groups miss out. Céspedes is clearly writing from a close understanding of these people's lives. However, his direction never turns these characters into victims. ![](https://storage.ghost.io/c/76/17/761769e0-ca22-447c-8c57-2282b5e9b29b/content/images/2026/05/TMGOTF_4.jpg) image provided The film handles desire really well. Flamingos' love affair with Yovani is shown as passionate but tragic. Yovani is a man so terrified of his own sexuality that he becomes violent. The film does not excuse this; it simply shows it. Scenes where Flamingo and Yovani first meet are infused with a magical energy. The electricity between the two characters is literally shown on screen. However, there are pacing issues in the final third act as the movie rushes to its conclusion, which leaves some resolutions vague. There is definitely a question mark about whether Lidia's story arc is real or imagined; it practically veers into *Kill Bill* territory. These are the film's most interesting scenes, but also its oddest. Depending on your tastes, you may go for it or not. At a moment when trans lives are used to score political points across the world, this movie is timely and important. The lived experience of trans women as mothers, lovers, fighters, and sisters is shown here. All told with a great tenderness that earns this film its reputation in today's queer cinema. If you loved the movies of **Pedro Almodóvar**, you will appreciate this movie. Well worth watching. ***The Mysterious Gaze of the Flamingo*** is available on MUBI. ### La Monocle: raising funds to open South London's first Lesbian and FLINTA bar URL: https://www.scenemag.co.uk/la-monocle-raising-funds-to-open-south-londons-first-lesbian-and-flinta-bar/ Last updated: 2026-05-19T09:49:53.000Z Despite some deeming London the LGBTQ+ capital of Europe, only two dedicated Lesbian and FLINTA bars exist in the city: the long-enduring **She Bar** in Soho and the more recently opened **La Camionera** in Dalston. South of the river, the community has been making do with pop-up events, and the need for a more permanent space is evident. [**La Monocle**](https://www.instagram.com/lamonocle/?ref=scenemag.co.uk)has been running pop-up bar, film screening, and speed dating events across South London since late 2024 and are now raising funds to open a permanent venue. I sat down for a chat with founder **Zoe Murphy**, who runs La Monocle with her partner Aimee. ## "Look at us all here, we need a bar!" An art graduate living in Camberwell, Zoe explained how she had been looking for a lesbian bar thinking it would be a fun place to work, and had been shocked that there were none. Down a rabbit hole about historical signalling fashion, she had come across *Le Monocle,* a luxurious lesbian bar that had been open in 1920s Paris, and the idea for La Monocle was born. La Monocle’s early events were heavily inspired by the 1920s Parisian bar. Zoe and her team used archive images from the bar in their early posters, and their first event was 1920s-dress themed. However, they have dropped this influence now. “I was having a walk around the venue; there was a mass majority of femme-presenting people and not many mascs, and I thought, ‘Would I go to an event that was 1920s-dress themed? Absolutely not, there's nothing in my wardrobe that would suit that'… the more rules you put on something, the more exclusionary something can become accidentally.” What La Monocle has morphed to become is a relentless effort to create a space for South London’s lesbian and FLINTA community that serves everyone. In this way it diverges from the 1920s bar: "\[*Le Monocle*\] was a beautiful bar, but there were so many problems with it. It was essentially a white-only bar; it was classist and inaccessible for normal queer people, and that's not something I want to communicate in this at all, the opposite.” In the year and a bit since, their events have included pop-ups in venues including **Peckham Pelican** and **Little Louis**, film club screenings at the beautiful **Cinema Museum**, and they partner with [King Cupid](https://www.instagram.com/kingcupidevents/?ref=scenemag.co.uk) to run speed dating events. Their first event saw 350 people turn up in the first two hours, and they had to begin turning people away. “Now pretty much every single event will sell out at least a week before." ![](https://www.scenemag.co.uk/content/images/2026/05/IMG_3390.jpg) Emily Henman @emwithcamera This weekend they will be opening their **three-nights-a-week pop-up bar** at **South London Louis,** and they are [now taking reservations](https://app.tableo.com/widget/south-london-louie-united-kingdom?bgColor=%23000000&textColor=%23ffffff&googleFont=Lato&fontSize=16.2&cornerStyle=rounded&textAlignment=center&formControlBgColor=%23000000&formControlColor=%23ffffff&formControlBorderColor=%23831100&formControlBorderShadow=2&formControlBorderWidth=1.4&formControlBorderOpacity=1&buttonBgColor=%23232323&buttonTextColor=%23ffffff&ref=scenemag.co.uk). Zoe explained that it’s table service only because of venue rules which mean they have a cap on capacity, and that if they don’t have table service they will have hundreds of people turning up. "I'm gonna be behind the bar, probably making 100 drinks a minute.” As always, accessibility is a huge priority. The venue is wheelchair accessible, has good public transport links, and accessible prices. Zoe said people can also email them with a specific need, and they will work their hardest to accommodate it. This residency is a huge step for them towards their goal of opening a permanent venue. At the moment they are all volunteers, using all the money made from tickets and [merch](https://lamonocle.bigcartel.com/?ref=scenemag.co.uk) to pay singers and DJs properly, and putting the rest back into growing La Monocle. ![](https://www.scenemag.co.uk/content/images/2026/05/IMG_2514.jpg) Emily Henman @emwithcamera Zoe talked about how La Camionera’s journey had inspired them. “It's hard to not mention them. They were a pop-up for like 40 people, and then it just blew up, and they ended up being able to fundraise for the money to open it. I wanted to do the same thing." "We are going to open a bar at some point. I will keep doing these events until we have enough money to do it. I think the residency is a big step. All of the bar sales will be ours. If it does really well, then we can do that for a couple of months, and opening a bar might not be as far away as we thought it was." I asked how people can support them towards this goal. "Feedback is important; I want people to tell us if they don't like the events. If you don't like them, what can we do?… If people want a bar in South London and trust us to do it, then absolutely come to events, speak about it, be active, we are always looking for volunteers to help. Commenting and liking posts is also really important.” **Next Monday** they will be **launching a crowdfunding page** on Indiegogo. Every penny donated will be one step closer to getting South London the FLINTA bar it deserves. From Monday you can **donate** [**here**](https://linktr.ee/lamonocle?utm%5Fsource=ig&utm%5Fmedium=social&utm%5Fcontent=link%5Fin%5Fbio&fbclid=PAZXh0bgNhZW0CMTEAc3J0YwZhcHBfaWQPOTM2NjE5NzQzMzkyNDU5AAGn4R9OfDKwdPa4PCLbinGuLneC0yER1x1nAdAgC3KJK8-Bo3Mm%5F3ve9XtS79E%5Faem%5FqWnWExFUMzBCC4BgbLwXZA). ### Kemi Badenoch targets Royal College of Nursing over Progress Pride flag at nursing HQ URL: https://www.scenemag.co.uk/kemi-badenoch-targets-royal-college-of-nursing-over-progress-pride-flag-at-nursing-hq/ Last updated: 2026-05-21T08:29:24.000Z Conservative leader **Kemi Badenoch** has intensified criticism of trans-inclusive policies within the nursing profession after intervening in a row over the **Royal College of Nursing**’s display of the Progress Pride flag above its London headquarters. Writing in the *Daily Express* over the weekend, Badenoch sided with a group of “gender-critical” nurses and accused nursing bodies and regulators of failing to support staff who object to trans-inclusive workplace policies. “The Royal College of Nursing did not step up to support its members when they needed help,” Badenoch wrote, referring to nurses involved in the long-running **Darlington Memorial Hospital** dispute over changing room access. “How many more nurses must be silenced, threatened, or left fearful for their livelihoods simply for stating biological reality or objecting to sharing intimate spaces with men? It needs to stop now.” Her comments came after the **Darlington Nursing Union** (DNU) formally complained to the RCN over its decision to fly the Progress Pride flag from its Cavendish Square headquarters. In a letter to RCN chief executive Professor **Nicola Ranger**, the group claimed the flag represented a political ideology opposed by some nurses with religious or gender-critical beliefs. The DNU’s letter repeatedly referenced the case of **Jennifer Melle**, a Christian nurse whose disciplinary case has been championed by the **Christian Legal Centre**. The organisation - which also backed the Darlington nurses’ employment tribunal challenge - has become one of the most prominent legal groups campaigning against trans-inclusive policies in the UK. The Royal College of Nursing has continued to publicly support equality and diversity initiatives under Professor Ranger’s leadership, including LGBTQ+ inclusion programmes and anti-discrimination campaigns. Ranger has previously described equity and inclusion as a “moral imperative” for modern healthcare systems. But Badenoch’s latest intervention suggests trans healthcare inclusion will remain a key political flashpoint. Her comments were swiftly amplified by gender-critical activists and conservative Christian groups online. An RCN spokesperson said: “We fly that flag over our building around Pride month to show support to our members, staff and the public who identify as LGBTQ+. We do so proudly and with confidence. "We reject any criticism for this act of inclusiveness and the anti-discrimination and anti-hate message it promotes." ### A definitive ranking of every Kylie Minogue album URL: https://www.scenemag.co.uk/a-definitive-ranking-of-every-kylie-minogue-album/ Last updated: 2026-05-20T16:51:52.000Z Global icon **Kylie Minogue** has never stopped surprising us. Her career has been a whirlwind of twists, turns annnnnd I'm going to say it....plenty of *Spinning Around* xoxo Now she’s entering yet another huge moment, a brand new **Netflix** documentary drops TOMORROW (20.05.26) and then next week her *Tension Tour* concert film drops (27.05.26 and yep on Netflix too). One more thing too, Kylie's unofficially announced a 2027 world tour to celebrate an incredible 40 years in music! Honestly, what a time to be a Kylie fan. Anywaaaay, all this Kylie....*Fever* (IYKYK) got me thinking about something we don’t talk about enough: her albums. In the **UK**, we claimed Kylie as a national treasure decades ago. She’s been consistently mega successful since 1988 (the year I was born, so I've literally grown up with Kylie woah omg). > [ View this post on Instagram ](https://www.instagram.com/p/DYAgdx3Dd7s/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by Kylie Minogue (@kylieminogue)](https://www.instagram.com/p/DYAgdx3Dd7s/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) The era of automatic top 10 singles may have passed but her albums still debut at number one and her fanbase remains fiercely loyal, always excited and ready for the next era. Despite allll the stats you could throw around about sales and longevity, one thing often gets overlooked, Kylie really is a phenomenal album artist. As early as *Rhythm of Love* (1990), she understood that strong albums were essential for a lasting career. Her bold reinvention on her 1994 self titled record was unexpected, brave and exactly what she needed. Since then, she’s taken creative risks with albums like *Impossible Princess* and *Body Language* when sticking to the formula would’ve been easier. She’s also gifted us flawless pop and disco masterpieces such as *Fever* (2001), *Disco* (2020) and most recently *Tension II* (2023). When Kylie gets it right (which is basically 98% of the time) it feels euphoric but even when she misses, there’s always something still ahem, *Golden* in the mix. Again IYKYK! I’ve taken on the impossible task of ranking her studio albums and making the case that Kylie is one of pop’s most underrated and versatile album artists so let’s dive in….head first! ### 17.Kylie (1988) ![](https://www.scenemag.co.uk/content/images/2026/05/image-22.png) Kylie's music career began in 1987 when expectations were apparently low for soap opera stars turned singers. Yet her debut single *I Should Be So Lucky* (written in an hour after producers **Stock Aitken Waterman** forgot she was coming, became a five week UK number 1). Her debut album *Kylie* in 1988 sold five million copies and became the year’s biggest album. I love that the biggest album of the year I was born was *Kylie*. Tracks like *Turn It Into Love* and *Je Ne Sais Pas Pourquoi* showed early hints of her pop versatility. Oh and fun fact: Kylie sings the word "lucky" 57 times in *I Should Be So Lucky*, just in case you ever get asked that in a pub quiz, you're welcome. ![](https://www.scenemag.co.uk/content/images/2026/05/1000057542.gif) ### 16.Enjoy Yourself (1989) ![](https://www.scenemag.co.uk/content/images/2026/05/image-18.png) ### 15.Let's Get To It (1991) ![](https://www.scenemag.co.uk/content/images/2026/05/image-8.png) ### 14.Kiss Me Once (2014) ![](https://www.scenemag.co.uk/content/images/2026/05/image-24.png) A modern pop record blending **Sia** penned ballads, camp electro and contemporary dance influences. Highlights include *Into the Blue* and *If Only*. OMG and *Sexercize* is an underated gem! ![](https://www.scenemag.co.uk/content/images/2026/05/1000057544.gif) ### 13.Golden (2018) Omg I loved Kylie's country era.... ![](https://www.scenemag.co.uk/content/images/2026/05/image-10.png) A **Nashville** inspired reinvention. Drawing from **Dolly Parton** and country pop, Kylie co wrote every track on *Golden* and led to her record breaking **Glastonbury** Legends slot performance. ![](https://www.scenemag.co.uk/content/images/2026/05/200.gif) ### 12.Rhythm of Love (1990) ![](https://www.scenemag.co.uk/content/images/2026/05/image-13.png) ### 11.Tension II (2024) ![](https://www.scenemag.co.uk/content/images/2026/05/image-17.png) ### 10.Kylie Minogue (1994) ![](https://www.scenemag.co.uk/content/images/2026/05/image-21.png) Her deconstruction debut marked a sophisticated reinvention. *Confide in Me* became a signature track.... *Put Yourself in My Place* showcased her strongest vocals to date. It was a critical rebrand even if sales were modest. ### 9.Disco (2020) ![](https://www.scenemag.co.uk/content/images/2026/05/image-15.png) ### 8.Tension (2023) ![](https://www.scenemag.co.uk/content/images/2026/05/image-20.png) ### 7.X (2007) ![](https://www.scenemag.co.uk/content/images/2026/05/image-12.png) ### 6.The Abbey Road Sessions (2012) ![](https://www.scenemag.co.uk/content/images/2026/05/image-16.png) ### 5.Aphrodite (2010) ![](https://www.scenemag.co.uk/content/images/2026/05/image-23.png) With **Stuart Price** as executive producer, this became her most cohesive album in years. Euphoric anthems like *All the Lovers* and *Get Outta My Way* defined a triumphant era. ### 4.Light Years (2000) ![](https://www.scenemag.co.uk/content/images/2026/05/image-25.png) A joyful return to disco pop. With *Spinning Around* and *On A Night Like This*, Kylie reclaimed her place as a dancefloor icon. The album’s camp exuberance set the stage for her next global breakthrough and *On A Night Like This* is my ultimate favourite Kylie song! It's just such a gorgeous bop, right?! ### 3.Body Language (2003) ![](https://www.scenemag.co.uk/content/images/2026/05/image-14.png) ### 2.Impossible Princess (1997) ![](https://www.scenemag.co.uk/content/images/2026/05/image-11.png) I was only 9 at the time so didn't fully appreciate this album back then but I do now! To be honest, I think it's a masterpiece. It's definitley her most personal and experimental album, shaped by travel and introspection. Mixing trip hop, techno and rock, it was misunderstood in 1997 but now it's been reappraised as one of her boldest works, so basically Kylie was ahead of her time! ### 1.Fever (2001) ![](https://www.scenemag.co.uk/content/images/2026/05/image-19.png) It was honestly so hard choosing my number 1 Kylie album, I changed my mind so many times but I've settled with *Fever*. Well not settled, that's the wrong word, but *Fever* was just an epic album and possibly her commercial peak?! *Can’t Get You Out of My Head* topped the charts in more than 40 countries which is wild and the album sold over six million copies. I was obsessed with (and still am) with *In Your Eyes* and *Love at First Sight*. **Kylie* (the documentary) premieres on Netflix on May 20 and **Tension Tour Live* premieres on Netflix on May 27. ### Unidentified Fluid Other: Gaylien de Mars @ Ironworks URL: https://www.scenemag.co.uk/unidentified-fluid-other-gaylien-de-mars-ironworks/ Last updated: 2026-05-18T16:04:06.000Z There are shows you watch and shows you absorb. *Unidentified Fluid Other* is firmly the latter.[**Gaylien de Mars** ](https://www.instagram.com/gaylien%5Fde%5Fmars/?ref=scenemag.co.uk)arrives in a diaphanous veil, navigating human identity, trying on faces and personas in search of something the binary world seems determined to withhold, the right to exist as a self that is still becoming. [Ironworks Studio C i](https://www.ironworks-studios.co.uk/whats-on?ref=scenemag.co.uk)s the ideal vessel: industrial, atmospheric, humming with the kind of contained darkness that suits a show this emotionally exposed. With haze drifting through the projections and the crowd leaning in rather than sitting back, the venue had serious vibes and the production used every inch of them. The vocals are the show's beating heart. De Mars commands the room with Björk-like strangeness and Annie Lennox's cool authority, filtered through a Bowie-esque flair for transformation. But it is in the softer, more exposed moments that another comparison surfaces: the raw, grief-threaded honesty of Anohni, beauty deployed not to console, but to illuminate. Standout (for me) was *Scream*, which crackled with campy vintage-projection energy and landed like a proper queer anthem, the kind that makes a room feel briefly collective. The show moves through addiction, infertility, transphobia and misogyny without ever buckling under the weight. De Mars holds rawness and humour in the same breath, the lightness earns its place because the depth feels real. Backing dancers Stella Adore and Ruby, alongside the wider creative team, support with a satisfying rhythm; prop changes flow, the stage breathes, nothing lurches. This is unmistakably Brighton work and exquisitely fringe; rooted in the city's queer culture and made possible by the Ironclad New Writing Fringe bursary yet it reaches far beyond it. Brighton has always understood that queer specificity, told honestly, opens onto something universal. I missed the final moments, so can't say whether the show resolves but I suspect it doesn't, and that this is entirely deliberate. The true self here is not a destination but a horizon, always approached, never fixed. For many of us, that is the most honest thing queer art can offer. *Unidentified Fluid Other* is bold, tender, funny, and genuinely moving. Wed 20 May, 8pmTickets£15 / £10 conc.VenueIronworks, Studio C **More info or to book tickets** [**Brighton Fringe website.** ](https://www.brightonfringe.org/events/unidentified-fluid-other-gaylien-de-mars/?ref=scenemag.co.uk) ![](https://www.scenemag.co.uk/content/images/2026/05/BRIGHTONFRINGE-LOGO-2026-PURPLE-website-3.png) ### Chappell Roan, Billie Jean King and Jonathan Bailey lead Elton John Impact Awards URL: https://www.scenemag.co.uk/chappell-roan-billie-jean-king-and-jonathan-bailey-lead-elton-john-impact-awards/ Last updated: 2026-05-18T14:06:28.000Z A new set of honours celebrating LGBTQ+ achievement and allyship is set to launch next month, with six major cultural figures recognised as the first recipients of the **2026 Elton John Impact Awards**. The awards will debut on 1 June as a podcast series, distributed via the **iHeartRadio** app and other major podcast platforms, alongside an audio special broadcast across iHeartRadio’s PRIDE stations. Those being honoured span music, film, sport and activism. They include musicians **Chappell Roan, Orville Peck** and **Melissa Etheridge**; actors **Jonathan Bailey** and **Laverne Cox**; and tennis trailblazer **Billie Jean King**. Developed by iHeartMedia in partnership with **Procter & Gamble**, the Elton John Impact Awards are designed to highlight individuals who have shaped LGBTQ+ culture, advanced equality or used their platforms to support the community. The series will be hosted by **Billy Porter** and iHeartRadio presenter **Elvis Duran.** ![](https://www.scenemag.co.uk/content/images/2026/05/Chappell_Roan-_20_August_2025_103-1.jpg) Chappell Roan. Wikimedia Each episode will feature in‑depth conversations with Sir **Elton John**, his husband **David Furnish** \- who chairs the **Elton John AIDS Foundation** \- and the award recipients themselves. Singer and actor **Dove Cameron** will also appear, performing a special version of Elton John’s 1970 classic *Your Song*. Speaking about the project, Elton John said the awards were rooted in the power of personal stories. He said bringing together voices from different generations of LGBTQ+ life was a reminder of both the progress made and the work still to be done, adding that these histories must be preserved and heard. The Impact Award was first introduced in 2022 during *Can’t Cancel Pride*, a virtual fundraising event launched by iHeartMedia and Procter & Gamble. Elton John was the first recipient, recognised for decades of campaigning on LGBTQ+ rights and the global fight against AIDS. Since then, the initiative has grown into a dedicated awards and podcast series, while *Can’t Cancel Pride* has raised more than $17 million for LGBTQ+ charities. ![](https://www.scenemag.co.uk/content/images/2026/05/Elton_John_and_David_Furnish_at_the_2024_Toronto_International_Film_Festival.jpg) Sir Elton John and David Furnish This year’s honourees have been selected for both cultural influence and activism. Jonathan Bailey has combined a successful acting career with charitable work through **The Shameless Fund**. Laverne Cox has been a pioneering figure for trans visibility in mainstream television. Melissa Etheridge has long blended music with outspoken advocacy. Billie Jean King’s influence stretches across sport, feminism and LGBTQ+ rights. Orville Peck has reshaped country music through a queer lens, while Chappell Roan has emerged as a bold new voice championing LGBTQ+ and trans youth. The awards will also drive financial support towards frontline organisations, including the Elton John AIDS Foundation. Additional funding will be distributed, in partnership with **Brandi Carlile**’s **Looking Out Foundation**, to groups such as **GLAAD**, the **Trevor Project**, **SAGE**, **CenterLink** and **Outright International**. ### Three Brussels Pride performers reportedly attacked after event URL: https://www.scenemag.co.uk/three-brussels-pride-performers-reportedly-attacked-after-event/ Last updated: 2026-05-18T11:16:38.000Z An alleged assault on three performers following **Brussels Pride** has sparked condemnation from organisers and renewed concerns about safety for LGBTQ+ people, even during high‑profile public celebrations. The incident came to light on Sunday after Lebanese drag artist **Diva Beirut** described being attacked alongside fellow artists **Sherine Falasteen** and **Anira Orlando** after leaving the Pride event on Saturday afternoon. According to Diva Beirut, the group had finished performing and were making their way back to their car in the city centre when they were confronted by a group of teenagers. In a post shared on social media, the artist said the attackers were “around fourteen years old” and described being knocked to the ground, struck and verbally abused. A bicycle was also reportedly thrown during the assault. > [ View this post on Instagram ](https://www.instagram.com/p/DYcaPeajPlO/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by The One and Only DIVA (@divabeirut)](https://www.instagram.com/p/DYcaPeajPlO/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) Reflecting on the incident, Diva Beirut said it challenged assumptions about where LGBTQ+ people face danger. The artist wrote that violence and hostility can occur “anywhere in the world”, not only in countries often perceived as unsafe. Belgian news outlet *Bruzz* reported that Brussels police had not received a formal complaint at the time the incident was publicised. Authorities have since invited the artists to make an official report. Brussels Pride organisers issued a statement condemning the alleged attack, stressing that visibility should never come at the cost of personal safety. “No one should be afraid because of who they are, who they love, or how they express themselves,” the organisers said, adding that the incident underlined the continued importance of Pride events. They said they stood “in full solidarity” with the performers and the wider queer community, insisting there was “no place for hate” in the city. The reported attack has added to wider conversations across Europe about rising hostility towards LGBTQ+ people, even in cities long regarded as safe and inclusive, and about the ongoing need for protection alongside celebration. ### Brighton gathers to mark International Day Against Homophobia, Biphobia and Transphobia URL: https://www.scenemag.co.uk/brighton-gathers-to-mark-international-day-against-homophobia-biphobia-and-transphobia/ Last updated: 2026-05-18T10:32:06.000Z LGBTQ+ communities, allies and supporters gathered in Brighton yesterday to mark **International Day Against Homophobia, Biphobia and Transphobia** (IDAHOBIT). The event brought together campaigners, community organisations and artists to reflect on this year’s global theme, *“At the heart of democracy”*, which highlights the idea that LGBTQ+ equality, safety and dignity are fundamental democratic values rather than optional freedoms. Speakers addressed a wide range of issues affecting LGBTQ+ people locally and nationally, from trans rights and HIV support to ageing, disability and workplace inclusion. ![](https://www.scenemag.co.uk/content/images/2026/05/703026615_18592377223014878_354226863148590878_n-2-1.jpg) Cass Hopkins, Trans Pride Brighton. Pic by Chris Jepson Among those speaking was **Cass Hoskins**, trustee and brand director of **Trans Pride Brighton**, the UK’s first and largest Trans Pride event outside North America. **Gary Pargeter**, founder and service manager of grassroots HIV charity **Lunch Positive**, spoke about the importance of food, friendship and peer support for people living with HIV in Brighton & Hove. ![](https://www.scenemag.co.uk/content/images/2026/05/702946111_18592377247014878_3080524382817848993_n-1.jpg) Leslie Clarke, Pride Community Foundation. Pic by Chris Jepson **Leslie Clarke**, chief executive of **Pride Community Foundation** and publisher of *Scene* Magazine, reflected on the role of LGBTQ+ media and community organisations in protecting hard‑won rights. **Natalie Collins**, a long‑standing member of **Older and Out**, spoke about visibility, connection and community for older LGBTQ+ people. ![](https://www.scenemag.co.uk/content/images/2026/05/702830116_18592377226014878_6322801215800040933_n.jpg) Gary Pargeter, Lunch Positive. Pic by Chris Jepson Activist **Gina Keegan** addressed the intersections of queer and disabled identities, examining how systems of power shape experiences of gender and disability. **Eric Page**, a local government officer at **Brighton & Hove City Council**, spoke about workplace inclusion and the work of the council’s **LGBTQ+ Workers' Forum**, which represents LGBTQ+ council employees. Poet **Alice Denny** also performed during the event. Music was provided by **Rainbow Chorus**, Brighton & Hove’s largest LGBTQ+ community choir, which has celebrated diversity through song since 1997, alongside **Drum and Blaze**, a local community drumming group that brought rhythm and energy to the gathering. ![](https://www.scenemag.co.uk/content/images/2026/05/701459631_18592377274014878_4126849356047509337_n-1.jpg) Rainbow Chorus. Pic by Chris Jepson Organisers said the event was both a celebration of the city’s diverse LGBTQ+ communities and a reminder that progress cannot be taken for granted, particularly amid rising hostility towards LGBTQ+ people in parts of the UK and abroad. IDAHOBIT is marked globally each year on 17 May, commemorating the removal of homosexuality from the World Health Organisation’s list of mental disorders in 1990. ### Official portrait of Brighton & Hove’s Mayor unveiled at Brighton Town Hall URL: https://www.scenemag.co.uk/official-portrait-of-brighton-hoves-mayor-unveiled-at-brighton-town-hall/ Last updated: 2026-05-18T10:05:05.000Z A new official portrait of Brighton & Hove’s Mayor has been unveiled at **Brighton Town Hall**, capturing what many have described as one of the city’s most distinctive mayoral years. The portrait of Cllr **Amanda Grimshaw** BEM, photographed by award‑winning documentary photographer **Chris Jepson**, was revealed on **Friday, 15 May** in the Council Chamber, marking the close of the mayor’s 2025–26 term. ![](https://www.scenemag.co.uk/content/images/2026/05/701260047_17939516325227591_4866245354861063725_n-2.jpg) Portrait of Mayor Amanda Grimshaw by Chris Jepson, www.chrisjepson.com Taken in the historic chamber where Grimshaw has presided over civic life, the image is rich in symbolism, drawing together personal history, local identity and more than 170 years of the city’s mayoralty. The portrait was commissioned at no cost to the public. Jepson donated his time, while production costs were met through private donations, reflecting the community‑led spirit that characterised Grimshaw’s year in office. Awarded the British Empire Medal for services to community work, Grimshaw was elected as a Labour councillor in 2019 and has held senior roles including deputy chair of the Tourism, Equalities, Communities and Culture Committee and chief whip. Before entering politics, Grimshaw worked in museums and served as a trustee of the **Royal Pavilion and Museums Trust**. She is also a long‑standing advocate for veterans and the Armed Forces, and has spoken openly about coming to education later in life, raising four children, and surviving homelessness and domestic abuse. ![](https://www.scenemag.co.uk/content/images/2026/05/696852127_17939516454227591_3112475111673791255_n.jpg) Mayor Amanda Grimshaw with representatives of Lunch Positive including Service Manager Gary Pargeter (blue shirt), next to Portrait of Mayor Amanda Grimshaw by Chris Jepson Those experiences sit at the heart of the portrait. Grimshaw is pictured in the Council Chamber beside the portrait of Colonel **John Fawcett**, Brighton’s first mayor in 1854, with the two images now facing one another across generations of civic history. Details within the photograph carry deliberate meaning. The mayoral mace anchors the composition, while Grimshaw wears an Armed Forces pin on her lapel alongside a rainbow flower and an AIDS ribbon, reflecting her commitment to equality and inclusion. Among her chosen mayoral charities was **Allsorts Youth Project**, Brighton’s LGBTQ+ youth charity. She is dressed in a tailored suit made from the Brighton & Hove tartan, designed by North Laine tailor **Gresham Blake** and officially certified by the **Scottish Register of Tartans**. The colours reference the city’s landscape and character, from the sea and the South Downs to Brighton’s reputation for creativity and flamboyance. ![](https://www.scenemag.co.uk/content/images/2026/05/700692238_17939516382227591_2289106798856721828_n.jpg) Mayor Amanda Grimshaw with Chris Jepson The portrait will hang permanently in **Brighton Town Hall** as part of the city’s official mayoral record. Chris Jepson said: “Amanda’s story is remarkable, and the way she has given herself so fully to this role has been something to witness. I wanted to make an image that could hold all of that history and meaning. I hope the portrait does her justice.” Cllr Amanda Grimshaw BEM said the portrait went “beyond a likeness”, adding: “It tells a story - of resilience, of change, and of a city that embraces difference and celebrates progress.” ### EU rolls out coordinated LGBTQ support campaign ahead of Pride Month URL: https://www.scenemag.co.uk/eu-rolls-out-coordinated-lgbtq-support-campaign-ahead-of-pride-month/ Last updated: 2026-05-18T09:53:01.000Z **European Union** leaders have stepped up public support for LGBTQ+ people with coordinated burst of Pride‑themed messaging across official social media channels, weeks ahead of **Pride Month**. In the days leading up to **International Day Against Homophobia, Biphobia and Transphobia** (IDAHOT) on 17 May, EU institutions including the European Commission and the European Parliament posted similar statements about visibility, safety and belonging. One Commission post read: “To be seen. To be safe. To be themselves,” adding that equality cannot exist “on paper alone” while prejudice persists in everyday life. > Today on [#IDAHOT](https://twitter.com/hashtag/IDAHOT?src=hash&ref%5Fsrc=twsrc%5Etfw&ref=scenemag.co.uk), I want to send a strong message of support to the LGBTIQ+ community. > > The EU stands with you. > > For every person’s right to live and love openly. > > And to be true to its authentic self. > > Your journey and safety matter. > > I will always be your ally. [https://t.co/hNABypJDhP](https://t.co/hNABypJDhP?ref=scenemag.co.uk) > > — Ursula von der Leyen (@vonderleyen) [May 17, 2026](https://twitter.com/vonderleyen/status/2055886326180827327?ref%5Fsrc=twsrc%5Etfw&ref=scenemag.co.uk) That language was mirrored by the Commission’s main account, which said everyone deserves safety and visibility, while the European Parliament emphasised acceptance and repeated calls to ban so‑called conversion practices across the EU. European Commission president **Ursula von der Leyen** added a personal note, openly declaring the institution “PROUD” and framing Pride as an act of courage as much as celebration. Marking IDAHOT, Ursula von der Leyen told LGBTQ people directly: “I will always be your ally”. The show of unity comes at a moment when LGBTQ+ rights are increasingly contested across Europe. Earlier this month, Poland recorded its first legally recognised same‑sex marriage following a court ruling, a milestone hailed by activists after years of legal stalemate. The decision also reignited backlash from conservative figures, underlining the deep cultural divide that still exists. At the same time, **Brussels Pride** returned for its 30th anniversary, filling the city with tens of thousands of marchers. This year’s slogan - “When Times Get Darker, We Shine Brighter” - reflected growing anxiety about rising hostility towards LGBTQ+ communities in parts of the continent. > Everyone deserves to be seen. Everyone deserves to be safe. 🌈 > > On IDAHOT, we stand with LGBTIQ+ people across Europe, and against hate, discrimination and violence. > > We protect what matters – freedoms and rights. [pic.twitter.com/eVz1itxYkx](https://t.co/eVz1itxYkx?ref=scenemag.co.uk) > > — European Commission (@EU\_Commission) [May 17, 2026](https://twitter.com/EU%5FCommission/status/2055906163577774091?ref%5Fsrc=twsrc%5Etfw&ref=scenemag.co.uk) Legal pressure has also intensified. In April, the EU’s top court struck down Hungary’s 2021 “child protection” law, which restricted LGBTQ‑related content in media accessible to young people. The judges ruled that the legislation breached the EU’s core values - a landmark decision because it treated discrimination itself as a direct violation of EU law. The law was introduced under **Viktor Orbán**, whose party lost power in April after 16 years. Hungary’s new government has since indicated it will engage with the ruling, raising hopes of a rollback of some restrictions. Behind the current messaging push sits the European Commission’s new **LGBTIQ+ Equality Strategy for 2026–2030**. The plan aims to hard‑wire LGBTQ+ equality into EU policy, strengthen action against hate crime and discrimination, improve legal recognition for trans and non‑binary people, and push for a Europe‑wide ban on conversion therapy. ### New images released from Tip Toe, a forthcoming “suburban thriller” written by Russell T Davies URL: https://www.scenemag.co.uk/new-images-released-from-tip-toe-a-forthcoming-suburban-thriller-written-by-russell-t-davies/ Last updated: 2026-05-18T09:31:09.000Z New images have been released from ***Tip Toe***, a forthcoming “suburban thriller” written by **Russell T Davies**. The five‑part **Channel 4** drama centres on two men whose lives become dangerously entangled: Clive, an electrician raising two teenage sons, and Leo, who runs a bar on Manchester’s Canal Street, the heart of the city’s LGBTQ+ community. ![](https://storage.ghost.io/c/76/17/761769e0-ca22-447c-8c57-2282b5e9b29b/content/images/2026/05/e9bc4590-4fb9-11f1-be80-4d1d8a1649ab.jpg) Channel 4 According to Channel 4, the series examines the “most corrosive forces” facing the LGBTQ+ community today, exploring what happens as prejudice “creeps back into our lives”. The broadcaster has described *Tip Toe* as a “tense suburban thriller which challenges everything we consider to be safe”. Davies said he felt compelled to write the series because “the world is getting stranger, tougher and darker – and frankly, the fight is on”. ![](https://storage.ghost.io/c/76/17/761769e0-ca22-447c-8c57-2282b5e9b29b/content/images/2026/05/95bc1d30-4fbe-11f1-b8fb-4972aa80fee8.jpg) Channel 4 The drama follows Davies’ acclaimed work on *It’s a Sin*, his award‑winning series about a group of friends living through the HIV/AIDS crisis in 1980s London, and *Queer as Folk*, which was also set in Manchester. *It’s a Sin*, starring pop star **Olly Alexander**, became an instant hit on Channel 4’s streaming service. Sexual health charity **Terrence Higgins Trust** previously reported a significant rise in HIV testing following the show’s broadcast. A newly released clip from *Tip Toe* features **Alan Cumming** as Leo and **David Morrissey** as Clive. The cast also includes **Luyanda Unati Lewis‑Nyawo** as Judy, the manager of Leo’s bar, and **Paul Rhys** as Melba, a long‑standing figure on Canal Street. New images also show **Shakeel Kimotho** and **Iz Hesketh**, who star in the series. *Tip Toe* will air on Channel 4 later this year. ### Mark Daniels: That's Terrifying. Can We Brunch Now? @ Presuming Ed's URL: https://www.scenemag.co.uk/mark-daniels-thats-terrifying-can-we-brunch-now-presuming-eds/ Last updated: 2026-05-18T08:22:20.000Z **Mark Daniels** delivers queer comedy with genuine texture. *That’s Terrifying, Can We Brunch Now?* is sharp, warm, emotionally intelligent stand-up that understands queer life beyond easy stereotypes. Daniels is camp, but in the purest sense, camp as instinct rather than performance, camp as bloodline rather than affectation. The show’s central premise is deceptively simple: Daniels is, by his own admission, in the middle of a creeping midlife crisis, though one constantly interrupted by two equally pressing concerns; a limited budget and an obsession with buying aggressively loud, gloriously gaudy jackets. Those jackets become both visual gag and structural device. Each new item of outerwear unlocks another chain of stories, anxieties and punchlines, allowing the material to jump elegantly between topics while still remaining tethered to a single running theme. It is a surprisingly clever framework for a show so intentionally light on its feet. The title tells you almost everything you need to know about its emotional register. Daniels circles around anxiety, ageing, social performance and the exhausting choreography of modern queer adulthood, but he never lets the material collapse into self-seriousness. Instead, he keeps the jokes flowing with an ease that makes the deeper material land more effectively. His comic persona knowingly admits that somewhere beneath all the introspection he may actually be fairly shallow (or at least deeply committed to appearing that way) but the brilliance lies in how self-aware that performance becomes. Daniels understands that contemporary audiences want more than hearing a gay man recycle dating-app observations and familiar pop anecdotes. His comedy pushes toward something richer and more specific. He explores the strange emotional economy of queer social life: the way brunch becomes ritual, irony becomes armour, and self-analysis becomes both survival mechanism and personality trait. There is a distinctly millennial queer sensibility running through the set, but it never feels exclusionary. Even audience members outside those reference points were fully with him throughout. A huge part of the evening’s success comes from Daniels’ improvisational confidence. While the written material is consistently strong, the room lifts during his spontaneous audience interactions. His off-the-cuff remarks create the sense that the performance is unfolding collaboratively rather than emerging from a rigid script. Some of the biggest laughs came from throwaway detours and reactive observations delivered with immaculate timing. Daniels has the increasingly uncommon ability to make a room feel simultaneously relaxed and electrically attentive. And the crowd loved him. Daniels' audience connection is an unusual space within current stand-up. So much contemporary comedy prizes polished detachment, but Daniels works from openness and warmth instead. There is a slight chaos to his performance style, the sense that any tangent could suddenly become the evening’s centrepiece, yet it always feels controlled. There are also moments of pure theatrical silliness threaded through the show, Daniels’ Shakespearean detour of Kat Slater was a genuinely delicious delight: EastEnders melodrama reimagined with tragic gravitas and camp absurdity in perfect balance. I enjoyed his refusal to flatten queer identity into either trauma narrative or marketable positivity, using his own advertising background to underscore that. Daniels allows queerness to remain contradictory, petty, vulnerable and ridiculous all at once. One recurring callback based on the unknowable illimitability of the Sugababes somehow became the perfect metaphor for the evening itself: absurd on the surface, unexpectedly existential underneath. Depth dressed as froth. As a re-emerging talent, Daniels feels poised for a significant moment. This show shows a comedian moving beyond simply delivering punchlines into building a genuinely distinctive queer comic voice. With a sly offering of hope and resistance to the deliberately overwhelming complexity of modern life gently built into these musings. On the strength of this show, and particularly his ability to connect and delight through spontaneous audience interplay, Mark Daniels is one to watch. Next show May 25th @ Junk Poets / Fringe, for more details or to book see the [Fringe Website](https://www.brightonfringe.org/events/mark-daniels-thats-terrifying-can-we-brunch-now/?ref=scenemag.co.uk) ![](https://www.scenemag.co.uk/content/images/2026/05/BRIGHTONFRINGE-LOGO-2026-PURPLE-website-2.png) ### The Saturday Scene: IDAHOBIT, a health secretary's exit, and what Reform UK did to Durham Pride within days of winning URL: https://www.scenemag.co.uk/the-saturday-scene-idahobit-a-health-secretarys-exit-and-what-reform-uk-did-to-durham-pride-within-days-of-winning/ Last updated: 2026-05-17T07:36:53.000Z #### This Saturday Scene is, in fact, a Sunday Scene. Those who know me will know I really dislike breaking with routines, especially ones named after a weekday. This time, though, I think the reason justifies it. Today is the International Day Against Homophobia, Transphobia and Biphobia, [IDAHOBIT](https://www.idahobit.org/?ref=scenemag.co.uk). First celebrated in 2005, it has grown into something marked by communities and governments alike around the world. It is grassroots, and it is more needed than ever. Each year, a theme is developed by LGBTQ+ leaders and communities. This year's theme is "At the heart of democracy." A more fitting choice for the times we are living in is hard to imagine. Today is an opportunity to shine a light on the progress LGBTQ+ people in all walks of life continue to make. There are thousands of deeply committed activists, civic leaders and politicians giving everything they have to fight for queer rights and to educate wider society about the struggles we face. IDAHOBIT events up and down the country will mark the day in different ways. I'd encourage you to find out what is happening in your local community and to join in, as I will be doing later this afternoon in my hometown of Brighton and Hove. ![](https://www.scenemag.co.uk/content/images/2026/05/English-1.webp) --- ## 🌍 The World This Week - **Trump-Xi Summit**: President Trump concluded a [high-stakes visit](https://www.bbc.co.uk/news/videos/c707xn4ew3po?ref=scenemag.co.uk) to Beijing to meet with Chinese leader Xi Jinping. Key takeaways included discussions on AI safety and trade. - **Taiwan Warning**: During the summit, Xi Jinping warned the US not to "mishandle" the situation in Taiwan, while [Taiwan reaffirmed](https://www.euronews.com/2026/05/16/trumps-independence-warning-prompts-response-from-taiwan?ref=scenemag.co.uk) its independence following the meeting. - **UK Leadership Race**: In the UK, the race to replace Keir Starmer has begun. Former Health Secretary [Wes Streeting](https://www.irishtimes.com/world/uk/2026/05/16/wes-streeting-says-he-will-challenge-keir-starmer-in-any-labour-leadership-contest/?ref=scenemag.co.uk) announced his candidacy to challenge Andy Burnham. - **Raúl Castro Charges**: The US [announced plans](https://www.bbc.co.uk/news/articles/c1w2gnd9xp2o?ref=scenemag.co.uk) to charge former Cuban leader Raúl Castro in relation to the 1996 downing of civilian planes. - **Middle East Escalation**: Despite a 45-day extension of the Lebanon ceasefire, Israeli strikes continued in southern Lebanon. A Pentagon official reported the cost of the Iran war has [reached $29 billion](https://uk.news.yahoo.com/cost-iran-war-increased-4-140706792.html?ref=scenemag.co.uk). - **Russia-Ukraine War**: Russia launched one of its [largest drone attacks](https://edition.cnn.com/2026/05/14/europe/ukraine-kyiv-apartment-building-russian-attacks-intl?ref=scenemag.co.uk) on Ukraine, while Kyiv and Moscow carried out a prisoner swap. - **Ebola Outbreak**: A new outbreak in the Democratic Republic of Congo has [killed at least 80 people](https://www.cbsnews.com/news/congo-ebola-outbreak-dead-usaid-response/?intcid=CNM-00-10abd1h&ref=scenemag.co.uk), with cases also reported in Uganda. --- ## This week on Scene ## 🏛️ Politics ### [Wes Streeting resigns from government ](https://www.scenemag.co.uk/health-secretary-wes-streeting-who-said-an-indefinite-ban-on-puberty-blockers-for-trans-youth-was-uncomfortable-but-ultimately-right-resigns-from-government/) The Health Secretary, who said an indefinite ban on puberty blockers for trans youth was "uncomfortable" but "ultimately right," has resigned from government. His departure is significant on multiple fronts and the timing, on IDAHOBIT weekend, is striking. **Publisher's Comment** Wes Streeting's reputation within progressive LGBTQ+ circles has suffered as it has become clear that his support for trans+ people did not survive the shift from opposition to government. Not only have Streeting's actions tarnished his own reputation, they have also damaged the relationship between the Labour Party and queer communities. What was viewed with much more enthusiasm a few years ago will now be met with anger and fear by many if he wins a leadership bid and thus the keys to 10 Downing Street. James Murray, the new Health Secretary, is similar to Streeting in that he is also a gay man. He must now decide whether to follow Streeting's divisive policies or change course and repair the damage caused. Labour has a proud history of driving forward LGBTQ+ equality. Murray now has the opportunity to continue this tradition by ignoring the small but vocal gender-critical faction within the party. ### [Nigel Farage backs Christian street preacher who called homosexuality an "abomination"](https://www.scenemag.co.uk/nigel-farage-backs-christian-street-preacher-whose-sermons-described-homosexuality-as-an-abomination-and-warned-of-eternal-punishment/) Farage has publicly backed a Christian street preacher whose sermons described homosexuality as an abomination and warned of eternal punishment. Not ambiguous, not nuanced. Worth recording clearly. ### [Durham Pride to go ahead despite Reform UK withdrawing council funding ](https://www.scenemag.co.uk/durham-pride-to-go-ahead-later-this-month-despite-reform-uk-withdrawing-council-funding/) Following last week's local elections, Reform UK has wasted no time, withdrawing council funding from Durham Pride. The organisers have confirmed the event will go ahead regardless. A foretaste of what life under Reform-controlled councils may look like for LGBTQ+ communities. **Publisher's Comment** This story fits the IDAHOBIT theme incredibly well and serves as a reminder that Reform UK are not our friends. Despite the evident rollback of LGBTQ+ rights globally championed by his own party, Durham County Council’s deputy leader Darren Grimes, a gay man himself, doesn't believe that Pride is still needed. It's hard to fathom how someone who has benefited from progress can be so wilfully blind to the fact that, without the efforts of those he dismisses as 'noisy' identity politics pushing queers, he would never have been welcomed into the ranks of a right-wing populist party. It's also worrying that someone in a leadership position in local government can't see the value of nurturing community and cohesion. They withdrew £2.5k from Durham Pride to spend on other public services. In my view, councillors who cannot see the value of investing in community cohesion are on the wrong path. ### [Gay pornstar Reform UK councillor quits ](https://www.scenemag.co.uk/gay-pornstar-into-bears-and-stocky-blokes-quits-as-reform-uk-councillor/) The Reform UK drag queen who won a council seat in Salford last week has been followed in the news by another story: a gay pornstar Reform UK councillor with an interest in bears and stocky blokes has resigned. The party contains multitudes. Not all of them coherent. --- ## 🏳️‍⚧️ Trans Rights ### [Hampstead ponds to remain trans-inclusive ](https://www.scenemag.co.uk/hampstead-ponds-to-remain-trans-inclusive/) Following sustained pressure from gender-critical campaigners, it has been confirmed that Hampstead ponds will remain open to trans swimmers on the basis of their gender identity. A meaningful win for trans inclusion in a case that attracted significant national attention. ### [Trans woman Roxanne Tickle wins historic appeal in Australia's Giggle for Girls case ](https://www.scenemag.co.uk/trans-woman-roxanne-tickle-wins-historic-appeal-in-australias-giggle-for-girls-discrimination-case/) Roxanne Tickle has won her appeal in the long-running Australian discrimination case, in which she was excluded from the Giggle for Girls app on the basis of being trans. A landmark ruling for trans rights in Australia with implications well beyond the case itself. --- ## 🇪🇺 Europe and the World ### [Germany accused of failing to protect queer people from rising hate crime ](https://www.scenemag.co.uk/germany-accused-of-failing-to-protect-queer-people-from-rising-hate-crime/) A new report accuses Germany of systemic failure to protect LGBTQ+ people from escalating hate crime, pointing to both the scale of the problem and the inadequacy of the official response. --- ## 🌈 Pride ### [Brighton Pride Street Party unveils 2026 lineup led by Bimini and Gok Wan ](https://www.scenemag.co.uk/brighton-pride-street-party-unveils-2026-line-up-led-by-bimini-and-gok-wan/) The Brighton Pride Street Party lineup for 2026 has been revealed, headlined by Bimini and Gok Wan. More details to follow as we get closer to August. ### [Trans Pride Hastings launches Pockets of Joy participatory project](https://www.scenemag.co.uk/pockets-of-joy-trans-pride-hastings-launches-new-participatory-project/) Trans Pride Hastings has launched a new community project called Pockets of Joy, inviting trans and non-binary people to contribute to a shared creative archive. A lovely initiative. --- ## 🎭 Culture ### [Paris named top destination for queer travellers in 2026, just ahead of London ](https://www.scenemag.co.uk/paris-named-top-destination-for-queer-travellers-in-2026-just/) Paris has topped a new ranking of the world's best destinations for queer travellers this year, with London in second place. Useful reading as Pride season approaches. ### [Social night for queer gamers to launch in Brighton](https://www.scenemag.co.uk/social-night-aimed-at-queer-gamers-to-launch-in-brighton-this-month/) A new monthly social night aimed at queer gamers is launching in Brighton this month, offering a welcoming space for a community that does not always have one. Worth a mention for our local readers. --- ## Until next Saturday Thank you, as always, for joining me in reflecting on the events of the past week. It's been a busy week, dominated by speculation about leadership, ministers resigning, and MPs pressuring Keir Starmer to leave Downing Street. On top of your personal life and challenges, the news cycle can feel like a heavy weight around your neck in times like these. Please take time to look after yourself and disengage whenever you need to. I hope you can celebrate IDAHOBIT in some way and I wish you a fantastic rest of your weekend. ## ### Paris named top destination for queer travellers in 2026, just ahead of London URL: https://www.scenemag.co.uk/paris-named-top-destination-for-queer-travellers-in-2026-just/ Last updated: 2026-05-15T12:37:08.000Z **Paris** has been ranked the world’s number one destination for queer travellers in 2026, according to new global data released by dating app **Grindr**. The French capital topped the list based on analysis of in‑app activity, including travel patterns, messaging and connections between users, as summer holiday planning gathers pace. ![](https://www.scenemag.co.uk/content/images/2026/05/norbu-gyachung-71bWlwRIeI4-unsplash.jpg) Paris. Credit: Unsplash **London** placed second, followed by **Rio de Janeiro, New York, Bangkok**, **São Paulo** and **Berlin**, highlighting what Grindr described as a global and intercontinental network of queer travel hotspots. The data was released alongside the return of Grindr’s original travel series *Host or Travel*, now in its third season, which explores LGBTQ+ nightlife, culture and community through the experiences of local hosts and visiting travellers. Grindr said the findings reflected broader trends shaping queer travel in 2026, including a rise in cross‑border connections, late‑night social activity and the use of location‑based features to meet people abroad. According to the data, cities such as **Taipei**, **Milan** and **Athens** ranked among the world’s most active for messaging, while **Manila**, **Buenos Aires** and Taipei recorded the highest levels of late‑night chat. Smaller countries including **Luxembourg**, **Japan** and **Slovenia** showed particularly high levels of international cross‑border connections. ![](https://www.scenemag.co.uk/content/images/2026/05/pexels-euronewsweek-media-2160861246-37048159.jpg) London. Credit: Pexels Paris’s continued popularity was attributed to its established LGBTQ+ neighbourhoods, nightlife and cultural scene, particularly in areas such as Le Marais, which features prominently in the new season of *Host or Travel*. Grindr’s chief marketing officer, **Tristan Pineiro**, said travel remained about more than sightseeing for many LGBTQ+ people. “For gay travellers, finding your community in a new city isn’t just a nice‑to‑have - it’s crucial,” Pineiro said. “People are using Grindr not just to date, but to discover safe spaces, local culture and genuine connection.” The third season of *Host or Travel* features episodes filmed in cities including **Sydney**, **Austin**, **Puerto Vallarta**, **Paris**, **Manila**, **Lisbon** and **Miami**. ### Drag star La Voix to announce UK jury points at Eurovision 2026 URL: https://www.scenemag.co.uk/drag-star-la-voix-to-announce-uk-jury-points-at-eurovision-2026/ Last updated: 2026-05-18T09:31:40.000Z Drag performer and singer **La Voix** will announce the United Kingdom’s jury points at the **Eurovision Song Contest 2026**, the BBC has confirmed. The performer will become the UK’s first Eurovision “spokesqueen”, delivering the National Jury’s results live from **Salford** during the Grand Final, which will be broadcast on **BBC One** from **8pm** on **Saturday, 16 May**. A huge fan favourite and finalist on *RuPaul’s Drag Race UK series 6*, La Voix’s glittering career includes appearances on *Britain’s Got Talent*, a role in *Absolutely Fabulous: The Movie* alongside **Jennifer Saunders** and Dame **Joanna Lumley**, and a fourth‑place finish on Graham Norton’s *Queen of the Universe*. In 2025, La Voix became a household name when she sashayed onto the *Strictly* dancefloor, winning legions of fans with her wit, charm, and undeniable stage presence. Speaking about the Eurovision role, La Voix said: “I’m absolutely over the moon to be announcing the UK Jury scores at Eurovision 2026\. It’s the one night where sequins are en masse, key changes are compulsory, and absolutely anything can happen – so naturally I feel right at home. I’ll do my best to behave… but no promises!” **Look Mum No Computer** is to represent the UK at this year's Eurovision with the song *Eins, Zwei, Drei*. ### Durham Pride to go ahead later this month despite Reform UK withdrawing council funding URL: https://www.scenemag.co.uk/durham-pride-to-go-ahead-later-this-month-despite-reform-uk-withdrawing-council-funding/ Last updated: 2026-05-15T10:38:27.000Z **Durham Pride** will go ahead as planned later this month despite the withdrawal of council funding, with organisers saying the decision has sent a message that the event is not welcome rather than having any practical impact on its delivery. **Durham County Council** confirmed last year that it would no longer provide its annual £2,500 contribution to the event, saying the money would instead be redirected towards key public services. Pride organisers said the loss of funding had not affected preparations for this year’s celebrations, but criticised the move as symbolic. Durham Pride chair **Mel Metcalf** said the organisation would not have accepted funding from the **Reform UK**‑run authority in any case, citing the party’s position on trans issues. ![](https://www.scenemag.co.uk/content/images/2026/05/581289350_1242237107937317_7434038668115296069_n-1.jpg) Durham Pride Facebook “The £2,500 was never really the issue,” Metcalf said. “It was the message being sent. A year on, that message still seems to be that Pride isn’t welcome in Durham, which is a real shame.” Durham’s annual Pride celebrations are due to take place at the end of May, with up to 6,000 people expected to attend the parade at **Palace Green** on **30 May**. Metcalf said some LGBTQ+ people in the county now felt “a bit isolated”, but added that there was also a strong sense of resilience within the community. “If they think £2,500 is going to fill many potholes or fix the problems it’s been diverted to, I think they’re mistaken,” they said. [Equity presents Durham Pride with £7,000+ donation after Reform UK cuts fundingEquity, the performing arts and entertainment trade union, has presented Durham Pride with a £7,200 donation after the annual event had its budget cut by Durham County Council, which is led by Reform UK. The donation was announced on Saturday (9 May) night at the Miners’ Hall in Durham,![](https://www.scenemag.co.uk/content/images/icon/S-Logo-18.png)Scene MagazineGraham Robson![](https://www.scenemag.co.uk/content/images/thumbnail/20260509-0T5A6302-1-1.jpg)](https://www.scenemag.co.uk/equity-presents-durham-pride-with-7-000-donation-after-reform-uk-cuts-funding/) Durham Pride has received financial support from the council since at least 2016\. In 2023, the authority’s festivals team also provided £10,000, while individual councillors have historically backed the event through discretionary budgets. A spokesperson for Durham County Council said requests for event funding were assessed against council priorities. “The council has historically supported a range of festivals and events that benefit communities and the local economy,” the spokesperson said. “All requests for assistance are considered carefully on a case‑by‑case basis in line with policy objectives and priorities.” ![](https://www.scenemag.co.uk/content/images/2026/05/578961261_1242234711270890_6195633272053082925_n-1.jpg) Durham Pride Facebook Trade unions have stepped in to support the event’s future, with the **Trades Union Congress** (TUC) helping to raise more than £15,000. **Dave Pike**, the TUC’s regional secretary for the North East, Yorkshire and Humber, said the funding decision had sent a “devastating” message to the LGBTQ+ community but expressed confidence that Durham Pride would continue. “With the strong support Durham Pride has in the community and from the trade union movement, I’m confident it will keep happening every year,” Pike said. Durham County Council’s deputy leader **Darren Grimes** criticised the event in a post on X last year, arguing it had “stopped being a celebration of gay rights a long time ago”. While stating that Pride could “go ahead safely”, Grimes said the council was “not an ATM for contested causes” and that residents expected funding to be prioritised for services such as road repairs and waste collection. ### Social night aimed at queer gamers to launch in Brighton this month URL: https://www.scenemag.co.uk/social-night-aimed-at-queer-gamers-to-launch-in-brighton-this-month/ Last updated: 2026-05-15T10:13:36.000Z A new social night aimed at queer gamers and sports‑minded socialisers is set to launch in Brighton this month. **Joystick Jocks**, a new event from the team behind **Subline**, will debut at **Nautilus Lounge**, running from **6pm until midnight**. The organisers describe it as a relaxed, inclusive gaming social combining video games, board games and casual socialising in a welcoming environment. The evening will feature a mix of console gaming, classic arcade machines, Rock Band singalongs and board games, with attendees also welcome to bring their own consoles or games. The focus, organisers say, is on fun and connection rather than skill or competition. Joystick Jocks is designed as a low‑pressure social space, welcoming people to attend in whatever style they feel comfortable in. No prior gaming experience or specific equipment is required. The event is **strictly for over‑18s**, with a **Challenge 25** policy in place at the door. 💡 Further details about Joystick Jocks can be found [HERE](https://www.sublineparty.com/?ref=scenemag.co.uk) or via Instagram at ****@Joystick\_Jocks**. ### Pockets of Joy: Trans Pride Hastings launches new participatory project URL: https://www.scenemag.co.uk/pockets-of-joy-trans-pride-hastings-launches-new-participatory-project/ Last updated: 2026-05-15T10:08:22.000Z Artists and performers are being invited to take part in a new participatory project titled **Pockets of Joy**, set to take place during **Trans Pride Fest** at **Hastings Museum** on **12 July**. The project is seeking 12 small-scale works inspired by the theme *Pockets of Joy*, designed to surprise, delight and uplift audiences across the museum grounds. The selected pieces may take many forms, including performances, chance encounters, durational works or immersive experiences, and can be presented as one-off moments or repeated throughout the day. Organisers say the aim is to create unexpected moments of joy and connection during the festival, encouraging visitors to engage with art in playful and imaginative ways. ![](https://www.scenemag.co.uk/content/images/2026/05/700467091_938117482559483_1420058721739705542_n.jpg) Artists and creatives interested in taking part are invited to attend an informal planning social on **Friday, 22 May** at **6pm**, held at **Bunka**, the rooftop bar of the **Observer Building**. Drinks will be provided, and attendees are encouraged to come along with ideas at any stage of development. Those behind the project say fully formed proposals are not required. Instead, the mixer is intended as a space to share early concepts, meet other creatives and explore how ideas might be realised for the festival. Each of the 12 selected “Pockets of Joy” will receive a **£300 fee**, with the project funded by **National Lottery Awards for All**. People wishing to attend the planning social are asked t[o **RSVP via OutSavvy**.](https://www.outsavvy.com/event/36297/pockets-of-joy-planning-social?fbclid=IwY2xjawRzzXFleHRuA2FlbQIxMABicmlkETAyM3plOFNFcTBORGpXSGFSc3J0YwZhcHBfaWQQMjIyMDM5MTc4ODIwMDg5MgABHqDGmE7ilU11zuhOKlKYW72ZrYjFrbjGBDTte%5Fji4lYWZX5%5FQjMFhu4xGUCU%5Faem%5FrRLKrGmw5vw1Ve2FniVzCw&ref=scenemag.co.uk) ### Trans woman Roxanne Tickle wins historic appeal in Australia’s 'Giggle for Girls' discrimination case URL: https://www.scenemag.co.uk/trans-woman-roxanne-tickle-wins-historic-appeal-in-australias-giggle-for-girls-discrimination-case/ Last updated: 2026-05-15T09:05:49.000Z Australia’s **Federal Court** has upheld a landmark ruling in favour of a transgender woman in the widely discussed “Giggle for Girls” discrimination case, reinforcing legal protections for trans people under Australian law. The legal dispute began after transgender woman **Roxanne Tickle** was removed from the female-only social networking app **Giggle for Girls** after the platform’s founder determined, based on her appearance, that she was male. Tickle filed a discrimination lawsuit in December 2022, arguing that she had been unlawfully excluded because of her gender identity. The case quickly became a flashpoint in broader debates around trans rights and access to gendered spaces. In 2024, the Federal Court ruled that Giggle for Girls had engaged in unlawful indirect discrimination against Tickle under Australia’s **Sex Discrimination Act 1984**. The court found that excluding Tickle because she is a trans woman violated protections based on gender identity. Giggle founder **Sall Grover** later appealed the decision, arguing that sex is an “unchangeable biological binary” and that women should have the right to create single-sex digital spaces that exclude trans women. On Friday, the full bench of the Australian Federal Court rejected those arguments and upheld the earlier ruling, further strengthening the legal recognition of transgender people under Australian anti-discrimination law. The court affirmed that under Australian law, sex is not limited solely to a person’s sex assigned at birth. Judges ruled that Tickle had experienced direct discrimination linked to characteristics associated with her gender identity as a transgender woman. “This amounted to direct discrimination by reference to a characteristic that pertains to people of Ms Tickle’s gender identity, being a transgender woman,” the ruling stated. The judges also increased Tickle’s compensation from AUD $10,000 to AUD $20,000, including aggravated damages related to Grover’s conduct during the proceedings. Following the ruling, Tickle welcomed the outcome and said she hoped the case would help support trans and gender-diverse Australians. “I’m very pleased by the outcome of my case, and I hope that it assists trans and gender diverse people and their loved ones to heal,” she said. “I’ve brought my case to show trans people that you can be brave and that you can stand up for yourself. In the process, I surprised myself at how brave I could be.” ### Germany accused of failing to protect queer people from rising hate crime URL: https://www.scenemag.co.uk/germany-accused-of-failing-to-protect-queer-people-from-rising-hate-crime/ Last updated: 2026-05-15T08:42:17.000Z Germany is failing to adequately protect queer people from a sharp rise in hate crime, the LGBTQ+ advocacy group **LSVD+** said ahead of **International Day Against Homophobia, Biphobia and Transphobia**. “Within just a few years, the number of anti-queer hate crimes has increased nearly tenfold. Every single case is shameful for a free society,” LSVD+ board member **Andre Lehmann** said. Lehmann accused German authorities of a “failure of the state in security policy” and said the government was not doing enough to guarantee the safety of queer people. The group is calling for an amendment to Article 3 of Germany’s constitution, which prohibits discrimination, to explicitly include queer people. Lehmann said they remained the only group persecuted under National Socialism not to be specifically named in the constitution. Figures from Germany’s **Federal Criminal Police Office** show that crimes linked to sexual orientation and gender diversity have risen almost tenfold since 2010\. In May 2025, the agency said offences included insults, violent attacks, incitement and threats. “The sense of safety and freedom of millions of people in this country is at risk,” Lehmann said. In Berlin, counselling centre **Maneo** said this week it recorded 723 cases and reports of hostility against queer people last year. The incidents ranged from online abuse to attacks and harassment on the street, at home, at work, in schools and within families. ### Gay pornstar Reform UK councillor into "bears" and "stocky blokes" quits URL: https://www.scenemag.co.uk/gay-pornstar-into-bears-and-stocky-blokes-quits-as-reform-uk-councillor/ Last updated: 2026-05-15T08:38:44.000Z A newly-elected **Reform UK** councillor, who previously starred in gay adult content under the name “**Lachlan Taylor UK**”, has quit after being elected to represent Haydock in St Helens. **Stephen Mousdell** was identified in dozens of explicit online videos and on subscription platform OnlyFans, where he reportedly described himself as a “gay pornstar and DJ”. His social media and creator profiles openly referenced interests in “workies”, “truckers”, “bears” and “stocky blokes”. His online branding also leaned heavily into hyper-masculine aesthetics, including military, biker and tradie imagery. One social media user wrote: “The porn career isn’t the issue for me — supporting Reform is.” Reform UK defended Mousdell following the reports, stating that his “private lifestyle choices” were known before the election and that voters still chose to elect him. A party spokesperson added that “what consenting adults do in their private lives is their own business”. Mousdell subsequently stepped down from the position. The controversy arrives during a turbulent period for Reform UK, with several newly elected representatives facing allegations linked to offensive or extremist social media activity. Councillor Stuart Prior resigned shortly after his election following allegations involving racist online posts. Meanwhile, Sheffield councillor Nathaniel Menday was suspended after historical posts surfaced in which he allegedly praised Nazi “visionaries” and shared extremist imagery. Menday has denied being antisemitic and said he no longer supports far-right ideology. ### REVIEW: Tangerine (2015) URL: https://www.scenemag.co.uk/review-tangerine-2015/ Last updated: 2026-05-15T08:02:37.000Z Hello, cinema lovers. **Sean Baker**'s **Tangerine** is a landmark of queer cinema, a film that is both furious and funny. A decade after its Sundance debut, it has lost none of its impact. A stellar movie with a highly talented cast, *Tangerine* remains one of the few films to centre the solidarity of trans women of colour entirely on their own terms. Bask in its glory. ![https://www.imdb.com/title/tt3824458/mediaviewer/rm3748444417/?ref_=ttmi_mi_27_1](https://www.scenemag.co.uk/content/images/2026/05/MV5BMWQ2MTI1MjUtYjYyZC00OGZjLWFhM2YtYjA0YzA2ODhjZDM0XkEyXkFqcGc@._V1_QL75_UX754.5_-1.jpg) Released in the UK in November 2015 through Metrodome Group, this $100,000 independent film drops us into the sun-drenched streets of West Hollywood on Christmas Eve. Sin-Dee Rella (**Kitana Kiki Rodriguez**), a trans sex worker who has just served a 28-day prison sentence, discovers, within minutes of her release, that Chester (the late **James Ransone**), her boyfriend and pimp, has been sleeping with a cis woman while she was inside. Sin-Dee's response is elemental, and she goes out to find the woman herself. Every scene that follows radiates outward from that brutal fury. Rodriguez is amazing in this film, showing both chaos and wit. Alexandra (**Mya Taylor**) is Sin-Dee's best friend and the film's conscience. She's also a trans sex worker with a singing gig that evening and barely an audience to show for it. . Taylor is the quieter performer here, centring every scene she's in with an impressive grace. Director Baker met both women at the Los Angeles LGBT Centre in 2013, and neither had any acting experience before the shoot. That this film lands with such confidence is a testament to everyone involved. ![https://www.imdb.com/title/tt3824458/mediaviewer/rm560838913/?ref_=ttmi_mi_23_1](https://www.scenemag.co.uk/content/images/2026/05/MV5BMzk0OTExMzgtOWRkNC00MGQ4LTkxZWEtMThlNDQzZTEwYzA1XkEyXkFqcGc@._V1_QL75_UX754.5_.jpg) What Baker understood and what so many films about trans lives get wrong is that Sin-Dee and Alexandra's story is not a tragedy. This is a story about friendship and betrayal, set against the harsh reality of surviving on the streets. This is also a comedy that is so very sharp, despite never letting you forget the pain underneath. When Sin-Dee drags Dinah (**Mickey O'Hagan**), Chester's other woman, across Hollywood on a bus, it is funny but gut-wrenching. The film has a similar ethos to *Paris is Burning*; it brings you inside a world and trusts you to figure out how it works. ![https://www.imdb.com/title/tt3824458/mediaviewer/rm2221717761/?ref_=ttmi_mi_45_1](https://www.scenemag.co.uk/content/images/2026/05/MV5BNjQwNmVmZTQtOGJjZi00OTNhLTljNzAtM2QzZjhhMjJlNjY1XkEyXkFqcGc@._V1_QL75_UX754.5_.jpg) ![](https://www.scenemag.co.uk/content/images/2026/05/Tangerine_046-1-1.jpg) ![](https://www.scenemag.co.uk/content/images/2026/05/4-1-1-1.jpeg) This project is a remarkable success given the means at hand to produce it. The filmmakers completely shot the film on smartphones. The completed scenes are given a widescreen, golden glow that transforms the smoggy Los Angeles light. There's a visual warmth to this world that's poles apart from its characters' day-to-day grind. ![https://www.imdb.com/title/tt3824458/mediaviewer/rm3932993793/?ref_=ttmi_mi_35_2](https://www.scenemag.co.uk/content/images/2026/05/MV5BODFmZGMyYjctMDBiNC00ZjU3LTllODItNzI4YzRjODliNmE0XkEyXkFqcGc@._V1_QL75_UX754.5_.jpg) The film's handling of trans lives is generous but demanding. Police misgender Alexandra without a second thought. A client throws out a sex worker from his car after learning she is cis. That particular scene shows how trans women are fetishised. Trans joy, rage and sisterhood are all front and present on the screen. This is evident with the film's closing scene, in which Alexandra gives Sin-Dee her own wig to wear. This wig is Alexandra's most personal symbol of womanhood, and she offers it to her sister in need. The bond that has sustained these characters through the entire crazy day is shown with a simple, tender act. It's a standout moment in a movie filled with strong statements. ![https://www.imdb.com/title/tt3824458/mediaviewer/rm3714889985/?ref_=ttmi_mi_26_2](https://www.scenemag.co.uk/content/images/2026/05/MV5BY2FmM2M4NzEtNGY4ZS00MThlLWEzMTYtYzk5MThkODNiMjZhXkEyXkFqcGc@._V1_QL75_UX754.5_.jpg) According to Rotten Tomatoes, 96% of critics gave the film a positive review. The first Academy Awards campaigns for transgender actresses were launched for Rodriguez and Taylor in 2015; shamefully, neither received a nomination. A year before *Moonlight* became an awards darling, *Tangerine* should have beaten them to the punch. One of the very best LGBTQ+ movies to have come along in the last 50 years. Totally unmissable, my highest possible recommendation. ***Tangerine*** is available to stream now on Sky, Google Play and Apple TV. ![https://www.imdb.com/title/tt3824458/mediaviewer/rm3758734594/?ref_=ttmi_mi_50_1](https://www.scenemag.co.uk/content/images/2026/05/MV5BMjFjOTExY2MtODdmYy00NWZmLWEyYTgtNTNhMWE0MDdkNjNiXkEyXkFqcGc@._V1_QL75_UX432_-2-1-1.jpg) ![](https://www.scenemag.co.uk/content/images/2026/05/MV5BZmZjYjQ5ZDQtYjc2Yi00N2MxLThmMGMtZDE5ODIzZDliNWU5XkEyXkFqcGc@._V1_QL75_UX372_-1-1.jpg) ### INTERVIEW: From Bangkok to Brighton, The Ladyboys are back! URL: https://www.scenemag.co.uk/interview-from-bangkok-to-brighton-the-ladyboys-are-back/ Last updated: 2026-05-19T21:44:57.000Z The unstoppable icons of **Brighton Fringe**, **The Ladyboys of Bangkok** make their triumphant return with a gorgeous brand new, **Full Moon** show. A show so spectacular it practically crackles with electricity. From the moment the curtain rises, you’re swept into a world where sequins reign supreme, choreography defies gravity and every beat pulses with theatrical fire. Expect an avalanche of chart topping hits, riotous comedy and the unmistakable glamour of **Thailand**’s most radiant performers. Whether you’re a devoted follower or a wide eyed newcomer, prepare to be consumed by a whirlwind of joy, sparkle and show stopping brilliance. Over the years the show has welcomed celebrity visitors including **Rylan Clark**, **Russell Tovey** and **Katie Price**. The Pricey loves it actually, she mentions it on her podcast every now and then! Oh and I managed to snag an exclusive yap with the show’s manager, **Sandra Jolly** so let’s dive in....head first! > [ View this post on Instagram ](https://www.instagram.com/reel/DYR%5FODPx3HK/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by The Ladyboys of Bangkok (@ladyboysofbangkok)](https://www.instagram.com/reel/DYR%5FODPx3HK/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) DALEYPOP: Hey Sandra! For our readers who are intrigued about getting or have tickets already for The Ladyboys of Bangkok for the first time ever, how would you describe what this show really is beyond the costumes and glamour? SANDRA JOLLY: At the end of the day, it’s a fantastic night out. Yes, there’s glamour, amazing costumes and plenty of sparkle but what really makes the show special is the atmosphere. It’s fun, funny, high energy and welcoming. People come expecting spectacle, but what they often leave talking about is how much they laughed, sang along and just genuinely enjoyed themselves. DALEYPOP: Correct me if I'm wrong but I assume the new Full Moon show was inspired by Thailand’s famous **Full Moon Party**...? (an all-night beach party that originated in **Haad Rin** on the island of **Ko Pha-ngan** in 1985). SANDRA JOLLY: Yes, absolutely. > The Full Moon Party in Thailand is all about music, celebration and people coming together to have an unforgettable time, and that really inspired this production. We wanted to bring that same party spirit to the stage. The colour, the energy, the sense that anything can happen, and turn it into a Ladyboys of Bangkok night out. DALEYPOP: What would you say makes the new Full Moon production the ultimate Ladyboys of Bangkok night out? SANDRA JOLLY: This show really feels like a party from start to finish. It’s bigger, bolder and packed with energy. You’ve got incredible performances, huge costume changes, comedy, great music and loads of audience interaction. > It’s the kind of night where people can switch off from everyday life and just have fun. DALEYPOP: I just want to know how you continue to keep on topping award winning Fringe seasons and still surprise people?! SANDRA JOLLY: We never assume we can stand still. Audiences come back because they know they’ll have a great time, but they also want something fresh. So every year we look at how we can raise the bar. New ideas, new music, new production elements, while keeping the core of what people love. DALEYPOP: The show has a lot of audience interaction, do no two performances ever feel the same? SANDRA JOLLY: Not at all, and that’s one of the best parts. Every audience is different, every city is different and that changes the energy every night. Some crowds are wild from the first number, others build as the night goes on. That keeps it exciting for everyone, including us. DALEYPOP: Every performer really does bring their own personality to the stage. How do you encourage individuality while keeping such a polished ensemble feel? SANDRA JOLLY: That’s one of the show’s strengths. We absolutely want each performer’s personality to shine, because that’s what gives the show heart, but it all sits within a very professional production. Everyone works incredibly hard, so you get both individuality and a really slick overall experience. > [ View this post on Instagram ](https://www.instagram.com/reel/DX9l-PIRJHF/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by The Ladyboys of Bangkok (@ladyboysofbangkok)](https://www.instagram.com/reel/DX9l-PIRJHF/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) DALEYPOP: The Ladyboys of Bangkok has been touring and evolving for many years, right?! SANDRA JOLLY: Yes, since 1998, which is amazing really. Over the years the production has become bigger and more ambitious, but what’s never changed is the reason people come: to have a brilliant time. DALEYPOP: Audiences often talk about how joyful and welcoming the atmosphere feels. Is that something you consciously build into the show? SANDRA JOLLY: Definitely. We want everyone, whether it’s their first visit or their tenth, to feel included! It’s about creating a space where people can relax, laugh and enjoy themselves. DALEYPOP: Can you share a moment where you felt particularly proud of what this show represents? SANDRA JOLLY: Honestly, it’s seeing such a wide mix of people all having a great time together. Friends, couples, birthday groups, hen nights. Everyone just joins in. That shared enjoyment is something really special. DALEYPOP: Are you up for teaching our readers a few Thai words that capture the spirit of Full Moon? SANDRA JOLLY: Sanuk is a great one, it basically means fun and that’s exactly what this show is about. And sabai sabai which is more like relax, enjoy yourself, don’t overthink it. DALEYPOP: Comedy is such a big part of the experience. How do you make sure humour lands across different cultures, ages and cities? SANDRA JOLLY: A lot of it comes down to timing and knowing your audience. > Good humour is about connection, and because the show doesn’t take itself too seriously, people really respond to that. DALEYPOP: How do Thai attitudes to beauty and self expression shape the experience? SANDRA JOLLY: There’s a huge celebration of presentation, performance and self expression in Thai entertainment, and that absolutely comes through in the show. DALEYPOP: How excited are you to bring the party energy of Full Moon to Brighton? ![](https://www.scenemag.co.uk/content/images/2026/05/1000056906.jpg) 📸 The Ladyboys of Bangkok SANDRA JOLLY: Very! Brighton already has such an amazing energy. It’s a vibrant and open minded city and loves a good night out, so it feels like a perfect fit. DALEYPOP: For those who want the ultimate Full Moon experience (meeeeee), what makes the Champagne Trio tables the place everyone wants to be? SANDRA JOLLY: You’re right in the middle of it all. Best views, great atmosphere, a bit of luxury and a real sense that you’re part of the action. The Ladyboys of Bangkok are in Brighton until 31 May. Tickets are from £18\. Book tickets [HERE](https://www.tickettailor.com/events/ladyboysofbangkok/1943299?%5Fgl=1%2A1uav1oo%2A%5Fgcl%5Fau%2AOTUwNDA2NTA4LjE3Nzg3OTA4NDQ.%2A%5Fga%2AMTcwNDkwOTU0NC4xNzc1ODI0MzQ3%2A%5Fga%5FPED3Y9RLSC%2AczE3Nzg3OTA4NDQkbzIkZzEkdDE3Nzg3OTIyODkkajQ0JGwwJGg3NDc2MzEzMjc.&trackingConsent=1&ref=scenemag.co.uk) or call the on site box office on 07479 236252\. Please note, tickets are not available online 2 hours before the start of the event. Tickets may still be available from the on site box office. The Ladyboys of Bangkok arrives in ****London** this summer too! They'll bring their brand new show to ****Shepherd’s Bush Green** from 27 June-12 July, get tickets [HERE](https://tickets.ladyboysofbangkok.co.uk/events/ladyboysofbangkok/2021901?%5Fgl=1%2A1awa4dx%2A%5Fgcl%5Fau%2AMTcyOTI0NTMxNy4xNzc5MjI2ODk0%2A%5Fga%2AMTkzNDYxNTczNC4xNzc5MjI2ODk0%2A%5Fga%5FPED3Y9RLSC%2AczE3NzkyMjY4OTQkbzEkZzAkdDE3NzkyMjY4OTQkajYwJGwwJGg1MjUyODcwNTE.&trackingConsent=1&ref=scenemag.co.uk). ### Scene Magazine's biggest ever issue is available to pre-order now URL: https://www.scenemag.co.uk/scene-magazines-biggest-ever-issue-is-available-to-pre-order-now/ Last updated: 2026-05-14T19:11:02.000Z The Scene Magazine Summer 2026 Issue / Pride Edition is here, and it is our biggest issue yet. At 52 pages, the Summer 2026 issue is double the size of our Spring issue and goes on sale on 1 June. Pre-order your copy now at [shop.scenemag.co.uk](https://shop.scenemag.co.uk/products/summer-2026-pride-edition?variant=53519250489687&ref=scenemag.co.uk) to take advantage of the early-bird price before it hits venues across the UK. [Summer 2026 / Pride EditionThe future of Pride \[PRE-ORDER NOW // SHIPPING FROM 01 JUNE\] Our biggest issue yet. 52 pages of journalism, history, politics, and culture from the heart of the LGBTQ+ community. This is the Pride Edition. And Pride, as we’ve always understood it, is not a moment. It’s a movement with a past worth knowing and a future![](https://www.scenemag.co.uk/content/images/icon/S_Logo-2.svg)Scene MagazineScene Magazine![](https://www.scenemag.co.uk/content/images/thumbnail/SceneJune2026coverfinalbyChrisJepson.jpg)](https://shop.scenemag.co.uk/products/summer-2026-pride-edition?variant=53519250489687&ref=scenemag.co.uk) Enter ****SUMMER2026OFFER** at the checkout to get ****£3 off your order**. This issue is built around a single question: what is the future of Pride? To answer it, we have gone to the people who have shaped it, survived it, and are still fighting for it. Jonathan Blake, one of the founders of Lesbians and Gays Support the Miners, reflects on decades of solidarity. We trace the history of Dyke Pride, follow Trans Pride in the UK from its origins to today, and hear from young queer activists about what they actually want Pride to become. Green Party MP Siân Berry speaks to Scene about politics and our community. We explore bisexual regret, queer life in the Commonwealth, and the irreplaceable knowledge held by our queer elders. We report from San Francisco and from Hungary, where a new political moment carries both hope and caution for LGBTQ+ people. We also talk about surviving Pride season itself, and a timely reminder that our community has never voted as a single bloc and that is exactly as it should be. As you can see, this issue is packed with exciting articles. Not a single one of these pages will bore you. Promise. Pre-order your copy at [shop.scenemag.co.uk.](https://shop.scenemag.co.uk/products/summer-2026-pride-edition?variant=53519250489687&ref=scenemag.co.uk) ### Big Laughs, Bigger Heart: Ali Jay brings inclusive comedy to Brighton Fringe URL: https://www.scenemag.co.uk/ali-jay-brighton-fringe2026/ Last updated: 2026-05-14T18:12:38.000Z There is something special about comedy in Brighton. Maybe it is the city itself - playful, unpredictable, proudly different. Or maybe it is the people behind the scenes making sure everyone has a seat at the table. When I headed down to **The Caxton Arms**, tucked just beside Brighton station, I met one of those people: **Ali Jay**. Performer, producer, comedian, writer - Ali Jay wears many hats. Quite literally, according to Ali. *“I carry them both in the same bag”,* Ali jokes when I ask how performing and producing coexist. *“It’s a big bag”.* **Watch our full interview with Ali Jay, at The Caxton Arms:** 0:00 /4:43 1× And it is hard to argue with that. For decades, Ali has shaped LGBTQ+ comedy in Britain, creating opportunities, championing queer voices, and helping comedy feel more inclusive, more welcoming, and frankly, more fun. Now, Brighton Fringe 2026 is shining a deserved spotlight on that work. After being awarded one of the festival’s prestigious Venue Bursaries, Ali is bringing **Comedy at The Caxton** to life, an ambitious programme packed with stand-up, theatre, experimental comedy, and emerging talent. And judging by the energy underground at The Caxton Arms, audiences are very ready for it. When I arrive, the courtyard upstairs is buzzing. Drinks are flowing, performers are getting ready backstage, and downstairs in the small performance space, audiences are beginning to gather. “We are underground,” Ali laughs as we settle in for a chat beneath the pub. “Comedy at The Caxton… really close to the train station above us.” It feels fitting somehow; tucked beneath one of Brighton’s busiest areas sits a space dedicated to fun, storytelling, and community. And community is exactly what this programme is about. Ali’s comedy journey began long before Brighton Fringe bursaries and packed-out rooms. Back in the 1990s, Ali helped break barriers as co-host and producer of *Screamers*, widely recognised as the UK’s first weekly LGBTQ+ stand-up comedy night. At a time when queer comedy spaces were few and far between, *Screamers* offered something very different: visibility, belonging, and a microphone for voices that had often been pushed to the side. After stepping back from performing for a period, Ali returned with renewed energy – not only back on stage but behind it too, supporting new acts, creating platforms, and helping nurture emerging LGBTQ+ talent across the country. That kind of passion is visible throughout the Brighton Fringe programme. *“We’ve got shows all day today and all this evening",* Ali tells me enthusiastically, rattling off a packed schedule with the kind of excitement that only comes from genuinely loving what you do. One of the standout shows currently drawing attention is *Toast: Stories from the End of the World*, a theatrical production that had just opened the night before we met. *“It did really well”*, Ali says. *“So really exciting. It’s a big production for a little venue.”* Then there is the late-night comedy chaos. Eight comedians squeezed into one show for *Laughter to the Death*, created by comedian Paul Hines. *“Eight comedians”,* Ali says with a smile, still sounding slightly amazed. *“It’s absolute madness.”* And audiences seem to agree. The show is nearly sold out. But perhaps the most talked-about event in Ali’s own Fringe calendar is one that immediately caught my attention for obvious reasons: *Menopause Bingo*. Yes, you read that correctly. When Ali mentions the title, I cannot help but laugh. ![](https://www.scenemag.co.uk/content/images/2026/05/Liran-and-Ali-Jay.jpg) Liran Notik in a joyful interview with Ali Jay *“It is the hottest ticket in town, let’s face it”,* Ali replies. The show promises silliness, prizes, laughter, and, in true Brighton spirit, absolutely no shame. *“There’s lots of silly prizes, lots of silliness”,* Ali says*. “Lots of hot women will be in this room.”* The room erupts into laughter. And then comes the reminder of exactly where on the map we are. *“This is the lesbian capital of the UK”* Ali jokes warmly. *“People without lesbianism are welcome as well. We welcome all.”* That line, delivered with humour, captures something bigger about Ali’s approach to comedy. Inclusivity here is not treated like a buzzword or a diversity checkbox. It is simply built into everything Ali creates. Comedy can be seen as exclusive if certain audiences, voices or people dominate the room. Ali seems determined to challenge that. **Comedy at The Caxton** reflects years of believing that audiences deserve variety, established names sharing space with newer acts, LGBTQ+ performers existing naturally alongside broader programming, theatre sitting comfortably next to stand-up. And in a time when arts funding feels fragile and independent venues are constantly under pressure, there is something hopeful about seeing a small underground room buzzing with life. Especially in Brighton. As someone who spends a lot of time covering arts and community events, I know how much unseen work goes into spaces like this. Posters really don't put themselves up, talent doesn't magically appear, and programmes do not organise themselves. People like Ali make these things happen, because they care. As our conversation comes to an end, I tell Ali something I genuinely mean: Brighton’s comedy scene would not look the same without contributions like this: *“You contribute so much”,* I say. Ali, naturally, brushes it off with humour. But the core of it remains, and I'm glad I got to say it. Whether through producing, performing, writing, mentoring, or simply opening doors for others, Ali Jay has become one of Brighton’s comedy powerhouses - someone helping shape a scene that feels broader, kinder, and more representative of the city itself. And perhaps that is what makes **Comedy at The Caxton** feel so exciting and real, because it's not just a Fringe programme. It's an invitation to laugh, discover new voices and spend time with strangers, leaving the room feeling slightly lighter than when you arrived. And if you happen to leave after *Menopause Bingo* clutching a ridiculous prize and questioning your life choices? Well, that sounds very Brighton too. For updates on **Comedy at The Caxton** and upcoming shows, audiences can follow [**Ali Jay online**](https://www.instagram.com/alijaycomedy/?ref=scenemag.co.uk) and keep an eye on Brighton Fringe listings. ### Wes Streeting is the right type of gay, which is why he gets an easier ride URL: https://www.scenemag.co.uk/wes-streeting-is-the-right-type-of-gay-which-is-why-he-gets-an-easier-ride/ Last updated: 2026-05-14T15:12:26.000Z Wes Streeting may soon become Britain's first openly gay Prime Minister. If that happens, it will rightly be a moment in history. But it also raises an uncomfortable question: why are some gay politicians embraced by the political establishment while others are treated as dangerous, unserious, or extreme? One of Streeting's first major acts as Health Secretary was to extend the ban on puberty blockers. Since then, he has repeatedly aligned himself with figures inside Labour who position themselves as "gender-critical," at a time when trans people have become the primary target of Britain's culture wars. Yet despite this, Streeting rarely faces sustained scrutiny over the contradiction between his identity as a gay man and his willingness to support policies viewed by many LGBTQ+ campaigners as hostile to another part of the queer community. The contrast says something important about the way Britain treats queer politicians. Acceptance is often conditional. Society is comfortable with gay public figures when they appear respectable, conventional, and willing to reassure the establishment that they will not fundamentally challenge existing norms. But those who link gay liberation to wider struggles for gender identity, social change, or minority solidarity are treated with much more suspicion. Historically, much of social conservatism has been hostile to LGBTQ+ liberation, particularly around family structures, marriage, and gender norms. And so, for me, it raises a question as to why so many LGBTQ+ people class themselves as right, centre-right, or even far-right. That tension becomes even clearer when compared to Zack Polanski, the leader of the Green Party of England and Wales. In recent months, Polanski and the Greens more broadly have faced relentless criticism for their outspoken support of trans rights. Unlike Streeting, Polanski is often portrayed not simply as wrong, but as radical, unreasonable, or outside the political mainstream. As a gay man myself, I have often wondered at what point does it become acceptable to society. I guess, the question I am asking is, what does 'the right type of gay' look like? Is it someone who accepts and embraces difference, such as the way that Polanski fights for the trans community, or is it someone who is willing to throw one community under the bus in the way that Streeting has done? The question is not whether gay politicians should be allowed to disagree with other LGBTQ+ people. Of course they should. The real question is why certain forms of queerness are rewarded by the establishment while others are treated as beyond the pale. What does society actually mean when it says it accepts gay people - and who gets left behind in the process? ### Health Secretary Wes Streeting, who said an indefinite ban on puberty blockers for trans youth was "uncomfortable" but "ultimately right", resigns from Government URL: https://www.scenemag.co.uk/health-secretary-wes-streeting-who-said-an-indefinite-ban-on-puberty-blockers-for-trans-youth-was-uncomfortable-but-ultimately-right-resigns-from-government/ Last updated: 2026-05-14T12:43:00.000Z Health Secretary **Wes Streeting**, who said an indefinite ban on puberty blockers for trans youth was "uncomfortable" but "ultimately right", has resigned from Government. Mr Streeting announced his departure today (**Thursday, 14\. May**), saying he had “lost confidence” in Sir Keir’s leadership and could no longer remain in Cabinet “honourably and in good conscience”. The resignation makes him the first senior Cabinet minister to quit openly in protest against the Prime Minister. The move follows days of mounting unrest within the Labour Party after heavy losses in local and devolved elections. A number of MPs and junior ministers have publicly questioned Sir Keir’s future, while allies of Mr Streeting are reportedly attempting to gather support for a potential leadership contest. In his resignation letter, Mr Streeting criticised what he described as a “heavy-handed” leadership style and warned Labour risked losing public trust unless it changed direction. He stopped short of formally launching a leadership bid, though allies say he is preparing the ground for a challenge in the coming days. > [pic.twitter.com/9qI2Bj35ZK](https://t.co/9qI2Bj35ZK?ref=scenemag.co.uk) > > — Wes Streeting (@wesstreeting) [May 14, 2026](https://twitter.com/wesstreeting/status/2054894239817830429?ref%5Fsrc=twsrc%5Etfw&ref=scenemag.co.uk) Downing Street has insisted Sir Keir will not resign and remains determined to fight any leadership contest. Supporters of the Prime Minister argue that replacing him less than two years after Labour’s election victory would plunge the party into further instability. During his time as Health Secretary, Streeting became a controversial figure in debates over trans healthcare and policy. He backed the recommendations of the **Cass Review** into NHS gender identity services and argued that treatment for children experiencing gender dysphoria should be “evidence-led” and based on clinical safety. [Wes Streeting: indefinite ban on puberty blockers for trans youth “uncomfortable” but “ultimately right”At this week’s NHS LGBTQ+ Health Conference, Labour Health Secretary Wes Streeting defended his controversial decision to uphold the indefinite ban on puberty blockers for trans youth - a move that has sparked widespread criticism from LGBTQ+ activists, healthcare professionals, and even members of his own party. Streeting, who is![](https://www.scenemag.co.uk/content/images/icon/S-Logo-14.png)Scene MagazineGraham Robson![](https://www.scenemag.co.uk/content/images/thumbnail/Official_portrait_of_Wes_Streeting_crop_2-1-1.jpg)](https://www.scenemag.co.uk/wes-streeting-indefinite-ban-on-puberty-blockers-for-trans-youth-uncomfortable-but-ultimately-right/) Under Streeting’s leadership, the Government extended and later made indefinite restrictions on the prescription of puberty blockers for under-18s with gender dysphoria, except within clinical trials. The policy prompted strong criticism from trans campaigners and some LGBTQ+ organisations, who argued the restrictions would worsen access to care for young trans people. Streeting acknowledged that the debate had caused “fear and anxiety” within the trans community, while maintaining that safeguarding children and ensuring robust clinical evidence had to remain the Government’s priority. ### Nigel Farage backs Christian street preacher whose sermons described homosexuality as an “abomination” and warned of eternal punishment URL: https://www.scenemag.co.uk/nigel-farage-backs-christian-street-preacher-whose-sermons-described-homosexuality-as-an-abomination-and-warned-of-eternal-punishment/ Last updated: 2026-05-14T11:38:43.000Z **Nigel Farage** has come under fire after publicly backing a Christian street preacher whose sermons described homosexuality as an “abomination” and warned of eternal punishment. The **Reform UK** leader appeared in a video supporting Essex pastor **Stephen Clayden** after **Colchester City Council** attempted to place restrictions on his public preaching activities, according to reports in The Guardian. The row has prompted condemnation from **Labour**, which accused Farage of aligning himself with divisive figures rather than distancing himself from inflammatory rhetoric. A Labour spokesperson told *The Guardian* that Farage had once again surrounded himself with “extreme voices” and should have condemned the pastor’s remarks instead of offering public support. “This is just the latest in a string of examples that show Farage and Reform stand for division and are not on the side of working people,” the spokesperson said. In the recording, Farage told Clayden he was “fully on your side” and offered to put him in touch with contacts linked to the **Free Speech Union** campaign group. Clayden has argued that council officials objected both to the volume and content of his street sermons, including references to hell, judgement and homosexuality. Social media footage cited by *The Guardian* showed Mr Clayden preaching that various groups of sinners, including “sodomites”, would face “the lake of fire”. In another sermon referenced by the newspaper, he told passers-by that “the Bible says homosexuality is an abomination”. Clayden had previously described homosexuality as “vile, disgusting and wicked” during a church gathering, while insisting his comments reflected biblical teaching. Responding to the criticism, Clayden defended his remarks and said his sermons addressed many forms of sin, not homosexuality alone. “As our local MP here in Clacton-on-Sea, Farage is giving his support to a local church which has been issued with a notice restricting their freedom of speech,” he said. ### Hampstead ponds to remain trans‑inclusive URL: https://www.scenemag.co.uk/hampstead-ponds-to-remain-trans-inclusive/ Last updated: 2026-05-14T11:12:18.000Z **Hampstead Heath**’s single‑sex swimming ponds will remain open to trans people, the **City of London Corporation** has confirmed, following a public consultation on their future operation. The decision comes after pressure from the campaign group **Sex Matters**, which has indicated it intends to continue legal action against the City of London Corporation unless trans people are excluded from the men’s and women’s ponds. The Corporation manages the historic bathing spots on Hampstead Heath. An overwhelming majority of respondents to the consultation, made up of people who use the ponds, said they supported keeping the spaces trans‑inclusive. Responding to the news, **Trans+ Solidarity Alliance** director **Alexandra Parmar‑Yee** (she/her) said:“This is great news for the ponds but it’s ridiculous that they are going to inevitably have to spend public money defending their inclusive choice against well‑funded lawfare. “It’s on this Labour government to ensure a coherent legal framework that protects inclusive spaces like this more clearly. So far, they aren’t delivering – and services providers are caught in the legal crossfire.” The legal challenge centres on differing interpretations of equality law and how single‑sex services should be defined and operated. Similar disputes have created uncertainty for service providers across the UK, with organisations warning that the lack of legal clarity leaves them vulnerable to costly court cases. The City of London Corporation has previously said it aims to balance legal obligations with the needs and safety of all pond users, and noted the strong support for inclusivity expressed during the consultation process. ### Brighton Pride Street Party unveils 2026 line‑up led by Bimini and Gok Wan URL: https://www.scenemag.co.uk/brighton-pride-street-party-unveils-2026-line-up-led-by-bimini-and-gok-wan/ Last updated: 2026-05-14T10:54:15.000Z **Brighton Pride** has unveiled the line‑up for its 2026 **Street Party**, promising two days of music, drag and celebration on the city’s seafront as part of this year’s Pride weekend. The event will take place on **Friday, 1 August and Saturday, 2 August**, with organisers billing it as one of the centrepieces of Brighton & Hove Pride celebrations. ![](https://www.scenemag.co.uk/content/images/2026/05/698262122_1437769325047038_6635285748819095521_n.jpg) Headline acts include **Gok Wan**, who will perform a DJ set, alongside drag and club favourites such as **Bimini (DJ set)**, **Baga Chipz**, **Bailey J Mills**, **Benji James**, **Freemasons’ Russell Small**, **Kerry Ellis**, **OILF**, **Polyglamorous**, **Pxssy Palace**, **Rozalla**, **UOKHUN** and **Woody Cook**. The programme also features tribute performances, including **Absolute Britney** and **Melissa Totten as Madonna**, with hosting duties shared by **Sally Vate**, **Billie Gold** and **Pixie Polite**. ![](https://www.scenemag.co.uk/content/images/2026/05/downloadgram.org_491444854_18498016747044180_431415873397201096_n--1--1-1.jpg) Billie Gold A wider A‑to‑Z line‑up includes performers and DJs such as **Alex Fincher**, **Amy LaQueefa**, **Cherry Bomb**, **Cherry Liquor**, **Darcy Knox**, **Dave Lynn**, **Davina Sparkle**, **Emma Lindars**, **Jack McNamara**, **Lizzie Curious**, **Lovinia Bell**, **Marsha Mallow**, **Mary Gold**, **Mary O’Kart**, **Oli Partridge**, **Patrick Canvley**, **Rose Garden**, **Shania Pain**, **Snow White Trash**, **Son of a Tutu**, **Tayris Mongardi**, **The Madame**, **Vickie Vivacious & Portia**, and **3310 DJs**. ![](https://www.scenemag.co.uk/content/images/2026/05/PrideVillageParty_CJP4111-1024x533.jpg.webp) Organisers said the Street Party is being delivered in collaboration with several of Brighton’s LGBTQ+ venues, including **R Bar**, **Charles Street**, **Patterns**, **Legends** and the **Camelford Arms**. Presale tickets available from **Thursday, 14 May**, with general sale opening at **10am** on **Friday, 15 May**, [HERE](https://brightonstreetparty.co.uk/?ref=scenemag.co.uk). Organisers have urged people to book early, warning that tickets are expected to sell quickly. ### Regina Fong Terrace relaunch a resounding success at The Black Cap URL: https://www.scenemag.co.uk/regina-fong-terrace-relaunch-a-resounding-success-at-the-black-cap/ Last updated: 2026-05-14T08:02:23.000Z The **Black Cap** has celebrated the relaunch of **Regina Fong Terrace**, with the opening event warmly welcomed by guests, performers and long-time supporters alike. The much-anticipated unveiling last week marked a proud new chapter in the venue’s continuing revival, as visitors gathered to experience the new first-floor terrace space - created in tribute to the legendary drag artist **Her Imperial Highness Regina Fong**. ![](https://ext.frontusercontent.com/v1/proxy/mCGu85CmShYOruIA5x9FyYgK7Ut_IpDeNQly6sn6yJOEuZvEwvJtckyS5GH1skpRiMLWubWMjv-8Yl0nHOJMKap4GAZ3HInHfiLNL_kFkxPLOZEQbumhpmBfM79839t2ZhuL7KM-ISgmq8marZ1y2avvzXryWH0dxlWj0Ikku1RgttnrpstcZA4kcshMok2IVTErgP9DpH3g_N3YVG3t#https://dmscdn.vuelio.co.uk/publicitem/3fcf7f19-aba1-4bab-bef7-9b3fba40f3e4) From the moment doors opened, the atmosphere was electric. The terrace quickly filled with attendees enjoying live music, reconnecting with friends old and new, and celebrating the return of The Black Cap as a vibrant home of cabaret and community. The event underscored the venue’s enduring role on Camden High Street and its deep connection to decades of LGBTQ+ cultural history. A highlight of the day was the official ribbon-cutting ceremony led by **Black Cap** campaigner **Alex Green**, whose involvement reflected the years of dedication that helped bring the venue back to life. ![](https://ext.frontusercontent.com/v1/proxy/PL7ueo8opJkPzG8jaLdM_Qr-zUYD0nYFKwtyB0azpJ3pc39MqwjCgDhOfsGAUyYV5NpCsVCwPPCcaQK6n39e9QDJ7j8PDijFFiLS4tEsvW8uppw37Z_J2dmuJJEiz59RuWq9xee1QkUi0Chgth2gU_SbjZnHmdboT-Mkp6Vwzyu4U79loAJKPT1Kkl9WVrmZIOxqQaG2rrCvyXJtfdxc#https://dmscdn.vuelio.co.uk/publicitem/f7fe4bd2-5af2-410f-a7e9-113570557c54) Alex Green Speaking at the event, Alex said: “I cannot tell you how happy I was to be asked to ‘cut the ribbon’ for the reopening of the final piece of The Black Cap restoration…Fong Terrace after our beloved HIH Regina Fong. Sitting on the terrace chatting with old and new friends made the years of standing outside very much worth it.” The new terrace, accessed via the **Ms Shufflewick Bar** and complementing **Lilly’s Bar** below, forms part of a carefully restored venue that honours its past while embracing its future. At its heart is a striking blue plaque commemorating Regina Fong’s legacy, ensuring her presence remains central to The Black Cap’s identity. Bar Manager **Rafa Motycki** noted that the overwhelming turnout and positive response reflect the appetite for live entertainment and community spaces: “The popularity of the Black Cap has been incredible, and the terrace adds a new dimension - somewhere people can enjoy live music, fresh air, and the unique atmosphere that makes this venue so special.” ### First openly gay NBA player, Jason Collins, dies aged 47 URL: https://www.scenemag.co.uk/first-openly-gay-nba-player-jason-collins-dies-aged-47/ Last updated: 2026-05-13T15:23:37.000Z **Jason Collins**, the former **National Basketball Association** (NBA) centre who became the first openly gay player in a major North American professional sports league, has died at the age of 47 following a battle with brain cancer. His family confirmed on **Tuesday, 12 May** that Collins had died after what they described as a “valiant fight” with stage four glioblastoma, an aggressive and fast‑growing form of brain tumour. In a statement released through the NBA, his family said: “Jason changed lives in unexpected ways and was an inspiration to all who knew him and to those who admired him from afar… Our family will miss him dearly.” Collins enjoyed a 13‑year career in the NBA, playing for six franchises including the **New Jersey Nets, Atlanta Hawks, Boston Celtics** and **Washington Wizards**. Known more for his defensive presence and leadership than prolific scoring, he helped the Nets reach back‑to‑back NBA Finals in 2002 and 2003\. However, his greatest impact came off the court. In 2013, towards the end of his playing career, Collins publicly came out as gay in a first‑person essay, becoming the first active male athlete in one of North America’s four major professional sports leagues to do so. The announcement was widely praised, marking a watershed moment for LGBTQ+ representation in elite sport and helping to challenge long‑standing taboos within men’s professional athletics. Collins later returned to the NBA with the Brooklyn Nets in 2014, becoming the first openly gay player to appear in a regular‑season game. The NBA commissioner, **Adam Silver**, paid tribute, saying Collins’ “impact and influence extended far beyond basketball” and that he helped make the sport more inclusive and welcoming. He added that Collins would be remembered not only for breaking barriers, but also for his “kindness and humanity”. Collins had revealed late last year that he had been diagnosed with glioblastoma, undergoing treatment including radiation and chemotherapy in an attempt to slow the disease. Despite periods of improvement, the cancer returned in recent weeks, leading to his death at home surrounded by his family. Born in California, Collins was drafted in 2001 and went on to establish himself as a respected veteran presence across the league. After retiring in 2014, he remained involved with the NBA as an ambassador and advocate for inclusion. ### The Secret Society Brighton Fringe @ The Walrus (Tusk Club) URL: https://www.scenemag.co.uk/the-secret-society-brighton-fringe-the-walrus-tusk-club/ Last updated: 2026-05-12T11:20:39.000Z Brighton has always understood the power of a good secret. A city that has sheltered bohemians, outcasts, eccentrics and queers for centuries knows there is something delicious about a closed door, a whispered password, a circle of conspirators gathered in a basement. This fringe show promises exactly that; a secret society, rituals, sashes, sacred objects and mysteries that must not be revealed to the uninitiated. *The Secret Society* is the latest offering from the award-winning team [**The Chandeliers**](https://www.instagram.com/reel/DJM1GaiMj2-/?ref=scenemag.co.uk)behind *CSI: Crime Scene Improvisation*, and it wastes no time inducting you into the fold. Each audience member receives a coloured sash, Mustard, Emerald, and others emblazoned with a letter, plus a card whose contents must be guarded with your life, or at least with mild social embarrassment. You are no longer a punter who paid a tenner and wandered in off the seafront. You are now a Beaver, a Turtle, or a Ferret, and the fate of the entire Society may rest on your shoulders. What follows is an hour of joyfully unhinged immersive comedy that trusts its audience completely and that trust is the whole engine of the thing. The show shares its DNA with[ *CSI: Crime Scene Improvisation*,](https://www.crimesceneimpro.com/?ref=scenemag.co.uk) a production that has been delighting Fringe audiences for years with its audience-generated detective capers. Both shows understand a crucial principle: pure improv, untethered, can drift into chaos, but improv anchored by a sturdy narrative skeleton gives performers the freedom to be genuinely surprising without ever losing the room. There is a real plot involving a Great Leader running fashionably late, a second-in-command with strong bureaucratic energy and an Elder who communicates exclusively in maddening riddles. That backbone gives the performers a reliable map, even as the audience tears up and redraws them in real time. The crowd was a gloriously mixed Brighton cross-section with a strong and vocal queer contingent who took to the whole enterprise with particular relish. A pompous secret society whose grand rituals barely conceal the fact that everyone is improvising wildly resonates with anyone who has ever had to perform belonging. The show pokes affectionate fun at hierarchies and in-groups, and the audience's gleeful willingness to subvert the Society from within pure mischievousness. Crucially, nobody was made to feel uncomfortable. Participation was entirely self-directed, people stepped forward because they wanted to, not because a performer had them in their sights. The result was a room that grew increasingly relaxed, generous and magnificently chaotic. Suggestions were inspired. The performers absorbed them without a flicker, weaving the chaos into the scene as though it had always been there, a reminder of just how sharp this ensemble is. Some of the audience materials handed out at the start, the cards especially, feel like they have more potential than the current running time fully unlocks. But this is a new show still finding its edges, and the foundations are excellent. *The Secret Society* is funny, warm, inclusive and deeply, committedly daft which feels something close to a public service. **The Society reconvenes on 24th May at The Walrus (Tusk Club), 10 Ship Street. Tickets £10 / £8 concessions. Age 14+. They're expecting you.** **Full details on the** [**Brighton Fringe website.** ](https://www.brightonfringe.org/events/the-secret-society/?ref=scenemag.co.uk) ![](https://www.scenemag.co.uk/content/images/2026/05/BRIGHTONFRINGE-LOGO-2026-PURPLE-website-1.png) ### Russian woman sentenced over Stray Kids fanfiction featuring gay relationship URL: https://www.scenemag.co.uk/russian-woman-sentenced-over-stray-kids-fanfiction-featuring-gay-relationship/ Last updated: 2026-05-12T10:33:03.000Z A woman in Russia has been sentenced to 18 months of compulsory labour after writing fanfiction about K‑pop group **Stray Kids** that depicted a same‑sex relationship. **Alexandra Kuzyk**, a 36‑year‑old photographer, was prosecuted under laws prohibiting the “production and distribution of pornographic materials”, after admitting authorship of the story. The court opted for compulsory labour rather than prison, despite prosecutors initially pushing for a four‑year custodial sentence. Around 10% of her earnings will be withheld by the state during the period of punishment. The case was launched after a woman reported to police that her daughter had accessed the fanfiction, which had been posted online in 2022\. The story, later confirmed by LGBTQ+ health group **Parni+** to be based on Stray Kids, featured a romantic relationship between members of the band. Kuzyk admitted guilt in court and described writing fanfiction as a long‑standing hobby. The sentence comes amid a widening crackdown in Russia on LGBTQ+ content, following the expansion of laws banning so‑called “LGBT propaganda” in 2022\. Authorities have increasingly targeted online material, including amateur fiction and fan-created works, with websites hosting such content blocked or fined under the legislation. The case against Kuzyk is one of a growing number linked to those laws, with campaigners warning they are being used to restrict freedom of expression. ### Trans student stabbed to death at University of Washington URL: https://www.scenemag.co.uk/trans-student-stabbed-to-death-at-university-of-washington/ Last updated: 2026-05-12T10:20:49.000Z A 19-year-old trans student at the **University of Washington** has been stabbed to death, prompting a manhunt and raising concerns within the university’s LGBTQ+ community. The student, believed to be a trans woman, was found in a laundry room at the **Nordheim Court** housing complex, an off‑campus facility linked to the university, late on Sunday night. Police said officers were called to the scene at around 10.10pm on 10 May, where they discovered the victim and attempted lifesaving measures, but she was pronounced dead at the scene. Her identity has not yet been made public, pending notification of next of kin. Detectives have launched a homicide investigation and are searching for a suspect described as a man in his mid‑20s to 30s with a beard who was last seen wearing a button-up shirt and a vest with blue jeans. Police have warned that the individual should be considered “armed and dangerous” and urged anyone with information to come forward. No arrests have been made and investigators have not yet established a motive for the killing. In the immediate aftermath of the attack, students at the Nordheim Court complex were instructed to stay indoors and secure doors and windows as police searched the area. The shelter‑in‑place alert was lifted shortly before 1am, although officers continued to search the surrounding area and the investigation remained ongoing. The complex is part of the university’s student housing provision, with shared facilities including the laundry room where the victim was discovered. University president **Robert Jones** said the killing was a “profound loss” and offered condolences to the student’s family and friends. He also acknowledged the wider impact on the university community, adding that violence affecting a trans person can be “especially worrying” for LGBTQ+ students. Support services have been made available to those affected, including counselling and wellbeing resources for students in the aftermath of the incident. **Seattle Police** are leading the investigation, working alongside university authorities to establish the circumstances behind the killing. At this stage, officials have not confirmed whether the victim and the suspect were known to each other, and no further details about the events leading up to the stabbing have been released. ### Spain tops Europe’s LGBTQ+ rights ranking, with UK 22nd URL: https://www.scenemag.co.uk/spain-tops-europes-lgbtq-rights-ranking-as-maltas-decade-long-lead-ends-with-uk-22nd/ Last updated: 2026-05-12T08:24:50.000Z Spain has been ranked the best country in Europe for LGBTQ+ rights, ending Malta’s 10-year run at the top of[ **ILGA-Europe**’s annual **Rainbow Map**](https://www.ilga-europe.org/files/uploads/2026/05/rainbow-map-2026.pdf?ref=scenemag.co.uk) \- with the UK placed 22nd in the latest league table. The 2026 ranking, published on **Tuesday, 12 May**, assesses 49 European countries on their laws and policies affecting lesbian, gay, bisexual, trans and intersex people. Spain’s rise to number one reflects a series of legislative advances and political decisions, including stronger legal protections, national equality strategies and reforms to healthcare for trans people. ILGA-Europe said Spain’s position demonstrated that “political courage remains the most powerful answer” at a time when democratic institutions and minority rights are facing pressure across the continent. ![](https://www.scenemag.co.uk/content/images/2026/05/Screenshot-2026-05-12-at-09.15.00.png) The organisation’s deputy director, **Katrin Hugendubel**, said the country’s top ranking showed “what becomes possible when a government makes a deliberate choice to advance equality rather than retreat from it”. Spain replaces Malta, which drops to second place after a decade at the summit. Iceland, Belgium and Denmark round out the top five, while Russia remains at the bottom of the table. The Rainbow Map measures legal frameworks rather than lived experience - and ILGA-Europe cautioned that Spain, like many countries, still faces significant challenges. A report this year by Spain’s **LGTBI+ Federation** found assaults against LGBTQ+ people have risen by 15% since 2024, highlighting what campaigners describe as a widening gap between legal progress and everyday reality. Across Europe, the broader picture is mixed. While some countries have advanced protections, others are moving in the opposite direction, with LGBTQ+ issues increasingly used as a political battleground. The UK’s placement at 22nd reflects what campaigners have previously described as stagnation in policy development compared with other European nations. ![](https://www.scenemag.co.uk/content/images/2026/05/euronewsweek-media-VXhxUXXf0aI-unsplash.jpg) Unsplash The report highlights both progress and setbacks in trans rights across the continent. Albania climbed to 24th after introducing legislation recognising discrimination based on gender identity and expression. Czechia and Latvia also made gains by allowing legal gender changes without sterilisation. Elsewhere, Austria introduced alternative gender markers for non-binary people, while Croatia and Poland improved administrative procedures for gender recognition. Sweden introduced new legislation, although ILGA-Europe said it still falls short of a self-determination model. However, the organisation warned that anti-trans rhetoric and policy rollbacks are increasing in several countries. Beyond national legislation, European institutions have played a growing role in shaping protections. Over the past year, the **Court of Justice** of the **European Union** has issued key rulings on trans rights and the recognition of same-sex marriages across member states. In April, the court also ruled that Hungary’s controversial 2021 “anti-LGBTI propaganda” law breaches EU fundamental values and rights protections. ![](https://www.scenemag.co.uk/content/images/2026/05/Belarus_Nul_Points.jpg) Wikimedia Meanwhile, all 46 members of the **Council of Europe** adopted the first comprehensive international legal instrument focused specifically on the rights of intersex people in October 2025 - a move hailed as a significant step forward. Despite these developments, ILGA-Europe warned of a “real and growing danger” in parts of Europe. In Belarus, a new law modelled on Russia’s anti-LGBTQ+ legislation introduces criminal penalties. Slovakia has amended its constitution to define sex as fixed at birth, effectively blocking legal gender recognition. In Turkey, draft legislation and policy changes have reduced access to healthcare and increased pressure on activists. Other concerns include proposed rollbacks in Portugal, restrictions affecting freedom of assembly in Italy, and a referendum in Albania that could overturn newly introduced equality laws. Russia remains last in the ranking, with authorities continuing to intensify restrictions, including designating LGBTQ+ organisations as “extremist”, exposing individuals to criminal risk. ![](https://www.scenemag.co.uk/content/images/2026/05/leonardo-basso-pZxGAOOLUa8-unsplash.jpg) Hugendubel said this year’s findings tell “two stories at once” — one of progress and one of regression. “Spain, courtrooms, and leaders choosing to stand with their communities show genuine courage,” she said. “But there is also a serious level of risk that cannot be underestimated.” She added: “The question every government in Europe must now answer is which story they want to be part of.” The Rainbow Map, first published in 2009, scores countries out of 100 based on 76 criteria spanning areas including equality laws, family rights, hate crime protections, gender recognition and asylum. The average score across Europe this year stands at 43%, rising to 52% within the EU. ### 'Britain at the heart of Europe': Be bold, Prime Minister, and rejoin the EU for the sake of human rights URL: https://www.scenemag.co.uk/britain-at-the-heart-of-europe-be-bold-prime-minister-and-rejoin-the-eu-for-the-sake-of-human-rights/ Last updated: 2026-05-11T14:43:46.000Z Here we are, the Monday after the election results were announced. Results from last Thursday's local, mayoral and devolved elections have, in many ways, upended British politics and the way it has worked for over a century. This piece won't focus on Reform UK, Plaid Cymru or the Green Party, both of which had success in the elections that took place across regions of England, Wales and Scotland. We looked at this in a bit more detail in the last [Saturday Scene newsletter](https://www.scenemag.co.uk/the-saturday-scene-two-party-politics-in-the-uk-is-dead-and-gone-election-special/). This piece focuses on Prime Minister Keir Starmer and the Labour government, as we enter the period that will determine the direction Labour will take and who will be at the helm of it. The manoeuvring, calls for Starmer's resignation and negotiations on a way forward are already in full swing. According to [Sky News](https://news.sky.com/story/politics-latest-labour-government-suffers-first-defeat-in-lords-starmer-to-take-action-against-mps-who-defied-him-on-winter-fuel-vote-12593360?ref=scenemag.co.uk), more than 40 Labour MPs have demanded Starmer's resignation. The next hours and days will determine the outcome. The Prime Minister's [speech this morning](https://www.mirror.co.uk/news/politics/keir-starmer-speech-full-labour-37139398?ref=scenemag.co.uk) attempted to reset his leadership and steady the ship. He laid out how he believes Labour can win back voters and MPs, softening the calls for a new leader. He announced urgent legislation that will allow the government to nationalise British Steel. However, the part of his speech that caught my attention was this: > "This Labour government will be defined by rebuilding our relationship with Europe, by putting Britain at the heart of Europe, so that we are stronger on the economy, stronger on trade, stronger on defence, you name it." The upcoming EU summit, the Prime Minister said, will be used to deepen the relationship between the UK and the mainland. According to [YouGov](https://yougov.com/en-gb/articles/54567-how-strong-is-uk-support-for-rejoining-the-european-union?ref=scenemag.co.uk), 55% of Britons support rejoining the EU, so the announcement is welcome news, if it weren't for Starmer's continued commitment not to rejoin the Single Market or Customs Union. ![](https://www.scenemag.co.uk/content/images/2026/05/matt-brown-mXp9oUYIhNM-unsplash.jpg) Photo by [Matt Brown](https://unsplash.com/@mattthebrown?utm%5Fsource=unsplash&utm%5Fmedium=referral&utm%5Fcontent=creditCopyText) on [Unsplash](https://unsplash.com/photos/a-crowd-of-people-walking-down-a-street-mXp9oUYIhNM?utm%5Fsource=unsplash&utm%5Fmedium=referral&utm%5Fcontent=creditCopyText) Keir Starmer made progress by finally spelling out what a significant proportion of the population already knows: Brexit failed. Brexit was a mistake. It made us poorer and cost us soft power on the world stage. The only way to make the government's growth agenda work is by rejoining the Single Market as a first step, and rejoining the European Union as the second. But I'm looking at this not only through the lens of economic growth. Rejoining the European Union would be a lifeline for the decline of LGBTQ+ rights in this country. The UK, once a global leader in LGBTQ+ equality, has been sliding down the rankings, now sitting in [17th place on the Rainbow Europe Map, which monitors LGBTQ+ rights across European countries](https://www.scenemag.co.uk/uk-falls-to-17th-place-in-rainbow-europe-map-which-monitors-lgbtq-rights-in-european-countries/). The EU's [LGBTIQ Equality Strategy](https://commission.europa.eu/strategy-and-policy/policies/justice-and-fundamental-rights/combatting-discrimination/lesbian-gay-bi-trans-and-intersex-equality/lgbtiq-equality-strategy-2026-2030%5Fen?ref=scenemag.co.uk), which commits member states to progress on everything from hate crime legislation to cross-border recognition of rainbow families, represents exactly the kind of structural accountability the UK has lost access to since Brexit. These two threads, economic recovery and the protection of rights, are not separate concerns. They are the same argument. A country that retreats from its international frameworks loses ground on both simultaneously. Contrast that with the work the European Parliament is doing: pressing for an EU-wide [ban on conversion therapy](https://www.scenemag.co.uk/european-parliament-backs-eu-wide-conversion-therapy-ban-as-uk-continues-to-delay-legislation/) and advancing the cross-border recognition of same-sex families and trans identities. These are not just aspirations. They are legislative commitments that member states are held to. In his speech, the Prime Minister admitted that incremental changes are not enough, and he is right: incremental changes are not enough to win back the hearts and minds of the country. And they are not enough to reverse the decline of LGBTQ+ rights that has been set in motion over the past decade. If this government wants the UK to climb back up the prosperity ladder, creating economic wealth and a future that people don't dread; if it wants to reverse the decline of human rights, not just those of LGBTQ+ communities; if all of these progressive values are supposed to be not only visible but practised and lived, then there is only one answer: rejoin the European Union. ### RABBIE BURNS' BOTTOM DRAWERS @ The Walrus (Tusk Club) Brighton Fringe URL: https://www.scenemag.co.uk/rabbie-burns-bottom-drawers-the-walrus-tusk-club-brighton-fringe/ Last updated: 2026-05-11T13:27:57.000Z *Christine Weir, Cameron Robertson, Shahrukh Mubashir | Dir. Clare Stopford* Scotland's national bard was a serial lover, a Church-baiter, a man who looked polite society dead in the eyes and wrote filth anyway. Robert Burns was, in the most joyful sense, a sexual liberationist two centuries before the rest of us and *Rabbie Burns' Bottom Drawers* arrives at Brighton Fringe to gleefully prove it. Downstairs at the Walrus's Tusk Club, this bonkers sixty-minute musical romp is fringe at its most unapologetically fringe. The conceit: it's 1796, Burns has just died, and his long-suffering housekeeper has stumbled across a hidden cache of extremely questionable poetry in the great man's bottom drawer. The literary society decides a public reading is the only responsible course of action. The housekeeper, played with deft comic timing by **Christine Weir**, needs persuading. A wee dram is offered. Then another. By the third she is absolutely *delighted* to share every last scurrilous lyric and the audience is singing along from the first number. The show cleanly separates genuine Burns material, including the tender *My Love is Like a Red, Red Rose,* from the newly invented filth, presented with a straight face. The contrast is half the joke. **Cameron Robertson** matches Weir's energy beautifully, the two sharing easy chemistry throughout. Musically **Shahrukh Mubashir** is the steady backbone on guitar, while Weir herself fluently moves between singing, dancing and keyboards and Robertson's turn on interpretive percussion, recorder and saxophone holds more than a few surprises. The harmonies are lovely throughout the music a mix of rock and roll and trad. The characters of **Maw Broon and Oor Wullie,** a formidable Scottish mum and her roguish wee companion, lifted from beloved comic strips, work as a framing device, placing the respectable and the disreputable in exactly the kind of gleeful collision that was Burns' entire brand. The accents are clearly worked at with care, though the dialect is occasionally so magnificently thick that it becomes genuinely difficult to tell what is supposed to be naughty and what isn't. The cast's vigorous gesticulations provide a helpful prurient compass. One note of constructive bewilderment: there is a duck whistle. This show sails in the waters of gleeful filth, commit to it. The show closes with a staccato burst of actual Burns facts that reframes this as genuine love for the man. Burns, you suspect, would have approved. Mostly. Classic fringe. Completely bonkers. **Remaining dates: May 25 (12:15pm) & May 31 (1:30pm). £12.50 / £10 concessions. 16+. Strong language and sexually explicit content as Burns intended.** **Full details** [**here on Brighton Fringe.** ](https://www.brightonfringe.org/events/rabbie-burns-bottom-drawers/?ref=scenemag.co.uk) ![](https://www.scenemag.co.uk/content/images/2026/05/BRIGHTONFRINGE-LOGO-2026-PURPLE-website.png) ## Or...: in Burns own dialect Haud yer wheesht an' listen weel ye glaikit sassenach bampots, fur there's a braw wee theatrical stooshie lurkin doonstairs at the Walrus wi' mair brass neck than a gallus heilan coo breengin intae a ceilidh uninvited. *Rabbie Burns' Bottom Drawers* hauds its hale daft premise fae the verra year oor Bard cowped his creels. His lang-sufferin housekeeper — played wi' sic magnificent thrawn-ness, then sic magnificent blootered willingness, by the braw **Christine Weir** — discovers a muckle cache o' poems so heid-burstin scandalous they'd hae the Kirk elders greetin intae their parritch. The literary society resolves tae howk the filth oot an' declaim it tae a roomfu' o' strangers. The housekeeper needs a wee hauf tae loosen her tongue. Then anither. Then a third — at which juncture she is radge wi' delight an' the hale audience is bawlin alang afore the second nummer's hauf wey doon the brae. This gallus wee show truly kens its Rabbie: a liberationist afore onybody invented the bliddy wird, wha scrievit aboot desire an' bodies withoot a scrap o' shame. Twa hunder year on, that spirit feels awfy queer in the verra best sense — defiant, joyful, an' tellin authority tae awa' an bile its heid. Musically the thing is a wee gem, so it is. **Shahrukh Mubashir** is the steady smeddum o' the hale operation on guitar, the reliable backbone haudin the rammy thegither. **Christine Weir** hersel birls between singin, dancin an' keyboards wi' the energy o' a wumman wha's hud exactly the richt number o' drams, while **Cameron Robertson** delivers interpretive percussion, recorder, an' — haud ontae yer sporrans — a genuinely impressive turn on saxophone that fair skelps ye roond the lugs wi' surprise. The hairmoanies ur, tae this critic's considerable astonishment, genuinely gey bonnie. Noo — honest counsel, hen. The dialect is at times so heroically impenetrable that yer critic couldnae tell whit wis the filthy bit an' whit wis jist Ayrshire weather. The cast's vigorous gesticulations provided a prurient compass bearing, which wis, if onythin, funnier than actual comprehension. An' then — yer critic's een narrae wi' purpose — there is, inexplicably, a duck whistle. Ye either commit tae the filth, ye magnificent bampots, or ye dinnae. Hoy the bliddy thing intae the Clyde where it belanes. The hale stooshie ends wi' a wee salvo o' genuine Burns facts — warm, earnest, an' quietly reframin everythin as pure daft affection fur the man. A fine touch, so it is worn like the bravest thistly tartan. Radge, braw, an' awfy guid fun. *Rabbie wid huv approved. Maist likely. Awa' an raise a dram, ye bampots.* ### Sir Ian McKellen says fellow actor urged him to stay quiet on gay rights URL: https://www.scenemag.co.uk/sir-ian-mckellen-says-fellow-actor-urged-him-to-stay-quiet-on-gay-rights/ Last updated: 2026-05-11T12:51:37.000Z Sir **Ian McKellen** has revealed that *Star Wars* actor Sir **Alec Guinness** once advised him to stay out of politics and avoid campaigning for gay rights, telling him it was “unseemly” for actors to get involved. The veteran actor, 86, recalled being taken to lunch by Guinness at a key moment in his life, shortly after he publicly came out as gay and became involved in LGBTQ+ activism. Speaking in a recent interview, McKellen said the **Obi-Wan Kenobi** star had invited him to an Italian restaurant in Pimlico before raising concerns about his work with **Stonewall**, the LGBTQ+ rights group he helped establish. “He thought it somewhat unseemly for an actor to dabble in public or political affairs and advised me, sort of pleaded with me, to withdraw,” McKellen said. The *Lord of the Rings* star, however, said he chose to ignore the advice, describing it as coming from “an older generation”. McKellen came out publicly in 1988 during a BBC Radio interview and went on to become one of the founding members of Stonewall the following year, campaigning against Section 28, which banned the “promotion” of homosexuality in schools. Reflecting on the exchange, he said he had recently been reminded of the encounter while watching a touring stage show about Guinness’s life, *Two Halves of Guinness*. Guinness, widely regarded as one of Britain’s greatest actors, died in 2000\. McKellen noted that attitudes towards sexuality within the industry had shifted significantly since their conversation, with far greater openness among performers today. The actor has long been an outspoken advocate for LGBTQ+ rights and has frequently encouraged others in the public eye to come out, arguing that greater visibility helps drive social change. ### TalkTV pays ‘substantial damages’ to drag artist after children’s storytime row URL: https://www.scenemag.co.uk/talktv-pays-substantial-damages-to-drag-artist-after-childrens-storytime-row/ Last updated: 2026-05-11T11:15:22.000Z **TalkTV** has apologised and agreed to pay “substantial damages” to a Northern Ireland drag performer following a defamation claim linked to a row over a children’s storytime event. The case centres on Belfast-based actor **Matthew Cavan**, who performs as drag artist **Cherrie Ontop.** He had been taking part in a children’s storytelling session at the MAC theatre during **Belfast Pride** in July 2022 when the event became the focus of protests and widespread online debate. Legal action was later brought over claims made about the performer, which were alleged to have damaged his reputation. Under the settlement, TalkTV accepted the statements had no factual basis, issued an apology and agreed to pay damages and legal costs. The controversy around the event sparked significant attention, with protest activity and social media posts making serious allegations about drag performers. In previous legal proceedings tied to the same event, courts heard that Mr Cavan had been falsely portrayed in online material as a danger to children, leading to harassment and threats. Mr Cavan, who has spoken publicly about the impact of the accusations, previously said he received threats and abuse after the claims were circulated, highlighting the personal toll such allegations can have. The case comes amid wider national debate over drag events for children, which have attracted both support and opposition. ### ‘Steel Magnolias’ made Sally Field's son gay URL: https://www.scenemag.co.uk/steel-magnolias-made-sally-fields-son-gay/ Last updated: 2026-05-11T10:46:59.000Z Hollywood star **Sally Field** has revealed her son jokingly credits her 1989 film *Steel Magnolias* with influencing his sexuality. The Oscar-winning actress said her youngest child, writer and producer **Samuel Greisman**, has often quipped that spending time on the set as a baby is “probably why he’s gay”. Field, 79, was reflecting on her experience making the much-loved film in a recent interview, describing it as a “wonderful, wonderful experience”. She recalled frequently bringing Samuel, who was just six months old at the time, to set, where he was cared for by the film’s all-female ensemble cast, including **Shirley MacLaine**, **Dolly Parton** and **Julia Roberts**. “He was on the set all the time and my friends took care of him,” Field said, adding: “Sam has always said that that’s probably why he’s gay,” a remark she made in jest. ![](https://www.scenemag.co.uk/content/images/2026/05/Sally_Field_-_Grauman-s_Egyptian_Theatre_-_Norma_Rae-1.jpg) Sally Field The actress said she retains fond memories of the film’s close-knit cast, with the group often socialising together away from filming. Greisman, now in his 30s, has previously spoken about his close relationship with his mother and growing up around film sets, even noting that a conversation about his sexuality later informed one of her on-screen scenes. Field, who has long been a vocal supporter of LGBTQ+ rights, has three sons and has frequently expressed pride in all of them, including Samuel. *Steel Magnolias*, widely regarded as a classic, followed a group of women navigating friendship and loss, and remains one of Field’s most celebrated roles. ### Queer Britain, the UK’s national LGBTQ+ museum, unveils summer programme ahead of London Pride URL: https://www.scenemag.co.uk/queer-britain-the-uks-national-lgbtq-museum-unveils-summer-programme-ahead-of-london-pride/ Last updated: 2026-05-11T09:14:44.000Z **Queer Britain**, the UK’s national LGBTQ+ museum, has announced a packed summer programme of exhibitions and events as London prepares to host Pride on **Saturday, 4 July**. Based in **King’s Cross,** the museum reopened its galleries in February with a refreshed series of displays for 2026\. The updated collection features more than 200 objects spanning LGBTQ+ history, including a panel from the **UK AIDS Memorial Quilt**, costumes from iconic club night **Club Kali,** football shirts worn by **Justin Fashanu**, and material from the **Women’s Liberation** music movement. ![](https://www.scenemag.co.uk/content/images/2026/05/03---Queer-Britain-Museum--credit---Rahil-Ahmad-for-Queer-Britain-Museum-.jpg) Queer Britain Museum (credit Rahil Ahmad for Queer Britain Museum) The museum is open from **Wednesday - Sunday**, **12 - 6pm**, and will extend its hours for two evening openings as part of its **Museum Lates** series on **Thursday, 18 June** and **Thursday, 16 July**. Alongside its permanent collection, Queer Britain will host a range of temporary exhibitions throughout the summer. ***Fighting with Pride***, running from **3 June - 20 December**, examines the impact of the ban on gay people serving in the **British Armed Forces**, which was lifted in 2000\. Developed in partnership with the LGBTq+ veterans’ charity **Fighting For Pride**, the exhibition explores the personal stories of service members who were dismissed, stripped of honours and affected by the policy. A second exhibition, ***Progressive Advertising with Diageo***, will run from **3 June - 26 July**. The display highlights a selection of campaigns from brands including **Smirnoff**, **Guinness** and **Johnnie Walker**, showcasing what the drinks company describes as its commitment to LGBTQ+ inclusion and representation. ![](https://www.scenemag.co.uk/content/images/2026/05/02---Guests-at-Queer-Britain-Museum--credit-Rahil-Ahmad-for-Queer-Britain-Museum-.jpg) Guests at Queer Britain Museum (credit Rahil Ahmad for Queer Britain Museum) The museum will also stage a series of author events. On **30 May**, writer **Mark O’Connell** will present his book ***Bond, Queer Bond: The Fabulous Other History of a Spy***, offering an alternative look at the cultural legacy of 007. Further talks include **Layla McCay**’s ***The Queer Bookshelf*** on **13 June**, which explores LGBTQ+ themes across literary genres, and ***Rainbow Wales*** on **27 June**, where **Emily Garside** will be interviewed by activist **Lisa Power** about notable queer figures in Welsh history. **Andrew Given**, chief executive of Queer Britain, said the programme comes at a significant moment in the LGBTQ+ calendar. He added: “As we mark 54 years since the very first London Pride, there’s no better time to visit Queer Britain to learn more about LGBTQ+ history, with stories of community, reflection and creativity from across the UK, and to celebrate our shared queer stories, past and present.” 💡 Queer Britain is a registered charity and the first museum in the UK dedicated to preserving and showcasing LGBTQ+ history and culture. More info [HERE](https://queerbritain.org.uk/?ref=scenemag.co.uk) ### Equity presents Durham Pride with £7,000+ donation after Reform UK cuts funding URL: https://www.scenemag.co.uk/equity-presents-durham-pride-with-7-000-donation-after-reform-uk-cuts-funding/ Last updated: 2026-05-11T08:40:03.000Z **Equity**, the performing arts and entertainment trade union, has presented **Durham Pride** with a £7,200 donation after the annual event had its budget cut by **Durham County Council**, which is led by Reform UK. The donation was announced on Saturday (9 May) night at the **Miners’ Hall** in Durham, where Equity held a reception to celebrate the region’s trade union history. **Mel Metcalf**, organiser of Durham Pride, was handed a cheque by Equity President **Lynda Rooke**, who said that the union was “sending a message to Reform and any other group that is planning on attacking the cultural sector.” Earlier this week, Equity announced that it had negotiated an agreement with Durham Pride for the first time in the event’s history, setting minimum pay, terms and conditions for performers engaged by the event. Durham Pride will taking place on Saturday, 30 May. ![](https://www.scenemag.co.uk/content/images/2026/05/20260509-0T5A6381.jpg) Credit - Troy Walker Presenting the donation, **Equity President Lynda Rooke** said: “Equity - your union - will not allow a Pride event that brings work for our members and celebrates our performers to die. And I am proud to announce that Equity has stepped up… "And what's even better is that this new agreement signed between Durham Pride and Equity will ensure decent standards for all our members and our workers. We are sending a message to Reform and any other group that is planning on attacking the cultural sector, which is: We see you, we will fight you, and we will succeed.” Accepting the donation at the presentation, **Mel Metcalf, organiser of Durham Pride,** added: “I just wanted to say thank you so much. I don't think you realise how much this really means to a small charity like ours… It's our 15th year \[of Durham Pride\] and what we've learned is that nobody can stop Pride. They said Pride won't happen, Pride is finished, Pride is done. But they don't control Pride, we do. So show up for Pride and get the banners out!” ### The Saturday Scene: Two-party politics in the UK is dead and gone [Election Special] URL: https://www.scenemag.co.uk/the-saturday-scene-two-party-politics-in-the-uk-is-dead-and-gone-election-special/ Last updated: 2026-05-09T10:06:30.000Z _This post is for subscribers only._ ### ‘I lived in the shadows’: Former Corrie star Amanda Barrie on coming out later in life URL: https://www.scenemag.co.uk/i-lived-in-the-shadows-former-corrie-star-amanda-barrie-on-coming-out-later-in-life/ Last updated: 2026-05-08T11:55:56.000Z A former *Coronation Street* star has revealed she believed she would have been sacked if her sexuality became public, as she reflects on decades spent hiding her identity and says she is still “learning how to be free” at the age of 90. Writing in *The i Paper*, actor **Amanda Barrie**, who played Alma Halliwell on the ITV soap, said she was convinced during her time on the show in the 1980s that coming out would have ended her career. “Even as an actress… it was not always possible to be open,” she wrote. “I firmly believed during my time in *Coronation Street* in the 1980s that I would be sacked if my sexuality became public knowledge.” She added that the close association between actors and their characters meant producers would have feared backlash from audiences, writing that “it would almost certainly have been felt that our viewers would not accept a gay Alma”. Barrie described how those fears shaped her life for decades, saying she became accustomed to “living in the shadows” after years of concealing her sexuality. She said the culture she grew up in made openness impossible, recalling: “Homosexuality wasn’t a word you even heard mentioned. I, like so many, lived a life of denial.” At school, she said she tried to conform despite recognising her feelings for other girls. “I even invented boyfriends so that I would fit in,” she wrote, adding that she had in reality been “deeply in love with the head girl”. Barrie later married actor **Robin Hunter** in 1967, saying the relationship was genuine, but she continued to suppress her identity for many years. Her article also reflects on how markedly attitudes have changed since then. She noted that *Coronation Street* now features numerous LGBTQ+ characters, remarking: “Now *Coronation Street* abounds with gay characters, to the extent that I have wondered if it should be renamed Canal Street.” She added wryly: “So it has occurred to me that maybe I was wrong. Maybe it is catching…” Barrie said she still finds it difficult to adjust to modern acceptance, writing: “I still half expect people to disapprove of me having a wife rather than a husband. And I doubt I will ever stop being surprised that, nowadays, at last, nobody seems to care.” She married her long-term partner, novelist Hilary Bonner, in 2014, after same-sex marriage was legalised in the UK. But she admitted the legacy of years spent hiding her identity continued to weigh on her, even on her wedding day. “Old fears die slowly,” she wrote, explaining that “after so many years of hiding my real self… a little part of me did wonder if we might be arrested on the way out.” Looking back on her life, Barrie said she had recognised her feelings from a young age, recalling how traditional stories never quite fit her experience. As a child, she said she would lie awake thinking “the story should be set in a time when women can marry women”. Her reflections highlight both the pressures faced by LGBTQ+ people in previous decades and the extent of social change in Britain, with Barrie describing a journey from secrecy and fear to a later-life sense of openness. 💡 Her article, [“I thought I’d be fired from Corrie for being gay – at 90 I’m learning how to be free”](https://inews.co.uk/opinion/i-thought-id-be-fired-from-corrie-for-being-gay-at-90-im-learning-how-to-be-free-4399136?ref=scenemag.co.uk), was published by **The i Paper* on 8 May. ### Finnish "Christian Democrat" convicted of hate speech over pamphlet about homosexuality to appeal decision URL: https://www.scenemag.co.uk/finnish-christian-democrat-convicted-of-hate-speech-over-pamphlet-about-homosexuality-to-appeal-decision/ Last updated: 2026-05-08T11:37:36.000Z A Finnish MP convicted of hate speech over a pamphlet about homosexuality has said she will appeal to Europe’s top human rights court. **Päivi Räsänen**, a parliamentarian for the **Christian Democrats** and a former interior minister, was found guilty by Finland’s Supreme Court in March in a closely split ruling. The conviction relates to a pamphlet first published in 2004, in which Räsänen expressed her views on sexuality and described homosexuality as a “disorder of psychosexual development”. Finland’s highest court ruled by a 3–2 majority that making the material publicly available amounted to a criminal offence of “incitement against a minority group”. Räsänen was fined about €1,800 following the decision. Lower courts had previously acquitted her of all charges, but prosecutors pursued the case, leading to the Supreme Court judgment after several years of legal proceedings. The court acquitted Räsänen on a separate allegation relating to a social media post quoting a Bible verse, but upheld the conviction connected to the pamphlet. Announcing her next move this week, Räsänen said she would take the case to the **European Court of Human Rights** in Strasbourg, arguing that the ruling infringed freedom of expression. In a statement, she said: “You can freely oppose and criticise my writings and views, but labelling opinions as a crime seriously restricts freedom of speech.” The case centres on a booklet titled *Male and Female He Created Them*, which set out a traditional Christian view of marriage and criticised same-sex relationships. The text, originally produced for a church audience, was later republished online and on social media. A Lutheran bishop who helped publish the pamphlet was also convicted. The long-running case has attracted international attention, particularly from groups concerned about the balance between hate speech laws and freedom of expression. Supporters of the ruling say it reflects the need to protect minority groups from harmful rhetoric, while critics argue it risks criminalising religious or political views. Räsänen has said she believes the outcome of her appeal could have wider implications for free speech across Europe. The European Court of Human Rights will now consider whether Finland’s decision is compatible with rights protections under the **European Convention on Human Rights**. ### X ranked worst platform for LGBTQ+ safety in new social media report URL: https://www.scenemag.co.uk/x-ranked-worst-platform-for-lgbtq-safety-in-new-social-media-report/ Last updated: 2026-05-08T10:56:16.000Z Social media platform **X** has been ranked the least safe major network for LGBTQ users in a new global report, with researchers warning that protections across the industry have reached “historic lows”. Theannual **Social Media Safety Index**, published by LGBTQ+ advocacy organisation **GLAAD**, assessed six of the largest platforms on their policies around safety, privacy and freedom of expression. It found that X, formerly Twitter, scored just 29 out of 100 - the lowest of all those surveyed. The report, released on 7 May 2026, said the platform continues to rank last for LGBTQ+ safety, reflecting ongoing concerns about hate speech, harassment and weak enforcement of community standards. Researchers evaluated **TikTok**, **YouTube**, X and Meta-owned **Facebook**, **Instagram** and **Threads** using a range of indicators, including content moderation policies, corporate transparency and protections against abuse. Across the board, scores declined compared with the previous year, with the exception of TikTok. GLAAD said most companies were retreating from previously established best practice, contributing to what it described as a worsening environment for LGBTQ+ users online. X’s score placed it behind YouTube, which received 30 points, while Meta’s platforms all fell into the high 30s and low 40s. TikTok recorded the highest score at 56, though still well below full marks. The findings highlight widespread concerns about the direction of major tech firms’ policies. GLAAD said the overall landscape of social media was “rife with anti-LGBTQ+ hate, harassment, and disinformation”, and warned that many platforms were failing to prioritise user safety. According to the report, recent policy changes by several companies have contributed to the decline. These include rollbacks to hate speech protections, reduced transparency around moderation decisions and the scaling back of diversity and inclusion programmes. Particular concern was raised about the impact on transgender and gender non-conforming users, with researchers pointing to weakening protections in community guidelines and enforcement systems. GLAAD said the ongoing fall in scores suggests a growing gap between the policies companies claim to uphold and the real-world experiences of LGBTQ+ users on their platforms. The advocacy group has called on social media firms to strengthen safeguards, improve transparency and reinstate protections to ensure safer online spaces for marginalised communities. The report marks the sixth year that GLAAD has published its index, and its authors said the persistence of low scores across all platforms showed the scale of the challenge facing the industry. ### REVIEW: The Watermelon Woman (1996) URL: https://www.scenemag.co.uk/review-the-watermelon-woman-1996/ Last updated: 2026-05-08T10:38:16.000Z Hello, cinema lovers. History doesn't always wait for better funding. Director **Cheryl Dunye** made ***The Watermelon Woman*** on a very tight budget. She wrote it, directed it and starred in it. Duyne was the first Black dyke director to produce a feature film. That's incredibly impressive, and this movie is a key piece of work that comes with a huge reputation. deservedly so. ![https://www.imdb.com/title/tt0118125/mediaviewer/rm3471910145/](https://www.scenemag.co.uk/content/images/2026/04/IMAGE-1-1-1-1-1-1.jpg) Dunye plays Cheryl, a cute, butch 25-year-old video store worker from Philadelphia who becomes enamoured with a beautiful black actress from the 1930s credited only as "The Watermelon Woman." She's given no name and no background. She's just a dated caricature of a woman with no identity, a "Black Mammy" cliche. Cheryl resolves to solve the mystery of this fascinating person. Alongside this quest is a romance storyline with Diana (**Guinevere Turner**), a white fem customer in her shop. There's also a close friendship with co-worker and best friend Tamara that strains as the story progresses. ![https://www.imdb.com/title/tt0118125/mediaviewer/rm3924894977/](https://www.scenemag.co.uk/content/images/2026/04/IMAGE-3-1-1.jpg) Alongside The movie follows a mockumentary format. Handheld cameras and talking heads tell the tale well. Fae Richards, "the watermelon woman" is the centre of the story and Cheryl's obsession. The made-up photographs of Fae were created for the film by photographer **Zoe Leonard**. Real archival material of this type didn't exist because black queer artists were mostly excluded from the public record. Dunye decides to invent a fabricated history that should have always existed. ![https://www.imdb.com/title/tt0118125/mediaviewer/rm4176553217/](https://www.scenemag.co.uk/content/images/2026/04/IMAGE-2-1.jpg) **Lisa Marie Bronson** plays Fae across the 1930s snapshots. Fabricated statements from her former partner carry a lot of emotional weight. A character shown initially as a stereotype gets to be developed into a complex person. There's also a feeling of anger and frustration from Cheryl as she discovers Fae has been mistreated. **Valarie Walker** as Tamara does great work in this film. Tamara's obvious resentment towards Diana isn't just jealousy. It's a question the director is asking about who gets access to black spaces. Walker gives Tamara an honest grievance that's worth showing. The scenes between her and Cheryl are the most honest the film gets about race and romance. ![https://www.moma.org/calendar/events/3559](https://www.scenemag.co.uk/content/images/2026/04/Watermelon_Woman_1997_2.jpg) The scenes with academic **Camille Paglia** playing herself, handing out supremely confident opinions about other people's histories, are tough to watch. It feels like the filmmakers are doing this deliberately, and this is shown as a contrast with Cheryl's cautious search for answers. Where the film is less successful is the romance storyline between Cheryl and Diana. The scenes between Cheryl and Diana feel slight and not terribly deep. However, extra points should be given for the hot, sweaty sex scenes between two beautiful dykes. Dunye was working with a small budget and little experience; the constraints do show at times. However, this doesn't detract from an impressive final result. *The Watermelon Woman* was added to the **National Film Registry** in 2021\. That reflects the movie's reputation in queer cinema. This film is a pioneering Black lesbian film. Before Dunye, there wasn't this type of movie in the world. She created it from scratch; she brought a whole genre into existence. Her lead character is an upfront butch lesbian who is unafraid to express herself. It shows great confidence and power to highlight the dyke community with that much accuracy. What Dunye is saying here is that representation isn't just about seeing yourself on screen. It's about having a history. It's about knowing that people like you existed beforehand. The queer community were always more than the crude stereotypes we were forced to accept in early cinema. An incredibly fascinating movie that is as relevant in 2026 as it was in 1996\. A landmark. *The Watermelon Woman* is available to stream on Amazon Prime. ![https://www.imdb.com/title/tt0118125/mediaviewer/rm2779225344/?ref_=tt_ph_1](https://www.scenemag.co.uk/content/images/2026/04/IMAGE-4-2-1.jpg) ### Drag acts at Durham Pride to benefit from Equity agreement - setting minimum standards on pay URL: https://www.scenemag.co.uk/drag-acts-at-durham-pride-to-benefit-from-equity-agreement-setting-minimums-standards-on-pay/ Last updated: 2026-05-08T09:35:17.000Z Organisers of **Durham Pride** have signed a new agreement with **Equity**, the trade union representing around 50,000 performers and creative practitioners, marking a first for the event. The deal sets minimum standards on pay, terms and conditions for performers appearing at Durham Pride, including drag artists, actors and cabaret acts. Alongside a similar agreement with **Manchester Pride**, it is among the first of its kind to be negotiated by Equity with Pride organisers. The announcement comes after **Durham County Council**, led by **Reform UK**, withdrew the event’s funding entirely for this year. Despite the cut, Durham Pride is set to go ahead as planned on **Saturday, 30 May**. Representatives from Durham Pride will attend Equity’s annual conference, which runs in the city from Saturday, 9 May to Monday, 11 May. They are due to take part in a presentation on Saturday evening celebrating the region’s trade union history and Pride movement. [Equity and Manchester Village Pride sign landmark union agreementPerformers’ union Equity and Manchester Village Pride have signed a landmark union agreement which guarantees pay, health and safety standards and protection against bullying and harassment for drag and burlesque performers at the newly founded festival. The agreement was forged in the aftermath of the collapse of Manchester Pride last![](https://static.ghost.org/v5.0.0/images/link-icon.svg)Scene MagazineGraham Robson![](https://www.scenemag.co.uk/content/images/thumbnail/23aec88863a3cccb275e6f5168a486267b97ba81.jpeg)](https://www.scenemag.co.uk/equity-and-manchester-village-pride-sign-landmark-union-agreement/) Equity’s general secretary, **Paul W Fleming**, said the agreement would be highlighted as an early success at what he described as a “campaigning conference”. “We’re starting with a win - celebrating one of the UK’s first collective agreements for a Pride event, based in the City of Durham,” he said. “The hosts of our conference venue at the **Miners’ Hall** are the **Durham Miners’ Association**, who fought for and funded Durham Pride when the Reform County Council pulled the plug. ![](https://www.scenemag.co.uk/content/images/2026/05/581318556_1242233837937644_8725064111564570216_n.jpg) “We’re excited to bring Equity delegates to the **Pitman’s Parliament**, an incredible place which is testament to what our movement can build when we’re accountable, aspirational, collective, and industrial.” **Dominic Bascombe**, Equity’s official for the North East, Yorkshire and Humber, said the agreement underlined the importance of union-backed standards for performers. “This agreement with Durham Pride UK is a recognition of the importance of union-agreed terms and conditions in all workplaces with Equity members,” he said. “The Durham Pride agreement, the Manchester Pride agreement, and others we expect to see signed this year celebrate the equality and hard-won rights of the LGBT+ community, while upholding that spirit through decent conditions for their workforce. It is Equity’s ambition to make union agreements the norm for Pride events across the country.” **Mel Metcalf**, chair of Durham Pride UK, said organisers were “really pleased” to be leading the way. “A safe, fair and equitable working environment is what we strive for every year,” she said. “This year’s Pride is set to be the biggest and best yet.” ![](https://www.scenemag.co.uk/content/images/2026/05/648308756_901836349503303_4829128209027458280_n-1.jpg) ****Miss Tess Tickle** Performers have also welcomed the move. Durham-based drag artist **Miss Tess Tickle** said the agreement represented important recognition for those at the heart of Pride celebrations. “As a North East drag artist, I’m really proud to see Durham Pride taking this step and working with Equity to set proper minimum standards for performers,” she said. “Drag, cabaret and live performance are a huge part of what makes Pride celebrations vibrant and meaningful, and the artists who give their time, energy and creativity deserve fair pay, clear terms and professional respect.” She added that the agreement could set a precedent for other events across the UK. “This is a positive move not just for Durham Pride, but for Pride events across the region and the UK. It shows that our community celebrations can also lead the way in supporting the people who bring them to life on stage.” Miss Tickle also praised organisers for pressing ahead with the event despite the loss of council funding. “It’s inspiring to see the event going ahead despite the recent budget cuts,” she said. “Pride has always been built on resilience and community support, and this moment reflects exactly that.” ### Labour urged to protect Parkrun from ‘American interference’ over trans inclusion URL: https://www.scenemag.co.uk/labour-urged-to-protect-parkrun-from-american-interference-over-trans-inclusion/ Last updated: 2026-05-08T08:35:48.000Z **Labour** has been urged to act to protect **Parkrun** from what campaigners describe as “American interference”, after a US-based religious organisation issued a legal threat over trans inclusion in the UK. The **Alliance Defending Freedom** (ADF), an American group known for its role in the legal campaign that helped overturn **Roe v Wade,** has warned Parkrun and other sporting bodies that their policies may be in breach of the UK Supreme Court’s recent ruling on trans rights. The intervention has prompted a backlash from thousands of runners and volunteers. More than 2,100 parkrunners and supporters have written to their MPs calling on ministers to defend inclusive community spaces such as Parkrun. They are also urging the government to address what they describe as growing legal uncertainty for organisations following the Supreme Court judgment. The legal threat was issued by the ADF’s international arm, which the **Southern Poverty Law Centre** has designated as a hate group. The organisation wrote to several sports bodies, including Parkrun, in partnership with Conservative peer **Sharron Davies**, arguing that allowing trans participants to compete as themselves may not comply with the court’s ruling. Campaigners say the move represents the “American religious right breaking cover” in the UK to exploit perceived weaknesses in the legal position of trans people. The response from the Parkrun community has been swift, with many calling on Labour to prevent what they see as external pressure undermining inclusive grassroots sport. **Kay Heenan**, 33, from Edinburgh, who has been a Parkrun participant and volunteer for eight years, said the event had always been rooted in openness and community spirit. “Parkrun is, and always has been, about community,” she said. “It brings together a wonderful cross-section of people and creates a space where everyone is welcomed and celebrated for showing up on a Saturday morning. Excluding trans people goes against that spirit entirely. “Efforts by the ADF to push for exclusion should be firmly resisted, and inclusive spaces like Parkrun should be protected.” **Haasje Wientjes**, 33, from London, said changing Parkrun’s approach would undermine its ethos as a volunteer-led initiative. “I take part in Parkrun every week,” she said. “Changing Parkrun’s inclusion policy goes against what Parkrun has always meant to me as a volunteer-led initiative focused on the simple joy of running together. Restricting participation feels extremely unfair and risks damaging a weekly event that welcomes a community of all runners.” The controversy comes amid wider concern about the impact of the Supreme Court ruling, with campaigners warning of a rise in “lawfare” - the use of costly legal threats to pressure inclusive organisations. High-profile groups such as **Girlguiding** and the **Women’s Institute** have faced pressure over their policies, while legal disputes linked to trans inclusion, including those concerning facilities at Hampstead Heath ponds, remain ongoing. Earlier this year, more than 140 women’s and LGBTQ+ organisations, coordinated by the **Trans+ Solidarity Alliance** and backed by Labour MP **Nadia Whittome**, called for reforms to equalities law to better protect inclusive organisations from legal challenges. **Alex Parmar-Yee**, director of the **Trans+ Solidarity Alliance**, said the Parkrun case highlighted the need for urgent government action. “National institutions like Parkrun are being attacked by the religious right because Labour is hanging them out to dry,” she said. “Organisations need confidence to defend their trans-inclusive positions but, despite claims of clarity, the legal landscape after the Supreme Court judgment has become chaotic. “Expensive threats like this will continue, and organisations like Girlguiding and the Women’s Institute will continue to be harmed by anti-trans lawfare, unless Labour acts to protect them. “Trans people deserve to be able to take part in public life as themselves. Organisations like the ADF may be targeting trans people in the UK now, but they will not stop there.” 💡 Campaigners have launched an appeal for support, with further details available [HERE ](https://protectparkrun.uk/?ref=scenemag.co.uk) ### Vatican report acknowledges LGBTQ+ Catholics experience “solitude, anguish and stigma” URL: https://www.scenemag.co.uk/vatican-report-acknowledges-lgbtq-catholics-experience-solitude-anguish-and-stigma/ Last updated: 2026-05-07T12:19:48.000Z A **Vatican** report has acknowledged that many LGBTQ+ Catholics experience isolation, stigma and emotional distress within the Church. The document, released on **5 May** by a group of theologians as part of the **Synod of Bishops** process, is believed to be the first official Vatican publication to include detailed personal testimonies from LGBTQ+ Catholics. Drawing on first-hand accounts, the report highlights what it describes as “solitude, anguish and stigma” experienced by people with same-sex attraction and their families, as well as the complex tension between faith and sexuality. Authors say the testimonies reveal “both lacerations and longings, hope and pain”, pointing to a lived reality in which individuals often feel marginalised within their own religious communities. The report also reflects critically on past Church approaches to LGBTQ+ issues, particularly so-called “conversion” or “reparative” therapies. It notes these practices have had “devastating effects” and contributed to “profound suffering” among those subjected to them. Such experiences, the report suggests, have deepened feelings of isolation and contributed to what some described as a “disintegrating separation between faith and sexuality”. In one testimony, a participant described the personal impact of efforts to change sexual orientation, while others spoke of being encouraged to suppress or conceal their identity in order to remain within Church life. Despite its candid tone, the report stops short of proposing any changes to Catholic doctrine on sexuality or marriage. Instead, it calls for a renewed emphasis on pastoral care, dialogue and listening to lived experiences. The authors argue that bridging the gap between established teaching and the realities faced by LGBTQ+ Catholics will require a more holistic approach, incorporating insights from psychology and human experience alongside theology. Advocates have described the inclusion of personal testimonies as unprecedented for a Vatican document. The Rev **James Martin**, a prominent Jesuit priest and LGBTQ+ ministry founder, said it marked the first time such accounts had been presented in detail in an official publication. Observers say the move reflects a broader effort within the Church’s global synod process to become more “listening and participatory”, although they caution that the report’s impact on everyday parish life remains uncertain. The report emerges in a context of ongoing debate within the Catholic Church over LGBTQ+ inclusion. While recent years have seen gestures towards greater openness - including informal blessings for some same-sex couples - official teaching continues to define marriage as between a man and a woman. As a result, many LGBTQ+ Catholics continue to navigate what the report itself identifies as a tension between doctrinal certainty and pastoral welcome, a divide that has often led to experiences of marginalisation or “double lives”. ### Cambridge Pride to return next month URL: https://www.scenemag.co.uk/cambridge-pride-to-return-next-month/ Last updated: 2026-05-07T12:01:27.000Z **Cambridge Pride** will return to **Jesus Green** on **Saturday, 13 June**, promising a full day of celebration, entertainment and community spirit in the heart of the city. The free festival, which begins at 12pm, will feature a packed programme of live performances, activities and inclusive spaces aimed at welcoming people from across the region. The weekend’s festivities will also include a special ticketed event on **Friday, 12 June,** when *Now That’s What I Call Drag* brings its show to the park to launch the celebrations. **Anglia Ruskin University** has once again signed on as the event’s main sponsor. Professor **Catherine Lee**, Pro Vice Chancellor, said the university was proud to support the event. ![](https://www.scenemag.co.uk/content/images/2026/05/AliceChapman-CamPride24-FullRes-50.jpg) Image by Alice Chapman “Pride is more than a celebration, it’s a powerful act of solidarity,” she said. “As ever, we stand together with our LGBTQ+ students, staff and local communities, especially in these challenging times. “Inclusion and belonging are at the heart of everything we do at Anglia Ruskin University. Through our education and research, we continue to drive positive change and challenge inequality.” The day will begin with a vibrant parade through Cambridge city centre, setting off from Jesus Green at midday. Community groups, performers and supporters are expected to take part, filling the streets with music, colour and movement in celebration of equality and diversity. Groups wishing to join the parade can register online. ![](https://www.scenemag.co.uk/content/images/2026/05/AliceChapman-CamPride24-FullRes-69.jpg) Image by Alice Chapman Back on Jesus Green, the **Main Stage** will host a wide-ranging line-up of entertainment, including live singers, drag performers and dance acts from both local and national artists. Elsewhere, the **Dance Tent** will feature a mix of genres from LGBTQ+ DJs based in Cambridge and beyond, alongside a special guest DJ who organisers say will be a highlight of the day. Visitors can also explore a bustling **Traders Market** offering jewellery, clothing, artwork and Pride merchandise, while the **Food Village** will showcase a variety of international cuisine, from Italian and Caribbean dishes to vegan options, along with sweet treats and refreshments. A new and returning focus on community will be found in the **Community Hive**, a space bringing together local charities, student unions and organisations. The area will host talks and live music in a more relaxed setting, along with activities for younger visitors including an art space and storytelling sessions with **Pop N Olly**. ![](https://www.scenemag.co.uk/content/images/2026/05/AliceChapman-CamPride24-FullRes-155.jpg) Image by Alice Chapman Organisers have also included a **Calm Corner**, providing a quiet and accessible space for attendees who may need time away from the main crowds. A family-friendly funfair will offer rides and attractions throughout the day. While Saturday’s main festival is free to attend, tickets are available for Friday night’s drag show, as well as for “The Oasis” - a premium experience running alongside the main event, offering a covered seating area, improved views of the stage and additional benefits for supporters. Supporters are encouraged to [download the 2026 event pack](https://www.scenemag.co.uk/two-arrested-following-bbc-probe-into-fake-gay-asylum-advice/) from the Cambridge Pride website for further ways to get involved, and to follow the organisation on social media for updates and details of events throughout the year. ### Two arrested following BBC probe into ‘fake gay’ asylum advice URL: https://www.scenemag.co.uk/two-arrested-following-bbc-probe-into-fake-gay-asylum-advice/ Last updated: 2026-05-07T09:41:46.000Z Two people have been arrested following an investigation into allegations that immigration advisers encouraged asylum seekers to falsely claim they were gay in order to remain in the UK. The arrests, carried out during coordinated raids in east London, come after a **BBC** undercover investigation uncovered what officials described as “dodgy advice” being given to migrants whose visas were due to expire. **Home Office** immigration enforcement officers detained a woman in her late 40s on suspicion of providing immigration services unlawfully, contrary to section 91 of the **Immigration and Asylum Act**. A man in his early 20s was also arrested on suspicion of fraud. The arrests follow covert filming by BBC reporters, who found evidence that some migrants were being coached on how to fabricate asylum claims based on sexual orientation. According to the investigation, individuals whose visas were nearing expiry were allegedly advised on how to create false evidence, including staged photographs, supporting letters and accounts of same-sex relationships. Footage recorded at an event for LGBTQ+ asylum seekers also captured several attendees telling an undercover reporter that they were not in fact gay. The Home Office launched an investigation following the BBC’s findings, leading to the raids in east London by its **Criminal and Financial Investigations** unit. Immigration Minister **Mike Tapp** said the alleged activity risked undermining the integrity of the asylum system. “Our asylum system is there for people who are genuinely fleeing persecution and war,” he said. “But people that are trying to abuse it will not be accepted.” He added that authorities would pursue any advisers found to be offering fraudulent guidance, warning: “If lawyers, or so‑called lawyers, and legal advisers are out there providing this dodgy advice, we’re coming after that.” The arrests have prompted a fresh political row over the UK’s asylum system. Conservative shadow home secretary **Chris Philp** said the operation did not go far enough, arguing that “a handful of arrests changes nothing while the underlying incentive remains intact”. Other parties called for balanced reform. Liberal Democrat spokesperson **Will Forster** said the UK needed a system that was “fair, controlled and efficient”, emphasising support for genuine asylum seekers while preventing abuse. The BBC investigation suggested the problem may be part of a broader pattern involving advisers charging migrants large sums to help them construct false cases. Officials say such practices risk damaging the credibility of legitimate asylum applications, particularly those based on sexual orientation, where individuals may face persecution in their home countries. The Home Office has said inquiries are ongoing, with further action possible as investigators examine the scale of the alleged misconduct. ### Zodiac Bar, one of north London’s only trans‑founded LGBTQ+ venues, relaunches with bid for protected status URL: https://www.scenemag.co.uk/zodiac-bar-one-of-north-londons-only-trans-founded-lgbtq-venues-relaunches-with-bid-for-protected-status/ Last updated: 2026-05-07T09:20:08.000Z One of north London’s only trans‑founded and LGBTQ+ community‑run venues is relaunching this weekend as it seeks formal protection through community ownership powers. **Zodiac Bar, Club and Karaoke** on **Hampstead Road** in **Camden** has undergone a major refurbishment led by long‑time shareholder **Simon Williams** and fellow shareholder and builder **Philip Knowles**. The relaunch comes at a challenging time for LGBTQ+ venues in the capital, many of which have faced closure in recent years. Alongside the reopening, a campaign has been launched to have the venue listed as an Asset of Community Value (ACV). Supporters are being encouraged to submit an application to **Camden Council**, a move that would give the community the chance to bid for the site should it ever be put up for sale. ![](https://www.scenemag.co.uk/content/images/2026/05/Zodiac-Bar-May-2026---Zodiac-Bar-CEO-Simon-Williams-getting-hands-stuck-in-at-renovation-2.JPG) Zodiac Bar CEO Simon Williams getting stuck in The campaign follows similar successful bids for venues including **Heaven** and the **Royal Vauxhall Tavern**. A [public petition backing Zodiac’s application has also been launched.](https://www.change.org/p/protect-zodiac-lgbtq-in-camden/?ref=scenemag.co.uk) The bid has attracted support from prominent figures including Dr **Victoria McCloud**, Britain’s first trans judge, Camden **Green Party** leader Cllr **Lorna Jane Russell**, and trans activist **Vicky Lee**, founder of the long‑running **Way Out Club**. ![](https://www.scenemag.co.uk/content/images/2026/05/Zodiac-Bar-during-a-core-trading-night-1.jpg) Dr McCloud said she “wholly support\[s\]” the application, describing Zodiac as “a key promoter of intersectional LGBTQ+ life in all its variety”. Vicky Lee said spaces such as Zodiac play a vital role in society. “Facilitating community is as important for a healthy society as personal housing,” she said. “The sanctuaries that do this for Londoners are becoming ever fewer and far between.” ![](https://www.scenemag.co.uk/content/images/2026/05/Zodiac-Bar-April-2026---Prior-to-renovation.JPG) Prior to renovation Cllr Russell added that LGBTQ+ venues are “culturally and socially vital”, particularly as rising rents and redevelopment continue to affect nightlife across London. The relaunch comes against a backdrop of significant decline in LGBTQ+ venues in the capital. Figures from the **Greater London Authority** show that numbers fell from 125 in 2006 to just 50 in 2022, with rising costs and development pressures cited as key factors. Zodiac’s owners say securing ACV status would help safeguard the venue’s future and ensure it remains a dedicated LGBTQ+ space. “It is important that Camden borough remains a welcoming and friendly place for people of all walks of life,” Williams and Knowles said in a joint statement. ![](https://www.scenemag.co.uk/content/images/2026/05/Zodiac-founder-Jade-Phoenix-and-shareholder-Dee-Chanelle-with-Zodiac-customers-and-supporters.jpg) Zodiac founder Jade Phoenix and shareholder Dee Chanelle with Zodiac customers and supporters “Zodiac having this special status will give the local LGBTQ+ community a say in the future of this iconic venue, as well as ensuring that it remains an LGBTQ+ space in the long term.” They added that the venue hosts a range of inclusive events, including trans nights, disability‑inclusive programming and drag performances, and serves as a visible safe space for marginalised residents. Zodiac was founded by trans entrepreneur **Jade Phoenix** in July 2020, initially operating as a pop‑up event series before opening permanently at 119 Hampstead Road in November 2021. ![](https://www.scenemag.co.uk/content/images/2026/05/Zodiac-Bar-May-2026---General-Renovation-Pic-Ext.JPG) In an open letter released alongside the campaign, Williams described the venue as both a community hub and a functioning business, rooted in Camden’s history and identity. “Zodiac is my spiritual home,” he wrote. “It is the room where the Camden I grew up in is still alive … independent, loud, kind, dangerous to nobody and lifesaving for many.” Zodiac’s relaunch will take place over the weekend, with events running from **12-8pm** on **Saturday, 9 May** and from midday on **Sunday, 10 May**. ## [SIGN THE PETITION HERE](https://www.change.org/p/protect-zodiac-lgbtq-in-camden/?ref=scenemag.co.uk) ### The Most "Heterosexual" Couple in Showbiz: Pearl & Dean at Brighton Fringe URL: https://www.scenemag.co.uk/pearl-dean-brighton-fringe-2026/ Last updated: 2026-05-07T08:47:56.000Z There are interviews that feel structured, predictable, neatly tied up. And then there are interviews like the one I had with **Dan Lockwood** and **Alasdair Carson-Sheard** \- better known (and very seriously self-described) as **Peter Pearl** and **Marsha Dean**. We met just after their performance at **Caravanserai Brighton**, 'Under the Archway', and within seconds it became clear: this was not going to be a conventional conversation. Pearl & Dean are not just characters. They are a full-blown world. ## Watch our full interview 0:00 /5:06 1× The most "heterosexual" couple in show biz, ****click to watch our full interview** --- ## Cabaret Chaos at Sea Brighton, proudly queer, loud, and unapologetically itself, is perhaps the perfect, or most ironic, place for Pearl and Dean to exist. Positioning themselves as "the most heterosexual couple” in show biz, is of course, part of the joke. But like all good cabaret, there’s something layered underneath the humour. *“Well, I think the thing is we spend as much time together as we need to and as much time apart as we can”,* they tell me, with a straight face that makes the line land even harder. It’s this commitment to character, never breaking, never winking too obviously that gives their performance its edge. The humour isn’t forced. It emerges naturally from the absurdity of the world they’ve built. And that world? It includes cruise ships, Nashville recording sessions, questionable interior design choices, and a love story that feels both entirely fictional and oddly believable. --- ## Separate Beds, Shared Lives One of the recurring themes in both the interview and the show is the idea of togetherness and the creative ways Pearl and Dean navigate it. When I ask (perhaps unwisely) about the dynamics of their relationship, things quickly escalate into territory that is both hilarious and completely unexpected. *Marsha explained: “I think I can safely say… you’re (Peter) very much a bottom”,* comes the reply before immediately pivoting into an explanation about cruise ship bunk beds and vertigo. It’s chaotic. It’s ridiculous. And it works. Because just when you think you understand the joke, it shifts. The punchline isn’t where you expect it to be. And then comes the reveal that their album is titled *Separate Beds* a detail that somehow makes perfect sense. *“On the cruise ships… we have bunk beds”,* Peter explain. *“I have to go for bottom bunk because otherwise I get vertigo”.* In any other setting, this would be a throwaway joke. Here, it becomes part of a wider narrative, a relationship built on compromise, practicality, and a very specific kind of theatrical absurdity. ![](https://www.scenemag.co.uk/content/images/2026/05/e.jpg) ****'Pearl & Dean Ride Again'**, Caravanserai Brighton - 'Under the Archway' ## From Duvet Covers to Stage Costumes Visually, Pearl & Dean are just as committed as they are verbally. Their matching lavender outfits — bold, coordinated, and impossible to ignore — feel like a statement in themselves. When I ask about the choice, the answer is delivered with complete sincerity. “We felt it sets off your skin tone beautifully.” And then, just as quickly: “Three days ago, these were duvet covers.” It’s a perfect example of what makes this act work so well. Glamour meets DIY. Elegance meets chaos. The illusion is built — and then immediately dismantled — right in front of you. There’s no attempt to hide the artifice. If anything, it’s celebrated. ## Nashville, Near Misses and “Showbiz Secrets” As the conversation continues, Pearl and Dean begin to share snippets of their backstory or at least, the version of it they’re willing to reveal. They speak about recording an album in Nashville, working with a then-unknown country singer who, according to them, went on to become a huge star. *“She had two lovely attributes”,* they say. *“Her singing and her songwriting... And she kind of left us behind”.* Whether this is entirely true is almost beside the point. What matters is how convincingly it’s delivered and how seamlessly it fits into their world. They refer to it as “giving away showbiz secrets,” but in reality, it’s something more playful: storytelling that sits somewhere between parody and nostalgia. ![](https://www.scenemag.co.uk/content/images/2026/05/7.jpg) Liran Notik in an exclusive interview with Pearl & Dean, ****Brighton Fringe 2026** ## The Show: Pearl & Dean Ride Again All of this feeds directly into their latest show, *Pearl & Dean Ride Again*, which arrives at **Komedia Brighton Studio** as part of the Brighton Fringe 2026. Following a successful 2025 run, the show takes audiences onto a cruise ship, a setting that feels perfectly suited to their brand of comedy. There’s music. There are stories. There’s chaos. And there’s a very particular kind of chemistry between the two performers that keeps everything moving. When I ask what audiences should expect, the answer is simple: *“We’re talking a lot about our life together… and of course, our album.”* It sounds straightforward. It isn’t. Because nothing about Pearl & Dean is straightforward. ## Consent, Comedy and Controlled Chaos One of the most unexpectedly memorable moments of the interview comes towards the end, when the conversation takes a turn into something entirely different. *“May I tickle your beard?”* Peter Pearl asks. It’s absurd. It’s slightly surreal. And yet, within that moment, there’s an awareness, a nod to the language of consent that feels very Brighton, very now. What follows is laughter, confusion, and a brief moment where the boundaries between interviewer and performers blur completely. And that, perhaps, is the point. Pearl & Dean don’t just perform at you. They pull you into their world gently, unpredictably, and always with humour. ## A Perfect Fit for Brighton Fringe Brighton Fringe has always been a space for the unexpected. For shows that don’t quite fit into neat categories. For performers who take risks. Pearl & Dean belong here. Their work sits somewhere between cabaret, comedy, character theatre, and something harder to define. It’s not about polished perfection. It’s about energy, imagination, and a willingness to lean into the ridiculous. And audiences, especially in Brighton, are more than ready for that. ## Why It Works What makes Pearl & Dean stand out isn’t just the jokes or the costumes or the concept. It’s commitment. Dan Lockwood and Alasdair Carson-Sheard never break character. Not once. Even in conversation, even in moments where it would be easier to step out and explain the joke, they stay inside it. And that consistency allows the audience to fully buy in. To believe, just for a moment, that this lavender-clad, cruise-ship-travelling, Nashville-recording couple really does exist. --- ## Final Boarding Call As the interview wraps up, there’s a sense that things could continue indefinitely. More stories. More tangents. More unexpected turns. But the show is waiting. The audience is gathering. And Pearl & Dean are ready to step back into the spotlight. *Pearl & Dean Ride Again* runs at **Komedia Brighton Studio** during the Brighton Fringe from **May 9th to May 23rd**. If you’re expecting a traditional cabaret show, you might want to adjust those expectations. If you’re ready for something playful, unpredictable, and entirely its own thing: This might just be your ticket. And trust me, it’s worth the ride. Follow [Pearl & Dean on their instagram](https://www.instagram.com/pearldeancabaret/?ref=scenemag.co.uk) for more updates and upcoming shows. ![](https://www.scenemag.co.uk/content/images/2026/05/c.jpg) ****'Pearl & Dean Ride Again'**, Caravanserai Brighton - 'Under the Archway' ### Dr Ranj Singh announced as producer of 'The P Word', which charts the parallel lives of two gay Pakistani men URL: https://www.scenemag.co.uk/dr-ranj-singh-announced-as-producer-of-the-p-word-which-charts-the-parallel-lives-of-two-gay-pakistani-men/ Last updated: 2026-05-05T15:40:38.000Z Dr **Ranj Singh** has been announced as a producer of ***The P Word***, **Waleed Akhtar**’s **Olivier Award**‑winning play, as the production prepares to return to **Bush Theatre** later this month. The acclaimed drama, which won the Olivier Award for Outstanding Achievement in an Affiliate Theatre in 2023, runs from **28 May - 27 June**, and reunites the original cast of Akhtar and **Esh Alladi**. As rehearsals begin, Dr Ranj - the doctor, broadcaster, author and musical theatre performer - visited the cast, marking his involvement in the production alongside Emmy‑winning television personality **Tan France**. Written by Akhtar, *The P Word* charts the parallel lives of two gay Pakistani men navigating love, identity and the UK’s increasingly hostile environment towards migrants. It follows Zafar, who flees homophobic persecution in Pakistan to seek asylum in Britain, and Bilal - who styles himself as “Billy” - a Londoner worn down by dating apps and the complexity of being a brown gay man. ![](https://www.scenemag.co.uk/content/images/2026/05/l-r-Esh-Alladi---Dr-Ranj-Singh--Waleed-Akhtar-and-Director-Anthony-Simpson-Pike.--Photo-Bettina-Adela.--P_WORD_4.jpg) l-r Esh Alladi, Dr Ranj Singh, Waleed Akhtar and Director Anthony Simpson-Pike. Photo Bettina Adela Speaking about his involvement, Dr Ranj said he was “incredibly proud” to support the production, describing it as “a powerful and timely piece that brings vital, and long overdue, conversations to the forefront”. “This is a story that feels deeply personal and universally relevant,” he said. “For me, it’s about championing South Asian and queer voices in theatre, backing bold new writing, and encouraging audiences to engage with live theatre that truly challenges stigma. For queer, South Asian people, this play has been a long time coming.” Following its original run, *The P Word* broke box office records at the Bush Theatre and was praised by critics, with *Time Out* calling it “tremendous” and *The Guardian* describing it as “irresistible”, while the *Financial Times* hailed it as “immensely moving”. ### Brighton to mark International Day Against Homophobia, Transphobia and Biphobia on 17 May URL: https://www.scenemag.co.uk/brighton-to-mark-international-day-against-homophobia-transphobia-and-biphobia-on-17-may/ Last updated: 2026-05-05T19:02:32.000Z Brighton is set to mark the **International Day Against Homophobia, Transphobia and Biphobia** (IDAHOBIT) with a community‑led vigil on **Sunday, 17 May**, as LGBTQ+ organisations and supporters gather in the city centre. This year's theme is **“At the heart of democracy”** and the event will take place at **1.30pm** on the steps of the **Unitarian Church** on **New Road** and is open to all members of the public. Organisers are encouraging people to bring friends, flags and noise‑makers to ensure the city is visibly represented during the global day of action. IDAHOBIT is observed annually on 17 May and is recognised worldwide as a moment of solidarity for LGBTQ+ communities. The date marks the anniversary of the **World Health Organisation**’s decision in 1990 to remove homosexuality from its list of mental health disorders. IDAHOBIT is described by its international organisers as a decentralised global mobilisation, rather than a single campaign. Individuals and groups are free to mark the day in ways that reflect their own priorities, while remaining linked by a shared international theme and date. This year’s global theme and downloadable visual resources are available via [may17.org](https://may17.org/?ref=scenemag.co.uk), allowing communities to share messaging across social media and networks. ### Florida man charged after allegedly targeting five-year-old child “for being gay” URL: https://www.scenemag.co.uk/florida-man-charged-after-allegedly-targeting-five-year-old-child-for-being-gay/ Last updated: 2026-05-05T10:23:59.000Z A Florida man has been charged with aggravated child abuse after police alleged he attacked a five-year-old boy because he believed the child was gay. **Andre Brown Jr.**, 33, was arrested on Sunday in the city of **Davenport** following an investigation by the **Polk County Sheriff’s Office**. Authorities said the charge has been enhanced as a hate crime, meaning it carries a more severe penalty under Florida law. According to deputies, the investigation began after a nine-year-old girl who was in Brown’s care contacted her mother to report what was happening inside the home. In a message quoted by police, she wrote: “I’m scared, he’s whooping him so hard, I’m scared”. Officers said the children told investigators that Brown became angry with the five-year-old “for being gay” and repeatedly slammed him onto the ground. Deputies allege Brown also struck all three children in the house with a belt, leaving them with visible injuries. Medical examinations revealed the five-year-old had suffered the most serious injuries, including a fractured wrist, bruising to his legs, arms, back and stomach, and a contusion to his forehead. Police said the injuries were consistent with being hit by a belt. Court documents allege Brown admitted targeting the child because of his perceived sexual orientation. According to the arrest affidavit, Brown told deputies he attempted to “beat the gay out of him if possible, but since it wasn’t possible he would beat him more”. Two other children were also found to have bruising on their arms and legs. Authorities have not confirmed why Brown was supervising the children or whether he is related to them. The five-year-old reportedly told investigators he was frightened and did not wish to speak further about what had happened. During his arrest, Brown allegedly resisted officers and shouted slurs, leading to an additional charge of resisting arrest, police said. Polk County Sheriff **Grady Judd** condemned the alleged attack, saying: “This was a brutal and hateful attack on a defenceless child. There is absolutely no excuse for it. We will make sure justice is served and these children get the safety and support they deserve”. ### Trans+ History Week 2026 returns with national events and calls for ‘narrative shift’ URL: https://www.scenemag.co.uk/trans-history-week-2026-returns-with-national-events-and-calls-for-narrative-shift/ Last updated: 2026-05-07T09:26:09.000Z **Trans+ History Week** has returned for 2026 with a programme of national events, exhibitions and commissioned storytelling highlighting the long and often overlooked history of trans and gender‑diverse communities. The awareness week runs from **4 - 10 May**, anchored by **Trans+ History Day** on **6 May**, which marks the anniversary of the 1933 Nazi raid on the **Institute for Sexual Science** in Berlin, the world’s first trans clinic. The initiative, which is trans‑led and organised by Trans+ History Week CIC, aims to educate the public about the historic presence and contributions of trans, non‑binary, intersex and gender‑diverse people, while also investing in present‑day trans creatives. The organisation commissions new historical work and hosts community events intended to reflect on the past while shaping future narratives. ![](https://www.scenemag.co.uk/content/images/2026/05/charliewarl-SAXnHxu8PS8-unsplash.jpg) UNSPLASH This year’s programme includes panel discussions, live podcast recordings, comedy showcases and social events across London, alongside new historical reporting produced in partnership with queer media platform **QueerAF**. Running alongside the events is a national awareness campaign titled **Reflections**, featuring public installations and outdoor displays across the UK, including at **Outernet London**. The campaign uses water‑based imagery and soundscapes as a metaphor for resilience, continuity and reflection, emphasising that trans people “have always been here, and always will be”. Speaking about the importance of the project, **Marty Davies** (she/they), Founder and Director, Trans+ History Week said:“Trans+ history runs deep, and it runs through everything. In calm waters and rough tides, Trans+ communities have always found a way — and we will keep finding it: fighting for our dignity, our rights, our community, and our right to simply exist.” “Trans+ History Week is about telling that story, on our own terms – that matters more now than ever. In the face of erasure, Trans+ people have had to discover and claim our own history, making ourselves visible and refusing to disappear. ![](https://www.scenemag.co.uk/content/images/2026/05/1777559787116.jpeg) ****Reflections** @ OUTERNET LONDON "I’ve been heartened to see tremendous allyship grow across sectors in response, as more and more people recognise the injustice our community is facing for what it is.” First launched in 2024, Trans+ History Week has raised more than £100,000 to support trans‑led work and has invested in more than 100 trans creatives, including writers, illustrators, performers and journalists. Further events and resources will continue throughout the week, with organisers encouraging members of the public to engage by learning about trans history and amplifying trans voices through conversation and cultural participation. ## [More info HERE ](https://www.transhistoryweek.com/?ref=scenemag.co.uk) ### Alex Consani makes history as first trans woman on Met Gala host committee URL: https://www.scenemag.co.uk/alex-consani-makes-history-as-first-trans-woman-on-met-gala-host-committee/ Last updated: 2026-05-05T08:56:26.000Z American supermodel **Alex Consani** marked a historic moment at the **Met Gala**, becoming the first trans woman to serve on the event’s host committee. Speaking on the red carpet at the annual fundraising gala for the **Metropolitan Museum of Art** in New York, Consani described her role as “a big moment”, saying it reflected how far the fashion industry has come in recognising transgender talent and visibility . Consani attended the 2026 event wearing a bespoke Gucci gown designed by the house’s creative director, Demna. The look was unveiled during the *Vogue* livestream and attracted widespread attention on social media, where many praised its confidence and symbolism. “I’m the first trans woman hosting the Met,” Consani said during an interview on the carpet. “It feels really powerful to be here and to take up space in a room that’s meant so much to fashion history”. ![](https://www.scenemag.co.uk/content/images/2026/05/imago855676402-2.jpg) ****IMAGO / Cover-Images** The Met Gala, often described as the most exclusive night in fashion, raises millions of dollars each year for the museum’s **Costume Institute** and is seen as a major cultural platform. Consani’s inclusion on the host committee is being viewed by supporters as a landmark step for representation in an industry that has long been criticised for its lack of diversity. Consani, 22, has rapidly become one of the most prominent figures in global fashion. In 2024 she became the first transgender woman to win Model of the Year at the **Fashion Awards**, and later made history by walking in the revived **Victoria’s Secret** fashion show. Beyond her runway work, she has built a large following online for her humour and outspoken approach to identity and fashion, positioning herself as a cultural figure as well as a model. Her moment at the Met Gala comes amid wider debates in the United States over trans rights and visibility, particularly in education, healthcare and sport. ### Trump administration launches inquiries into LGBTQ+ lessons in Illinois schools URL: https://www.scenemag.co.uk/trump-administration-launches-inquiries-into-lgbtq-lessons-in-illinois-schools/ Last updated: 2026-05-05T08:47:59.000Z The Trump administration has launched federal investigations into 36 school districts in **Illinois** over lessons that include LGBTQ+ topics, marking the latest move in President **Donald Trump**’s renewed campaign against what his government describes as “gender ideology” in public institutions. The **US Department of Justice** said its civil rights division would examine whether the districts had included teaching on sexual orientation or gender identity without properly notifying parents or allowing children to be withdrawn from such lessons. Investigators will also assess policies relating to transgender pupils’ access to toilets, changing rooms and school sports. Announcing the investigations, assistant attorney general **Harmeet Dhillon** said the department was determined to stop schools “keeping parents in the dark” about how issues of sexuality and gender were being taught. She said the inquiries would consider whether districts were complying with **Title IX** and **Supreme Court** guidance on parental rights, adding that no conclusions had yet been reached. Illinois officials and school leaders have condemned the move. Some have accused the administration of singling out the state for political reasons and of attempting to intimidate educators. Civil liberties groups argue the investigations risk stigmatising LGBTQ+ pupils and could discourage schools from addressing bullying, inclusion and diversity in the classroom. The investigations come against the backdrop of a wider assault by Trump and his administration on LGBTQ+ protections since his return to the White House. On his first day in office, Trump signed executive orders declaring that the US government would formally recognise only two sexes and dismantling diversity, equity and inclusion programmes across federal agencies. The administration has also reinstated a ban on trans people serving in the US military, restricted access to gender‑affirming healthcare for under‑19s and rolled back measures designed to prevent discrimination on the grounds of sexual orientation or gender identity. According to advocacy group **GLAAD**, Mr Trump’s first and second administrations combined have been responsible for hundreds of actions and policy moves it describes as anti‑LGBTQ+, including cuts to health programmes and the removal of specialised crisis support services for LGBTQ+ youth. ### Brighton Bear Weekend and Pride Community Foundation announce grant-giving partnership URL: https://www.scenemag.co.uk/brighton-bear-weekend-and-pride-community-foundation-announce-grant-giving-partnership/ Last updated: 2026-05-05T08:21:17.000Z **Brighton Bear Weekend CIC** (BBW) has named **Pride Community Foundation CIC** (PCF) as its official grant-giving partner, marking a new chapter in how the legendary community event puts money raised by its attendees to work across LGBTQ+ Brighton and beyond. BBW is one of the city's best-loved community events – a volunteer-run series of gatherings built around the bear community and its friends, with warmth, inclusivity and affordability at its heart. Each year the weekend draws a growing crowd to Brighton's seafront and venues in and around the village, raising funds alongside the revelry. Through this new partnership, money raised at BBW events will be transferred to PCF and ringfenced within PCF, where it will be awarded as grants to LGBTQ+ organisations and community projects. PCF's independent Grants and Advisory Board will oversee grant decisions, with BBW guaranteed a seat at the table to help shape strategic priorities, ensuring that the community spirit of BBW is reflected in where the money goes. Alan Hiscutt, Chair, Brighton Bear Weekend CIC, said: "BBW is run entirely by volunteers to raise funds for the community through a range of friendly social activities. We are deeply grateful to our volunteers, sponsors, and commercial partners for their valued support in making this happen. "We are delighted that Pride Community Foundation has agreed to work with us on a fresh approach to ensuring BBW's fundraising achieves positive impacts. Think of it as the bears giving a big warm bearhug to the rest of the LGBTQ+ community!" Leslie Clarke, Chief Executive of PCF, added: "BBW has built something genuinely special – a community that shows up for each other year after year, and raises serious money in the process. Partnering with BBW is exactly the kind of relationship PCF exists for. The funds raised through their events will go directly to LGBTQ+ organisations doing vital work across our communities, and we couldn't be prouder to be the vehicle that makes that happen." The partnership takes effect from 1 April 2026, with the first grants expected to be awarded in autumn this year. ### The file marked ‘Sexual Offences’: inside the BBC’s long-buried first documentary on homosexuality URL: https://www.scenemag.co.uk/the-file-marked-sexual-offences-inside-the-bbcs-long-buried-first-documentary-on-homosexuality/ Last updated: 2026-05-03T09:34:26.000Z The BBC Written Archives Centre is a bungalow. That is where Professor Marcus Collins begins his story: a suburban building in Reading that holds, improbably, one of the most extensive records of British cultural life in the 20th century. He had been meaning to visit for years and finally went on research unrelated to anything that would make the news. Then he noticed a file. The label read: “Sexual Offences, 1953–4.” “I couldn’t resist,” he says. “The BBC at the time was known for its puritanical nature. It had the morals of a maiden aunt. So what could it possibly have broadcast about sexual offences?” What he found inside would eventually become a stage play, a short film, and a conversation about British broadcasting history that nobody knew needed to happen. ![](https://www.scenemag.co.uk/content/images/2026/05/image002-1.jpg) Prof Marcus Collins | Image: supplied ### A programme they never meant to broadcast In 1953, the BBC initiated what would become the first major documentary on homosexuality by any broadcaster in the world. The finished programme was recorded in May 1954 under the title Homosexuality: The Condition, the Cult and the Crime. It was shelved almost immediately. The director general vetoed its release, concluding that the BBC should not be dirtying its hands with such issues. SPONSORED [![CTA Image](https://www.scenemag.co.uk/content/images/2026/05/Podcast-Cover.png)](https://shows.acast.com/stillhere?ref=scenemag.co.uk) Listen to the full episode on your favourite podcast app, or watch the conversation on YouTube. [Listen now ](https://shows.acast.com/stillhere?ref=scenemag.co.uk) Three years later, with the Wolfenden Report about to be published, the BBC changed its mind. A heavily edited version aired on the Home Service in July 1957 under a revised title: The Homosexual Condition. Then the recording was lost. What survived was only a transcript, the correspondence between producers and contributors, and the internal memos that showed exactly how divided the corporation had been about making it at all. Collins, Professor of Modern History at Loughborough University, pieced all of this together. The archive, he says, opens up a window not just into broadcasting but into a version of Britain that is both recognisable and genuinely difficult to comprehend. ### What liberal looked like in 1957 The programme’s contributors were selected on the principle of impartiality. Gay men, by the BBC’s logic, were too biased to appear. So the voices on the programme were clergymen, lawyers, social workers, psychiatrists, and one man described as a reformed homosexual, who had, through sheer willpower, converted himself to heterosexuality and married. There was one letter of protest in the archive: an anonymous man who identified himself as gay, who objected to what he called the hollow mockery of this reformed individual and demanded that openly gay men, such as Peter Wildblood, one of the high-profile prosecutions of 1953, be allowed to speak for themselves. His voice was not heard on air. What was heard instead was the liberal consensus of the day. Collins describes it carefully. The progressives on this programme, he says, the ones who opposed criminalisation and pushed for decriminalisation, believed that homosexuality was an illness or a moral defect that could and should be corrected. They thought imprisonment was wrong not because there was nothing wrong with being gay, but because prison was counterproductive. You were not going to cure someone by locking them up with hundreds of other men. “Those are the liberals,” he says. “Those are the people who are on the side of decriminalisation. And they’re the ones pushing for cures.” Even decriminalisation, when it came in 1967 following Wolfenden’s recommendations, was framed in these terms: gay men were unfortunate, they deserved tolerance, they should not be imprisoned, but they were not equal. They could not access the full fulfilment, as the thinking went, of marriage and children. They were to be pitied. ### Sanewashing and the expert class During our conversation, a word came to me: sanewashing. I used it to describe what happens when experts, doctors, lawyers, authority figures, are recruited to give the appearance of reason and balance to positions that would otherwise look plainly cruel. I saw it in the 1957 programme. I see it now. Collins did not resist the parallel. He noted that the 1950s debate about homosexuality and the current debate about trans people share the same structural features: the appeal to child protection, the claim that something once hidden has suddenly and alarmingly proliferated, the deployment of medical language to suggest that what is really happening is a problem to be managed. “In the 1950s the idea was that gay people were a direct threat to children because there was this conflation of homosexuality with paedophilia,” he says. “And there was this notion that gay people corrupted the youth. The parallels with trans people now are very strong.” He was careful, as a historian, not to overstate the case. But he did not pretend the parallel was not there. Frankly, neither could I. ### The eight-year silence After the Wolfenden Report was published and the initial flurry of programming followed, a backlash arrived. The director general issued what Collins calls an edict: the BBC had probably said more than it should have, and would say no more about homosexuality except in special circumstances and on special occasions. The next full documentary on homosexuality on British radio came in 1965\. Eight years without a factual programme on the subject. “If you imagine being a gay man in the late 1950s, early 1960s, just discovering your sexuality,” Collins says. “There is nothing there for eight years. No gay press, no gay organisations, virtually nothing on television. That drought of information, if you can imagine what it must have been like, it is a very different world.” Broadcasting mattered not just as public discourse but as the only route through which closeted gay men might hear their own existence acknowledged. As Collins put it to me: if you get on air and have a chance to discuss this, you can define your own identity rather than having it defined for you. ### From bungalow to stage Collins is, by his own admission, a deeply untheatrical person. But in 2022, the BBC commissioned him as its Centenary Fellow to find lost broadcasts and bring them back to life. He was put in touch with playwright Dr Stephen Hornby, who specialises in theatre made from archival material. When Marcus told me this part of the story, I found myself thinking: of course a historian would need a playwright to make people actually feel it. Hornby was heartily offended by the transcript. He chose not to stage it as a faithful reconstruction but to create something more layered: excerpts from the programme itself, the story of the years it spent being mothballed, and a fictional thread following a young man called Tom who works at Burton’s tailors and is quietly discovering his sexuality in a society that criminalises it. The result, The BBC’s First Homosexual, toured the UK earlier this year as the official national production for LGBT+ History Month. Each performance was followed by a community forum, chaired by figures including Peter Tatchell. Audience members, many of them older gay men who grew up in the wake of that period, filled out hundreds of feedback forms. They found it affecting. Some wept. The play is now heading to the International Gay Theatre Festival in Dublin and the Edinburgh Fringe in August 2026\. A recorded version is planned for LGBT+ History Month in 2027. ### Still on that journey I ended the episode, as I always do, with the question that gives the podcast its name. I asked Marcus whose survival he is most conscious of when he sits with the archive material. His answer surprised me. Not the gay men whose voices are mostly absent from the documents, he said. What he has been trying to preserve, in a way, is the voices of the anti-gay people. Because understanding what made homophobia possible, the morality, the knowledge, the fear that made people unable to accept a different sexuality, gives something important: a sense of how people think, and of how much things can shift. He was not triumphalist about the shift. Sexuality, he pointed out, is still in flux. What it will look like in fifty years neither of us can say. But sitting with him in that conversation, the pace of change felt both extraordinary and terrifyingly slow, depending on which direction you face. I left thinking about that. I still am. “We are not standing on a pinnacle looking down at the mistakes of the past,” he says. “We are still on that journey.” ### The Saturday Scene: King Charles steals the show in Washington, and what he didn't say out loud URL: https://www.scenemag.co.uk/the-saturday-scene-king-charles-steals-the-show-in-washington-and-what-he-didnt-say-out-loud/ Last updated: 2026-05-02T09:19:42.000Z _This post is for subscribers only._ ### Get Real: The Return! Brighton Fringe URL: https://www.scenemag.co.uk/get-real-the-return-brighton-fringe/ Last updated: 2026-05-02T08:19:31.000Z So here we are, the great month-long monster of the festival and fringe has stirred again, and there is something genuinely infectious about a room full of people willing each other to succeed. That spirit ran through every minute of Out Cast's latest Brighton Fringe outing, *Get Real: The Return!*, a meta comedy musical about a cheesy 90s pop group attempting a comeback, and the complications, emotional, professional, and frankly chaotic, that reunions stir up. [Out Cast, ](https://www.facebook.com/groups/899555188751846/)the Brighton-based LGBTQ+ company founded by Elliot Toms specifically to give people who might otherwise never set foot on a stage the chance to try, are back with their third production. The premise is deliciously ripe: Chaz, the group's lead singer, is determined to get the old band back together, a quest that takes him from a run-down holiday camp gigging with the gritty KK to a TV talent show, with a long-buried scandal threatening to derail everything before it starts. ![](https://www.scenemag.co.uk/content/images/2026/05/462516347_10160251094397927_6289204049551594200_n-1.jpg) Outcast logo The performer playing Chaz strikes exactly the right note; desperately deluded, stars permanently in his eyes, yet with a genuine warmth and love of music that keeps you rooting for him through the mania. Gav brings immediate gusto to proceedings, engaging the audience from the opening and rarely letting go. My fav was Petra, pop recluse and reluctant returnee, lost in her posh mansion conjuring what can only be described as electronic milk music. Throaty, wafting, and magnificently out of touch, she lands somewhere between Fenella Fielding and Maggi Hambling, and is one of the funniest presences on stage. A softball millionaire sports sketch is among the sharper comic ideas, landing with cheeky absurdity. The 90s pop pastiche is handled with affectionate cheekiness. The audience visibly loved *Reach*, and a strong ensemble performance of *This Is Me* drew real warmth. Julia's show-stopping Shirley Bassey number was a moment of full-throated theatrical pleasure that gave the audience genuine thrills. Musical director Simon Gray on piano keeps the energy high throughout, keeping the whole thing bobbing along with easy assurance. The rousing finale with the full cast on stage sent the audience out on a proper high. The staging is minimal, leaning on AI projections that, to be fair raise a few laughs of their own. Where the show earns its emotional weight is in how it treats the scandal at the group's heart of Petris' tabloid exposure , the hurt, the fall-out, the fractured relationships, with enough tenderness that the reconciliation at the end feels earned rather than convenient. This is, as all good musicals understand, what the form is for. Some of the more complex choreography stretched a few cast members, but this is the fringe, and frankly that's part of the deal. What carries the show is ensemble chemistry and a collective willingness to commit. The audience laughed often, with specific moments drawing the kind of reactions that tell you something has genuinely landed. The spirit of people taking a leap, supported by each other, celebrated by the room, is the whole point of a company like Out Cast, and it is very much present here. Until Sat 2nd May, St Marys Church Hall, [more info or book tickets. ](https://www.tickettailor.com/events/outcastbrighton?ref=scenemag.co.uk) ![](https://www.scenemag.co.uk/content/images/2026/05/643f5c58-4a58-4821-bc62-2c147a2a57d9-2.jpeg) ### Hate crime probe launched after man left critically injured in suspected homophobic attack in Bristol URL: https://www.scenemag.co.uk/hate-crime-probe-launched-after-man-left-critically-injured-in-suspected-homophobic-attack-in-bristol/ Last updated: 2026-05-01T11:06:53.000Z Police have launched a hate crime investigation after a man was left critically injured in a suspected homophobic attack in **Bristol** city centre. Emergency services were called to **St Nicholas Street** in the early hours of Friday, 24 April after a man in his 30s was found lying unconscious with significant facial injuries. He was taken to hospital, where his condition has since deteriorated and is now described as critical but stable, Avon and Somerset Police said . A second man also sustained injuries during the same incident, though these were described as minor and did not require hospital treatment. Police said information provided by the second victim has led them to investigate the possibility that the attack was motivated by homophobia, and the incident has now been formally recorded as a hate crime . A spokesperson for **Avon and Somerset Police** said officers were “concerned that the incident may include a homophobic hate crime element” and confirmed that detectives were working to establish the full circumstances of what happened . Neighbourhood Chief Inspector **Keith Smith** said local LGBTQ+ leaders and the charity **Stand Against Racism & Inequality** (SARI) had been briefed because of the seriousness of the case. “We are treating this incident seriously,” he said. “Detectives are seeking to gain a full understanding of what happened, which is why we are appealing for anyone with information to come forward.” Police believe the assaults were carried out by a group of three or four men, who are thought to have fled on foot before driving away in a car. One of the suspected attackers is believed to have been wearing a blue jacket, while two others are described as being dressed mainly in black or grey. CCTV enquiries are ongoing as officers seek to identify those involved. Police said there is currently no evidence to suggest a wider risk to the public, but stressed that they are keen to identify the suspects as soon as possible. Anyone who witnessed the incident, was in the area at the time, or has relevant information or footage is urged to contact police on 101 quoting reference number **5226111583**. Alternatively, information can be passed anonymously to **Crimestoppers**. ### Pink Punters LGBTQ+ nightclub fire was accidental, investigators say, as owner vows it will return URL: https://www.scenemag.co.uk/pink-punters-lgbtq-nightclub-fire-was-accidental-investigators-say-as-owner-vows-it-will-return/ Last updated: 2026-05-01T10:15:38.000Z A fire that tore through one of England’s best‑known LGBTQ+ nightclubs in **Milton Keynes** has been confirmed as accidental, police have said, ruling out arson or any hate‑motivated attack. **Thames Valley Police** said a joint investigation with **Buckinghamshire Fire & Rescue Service** found no evidence of criminality following the blaze at **Pink Punters** in the early hours of Sunday, 26 April. Emergency services were called to the venue on Watling Street shortly after 2am, with large numbers of staff, customers and nearby residents safely evacuated. No injuries were reported. A 51‑year‑old man from Milton Keynes was initially arrested on suspicion of arson with intent to endanger life during the early stages of the investigation, but police confirmed he has since been eliminated from their enquiries . Chief Superintendent **Emma Baillie**, local policing commander for Milton Keynes, said officers understood the concern caused by the incident, but stressed that it was not a criminal act. “Following a thorough joint investigation with Buckinghamshire Fire & Rescue Service, we have found no evidence of any criminality,” she said. “The fire is believed to have been accidental in nature, and thankfully no one was injured.” She also praised staff at the venue for their swift response, which she said ensured everyone was able to leave the building safely. Buckinghamshire Fire & Rescue Service said its specialist fire investigation team supported police in determining the cause of the blaze and confirmed that it was accidental. Deputy chief fire officer **Simon Tuffley** said incidents in busy indoor venues highlighted the importance of well‑rehearsed evacuation procedures, adding that the actions of staff and firefighters prevented further harm. The fire caused extensive damage to the long‑running nightclub, which has served the LGBTQ+ community for more than two decades and attracts visitors from across the region. Owner **Frank McMahon** said he was “profoundly relieved” investigators had ruled out arson and confirmed the fire was not a deliberate attack or a hate crime. “The building was lost, but lives were protected, and that remains the most important fact of all,” he said, praising staff for their calm and professional response during the emergency . Pink Punters has indicated it intends to return in the future, with Mr McMahon previously telling supporters that while the venue’s building had been destroyed, its community and spirit would endure. ### Rugby player banned after homophobic social media post mocking opponent for wearing pink top and leggings URL: https://www.scenemag.co.uk/rugby-player-banned-after-homophobic-social-media-post-mocking-opponent-for-wearing-pink-top-and-leggings/ Last updated: 2026-05-01T09:41:39.000Z An amateur rugby player has been banned after posting a homophobic message on social media in which he described an opposing player as “gay” for wearing pink clothing and leggings during a match. **Kyle Skipworth**, who plays for **Grimsby RUFC,** has been handed an eight‑week suspension by an independent **Rugby Football Union** (RFU) disciplinary panel after admitting a charge of conduct prejudicial to the interests of the game. The ban relates to an Instagram story posted in January, which showed Skipworth tackling a player from **North Hykeham RUFC**, accompanied by a caption referring to the opponent’s pink top, leggings and gold boots. The RFU deemed the post to be homophobic and in breach of its disciplinary rules . The panel initially imposed a 10‑week suspension, which was reduced to eight weeks on the condition that Skipworth completes an LGBTQ+ inclusion course. In its written decision, the panel said the post relied on harmful stereotypes and suggested that wearing certain colours or clothing was incompatible with masculinity or toughness in rugby. The RFU said the message implied that a player’s sexuality could be judged based on their appearance and reinforced outdated associations between homosexuality and femininity, which it described as unacceptable within the sport. Skipworth admitted the charge and apologised for the post, saying it had been intended as a joke and that he removed it shortly after publication. He told the panel he had not intended to cause offence and said he would be more careful about what he shares online in futur . Grimsby RUFC conducted its own internal investigation and chose not to impose a separate club sanction. However, the RFU proceeded with the disciplinary case, arguing that the post risked bringing the game into disrepute and undermined efforts to make rugby more inclusive. ### European Parliament backs EU‑wide conversion therapy ban as UK continues to delay legislation URL: https://www.scenemag.co.uk/european-parliament-backs-eu-wide-conversion-therapy-ban-as-uk-continues-to-delay-legislation/ Last updated: 2026-05-01T08:42:04.000Z The **European Parliament** has voted to support an **European Union**‑wide ban on so‑called conversion therapy, increasing pressure on national governments - including the UK’s - to bring forward long‑promised legislation outlawing the practice. MEPs backed the measure following a **European Citizens’ Initiative** launched in 2024 by the **European Association Against Conversion Therapy** (ACT), which secured more than 1.2 million signatures from citizens across the EU calling for a comprehensive ban. The vote, which passed with the support of a large majority of parliamentarians, is not legally binding. However, it sends a strong political signal to the **European Commission**, which is the only EU institution with the authority to propose legislation that would apply across all member states. The Commission is expected to issue a formal response by 18 May. If taken forward, the proposed law would seek to prohibit all forms of conversion therapy - practices that aim to change or suppress a person’s sexual orientation or gender identity - for both children and adults throughout the EU. Medical and human rights bodies have long condemned such practices as harmful, ineffective and incompatible with fundamental rights. Conversion therapy remains legal, in full or in part, in several EU countries, despite widespread criticism. While some member states have enacted national bans or restrictions, protections remain uneven across the bloc, with campaigners arguing that an EU‑wide approach is necessary to ensure consistent human rights safeguards. Advocates have welcomed the European Parliament’s move as a major milestone, but stress that progress now depends on the European Commission bringing forward concrete legislative proposals and on member states agreeing to implement them. ![](https://www.scenemag.co.uk/content/images/2026/05/karollyne-videira-hubert-5eNzHnLck74-unsplash.jpg) Unsplash ## UK still without blanket ban The European vote comes amid continuing delays in the UK, where successive governments have promised but failed to introduce a comprehensive ban on conversion therapy. Since 2018, multiple UK administrations have committed to outlawing the practice, which has been described by the government and health bodies as abusive and harmful. However, as of spring 2026, no legislation has been passed and a promised draft bill has yet to be published. The current UK government has pledged to deliver a “full trans‑inclusive ban” on conversion practices in England and Wales, but campaigners say progress has stalled. [Last month](https://www.stonewall.org.uk/news/government-fails-to-meet-timeline-to-ban-conversion-practices?ref=scenemag.co.uk), **Stonewall** said the government had missed its own deadline to bring forward a draft **Conversion Practices Bill** by the end of the parliamentary session. LGBTQ+ organisations have repeatedly warned that the absence of a clear legal ban leaves people in the UK vulnerable to continued harm, and have urged ministers to follow the European Parliament’s lead by introducing robust, enforceable legislation without further delay. ### Large and Loud: Falmouth brims with Pride for Falmouth Pride 2026 URL: https://www.scenemag.co.uk/large-and-loud-falmouth-brims-with-pride-for-falmouth-pride-2026/ Last updated: 2026-05-01T08:27:15.000Z **Falmouth Pride** is one of the earliest Pride events in the UK and **Cornwall Pride** is one of three Pride’s to be honoured with **The King’s Award for Voluntary Service** (2025). This imbued 2026’s Falmouth Pride with much, well, Pride. Pride for their queer identities in conjunction with Pride for their Cornish/Kernow identities, as often overlooked and yet incredibly valuable parts of the UK. ![](https://www.scenemag.co.uk/content/images/2026/05/data-src-image-e4d8ea88-8610-4dbc-8fb4-f46e66f4547a-1.jpeg) Falmouth Pride, 2026 This might be why Fal Pride experienced such a large and loud turnout on 25 April. Falmouth Pride parade was welcomed in with sunshine and a community of supportive onlookers, who joined in with chants like “No borders, no nations, Trans liberations”, and “free, free Palestine”, as well as the popular call and response “what do we want? Trans rights. When do we want them? Now!”. These chants were complemented by the **Pendennis Brass** group. The group performed the songs *Dancing Queen*, *Is This the Way to Amarillo?*, and *YMCA* on repeat, a soundtrack to the parade. Once the parade arrived at the event's square, and went through the rainbow entrance, everyone dispersed to look at the stalls or get a good spot up in front of the stage. ![](https://www.scenemag.co.uk/content/images/2026/05/data-src-image-a44a2c60-11f8-45d6-9a8c-39cf0948e2d5.jpeg) Trans Pride Falmouth, 2026 Pride’s events began with support from Falmouth’s deputy mayor, Councillor **Tom Pearce**. This was then followed with a shoutout to **Trans Pride,** which will be taking place on **23 May**. Then, Falmouth Pride’s host and Cornwall native, **Vicki Vivacious**,hosted Pride with cheeky yet family-friendly jokes. ![](https://www.scenemag.co.uk/content/images/2026/05/data-src-image-4dbb8ae4-a6ae-4080-929f-bb27503625fe.jpeg) Poof at Falmouth Pride 2026 The line up of performers varied vastly in style, from the cover band **Stone Roots** to the drag act **Poof**. Despite this, the performers all had unencumbered joy in common. ![](https://www.scenemag.co.uk/content/images/2026/05/data-src-image-c68ea0db-f2d8-4d3f-a78c-50cfedae660e-1.jpeg) Vicki Vivacious and Nathan Stubbins at Falmouth Pride 2026 **Nathan Stubbings,** a theatre performer from the Isle of Wight, sang many Broadway and pop songs from powerhouse legacies like Barbara Streisand and Whitney Houston, which the crowd received with joy and some “rolling on the river” choreography. ![](https://www.scenemag.co.uk/content/images/2026/05/data-src-image-c6cbf8c4-c36f-4507-be07-54e86526b2ce.jpeg) Queer Kernow "The Olden Gays", 2023 Otherwise, the Pride goers flocked to stalls from local, independent shops. Some standouts like the **Queer Kernow Research** stall which included a zine called *The Olden Gays* which won the **Queer Kernow 2023** art competition. This zine educated about the queer history of Cornwall in an easily digestible format. Amongst the performances, there were many more shoutouts to Cornwall Pride’s upcoming events like **Redruth Pride** (**13 June**) and **Bodmin Pride** (**27 June**). Most notably, there was much promotion for their ceilidh dance party which will be held soon on **Saturday 9 May**, as a fundraiser for Cornwall Pride. ### #DALEYPOP X May 2026 URL: https://www.scenemag.co.uk/daleypop-x-may-2026/ Last updated: 2026-08-07T11:06:46.000Z Music has been embedded in my life ever since I was in the womb, my mum and dad basically raised me on music, especially POP music! I grew up listening to **Madonna**, **Mariah Carey**, **Kylie Minogue**, **Spice Girls**, **Britney Spears** and even **AQUA** and I’ve always been obsessed with pop culture and **Eurovison**! I love yapping about my favourite songs and album of the month every month with the world from **Scene HQ**! ### Madonna - I Feel So Feel So Free/Bring Your Love (with Sabrina Carpenter) The one and only **Madonna** has never seemed particularly interested in simply guarding her throne as the Queen of Pop but instead she’s spent decades relentlessly reshaping it, earning her reputation as music’s ultimate chameleon. While many of her peers lean into nostalgia, she pushed forward into daring new sonic and visual worlds, turning reinvention into more than a tactic. It became her instinct, her pulse, her reason for moving at all. So now at 67 years young, firmly in her legacy era while others have stepped back or faded away, she stands in a space uniquely her own. And yet the question lingers, almost provocatively....what does reinvention even mean at this point when you’ve already rewritten yourself more times than anyone thought possible? ![](https://www.scenemag.co.uk/content/images/2026/04/image-18.png) Even before Madonna began teasing a sequel to her 2005 disco masterpiece *Confessions on a Dance Floor* over a year ago she had already started reconnecting with her past in a way that felt purposeful and celebratory, from the introspection of *Rebel Heart* to the career spanning spectacle of her *Celebration Tour*. ![](https://media.tenor.com/DCOyNnYYju4AAAAC/madonna-celebration.gif) While the title *Confessions II*, arriving on the 3rd July (my birthday month woo) might initially seem simple, it ultimately feels like a confident reclaiming if you ask me. A bold acknowledgment that her past isn’t something to outgrow but something to build on. *I Feel So Free* crafted alongside **Stuart Price**, the sonic mastermind behind much of *Confessions on a Dance Floor* and elevated with **Arca**’s innovative touch proves just how electric that approach can be. ![](https://media.tenor.com/FU2T3gaYl4wAAAAC/dance-shake-it.gif) The track blossoms from gliding, spacey strings and deep pulsing bass into something vibrant, sensual and alive bridging eras with ease. Channeling both **Giorgio Moroder**’s glossy euphoria and the raw, hypnotic pull of **Lil Louis**’s *French Kiss*. When Madonna sings c’mon, meet me on the dance floor it feels less like a callback and more like a triumph, an artist not revisiting her legacy but reanimating it, turning nostalgia into something urgent, exuberant and completely her own. Queen of Pop behaviour! ![](https://www.scenemag.co.uk/content/images/2026/04/image-17.png) In her manifesto for *Confessions II* Madonna frames the dance floor as a ritualistic space, not just somewhere to lose yourself but somewhere to rebuild. It’s where she slips free from the weight of fame and steps into something renewed. And yet, this new persona feels thrillingly familiar echoing the very essence of the Madonna who first turned reinvention into an art form. This time, though, it doesn’t feel like repetition; it feels like reclamation, a full circle moment charged with confidence and clarity. Oh and then there’s the undeniable sense of legacy unfolding in real time. More than 20 years after her **Coachella** debut, Madonna’s surprise return joining **Sabrina Carpenter** to perform *Vogue*, *Like a Prayer* and a brand new track felt nothing short of monumental. Another one for the pop music history books! ### Olivia Rodrigo - drop dead Olivia Rodrigo somehow always makes heartbreak sound ridiculously fun to scream along to and she's delivered again with *drop dead*\-the lead single from Liv's upcoming third album (*You Seem Pretty Sad for a Girl So in Love*). I'm obsessed with the album name). *drop dead* balances pop punk attitude, full of biting one liners and that slightly chaotic energy fans love Liv for. There’s a real early 2000s influence running through the track too but it still feels modern at the same time rather than nostalgic cosplay. What makes the song work so well is that underneath all the sass and clever lyrics, there’s genuine emotion. She sounds both furious and heartbroken at the same time which is basically Olivia Rodrigo’s superpower at this point I'd say! The song follows that rush of excitement, anxiety, overthinking, and fantasy that comes with a really good first date or crush. From hoping the night never ends to imagining an entire future with someone you barely know yet. Liv herself said she wrote it about “a really wonderful first date” and wanted to capture the “excitement, hope & anxiety” of liking someone new. ### Alexandra Stan - Fire Omg we can always cound on our mother of *Mr Saxobeat* herself to delivers exactly the kind of glossy, high energy dance pop we need! **Alexandra Stan** packed *Fire* with pulsing beats, infectious hooks and that instantly recognisable **European** dance sound that feels tailor made for summer! Alexandra’s vocals glide effortlessly over the production, balancing confidence and vulnerability as the song builds into a euphoric chorus that’s impossible not to move to. There’s a nostalgic early 2010s EDM feel woven throughout. Fire is a feel good dance anthem with enough emotional spark to keep it from feeling disposable. ### sombr - Potential *Potential* by **sombr** feels like the musical equivalent of staring out of a rainy train window dramatically contemplating your entire love life. The track blends hazy indie pop production with deeply vulnerable songwriting, creating a sound that feels intimate without ever becoming overly polished or predictable. Sombr’s vocals have this fragile, almost conversational quality that makes every lyric land harder, especially as the song explores the frustration of seeing what a relationship could be while realising it may never fully get there. I love this song though and it's potentially sombr's best music video yet too! ### Lady Gaga and Doechii - RUNWAY Taken from The Devil Wears Prada 2 soundtrack, RUNWAY is pure high fashion chaos in the best way. Delicious house beats, sharp bars and that signature Gaga drama colliding with Doechii’s effortless cool. It feels like a strut down a neon lit catwalk at 3am, equal parts attitude and artistry. I love the music video, it's an absolute cinematic serve! ![](https://www.scenemag.co.uk/content/images/2026/05/1000056983.gif) ![](https://www.scenemag.co.uk/content/images/2026/05/1000056979.gif) ![](https://www.scenemag.co.uk/content/images/2026/05/1000056984.gif) So many bold visuals, avant-garde looks and the kind of energy that makes you want to replay it immediately just to catch every detail. ![](https://www.scenemag.co.uk/content/images/2026/05/1000056982.gif) I honestly can't get over it! ![](https://www.scenemag.co.uk/content/images/2026/05/1000056981.gif) ### Kim Petras - Need For Speed I wasn't expecting this one. **Kim Petras** is giving pure adrenaline campy pop on *Need For Speed* taken from her hopefully upcoming album. It's fast, glossy and totally made for blasting with the windows down. Kim leans into high energy production and her signature sugary vocals, giving it that sleek, club meets racing game vibe. ### loveshy - Like That Singer-songwriter and producer **James Hofbauer** aka **loveshy** is one to watch! ![](https://www.scenemag.co.uk/content/images/2026/05/1000056985.jpg) *Like That* feels less like a song and more like a confession whispered at the edge of a breaking heart....it pulses with a kind of restrained desperation, each beat pressing harder as if it’s trying to hold together emotions that are already spilling over. The vocals hover between vulnerability and control teasing us with softness before cutting deeper with an undercurrent of quiet intensity. There’s a haunting quality in the production, subtle but suffocating, that wraps around you making every lyric feel like it’s meant just for you in that moment. ### Jennifer Lopez and David Guetta - Save Me Tonight **J Lo** is back! *Save Me Tonight* doesn’t gently arrive, it crashes in like a siren call from the edge of midnight, glittering and urgent. The track surges with **David Guetta**'s electrified production, each drop hitting like a heartbeat racing against time while J Lo’s vocals glide between strength and surrender. She doesn’t just sing the lyrics, she pleads through them, as though the night itself is slipping through her fingers and music is the only thing keeping her from falling apart. There’s a rush in its rhythm, a desperate brightness that feels as intoxicating as it is fleeting. The song burns fast, fierce, and unapologetically dramatic, an anthem for those chasing something they can’t quite hold onto. By the time it fades, you’re left breathless, caught between euphoria and emptiness, as if the night it promised has already vanished. ![](https://www.scenemag.co.uk/content/images/2026/06/JessieWare_EMIVXX2152.webp) ## AOTM: Jessie Ware - Superbloom ⭐⭐⭐⭐⭐ We can always count on Jessie Ware to deliver us a campy, lush, aching and impossibly alive album. *Superbloom* feels like a continuation from 2023's That! Feels! Good! album and is an album that seems to breathe, each track shimmering with a fragile beauty that feels both intimate and untouchable. Jessie's voice is the centerpiece as always, effortlessly elegant, gliding across silk smooth production while carrying a quiet storm of emotion beneath it. There’s a sense of emotional bloom and decay happening all at once, as though every note is caught between longing for something new and mourning what’s already slipping away. Tracks like *Ride* stand out as magnetic, pulsing with a hypnotic urgency that pulls you deeper into the album’s atmosphere. It’s in these moments that *Superbloom* feels most powerful, when it leans into its vulnerability and lets the tension unravel just enough to sting. The album doesn’t chase attention; it lingers, glowing softly but relentlessly, leaving behind an echo that feels almost too personal to shake. It’s dramatic in its restraint, devastating in its elegance, a slow, luminous collapse that somehow feels like rebirth at the same time. Stream the #DALEYPOP X May 2026 playlist [HERE](https://open.spotify.com/playlist/1E0KQXdWF757j1s8Btfc3K?si=MHh8qc3nQ1uDl486Uduv7g&ref=scenemag.co.uk) and follow the official Scene Spotify [HERE](https://open.spotify.com/user/31yhhvqrnncziyslp6w3lcq5haym?ref=scenemag.co.uk).🎧✨ ### LGBTQ+ organisations, including Mermaids and TransActual, urge Wes Streeting to reverse restrictions on trans healthcare URL: https://www.scenemag.co.uk/lgbtq-organisations-including-mermaids-and-transactual-urge-wes-streeting-to-reverse-restrictions-on-trans-healthcare/ Last updated: 2026-05-01T08:02:38.000Z Ten organisations supporting LGBTQ+ children and young people have written to the health secretary, **Wes Streeting**, and **NHS England** calling for an urgent reversal of recent restrictions on gender-affirming healthcare for trans young people. The letter, coordinated by TransActual and co-signed by nine other LGBTQ+ organisations, warns that recent policy decisions risk causing “serious long-term damage to a generation of trans youth” and urges ministers and NHS leaders to adopt a more “careful, compassionate, and supportive approach” to trans healthcare . The signatories include **Mermaids, Gendered Intelligence, The Proud Trust, Mosaic LGBT+ Young Persons’ Trust** and **IGLYO – the International LGBTQI Youth and Student Organisation**, all of which work directly with trans and gender-diverse children and young people across the UK. The intervention follows a series of significant changes to NHS policy. Earlier this year the **Department of Health and Social Care** paused the **PATHWAYS** puberty blockers trial. Shortly afterwards, NHS England halted new prescriptions of gender-affirming hormones for 16- and 17-year-olds and updated shared care guidance for GPs in a move that further restricts access to treatment . In the letter, addressed to both Streeting and NHS England’s medical director for gender care, **James Palmer**, the organisations express alarm at the direction of travel. “As organisations that work with and support trans young people, we are deeply concerned about the impact of your approach,” they write. While the groups say they support efforts to improve the evidence base for trans healthcare, they argue that the current restrictions go far beyond what is justified, particularly given that many treatments across paediatric medicine are prescribed off-label. They warn that rolling back access to care carries clear risks for young people’s wellbeing, and say policymakers have failed to account for the documented mental health harms associated with denying or delaying treatment. “We can work together to prevent further harm by taking a more careful, compassionate, and supportive approach,” the letter continues. “But the extreme lack of caution being shown by the Government and NHS England through its continued assault on the availability of gender-affirming care risks causing serious long-term damage to a generation of trans youth.” The organisations also call on the NHS to provide timely, holistic care for trans people of all ages based on informed consent, and to listen more closely to the experiences of trans young people themselves when shaping policy. The full letter has been sent to the health secretary and NHS England and is [available online via TransActual. ](https://transactual.org.uk/wp-content/uploads/Letter-from-LGBTQ-Organisations-Regarding-Healthcare.pdf?ref=scenemag.co.uk) ### The Black Cap to unveil Regina Fong Terrace in tribute to drag trailblazer URL: https://www.scenemag.co.uk/the-black-cap-to-unveil-regina-fong-terrace-in-tribute-to-drag-trailblazer/ Last updated: 2026-04-30T16:42:19.000Z The **Black Cap** is set to open a new chapter in its long and glittering history this **Saturday, 2 May**, with the launch of **Regina Fong Terrace** \- a new space dedicated to one of Britain’s most pioneering drag performers. Open from **12 - 9pm**, the inauguration of the terrace will be marked by live music and performances, reinforcing the **Camden High Street** venue’s reputation as a cornerstone of cabaret and drag culture in London. ![](https://www.scenemag.co.uk/content/images/2026/04/blue-badge-at-Regina-Fong-Terrace-1.jpeg) Located on the first floor at the rear of the building, Regina Fong Terrace is accessed via the **Ms Shufflewick Bar**, itself named after the UK’s first known drag performer, who appeared in the 1950s. Below, **Lilly’s Bar** continues to function as the venue’s main showroom and social hub, anchoring the Black Cap’s revival. At the heart of the new terrace - and mounted prominently on its wall - is a striking blue plaque reading: “The Black Cap Her Imperial Highness The Grand Duchess Regina Fong 1945–2003 ‘Last of the Romanoffs’ Reigned Supreme on this site.” ![](https://www.scenemag.co.uk/content/images/2026/04/504171259_18006437492772651_2842306391557045520_n-1.jpg) Regina Fong The plaque commemorates **H.I.H. Regina Fong**, the drag alter ego of **Reginald Sutherland Bundy** \- a dancer, actor and television presenter whose influence helped shape British drag long before it found mainstream acceptance. Trained in dance, Bundy appeared in major stage musicals and on screen, including the film *The Slipper and the Rose*. As Regina Fong, he became known for commanding glamour, razor‑sharp wit and a regal stage presence that made him a defining figure at the Black Cap during its heyday. ![](https://www.scenemag.co.uk/content/images/2026/04/The-Black-Cap---performers.jpg) Black Cap performers Bar manager **Rafa Motycki** said the terrace reflects the venue’s identity and history. “Since the relaunch, the popularity of the Black Cap has been incredible,” he said. “People have been desperate for live entertainment to return here. Performing arts aren’t something we’ve added - they are, and always have been, at the very heart of what the Black Cap is.” ![](https://www.scenemag.co.uk/content/images/2026/04/The-Black-Cap---Shuffelwick-Bar.jpg) Shufflewick Bar That appetite has already been evident, with regular sell‑out appearances by **Baga Chipz** and performances from *RuPaul’s Drag Race UK* queens including **Polly Glamorous** and **Pixie Polite**, re‑establishing the venue as one of London’s leading drag destinations. “When Baga performs, you feel the room explode with energy,” Motycki added. “That’s the spirit we want Regina Fong Terrace to hold - somewhere legends are celebrated, stars return, and new royalty are born. “I’m confident the terrace will become hugely popular - a place where people can enjoy fresh air, intimate acoustic music and the atmosphere, all while their glam outfits sparkle in the sunshine.” ### Carlos Acosta’s Carmen @ Theatre Royal Brighton URL: https://www.scenemag.co.uk/carlos-acostas-carmen-theatre-royal-brighton/ Last updated: 2026-05-01T08:47:23.000Z Some performances burrow under your skin and refuse to leave, and **Carlos Acosta's** *Carmen* is precisely that. From the first breath of music to the final devastating image, this is a production that seduces and knows exactly what it's doing. Acosta has stripped away every vestige of operatic politeness and replaced it with something rawer, more carnal, more alive. This is a *Carmen* that understands desire as a force field, something that crackles between bodies before anyone has spoken a word. The Havana-born choreographer fuses classical ballet with contemporary movement, flamenco fire and the deep rhythmic pulse of Cuban folk tradition into a physical language that feels utterly its own. And thrilling is barely the word. This an openly, gloriously erotic theatrical evening. Acosta's choreography does not gesture at desire, it inhabits it. Every reach, every press of one body against another, every suspended moment before a lift resolves carries an almost unbearable charge. The seduction sequences pulse with the kind of heat that makes you acutely aware of your own breathing. It is sensual in the deepest sense; speaking directly to the senses, to the body in the seat watching bodies on stage. ![](https://www.scenemag.co.uk/content/images/2026/04/CARMEN2024JP_05925-Edit.jpg) Acosta Danza \_Carmen\_ photo credit Polina Koroleva Power is the real subject here, and Acosta reads it with a queer eye. Who holds it, who surrenders it, how it passes between hands, these are the questions the choreography keeps asking. Carmen's radical insistence on self-possession, her refusal to be owned or contained, lands with a particular resonance when you understand freedom of the body as a political act. The metal bars at the heart of the set, transformed throughout into cage, boundary, seating, weapon, make that theme visible and architectural. Entrapment is not just Carmen's fate here. It is the condition of everyone on stage. The Corps de ballet is, without exaggeration, a feast. Beautiful, technically sovereign, emotionally ferocious, these are dancers who understand that precision and abandon are the same thing at sufficient velocity. Such stunning dancing. **Alejandro Silva** brings to Don José a luminous, almost heartbreaking innocence. He is a man who believes utterly in the story he is telling himself about love, and that belief makes his undoing genuinely devastating to witness. There is a tenderness to his infatuation that makes you want to warn him. ![](https://www.scenemag.co.uk/content/images/2026/04/CARMEN2024JP_01184--1-.jpg) Acosta Danza \_Carmen\_ photo credit Polina Koroleva [**Paul Brando**](https://www.instagram.com/paul.brandon.1346/?ref=scenemag.co.uk)**'s** Escamillo is something else entirely, all swagger and animal confidence, a man whose desire is worn on the outside of his skin like armour. His scenes carry a different erotic register to Silva's, more overtly performative, more aware of its own effect, and Brando makes that contrast sing. The way Acosta has choreographed the tension between these two men, each so differently in love with the same woman, is one of the production's quiet masteries. ![](https://www.scenemag.co.uk/content/images/2026/04/Acosta-Danza-CARMEN-Photo-by-Katja-Ogrin-9-.jpg) ****Paul Brando** Acosta Danza \_Carmen\_ photo credit Polina Koroleva Franc Issac's bull is a presence that lingers long after the curtain falls. Fierce, almost supernatural, moving through the production like fate made flesh, it gives the whole evening its mythic undertow, the sense that something ancient and unstoppable is always waiting just offstage. ![](https://www.scenemag.co.uk/content/images/2026/04/CARMEN2024JP_06598-Edit.jpg) Acosta Danza \_Carmen\_ photo credit Polina Koroleva **Amisaday Naara** inhabits Carmen with the authority of an occupation. Her body is her instrument and her argument, fluid, precise and absolutely uncompromising. She does not play a woman who cannot be tamed. She plays a woman for whom the very concept of taming is faintly absurd. Her scenes with Silva & Brando crackle with that knowledge. She sees through José with a clarity that is tender and devastating at once, and in that prison sequence, rope in hand, she turns his desire back on him like a mirror. ![](https://www.scenemag.co.uk/content/images/2026/04/CARMEN2024JP_05810.jpg) Acosta Danza \_Carmen\_ photo credit Polina Koroleva **Rodion Shchedrin's** orchestration of **Bizet's** score provides the evening its bloodstream, those Habanera and Toreador melodies, refracted, reimagined, given new colour by the production's Cuban sensibility, the vibraphone trembling deliciously. That the music carries this much emotional weight without a single sung note is its own kind of miracle. The audience were enthralled. This is a *Carmen* for those of us who have always known that the most interesting stories are about desire, autonomy and the terrible cost of trying to be free. Go. Let it find you. Until Sat 2nd May [Theatre Royal Brighton. ](https://www.atgtickets.com/shows/carlos-acostas-carmen/theatre-royal-brighton/?ref=scenemag.co.uk) ### Man released on bail following blaze at Pink Punters LGBTQ+ nightclub in Milton Keynes URL: https://www.scenemag.co.uk/man-released-on-bail-following-blaze-at-pink-punters-lgbtq-nightclub-in-milton-keynes/ Last updated: 2026-04-30T11:44:14.000Z A man arrested after a major fire destroyed the **Pink Punters** LGBTQ+ nightclub in **Milton Keynes** has been released on conditional bail while police enquiries continue. **Thames Valley Police** confirmed that a 51‑year‑old man from Milton Keynes, who was detained on suspicion of arson with intent to endanger life, has now been released as investigations into the blaze remain ongoing. Officers said they are continuing to keep an “open mind” about the circumstances surrounding the incident, according to BBC News. Emergency services were called to Watling Street shortly after 2am following reports of a fire at the venue. Revellers and nearby residents were evacuated as flames quickly spread through the building. No injuries were reported, with police praising staff for their swift actions in getting people to safety. [“Truly devastating.” Man arrested after fire destroys popular Milton Keynes LGBTQ+ club, Pink PuntersA 51‑year‑old man has been arrested on suspicion of arson with intent to endanger life after a packed LGBTQ+ nightclub in Milton Keynes was set on fire in the early hours of Sunday morning, in what has been described as a devastating and deeply shocking attack on a![](https://static.ghost.org/v5.0.0/images/link-icon.svg)Scene MagazineGraham Robson![](https://www.scenemag.co.uk/content/images/thumbnail/680235242_932143509822138_8712458949231259487_n-1.jpg)](https://www.scenemag.co.uk/truly-devastating-man-arrested-after-fire-destroys-popular-milton-keynes-lgbtq-club-pink-punters/) Chief Superintendent **Emma Baillie**, Thames Valley Police’s commander for Milton Keynes, described the incident as a “significant fire” that required the evacuation of a large number of people. Speaking to the BBC at the scene, she said: “Thankfully no one was injured and staff at the venue worked quickly and effectively to safely evacuate everyone.” She added that it was “too early to comment on any particular motivation” for the fire and urged the public not to speculate. **Buckinghamshire Fire and Rescue Service** said it deployed up to 12 fire engines at the height of the blaze, which took a considerable time to bring under control. Crews remained at the site afterwards to monitor hotspots and ensure the area was safe. ![](https://www.scenemag.co.uk/content/images/2026/04/73e69473-274b-4576-bc31-769ded4aec3c.jpg-2.webp) Before the blaze Pink Punters, which has been operating for more than two decades and is regarded as one of the best‑known LGBTQ+ nightlife venues outside London, was extensively damaged in the fire. The club has long been seen as a central hub for the LGBTQ+ community in Milton Keynes and the wider region. The venue’s owner, **Frank McMahon**, told BBC News he was devastated by the loss of the building but relieved that no one was hurt. “Whilst I am devastated to say that the building itself has been completely destroyed, I am deeply relieved, grateful and proud to confirm that no staff or customers were harmed, and everybody went home safely,” he said. McMahon added that the club intends to reopen in the future. Police have also confirmed they are investigating the Pink Punters blaze alongside a separate fire at a nearby church, which occurred a day earlier and a short distance away. “At the moment we are keeping an open mind and investigating the incidents in conjunction with each other due to proximity in location and time,” a Thames Valley Police spokesperson said. ### “I didn’t know who I was before 40.” Susan Calman speaks about growing up gay in Radio 2 interview with Vernon Kay URL: https://www.scenemag.co.uk/i-didnt-know-who-i-was-before-40-susan-calman-speaks-about-growing-up-gay-in-radio-2-interview-with-vernon-kay/ Last updated: 2026-04-30T11:02:00.000Z This week, Scottish comedian **Susan Calman** spoke openly about her experiences of growing up gay in Scotland with **Vernon Kay** on BBC Radio 2\. The comedian and broadcaster appeared on Kay’s *Tracks Of My Years*, where she reflected on identity, belonging and the importance of LGBTQ+ spaces at key moments in her life. During the programme, Calman became emotional while discussing gay clubs in Glasgow, describing them as places of safety and self‑discovery at a time when being openly lesbian felt far less visible or accepted. Recalling nights out in the city, she highlighted how those spaces offered community and affirmation, particularly in her younger years. The conversation also touched on how long it took her to feel fully comfortable in her own skin. Calman told Kay that she “didn’t know who I was before 40”, a moment that prompted a visibly heartfelt response and resonated strongly with listeners. The remarks echoed her wider reflections on coming to terms with her sexuality and finding confidence later in life . Calman has long been open about her sexuality and is widely regarded as one of the most visible lesbian voices in British broadcasting. She came out in the early 1990s and has frequently spoken about the challenges of growing up gay in Glasgow at a time when representation and safe spaces were limited, experiences she has revisited across radio, television and live performance. Beyond her comedy career, Calman has used her public platform to champion LGBTQ+ equality and mental‑health awareness. In 2018, she was awarded an honorary doctorate by the University of Glasgow in recognition not only of her work in broadcasting and comedy, but also for highlighting issues around mental health and LGBTQ+ rights. The university cited her willingness to speak publicly about discrimination, identity and wellbeing as part of her contribution to public life. ### University of Sussex overturns record free speech fine in damning high court ruling URL: https://www.scenemag.co.uk/university-of-sussex-overturns-record-free-speech-fine-in-damning-high-court-ruling/ Last updated: 2026-04-30T09:37:35.000Z The **University of Sussex** has won a major legal victory against England's higher education regulator, with a High Court judge ruling that a £585,000 fine, the largest ever issued by the **Office for Students** (OfS), was unlawful. The case stemmed from an OfS investigation launched in 2021, following student protests over the gender critical views of philosophy professor **Kathleen Stock**, who argued that biological sex should take precedence over gender identity. The regulator found the university in breach of its registration conditions and imposed the unprecedented penalty. Sussex challenged the decision through judicial review. Mrs **Justice Lieven** found comprehensively in Sussex's favour on multiple grounds. The OfS had misidentified the university's **Trans and Non-Binary Equality Policy Statement** as a "governing document," misunderstood what freedom of speech actually requires under law, exceeded its regulatory powers, and failed to consider whether any supposed breaches had been remedied before issuing its final decision. But the most damaging finding was one of bias. The judge concluded that the OfS had approached the entire investigation with a closed mind, determined from the outset to make an example of Sussex and secure significant publicity for its actions. Senior officials refused to engage meaningfully with the university's arguments, disregarded evidence in its favour, and treated other institutions using identical policies without sanction. That predetermination, the judgment found, tainted the whole process and rendered the final decision unlawful. The ruling also raised serious questions about the role of **Arif Ahmed**, the OfS's director for freedom of speech, who had exchanged correspondence with Stock before taking up his post. The judge cleared him of influencing the final outcome, but noted that had he been the decision-maker, a finding of predetermination would have been probable. ![](https://www.scenemag.co.uk/content/images/2026/04/25208.item.jpg) University of Sussex Vice-Chancellor Sasha Roseneil Vice-Chancellor **Sasha Roseneil** said she would seek an urgent meeting with Education Secretary **Bridget Phillipson** to discuss the ruling's implications. The judgment affirms that universities can maintain policies protecting trans and non-binary students from harassment while fully upholding free speech, and that a regulator cannot weaponise free speech law to target inclusive campus policies. Read a [full overview of Sussex's successful High Court appeal against the OfS](https://www.sussex.ac.uk/news/focus/freedom-of-speech?ref=scenemag.co.uk) ### Boy George ‘left in tears’ after being caught up in Golders Green antisemitic knife attack URL: https://www.scenemag.co.uk/boy-george-left-in-tears-after-being-caught-up-in-golders-green-antisemitic-knife-attack/ Last updated: 2026-04-30T09:34:40.000Z **Boy George** has revealed he was caught up in the knife attack in London’s **Golders Green** that left two Jewish men injured and prompted a major counter‑terrorism investigation. The **Culture Club** singer said he was nearby when the incident unfolded and described a scene of fear and confusion, saying there was “panic in the air” as emergency services descended on the north London neighbourhood. He later said the experience left him “in tears”. The attack took place on Wednesday in Golders Green, an area with a large Jewish population. Two men, aged 76 and 34, were stabbed and taken to hospital. Police said both victims were in a stable condition following treatment. The **Metropolitan Police** confirmed the incident has been declared a terrorist attack and is being investigated as an antisemitic assault. According to counter‑terror officers, a 45‑year‑old man was arrested on suspicion of attempted murder after being confronted and tasered by police. Investigators said they are examining whether the suspect deliberately targeted members of the Jewish community, amid heightened concern following a series of antisemitic incidents in the area in recent weeks. Boy George was not among those injured and has not been linked to the investigation beyond being present in the vicinity at the time. In comments reported by media outlets, he described witnessing the immediate aftermath of the attack and praised the swift response of emergency services as armed officers secured the scene. The stabbing followed a number of recent antisemitic attacks in Golders Green, including an arson attack in March that destroyed ambulances belonging to a Jewish volunteer emergency service. Community leaders have warned that Jewish residents are increasingly fearful, while police have stepped up patrols and security measures across the area. Political and faith leaders condemned the attack, with senior figures describing it as an assault on the Jewish community and on Britain as a whole. Counter‑terrorism policing said enquiries are ongoing as officers work to establish the full motive and any potential links to other incidents. ### Law change equalises punishment for anti-LGBTQ+ hate crime URL: https://www.scenemag.co.uk/law-change-equalises-punishment-for-anti-lgbtq-hate-crime/ Last updated: 2026-04-30T08:01:36.000Z Yesterday (29 April), the **Crime and Policing Bill** received Royal Assent, changing the law to make anti-LGBTQ+ hate crime an aggravated offence. This change in law, which comes following a campaign by LGBTQ+ rights charity **Stonewall**, brings penalties for anti-LGBTQ+ hate crime in line with offences motivated by race and religion, and will give LGBTQ+ victims and survivors more time to access criminal justice. Expanding aggravated offences to include all characteristics covered in hate crime legislation was a recommendation first made by the Law Commission in 2021\. The commitment was included in the Labour Party’s manifesto in 2024\. This legislative change comes amidst an increase in hate crimes against the LGBTQ+ community in recent years. In the last five years [**official police-recorded hate crime**](https://www.gov.uk/government/statistics/hate-crime-england-and-wales-year-ending-march-2025?ref=scenemag.co.uk) based on sexual orientation has increased by 20% and those based on trans identity have increased by 50%. **Galop** also saw a 27% increase in hate crime calls to their **National LGBT+ Abuse and Violence Helpline** during the last reporting year. Under current legislation, hate crimes against LGBTQ+ people have a six-month statutory time limit for cases to be reported, investigated and presented to the Crown Prosecution Service. Although anti-LGBTQ+ hate crime has long been recognised in law, offences motivated by race or religion have historically carried stronger maximum penalties as they were classified as aggravated offences. Under the new legislation, the punishment for anti-LGBTQ+ hate crimes will be equalised. They will be considered more serious offences in the eyes of the courts, perpetrators will get stronger sentences and victims will have more time to access justice. This change in the law will see hate crimes against LGBTQ+ and disabled people carry longer sentences, end the 6-month time limit for investigations, and demonstrate that all victims, no matter their identity, will be taken equally seriously. The amendment also creates a new category of ‘sex’ in hate crime legislation. **Simone Blake OBE,** Stonewall CEO, said: "I am delighted that our campaign to equalise the punishment for anti-LGBTQ+ hate crime has been successful, a significant step forward for LGBTQ+ rights. In recent years, rising levels of hate crime against LGBTQ+ communities have been deeply concerning. Everyone deserves to feel safe to be themselves, without fear of harm. "With anti-LGBTQ+ hate crime now recognised as an aggravated offence, I hope this sends a clear message that there is no hierarchy of hate, and that crimes against LGBTQ+ people will be treated with the seriousness they deserve. "I am proud that Stonewall has played a key role in securing this change in the law, marking the first legislative change in Westminster for LGBTQ+ rights in over a decade." **Ben Kernighan**, Galop’s Co-CEO, added: "At a time when the LGBTQ+ community is navigating an increasingly hostile environment, paired with the rollback of LGBTQ+ rights across the globe, this long-overdue change in law is a welcome step in addressing the intensifying hate our community faces. "We know from our services that public life is becoming less safe for LGBTQ+ people in the UK, especially for trans+ people. This legislative change means LGBTQ+ victims and survivors will now be given the same protections and access to justice as other groups impacted by hate crime." ### Two Women’s Institute branches close after 72 years following resignations over trans membership policy URL: https://www.scenemag.co.uk/two-womens-institute-branches-close-after-72-years-following-resignations-over-trans-membership-policy/ Last updated: 2026-04-30T07:44:39.000Z Two long‑established branches of the **Women’s Institute** (WI) in Bristol have closed after senior committee members resigned in protest at a national policy change restricting membership to women born female. The **Longwell Green Women’s Institute**, founded in 1954, formally ceased operating on 1 April after 72 years of activity, while the **Westbury‑on‑Trym** branch has voted to wind down following a membership ballot. The closures follow a decision by the **National Federation of Women’s Institutes** (NFWI) announced in December 2025 that, from April 2026, trans women would no longer be permitted to hold formal WI membership. The federation said the move was required to ensure compliance with a UK Supreme Court ruling on the legal definition of sex under the Equality Act 2010. At Longwell Green WI, the resignation of the three essential committee officers - the president, secretary and treasurer - meant the branch could no longer meet its constitutional requirements. Despite appeals to members to fill the vacant posts, no replacements came forward, leaving the group unable to continue. In a statement, the branch said the resignations were “a direct result” of the change in national policy and the way it was introduced, adding that some members had decided not to renew their membership as a consequence. A special meeting overseen by the Avon Federation of WIs subsequently voted in favour of closure. Before closing, Longwell Green WI had grown to more than 80 members and described itself as providing “friendship, wellbeing, interests and support” within the local community. The Westbury‑on‑Trym branch also voted to close after its committee declined to implement the new membership requirements. **Frances Riley**, a committee member, told local media that members were asked to sign a form confirming they were born female and were informed they would have to resign if they did not comply. “The whole committee of eight decided this was a decision we weren’t prepared to go along with,” she said. Following the committee’s stance, more than three quarters of branch members voted to suspend the group, with full closure expected after a period of inactivity. Ms Riley said the decision was taken “out of conscience and conviction” and described it as an outcome that members had never expected to face. The NFWI has said it regrets the change but maintains it is necessary for the organisation to continue operating as a single‑sex charity under existing law. Chief executive **Melissa Green** said the institute had welcomed trans women for decades but now had to act in accordance with the Supreme Court judgment. The federation has also said it is supporting the creation of local “WI Sisterhood” groups, intended to provide social gatherings open to all women, including trans women, outside of formal WI membership structures. The closures in Bristol come amid reports that other WI branches across the UK are reassessing their future following the policy change, with some suspending activities and others continuing in alternative community‑based groups. ### FILM REVIEW: Brute 1976 URL: https://www.scenemag.co.uk/rebrute-1976-2025/ Last updated: 2026-04-29T12:28:44.000Z Hello cinema lovers. ***Brute 1976*** is not a subtle movie about deep, important themes, but director **Marcel Walz** is not aiming for that in the slightest. This is a fun slasher that leans hard into its influences. Shades of directors Tobe Hooper, Wes Craven and Rob Zombie fly all over the place with an added LGBTQ+ flavour. A wild swing that sometimes works. This film is proudly part of the queer horror craze. best watched with a cocktail. ![](https://www.scenemag.co.uk/content/images/2026/04/Brute-1976-----image-1-.jpeg) image provided Set during America's Bicentennial year, the film follows a group of models and a photo crew that unwisely drive into the Nevada desert for a magazine shoot. They soon come upon a ghost town called Savage and, of course, decide to investigate. The town belongs to a family of masked psychos led by a creepy matriarch; the viewer knows exactly what's happening next. This movie is aiming for *Texas Chainsaw Massacre* but lands more towards a gory episode of *Scooby Doo*. ![](https://www.scenemag.co.uk/content/images/2026/04/Brute-1976--image-2-.jpeg) image provided A lesbian couple on a road trip opens the film, showcasing the movie's modern credentials from the beginning. The characters are not deeply written; these are horror archetypes at best, but the actors are charming enough. More interesting is one of the killers, a Leatherface homage in a flowing kaftan and large glittery earrings with added *Silence of the Lambs* nods. There's a real ambition by the filmakers here, but it's shown with a freak show sensibility rather than portraying a villain that happens to be queer. Another movie might have done a better job Roxy (**Adriane McLean**), the film's final girl, is a little more interesting. McLean holds the screen with a quiet presence and gives the best performance of the movie. Sunshine (**Sarah French**) is a last-minute replacement model with a secret. French is a regular player in American indie horror films and works hard with the script she's given. Raquel (**Gigi Gustin**) is a captured model who goes through quite an ordeal over the film's runtime. She's talented and watchable. ![](https://www.scenemag.co.uk/content/images/2026/04/Brute-1976--image-3-.jpeg) image provided Representing the baddies, Zeus is a chainsaw-wielding lunatic who also acts as a Leatherface tribute act. Robens, a huge man, has no dialogue but lets his massive physique do the talking. Mama Birdy (**Dazelle Yvette**), the family matriarch, has a creepy, almost childlike presence and is a fun addition to the cast. Director Walz, whose past credits include *Blood Feas*t (2016) and *Pretty Boy* (2021), directs the movie with a love and knowledge of horror. Shot on location, the film has a gritty, raw and rough vibe, filled with rusty old cars and rotting wooden sheds. The filmmakers know the genre references they are aiming to homage. The welcome queer characters elevate the movie for a modern audience. The victims' fates are sadly all over the place. A glory hole sequence featuring a hot daddy is fun and turns really knarly. However, several other kills feel quick and cheap. This is disappointing for a movie with grindhouse ambitions. The first half of the movie drags a bit, but the second half picks up the action to a level that we should expect from a movie called *Brute 1976*. But if you are a fan of '70s horror movies, there's more than enough here to enjoy. It's refreshing to see queer characters take centre stage in the horror genre rather than be relegated to smaller parts. Kick back, unplug your brain and enjoy the ride. The perfect Friday night movie. ***Brute 1976*** is available on Digital and VOD via **Cinephobia Releasing**. ### Trans powerlifter JayCee Cooper settles legal dispute with USA Powerlifting URL: https://www.scenemag.co.uk/trans-powerlifter-jaycee-cooper-settles-legal-dispute-with-usa-powerlifting/ Last updated: 2026-04-29T09:49:53.000Z **JayCee Cooper**, a trans powerlifter from Minnesota, has reached a settlement with **USA Powerlifting**, ending a long‑running legal dispute over her exclusion from women’s competitions. The agreement follows a landmark ruling by the **Minnesota Supreme Court**, which found that the organisation had breached the state’s **Human Rights Act** by barring Cooper from taking part in female events. The case stemmed from decisions made in 2018 and 2019, when Cooper was denied entry into women’s powerlifting competitions run by USA Powerlifting. At the time, the organisation did not have a formal written policy governing trans participation, but officials refused her entry and later introduced a blanket ban on trans women competing in the women’s division. Cooper subsequently brought a lawsuit, arguing that the exclusion amounted to unlawful discrimination under Minnesota law. In October 2025, Minnesota’s Supreme Court ruled unanimously that USA Powerlifting’s actions constituted discrimination in public accommodations. The court held that excluding transgender women from the women’s category fell within the scope of the state’s Human Rights Act. While the court allowed the organisation to argue that its policy might serve a legitimate business purpose, it concluded that the exclusion itself could not be justified at that stage. The ruling sent parts of the case back to lower courts, paving the way for a financial settlement. The settlement was confirmed on 28 April by **Gender Justice**, the legal group representing Cooper. **Jess Braverman**, the organisation’s legal director, described the outcome as significant for trans people in Minnesota, saying it reinforced their right to participate in sport and other areas of public life without discrimination. The precise terms of the agreement have not been made public, though multiple outlets have reported that it includes a financial remedy. ### HIV The Naked Truth: Nude photography exhibition on HIV stigma to debut in Brighton during Pride Week URL: https://www.scenemag.co.uk/hiv-the-naked-truth-nude-photography-exhibition-on-hiv-stigma-to-debut-in-brighton-during-pride-week/ Last updated: 2026-04-29T08:49:21.000Z A new photography exhibition challenging stigma around HIV is set to open in **Brighton** during **Pride Week** this summer. ***HIV The Naked Truth*** will be presented at **Phoenix Art Space** from **29 July - 2 August 2026**, featuring nude portraits of 14 LGBTQ+ HIV activists photographed by **Rodwey Olukoya**. Each subject uses their body and personal story to confront misconceptions around HIV and promote visibility, acceptance and empowerment for people living with a positive status. ![](https://www.scenemag.co.uk/content/images/2026/04/ELI2.jpeg) ****Eli Fitzgerald** Staged during one of the UK’s largest Pride celebrations, the exhibition aims to bring conversations about HIV into the heart of Brighton’s LGBTQ+ community. Visitors will be able to view the exhibition daily from midday to **5pm**. Those featured in the exhibition span a wide range of backgrounds from across the UK and beyond. They include actor **Peter McPherson**, known for the award‑winning comedy *Smoggie Queens*; drag performer and activist **Daisy Puller**; HIV activist **LeaSuwanna Griffith**; Brazilian sexual health doctor and advocate **Eduardo Peres**; and **Fast Track Cities** ambassador and peer mentor **Greg Arthur**. ![](https://www.scenemag.co.uk/content/images/2026/04/DAVID1.jpeg) ****David Fray** Also taking part are Egyptian‑Italian advocate **Antonyos Farag**; Manchester‑based activist and author **Tresca Lou**; educator and activist **Andrew Liam Oakes**; and Brighton‑based activist and **Outdoor Positive** co‑founder **David Fray**. The exhibition further highlights queer trans man and **Positively UK** team member **Eli Fitzgerald**; Filipino trans campaigner **Roa Anya**; Irish trailblazer **Rebecca Tallon De Havilland**; artist and activist **Sun**; and **Joshua Royal**, founder of **HIV The Naked Truth** and organiser of the exhibition. ![](https://www.scenemag.co.uk/content/images/2026/04/LEASUWANNA2.jpeg) ****LeaSuwanna Griffith** The Brighton installation follows the success of the *HIV The Naked Truth 2025 Gala*, held on **World AIDS Day** last December at **Bloomsbury Central Baptist Church** in London. The event attracted 150 guests and raised £3,300 for HIV charity Positive East. Bringing the exhibition to Brighton Pride Week marks a significant expansion of the movement, extending its message of HIV visibility and education to a wider audience during a major national cultural event. ![](https://www.scenemag.co.uk/content/images/2026/04/jOSH-1.jpeg) Joshua Royal All proceeds and donations raised through the exhibition will go to **Positive East**, supporting its ongoing work in HIV testing, prevention and community support. Joshua Royal said: “I am profoundly grateful to every single person who has poured their love into this. To our activists, thank you for baring not just your skin but your stories, your courage, and your dedication to a more accepting world. "The fact that we are now taking this to Brighton & Hove Pride - that this is our reality - is something I could not have imagined.” ### Shonda Rhimes shares excitement over Bridgerton’s first queer romance URL: https://www.scenemag.co.uk/shonda-rhimes-shares-excitement-over-bridgertons-first-queer-romance/ Last updated: 2026-04-28T13:16:30.000Z **Shonda Rhimes** has spoken about *Bridgerton’s* first central queer love story, describing her excitement as the Netflix series prepares to break new ground in its upcoming fifth season. The hit Regency-era drama will, for the first time, centre a season-long romance between two women: Francesca Bridgerton, played by **Hannah Dodd**, and Michaela Sterling, portrayed by **Masali Baduza**. The storyline marks a significant departure from **Julia Quinn**’s original novel *When He Was Wicked*, in which Francesca’s second love interest is male. Speaking to *People*, Rhimes said she had been heartened by the overwhelmingly positive response from fans to the show’s evolving storytelling. “The fans have been so supportive of every direction we’ve taken with the story,” she said, adding that the reaction to the most recent season had been “extraordinary”. She said she was eager for audiences to see what the creative team has planned next. Season five will follow on from the events of the fourth season, which saw Francesca devastated by the sudden death of her husband, John Sterling. His cousin Michaela returns to London shortly afterwards, setting the stage for Francesca to question whether to re-enter the marriage market or follow her own desires. Rhimes confirmed that filming on the new season has already begun and said she was enjoying seeing the relationship develop on screen. While careful not to reveal plot details, she described the early stages of production as “amazing”. The decision to gender-swap the character of Michael Sterling was publicly supported by Quinn in 2024, when the author said she was committed to seeing the *Bridgerton* universe become more diverse and inclusive as it moves from page to screen. The Netflix series, created by **Chris Van Dusen** and executive produced by Rhimes, has previously been lauded for its colour-conscious casting and modern approach to historical romance. However, season five will mark the first time a queer relationship takes centre stage for an entire instalment. All four existing seasons of *Bridgerton* are currently available to stream on Netflix. A release date for season five has not yet been confirmed, though it is expected to arrive in late 2027 or early 2028. ### Man jailed after breaking into Belfast LGBTQ+ venue and spending hours trying on drag queen outfits URL: https://www.scenemag.co.uk/man-jailed-after-breaking-into-belfast-lgbtq-venue-and-spending-hours-trying-on-drag-queen-outfits/ Last updated: 2026-04-28T10:53:29.000Z A man who broke into a Belfast LGBTQ+ bar and repeatedly returned to a drag performers’ dressing room, where he damaged costumes worth more than £1,000, has been sentenced to seven months in prison. **Gvidas Malinauskas**, 42, admitted burglary with intent to steal and criminal damage following the incident at the **Union Street Bar** in September last year. **Belfast Magistrates’ Court** heard that he entered the venue during the morning through an unlocked door and remained on the premises for several hours. Prosecutors said Malinauskas was seen wearing a series of costumes, including wigs, boots and catsuits. At various points during the morning and afternoon, he left the dressing room dressed in different outfits before returning again later. A Public Prosecution Service lawyer told the court that the defendant initially wore a white fluffy coat, pink boots and a long wig, before changing into a beige catsuit and later a blue bodysuit with a blonde wig. He was eventually discovered back in the dressing room by one of the drag performers, wearing a black catsuit, pink fluffy top and red wig. Prosecutors told the court that staff were unaware anyone was inside the building until a drag performer later encountered Malinauskas in the dressing room during the afternoon. By the time management were alerted, he had changed back into his own clothes and left without speaking to anyone. When staff inspected the dressing room, they discovered several costumes had been badly damaged. The court was told items were torn, stained and left with a strong smell of urine, leaving the performers unable to use them. The total value of the damaged outfits was assessed at just under £1,100. Malinauskas, a Lithuanian national with no fixed address, was later arrested and pleaded guilty to both charges. His defence lawyer said he had been heavily intoxicated at the time of the incident and could offer no explanation for his behaviour. The court was also told there was no evidence the offence was motivated by hostility towards the performers or their sexual orientation. Sentencing Malinauskas, the judge said the intrusion had caused significant distress and financial loss, adding that a custodial sentence was necessary given the repeated nature of the conduct and the extent of the damage caused. He was jailed for seven months, with credit given for his guilty plea and the time he had already spent in custody. ### Russian LGBT Network labelled ‘extremist’, effectively banning its activities nationwide URL: https://www.scenemag.co.uk/russian-lgbt-network-labelled-extremist-effectively-banning-its-activities-nationwide/ Last updated: 2026-04-28T10:33:24.000Z Russian authorities have escalated their crackdown on LGBTQ+ rights after a court in **St Petersburg** designated the **Russian LGBT Network** an “extremist organisation”, effectively banning its activities nationwide. The ruling, handed down by the **St Petersburg City Court** following closed hearings requested by the **Ministry of Justice**, is one of a growing number of cases targeting LGBTI organisations across the country. **Amnesty International** warned the decision would further marginalise LGBTQ+ people and endanger their basic human rights. The verdict comes just two months after similar rulings branded five other groups as “extremist”: **Coming Out in St Petersburg**, the **LGBT Resource Centre** in Yekaterinburg, the **Moscow Community Centre for LGBT+ Initiatives**, LGBTQ+ group **Irida** in Samara, and LGBTQ-themed media project **Parni+**. Amnesty International said the latest ruling follows a clear pattern established in November 2023\. “When in November 2023 the Supreme Court banned the non-existent ‘international LGBT movement’ as ‘extremist’, it was clear that the authorities would not stop there,” said **Marie Struthers**, Amnesty International’s Director for Eastern Europe and Central Asia. “The designation of the Russian LGBT Network and other organisations as ‘extremist’ are links in the same chain of persecution and injustice by the Russian authorities against LGBTI people.” Founded nearly two decades ago, the Russian LGBT Network has played a central role in uniting activists across the country, providing emergency legal and psychological support, evacuating people facing serious risk, and documenting violence and discrimination against LGBTQ+ communities. “For nearly 20 years, the Russian LGBT Network has provided vital assistance and produced crucial research,” Struthers said. “Banning it is a major, premeditated blow to LGBTI people and their allies.” Human rights defenders warn that labelling legitimate advocacy organisations as “extremist” exposes activists and volunteers to severe criminal penalties, while cutting off lifelines for those seeking support. > “For nearly 20 years, the Russian LGBT Network has provided vital assistance and produced crucial research” Since late 2025, Russian authorities have expanded their repression through criminal prosecutions, arrests and administrative fines targeting individuals, private gatherings and media platforms associated with LGBTQ+ themes. In December 2025, a court in Cherkessk sentenced a resident of Karachay-Cherkessia to two-and-a-half years in prison for joining a group chat and posting comments deemed to promote “non-traditional sexual relations”. Days earlier, three residents of Ulyanovsk were placed under house arrest and charged with participating in an “extremist organisation” for organising closed LGBTQ-themed parties and drag shows. In January 2026, drag performer **Aleksandr Knyagin** fled Russia after being placed on a federal wanted list following a police raid on an LGBTQ+ event in the city of Kirov. Several high-profile activists have also been targeted. LGBTQ+ educator and activist **Aleksandra “Sasha” Kazantseva** was sentenced in absentia in December 2025 to nine years’ imprisonment on charges including spreading “false information” about the Russian armed forces and alleged involvement in an “extremist LGBT movement”. ### Elliot Page reflects on the ‘shame’ he felt growing up queer URL: https://www.scenemag.co.uk/elliot-page-reflects-on-the-shame-he-felt-growing-up-queer/ Last updated: 2026-04-28T09:11:35.000Z **Elliot Page** recently spoke about the deep sense of shame and loneliness he felt as a queer child, recalling a formative period marked by isolation and the belief that “something was wrong” with him. The trans actor, best known for *The Umbrella Academy* and *Juno*, shared the reflections while promoting his new documentary, ***Second Nature***, which he both narrates and co-produces. The film explores same-sex relationships and gender fluidity throughout the animal kingdom, challenging the long-held, often weaponised idea of what is considered “natural”. Looking back on his childhood, Page said that growing up queer often meant feeling excluded and alone. “You feel like something’s wrong with you,” he explained, describing a persistent sense of disconnection that shaped his early years. Page has since connected those feelings of shame to a broader lack of representation and visibility, arguing that silence and misinformation fuel internalised harm for LGBTQ+ people. “You’re carrying these bricks of shame,” he said, pointing to the consequences of censorship and erasure, not just in culture but in science and education as well. The actor said *Second Nature* was a project he felt compelled to be part of because it counters narratives that frame queerness as an exception or deviation. Directed by filmmaker Drew Denny, the documentary highlights the prevalence of same-sex pairings and gender diversity across numerous animal species - realities that Page says are routinely omitted from mainstream biology lessons. “For me, growing up as a queer kid, there was this feeling of being completely alone,” Page explained. “Of course, in retrospect, you weren’t - but it feels like that at the time. You feel excluded.” Since coming out as trans in 2020, Page has become one of the most visible advocates for LGBTQ+ representation in film, television and beyond. He has spoken previously about the sense of peace he found in living openly, and says the response from young queer and trans people continues to affirm why visibility matters. Page believes *Second Nature* can help challenge harmful assumptions by showing diversity as intrinsic to the natural world. “This idea that nature is organised around a cis-heteronormative system is completely false,” he said, adding that the film aims to spark wider conversations about how knowledge is shaped - and restricted. Describing the documentary, Page said it was designed to be accessible and engaging as well as informative. “It’s entertaining, it’s funny, it’s beautifully made,” he said. “But it’s also incredibly valuable information - no matter who you are or how you identify.” ### Josh Cavallo on love, lust and living authentically: “I just wanted to be me” URL: https://www.scenemag.co.uk/josh-cavallo-on-love-lust-and-living-authentically-i-just-wanted-to-be-me/ Last updated: 2026-04-28T07:54:51.000Z **Josh Cavallo** made sporting history in 2021 when he became the first active top-flight male professional footballer to come out as gay. Five years on, the **Adelaide United** player, who currently plays for English side **Stamford AFC**, is still breaking boundaries - this time with disarming honesty, humour and unapologetic flirtiness. Speaking on *It Started With A Kiss*, the brand-new queer dating podcast hosted by *I Kissed A…* fan favourites **Amy Spalding** and **Gareth Valentino**, Josh opens up about love, sex, self-acceptance and the realities of being openly gay in a global sport that isn’t always welcoming. The podcast, sponsored by **Tinder**, promises frank conversations about modern queer dating - and Josh delivers exactly that. From his “perfect type” to why Zac Efron in *Baywatch* was his “gay awakening”, the footballer proves he’s just as candid off the pitch as he is courageous on it. “I do have a type – older gentlemen, mature” ![](https://www.scenemag.co.uk/content/images/2026/04/DSC05157.png) Amy Spalding and Gareth Valentino with Josh Cavallo (middle) When it comes to attraction, Cavallo knows exactly what he likes. Asked to describe his dream date, he doesn’t hesitate. “I do have a type,” he laughs. “I would say older gentlemen, mature.” Pressed further, he adds: “He’s a rugby boy, so she can pick a boy up!” That confidence extends to his idea of an ideal first date, which he cheerfully admits is refreshingly direct. “Straight to the bedroom, baby!” he says. “You’ve got to see if it’s working or not.” Josh explains that sexual compatibility matters to him just as much as emotional connection. “I’m a very sexually driven person,” he says. “I need to enjoy my time in the bedroom as well as outside the bedroom. Everyone’s priorities are different – that’s just high up my pecking order.” When it comes to celebrity crushes, Josh doesn’t sugar-coat it. “Basically my gay awakening was Zac Efron from *Baywatch*,” he admits. “That’s my type, ladies and gentlemen.” He even jokes that the resemblance reminds him of his fiancé, Leighton, particularly when shirtless on a beach. “Getting him on a beach running with a top off – that’s Leighton,” Josh laughs, recalling an attempt to recreate the *Baywatch* fantasy during a trip to Bali. ![](https://www.scenemag.co.uk/content/images/2026/04/DSC05097.png) Josh Cavallo That Bali holiday, however, wasn’t just eye candy – it was also their first ever date. After a month of FaceTiming from opposite ends of Australia, Josh spontaneously invited Leighton away. “We were basically two strangers meeting at the airport,” he says. “It was spontaneous, scary, frightening – and magical.” Ten days later, Josh had no doubts. “That was how long our holiday was for, and the last day I asked him to be my boyfriend.” Beyond dating talk, Josh also reflects on the wider impact of his decision to come out publicly. He reveals that players across the footballing world still message him privately. “Opposition players I’ve played against, teammates I’ve been in change rooms with – they message me and say, ‘This is who I am, thank you for the representation,’” he explains. “Some people want to come out now. Some want to come out next week, in a month’s time, in five years. Some people don’t want to come out at all.” Josh acknowledges the emotional toll of visibility, especially given football’s global reach into countries where LGBTQ+ people face severe persecution. “Some of the things I read were absolutely disgusting,” he says. “But I want to make the blueprint clearer for the next person.” The decision to come out, Josh says, came at a huge personal cost. At one point, he was prepared to walk away from his career altogether. ![](https://www.scenemag.co.uk/content/images/2026/04/DSC05170.png) Amy Spalding and Gareth Valentino with Josh Cavallo (middle) “I was literally prepared to quit football,” he admits. “No matter how good or bad the reaction was, I did not care. I just wanted to be me.” Despite winning Best Young Player at his club in 2021, he describes feeling deeply unhappy. “I was the saddest on the inside because I couldn’t share myself with these people. Everything they knew about me was a lie.” That moment became the catalyst. “If I’m going to put my head on the pillow at night, I’m going to be happy,” he says. “Whether you like it or not.” Josh eventually proposed to Leighton on the Adelaide United pitch – a deliberate choice. “That club is where I found my wings,” he says. Disguised as a Pride photoshoot, the proposal very nearly went wrong when Leighton returned early with coffees – but the surprise stayed intact. “He had no idea,” Josh laughs. “Luckily, he didn’t see the ring.” Quotes taken from *It Started With A Kiss*, hosted by Amy Spalding and Gareth Valentino. The podcast[ is available now](https://click.mailchimp.com/track/click/30010842/open.spotify.com?p=eyJzIjoiTThxRHoxMzVXMUxnZ1J3Zm5BeU1zbzA0aU1zIiwidiI6MiwicCI6IntcInVcIjozMDAxMDg0MixcInZcIjoyLFwidXJsXCI6XCJodHRwczpcXFwvXFxcL29wZW4uc3BvdGlmeS5jb21cXFwvZXBpc29kZVxcXC8wNzBnc0l5eTV5WlZEZUtBQzNwSFBEP3NpPXpBWUJwWjNyUUd5MmRfN1pIQTdEalFcIixcImlkXCI6XCIzYzcwZTM2Yjg4NzM0OTExYjE3ZmI1YWNmYTBlOTAzYlwiLFwidXJsX2lkc1wiOltcIjdlNDUwZmQ0NDllNWE2OWRkOTAyYjc1YzBkYzNjZTY3ZTNmZmQzMGNcIl0sXCJtc2dfdHNcIjoxNzc2NzY4NzQyfSJ9&ref=scenemag.co.uk). ### Next to donate 100% of profits from Hamish the Highland Cow doorstop to Terrence Higgins Trust URL: https://www.scenemag.co.uk/next-to-donate-100-of-profits-from-hamish-the-highland-cow-doorstop-to-terrence-higgins-trust/ Last updated: 2026-04-27T10:41:06.000Z British retailer **Next** has announced a Pride partnership with **Terrence Higgins Trust**, pledging to donate 100% of profits from a limited‑edition **Hamish the Highland Cow** doorstop to the HIV charity. As part of its Pride celebrations, every purchase of the plush Highland Cow design will directly support Terrence Higgins Trust’s work providing life‑changing services, challenging HIV stigma and driving efforts towards no new HIV cases in the UK. The charity donation also extends across Next’s wider *Be You* Pride range, with all profits from the collection being passed on to Terrence Higgins Trust. The initiative gives shoppers an easy way to support LGBTQ+ health and equality while buying gifts or brightening up their homes. Funds raised will help Terrence Higgins Trust continue its vital work supporting people living with HIV, promoting regular testing, and campaigning to end stigma and discrimination that still surrounds HIV today. Writing on social media, Terrence Higgins Trust said: "This Pride, our friends at Next are donating 100% of profits from their limited-edition Hamish The Highland Cow Doorstop to Terrence Higgins Trust. "That means every purchase help us to provide life-changing support, challenge HIV stigma and keep pushing for no new HIV cases in the UK. "So whether you're brightening up your home or looking for a gift that makes a difference, order yours today." [**CLICK HERE TO PURCHASE** ](https://l.facebook.com/l.php?u=https%3A%2F%2Fwww.next.co.uk%2Fstyle%2Fsu903220%2Fv22277%3Ffbclid%3DIwZXh0bgNhZW0CMTAAYnJpZBEwMjN6ZThTRXEwTkRqV0hhUnNydGMGYXBwX2lkEDIyMjAzOTE3ODgyMDA4OTIAAR6caU5qMhqVMETldAnqpj5B443nr5p2FQ3ljzSkVsQQO1XAGH8cUq2ymifA3Q%5Faem%5F1kbbEKBDjXt00So%5FnrcFLw&h=AT7Vvg6ZlkjM5LgYIOkr1XUxdfFo-c1j6ouvcVDRdelVKKyyhkXAGsQ4wLuE67Cb-sswUxAbNE2aAck30-RZISrqOIIf%5FIN4IkY9N-Z3vUsXjLO%5F5m%5F%5FyDrxNQnsGr05Vh%5FKczvMTl7Bq7GOp60&%5F%5Ftn%5F%5F=-UK-R&c[0]=AT71zVympfV6nFTUIcFgr9Uy7N7lhkioiJ%5F1kcmAbxSHs40ce4Q2jYOkS7Y5c5v31L2PC7wmrdWmiGcaBzP4szEmSNyDY5TEsgobk352rzN6pJQz6TinuBj9LmjbKHZ3e2YysJacr8rKvrNUc49n7pmMtQElmHYeBZ9cTJ9oDNqPU2nTg%5FDRVF89hGMUJF7MR5OLF7e6Q4lMAcaZ9lPWmB55Jw&ref=scenemag.co.uk) ### Trans people are dying of suicide more than the general UK population, new investigation reveals URL: https://www.scenemag.co.uk/trans-people-are-dying-of-suicide-more-than-the-general-uk-population-new-investigation-reveals/ Last updated: 2026-04-27T10:06:20.000Z **Content warning: suicide, self-harm and death** Fifty suicides of trans people in the UK over the past 10 years have been uncovered in a new investigation. Six further preventable or premature deaths were identified, and nearly half of the 56 trans people who died were under 18\. Research shows that this number is just the tip of the iceberg. This investigation by **Good Law Project** and **QueerAF** pieces together information about trans deaths from coroners’ reports, interviews with bereaved families, freedom of information requests, media reports and publicly available datasets. Analysis of these cases and official figures of trans deaths over a decade shows that trans people are dying of suicide more than the general UK population. Data on child deaths is particularly concerning. Trans people make up less than one percent of the population – but from 2019 to 2025, trans under 18s made up seven per cent of all child suicides. ![](https://www.scenemag.co.uk/content/images/2026/04/ehimetalor-akhere-unuabona-e3pLtn35PxQ-unsplash-1.jpg) Unsplash The investigation was produced in collaboration with a new project called **Trans Lives**, which is collecting evidence on suicides and other premature or preventable deaths of trans and nonbinary people. Trans Lives has today published a call for evidence, for bereaved friends and families of those who have died to share further stories of those who have not yet been counted. While there is never one reason why someone takes their own life, some experts are concerned that these deaths are happening amid trans rights and healthcare rollbacks. Of the cases uncovered, reporters identified 22 reports issued by coroners, who found systemic failures which require changes to prevent future deaths. Five of the reports specifically cite delays and waiting lists in gender care. Eight were ruled as suicides. Fundamentally the investigation shows that there isn't enough comprehensive, high quality data or analysis available on the deaths of trans people. Trans Lives is taking action on this issue. **Lucy Brisbane McKay**, coordinator of Trans Lives and campaigner on preventable deaths, said: “Like many aspects of trans lives, our public understanding and response to deaths is not informed by evidence or the voices of trans and nonbinary people or their families and friends. > "We will work together to remember our loved ones, and build resistance to support our community now.” "Nobody knows exactly how many trans people are dying preventable and premature deaths, such as suicides. There is no collective analysis of the issues that contribute to deaths, or meaningful public policy to prevent them - this investigation is just the start of that work. "We are calling for bereaved people to help collectively build a memorial and evidence base that is by and for our community. We will work together to remember our loved ones, and build resistance to support our community now.” **Ann John**, a professor of public health and psychiatry at **Swansea University Medical School,** who reviewed the investigation’s findings, said: “There is little reliable, routinely collected or linked data on suicide among transgender people, especially adults. In its absence, the Good Law Project and QueerAF have relied on FOI requests and coroner’s reports to piece together estimates. The resulting picture is concerning, but fundamentally incomplete, making meaningful comparison or quantification of risk impossible.” “Existing evidence and what we know about the complex interplay of factors that lead to suicide suggest trans people may face higher suicide risk - through isolation, discrimination, stigma and barriers to healthcare. But without robust national data, the true scale remains unknown - undermining suicide prevention efforts, need assessment, service planning and effective policy development.” > "The research told us clearly that withdrawing affirming healthcare risked increasing suicides." **Jo Maugham**, founder and director of Good Law Project, said: "The loss of every single one of those young lives is an appalling tragedy. But it's more than that. The research told us clearly that withdrawing affirming healthcare risked increasing suicides. And when that happened, the Government, rather than changing course to save lives, tried to bury the evidence. Because apparently it is better that more young people should die than it have to admit to being wrong. It's unforgivable. We are now looking with our lawyers at legal action against the Health Secretary for this systemic failure." > "It is clear that too often, the deaths of trans people are preventable. These systemic failures must be addressed urgently.” **Alex Matheson**, director of inclusion at the LGBT Foundation, said: “These figures are devastating, but they are not surprising. They reflect what we see every day - trans and LGBTQ+ young people are being pushed into crisis by isolation, stigma, and the steady erosion of their rights. When government policy, medical systems, and public debate all tell trans children that who they are is not valid, the harm is profound. These deaths were preventable. The solutions are already known: affirmation, access, and dignity.” **Deborah Coles**, director of **INQUEST**, a charity that campaigns on state-related deaths, said: “Inquests into the deaths of young trans people have consistently exposed years‑long waits for gender‑affirming healthcare, and chronic under-resourcing of mental health and social services that leaves trans people without access to support they need. It is clear that too often, the deaths of trans people are preventable. These systemic failures must be addressed urgently.” ### "Truly devastating." Man arrested after fire destroys popular Milton Keynes LGBTQ+ club, Pink Punters URL: https://www.scenemag.co.uk/truly-devastating-man-arrested-after-fire-destroys-popular-milton-keynes-lgbtq-club-pink-punters/ Last updated: 2026-04-27T08:51:54.000Z A 51‑year‑old man has been arrested on suspicion of arson with intent to endanger life after a packed LGBTQ+ nightclub in **Milton Keynes** was set on fire in the early hours of Sunday morning, in what has been described as a devastating and deeply shocking attack on a vital community space. The blaze broke out at **Pink Punters**, a well‑known and long‑standing gay nightclub in **Fenny Stratford**, shortly after 2am. At the time, the venue was busy with revellers when staff and security were forced to evacuate hundreds of people as flames rapidly spread through the building. ![](https://www.scenemag.co.uk/content/images/2026/04/73e69473-274b-4576-bc31-769ded4aec3c.jpg.webp) Before the fire **Thames Valley Police** said officers were called alongside **Buckinghamshire Fire and Rescue Service**, with up to 12 fire engines deployed at the height of the incident. Dramatic footage shared on social media showed fire tearing through the upper part of the venue and flames rising above the roof. Roads in the Watling Street area were closed while emergency services worked through the night to bring the fire under control. Despite the scale of the blaze, no injuries were reported. Police and fire officers have praised nightclub staff for acting quickly and calmly to get everyone out safely. Chief Superintendent **Emma Baillie**, Thames Valley Police commander for Milton Keynes, said: “This was a significant fire in which a large number of people had to be evacuated. Thankfully no one was injured, and staff at the venue worked quickly and effectively to ensure everyone was safely evacuated” . A 51‑year‑old man from Milton Keynes has been arrested and remains in custody while investigations continue. Police have stressed that it is too early to comment on any potential motive and have urged the public not to speculate . Eyewitnesses described chaotic and frightening scenes as the fire took hold. Club‑goer **Molly Firman** said staff suddenly began shouting for everyone to leave. “It was just a normal night, and then out of nowhere all the staff were screaming, ‘you need to get out now’. It didn’t feel real. Within minutes the fire had expanded massively,” she said, describing the experience as “surreal” and “truly devastating”. ![](https://www.scenemag.co.uk/content/images/2026/04/c90cdb60-4178-11f1-bfbc-178a5f8f3b92.jpg) Pink Punters has been a cornerstone of the UK’s LGBTQ+ nightlife for more than two decades, providing a rare safe space for queer people in and around Milton Keynes. The club’s owner, **Frank McMahon**, said he was heartbroken by the destruction of the building but relieved that no one had been hurt. “The building may be gone, but the community, the memories and the spirit remain. Pink Punters has always been about people,” he said in a statement . The attack has prompted an outpouring of solidarity from the LGBTQ+ community and beyond, with neighbouring venues and local residents expressing shock and support. For many, the fire is not just the loss of a building, but an assault on one of the few dedicated queer spaces in the region. Police have appealed for anyone with information to contact Thames Valley Police as enquiries continue . ### South west pilot support service launches to improve how trans people experience NHS waiting lists URL: https://www.scenemag.co.uk/south-west-pilot-support-service-launches-to-improve-how-trans-people-experience-nhs-waiting-lists/ Last updated: 2026-04-27T08:05:20.000Z A new national support service has been launched to help trans and non-binary people cope while waiting for NHS gender identity healthcare, as thousands face years-long delays for first appointments. **LGBT Foundation** and **Gendered Intelligence** have unveiled *Waiting Well*, a **National Trans Waiting List Support Service** designed to improve wellbeing and reduce isolation for people on NHS gender identity clinic waiting lists. Around 42,000 people in England and Wales are currently waiting for their first **NHS Gender Identity Clinic** appointment. Average waits are about five years – around 14 times longer than the maximum referral‑to‑treatment waiting period set out in the NHS Constitution. Evidence also suggests that 71% of people on NHS waiting lists say their health worsened while waiting, underlining growing concern about the impact of prolonged delays. Campaigners say the situation demonstrates an urgent need for change. While some trans people report waiting up to a decade for care, the newly launched service aims to ensure that waiting for vital healthcare is treated with dignity, respect and compassion. *Waiting Well* has been created to improve people’s experience while they wait, helping them feel informed, supported and connected rather than isolated. Launching initially as a pilot programme, the service reflects both the immediate scale of need and a longer-term ambition for national rollout, until access to trans healthcare consistently meets the NHS’s 18‑week referral-to-treatment standard. The programme offers a range of wellbeing-focused support, including peer support groups for people at different stages of their journey. These are complemented by gender‑affirming voice workshops and webinars to help individuals understand and prepare for gender identity healthcare. The service has been shaped by trans and non-binary people and developed in collaboration with healthcare professionals. It brings together LGBT Foundation’s five decades of experience in LGBTQ+ health with Gendered Intelligence’s trans‑led, community-driven approach to wellbeing services. **Alex Matheson**, Director of Inclusion at LGBT Foundation, said long waiting times had become a reality for many trans and non-binary people. “While pressures on a free national health service are real, waiting for care should never undermine dignity or wellbeing,” she said. “Too often, conversations about trans lives happen without trans people themselves. Working with Gendered Intelligence ensures this service is shaped by lived experience and models a more compassionate approach to waiting list care.” The pilot is launching in South West England, where waiting times are among the longest in the country. **Matty Herring**, Senior Adult Wellbeing Practitioner at Gendered Intelligence, said the service would help demystify the gender clinic process and build community. “We know that many people in the South West are extremely isolated and disconnected from the trans community,” they said. “A service run by trans and non-binary people is vital in helping individuals know they are not alone.” During the pilot phase, *Waiting Well* is open to people aged 18 and over who live in South West England and are registered with Exeter, also known as The Laurels, Gender Identity Clinic. People can self‑refer online [HERE](https://lgbt.foundation/waiting-well/?ref=scenemag.co.uk) or contact Gendered Intelligence’s dedicated *Waiting Well* phone line on **0330 355 9678**. The helpline is open on Tuesdays from 10am to 1.30pm and Thursdays from 3pm to 6pm. ### "It'd be funny if it wasn't real": Dian Cathal on being trans, American, and absolutely unbothered URL: https://www.scenemag.co.uk/itd-be-funny-if-it-wasnt-real-dian-cathal-on-being-trans-american-and-absolutely-unbothered/ Last updated: 2026-04-27T09:33:41.000Z Dian Cathal did not move to Britain because he loves it here. He moved because he cannot eat corn. This is not a metaphor. Diagnosed in childhood with an autoimmune condition triggered by corn syrup and cornstarch, and told at 18 that he had to leave the United States or get seriously ill, he had a narrow set of options. He had an Irish passport. He spoke English. He wanted to work in entertainment. "It had to be the UK," he says, with the resigned practicality of someone who has made peace with a situation long ago. "That is the only reason I live in this country." He says it without bitterness. That matter-of-fact quality, a kind of refusal to be precious about things that could easily be turned into tragedy, turns out to be a fairly good summary of his entire approach to comedy. > "Every part of me was up for debate in this country. And it has been, since Brexit." Cathal is a trans comedian, writer, and performer whose current show, Trans\*Atlantic, asks one sharply efficient question: if you are a trans man and a US expat living in Britain, which identity makes you the bigger villain? Reviews Hub awarded it five stars and suggested it should be required viewing for Starmer's cabinet, JK Rowling, and assorted Guardian columnists. He has since personally invited every major political party in every city on the tour. Labour wrote back. Their response, he notes with some delight, was: "We don't hate all Americans." "Bit of a slip of the tongue there," he says. ### **Corn, exile, and the comedy of necessity** Before Trans\*Atlantic, there was Deadnamed, a show that reframed the trans coming-out experience as a funeral, complete with Cathal emerging from a real coffin in a top hat. The show grew out of time he spent during COVID monitoring transphobic online spaces for a different project: reading them every day, going undercover, absorbing the language that parents used to describe their trans children. "One woman literally said she wished her child was actually dead, because that would be easier than living with a monster," he says. "They've basically recreated the Irish changeling myth. The idea that my child's been stolen from me." The changeling myth, for those unfamiliar, ends badly for the child. He puts this in the show alongside the origin of the word deadname, which he finds philosophically grating. "Nobody is dead. You changed your name. Past you didn't do anything wrong and doesn't deserve the death penalty." The show will next be performed at the Wild Stages Festival in Dublin. He flies there directly from Brighton on the morning of 3 May, coffin in luggage. "If you come to the Brighton show," he says, "you'll see me with a coffin in a suitcase." ### The refined hatred Trans\*Atlantic works because its central tension is real rather than constructed. British people, Cathal argues, hold a genuine and deep-seated antipathy towards Americans, but they have learned to manage it in the way they manage most things they find distasteful: with wit and plausible deniability. "It's a refined hatred. It's not sloppy. They know where the line is. They know how not to go too far in the outward hatred, but it's there." He compares it to the way Britain handles racism: insidious, expressible as banter, always distanceable with "it was just a joke." The show asks which of his two identities attracts more active hostility. His conclusion is not that Britain hates Americans more than trans people, but that the hatred operates differently: the anti-Americanism is absorbed into cultural background noise, while transphobia is codified, debated, and acted upon by governments. "The UK's not making any laws about Americans," he says. "It's only about the trans people." ### What the Supreme Court ruling felt like Cathal was in the stalls of the Diorama Theatre in London, doing final edits on an essay about making trans art in Britain, when the Supreme Court ruling on the definition of woman in the Equality Act came through. The timing was not coincidental in any meaningful sense, but it felt like it was. "There was just a surreal thing," he says. "It's harder than ever to make art, but it is the most important moment of our lifetimes to do it. If this isn't what we've been training for, what's been the point?" He connects this to something he believes Brits misunderstand about free speech: that it refers to state suppression, not audience preferences. Donald Trump having CBS pull late-night shows is a free speech violation, he argues. Someone not buying a ticket to your comedy show is not. "This country doesn't have free speech as a right, technically, because there isn't a codified constitution. There's freedom of expression." The distinction matters, and the conflation of the two, he suggests, is partly a product of American cultural soft power arriving without the legal architecture that underpins it. ### Comedy as the thing they can't ignore Cathal is consistently precise about what comedy can and cannot do politically. He is not, he makes clear, here to deliver gender 101\. "I'm here to talk about and make room for queer joy. If that isn't enough to get you on board, this isn't for you." At the same time, he has a serious argument about art as a political force. He uses the example of Marvel and Harry Potter, two enormous intellectual properties that had the leverage to include queer characters in markets hostile to LGBTQ+ people and chose instead to cut those scenes for revenue. The alternative, he argues, is possible: "It is possible to make art so good and so demanded that you will change government policy. People are just unwilling to do it." He says this without romanticism. He also says that some people will never be changed, and that resources spent trying to change them are wasted. What he would actually do with five minutes in front of the people making decisions on trans rights is, he concludes, probably not much. "The people making the decisions I kind of think of as lost causes at the moment. I'd rather have five minutes with queer people who stand against the trans community." What would he say? "You're next. I don't know why you think they'll stop with us. They never do." ### On stage when it isn't working One of the more unexpectedly practical corners of the conversation involves what he actually does when a room turns. The answer is methodical: check whether everyone bombed that night, or just you. If just you, check the joke, the intonation, the framing. Work out whether the audience misread your intent. "I've yet to run into a crowd which is just fully transphobic and I say I'm trans and they're out of this." He has performed in places where you would expect more resistance, and his method for bringing those rooms back is telling: start with the bathroom debate jokes, which are ridiculous enough to get anyone. Or deploy what he calls the sex analogy: his comedy is like sex. If you're straight, you'll still enjoy it. It is better if you're queer. "The straight women in the room get that. They're having bad sex. They're not unaware." And if none of that works? "I look at the clock and go, well, I've got seven more minutes and I'm getting paid two hundred quid. This is now I'm not an artist. This is the job. I'm here to do my fifteen and then go home. ### What's next After Trans\*Atlantic wraps, Cathal is developing Time Bomb: How to Live When You Know You're Getting Cancer, which he describes as being about the history of cancer, society's relationship with illness, and his own family history. Everyone in his family gets cancer, he says. It kills them. He is certain he will too. "A very uplifting show," he adds, deadpan. There are also two short films in production, one in Ireland and one in New York. He is not bored. **Trans\*Atlantic: spring 2026 tour dates** - Brighton: 2 May, Komedia Studio (Brighton Fringe) - London: 18 May, Queer Comedy Club - Cambridge: 29 May, Blue Moon - Dublin: 4 to 9 May, Wild Stages Festival (Deadnamed) 🎧 Listen to the full conversation with Dian Cathal on [Political by Design](https://www.scenemag.co.uk/political-by-design/), available here on scenemag.co.uk and wherever you get your podcasts. ### They said we were finished. They were wrong URL: https://www.scenemag.co.uk/they-said-we-were-finished-they-were-wrong/ Last updated: 2026-04-26T12:20:30.000Z A landmark global report confirms what LGBTQ+ people already knew: the backlash is real, coordinated, and funded. But so is the fightback, and it's winning more than anyone is being told. There is a number that should stop you in your tracks. At Budapest Pride in June 2025, tens of thousands of people filled the streets of the Hungarian capital in direct defiance of a government law that had banned LGBTQ+ public events and authorised state surveillance to enforce it. Not hundreds. Not a few thousand brave souls. Tens of thousands, making it the largest crowd in the parade's 30 year history. Read that again. A government criminalised Pride. And the response was a record turnout. ![](https://www.scenemag.co.uk/content/images/2026/04/Budapest_Pride-_Hungria-_Jun.2025_-54624138918-.jpg) Budapest Pride That image, of a city overflowing with people who refused to be made invisible, is the one that stays with me after reading the [2026 *State of Civil Society Report* by CIVICUS](https://publications.civicus.org/publications/2026-state-of-civil-society-report/?ref=scenemag.co.uk), the global civil society alliance. Now in its 15th year, the report draws on over 250 interviews with activists, lawyers, community organisers and human rights defenders across approximately 100 countries and territories. It is the most comprehensive survey of global civil society produced anywhere, and this year, for the first time, it has dedicated a full chapter to gender rights: rollback and resistance. What it finds should be read by every LGBTQ+ person who has spent the past year feeling like the walls are closing in. Yes, the walls are closing in. But they are not closing fast enough to keep us out. ### The playbook and how to read it Let's start with what the report calls the bad news, because understanding the strategy being used against us is the first step to defeating it. ![](https://www.scenemag.co.uk/content/images/2026/04/SOCS-2026-banner_EN-1-1.png) CIVICUS report graphic | Source: civicus.org The CIVICUS report is unambiguous: what we are witnessing is not a series of unconnected local culture wars. It is a coordinated, cross border political strategy with a recognisable playbook. The method is to frame gender equality and LGBTQ+ rights as dangerous foreign ideologies, position queer and trans people as threats to children and family values, and deploy cultural anxiety as a smokescreen for economic failure. When a government cannot fix the cost of living, it finds a scapegoat. We are that scapegoat, and we have been before. When Donald Trump signed executive orders in January 2025 imposing a strict biological definition of sex, stripping non discrimination protections from LGBTQ+ people and banning diversity and inclusion policies, the effects rippled outward almost immediately. The report documents what it calls a "copycat effect" that moved with remarkable speed. Hungary's Pride ban, Slovakia's sweeping constitutional amendments defining sex as exclusively biological, Kazakhstan's Russian style "gay propaganda" law, the recriminalisation of same sex relations in Trinidad and Tobago, and a new law in Burkina Faso criminalising same sex relations and their "promotion" — all of this happened in 2025 alone. For those of us who cover politics, none of this is accidental. These governments are not independently arriving at the same conclusions. They are sharing a template, and the collapse of US foreign aid under USAID has removed one of the few financial counterweights that gave governments in the Global South pause before enacting anti LGBTQ+ legislation. This is where the statistics come in, and where we need to be alert to what is being done with them. ![](https://www.scenemag.co.uk/content/images/2026/04/overview.jpg) CIVICUS report graphic Photocredit CIVICUS ### The numbers you are not supposed to see The CIVICUS report contains a finding about data that deserves far more attention than it is receiving. Around 70% of national statistical offices worldwide have seen their gender specific data collection funding slashed, not by their own governments, but as a direct consequence of the gutting of US foreign aid. Think about what that means in practice. Governments that want to show the world that women and girls are thriving, or more cynically, that they cannot be held accountable for failing them, now have fewer independent datasets measuring their progress or lack thereof. This is a deliberate use of statistical silence to make suffering invisible. You cannot challenge a policy you cannot measure. You cannot lobby for change using data that has stopped being collected. The UN's own *Gender Snapshot 2025* already projects that 351 million women and girls will remain in extreme poverty by 2030\. But if the data infrastructure is being dismantled, the real number becomes unknowable, and that unknowability suits some governments very well indeed. As a journalist who spends a lot of time interrogating how statistics can be weaponised, I want to name this clearly: the defunding of data collection is itself a political act. It is a way of winning an argument by making the argument impossible to have. ### But here is what they cannot erase Here is what I find genuinely thrilling about the CIVICUS report, and why I think it matters so much for our community to read it carefully rather than skim the headlines. The same methodology that documents the rollback also documents the resistance, in granular, country by country, case by case detail. And the resistance, the report concludes, is proving just as contagious and just as coordinated as the backlash. Over 100,000 people attended London's Trans+ Pride. Marriage equality came into effect in both Thailand and Liechtenstein. Courts in St Lucia decriminalised homosexuality, making it the fifth Caribbean country to take that step in recent years, a regional momentum that tends to get almost no coverage in British LGBTQ+ media. Denmark and Norway both expanded abortion rights, raising legal limits from 12 to 18 weeks. The Court of Justice of the Economic Community of West African States delivered a landmark ruling against Sierra Leone on female genital mutilation, finding it constitutes torture under international law. And then there are the victories that never make headlines at all, the ones that the CIVICUS report is particularly valuable for surfacing: legislation that was stalled, bills that were softened, laws that were never passed. Civil society groups blocked an attempt to repeal The Gambia's ban on female genital mutilation. Campaigners paused Latvia's withdrawal from the Istanbul Convention on violence against women. In Kenya, the Family Protection Bill, which would have introduced the death penalty in some circumstances, was stalled by sustained civil society pressure. These are wins. They just do not look like wins unless you understand what nearly happened. ![](https://www.scenemag.co.uk/content/images/2026/04/gender-banner-01.jpg) CIVICUS report graphic Photocredit CIVICUS ### Resistance as infrastructure One of the most important analytical moves the CIVICUS report makes is to insist that we understand resistance as infrastructure, not just as heroic spontaneity. The tens of thousands who marched in Budapest did not materialise from nowhere. The Afghan women running underground schools under Taliban rule, continuing to document abuses and maintain solidarity networks after the Taliban shut down nationwide internet access in September 2025, did not simply find courage from thin air. They built networks. They made plans. They sustained relationships across years of difficulty. This matters because one of the most powerful tools the anti rights movement uses is the narrative that progress is reversible and activism is futile. If you can convince LGBTQ+ people that every gain can be taken away, that every government can turn hostile overnight, that no victory is ever secure, you produce exactly the exhaustion and despair that makes organising harder. The data in this report is a corrective to that story. Decriminalisation in the Caribbean is not reversing. Marriage equality in Thailand is law. South Africa has declared gender based violence a national disaster, a direct result of years of campaigning by civil society groups who refused to accept the status quo. CIVICUS Secretary General **Mandeep Tiwana** puts it with careful precision in the report: victory is not assured, but neither is defeat. The path forward, he says, is being actively forged by those who refuse to accept the unacceptable. ![](https://www.scenemag.co.uk/content/images/2026/04/democracy.jpg) ### What the report means for us Reading the 2026 *State of Civil Society Report* as a British LGBTQ+ journalist, a few things strike me particularly hard. The first is the extraordinary scale of the research base. This is not opinion dressed up as analysis. Over 250 interviews across around 100 countries, drawn from CIVICUS's rolling analysis initiative, CIVICUS Lens, this is the kind of longitudinal, multi country research that governments and international institutions routinely commission at great expense. When it tells us the resistance is organised, it is not offering comfort; it is reporting a finding. The second is that the UK, while not a focus of the report, is not exempt from the dynamics it describes. The cultural playbook being used in Hungary, Slovakia and Kazakhstan has enthusiastic advocates in British politics. The deliberate blurring of trans rights with the protection of children; the framing of gender equality as ideological imposition rather than basic justice; the use of culture war debates to avoid accountability on economic policy, none of this is foreign to the British political conversation. We should read this report not as a dispatch from elsewhere, but as a description of forces that are already operating here. The third is the point about data. In the UK, we have our own debates about how equalities data is collected and who gets counted. The lesson from the CIVICUS report is that the fight to be counted, to exist in statistics, to be measured, to be made visible to policymakers, is not a technocratic footnote to the real struggle. It is part of the real struggle. Invisibility is a policy choice, and it is enforced through budget decisions and data collection frameworks, not only through legislation. ![](https://www.scenemag.co.uk/content/images/2026/04/imago824886292.jpg) A record-breaking crowd marches in defiance of a government ban during the 30th annual Budapest Pride parade on 28 June 2025 in downtown Budapest, Hungary. Photo by IMAGO / EST&OST I want to come back to Budapest. Because in a news cycle dominated by images of harm, bans, prosecutions, criminalisation, erasure, the image of a record breaking Pride march in a city whose government has tried to end Pride entirely is genuinely important. It is not naive. The report is very clear eyed about the suffering being caused by the global anti rights movement. The harm to LGBTQ+ people in conflict zones who have lost access to health services, the trauma of recriminalisation, the slow grinding fear of living under surveillance, none of this is glossed over. But the report insists, with evidence, that the people doing this harm have not won. They are trying to win. They are using every tool available. They are spending money, passing laws, building transnational networks and cultivating political allies. And they are being met, every time, by people who turn up anyway. Tens of thousands of people turned up in Budapest. Over 100,000 people attended Trans+ Pride in London. Campaigners in The Gambia, Latvia and Kenya blocked legislation that would have caused serious harm. The backlash is organised. So is the resistance. And the resistance, the report tells us, is proving harder to extinguish than anyone expected. That is not a small thing. In a year that has felt relentlessly dark, it is worth sitting with for a moment. ![](https://www.scenemag.co.uk/content/images/2026/04/gen-z.jpg) ### Postscript: Budapest, one more time As this piece was being finalised, news arrived that gave the Budapest story a remarkable new dimension. On 21 April 2026, the European Court of Justice delivered a judgment described in news reports as historic, landmark and unprecedented. The full court, sitting with all 27 judges, found that Hungary had so seriously and systematically violated the fundamental rights of LGBTQ+ people through its 2021 law that the legislation breaches the very identity of the European Union itself. It is the first time the court has found that an EU member state violated the fundamental values set out in the EU Charter of Fundamental Rights. The timing could not be more loaded. The ruling arrived just nine days after Viktor Orbán's 16 year grip on power was ended by a landslide election victory for opposition leader **Peter Magyar.** ILGA Europe's deputy director **Katrin Hugendubel** responded directly: "There is now no excuse for the Commission not to require Hungary to quickly withdraw the law. Hungary cannot enter a post Orbán era without repealing this legislation, including the Pride ban. If Magyar truly aims to be pro EU, he must place this at the top of his agenda for his first 100 days in office." Think about what has happened in Hungary in the space of a single year. A government banned Pride. Hundreds of thousands marched anyway. That same government lost a national election. And now the highest court in Europe has ruled that the law underpinning that ban is incompatible with the foundational values of the European Union itself. The court observed that the law had effectively and falsely conflated LGBTQ+ people with paedophiles, finding that this stigmatises and marginalises LGBTQ+ people and encourages hostility and hatred against them. This is not a technical infringement finding about broadcasting regulations. It is the European legal order saying, in the plainest possible terms, that what Orbán did to LGBTQ+ people in Hungary was an attack on human dignity at the most fundamental level the law recognises. The CIVICUS report was right. The backlash is coordinated. But it is not invincible. It can be marched against, voted out, and as Budapest has now shown the world twice over, ruled unlawful by the highest courts in the land. That is the story the numbers tell, if you know how to read them. --- *The 2026 State of Civil Society Report is available in full at* [*publications.civicus.org*](https://publications.civicus.org/publications/2026-state-of-civil-society-report/?ref=scenemag.co.uk)*. It is the 15th annual report from CIVICUS, the global civil society alliance, which has over 17,000 members in more than 175 countries.* ### "Kevin will be deeply missed by so many". Kevin Coyle, founder of Drag Bus, has passed away URL: https://www.scenemag.co.uk/kevin-will-be-deeply-missed-by-so-many-kevin-coyle-founder-of-drag-bus-has-passed-away/ Last updated: 2026-04-25T20:51:43.000Z **Kevin Coyle**, the founder of **Drag Bus**, passed away unexpectedly yesterday. Kevin launched Drag Bus in 2023, transforming a classic red Routemaster into a celebration of drag, cabaret and community. What began as a limited run of events quickly grew into a nationally recognised brand, bringing drag brunches, themed tours and Pride appearances to cities across the UK. Known for his warmth, enthusiasm and deep respect for drag artists, Kevin was widely credited with creating a space that felt both joyful and inclusive. Performers and passengers alike spoke of Drag Bus as more than just entertainment, describing it as a safe, affirming environment that welcomed people from all walks of life. Under his leadership, Drag Bus expanded beyond Brighton to London to Belfast, Bournemouth, Southampton, becoming a familiar and much‑loved presence at Pride events nationwide. The experience featured some of the UK’s best-known drag talent and helped platform emerging performers. Tributes have begun pouring in from across the drag and LGBTQ+ communities, with many highlighting Kevin's kindness, generosity and unwavering belief in the power of drag to build connection and joy. Drag Bus was a proud sponsor of **Brighton & Hove Sea Serpents** RFC, which said on social media: "It is with an incredibly heavy heart that we share the heartbreaking news that Kevin Coyle sadly passed away unexpectedly yesterday in Brighton. "Kevin was a truly special soul who brought laughter, energy and kindness wherever he went. Kevin was also a huge advocate for making rugby inclusive and accessible to all, with Drag Bus being a proud sponsor of Brighton & Hove Sea Serpents RFC. "His generosity, belief in community, and passion for helping others will leave a lasting legacy within our club and far beyond it. Kevin will be deeply missed by so many. Our thoughts and love are with his family, friends and everyone lucky enough have known him." **Gary Pargeter** – Service Manager at **Lunch Positive** "Everyone at Lunch Positive is so incredibly saddened to hear of the sudden passing of Kevin Coyle who has been our massively supportive, kind and generous friend for many years. " "Through Kevin directly and as a chosen charity of the fabulous Drag Bus which is created by Kevin with his typical energy and flair, Kevin's support has helped us thrive and so supported very many of us living with HIV." "We're forever grateful. Like so many across our community and wider beyond we feel shocked and so incredibly sad at losing him, his wonderful qualities as a human being and how positively he touched so many lives. We're sending our love and deepest sympathies to everyone." ### Jeezus the Musical @ New Diorama Theatre, Euston URL: https://www.scenemag.co.uk/jeezus-the-musical-new-diorama-theatre-euston/ Last updated: 2026-04-25T16:36:35.000Z [*Jeezus the Musical*,](https://www.instagram.com/jeezus.uk/?ref=scenemag.co.uk) the irreverent, semi-autobiographical creation now blessing the New Diorama Theatre, Euston performs the loaves-and-fishes trick of turning a small stage into a vessel brimming with joy. It tells the story of young Jesús, a pious, hormonally supercharged altar boy with a spectacular crush on history's most famous six-packed saviour, crashing headlong into a military father who views this particular vocation with considerably less divine approval. Woven beneath the saucy comedy are shadows: Peru's dictatorship, nightly curfews, colonisation, revolution, the grimy legacy of clerical abuse. The show knows where the abyss is. It just prefers to twerk on the edge of it. It sashays, brazenly and without apology, between the full gothic weight of centuries of religious oppression and a really excellent bum joke, sometimes within the same breath, occasionally within the same hip thrust. That this constitutes a coherent theatrical experience is, darling, the evening's opening miracle, and by no means the last. ![](https://www.scenemag.co.uk/content/images/2026/04/Alpaqa_Jeezus@NDT_-c-AlexBrenner__93_2072_dx_s1.jpg) Alpaqa\_Jeezus@NDT\_(c)AlexBrenner Those heavy themes are touched, singed briefly like a liturgical candle held to an altar cloth, then bounced firmly back toward sequins. The production returns, again and again, to an affectionate, even slightly reverent, relationship with the Catholic aesthetic it is nominally skewering. The cross remains, lovingly lit. But underneath all the flamboyant cabaret numbers beats a sweet, soppy message about queer love winning through, and the audience, bless every one of their miraculous souls, received this gospel with pentecostal enthusiasm. Much of this is down to the magnetic alchemy of the two performers and creators, **Sergio Maggiolo & Guido García** clad in the purple and white of South American Catholicism that lets the iconography do some heavy lifting while the performers get on with being delightful. Their chemistry is authentic in a way that can't be manufactured: this is their show, story, and blasphemy, and they inhabit it with the radiant, unguarded pride of people who have created something genuinely personal. Their performances lean fully, magnificently into melodrama, the camp occasionally teeters toward critical mass, but that excess is the joke, a knowing wink at the genre that gives the show so much of its outrageous, irresistible charm. ![](https://www.scenemag.co.uk/content/images/2026/04/Guido-Garcia-Lueches---Alpaqa_Jeezus@NDT_-c-AlexBrenner__11_8028_dx_s1.jpg) Alpaqa\_Jeezus@NDT\_(c)AlexBrenner\_ Neither have huge ringing voices, but here is the sacred truth of live theatre: authenticity will always, *always* perform a miracle that mere technique can't. The fervour, the comic timing, and the sheer glee with which Maggiolo and Garcia sing their own material, material they clearly believe in with something approaching doctrinal conviction is genuinely infectious. Their central comic-theological thesis, delivered with a tongue placed so firmly in cheek it risks permanent relocation, draws on the observable facts: that according to Catholic teaching, Jesus spent his earthly time surrounded by devoted men who adored him, and that on most crucifixes he is *ripped*. Their conclusion: that's pretty gay. ![](https://www.scenemag.co.uk/content/images/2026/04/Sergio-Antonio-Maggiolo---Alpaqa_Jeezus@NDT_-c-AlexBrenner__93_2814_dx_s1.jpg) Alpaqa\_Jeezus@NDT\_(c)AlexBrenner\_ Garcia's musical direction keeps the whole blessed thing buoyant with **Tom Cagnoni'**s playing of Latin rhythms, playful melodies and musical interludes, all of it perfectly calibrated to the show's register of knowing, high-spirited camp. Director **Laura Killeen** keeps the whole thing tight and delivered in 69 minutes. ![](https://www.scenemag.co.uk/content/images/2026/04/Alpaqa_Jeezus@NDT_-c-AlexBrenner__12_2671_dx_s1.jpg) Alpaqa\_Jeezus@NDT\_(c)AlexBrenner\_ Did I, personally, experience full beatification? I must confess that I arrived at the New Diorama hoping for something a little more incendiary. A savage, structurally fearless satire about growing up queer as an indigenous Peruvian after centuries of colonial violence, Catholic oppression, and institutional corruption, all delivered with tremendous jokes and irresistible tunes. I received the jokes. I received the tunes. The savage structural reckoning, however, was, like the Second Coming, deferred for a later occasion. Whether there is a quietly iconoclastic fury lodged inside these two, waiting to be unleashed in a future, less charming, more devastating show. I earnestly hope so, and would encourage their campy iconoclasm tenfold. But my own private expectations are, frankly, irrelevant to the review of the show that actually exists, and the show that actually exists is warm, joyful, exquisitely performed, and thoroughly delightful. They charm you from the first moment. Full octane joyous silly daft campery, with a tiny purple cape and glass beaded nipple tassels and they do not let go. **Bonus miracle:** *After the show, the congregation was treated to tamales from* [**Con Pasión Perú** *,* ](https://www.instagram.com/conpasionperu/?ref=scenemag.co.uk)*the wonderful Peruvian cooperative founded by Joana Rossi Cardenas. Deeply worth seeking out, very much worth eating. A fitting communion, and further proof that Peru's gifts to this world are manifold and delicious.* Jeezus is running through 9th May, [full details here:](https://jeezus.uk/play/?ref=scenemag.co.uk) ![](https://www.scenemag.co.uk/content/images/2026/04/Alpaqa_Jeezus@NDT_-c-AlexBrenner__11_8358_dx_s1.jpg) Alpaqa\_Jeezus@NDT\_(c)AlexBrenner\_ ### The Saturday Scene: Has the UK become ungovernable, and what does that mean for us? URL: https://www.scenemag.co.uk/the-saturday-scene-3/ Last updated: 2026-04-25T07:30:09.000Z _This post is for subscribers only._ ### Discover the LGBTQ+ history of South East England at Hastings Museum & Art Gallery URL: https://www.scenemag.co.uk/discover-the-lgbtq-history-of-south-east-england-at-hastings-museum-art-gallery/ Last updated: 2026-04-24T12:00:05.000Z A new exhibition opening tomorrow will invite audiences to discover the LGBTQ+ history of South East England at **Hastings Museum & Art Gallery** from **25 April - 30 August 2026**. Presented across the summer in collaboration with arts organisation **Home Live Art** and Hastings Museum & Art Gallery, it features stories of joy, defiance, community and survival collected together by **Hastings Queer History Collective**. **Lemons, Laws & Secret Doors*,* which is supported by the **National Lottery Heritage Fund**, brings the research of Hastings’ LGBTQ+ past across the last two hundred years together with stories of today to life through fashion, sound, multimedia art and a major new commission by Southeast artist **Emma Frankland**. ![](https://www.scenemag.co.uk/content/images/2026/04/Victor-Kenneth-Jones--Hastings--c.1950s.-Trans-pioneer.-Image-courtesy-of-Joel-Lewis_2.jpg) Victor Kenneth Jones, Hastings, c.1950s. Trans pioneer. Image courtesy of Joel Lewis The grassroots approach to the exhibition by the History Collective presents a radical new way of thinking about the formal history of British seaside towns. It celebrates a community, which has had a long and thriving LGBTQ+ scene, who have thus far not been historically documented in the area, while connecting to wider LGBTQ+ movements across the south coast of the country. From the recreation of a 1980s LGBTQ+ community disco night in the caves under Hastings, to documenting a queer Dungeons and Dragons community group in Hastings & St Leonards, the new exhibition reaches back as far as the 1800s and brings audiences up to present day. Hastings Queer History Collective have painstakingly researched, curated, and created material representing the queer community in Hastings over a hundred years and the exhibition features art and archive from all corners of the town, featuring 1880s seaweed shops, Secret Doors across Hastings, gender play on the pier and the queer pheasant that broke the internet. At its centre the exhibition will present a brand new artwork from award winning writer, theatre maker and artist Emma Frankland. The piece focuses on Emma’s fascination with sign writing, inspired by the history of political signs and slogans on placards around the world. **Home Live Art** said: “This exhibition feels long overdue and deeply joyful. Working with the Queer History Collective has been central to this as it is their knowledge, research and lived experience that shapes it. Together we are bringing Hastings' queer voices and stories into view, because we need them now more than ever.” ![](https://www.scenemag.co.uk/content/images/2026/04/Hastings-Queer-History-Collective-and-Home-Live-Art-Team-1.jpeg) Hastings Queer History Collective and Home Live Art Team **Hastings Queer History Collective** said: “We are LGBTQ+ people living in this town today. What appears in this exhibition is shaped by our identities and perspectives. We are not separate from the queer heritage we foreground. We are part of it. There is no single way to be queer. "There is no singular queer Hastings. What you encounter reflects both what has survived and what we have chosen to share. It gathers some of those lives together - not as the final word, but as one moment in an ongoing story of Hastings’ queer histories.” **Emma Franklin** said: “I wanted to honour the energy and clarity that comes with the protest sign in this work and give something that is usually ephemeral a more permanent place as an artwork.. At a time when LGBTQ+ rights are, once again, under direct threat, the creation of this artwork brings together a powerful history of queer resistance. Emphasising in physical form the reality that ‘we have ALWAYS been here'.” Alongside the exhibition, a programme of events – including panels, performances, a picnic and a party – will be announced soon. ### Kim Leadbeater MP compares assisted dying debate to gay marriage reform URL: https://www.scenemag.co.uk/kim-leadbeater-mp-compares-assisted-dying-debate-to-gay-marriage-reform/ Last updated: 2026-04-24T11:15:04.000Z Labour MP **Kim Leadbeater** has said legalising assisted dying should be treated as a matter of personal choice, comparing it to Parliament’s decision to allow same‑sex marriage, as she renews her campaign to change the law in England and Wales. Speaking amid efforts to revive her stalled **Terminally Ill Adults (End of Life) Bill**, Leadbeater argued that assisted dying is a social issue where the state should enable individual choice rather than impose a single moral view. Supporters of reform, she said, were seeking the same principle that underpinned the legalisation of gay marriage more than a decade ago. Leadbeater, the MP for Spen Valley, has consistently framed assisted dying as a question of dignity and autonomy for terminally ill adults with less than six months to live. Her proposed legislation would allow eligible patients to request medical assistance to end their lives, subject to the approval of two doctors and an expert panel, with safeguards intended to protect vulnerable people. The comparison with same‑sex marriage reflects Leadbeater’s broader argument that reform would not compel anyone to act against their conscience. As with gay marriage, religious bodies and individuals who oppose assisted dying would not be required to participate. Instead, the law would provide a legal option for those who wish to choose it. Her comments come as the assisted dying bill is set to fall at the end of the current parliamentary session after becoming bogged down in the House of Lords, where opponents tabled more than 1,000 amendments. Leadbeater has accused peers of attempting to “talk out” the legislation despite it passing key votes in the House of Commons. Despite the setback, Leadbeater has vowed to bring the bill back in the next parliamentary session, saying the issue “is not going away”. She told *Politico* that the legislation is about giving people “choice over their deaths”, and insisted that public support remains strong. Assisted dying has long divided Parliament along ethical, religious and disability‑rights lines. Opponents argue that any change in the law risks coercion and could place pressure on elderly, disabled or seriously ill people. Some disability campaigners warn the bill could create a sense of obligation to choose death over care. Leadbeater rejects those claims, pointing to international evidence from jurisdictions where assisted dying is legal. She has insisted that countries with tightly drawn criteria and strong safeguards have not seen a so‑called “slippery slope”. “This is about people who are terminally ill,” she previously told Sky News. “It’s not about people with mental illness or long‑term disability.” ### INTERVIEW: Conleth Kane on grief, joy, becoming his truest self and his Andy Bell approved EP, Erasure-esque URL: https://www.scenemag.co.uk/conlethkane2026interviewerasure-esque/ Last updated: 2026-04-24T13:45:02.000Z Fresh from a trip home where he went from “**London iPhone** on 1% battery” to fully recharged, multi award-winning independent singer and songwriter **Conleth Kane** has returned to the big smoke armed with a brand new EP, *Erasure‑esque*. A brand new EP so lovingly crafted that **Erasure**'s **Andy Bell** himself gave it his blessing. That has to be the gay equivalent of being knighted, right?! But beneath the glitter of 80's synths and the joy of giving iconic tracks a 2026 glow up, there’s a deep tenderness running through his story: the grief of losing his mother, the resilience of a queer kid navigating the hostile politics of 90's **Northern Ireland** and the pride of an artist finally taking up the space he always deserved. The super talented Conleth Kane serves pure homo historic excellence. In this interview, he reveals his crush of the day, casually drops that **Geri Halliwell** introduced him to yoga and somehow threads grief, resilience and queer joy into one glitter dusted constellation so let's dive in head first! DALEYPOP: Conleth! How are you?! CONLETH KANE: I'm really good thanks Dale! I've just had some quality time at home in Northern Ireland with my dad. I always feel like I leave London like an iPhone on 1% battery and when I'm in my family home it's like sitting in a charger. I'm currently sat in **Belfast City Airport** about to fly back to the big smoke. DALEYPOP: Oooh safe travels! For our readers who might not know you or your music (yet), can you give us a little introduction? CONLETH KANE: I'm a gay, independent pop artist based in London (originally from Northern Ireland). I write my own music as well as covering songs that I wish I'd written or that inspired me as an artist, singer, and writer. I have performed all over the **UK**, **Europe** and even as far as **Australia**. > My new EP *Erasure-esque* is a body of work to celebrate the 40th anniversary of one of my all time favourite bands, Erasure. DALEYPOP:Well I just want to say a huuuuge congratulations on your new EP being released into the world, and thank you for sharing your talent too! I love pop music and you're honestly super talented. Have you always been super talented and do you think anyone can learn to sing?! (Asking for a friend). > [ View this post on Instagram ](https://www.instagram.com/reel/DVZC85BCMd5/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by PATRICK CONLETH KANE (@conlethkane)](https://www.instagram.com/reel/DVZC85BCMd5/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) CONLETH KANE: Thank you! I'm really proud of *Erasure-esque* and my vocal delivery/arrangements on this particular record. I wouldn't say that I have always been super talented but singing and performing have always been a passion of mine. I trained at one of the country's most prestigious stage schools, [**ArtsEd**](https://www.instagram.com/artsedlondon/?ref=scenemag.co.uk) (alumni include **Julie Andrews** and **Will Young**). I invested heavily in my craft and have worked very hard to get to this point. Can anyone learn to sing?! I think singing is a talent that you are born with, but I do think someone can learn to hold and tune and carry it well with certain techniques. I don't think that you can teach anyone a talent, but you can teach them techniques. I hope that answers your question. DALEYPOP: It does, thank you! I met Julie Andrews in **M&S** once by the way and she told me that M&S do the best jeans. OMG no I mean **Julie Walters**! Anywaaaaaaay you mentioned to me earlier about finding a sense of freedom at performing arts school in London, can you remember the exact moment it first felt real and when everything shifted and you thought, "Yep, this is where I'm supposed to be"? CONLETH KANE: Going to ArtsEd was a huge achievement for me. I felt like **Charlie Bucket** getting the golden ticket for the chocolate factory. I never missed a day in my 3 years. I absolutely hated high school in Northern Ireland. I was harassed, bullied and I believe that I spent many of my teenage years in a depression. I was a creative gay kid and I was being shoehorned into a generic academic lane in life and I struggled with it all. Not many people understood me. Everyone around me had boyfriends or girlfriends and wanted to be a teacher or a dentist or work in the corporate world. I didn't understand them and they didn't understand me. I was so incredibly driven to escape the big city. > Going to ArtsEd in London was truly life changing. I felt celebrated, normal and accepted. I look back on it as some of the best days of my life. It wasn't easy though. The training was robust and tough. DALEYPOP:I guess you've just touched on it a bit there, but as a young gay person growing up in an incredibly conservative Northern Ireland in the 1990's under an openly homophobic government, how did that environment influence how you understood yourself and your place in the world? CONLETH KANE: The **DUP** (**Democratic Unionist Party**) were and still are dinosaurs. They blocked the passing of equal marriage at any given opportunity and they spoke openly about homosexuality many times on TV and radio, even promoting conversion therapy on huge media outlets like the **BBC**. Many of those publicly shamed the LGBTQ+ community were ultimately hit with their own scandals. There are generations of queer people who felt real shame as a result of extremely right wing and powerful politicians in Northern Ireland. > I was so eager to escape the madness of Northern Irish politics when I was younger. DALEYPOP: I don't blame you. So what does Pride personally mean to you now then and would you be open to sharing your coming out story with our readers? CONLETH KANE: I came out to my mother when I was 15\. I was truly blessed with a loving and protective mother. She pretty much made me tell the rest of my family straight away as she was such a gossip. I was so terrified of telling her as she was my favourite person on the planet. I was the first gay person my mum had met. I lost her 8 months ago and I'm still picking the pieces up. Life is very different without her. > My mother showed me the true meaning of Pride-unconditional love. I miss her so much. DALEYPOP: I’m really sorry, she sounds lovely and I know she’d be bursting with pride for you right now! Speaking of people who adore your work, Andy Bell has shown genuine love for your *Erasure‑esque* EP, right?! Can you tell us the goss? CONLETH KANE: Andy Bell is the king of pop and I can't tell you how thrilled and relieved that I am that he has supported me and this project. He came to see me perform in a play in London in 2015\. I'l never forget my nerves as I peaked through the curtains and saw my childhood idol in the front row. We met after the show and had a drink. We swapped numbers. I sent him snippets of *Erasure-esque* before it was released and he was so complimentary and encouraging. He had the EP news included in the official Erasure newsletter. I was so touched and grateful. The Erasure fan base have been incredibly kind and they have supported the EP too. DALEYPOP: That’s honestly incredible! I love how you’ve given each track such a fresh, modern twist by the way. How did you find the balance between honouring something so sacred to you and still making it unmistakably you? And of course....which track is your favourite? CONLETH KANE: I wanted to honour the original sound as much as I could. Why fix what isn't broken? It was important that I brought my own artistry to the table and to merge the sounds. Also, this songs were written and recorded in the 80's. It's 2026 so I fancied giving them a little makeover. **Jon Dixon** at **7th Heaven** (the EP producer) is also a big Erasure fan and we both wanted to do the best job that we could and I believe that we achieved that. My favourite is *Oh L'Amour*. It's actually the 40th anniversary of that song TODAY!\* That's a sign, surely! DALEYPOP:Omg defo a sign! Working with producers (7th Heaven) linked to **Cher** and **Kylie Minogue** is iconic! Did those pop icons boost your confidence going into the studio? CONLETH KANE: I have worked with 7th Heaven since 2021\. They have produced all of my music since Covid. Before the pandemic, I was definitely more of a pop-acoustic style artist but when the world went into lockdown and I couldn't perform live, I sent my original song *Proud* to 7th Heaven to remix and I haven't looked back. They did the official Cher *Believe* remix and her recent hit *DJ Play A Christmas Song* too. They also produced *The Slightest Touch* for **Steps** on their most recent album. I trust Jon 100%. He is a wizard in the studio. I knew that the Erasure fanbase would embrace *Erasure-esque* once they knew that 7th Heaven were on board as 7th Heaven have done 2 remixes for Erasure. It felt a bit more in-house. DALEYPOP: What did the creative process behind the EP really look like for you and how did those first sparks of inspiration transform into the final body of work and what did you go through to bring it to life? CONLETH KANE: Creating the music and visuals is my favourite bit. Promoting it is the hard bit! The build up of excitement and gelling with other creatives to build the project is when I feel most charged and excited. I love everything from the recording and the music production to the styling, filming, photography and graphic design. I am very lucky to work with such a stellar line up of creatives too. I have got to the stage in my career where I very much nurture the creative process as that's when I really flourish and get a real satisfaction from what I do. > I found that creating this EP truly helped me through the pain of losing my mother. The EP was my grief medicine. DALEYPOP:Your EP launch at the iconic [**Royal Vauxhall Tavern**](https://www.instagram.com/rvtofficial?ref=scenemag.co.uk) selling out must have felt like such a defining moment, was that when it truly hit you that this project hadn't just landed but fully connected with an audience? I’m such a believer in gay men uplifting gay men. We should be shouting about each other’s wins, celebrating loudly and taking up space together in the most unapologetic way, right?! CONLETH KANE: That really was one of the best days of my life. I never thought that it was possible to feel that amount of joy after losing my mother. I felt a tidal wave of support that day. I'm very lucky to have such great friends and supporters too. I really invest in my friendships and my social circles. My two sisters live in **Australia**, my brother lives in **America** and my Dad lives in **Ireland**. My friends in London have almost become an extended family. I also had so many people that I had never met drive happy way across the country to attend. It was mind blowing. It was amazing that people came to celebrate the Erasure EP release and then discovered my other original work as a result. DALEYPOP: So what does a usual day in your life as Conleth Kane look like? CONLETH KANE: As an independent artist, I make a lot of phone calls and send a lot of emails. I start my day by making a really healthy shake from scratch, then I probably head to practice or teach a yoga class. It's my other passion. > Geri Halliwell introduced me to yoga back in 2001\. > [ View this post on Instagram ](https://www.instagram.com/p/DJXEgX0Ck0Z/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) > > [A post shared by PATRICK CONLETH KANE (@conlethkane)](https://www.instagram.com/p/DJXEgX0Ck0Z/?utm%5Fsource=ig%5Fembed&utm%5Fcampaign=loading) DALEYPOP: Omg what a wild sentence to be able to drop into conversation. I wish I could say Geri Halliwell introduced me to yoga back in 2001\. So tell me, what’s your star sign and do you actually see yourself in its traits or have you carved out an identity that totally defies the cosmos? CONLETH KANE: I would say that I'm definitely a typical **Pisces**. Sensitive and really in touch with my emotional side. I'm creative and empathetic too. These are all traits that I recognise in myself. DALEYPOP: Vital intel, who's your crush of the day? CONLETH KANE: **Murray Bartlett** is dreamy. ![](https://www.scenemag.co.uk/content/images/2026/04/tumblr_56fb600386f94ec3919381f2f111f7fa_8b1ac8b6_540.webp) DALEYPOP: Oh you have taste. If Murray Bartlett even looked in my direction I know I'd start planning our retirement in **Mykonos**. Do you have any dates our readers should be popping in their diaries? Any Brighton shows maybe?! CONLETH KANE: I'm performing at quite a few major Pride events both in the UK and abroad and I'm putting together a tour at the moment for an intimate acoustic show. My guitarist is going on tour with **Sting** this summer so I'm working around him to try and pin down some dates. It'll more then likely be a London date (or two), but I'd absolutely love to come to Brighton! **Erasure-esque* is on all streaming platforms now. \* *Oh 'L'Amour* by Erasure was released on 21st April 1986. _Includes the latest 500 public posts. Use `/sitemap.xml` for the complete archive of public content._